24 minute read
Music
Art rockers Man Man bring unhinged live show to the Grog Shop
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By Jeff Niesel
RYAN KATTNER OF MAN MAN
had a unique upbringing. A selfdescribed Air Force brat, he was born in Texas but subsequently moved all over the world. As a result, he didn’t experience the typical American adolescent experience of listening to what was popular on the radio.
“I feel that at a time when I would’ve been influenced by peer pressure, second to fourth grade, I was in Germany, so that influenced me in strange ways,” says Kattner, who adopts the moniker Honus Honus when recording and performing with indie rockers Man Man. He spoke via phone from his Los Angeles home. Man Man performs on Tuesday, July 5, at the Grog Shop in Cleveland Heights. “My first CD, for instance, was the soundtrack to La Bamba. My mother and I saw it on the Air Force base. We also saw Fred Astaire movies. My dad listened to classical music and classic rock. My first cassette tapes were the Fat Boys and Weird Al. It’s a weird hodgepodge of influences.”
Initially, Kattner convinced his parents to buy him a Casio keyboard because he wanted to experiment with the sound effects on it. His parents agreed as long he committed to taking piano lessons.
He then picked up the guitar for a bit before migrating back to piano after he bought a Rhodes keyboard for $400.
“At the time, that was my rent,” he says of the purchase. “I eschewed paying rent at the time and bought this electric piano. I didn’t know what I was doing, but I was tired of playing guitar and wasn’t very good at playing guitar. There was a physicality to playing piano that I liked, and I learned to play by playing with drummers, so my playing was rhythmically informed.”
Man Man came together in Philadelphia in the early 2000s.
“I never intended to be in a band,” Kattner says. “It was something I was doing post-college. I went to school for screenwriting and playwriting. I thought it was a fun exercise and outlet.”
Man Man benefited from the fact that Philadelphia embraced all kinds of music, ranging from hip-hop to art rock.
“Philadelphia is a great, weird city,” Kattner says. “It has a very strong identity and sense of self. That comes across in what I was doing musically. There was a sense of ‘I’m going to do what I do, and I don’t care if you don’t like it.’ I owe everything to Philadelphia as far as where I come from musically. It’s a city that has Sun Ra and Hall and Oates and Meek Mills and I could go on and on. There are so many different sounds and a punk attitude. At the time, cool art bands were happening. I loved that scene. But I honestly really just wanted to make one record and get on with my life.”
For 2020’s Dream Hunting in the Valley of the In-Between, Man Man’s first release for the indie imprint Sub Pop Records, Kattner sought to once again evolve.
“I feel as if I’m learning something new with every album,” he says. “You want to continuously challenge yourself. When I relocated to L.A. in 2013, it was a matter of challenging myself. I was fortunate to meet [producer] Cyrus Ghahremani. We just connected instantly. I recorded with him. He had a home studio. We spent three years tracking the songs.”
The album came out in the midst of the pandemic, and the band wasn’t able to tour in support of it. Kattner was crushed.
“It was absolutely devastating,” he says. “It was our first release in six years. We had the option to push the release, but I didn’t want to. I felt like people needed something like it at the time. Music is a great salve when you’re trapped inside. Career-wise, it was pretty devastating. It makes you just wanna quit.”
An album highlight, “Cloud Nein” features gruff vocals and retro-sounding instrumentation. Its cooing backing vocals and woozy horns give it a Beatles-esque vibe.
“It’s definitely influenced by an ex-person I played in the band with,” he says of the song. “When we did the video for that, I just used Shutterstock footage of an old man dancing on the street, and the video ends with the world exploding. We did the video and then COVID hit, and I have this song of a man dancing in the street by himself with the world ending. I didn’t mean to predict that.”
Kattner says he’s excited to play songs from Dream Hunting, but he’s also planning to introduce about six new songs on the tour as well.
“Our band is awesome,” says Kattner. “We are six deep. We’re a great live band — legendary. In this day of information, it’s rare to be a band that flies under the radar. Unfortunately, we still get to hold that banner above our heads. We’ve been rehearsing for the past two weeks because we’re trying to get about 30 new songs under our belts. You go see a band, and they maybe play 15 songs. We play twentysomething songs and there’s no banter, baby. It’s all gas and no brake. We can squeeze 24 or 25 songs into a set. It breaks us, but this is what we do for people. We’re excited to play these shows, and we love the Grog Shop.”
MAN MAN, HARD TAYS NIGHT
8 P.M. TUESDAY, JULY 5, GROG SHOP, 2785 EUCLID HEIGHTS BLVD., CLEVELAND HEIGHTS, 216-321-5588. TICKETS: $12-$16, GROGSHOP.GS.
jniesel@clevescene.com t@jniesel
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MUSIC
IN THE ‘90S, SINGER-SONG-
writer Sarah Borges had the good fortune to be in the right place at the right time. She grew up about 40 miles outside of Boston. A teenager at the time, she gravitated to the city’s heralded indie music scene and regularly saw homegrown bands such as the Pixies, Buffalo Tom, Morphine and Throwing Muses.
“It was indie rock central,” she says of the time via phone from her Boston home. Sarah Borges performs on Friday, July 1, at the Beachland Tavern. “I could see all those bands play locally when I was a teenager. That gave me the mindset that anyone could be in a band. I thought I could be in a band. The first song I wrote was ‘Wisk,’ like the laundry soap. I can’t remember what the words were, but I know I was trying to be super evasive and serious — some dumb crap.”
As much as Borges loved Boston’s indie rock scene, she also took inspiration from the city’s thriving roots scene.
“I saw these country bands at the clubs in Boston,” she says. “It wasn’t the records I was hearing, but it was the bands I was seeing every night. I knew I wanted to do that. When I was writing songs in that vein, it was way easier than writing indie rock stuff. I could just speak plainly and tell a story about a murder or whatever, and it was completely acceptable.”
After playing a gig at a South by Southwest showcase in 2004, she signed her first record deal with Houston’s Blue Corn Records. She’s continued to tour and put out records ever since. In fact, after leaving Blue Corn Records, she’s returned to the label for her latest effort, Together Alone. Since she wrote and recorded the songs for it during the height of the pandemic, it proved to be a challenging but rewarding experience. Struggling to make ends meet, she worked as a courier and then found time when she wasn’t driving to work on the album.
“I’m no longer married, but I have a son who’s 10, and he lives with me, and you never want your kid to go without, so I felt pressure to earn money somehow,” says Borges. “It was a Craigslist ad that I answered [for a courier]. I thought I could do it because I could listen to music and plan my world domination. I’m trying to walk the fine line between being a responsible parent and doing what I love to do.”
Using her son’s closet as a vocal booth, she would write a song and make a demo on her phone and send it back to producer and guitarist Eric “Roscoe” Amble. He would send it back to Borges with a drum loop. He used people that he knew. John Perrin from NRBQ, for example, plays on a few tracks.
The album opens with “Wasting My Time,” a mid-tempo song that pairs Borges’ supple voice with a hard-rocking guitar solo.
“It’s the first one I wrote, and the last song on the record is the last song I wrote,” Borges explains when asked about the tune. “I first did the vocals and acoustic guitar and we had drums. I lived with the mix of that for a while. With some of the stuff, we got lucky. I recorded on my phone with a special microphone. You can’t edit your track. You have to do it in one take. It has to be one continuous take. I had to sing them umpteenth times, so I got really good at some of them.”
“She’s a Trucker,” another highlight, possesses an Old 97s vibe as Borges uses poetic license in capturing her experience as a courier.
“A lot of [the song] is autobiographical,” she says. “That song is about me. I used to make some bad decisions. It was [Ambel’s] idea to write a song about a lady truck driver because there are no songs about lady truck drivers.”
At this stage in her career, Borges says she no longer takes things for granted. She’s excited to finally hit the road again even if it’s not particularly glorious for an independent musician.
“So much of the stuff I’ve done or was lucky enough to do, I was too young or drunk or too stupid to be properly grateful,” she says. “I’m 43 and sober now. So this time around, I love the truck stops and the shitty motels. [The live show will be] super loud but not scary loud. We have small amps. Here’s the thing with small amps. If you get the right ones, they’re perfect. It’s like when spaghetti sauce is just right. I just want everyone to come to the party. We’re so grateful just to do it. Right now, the world is so hard. Just for that 90 minutes, we’re all going to commune and have a good time.”
BY ANY MEANS NECESSARY
Sarah Borges recorded the vocals for her terrific new album in a closet
By Jeff Niesel
SARAH BORGES, JONAH TOLCHIN
8 P.M., FRIDAY, JULY 1, BEACHLAND TAVERN, 15711 WATERLOO RD., 216-383-1124. TICKETS: $15, BEACHLANDBALLROOM.COM.
jniesel@clevescene.com t@jniesel
MUSIC
A CAREER OVERVIEW
By Jeff Niesel
SINGER-GUITARIST ART
Alexakis had been in bands prior to forming Everclear in Portland, OR in 1992. Since those bands hadn’t caught on, Alexakis thought of Everclear as his final shot.
“Everclear was going to be my last band,” he says via phone from a Lubbock, TX tour stop. Everclear brings its 30th anniversary tour to Mentor Civic Amphitheater on Tuesday, July 12. “I started with a couple of younger guys. I didn’t know what we had. You hear something recorded, and it didn’t do it justice. When I had a chance to record for $400 for trade, I did it not with the idea of making record but to see what we had. We came out of it, and it sounded like a record. I knew there was something there. I could be objective and put on my record guy hat and knew there was something there.”
The band was accepted into South by Southwest and started getting better local gigs. It recorded its first album, World of Noise, for Tim Kerr Records.
Even though World of Noise put Everclear on the musical map, it went out of print in 1999. After recently discovering the original tapes, Alexakis is re-releasing the album to coincide with the band’s anniversary tour.
“It’s got six bonus tracks on it, two that had never been released before,” Alexakis says of the deluxe reissue. “It’s got 18 songs total. It’s on iTunes and Spotify for the first time. It will come out on the vinyl but just the original 12 songs, and we’ll just do a colored vinyl 45 with the bonus tracks that will go inside.”
To promote the reissue and tour, Alexakis hooked up with old friend Matt Pinfield, the former host of MTV’s 120 Minutes, to record a multi-part video series that provides an overview of the band’s career.
“I’ve known Matt since 1993 or 1994 when our first tour,” says Alexakis. “He was a music director in New Jersey. We’ve been friends ever since. We both are very open about our sobriety and recovery. We’re bonded like that as well. When this came up, and I told him we were doing it, he said he wanted to talk to me about it and put it on the Internet. I wouldn’t have done it with anyone but Matt. It was going to be five minutes, but there was so much to talk about. We started scripting out ideas, and we did it. I’m really proud of it.”
The band caught the attention of Capitol Records, who signed and put out Sparkle and Fade, its major label debut. After working with only a few hundred dollars on its first album, the band now had a budget of more than $100,000. The album stumbled out of the gate when the punk-y “Heroin Girl” didn’t catch fire.
“That’s what people did. They put out something hard and then followed it with something poppier,” Alexakis explains, alluding to the album’s second, more successful single, “Santa Monica.” “In 12 markets ‘Heroin Girl’ played in, it went crazy. Some markets wouldn’t add it because of the word ‘heroin.’”
The band’s follow-up album, So Much for the Afterglow, would become Everclear’s biggest hit, but a record label exec deserves at least some credit for its success. He advised Alexakis to go back to the drawing board after he heard it for the first time.
“We did everything you were supposed to do,” says Alexakis of the initial sessions. “We went to mix it in January of 1997. I remember when I was doing it, I wasn’t sure what I had. I played it over the phone to my AR guy. He said it was an okay record. He said it wasn’t great and wouldn’t give me the career I deserved. It was harsh. I was like, ’Okay.’ I licked my wounds and just stayed in New York in a hotel for about two weeks, walking around watching movies and reading books and writing down ideas to add production to songs. When I finally had written two or three new songs, including ‘So Much for the Afterglow’ and ‘One Hit Wonder,’ I got that World of Noise-attitude back. It might not sound like it music-wise, but I had that fire in my belly again.”
Alexakis told the label that Andy Wallace (Rage Against the Machine, Foo Fighters, Slipknot) needed to mix the album, including the new songs he’d recorded. He wanted Wallace to give it “that big sound.” It turned out to be the right call.
“It became our biggest selling album,” says Alexakis.
Since it celebrates the band’s 30th anniversary, the current tour will provide an overview of the band’s career, and Alexakis doesn’t mind catering to his fanbase.
“We’re doing songs from just about every record,” says Alexakis. “It’s fun. We do a lot from World of Noise and fan favorites. There are lots of fan favorites and all the hits. We always play the hits. I hate it when bands don’t. It’s a really great set.”
EVERCLEAR
7 P.M., TUESDAY, JULY 12, MENTOR CIVIC AMPHITHEATER, 8600 MUNSON RD., MENTOR, 440-255-1100, MENTORROCKS.INFO.
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LIVEWIRE Real music in the real world
THU 06/30
Marshall Crenshaw Band
Backed by a band featuring Mark Ortmann (the Bottle Rockets) on drums, Fernando Perdomo on guitar and Derrick Anderson on bass, veteran singer-songwriter Marshall Crenshaw comes to Music Box Supper Club tonight at 7:30. A Michigan native, Crenshaw released his first album back in 1982. Expect him to provide a career overview at tonight’s show. Check the Music Box website for more info. 1148 Main Ave., 216-242-1250, musicboxcle.com.
Pink Martini Featuring China Forbes
After making its European debut at the Cannes Film Festival in 1997 and its orchestral debut with the Oregon Symphony in 1998, this band has gone on to play with more than 50 orchestras around the world. The group consists of dozens of members and has songs in 25 different languages. It performs tonight at 8 at Cain Park in a concert presented by the Grog Shop. Consult the website for more info. 14591 Superior Rd., Cleveland Heights, 216-371-3000, cainpark.com.
Ty Segall & Freedom Band
Touring in support of his forthcoming new album, Hello, Hi, indie rocker Ty Segall comes to the Agora tonight at 6:30 with his Freedom Band. The single “Saturday Pt. 2” features a gentle guitar riff and somber vocals before woozy horns kick in to give the track the lysergic feel for which Segall is known. Bill Nace opens the show. 5000 Euclid Ave., 216-881-2221, agoracleveland.com.
FRI 07/01
Aaron Lewis and the Stateliners
Singer Aaron Lewis is best known as the frontman for Staind, the Springfield, Mass.-based band that formed in 1995 and was active up until this year. Lumped in with the nu-metal hard rock acts popular at the time, the group toured with acts like Limp Bizkit in 1999 and then broke through to the mainstream with 2001’s Break the Cycle, an album that featured the moody power ballad “It’s Been Awhile,” a powerful breakup tune about trying to recover one’s self-esteem. It became the
DakhaBrakha comes to the Music Box Supper Club for two shows. See: Tuesday, July 12.
Credit: Yevhen Rakhno
group’s biggest hit. Lewis performs at 8 tonight at MGM Northfield Park — Center Stage. Consult the venue’s website for more info. 10705 Northfield Rd., Northfield, 330-908-7793, mgmnorthfieldpark. mgmresorts.com/en.html.
SAT 07/09
Wilderado
Indie rockers Wilderado have over three million monthly listeners and just released their self-titled debut album this past October. The exuberant single “Head Right” broke the Top Ten on the Alternative chart after the late night TV debut on Jimmy Kimmel Live! The band has built a strong following across several EP releases and years of touring with Lindsey Buckingham and Christine McVie (of Fleetwood Mac), Pete Yorn, Mt. Joy and Rainbow Kitten Surprise. The group plays Mahall’s 20 Lanes in Lakewood tonight at 7. Toledo opens the show. Consult the venue’s website for more info. 13200 Madison Ave., Lakewood, 216521-3280, mahalls20lanes.com.
WonderStruck in Cleveland
WonderStruck in Cleveland, the annual two-day music festival that takes place at Lakeland Community College, returns this weekend. The Lumineers and Vampire Weekend will headline, and national acts such as Michael Franti & Spearhead, All Time Low, 24kGoldn, Tai Verdes, Saint Motel, Dean Lewis and Big Freedia will also perform. Wavrunner, Detention and Jack Harris will represent Northeast Ohio. Check the website for a complete schedule and for ticket prices. 7700 Clocktower Dr., Kirtland, 440525-7000, wonderstruckfest.com.
SUN 07/10
An Evening with Dave Mason
Traffic keyboardist Steve Winwood reportedly once complained that guitarist Dave Mason thought of the group as his backing band and would bring the guys finished songs and then expect them to play them exactly as they were written. Since parting ways with Traffic, Mason has proven Windwood wrong and has managed to have a solid solo career. For his current tour, Mason will play a selection of tunes from throughout his lengthy career. Tonight’s show begins at 7:30 at the Kent Stage. 175 E. Main St., Kent, 330-677-5005, kentstage.org.
MON 07/11
Vision Video
Athens, GA-based post-punk, gothrockers Vision Video comes to town tonight in support of its latest album, Haunted Hours. The album relates frontman Dusty Gannon’s direct experiences witnessing the atrocities of war and the horrors of COVID and gun violence. A former U.S. Marine and current Atlanta Fire Department EMT, Gannon possesses a voice that really soars. Tonight’s concert begins at 8 at the Foundry. 11729 Detroit Ave., Lakewood, 216-555-6669, facebook.com/ foundrycleveland.
TUE 07/12
DakhaBrakha
Experimenting with folk music, Ukraine’s DakhaBrakha has added a range of world music and instrumentation to its repertoire and has traveled the globe to perform in many worldwide music festivals. The band recently started its U.S. tour amongst the unsteadiness of events taking place in its homeland but will use the tour to raise monies that will all go to providing relief to friends and family in Kiev with a focus on helping them rebuild their lives. The group performs at 8 tonight and tomorrow night at Music Box Supper Club. Consult the club’s website for ticket prices and more info. 1148 Main Ave., 216-242-1250, musicboxcle.com.
The Doobie Brothers
The classic rock band that’s sold some 48 million albums during the course of a career that stretches back five decades, intended to play Blossom in 2020 as part of a 50th anniversary tour. The pandemic put the trek on hold, and the group is now slated to play tonight at the venue. Expect to hear hits such as “What a Fool Believes,” “Listen to the Music,” “Takin’ It to the Streets” and “Jesus Is Just Alright.” The concert begins at 7:30 p.m. 1145 W. Steels Corners Rd., Cuyahoga Falls, 216-231-1111, livenation.com.
An Evening with Todd Rundgren
Singer-guitarist Todd Rundgren has spent the past couple of years playing a series of tour dates billed as An Unpredictable Evening with Todd Rundgren, and it’s quite appropriate, because “unpredictable” is a perfect summary of his career in a nutshell. It’s all part of the “choose your own adventure” feeling that comes with being a Rundgren fan. More than four decades into his career, the veteran artist and producer continues to be driven to explore the new challenges and ideas whenever the inspiration might strike. He’s keenly aware that his musical experiments can test the limits and patience of his fans and yet if there’s a line, it doesn’t seem like he’s afraid of driving over it. Tonight’s show at the Kent Stage begins at 6:30. Check the club’s website for ticket prices. 175 E. Main St., Kent, 330-677-5005, kentstage.org.
BIITCHSEAT
By Jeff Niesel
MEET THE BAND: Talor (vocals, guitar), Kris (vocals, guitar), Connor (bass), Evan (drums)
ORCHESTRAL MANEUVERS:
Connor and Talor played together in high school orchestra in Cleveland. While studying at Ohio University, Talor met Kris, who also played orchestral music. “I introduced myself to her, and since then, we’ve been best friends,” says Talor. The group formed with a different drummer, but after he moved out of state, the band recruited Evan, whom Talor met at the Recording Arts and Technology program at Tri-C, where they both took a class. “I clicked with him, and when I learned he played drums, I convinced him to play with our band, which didn’t have a drummer at the time.”
A VARIETY OF INFLUENCES:
The band draws influence from a variety of musical sources. “We love Courtney Barnett, whom we really admire, and Charly Bliss is a huge influence,” says Kris. “And St. Vincent as well. Great Grandpa is one that we almost always list as an influence. Their album that came out a couple of years ago is great. We heard that and realized it was what was we wanted to sound like. It is so good.” Not that everyone in the band listens to the same music. “Connor is really into electronic music,” says Talor. “Evan was very much a Bon Iver nerd and likes folkier things.” After self-recording an EP, the band went to Bottleworks Recording Studio in Little Italy to record its debut, To Name All the Bees in the Backyard. “That was a huge deal for us,” says Talor. “It was our first time in the studio doing it professionally. There was a lot of emotion behind hit. I was unpacking my past with my dad. It was a monumental marker for me in particular, but also were learning what our voice was.”
WRITTEN DURING
LOCKDOWN: The band’s new album came out of the pandemic. “We were all separated and hadn’t seen each other for several months,” says Talor. “I just started writing everyone’s parts at home. When we finally got together, I had seven songs that we hadn’t played together. It was an interesting experience. I had never written for drums before, and that was super fun for me. On this one, we made an effort to divorce ourselves from that orchestral sound. We were just exhausted by it. With this one, we healed our wounds and decided to dive more into a different sound.”
WHY YOU SHOULD HEAR
THEM: The undulating lead single “I’ll Still Be Thinking of You,” a track which shows off Talor’s powerful vocals, centers on insecurities. “I tend to think many steps ahead in a relationship in order to protect myself based on past trauma,” Talor says when asked about the track. “I’m trying to create an environment where there won’t be any conflict even though there might be an internal conflict.” Connor Hadley helmed the storydriven music video that was filmed on the Case Western University farm. “We wanted to illustrate what Talor’s idea for the song was,” Kris says. “We did that through showing a couple breaking up and how this one person was kind of overbearing. We used red and blue and purple. It was the most effort we put into a music video. We thought through the plot and every shot. We storyboarded and location scouted. We put a lot of thought into it.” “Blackberries and Cherry Cola” possesses an altcountry vibe as Talor sings about her frustrations with trying to socially isolate during the pandemic. “That one was about wanting to rip my hair out after being stuck inside,” Talor says. “That song is about my frustration with isolation and monotony.” Talor says that one track didn’t make the album and might appear as a B-side.
Courtesy of Riot Act Media
Biitchseat.
WHERE YOU CAN HEAR
THEM: https://biitchseat.bandcamp. com/album/float
WHERE YOU CAN SEE
THEM: Biitchseat performs with Runaway Brother and Wife Patrol at 8:30 p.m. on Saturday, July 9, at the Grog Shop.
scene@clevescene.com t@clevelandscene
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