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CURRENT • February 22-28, 2017 • sacurrent.com

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Best of Culture Clash TV Show sacurrent.com • February 22-28, 2017 • CURRENT 5

FIRST WORDS

• Send your thoughts, comments, kudos or tips to letters@sacurrent.com

What Does Texas’ Crackdown on “Sanctuary Cities” Mean in the Trump Era?: “We have to stop acting like Sanctuary cities are a good thing” — Andrew Benson Rep. Joaquin Castro Says ICE Has “Mass Deportation Plan”: “Who does Castro represent? Is he a mexico ambassador?? Or texas congressman? Pick a side…” — Arturo Torres III Texas Senator Shatters Table Trying to Silence Woman Testifying Against AntiAbortion Bill: “If he gets this angry in 10 minutes in public, how safe is any woman who disagrees with him in private.” — Tim Dorrycott Popovich on Trump: “I Feel Like We’ve Been Invaded by Another Power”: “Really have no need to listen to a basketball coach on foreign or domestic policy.” — Terri N Gio Veneziano

IN THIS

ISSUE Issue 17_08 /// February 22-28, 2017

NEWS

“DOPEST” Robbery turned mail heist triggers manhunt at North Star Mall Pop Culture Popovich on Trump Admin: “I feel like we’ve been invaded”

COVER If you belong to one of the many groups demonized by the campaign rhetoric of our now commanderin-chief, what’s the proper response to the Trump Era? For the folks behind CineFestival, you turn the nation’s longest-running Latino film festival into an unabashedly political affair that showcases resistance through art. In keeping with that theme, for this week’s cover we commissioned SA illustrator Isabel Ann Castro to recreate a scene from one of this year’s most stunning festival shorts, The Good Mother. Art direction by Sarah Flood-Baumann

CURRENT • February 22-28, 2017 • sacurrent.com

FEATURE

Cinema in the Time of Resistencia How a political upset shaped the latest edition of the nation’s oldest Latino film festival

CALENDAR

Our top picks for the week

Bad Apples Here’s what SAPD won’t fire you for doing #ShatterCeilingsNotTables Texas senator shatters glass table silencing woman

ARTS + CULTURE

Sketchy Characters Honest marks in the autobiographical abstractions of Cristina Muñiz

ON THE

More Notes of a Native Son James Baldwin’s unfinished work comes to light in Raoul Peck’s timely documentary I Am Not Your Negro

NIGHTLIFE

Booze News Mardi Gras parties, Beyonce’s baby shower and more

SCREENS

MUSIC

Star Power Lady Gaga, Miley Cyrus, Alicia Keys part of musician/artist supergroup fighting Texas’ anti-trans bill

FOOD

Queueing for ‘Q Time well spent at 2M Smokehouse Food Court RIP Lüke, James Beard Award semifinalist nominations in SA and more

ETC.

Savage Love Jonesin’ Crossword Freewill Astrology

Back to Basics San Antonio’s Hard Rock Cafe is booking bands again. Built to Spill Over Paper Tiger announces killer lineup for Heatwave 2 Get High and Die Latest White Christ EP is seven minutes of explosive, sophisticated punk rock Music Calendar What to see and hear this week

sacurrent.com • February 22-28, 2017 • CURRENT 7

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CURRENT • February 22-28, 2017 • sacurrent.com

NEWS

GETTY IMAGES

POP CULUTRE Popovich on Trump Administration: “I feel like we’ve been invaded by another power” The robbery turned accidental mail heist that triggered a manhunt at North Star Mall MICHAEL BARAJAS | @MICHAELSBARAJAS

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A robbery and impromptu mail heist, followed by two gun battles and a series of high speed chases, led to the manhunt that briefly shut down parts of North Star Mall last week, according to federal court records. Last Wednesday, police arrested Bradley J. A’Hearn, 22, Sara Richford, 26, and Piper Allan Lee, 40, claiming they’re the suspects behind a four-day trail of car chases and shootings that followed the attack on a U.S. Mail carrier in the Texas Hill Country earlier this month. Court records allege A’Hearn approached the mail carrier the morning of February 11, while she was on her route in Spring Branch, and demanded she turn over her cell phone. When she refused, he shot her in the leg and stole her truck, which she used to deliver the mail — meaning he also stole, according to records, “a considerable amount of U.S. Mail.” According to records, A’Hearn later explained that he “shot the bitch because she wouldn’t give me her phone.” (Police say she suffered non-life-threatening injuries.) Apparently lying low for a bit didn’t cross A’Hearn’s mind. Two days later, a U.S. Postal Inspection Service agent spotted him traveling in the stolen truck about a half-mile away from where he’d robbed the postal worker. When the agent tried to stop the truck, it fl ed. Court records say A’Hearn fi red at the offi cers who chased but couldn’t catch him (it’s unclear if police returned fi re). The next day, Valentine’s day, employees at a San Antonio motel (court records say somewhere near 281) called police about some odd guests who had “a large amount of U.S. Mail and a handgun” in their room. According to court records, the motel staff turned over to police a large bag of trash the suspects had left outside their room — it was a bunch of opened, rifled through mail. Court records also indicate there was

plenty of personal identifying information in that mail, “specifically a large number of W-2 tax forms.” Meanwhile, investigators found the wounded mail carrier’s stolen truck abandoned not far away. They also learned A’Hearn and the other suspects were now riding in a different car — a yellow Volkswagen bearing the license plate “DOPEST.” So federal agents followed “DOPEST” and then eventually asked San Antonio Police Department officers to make a traffic stop near Broadway and Loop 410, but when they attempted a stop, someone inside the car started shooting at officers. According to the Express-News, bullets hit a nearby Jim’s Restaurant, a tire shop and a U-Haul. That’s when “DOPEST” took off for North Star Mall, hiding in a parking garage to avoid the helicopters swarming overhead. Despite local, state and federal law enforcement that flooded the area last Tuesday, the suspects escaped. Lucky enough for investigators, the following day, someone only identified in court records as a “confidential source” contacted police saying one of the suspects, Sara Richford, had called her on Valentine’s Day asking for a ride. When the source picked her up, Richford was with two men, one of whom had a gun. All three were bragging about the chase — the shooting at Jim’s, running away from police at North Star Mall, racing the wrong way down a one way street. The suspects asked the source to take them to a downtown hotel, where she got a room for them and left. SAPD Chief William McManus later told reporters an SAPD SWAT team arrested all three suspects without incident last Wednesday at the Sunset Inn Motel off Roosevelt and Steves. When asked about what led up to the manhunt at North Star, McManus called it “a relatively complicated saga.”

MICHAEL BARAJAS | @MICHAELSBARAJAS

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How does it make you feel to hear or see the words “President Donald Trump”? San Antonio Spurs Coach Gregg Popovich says the post-Trump world has left him feeling this way: “Some days I feel like we’ve been invaded by another power and taken over [by people] who don’t feel the same.” “It’s a strange land.” Pop’s comments came after a question last week, before the Spurs’ win in Indiana, about how his upbringing affects his worldview; the coach grew up in a blue-collar, racially diverse East Chicago neighborhood that he’s described as “a white family here, a Puerto Rican family there, a Polish or Czech family over there.” Eventually, Popovich made his way to Trump, calling the president’s behavior “unacceptable and really disgusting.” “[Trump’s] personality and his inability to get over himself and form his words and his decisions,” Popovich said. “That’s what scares me.” Popovich is, of course, no stranger to spontaneous bouts of political pontificating. Just days after Trump’s election, he let loose the kind of emotional word vomit coming out of many millions of confused, frightened and deeply wounded people who did not vote for Trump and think we’ve entered the Upside Down. Or, as Popovich put it, “We are Rome.” Earlier this month, when the topic was Black History Month, Pop used his pulpit to call racism “our national sin” and reiterate that white people in this country still enjoy a “monstrous advantage.” This time around, Popovich seems particularly freaked by the direction of the federal government under a Trump Administration, and delivers what sounds like a crack against Trump’s merry gang of under-qualified and/or conflict-ridden cabinet appointees: “The situation now, I find a lot of people are in charge – or will be in charge shortly when they’re nominated – have very little clue about what many, many people have to go through to live in this world.”

sacurrent.com • February 22-28, 2017 • CURRENT 9

NEWS

MICHAEL BARAJAS | @MICHAELSBARAJAS

BAD APPLES SAPD will fire you for having sex on-duty. Here’s what they won’t fire you for doing.

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Last week, there were more reports of headlinegrabbing misconduct by members of the San Antonio Police Department. This time, they focused on two cops who couldn’t wait until they were off-duty to sneak away and have sex in a Home Depot parking lot. As KSAT first reported (KSAT obtained 160 pages of text messages this week), officers Eman Fondren and Rebecca Martinez (four- and seven-year veterans of the department, respectively) are currently appealing their “indefinite suspensions,” or terminations, as allowed under the City of San Antonio’s contract with the local police union. Their lawyer, in an interview with the station, argued that department records indicate they were never alone on duty long enough to have sex. Text messages the two exchanged while on duty, however, indicate otherwise. “I can’t believe u put yourself out.. Drive to HD, drove to the parking lot.. Stripped, did me, came and got dressed again in 15 min,” Fondren texted Martinez at one point. “That blows my mind!” It’s the kind of “bad apple” situation SAPD Chief William McManus insists is rare and would likely point to as a sign SAPD swiftly and seriously addresses misconduct within its ranks. Sgt. Jesse Salame, a department spokesman, told KSAT that Fondren and Martinez engaged in conduct that was “not at all ethical” and “not at all professional,” adding, “Certainly that’s something that we’re not going to tolerate in this department." Depends on what you mean by “tolerate.” While Fondren and Martinez were fired for, among other things, violating the department’s rules on “good conduct and behavior,” disciplinary records show other cops who kept their jobs for breaches that seem just as, if not more, alarming. City disciplinary records from the past two years show several officers who weren’t fired after being accused of behavior at least as egregious as quickies on the clock. Like the officer who had cops twice called out to his house for “disturbances” that involved allegations of domestic abuse. Or the police officers who got caught trying to cover up for fellow cops accused of serious misconduct. Or the officer who kept his job after a match.com date accused him of groping her without her consent, while on duty and inside his cruiser. When we asked Salame about the disparity, he

CURRENT • February 22-28, 2017 • sacurrent.com

directed us to disciplinary procedures outlined in SAPD’s general manual, which stresses that “a high standard of conduct and discipline” is paramount in preserving community trust and confidence in police. But the department also practices what it calls “progressive discipline,” which basically means they look at each case individually — or as Salame put it, “Every instance is looked upon in its totality.” Alleged violations of the department’s rules and regulations generally fit into two silos — minor complaints, or so-called “line complaints,” and formal complaints, which include allegations of unnecessary force and are supposed to be taken more seriously by the department. But thanks to “progressive discipline,” there’s no single correct way to handle, say, the case of a 40-year-old cop who has sex with the 18-year-old high school student he’s supposed to be mentoring at the department. “Progressive discipline.” It’s the same general approach police take to judging whether a cop did anything wrong if he shoots and kills a suspect for wielding nothing more than a cell phone. It’s why the chief might try to fire an officer if he makes a mistake that results in the shooting death of an unarmed citizen. It’s also why the chief can change his mind, step back, and order more training instead of punishment for that officer in the very same case. Among officers suspended, but not fired in recent years for violations of SAPD’s rules on “good conduct and behavior” is officer Humberto Zuniga. He was suspended in 2015 for five days after complaints reached SAPD of him trying to pressure his exgirlfriend into dropping a small-claims case against him (she claimed he owed her $8,000 she’d loaned him) by threatening to send sexually explicit videos of her to her families and friends. According to suspension records, he joked the revenge porn “would make good Mother’s Day gifts.” Officer Harold Thomaston meanwhile received a 25-day suspension last year for meeting his match.com date on duty, while in uniform; according to suspension records, the woman told police that Thomaston “touched her breasts and legs without her consent.” The problematic “conduct and behavior” that resulted in a 15-day suspension for officer Moses Berban in 2014? According to suspension records, Berban was driving his cruiser along Wurzbach when, on the opposite

side of the road, he spotted a 16-year-old “allegedly displaying an obscene gesture toward him.” Berban, according to his suspension, turned his car around, jumped the median, chased the kid down and “engaged in a profane verbal exchange” before grabbing him by the head and slamming him to the ground. Oh, and Berban happened to forget to turn on his departmentissued recording devices before he did it. Perhaps SAPD seeks to fire Fondren and Martinez because two cops strip-searching each other on the job is exactly the kind of thing that can undermine the kind of trust officials say they’re trying hard to build between police and policed in San Antonio right now. But what to make of officer Gary Nel, who in 2014 kept his job after being accused of covering up for an officer he’d arrested while out on DUI patrol one night, only to let him go once he found out he was a fellow cop? Nel, a repeat offender, was handed another suspension two months later — this time for choosing Whataburger over his job. Or the 3-day suspension for Sgt. Michael Garcia, who was supposed to be investigating a fellow cop who got into a fight while off-duty. Here’s how Garcia explained his job to fellow officers, according to his suspension records: “Basically, what we are trying to do is cover the officer.” Garcia told fellow police officers they’d need to do “extra” work to clear the case, since the other guy in the fight “looked like he had the shit kicked out of him.” Or maybe you’re one of the victims who called for help last year but instead got officer Erik Rodriguez, who was suspended but still kept his job after the department discovered he’d failed to properly respond to, investigate, or even file accurate reports for serious complaints involving child predators and domestic batterers. Perhaps you’ve encountered someone like officer Hector Gallardo, who was suspended for 10 days last year due to his conduct while responding to a reported assault. According to suspension records, Gallardo cracked racially insensitive jokes while on scene (“What’s this girl’s name? Laquanda?”) and even admitted he’d filed bogus charges against one guy because, in his words, “I figured we’d fuck him over so he doesn’t talk shit or call and complain on us.” Maybe it’s not so much the bad apples SAPD tosses that we should be paying attention to, but rather the ones it decides to throw back in the bunch.

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CURRENT • February 22-28, 2017 • sacurrent.com

NEWS

SHUTTERSTOCK

MICHAEL BARAJAS | @MICHAELSBARAJAS

SEXUAL DYSFUNCTION

SCREENSHOT // COURTESY OF TEXAS SENATE

ALEX ZIELINSKI | @ALEX_ZEE

83 percent of Texas school district teach abstinence-only sex ed — or none at all

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The vast majority of school districts in Texas, the state with a skyrocketing teen pregnancy rate, teach abstinence-only sex education — that is, if they teach it at all. According to a new report by left-leaning advocacy group Texas Freedom Network, more than 25 percent of state school districts didn’t offer any sex education to its students in the 2015-16 school year. And in more than 53 percent of Texas’ classrooms, students were told to just not have sex. “Texas is failing our students and their families,” TFN President Kathy Miller said in a statement. “We have to trust young people with the information they need to make wise decisions about their reproductive health and their future. Ignorance won’t protect them.” But the report notes that these stats are, in fact, an improvement. Eight years ago, there were 96 percent of Texas school districts taught abstinence-only or no sex education. High schools across Texas have grabbed national attention for their neglect to properly educate their sexually-active students (surprise! Teenagers are still going to have sex even if you tell them not to). In 2015, nearly ten percent of students at Texas’ tiny Crane High School caught chlamydia, and doctors pointed to the schools’ abstinenceonly education as the culprit. How were students supposed to protect themselves from STDs if they didn’t know they existed (let alone had access to condoms)? And in 2013, a sex ed curriculum leaked from North Texas’ Canyon Independent School District was found directing teachers to compare sexually-active teens to chewed up pieces of gum. According to last week’s report, abstinence-only programs in Texas continue to spout shaming rhetoric and straight-up misinformation. One program gives students a complicated, six-step guide to putting on a condom. Some oddly ask teachers to call the use of contraception “high risk” sexual behavior. Others simply ignore the existence of birth control. Many of these courses appear to erase the existence of LGBT students and their questions about sex. In the words of the TFN report, “Most sex education in Texas seems to assume that all students in the classroom are heterosexual and that LGBT people are irrelevant or don’t exist.” Unlink dozens of other states, there’s nothing in Texas’ current sex ed laws that require the classes to teach medically accurate, unbiased, or nonreligious information. While there is one bill in the current legislature meant to insure these guidelines, its met with other filed legislation hoping to further cut out vital sex ed. “Our students deserve far better than the myths and misinformation they learn in many sex education classes,” said Rep. Mary González, who filed House Bill 1547 that would require sex education classes to include evidence-based and medically accurate information. “This legislature should act to ensure that all sex education classes are fact-based and give students this critical information.”

#SHATTERCEILINGSNOTTABLES Texas Senator shatters table trying to silence woman testifying against anti-abortion bill

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It only took state Sen. Charles Schwertner ten minutes of listening to testimony against antiabortion bills before he broke a table. Schwertner, the Republican chair of the Texas Senate’s Committee on Health and Human Services, spent last Wednesday morning introducing and defending a bill that would ban most women from donating fetal tissue from their abortions to science. His legislation was bundled with two other anti-abortion bills — one to throw out the safest abortion procedure for second-trimester pregnancies, the other to mandate all abortion remains are buried and cremated — penned by two other GOP senators, Charles Perry and Don Huffines. After discussing the bills amongst themselves, the committee opened the floor to three hours of public testimony — which started with a bang. “I’m here on behalf of all absent women, families and doctors across the state whose lives will be negatively impacted by this bill,” began the testimony of Maggie Hennessy, a UT student and intern with NARAL ProChoice Texas. She was the fourth person to speak (of more than 50). Hennessy verbally shredded Sen. Huffines bill against second-trimester abortions. Her voice shook with anger as she scolded lawmakers for openly putting women in danger. “Ms. Hennessy —” Schwertner

interrupted a minute into her testimony. “Your time is done.” But Hennessy went on, saying, “I urge you to all stop playing with reproductive health care like it’s your own political puppet.” That’s when Schwertner dropped the gavel — so hard that he shattered the glass table before him. “Your time is done,” he repeated. That Schwertner broke a table while trying to silence a woman opposing a bill that would solely impact women is all the more jarring considering the events that grabbed headlines last week. During the February 8 confirmation hearing for nowAttorney General Jeff Sessions, Senate Majority Leader Mitch McConnell used an arcane senate rule to silence U.S. Sen. Elizabeth Warren’s criticism of the former senator (which, perhaps to McConnell’s chagrin, made her testimony go viral). Schwertner’s reaction, coupled with McConnell’s, sends a jolting message to Texas women. And if Schwertner was really tablebreaking concerned about the time allotted for public testimony, he probably wouldn’t have let the first speaker (and dozens after), a representative from the anti-abortion advocacy group Texas Right to Life, ramble on in support for twice as long as Hennessy was allowed to speak. For more on the anti-abortion bills debated by the Texas Senate last week, see our coverage at sacurrent.com.

sacurrent.com • February 22-28, 2017 • CURRENT 13

FEATURE

ENRIQUE LOPETEGUI

CINEMA IN THE

TIME OF RESISTENCIA ISABEL CASTRO

How a political upset shaped the latest edition of the nation’s oldest Latino film festival

Last October, CineFestival director/curator ’60s and early ’70s. Jim Mendiola was putting the finishing touches “[The election] made me rethink Chicano cinema,” said on the 2017 CineFestival schedule. He had it Mendiola. “It was a resistance cinema, cinema created almost worked out and he was excited, and the country by themselves because they weren’t being represented, was finally ready to elect the first woman president. Then, they were critiquing society and they were very political on the night of November 8, the caca hit the ventilador. because, ultimately, all films are political. So [after “I’m trying to articulate this without mentioning names, Election Day] I said, ‘Yes! I have to remember that when I because this is bigger than just one person winning program and curate.’” the election,” said Mendiola, who politely dismissed Thus, Mendiola started organizing a festival similar my suggestion of using terms like in essence to previous editions — “Scumbag” or “Ill Douche” (as in an eclectic selection of politically Il Duce, get it?) to describe The charged fi lms, coupled with special Unnameable One. “But yeah, [his win] workshops like the three-day Latino changed all my plans for CineFestival. It Screenwriting Project, a joint venture was like a wake-up call.” with the Sundance Institute meant to One of the shorts programmed came detect and develop new Latino talent in handy: Sarah Clift’s La Madre (four screenwriters were selected Buena (The Good Mother) tells this year; join the LSP’s mailing list the story of a mother struggling with at latinoscreenwritingproject.com to whether or not to please her son on his fi nd out when and how to submit an birthday — he wanted a Trump piñata. application next year). “That man won’t enter my house,” she This time, the schedule took an added says. “It’s just a piñata,” says the father. urgency with even the “lighter” stuff having No spoilers here, but what happens strong socio-political undertones, as teased next turned out to be one of the great on the festival’s poster: a powerful nod to AT THE GUADALUPE THEATER images of this year’s CineFestival (hint: The Clash’s 1979 album London Calling. fat tanned guy with fake yellow hair on a “That was the guiding principle of scooter). The Good Mother screens along with an array of pretty much everything in the festival, which is looked [at] other Latino shorts at 4 p.m. on Saturday, February 25. through the lens of resistance cinema,” said Mendiola, But there is much more, especially in feature form, for who chose red and black as the predominant colors in the dawn of the alt-facts era was a sobering realization the poster, representing everything from the United Farm for Mendiola. Rather than getting upset or depressed, Workers (UFW) to social movements in Latin America, the new political reality re-energized him and made him most notably Nicaragua’s Sandinistas. “We also liked remember why he does what he does: honoring the the idea of The Clash’s London Calling but done a little spirit of the pioneering Chicano fi lmmakers of the late ambiguously; it’s either someone destroying a camera or |cinefestival.org

CURRENT • February 22-28, 2017 • sacurrent.com

planting a camera in the ground and making movies.” Besides the movies highlighted on the pages that follow, we strongly recommend I Promise You Anarchy, which uses a terrific ensemble cast to tackle a variety of topics, mainly poverty, drugs and bisexuality. Think of a contemporary version of Luis Buñuel’s Los Olvidados (1950) on skateboards (9 p.m. Friday, March 3). The haunting and visually stunning Tempestad, the second film by Mexican/Salvadoran director Tatiana Huezo (2011’s El Lugar Más Pequeño, Best Feature Documentary winner at the Ariel Awards, Mexico’s equivalent to the Oscars), tells the story of two women victimized by Mexico’s corrupt police, but this unconventional documentary has a poetic beauty that takes viewers to a place that would make Terrence Malick proud (2 p.m. Saturday, February 25). As usual with CineFestival, young local fi lmmakers are included in the program via The Future Is Now: Youth Videos from San Antonio, which screens Monday, February 27 at 6 p.m., with an Awards Ceremony to follow (free admission). On a lighter (but equally intoxicating) note, Marco Ortega’s Brewed in the 210 documents the San Antonio beer scene, where brewers proudly share their “mission from God” to make sure you don’t ever have to go thirsty again. I don’t even drink beer, but I was quickly hooked by this well-executed, informative and entertaining doc about a passion shared by many San Antonians (8 p.m. Tuesday, February 28).

CineFestival // $8 per screening, $15 for Opening Night, $60 for a festival pass // Feb. 24-March 4 // Guadalupe Theater // 1301 Guadalupe St. // (210) 271-3151 // cinefestival.org

FEATURE

TOP PICKS

Can’t-miss films from the 2017 program 1976 GEORGE BALLIS // TAKE STOCK // THE IMAGE WORKS

Fri 2.24 Opening Night: Dolores Peter Bratt’s first doc (after narrative features Follow Me Home and La Mission) attempts to set the record straight about UFW co-founder Dolores Huerta (still active at age 86), the beloved and controversial labor leader and civil rights activist often overshadowed by César Chávez’s accomplishments and the UFW’s own sexism after Chávez’s passing. The film (executive produced by Carlos Santana) recently premiered at Sundance, where it earned a standing ovation. By all accounts, it’s a powerful film and not a simple hagiography. Progressives were understandably upset with Huerta’s decision to support Hillary Clinton instead of Bernie Sanders in last year’s elections, and actress Rosario Dawson (who portrayed Huerta in 2014’s César Chávez, directed by Diego Luna) called her out for it. Huerta replied that she thought Hillary would be better for Latinos and, “when the dust settles … we’re going to be together.” Although the dust hasn’t exactly settled, anyone who keeps on fighting at age 86 — after almost losing her life to police brutality at age 58 — deserves a long line of credit among true progressives. This is the film to watch at this year’s CineFestival. $15, 7pm, Guadalupe Theater, 1301 Guadalupe St., (210) 271-3151, cinefestival.org.

FOR CINEFESTIVAL

Dolores

ADERISA PRODUCTIONS

Sat 2.25 Bruising for Besos Hailing from SA’s Southside and now living on the West Coast, accomplished queer artist Adelina Anthony wrote, starred in and directed this lesbian story about family, religion, love and, ultimately, friendship as a means of survival. The terrific, mostly QPOC cast members (as genuine as Anthony’s own lethally intense eyes) carry a film that’s equal parts steamy, violent and tender. $8, 8pm, Guadalupe Theater, 1301 Guadalupe St., (210) 271-3151, cinefestival.org. Sun 2.26 Free Family Day: Anina The Audience Award winner at the 2013 Buenos Aires International Festival of Independent Cinema is a UruguayanColombian animated gem. It centers around a girl named Anina Yatay Salas, who hates the fact her name can be read both ways and is often made fun of as the chica capicúa (Palindrome Girl). All in all, it’s an entertaining, funny and smart ode to imagination and finding your place in the world. Free, 1pm, Guadalupe Theater, 1301 Guadalupe St., (210) 271-3151, cinefestival.org. Wed 3.1 Speaking Tongues Directed by Kyzza Terrazas, Speaking Tongues offers a fascinating view of Mexico’s underground hip-hop scene. Terrazas went all over the country to meet unsung resistance heroes, but perhaps the movie’s greatest triumph is its capacity to actually listen (and read) what these rappers have

Bruising for Besos

sacurrent.com • February 22-28, 2017 • CURRENT 15

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FEATURE JULIE ROMANO

to say. “To me, it’s a movie about the power of language,” Terrazas told Spain’s El País. “From the very beginning I wanted to explore the graphic part of words, to turn it into a character.” The 2016 documentary is another example of great things happening when local artists take foreign influences and transform them into something indigenous. $8, 6pm, Guadalupe Theater, 1301 Guadalupe St., (210) 271-3151, cinefestival.org. Thu 3.2 Memories of a Penitent Heart Woven together from home movies, video, documents, contemporary interviews and vérité footage, Memories of a Penitent Heart recounts the amazing story of Miguel Dieppa, a Puerto Rican actor who succumbed to AIDS in the early stages of the epidemic, his lover of 12 years (now a Franciscan monk), and Dieppa’s family, all told by his niece, director Cecilia Aldarondo. The filmmaker-turned-detective herself is changed by the discoveries of familial secrets, and her movie turns into a funny yet heart-wrenching exploration of love, repentance, religion and forgiveness. $8, 7pm, Guadalupe Theater, 1301 Guadalupe St., (210) 271-3151, cinefestival.org. Fri 3.3 Free Senior Screening: Nosotros los Pobres The first in a trilogy, 1948’s Nosotros los Pobres (We, the Poor) is one of the most beloved films in the Golden Age of Mexican Cinema (it was followed by You, the Rich and Pepe, the Bull.) Directed by Ismael Rodríguez, the film also provides a fine reminder of the legendary Pedro Infante, a superstar who, before his untimely death in a plane crash at age 39, excelled as a singer and actor with unbelievable range. The long association of Rodríguez and Infante would earn its ultimate international recognition when Infante won the Berlin Film Festival’s Silver Bear for Best Actor for Tizoc (1957), also directed by Rodríguez. Infante died soon before the awards ceremony, so his family insisted Rodríguez keep the prize. Free, 10am, Guadalupe Theater, 1301 Guadalupe St., (210) 271-3151, cinefestival.org. Ixcanul

SAUL MARTINEZ

Fri 3.3 Ixcanul Gorgeously shot, Ixcanul (Volcano) was Guatemala’s entry into last year’s Academy Awards. It’s both a stunning debut by director Jayro Bustamante and a moving representation of the new generation of Central American filmmakers. A risky move, the film’s use of the Kaqchikel Mayan language adds an unusual layer of depth to a narrative surrounding the arranged marriage of a teenage girl. $8, 7pm, Guadalupe Theater, 1301 Guadalupe St., (210) 271-3151, cinefestival.org. Sat 3.4 500 Years The ultimate resistencia film in this year’s CineFestival, 500 Years is the third in a Pamela Yates trilogy that includes When the Mountains Tremble (1983) and Granito: How to Nail a Dictator (2011). It follows the genocide trial of former dictator General Efraín Ríos Montt and the citizens’ uprising that ended the reign of President Otto Pérez Molina. In all of these events, the indigenous populations played a major role in the struggle. If you think you have it difficult now, watch this timely reminder that the most important struggle is the one that never ends. $8, 4pm, Guadalupe Theater, 1301 Guadalupe St., (210) 271-3151, cinefestival.org. Sat 3.4 Closing Night: Best of Culture Clash TV Show (1993-96) The Culture Clash TV show (30 episodes that aired on Fox), led by the namesake Chicano comedy troupe of Richard Montoya, Herbert Siguenza and Ric Salinas, was a hit-and-miss affair. But when they hit, they were right on the money. “They were talking about immigration, police brutality, all the issues that are relevant now,” said festival curator Jim Mendiola. “I think that show was ahead of its time and wasn’t really appreciated [then]. What we’re doing is going back to the archives and putting together a 90-minute show with the best of Culture Clash. It’ll be stuff that hasn’t been seen in decades.” Here’s hoping the Chicano Surfers, White People’s Court and Chicano Jeopardy made the cut. $8, 8pm, Guadalupe Theater, 1301 Guadalupe St., (210) 271-3151, cinefestival.org

500 Years

sacurrent.com • February 22-28, 2017 • CURRENT 17

COURTESY OF JESSICA WILD

CALENDAR

Jessica Wild WED

DRAG

◀ Although Orlando-based Tyra Sanchez was officially elected America’s Next Drag Superstar back in 2010, one could argue the popular vote that year went to Puerto Rico’s Jessica Wild, who landed on the second season of RuPaul’s Drag Race not by charming producers but by amassing the most votes in an online casting competition — prompting Entertainment Weekly to dub her “the choice of the people.” The tireless and good-natured alter ego of dancer, choreographer, vocalist and makeup artist José David Sierra, Wild admittedly struggled with a language barrier but also used it to wisely steer clear of bitch sessions in the Illusions Lounge. “I preferred to remain silent and not be part of that type of conversation, no matter what the language,” Wild told LOGO TV’s John Polly in her exit interview. “I know people want drama, it is, after all, a reality show. And I showed my reality.” Lucky for San Antonio drag fans, Wild’s reality involves highly physical dance routines, dizzying wig spins, topnotch lip-synching and even a Selena impersonation that recently caught the attention of Telemundo. The chameleonic queen returns to the Alamo City for two performances at Heat courtesy of Rey Lopez Entertainment. $10-$25, 10:30pm & midnight, Heat Nightclub, 1500 N. Main Ave., (210) 227-2600, facebook.com/reylopezentertainment. — Bryan Rindfuss

THU

23 BORN LOGIC ALLAH

FILM

Message to the People: A Story of Malcolm X

CALENDAR OUR TOP PICKS FOR THE WEEK

CURRENT • February 22-28, 2017 • sacurrent.com

▲ When local cultural activist Aundar Martin decided last year that he wanted to present his message of “Black pride, self-reliance and human rights” through the art of cinema, he decided to adapt his 2011 stage play Message to the People: A Story of Malcolm X into an

independent film. Martin, who organizes and hosts cultural festivals and events around the city, including the Kwanzaa Market Festival and the PanAfrican Festival, portrays the late Muslim minister and human rights activist in both the play and the new film, which makes

its San Antonio debut this week. Message to the People is directed by Born Logic Allah. According to Martin, 80 percent of the script recounts words spoken by or about Malcolm X. “What we thought made this story different than other stories about Malcolm X is that it gives insight to the man and his transformation from childhood to adulthood,” Martin told the Current. “We wanted to show the transformation, not only of Malcolm but also a human transformation — how people can ultimately change the conditions of their world.” $10, 7pm, Alamo Drafthouse Park North, 618 NW Loop 410, (210) 560-3622, eventbrite.com. — Kiko Martinez

CALENDAR

Dior and I THU

THE ORCHARD

FILM

Into the Woods The musical Into the

THEATER

JOAN MARCUS

THU

Woods is now so well-known — particularly after Meryl Streep’s Oscar-nominated turn in the movie adaptation — that Forbidden Broadway’s delicious parody has even more bite: Into the Words. That’s because James Lapine and Stephen Sondheim’s Into the Woods has always been about words, stories and story-telling: it’s a mashup of several fairy tales tied together by the thread of a childless baker and his wife. Fiasco Theater’s

◀ When it comes to designers helming the world’s most revered fashion houses, shakeups are par for the course — and keeping up with who’s where feels like watching a high-stakes game of chess. After firing British wildcard John Galliano back in 2011 (based on his viral “I Love Hitler” rant in a Paris bar), the house of Christian Dior found its new leader in Raf Simons, a comparatively mildmannered Belgian designer who launched his own menswear line in 1995 and became creative director of minimalist German luxury brand Jil Sander in 2005. Using the founding father’s eponymous 1956 memoir Christian Dior & I as a guiding light, French filmmaker Frederic Tcheng’s directorial debut Dior and I zooms in on Simons just after he’s taken the reins and is struggling to uphold the house’s legacy while creating his first-ever couture collection in a matter of eight weeks. Working with a crew of seamstresses and craftsmen —

including some who’ve worked for Dior for 40-plus years — Simons ultimately rises to the occasion, infusing modern sensibilities and abstract concepts into the clothes and presenting them in a Parisian mansion quite literally covered with fresh flowers. Since the film’s 2015 release, circumstances for Simons and Dior have unsurprisingly changed. Just last year, the creative team at Dior remarkably produced a well-received collection without a creative director after Simons defected to become chief creative officer of Calvin Klein. A fascinating and refreshingly realistic look at the inner workings of an oftenmisunderstood industry, Dior and I screens as part of the McNay’s Get Reel Film Series “just in time for Paris Fashion Week 2017.” Free, wine reception at 6:30pm, film at 7pm, McNay Art Museum, Chiego Lecture Hall, 6000 N. New Braunfels Ave., (210) 8245368, mcnayart.org. — BR

acclaimed revival — which eventually landed Off Broadway — strips away the artifice and grandiosity of other productions and, with just one piano and a nimble cast of 10, puts the emphasis back on the words that communicate wisdom, and even solace, from one generation to the next. Into the Woods has just one stop in San Antonio: miss it, and it will disappear … like magic. $31.60-$94.50, 7:30pm, Tobin Center for the Performing Arts, 100 Auditorium Circle, (210) 223-8624, tobincenter.org. — Thomas Jenkins

sacurrent.com • February 22-28, 2017 • CURRENT 19

We are proud to announce the release of San Antonio Lager, their newest year round IN CANS! Join Ranger Creek Brewing & Distilling at their brewery for a kick off party to include games, live music, food trucks, and special tappings on February 25th from 4-9pm for the first look at their newest addition, San Antonio Lager. Brewed in San Antonio, for San Antonio. Visit DrinkRangerCreek.com for a full list of events, brews and tours.

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CURRENT â€˘ February 22-28, 2017 â€˘ sacurrent.com

CALENDAR NIGHTLIFE

Felipe Esparza

THU-SUN

COMEDY

COURTESY OF FELIPE ESPARZA

◀ The hundred-some-odd words here expended describing 2010’s Last Comic Standing winner Felipe Esparza’s stand-up act could probably be used to transcribe two or three of his jokes verbatim. Good ones, too. But we’d never tell them like he does. His precise writing and off-kilter delivery might invite comparisons to Mitch Hedberg or Steven Wright, but it’s hard to imagine either of them hosting — as Esparza does — a podcast called What’s Up Fool? featuring episodes with the theme “Cholos: Where Are

23-26

They Now?” And as good as he is with a one-liner, it’s impossible to imagine anyone but Esparza, as he does on Comedy Central’s This Is Not Happening, telling a 12-minute story about biting a dude’s ear off in a streetfight while high on PCP and making it into something uplifting. Exactly the kind of joker we need right now. $22.50, 8:30pm Thu, 8pm & 10:15pm Fri, 7pm & 9:15pm Sat, 7pm Sun, Rivercenter Improv 849 E. Commerce, (210) 2291420, rivercentercomedyclub.com. — Jeremy Martin

COURTESY OF BERT KREISCHER

THU-SUN

23-26

COMEDY

Bert Kreischer FRI-SUN

24-26

Disenchanted!

THEATER

As beloved as animated fairytale movies may be, the Disneyfication of folk tales has overwritten what are often much darker stories (looking at you, The Little Mermaid…), and in Disenchanted!, the princesses themselves have a bone to pick with their modern portrayals. The musical lampoons the idea of “happily ever after” with a raunchy twist — on stage, the ladies lament their sex lives, the difficulty of maintaining a perfect princess body, and other overlooked challenges of princesshood with vulgarity that puts most R-rated films to shame. Guaranteed to charm both those who love and those who hate children’s movies, Disenchanted! promises a night of irreverent hilarity, but for #$@%’s sake, don’t bring the kids! $39.50, 8pm Fri, 2pm & 8pm Sat, 2pm & 7pm Sun, Tobin Center for the Performing Arts, 100 Auditorium Circle, (210) 2238624, tobincenter.org. — Kelly Merka Nelson

Screw Horatio Alger, here’s a real American success story: Bert Kreischer spent a six-year stint as a Florida State undergraduate partying so hard that Rolling Stone — the magazine that spent the ’70s watching rockstars ride motorcycles through luxury hotels — wrote an article about him, which inspired the movie Van Wilder and also inspired Kreischer to follow his dream of becoming a stand-up comic. But lest you think he’ll just be rehashing tales of theme-parties gone wrong and pastry-humping bulldogs, Kreischer’s life seems to bear about as much

resemblance to the film as he does to Ryan Reynolds, and he’s now a 40-something father (he filmed a web-series with his daughters called How Not to Kill Your Kids). Rolling Stone worried he’d wind up selling carpets, but instead he’s hosted a travel show (Trip Flip), done coke with Hollywood suits and gotten in too deep with Russian mobsters. Van Wilder 2 could’ve been much better. $22.50, 8pm Thu, 8pm & 10:15pm Fri-Sat, 7pm Sun, Laugh Out Loud Comedy Club, 618 NW Loop 410, (210) 541-8805, lolsanantonio.com. — JM

COURTESY OF TOBIN CENTER FOR THE PERFORMING ARTS

sacurrent.com • February 22-28, 2017 • CURRENT 21

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CALENDAR

FRI-TUE

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Google the word “Trebla” and the top result — courtesy of the fan-fueled Star Wars database Wookieepedia — leads down a winding path dedicated to a magical Jinda, a sentient species distinguished by “pom-pom tufts of hair,” markings that cover their bodies and entertaining talents including (but not limited to) juggling, dancing and storytelling. As it turns out, that nomadic creature has zero to do Trebla Art Gallery, a Westside venture run by Albert Gonzales. Although it’s simply his first name spelled backwards, Gonzales admits the gallery name is designed to spark questions: “What I want people to do is to question what [Trebla means] … and wonder what kind of art would be in the space.” Himself a full-time artist known best for poppy, simplistic paintings of flowers that wouldn’t look out of place on the

PROMO:

ART San Antonio Museum of Art’s latest exhibition brings to light the museum’s collection of over 100 objects created by Aboriginal artists since the mid-1990s. The collection, a gift from May and Victor Lam, which includes many female artists, was born out of May’s experience (in 2000) with an exhibit of contemporary Aboriginal art called “Spirit Country,” a traveling affair put on by the Fine Arts Museums of San Francisco. Inspired by this exhibit, May (a longtime SAMA trustee) and her daughter journeyed to Aboriginal communities all across Australia and amassed an exquisite collection of their own. And, what a collection it is: diverse in terms of materials and themes, both ancient and current in its processes and styles. That the result of this flight of fancy is now going to be on view at SAMA, for all to see, is an exciting nod to the way that museum experiences can change lives and lead to unexpected new things. $15$20, 10am-9pm Fri, 10am-5pm SatSun, 10am-9pm Tue, San Antonio Museum of Art, 200 W. Jones Ave., (210) 978-8100, samuseum.org. — James Courtney

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set of The Simpsons, Gonzales is set to inaugurate his new digs with “Diverse Views.” Doubling as Trebla’s grand opening, the group show brings together works by more than a dozen artists, including Paul Cooley and Chris Riggs (New York), Kristen Phipps (Kansas), and Ana Hdz-Burwell and Raul Gonzalez (Texas). Free, noon-4pm, Trebla Art Gallery, 2402 Guadalupe St., (210)441-0075, facebook.com/ treblaartgallery. — BR

CARVER CENTER 226 N. HACKBERRY Ticketmaster: 1.800.745.3000 • Carver Box Office: 210.207.2234 • TheCarver.org sacurrent.com • February 22-28, 2017 • CURRENT 23

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CURRENT • February 22-28, 2017 • sacurrent.com

Tuesday, March 28 | 6:30pm Reel Injun (2009/NR) Tuesday, April 25 | 6:30pm Winter in the Blood (2013/NR)

JULIÁN P. LEDEZMA

CALENDAR

SUN

Drag Brunch: Foxxy’s Farewell SPECIAL EVENT Those familiar with San Antonio scenes spanning from burlesque and drag to knitting and poetry have probably crossed paths with Dino Foxx, a multifaceted artist and performer who — frequently as his gender-blending alter ego Foxxy Blue Orchid — has emceed more events than he’d likely care to count. Once the lone male in the award-winning troupe Stars and Garters Burlesque, Foxx has caught our attention over the years through multiple creative endeavors, including crafty antics with the yarn-bombing outfit the Yarn Dawgz and his poetry collection When the Glitter Fades — a debut publisher Kórima Press bills as

TUE

the “celebrations and mournings of a queer Xicano poet, teatrista [and] fireeater.” Far less publicized are Foxx’s admirable efforts as an activist, an aspect of his life quickly coming to the forefront. Working on a contract basis with California-based International Development Exchange (IDEX) since November of last year, Foxx is in the process of relocating to the Bay Area for a full-time position with the nonprofit, which is dedicated to promoting lasting solutions to issues related to food sovereignty, alternative economics and climate justice in the U.S., Asia, Africa and Latin America. While Foxx says he’ll continue co-producing and emceeing the San Antonio Burlesque Festival and collaborating with Austin-based burlesque/cabaret/variety collective The Midnight Menagerie (“I’ll still be back a lot,” he promised us), an array of his cohorts are uniting for a festive sendoff at Paramour. Emceed by the “glambear queen” himself, the rooftop fiesta features performances by Lucy Lips of local burlesque troupe the Pastie Pops and drag divas Kristi Waters and Nilaya Milan Mathews, music by DJ Vitamin A, and brunch fare and cocktails available for purchase. Admittedly nervous about his big leap, Foxx pondered, “I only hope that the Bay Area has room in its heart for Foxxy Blue.” Although highly unlikely — if it doesn’t … we know a place that does. Free, 11am-4pm, Paramour, 102 9th St., (210) 340-9880, paramourbar. com. — BR

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“Great Conversation!” is an event, put together by the University of Texas at San Antonio (and its Institute of Texan Cultures), in which “prominent community leaders and UTSA professors facilitate conversations on diverse, exciting and stimulating topics.” Evidence of the increasingly important cultural/ intellectual role that UTSA plays in San Antonio, “Great Conversation!” offers a unique setup, wherein attendees select a dinner table based on who they want to chat with and/or what they want to talk about. Each table will feature “one or two conversation leaders who will guide discussions during dinner.” These conversation leaders include former Spurs player and current NBA analyst Bruce Bowen, chef Johnny Hernandez, economist Jim Kee, McNay Museum director Richard Aste, whose tables are already sold out, as well as author and scholar John Phillip Santos, archdiocesan director Father David Garcia, SA Police Chief William McManus, and many more. Meanwhile, topics include important issues in areas like contemporary art, the economy, conservation, indigenous wisdom, and the state of policing today, just to name a few. $100, 6-9pm, UTSA Institute of Texan Cultures, 801 E. César Chávez Blvd., (210) 458-4011, utsa.edu/greatconversation. — JC

Study #3080-0004 details:

• Healthy males and females • Between the ages 18 and 55 • BMI between 18 and 32 • Weigh between 132 and 209 lbs • Non-smokers • Females must be of non-childbearing potential • Compensation up to $1,500 for time and travel 8307 Gault Lane • San Antonio, TX 78209 sacurrent.com • February 22-28, 2017 • CURRENT 25

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The San Antonio Museum of Art

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CALENDAR

ART Art opening: “Robert Moskowitz Drawings” Lawrence Markey welcomes

esteemed New York artist Robert Moskowitz for the opening of his sixth solo exhibition at the gallery. Free, 5-7pm Friday; Lawrence Markey, Pearl–Full Goods Building, 200 E. Grayson St. #104, (210) 228-9966.

Exhibition Talk: “I Like to Be in America” Tobin Collection of Theatre

Arts curator Jody Blake discusses Broadway musicals from Cabin in the Sky and Camelot to Wicked and West Side Story. Free, 6-7pm Thursday; McNay Art Museum, 6000 N. New Braunfels Ave., (210) 824-5368.

THEATER Arcadia The UIW Theatre Department

stages Tom Stoppard’s critically acclaimed dramedy fusing elements of the Jane Austen era and today’s cutthroat academicians. $8-$12, 8pm FridaySaturday, 3pm Sunday; University of the Incarnate Word, Coates Theatre, 4301 Broadway, (210) 829-3800.

Ballads of the Borderland Informed

by the “powerful texts of John Philip Santos” and “artifacts of those who lived the tale and helped mold our cultural mosaic,” Ethan Wickman’s new composition unites the talents of the Children’s Chorus of San Antonio, SOLI Chamber Ensemble, soloist Tynan Davis and the San Antonio Chamber Choir. $10$30,7:30pm Monday; St. Mark’s Episcopal Church, 315 E. Pecan St., (210) 223-8624.

¡Bocón! Teatro Palo Alto tackles Lisa

Loomer’s tale of a 12-year-old boy who flees a repressive military regime in Central America, finds an unusual traveling companion in La Llorona (the legendary “Weeping Woman” of Mexican and Central American mythology) and gains the courage to cross the border to a new life in Los Angeles. $5-$8, 9am Thursday-Friday, 7pm Saturday; Palo Alto College Performing Arts Center, 1400 W. Villaret Blvd., (210) 670-6670.

FILM Four Sheets to the Wind Curated by

local artist and Southwest School of Art professor Joe Harjo (Muscogee), the Briscoe’s second annual Native Film Series kicks off with a screening of filmmaker Sterlin Harjo’s award-winning 2007 drama following a young Seminole/Creek man who travels from his small Oklahoma hometown to visit his sister in Tulsa after the suicide of their father. Free, 6:30pm Tuesday; Briscoe Western Art Museum, 210 W. Market St., (210) 299-4499.

CULTURE

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Race and Selma In observance of Black

History Month, Slab Cinema hosts free screenings of Stephen Hopkins’ 2016 biopic about African American track and field athlete and 1930s-era Olympic gold medalist Jesse Owens (2pm) and Ava DuVernay’s 2014 historical drama based on the 1965 Selma to Montgomery voting rights marches (4pm). Free, 2pm & 4pm Saturday; Alameda Theatre, 318 W. Houston St., (210) 212-9373.

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COMEDY Billy Crystal A stand-up comic turned

television star, Billy Crystal found fame as a movie actor with starring roles in blockbusters such as When Harry Met Sally, City Slickers and Analyze This. $59.50-$175, 8pm Friday; The Majestic Theatre, 224 E Houston St., (210) 226-3333.

SPECIAL EVENTS 181st Anniversary of the Siege and Battle of the Alamo Remember the

SOUTHTOWN VINYL 1 YEAR ANNIVERSARY PARTY SAT, MAR 25 AT 6PM SUN, MAR 26 AT 2AM

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Alamo with 13 days of interactive living history programming and special events commemorating the anniversary of the siege and Battle of the Alamo. Free, Feb. 23-March 6, 10am-4pm daily; The Alamo, 300 Alamo Plaza, (210) 225-1391.

PechaKucha vol. 25 Launched by Tokyo-

based architects Astrid Klein and Mark Dytham in 2003, PechaKucha (Japanese for “chit chat”) follows a simple premise: creative professionals show 20 slides for 20 seconds each during presentations lasting six minutes and 40 seconds. Active since 2011, the local chapter heads to Pearl Stable for its 25th program, presented in partnership with Las Casas Foundation. Emceed by Randy Beamer, the evening shines a light on jazz musician Doc Watkins, artist and musician Daniela Riojas, writer Elise Urrutia, physical therapist Dr. William Richardson, publicists Christian Reed-Ogba and Uche Ogba, Botika chef Geronimo Lopez, investigative reporter John Tedesco and Trinity sophomore Zabdi Salazar. $5 suggested donation, happy hour at 6:30pm, presentations at 7:30pm Tuesday; Pearl Stable, 307 Pearl Pkwy., pksa25.splashthat.com.

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CURRENT • February 22-28, 2017 • sacurrent.com

ARTS + CULTURE

BRYAN RINDFUSS | @BRYANRINDFUSS

SKETCHY CHARACTERS ≥

In the blog-like “Studio” portion of her website, artist Cristina Muñiz ponders one of her drawings in a post tellingly titled “Future Paintings? Maybe Not.” Often blending identifiable and non-representational objects in complex compositions inspired by personal experiences and observations, Muñiz’s small-scale sketches are, at times, studies for larger drawings or paintings. Hinting at an organic process of visual translation, Muñiz admits that “the ones that are would surprise most.” Born and raised in San Antonio, Muñiz famously “walked away from a partially complete painting major” 20-plus years ago, got a “stable full-time job” at a retail chain and

Honest marks in the autobiographical abstractions of Cristina Muñiz

finally returned to school to study art — this time focusing on graphic illustration and earning an associate’s degree from San Antonio College. Showing her work locally since 2011 — including group exhibits at High Wire Arts and Melinda Martinez Studio and solo shows at Mitos Gallery and Hello Studio — Muñiz eventually transferred to Kansas City Art Institute, where she furthered her studies in painting and earned her BFA in 2014. Shortly after graduating from KCAI, Muñiz was accepted into the Charlotte Street Foundation Studio Residency Program, which provides resident artists with dedicated work space and champions Kansas City as “a dynamic

home for artists in various career stages and disciplines.” In addition to giving Muñiz a deadline-free format to develop projects that might not have come to fruition within the confines of college, Charlotte Street also opened doors via curator visits and exhibition opportunities. On the opening night of the Kansas City group show “Tungs” in 2015, Muñiz met visiting curator Joel Damon, who offered her a solo show at the Omaha, Nebraska gallery he runs with collaborator Josh Powell. Co-curated by the duo at their Project Project space, Muñiz’s “I Speak Everyday” showcased works she created at Charlotte Street alongside abstract drawings and paintings she described as “tangible sacurrent.com • February 22-28, 2017 • CURRENT 29

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CURRENT • February 22-28, 2017 • sacurrent.com

ARTS + CULTURE

DO YOU EXPERIENCE PAINFUL OR BURNING FEET, AND DO NOT HAVE DIABETES? UT Health San Antonio Neuromuscular Division is conducting study on the treatment of neuropathic pain in feet. Study participation lasts three months and requires only two in-person visits and two phone calls. For more information please call:

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SAN ANTONIO’S ONLY PREMIERE POLE STUDIO documents of my memories, interactions and activity.” Currently splitting time between her hometown and Kansas City, Muñiz says she’s found a refreshing reminder of San Antonio in the Mattie Rhodes Center, a Missouri nonprofit dedicated to “[educating] the community about Latino culture and traditions through the visual arts.” Likening the center to the bygone Melinda Martinez Studio where she met and showed with like-minded emerging artists, Muñiz says the center “feels most like home” to her. “Mattie Rhodes has that feel of a community that is inclusive of everyone but also has a strong Latino presence,” she told us. “You can feel the love with its environment and their volunteers.” Among the first to respond to our open call for San Antonio artists who

keep sketchbooks (details below), Muñiz submitted an intriguing array of samples but was quick to point out that she defines the word “sketch” on her own terms. “Sketch to you may be different from what I say is a sketch,” she explained. “[These] are drawings in the sense that they are finished pieces … Whether they are reproduced and turned into paintings, [they] are finished.” Brought to life with anything from pens and markers to graphite and (more recently) watercolors, Muñiz’s “autobiographical” renderings combine personal memories and family narratives with impulse and instinct: “When something comes to me, I grab whatever is near and lay something down quickly.” For more about Muñiz, visit cristinamuniz.com and instagram.com/ driedpaintbrush.

If you’re a San Antonio artist who keeps a sketchbook, email a short bio and sample sketches to brindfuss@sacurrent.com.

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MORE NOTES OF A NATIVE SON James Baldwin’s unfinished work comes to light in Raoul Peck’s timely documentary ‘I Am Not Your Negro’ MARJORIE BAUMGARTEN

≥

When the great author, essayist and public intellectual James Baldwin died in 1987, he left behind 30 pages of an unfinished manuscript that was to be titled Remember This House. The book was to be a personal account of the assassinations of his friends Medgar Evers, Malcolm X and Martin Luther King Jr., which occurred over the course of five years (1963-68). As Baldwin wrote to his literary agent in his book proposal, he wanted “these three lives to bang against and reveal each other, as in truth they did, and use their dreadful journey as a means of instructing the people whom they loved so much, who betrayed them, and for whom they gave their lives.” Now, 30 years after Baldwin’s death, Raoul Peck, the Haitian filmmaker of features and

documentaries, has brought Remember This House to more-than-satisfactory fruition with the film I Am Not Your Negro. The film uses the words of Baldwin’s manuscript (narrated by screen great Samuel L. Jackson in his natural voice, copying neither Baldwin’s lyrical cadences nor the fiery oratorical delivery for which the actor has become well-known) to explore the genesis and depths of America’s socalled “Negro problem.” Peck blends an array of historical and contemporary footage, film and television clips, still photographs, written words onscreen and music with Baldwin’s words to excavate the roots of America’s self-perpetuating fantasy of itself. Baldwin’s language, always greatly admired by other writers, still comes through with its pinpoint precision,

mellifluous rhythm, and stirring undertow. An avid watcher of movies, Baldwin cites many examples of the complexity of screen identity, which are supported by Peck with film clips that delve deeply into the images of such figures as John Wayne, Doris Day, Harry Belafonte and Sidney Poitier, among others. Peck also employs a great deal of historical material from the ’60s, which document the marches, riots and political movements of the era, as well as the commonalities and differences among the three murdered leaders who are the intrinsic subject of this study. Baldwin calls out his country’s “moral apathy,” and how it is the responsibility of witnesses to get the story out. Peck enhances the archival material with fresh images of the racial offenses shoved into public light by

the recent Black Lives Matter movement, which, despite lending I Am Not Your Negro a contemporaneous context, also permanently fixes the film in time (perhaps to its long-term detriment). Ideas and their visual illustrations come at the viewer in a cascading torrent. The editing by Alexandra Strauss deserves its own recognition for its painstaking exactness. Never a Black Muslim or Christian, a member of NAACP or the Black Power movement, Baldwin had an acuteness of vision that was distinctly his own and never the party line. He is a writer whose work belongs on every bookshelf in America, and now with I Am Not Your Negro his words can be heard, too, on every movie screen in the land. This new essay might also be titled Even More Notes of a Native Son.

✰✰✰✰

sacurrent.com • February 22-28, 2017 • CURRENT 33

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≥

‘Q Heads are a curious lot — cultish in their devotion to certain high priests of the pit; willing to wait in a five-hour line to score the perfect, barky brisket; downright dogged in defense of one sauce over another — or disdainful of sauce altogether; devoted to mesquite or hooked on hickory and/or oak … A lot of injudicious drinking of Kool-Aid has gone on, if you ask me. It’s just smoked meat. Or is it? San Antonio, never a barbecue beachhead, may finally have acquired a place worthy of queueing for ‘Q. On my first attempt to score some classic brisket at 2M, we arrived around 12:15 and had been in line for 10 minutes when the announcement came that it couldn’t be guaranteed there would be much of anything left by the time we breached the door. We took the hint and split. The second time, in 30-degree weather, I arrived at the opening hour of 11 to find the line mostly inside; by the time I left, it was several deep outside the door. Time No. 3, around 11:15, the line was even longer; it took me an hour from start to exit with my bag of paper-wrapped bounty. Time No. 4 (47 degrees and misty), I arrived at 20 minutes to opening on a Saturday to find about 20 people, some with folding stools, outside the closed door. Most of the acolytes-in-waiting appeared to be ordinary folks, not wild-eyed zealots. Their budding devotion had

apparently been inspired by a local boy, Esaul Ramos, who had returned to San Antonio, still wreathed in sacred smoke, after an apprenticeship at an iconic Austin temple of clods and ribs. His mission, and that of his business partner, Joe Melig: to set us on the true path to BBQ enlightenment. Do they succeed? Yes. And no. Here’s the tally: Brisket: In a word, transformational. The bark, that essential, rugged crust, is rough and peppery; the essential layer of fat beneath bathes the tender meat in melting, mouth-coating goodness; there’s just enough smoke flavor. Pork Ribs: No goopy glaze here — it’s mostly simple, peppery coating and beautiful, slow-cooking. The fallfrom-the-bone meat is disarmingly sweet as a result. No need for sauce. Pulled pork: I usually find this disappointing — too soupy and often almost tasteless. But at 2M, they have figured it all out, and mixing in a bit of the crusty exterior adds flavor and texture to the whole. Turkey breast: This is not true ‘Q if you ask me, but once you’ve spent an hour in line, might as well try everything, right? I wouldn’t go there for this alone, but it bests most other renditions hereabouts. Beautifully moist, due in part to a dunking in melted butter, it’s lightly smoky and discreetly peppery. Try the sauce with it. Sausages: The pork sausage with jalapeño and Oaxaca

cheese is another revelation — the cheese mitigates the chile heat, and both play well with padre pork. The beef sausage, on the other hand, provides decent snap and reasonably robust flavor but otherwise offers nothing new. Another good excuse to use the sauce, so … Sauce: This is apparently controversial, in part because of its molasses-like sweetness and flavors such as celery seed. I like it, but just don’t find it necessary on most meats. Another version, presumably more conventional, is apparently in the works. Sides: 2M has developed a mac and cheese with crumbled chicharron that’s a spiky sensation in taste terms and a sticky mess texturally — though it was less gluey on time two. The slaw is simple and fine; ditto the elemental red potato salad. The house-pickled cucumber slices with chili flakes that come with each order are worth the wait alone. And now back to time four — the beef ribs: Available only on Saturdays, they are huge, dauntingly dark … and a disappointment during our visit due to a toughness of the inner lining, fat that’s less convincing than the brisket’s, and an excess of hubris in the pricing: $22 per half pound —about one rib worth, half of which is bone. 2M seems to have bumped San Antonio into the willwait-for-food world for better or for worse — guess we’ll bring our folding chairs next time.

2M Smokehouse 2731 S. WW White Road (210) 885-9352 Best bets: Bbrisket, pork sausage, pork ribs, mac and cheese The Skinny: 2M brings “BBQ con ganas” to SA flaunting a San Antonio take on Austin roots Cost: $18-$22 per pound Hours: 11am-4pm (or depletion) Thu-Sun

sacurrent.com • February 22-28, 2017 • CURRENT 35

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New Dunkin’

> Stone Oak can officially claim a Dunkin Donuts/ Baskin-Robbins as of February 14. The new store, which opened at 23505 Hardy Oak Boulevard is finally open for business after a few days of trial runs. According to Facebook, Dunkin/Baskin will offer a free medium hot or iced coffee through February 22 to celebrate the opening of the location. The store is now the fourth in the area to offer both ice cream and doughnuts in one. 23505 Hardy Oak Boulevard.

Lüke San Antonio, 2010-2017

> After opening in 2010 and helping spur on a sea of change in the San Antonio culinary scene, Lüke San Antonio, celebrity chef John Besh’s first restaurant outside of New Orleans, is closing. The Door Online, the public relations firm for The John Besh Restaurant Group shared this statement from management: “After six years in business, the Besh Restaurant Group has decided to close Lüke San Antonio. Our last day of service will be February 28th. We are grateful for the ways in which the community has embraced and immensely supported the restaurant since it opened in 2011. ”[sic] The news comes after months of industry speculation following what some called a “hit job” of a review from the Express-News’ food critic Mike Sutter. In his mid-October review headlined “The Party is over for Lüke on the Riverwalk,” Sutter went on to share several experiences at the New Orleans brasserie. Here are some highlights: “From spoiled oysters to amateur service to a menu that’s overpriced and under-executed, Lüke has lost much of what made its graceful union of antebellum parlor and boozy dancehall bar so charming in the first place.” “Ordered raw, they tasted like the inside of a basketball shoe, both spoiled and despoiled with shell fragments from the shucker’s knife. The shells of charbroiled oysters bristled with parasitic mollusks whose blackened edges flaked off when handled. This isn’t dollar oyster night at a dive bar. This is Lüke, where a half-dozen sets you back $14 to $16. There’s no excuse for that kind of sloppiness.” “But the balance of my Lüke experience fell squarely in the languid execution zone favored by more modest hotel restaurants. An iron dish of shrimp and grits came to the table half-cool, with big flowery spices and overcooked shrimp for $27, and the modest textural contrasts and flatline flavor of a fried oyster salad with lardons and avocado didn’t support its $16 price.” Ouch. Chef John Russ is no longer with Lüke, having turned in a resignation mid-November of last year. He and wife Elise are working on opening an eatery of their own sometime this year.

•

Lüke

Lüke San Antonio was first opened by executive chef Steven McHugh, who left the restaurant to open Cured in 2012. McHugh recently received a semifinalist nod in the Best Chef Southwest category for the 2017 James Beard Awards.

Nods for Area Chef, Bar

> The James Beard Foundation announced a list of semifinalists for the 2017 Restaurant and Chef Awards. The list, compiled through various submissions and nominations, includes two San Antonio nods. Making the cut in 2017 is second-year semifinalist Steven McHugh of Cured at the Pearl for Best Chef Southwest. McHugh opened Cured in 2013 with serious charcuterie boards and playful takes on South Texas flavors using hyper local ingredients. Other Texas semifinalists include Bryce Gilmore (Barley Swine, Austin), Omar Flores (Casa Rubia, Dallas), Manabu Horiuchi (Kata Robata, Houston), Anita Jaisinghani (Pondicheri, Houston), Teiichi Sakurai (Tei-An Soba

House, Dallas), Hugo Ortega (Hugo’s, Houston), John Tesar (Knife, Dallas), David Uygur (Lucia, Dallas), Jianyun Ye (Mala Sichuan Bistro, Houston), Seth Siegel-Gardner and Terrence Gallivan (The Pass, Houston). The Esquire Tavern comes in as the second semifinalist from San Antonio for Outstanding Bar Program. This is the second semifinalist nod for the bar. The first was in 2012 while under the direction of Jeret Peña. The Esquire joins Houston’s Anvil Bar & Refuge as the only other semifinalist from Texas. Finalists will be announced March 15, and winners will be announced May 1 in Chicago during the 2017 James Beard Awards Gala, often billed as the Oscars of food.

Send food- and nightlife-related events and news to flavor@sacurrent.com.

sacurrent.com • February 22-28, 2017 • CURRENT 37

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JESSICA ELIZARRARAS | @JESSELIZARRARAS

Fat Tuesday Shindigs // Celebrate Mardi Gras at Wild West on Friday as they host an indoor parade complete with beads, cups, coins, shirts, koozies, rings and $4 frozen Hurricanes all night. $6-$10, noon-12:30 a.m.; Wild West, 21025 Encino Commons, Suite 111, (210) 496-9453. The festivities start early on the Riverwalk with the Bud Light Mardi Gras River Parade and Festival on Saturday from 1 to 6 p.m. The event includes live music from The Jim Cullum Reunion Jazz Band, Billy Ray Sheppard and Zydeco Blanco in the Arneson River Theatre and the rio parade running from 4 to 6 p.m. Bring your beads, costumes and masks to this free event. San Antonio Riverwalk, (210) 227-4262. On Tuesday, February 28, the San Antonio Zulu Association hosts its 8th annual SAZA Fat Tuesday Mardi Gras Party with food trucks, giveaways, and music by OMG Sounds. The party’s BYOB but beer, wine and setups are provided. $10, 4-11pm, 10 10th St., info@saza.org. Les bon temps roules at Burleson Yard Beer Garden, which hosts the Pinch Boil House and Bia Bar guys for some Vietnamese-style seafood for purchase, and drink specials for the night.

Roll through with the SATX Social Ride. Prices vary, 7-11pm, 430 Austin St., (210) 354-3001. Take the gang to Mardi Gras in Travis Park for festivities, food, music, and more. Live soul, R&B grooves by VILLELA from 5-8pm. Bonus: It’s Downtown Tuesday so all city-operated parking garages will be free to park. Free, 5-8pm, 311 E. Travis St., travisparksa.com. Beyonce’s Got Three Hearts // Thurzgayz this week will be a special occasion as the Beyhive celebrates “Love on Top” and The Carters' upcoming additions with a dose of Queen B, every hour on the hour. Brass Monkey suggests you “dress up to make a baby,” and we suggest making sure you’ve got a designated driver. Drink specials include 75 cent wells, and $2 Fireballs all night. No cover, 10pm, 2702 N. St. Mary’s St., (210) 480-4722. Beer Events // Stout House’s monthly craft beer tasting on Thursday will include 10 beer samples, tastes of chocolate and a raffle ticket for prizes. The tasting lineup includes 903 Brewers’ Crackin’ Up pecan porter; McKenzie’s Hard Cider’s black cherry cider and original cider; Guadalupe Brewing Company’s Gruene

Session IPA; Copperhead Brewery’s white wit; Victory Beer’s Golden Monkey Belgianstyle tripel; Shiner Beer’s Berliner weisse; Southerleigh Fine Food & Brewery’s We’re Goin’ Streaking Belgian quad; Saint Arnold Brewing Company’s spring bock; and Goliad Brewing Company’s Goliad Stout.$5, 7-9pm, 11851 Bandera Road, Suite 119, (210) 637-9094. A certain female-led group is already hitting the streets, parking lots and other community areas to spread the cookie love. This cookie beer pairing at Busted Sandal Brewing Co. will feature five 5-ounce beers as paired with five cookies. Stop by on Friday for suggested pairings. $12, 5-9:30pm, 7114 Oaklawn Drive, (210) 872-1486. Last week’s Brewstillery Brunch at Ranger Creek was rescheduled to this Sunday due to a crappy forecast. The Box Street Social brings the chicken and waffles while the bar whips up carnivore bloody marys and more. Be sure to check out the first canned offering by the brewery. San Antonio Lager is a San Anto-inspired German-style lager that’ll make for easy sippin’ come tubing season. The beer is on select shelves as of February 22. Prices vary, 11am-3pm, 4834 Whirlwind Drive, (210) 775-2099.

sacurrent.com • February 22-28, 2017 • CURRENT 39

February 24 - The Georges

February 25 - Junior Brown

February 26 - 5th Annual Ben Dorcy Day with Josh Abbott, Pat Green, William Clark Green & more VERY Special Guests TBA!

March 4 - James McMurtry & John Fullbright

March 10 - Wade Bowen, Cody Canada & the Departed

14492 Old Bandera Rd Helotes, TX (210)695-8827

For tickets: liveatfloores.com 40

CURRENT • February 22-28, 2017 • sacurrent.com

MUSIC

CHRIS CONDE

COURTESY OF WHITE CHRIST

Lady Gaga, Miley Cyrus, Alicia Keys part of musician, artist supergroup fighting Texas’ anti-trans bill

> Last week, more than 140 musicians and artists released an open letter to Texas politicians asking them to oppose the anti-trans Senate Bill 6, along with any other anti-LGBTQ legislation being considered this sessions. The letter’s signers, who have banded together under the campaign name #TXTogether, have pledged to do “everything within our power to make sure all of our fans,

BACK TO BASICS San Antonio’s Hard Rock Cafe is booking bands again.

Latest White Christ EP is seven minutes of explosive, sophisticated punk rock JAMES COURTNEY

Harnessing the same aggression as their first two releases, the dudes in SA’s garage core band, White Christ, return with a banging four track EP that’s as sophisticated as it is fun and chaotic. Recorded and released at the end of 2016, Die So High, is loud, fast, and brimming with sun-shining spells of fuzzy guitars and, dare I say, dancey drum hits — a departure from the D-beat punchiness of their 2013 self-titled debut, as well as a further exploration of the garage rock sound featured on their first LP Rotatives. This time around, White Christ sounds like what would be playing at the most killer party of the summer while everyone has the time of their lives. The EP gallivants in the same sort of

happy distortion of Japandroids circa 2009, yet is punctuated with a I-could-give-a-fuck-if-youlike-my-band sort of attitude reflected in the singing and lyricism of vocalist Jack Parsons. “I just wanna die so high,” Parsons screams in the opening and title track of the EP, setting the tone for what might be the best seven minutes and forty-nine seconds of rock and roll you’ve heard in a while. So, whether you’re bombing a hill on your skateboard, flailing your arms during a solo-jam out session in your room or just cruising around downtown with your friends, White Christ’s Die So High EP is an explosive punk rock effort that’s loud, fun and definitely worth listening to at the highest decibel you can handle.

> Let the SXSW spillover show announcements commence! Each year, as Austin readies for the coolest confluence of clusterfuckery you ever saw (aka the ever-growing behemoth that is SXSW, slated for March 10-19 this year), San Antonio show bookers and promoters go to work putting together what are lovingly termed “spillover shows.” These spillover shows, which entice acts (often ones that only come to Texas for SXSW) down IH35, are really for the savvy

> The Hard Rock Cafe in San Antonio will start hosting live music again, in an effort to get “back to basics” by scheduling local bands to perform in the restaurant. Starting Tuesday, February 28, the restaurant chain (which, believe it or not, actually hosted one of Selena’s last performances back in 1995), will begin a new

concert program, starting with our beloved desert rock duo Lonely Horse and local psychrockers Mockingbird Express. “We’re Hard Rock, Why are we not doing this?” Carrie Anne Silvers, the senior sales and marketing manager at Hard Rock San Antonio tells us, explaining the restaurant’s history and passion for all things rock as seen in their display of memorabilia — including a guitar from “Dimebag” Darrell, the late lead guitarist from Pantera and Damageplan.

Starting off with monthly concerts, the restaurant hopes to eventually increase the number of shows in an effort to better support the local music scene. Lonely Horse with Mockingbird Express // Free, doors at 7pm, Tuesday, February 28, Hard Rock // Cafe, 111 W Crockett #210, hardrock.com

BILLY BUCK

BUILT TO SPILLOVER

rates of family rejection and homelessness, mental health issues and suicide, and they are already more likely to be denied work and housing,” says the letter sent last week. “How much more can you punish them for living honestly and openly?” To read the letter and see the full list of famed artists, musicians, comedians, actors and writers who signed it, go to sacurrent.com. CHRIS CONDE

GET HIGH AND DIE

≥

crews, and fellow artists feel safe and welcome, wherever we go.” The move comes after many of the same artists and musicians fought against a similar anti-trans law in North Carolina, which inspired Texas’ bill. If signed into law, SB6 would ban trans people from using the restroom that aligns with their gender identity. “Transgender and gender non-conforming young people already face higher

Paper Tiger Announces Killer Lineup for Heatwave 2

San Antonian who has grown jaded with the sheer force of will it takes to tackle ATX during SXSW, the best of both worlds—SXSW caliber music with San Anto caliber chill. The excellent Burger Hangover Fest benefits from the spillover effect, and you may have already noted that Conor Oberst and Chicano Batman will both (separately) play Paper Tiger during SXSW. Meanwhile, Heatwave 2, a free event that commemorates Paper Tiger’s second anniversary, just revealed its killer lineup yesterday.

Slated for the decidedly girl-powered affair is Chastity Belt (jangly garage-punk from Walla Walla, Washington), Lisa Prank (bedroom pop-punk from Seattle), Sneak (mildly ethereal post-punk from D.C.) and Downtown Boys (high-energy political power-punk from Providence, Rhode Island). As these things typically go, there will no doubt be an increasing number of spillover shows announced as we get closer to March and beyond. We’ll be sure to keep you apprised on the best of them.

HEATWAVE 2 Chastity Belt, Lisa Prank, Sneaks, Downtown Boys Free, 6:00pm, Mar 13, Paper Tiger, 2410 N St Mary’s St, papertigersa.com.

sacurrent.com • February 22-28, 2017 • CURRENT 41

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CURRENT • February 22-28, 2017 • sacurrent.com

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MUSIC PICKS

With just the right amount of garage tones, No Parents serve up aggressive and melodic punk rock that’s as rowdy as it is nonchalant. Their sound, while definitely rooted in early 90s hardcore, spans a spectrum of rock genres, which make the Los Angeles fivepiece a compelling band who seems to know how to deliver a pretty amazing show. With The Bolos, Junkie, 9pm, $5-$8, Limelight, 2718 N. St. Mary’s St. WED

NO PARENTS

COURTESY OF MOVING UNITS

Sounding pretty similar to bands like She Wants Revenge and Interpol, these L.A. post punkers serve up live-instrument dance music with just the right amount of punk rock attitude to get you groovin’ in your Doc Martins. Playing songs from the beloved OG’s of post punk, Joy Division, Moving Units is the perfect excuse to starting your weekend a couple days early. With Viktor Fiction, Soviet, 7pm, $13, Paper Tiger, 2410 N. St. Mary’s St. WED

COU RTE SY OF CULT REC

THE GROWLERS

MOVING UNITS PRESENTS THE SONGS OF JOY DIVISION

PETER BESTE

ORD S

No one does psychedelic surf rock quite like The Growlers. From their debut Are You In Or Out to last years City Club, the Costa Mesa, Californiabased band have been spinning audiences in seductive waves of reverb since 2009. Originally calling themselves The HeebieJeebies before changing it to The Growlers (the band calls taking a poop “taking a growler”), the California trio are as humorous as they are talented, and with fans like Bill Murray singing their praise, you know The Growlers must be doing some dope shit in music. 8pm, $20, Paper Tiger (big room), 2410 N. St. Mary’s St. FRI

EL TEN ELEVEN Unsubscribed to the standard rock and roll dynamic of voice-fronted song-writing, post-rock duo El Ten Eleven have been releasing beautiful, vocal-free movements since the mid 2000’s. Forming and based in Los Angeles, and incessantly touring, El Ten Eleven employ the use of looping pedals, allowing them to build incredible songs which makes their live show really entertaining to watch. 8pm, $13, Paper Tiger (small room), 2410 N. St. Mary’s St. FRI

sacurrent.com • February 22-28, 2017 • CURRENT 43

Lassoing some elements of southern americana and folk, Elli Perry transcends the tired singer-songwriter approach to produce some rustic and heartfelt music. Born and raised in Georgia, and touring non stop over the years, Perry’s guitar playing and vocals are soaked with the experience of someone that’s lived a life of trials and tribulations but hasn’t forgotten the joys and pleasures in life. With Alyson Alonzo, Carly Garza, 7pm, Lowcountry, 318 Martinez St. FRI

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MANTRA LOVE

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Enchanting and mysterious, Mantra Love isn’t your average rock band. In a sea of a million groups that are catching this recent wave of psych-rock, the Houston trio set themselves apart with their dynamic and songwriting that’s far from mundane. In fact, these boys are probably one of the better bands in the psyche genre that we’ve heard in a while. With We Leave At Midnight, Wildfires, 8pm, $7, K23 Gallery, 704 Fredericksburg Rd.

CURRENT • February 22-28, 2017 • sacurrent.com

ISAIAH RASHAD Able to adjust his flow and vocal delivery to any kind of beat, Isaiah Rashad is probably one of the illest up and coming rappers you need to be paying attention to. Born and raised in Chattanooga, Tennesee, Rashad has been making moves in the realms of hip hop – from signing to Top Dawg entertainment with Kendrick Lamar and Schoolboy Q, to touring with Juicy J. This is definitely a show you’re not gonna wanna miss. With Lance SkiiiWalker, Jay IDK, 8pm, $17$65, Alamo City Music Hall, 1305 E. Houston St. SAT

COURTESY OF JIMMY EAT WORLD

“Salt, sweat, sugar on the asphalt! Our hearts littering the topsoil! Tune in and we can get the last call! Our lives, our coal” – If you went to high school between 2000 and 2004 chances are you or a friend probably owned Bleed American by Jimmy Eat World and shouted these lyrics on the way to first period. Having released five albums since that time, the Arizona four piece continue to deliver a blend of early 90s emo and contemporary indie pop-rock to eager audiences internationally. 8pm, $25-$49.50, Aztec Theatre, 104 N. St. Mary’s St. SUN

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COURTESY OF ELI PERRY

MUSIC

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MUSIC

MUSIC CALENDAR WEDNESDAY, FEBRUARY 22 Jake Owen Country artist Jake Owen plays the Rodeo. $13.50-$198.50. AT&T Center, 7pm Moving Units Moving Units presents the songs of Joy Division, joined by Viktor Fiction and Soviet. $13. Paper Tiger, 7pm Mozart: “Great” Mass in C Minor San Antonio Choral Society will join the choirs from St. Mark’s Episcopal Church and Trinity University, the San Antonio Symphony, and professional soloists, to present Mozart’s work. $19-$30. Tobin Center for the Performing Arts, 7:30-9:30pm No Parents, Junkie, The Bolos LA-based punk band No Parents is joined by locals Junkie and The Bolos. $5-$8. Limelight, 9pm The Ragbirds Michigan indie-pop band The Ragbirds play Sam’s. $10-$45. Sam’s Burger Joint, 8pm THURSDAY, FEBRUARY 23 ARTS San Antonio presents: Direct from Dublin, Ireland The Five Irish Tenors Experience Featuring Irish song and opera arias in combinations of ten solos, duets, trios, quartets and tutti. $29-$99. The Majestic Theatre, 7:30pm Bru’s Tunes Live music in every genre by Bru. Free. Silo, 6-9pm The Cold Hard Cash Show A tribute to the music of Johnny Cash and The Tennessee Three. Free. Big Texas Ice House & Dance Hall, 9pm Huey Lewis & The News 80s and 90s favorite hit up the Rodeo. $13.50-$198.50. AT&T Center, 7pm Lee Winright CD Release Lee Winright will be performing his new CD, Time Between Times. Free. Western Edge Cellars, 7-9pm Old School Polkas Del Ghost Town CD Release Spring Fed Records announces the upcoming release of Texas-Mexican conjunto music from Lorenzo Martinez and Ramon “Rabbit” Sanchez. Free. Alamo Music Center (Downtown), 7-9pm The Unlikely Candidates Forth Worth indie rock band. $10-$45. Sam’s Burger Joint, 8pm FRIDAY, FEBRUARY 24 2017 International Music Festival: Mozart Extravaganza Performers from Houston Grand Opera Studio in opera takes the audience on an exploration of Mozart’s lyrical side. Free. Empire Theatre, 7:30pm 46

CURRENT • February 22-28, 2017 • sacurrent.com

The Bandulus, The Steady 45s The Bandulus are joined by The Steady 45s to play ska, reaggae and soul. $10. Luna, 9:30pm El Ten Eleven Instrumental post-rock duo El Ten Eleven play Paper Tiger. $13. Paper Tiger, 8pm The Freebiez, Kudzu, Ship-to City The Freebiez are joined by Ship-to City and Missouri’s Kudzu. $5. Imagine Books and Records, 8pm

High Voltage Fundraiser High Voltage is an after-school program teaching teens 12-17 free music lessons. $5-$10. South Texas Museum of Popular Culture, 2-6pm Isaiah Rashad Playing a hybrid of new and old school hip hop, Isaiah Rashad is joined by Lance Skiiwalker and Jay IDK. $17-$65. Alamo City Music Hall & Club, 8:30pm Jay Wimberley Trio Americana, blues and rock. Free. The Cove, 6:30-8:30pm

is joined by Hearts Like Lions and Blake Williams. $15. Paper Tiger, 5pm Les Amies New York Philharmonic Principal Players Nancy Allen, harp, and Cynthia Phelps, viola, join internationally renowned flutist Carol Wincenc. $25. Temple Beth-El, 3:15-5:30pm Tex Pop Tardeada - Winter Dance Party Live music as the Robert Johnson exhibit closes. $5. South Texas Museum of Popular Culture, 2-6pm

GFP Presents Kaliya & Cleric Featuring Kaliya, Cleric, Toluca, Chaotic End and Vaginal Bear Trap. $5. Bond’s 007 Rock Bar, 8pm

Josh Turner Country artist Josh Turner plays the Rodeo. $13.50-$198.50. AT&T Center, 7:30pm

The Growlers Psych rock band The Growlers play Paper Tiger. $20 (Sold Out). Paper Tiger, 8pm

Killer Dwarfs Canadian heavy metal band Killer Dwarfs are joined by Ratt’s Juan Croucier at the Rock Box. $25-$30. The Rock Box, 7:30pm

Ballads of the Borderland Featuring the Children’s Chorus of San Antonio, SOLI Chamber Ensemble, Tynan Davis as soloist, and the San Antonio Chamber Choir.$10$30. St. Mark’s Episcopal Church, 7:30pm

KiNiKo Fest Art and live music by Saltwater Slide, This is Where Two Oceans Meet and more. $10-$12. Fitzgerald’s Bar & Live Music, 5pm

Monday Evening Picker Circle w/ Stephen K. Morris Unplugged Americana session with Stephen K. Morris. Free. Luckenbach Dance Hall, 5pm

Manta Love, We Leave at Midnight, Wildfires, Ila Minori Houston’s Mantra Love and Austin’s Wildfires are joined by locals We Leave at Midnight and Ila Minori. $7. K23 Gallery, 8-11:45pm

Not a Part of It, Drink Fight Thugs Oregon punk rock band Not A Part Of It is joined by Drink Fight Thugs. $5. Limelight, 9pm

The Lavens The Lavens are a family band playing covers and originals. Free. The Cove, 6:30-8:30pm The Mozart Effect Hear various composers and the echoes of Mozart in their work. $15$25. Tobin Center for the Performing Arts, 7:30pm Rascal Flatts Country band Rascal Flatts plays the Rodeo. $13.50-$198.50. AT&T Center, 7:30pm Slaterica Slaterica is a tribute to Metallica, Slayer and Pantera. They are joined by Snake Skin Prison and Fear Control. $5. Zombies, 9:30pm Tamarron, Blind Owls Austin psychpop band Tamarron is joined by Blind Owls. $3-$5. Limelight, 9pm Yacht Rock Revue Live performance by soft rock tribute band Yacht Rock Revue. $15. Aztec Theatre, 8pm SATURDAY, FEBRUARY 25 JP Jofre Tango Band Argentine bandoneon player JP Jofre will be joined by his New York band and fellow Argentinian tango dancers. Free. Empire Theatre, 7:30pm Aaron Watson Country Music Hall of Fame artist plays the Rodeo. $13.50-$198.50. AT&T Center, 1pm The Band of Heathens Album Release Austin rock band The Band of Heathens play in support of their fifth studio album, Duende, joined by Carson McHone. $12-$90. Sam’s Burger Joint, 9pm Dali’s Mustache Imagine Books and Records hosts a group of musicians and poets, including Angela Walley, Vincent Guerrero, Winslow Phillips and Jordan Vanata. Free. Imagine Books and Records, 8-11:45pm Flat Top Jones Flat Top Jones plays country music at Gruene Hall. Free. Gruene Hall, 1-5pm

The Mozart Effect Hear composers and the echoes of Mozart in their work. $15-$25. Tobin Center for the Performing Arts, 7:30pm The Mr. T Experience The Mr. T Experience is a punk band from California, joined by The Nobodys, The Turnaways, and Capitalist Kids. $10-$15. The Korova, 7pm OC45, Drink Fight Thugs, Destroy Orbison Boston punk band OC45 is joined by Drink Fight Thugs and Destroy Orbison. $5. Limelight, 10pm Saturday Afternoon Picker Circle W/ Pistol Creek Open unplugged acoustic session with Pistol Creek. Free. Luckenbach Dance Hall, 1pm Stolen Souls Stolen Souls are joined by Mushroom Honey and Broken Soul. $5. Zombies, 9:30pm Uncle Lucius Americana music at Gruene Hall. $15. Gruene Hall, 9pm SUNDAY, FEBRUARY 26 Gonzalo Rubalcaba Cuban native Rubalcaba for an unforgettable afternoon of jazz celebrating his cultural roots. Free. Tobin Center for the Performing Arts, 3pm Bidi Bidi Banda Austin’s Selena tribute. $10$45. Sam’s Burger Joint, 8pm Jimmy Eat World Pop-rock band Jimmy Eat World performs their biggest hits. $25-$30. Aztec Theatre, 8pm Jonny Craig R&B/pop artist Jonny Craig

MONDAY, FEBRUARY 27

Swing Nite with Miss Tess & the Talkbacks Swing night with Miss Tess & the Talkbacks. $10. Sam’s Burger Joint, 8:30pm TUESDAY, FEBRUARY 28 Circa Survive Circa Survive tours to celebrate the 10 year anniversary of their On Letting Go album. They are joined by mewithoutYou and Turnover. $23. Alamo City Music Hall & Club, 6:30pm Dave Dondero, Brandon Cunningham, Garret T. Capps, Deflextions Sunbrain’s Dave Dondero is joined by locals Brandon Cunningham, Garrett T. Capps, and Deflextions. $5. Imagine Books and Records, 8pm Lawrence New York based soul-pop act Lawrence play Sam’s. $10-$45. Sam’s Burger Joint, 8:30pm Live from Jazz, TX Show Series Jazz, TX, will host a radio show series with San Antonio’s NPR affiliate, Texas Public Radio (TPR). $20. Jazz, TX, Feb. 22-March 22, 8:30pm Mardi Gras Party Fat Tuesday celebration with Miss Neesie and the Earfood Orchestra. Free. The Cove, 7:30-10:30 pm Slim Bawb Slim Bawb’s Fat Tuesday Celebration with Cajun/rock music at Gruene Hall. Free. Gruene Hall, 6-10pm Suicidal Tendencies Thrash band Suicidal Tendencies play Paper Tiger. $26. Paper Tiger, 6pm Villela’s Mardi Gras Downtown Tuesday Live soul, R&B grooves by VILLELA. Free. Travis Park, 5-8 pm

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> I am a straight married man. My wife and I have a 4-year-old and a 3-month-old. We’ve just started having intercourse again. For Valentine’s Day, we spent the night in a B&B while grandma watched the kids. We had edibles, drank sparkling wine, and then fucked. It was amazing. After we came and while we were still stoned and drunk, my wife mentioned she was open to inviting others into our sex life. I asked about getting a professional sex worker. She said no. But maybe if we were in a bar (we’re never in bars) and met someone (a unicorn), she might be into it. Anal came up. She’s always said she’s up for trying anything once. I have a desire to experiment with anal. (Not just me entering her, but her pegging me as well.) I asked if she would use the vibrator we brought on me, just to experiment. She said she was too high to do anything. I felt let down. I feel she unknowingly teased me with fantasies I have, not knowing I actually have them. We have a good sex life, and I’m willing to write off the fantasies we discussed while high and drunk. It’s the teasing that drove me crazy. Having And Realizing Desires P.S. I’m in no hurry. We just had a baby, and I don’t want to pressure my wife right now. My fear is that she may only like the idea of exploring our sexuality together and not the reality of it.

CURRENT • February 22-28, 2017 • sacurrent.com

SAVAGE LOVE by Dan Savage

Some people think about, talk about, and masturbate about certain fantasies without ever wanting to realize them. Let’s call them Team Fantasize. Some people think about, etc., certain fantasies and would very much like to realize them. Let’s call them Team Realize. There’s nothing wrong with either team. But when someone on Team Fantasize is married to someone on Team Realize, well, that can be a problem. Knowing your spouse is turned on by fantasies you share but rules out realizing them — or sets impossible conditions for realizing them — can be extremely frustrating. And sometimes a frustrated Team Realize spouse will say something like this to their Team Fantasize mate: “Talking about these fantasies together — this kind of dirty talk — it gets my hopes up about actually doing it. If it’s never going to happen, we have to stop talking about it, because it’s frustrating.” The problem with that approach? Swingers clubs, BDSM parties, and the strap-on-dildo sections of your finer sex-positive sex-toy stores everywhere are filled with couples who used to be on opposite teams — one from Team Fantasize, the other from Team Realize — but they’re both on Team Realize now. And what got them on the same team? Continuing to discuss and share fantasies, even at the risk of frustrating the Team Realize spouse. So if you ever want to have that threesome or experiment with anal, HARD, you need to keep talking with your wife about these fantasies — and you need to tell her your fantasies too! Tell her you’re not pressuring her, of course, but let her know these are things you would actually like to do, and the more you talk about them, the more you want to do them. If she keeps talking with you about them, that’s a sign. Not a sign that she’s a cruel tease, HARD, but a sign that she’s inching closer toward pulling on a Team Realize jersey. P.S. If your wife doesn’t know you have these fantasies — and is consequently teasing you “unknowingly” — that’s your fault, HARD, not hers.

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“Hide Your Kids”— they’re in there somewhere. ACROSS

1 Baker’s buy 6 Group of periods 9 Pet sounds? 13 Threepio’s mate 14 McDonald’s Corporation mogul Ray 15 “Dog Barking at the Moon” painter Joan 16 Maintain the same speed as 18 Tree of Knowledge garden 19 Converse with the locals in Rome, e.g. 21 NBC show since ‘75 24 Lilly of pharmaceuticals 25 Undersized 26 Size in a portrait package 28 It keeps going during the Olympics 31 “You’re not ___, are you?” 32 Guy with a lot of food issues? 33 “Chandelier” singer 36 What regular exercise helps maintain 40 Layer of lawn 41 Mid-sized jazz combo 42 Blue material 43 Clunky footwear 44 Home of Titian’s “Venus of Urbino” 46 Muhammad Ali’s boxing daughter 49 Soundless communication syst.

50 U.K. tabloid, with “The” 51 “Hmmm ... I’m thinking ...” 56 Contends 57 What each of the entries with circles reveals 61 To be in France 62 Lago contents 63 Country divided since 1948 64 Hair band of the 1980s 65 He played Clubber Lang in “Rocky III” 66 Gift on the seventh day of Christmas

DOWN

1 Chatter away 2 Poet’s palindrome 3 Brunched, say 4 Absorbs, with “up” 5 Unbelievable cover? 6 “CHiPs” costar Estrada 7 Bread at an Indian restaurant 8 Eight, to Ernst 9 Audrey Tautou’s quirky title role of 2001 10 Chamillionaire hit that doesn’t actually have “Dirty” in the title 11 Lose one’s mind 12 Cher’s partner 14 “The Bridge on the River ___” 17 Hit with a barrage 20 Concede

21 Exchanges 22 Cheesy chip flavor 23 Bridges of film 27 “Stacks of wax” 28 Cabinet contents 29 Departed 30 “Entourage” agent Gold 32 Werewolf’s tooth 33 Long haulers 34 Onetime Trooper and Rodeo maker 35 John who was Gomez Addams 37 Acquired relative 38 Dove noise 39 Abbr. stamped on a bad check 43 Place for supplies, sometimes 44 “Back in the ___” (Beatles song) 45 The gold in Goldschlager, e.g. 46 What “-phile” means 47 Curly-tailed canine 48 Like xenon, as gases go 49 On the ocean 52 “Taken” star Neeson 53 Caltech grad, perhaps 54 Letter-shaped bolt link 55 Site with the tagline “Discover the expert in you” 58 Glass on the radio 59 “Steal My Sunshine” band 60 “___ Boot” (1981 war film)

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sacurrent.com • February 22-28, 2017 • CURRENT 49

ETC.

FREE WILL ASTROLOGY by Rob Brezsny ARIES (MARCH 21-APRIL 19): My

astrological radar suggests there’s a spacetime anomaly looming just ahead of you. Is it a fun and exotic limbo where the rules are flexible and everything’s an experiment? That might be cool. Or is it more like an alien labyrinth where nothing is as it seems, you can hear howling in the distance, and you barely recognize yourself? That might be weird. What do you think? Is it worth the gamble? If so, full speed ahead. If not, I suggest a course correction.

TAURUS (APRIL 20-MAY 20):

Someone on Reddit.com asked readers to respond to the question, “What is the most liberating thought you’ve ever had?” Among the replies were the following six: 1. “If new evidence presents itself, it’s okay to change my beliefs.” 2. “I get to choose who’s in my life and who isn’t.” 3. “I am not my history.” 4. “You can’t change something that has already happened, so stop worrying about it.” 5. “I am not, nor will I ever be, conventionally beautiful.” 6. “I don’t have to respond to people when they say stupid s--- to me.” I hope these testimonies inspire you to come up with several of your own, Taurus. It’s a perfect time to formulate liberating intentions.

GEMINI (MAY 21-JUNE 20): It has

been a while since I told you that I love you. So I’m doing it now. I LOVE YOU. More than you could ever imagine. And that’s why I continue to offer these horoscopes to you free of charge, with no strings attached. That’s why I work so hard to be a playful therapist and an edgy mentor for you. That’s why I am so tenacious in my efforts to serve you as a feminist father figure and a kindly devil’s advocate and a sacred cheerleader. Again, I don’t expect anything in return from you. But if you would like to express your appreciation, you could do so by offering a similar type of well-crafted care to people in your own sphere. Now would be an excellent time to give such gifts.

CANCER (JUNE 21-JULY 22): “I like the word ‘bewilderment’ because it has both ‘be’ and ‘wild’ in it,” says poet Peter Gizzi. I propose that you go even further, Cancerian: Express a fondness for the actual experience of bewilderment as well as the word. In fact, be willing to not just tolerate, but actually embrace the fuzzy blessings of bewilderment. In the coming weeks, that’s your ticket to being wild in the healthiest (and wealthiest) ways. As you wander innocently through the perplexing mysteries that make themselves available, you’ll be inspired to escape formalities and needless rules that have kept you overly tame. 50

CURRENT • February 22-28, 2017 • sacurrent.com

LEO (JULY 23-AUG. 22): Are you familiar with psychologist Carl Jung’s concept of the shadow? It’s the unflattering or uncomfortable part of you that you would prefer to ignore or suppress. It’s the source of behavior about which you later say, “I wasn’t acting like myself.” Jungians say that the shadow hounds you and wounds you to the degree that you refuse to deal with it. But if you negotiate with it, it leads you to beautiful surprises. It prods you to uncover riches you’ve hidden from yourself. I mention this, Leo, because any shadow work you do in the coming weeks could generate rather spectacular breakthroughs. VIRGO (AUG. 23-SEPT. 22): You could

make a vow like this: “Between now and April 15, I will be relentless in getting my needs met. I will harbor a steely resolve to call on every ploy necessary to ensure that my deepest requirements are not just gratified, but satiated to the max. I will be a dogged and ferocious seeker of absolute fulfillment.” If you want to swear an oath like that, Virgo, I understand. But I hope you will try a softer approach — more like the following: “Between now and April 15, I will be imaginative and ingenious in getting my needs met. I will have fun calling on every trick necessary to ensure that my deepest requirements are playfully addressed. I will be a sweet seeker of unpredictable fulfillment.”

LIBRA (SEPT. 23-OCT. 22): How would Buddha ask for a raise or promotion? How would Jesus tinker with his career plans as he took into consideration largescale shifts in the economy? How would Confucius try to infuse new approaches and ideas into the status quo of his work environment? Ruminate deeply on these matters, dear Libra. Your yearning to be more satisfyingly employed may soon be rewarded — especially if you infuse your ambitions with holy insight. How would Joan of Arc break through the glass ceiling? How would Harriet Tubman deal with the inefficiencies caused by excess testosterone? How would Hildegard of Bingen seek more emotional richness on the job? SCORPIO (OCT. 23-NOV. 21): I suspect you would benefit from acquiring a new bedroom name, my dear. But should I be the one to give it to you? I’m not sure. Maybe you could invite a practical dreamer you adore to provide you with this crazy sweet new moniker. If there is no such person to do the job (although given the current astrological omens, I bet there is), I’ll offer the following array of amorous aliases for you to choose from: Wild Face ... Kiss Genius ... Thrill Witch ... Freaky Nectar ... Boink Master ... Lust Moxie ... Pearly Thunder ... Peach

Licker ... Painkiller ... Silky Bliss ... Slippery Diver ... Swoon Craver.

SAGITTARIUS (NOV. 22-DEC. 21):

Soon I’ll be off on my first vacation in 18 months. At first glance it might seem odd for an astrologer like myself to have selected two Sagittarians to be my housesitters. Members of your sign are reputed to be among the least home-nurturing people in the zodiac. But I’m confident that by the time I return, raccoons won’t be living in my kitchen, nor will my plants be dead or my snailmail stolen or my TV broken. The current astrological omens suggest that most of you Centaurs, at least for the foreseeable future, will display an uncommon aptitude for the domestic arts.

CAPRICORN (DEC. 22-JAN. 19): The near future will be mutable, whimsical, and fluky. It’ll be serendipitous, mercurial, and extemporaneous. You should expect happy accidents and lucky breaks. Your ability to improvise will be quite valuable. Do you believe in lucky numbers? Even if you don’t, yours will be 333. Your sacred password will be “quirky plucky.” The cartoon characters with whom you will have most in common are Bugs Bunny and Roadrunner. The place where you’re most likely to encounter a crucial teaching is a threshold or thrift shop. Your colors of destiny will be flecked and

dappled. (P.S.: I suspect that an as-yetundiscovered talisman of power is crammed in a drawer full of junk.)

AQUARIUS (JAN. 20-FEB. 18): Treat your body like a sublime temple, please. And regard your imagination as a treasured sanctuary. Be very choosy about what you allow to enter in to both of those holy places. This strategy is always a wise idea, of course, but it’s especially so now, when you are extra sensitive to the influences you absorb. It’s crucial that you express maximum discernment as you determine which foods, drinks, drugs, images, sounds, and ideas are likely to foster your maximum well-being — and which aren’t. Be a masterful caretaker of your health and sanity. PISCES (FEB. 19-MARCH 20): What

would your best mother do in a situation like this? Please note that I’m not asking, “What would your mother do?” I’m not suggesting you call on the counsel of your actual mother. When I use the term “your best mother,” I’m referring to the archetype of your perfect mother. Imagine a wise older woman who understands you telepathically, loves you unconditionally, and wants you to live your life according to your own inner necessity, not hers or anyone else’s. Visualize her. Call on her. Seek her blessings.

THIS MODERN WORLD by Tom Tomorrow

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