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On the Wall: the ceramic zeitgeist of Shary Boyle and Kris Lemsalu Malone
VINCENT TEETSOV
It was already theatrical before going inside. The fog hung like in a noir film around Queen’s Park and the entrance to the Gardiner Museum, where Shary Boyle launched the public celebration night of her latest exhibition Outside the Palace of Me.
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This museum – part of the Bloor Street Culture Corridor along with VEMU (Estonian Museum Canada) – is chock full of surprises seemingly any time one wanders in, even on a normal weekday evening. It’ll reset your system, recharge your batteries.
The excitement of enjoying art with other people was back, like a long lost friend. The room was dressed up and ready, vibrating with anticipation of the exhibit.
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White Elephant by Shary Boyle and So Let Us Melt And Make No Noise by Kris Lemsalu Malone.
Photo: Robert Glowacki
