VPO Messiah 2024 Program

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THEATRE STAFF

Cronin

Director of People, Projects & Culture ...............................................Leslie Becker

Production Manager ....................................................................... Mike Giovinco

Booking Manager ................................................................................ Sierra Weiss

Senior Business Manager ................................................................... Sean Graham

Lighting Supervisor ......................................................................... Ally Southgate

Associate Lighting Supervisor .......................................................... Dio Raquel Jr.

Senior Production Coordinator ..............................................................Madi Carr

Audio Visual Director ........................................................................... Luke Bezio

Production Coordinator ................................................................ Nichole Pollack

Production Manager ...............................................................Mark Kirschenbaum

House Manager .................................................................................... Alec Speers

Assistant House Manager ........................................................... Savannah Wagner

Director of Ticketing & Customer Relations ............................... Yasmeen Stogden

Marketing Director ..................................................................... Monica Berdecio

Ad Sales ..................................................... marketing@significantproductions.org

The Sharon®L. Morse

PERFORMING ARTS CENTER

Dear Patron of the Arts,

Welcome to The Sharon L. Morse Performing Arts Center!

Much like the building’s namesake, my grandmother, Sharon L. Morse, we love all varieties of the performing arts here. It is in her memory that I, along with my amazing team of artists and arts administrators, strive to bring many different types of the highest quality entertainment here to The Sharon.

Since opening in 2015, we have strived to establish your trust, that a show at The Sharon is a show worth seeing. Perhaps you find yourself here today to see a concert of one of your favorite musicians, or to take in the national tour of a Broadway show. Either way, we encourage you to consider trying out a new show that perhaps you haven’t heard of before, knowing that it has been intentionally curated by our team.

We welcome you to The Sharon: a place for you to see an old favorite, but also a place to discover your new favorite. I sincerely hope you enjoy the show today, and I look forward to seeing you here again soon!

See You at The Sharon, Whitney Morse

Artistic Director

ART.

ARTISTS.

AUDIENCE.

SIGNIFICANT PRODUCTIONS (SIGPRO) is a Non-Profit arts organization that operates The Sharon L. Morse Performing Arts Center (The Sharon) & The Studio Theatre Tierra del Sol (The Studio).

OUR MISSION; SigPro cultivates a diverse collaborative community with a focus on artists' well-being that strives to provoke thought and spark conversation through high quality performing arts.

OUR TEAM MEMBERS

We believe that fostering an inclusive and supportive workplace is essential for the creation of exceptional art. Our commitment to diversity, equity, and inclusion extends to our employees. This ensures every individual who contributes to our productions feels valued and empowered. We actively promote a workplace culture that embraces differences and encourages collaboration among our diverse team of artists, technicians, administrators, and volunteers.

Thank You FOR SUPPORTING SIGNIFICANT PRODUCTIONS

In order of contributions:

MULTI-DONORS

Mary Homko

Donna Taylor

Russell Jones

INDIVIDUAL DONORS

Sarah Lindmeier

Patricia Schlemmer

Jon Cronin

Private Donor

Fidelity Charitable

Private Donor

Attendees at The Sharon's 9th Birthday Lobby Lunch

Lynn & Kathy Glassock

Sharon Curry

Ron Kravet

Bob Kendi

April & David Linscott

Honey & David Kirk

John McAuley

Melissa Warner

Marge Alder

Russell Jones

Marianna Niesen

Liza Diana Walters

Donna Silver

Jim Ward

Roger & Karen Kass

Xiomara Guevara Medoza

Edward & Gale Labuda

Nancy Garrison

Marie Connolly

Stan Ackerman

Giuseppina (Jo) Jones

Muriel Trulson

John Van Dyke

Diann Sherwin

Brian Grode

IN HONOR OF Peg Fiore

Jason Goedken & Whitney Morse

Alice Stogden

Ursula Becker

Thank you to our anonymous donors.

Tuesday, December 17 .................................... Holiday Celebration

Wednesday, December 18 ............................... Holiday Celebration

Sunday, January 26 ................................... Classical Concert Series

Friday, February 14 ............... American Music: Celebration of Love

Sunday, March 9 ........................................ Classical Concert Series

Tuesday, April 8.......................................... Classical Concert Series

Tuesday, May 10 ... Opera Gala: Magical Moments of Opera Scenes

ANNUAL FUNDRAISING EVENT PRESENTS

THE GRECIAN GALA

Music By Orchestra Ensemble

Silent Auction • Live Auction

Dinner • Dancing

Wed, FEB 26, 2025 • 5-9pm

$175 • On Sale Now!

CONCERT SPONSORS

Thank you to friends of The Villages Philharmonic Orchestra and tonight’s Sponsors for the Messiah concert.

BLACKSTON FINANCIAL ADVISORY GROUP

David Blackston began his career in the banking sector, ultimately rising to the position of senior vice president at a regional bank in central Kentucky. In 1998, he discovered his true passion for serving individuals and families, leading him to establish Blackston Financial Advisory Group, LLC. David’s son, Kyle Blackston, joined the firm in 2016. With over 60 years of combined planning experience, the team at Blackston Financial is dedicated to helping clients achieve their retirement dreams through comprehensive financial strategies. We provide investment advisory services, tax forecasting, and estate planning, all designed to create a holistic financial approach and foster a confident retirement outlook. Our unwavering commitment to client needs and financial expertise has helped us build a firm rooted in exceptional service and family values. At Blackston Financial, we believe there is more to retirement than just your money.

MESSAGE FROM THE MAESTRO

Dear friends and supporters of The Villages Philharmonic, It is a great pleasure to introduce our third concert of the 2024-2025 season.

Through the years, we have given prominence to a concert that has always opened the Thanksgiving and December holiday season. It is a monumental masterwork in the history of music; an oratorio written by the extraordinary Baroque Composer G. F. Handel. The Messiah.

This Masterpiece is an Oratorio composed in 1741 and narrates the nativity from the texts of the sacred scriptures. This evening we will also perform two compositions by the great Viennese composer W. A. Mozart “ Ave Verum Corpus “ and “ Laudate Dominum “. We joyfully welcome Opera Orlando Chorus and our guest soloists, Julie Batman, Soprano - Emily Heumann, Alto - Nathan Munson, Tenor ad Stephen Mumbert, Bass.

Thank you for your continued support,

Maestro Pasquale Valerio Founder, Director, and Chair of The Villages Philharmonic Orchestra

PASQUALE VALERIO, MAESTRO

Pasquale Valerio is an internationally acclaimed Orchestral Conductor. In 2004 he founded The Villages Philharmonic Orchestra, became its musical director, and is still engaged in concerts and tours throughout Florida and worldwide. Maestro Valerio was also the founder of the Lake Sumter Chamber Orchestra as well as co-founder and conductor of the Florida Lakes Symphony from 2005 to 2006.

He collaborates with various European orchestras such as the Philharmonic Orchestra ‘900 of the Teatro Regio Opera in Turin, the Philharmonic Orchestra of Prague, the Virtuosi of the Accademia di Santa Cecilia, the Virtuosi of the Philharmonic of Bacau, the “A. Scarlatti” Symphony Orchestra of Naples, Orchestra Accademia Nazionale di Santa Cecilia.

In 2006 had the opportunity to assist Sir Antonio Pappano, current Music Director of the Royal Opera House in London This collaboration represented a great point of reference for maestro Valerio and indelibly marked his experience of conducting growth. From 2007 to 2009 he collaborated with the internationally known Viotti music festival in Vercelli, Italy and in May 2018 he began an ongoing cooperation with the North California Music Festival as guest conductor. Pasquale Valerio was born in Naples to a family linked to cultural traditions and founding religious values. The great passion for music was evident from the first years of his life, but, only towards the tenth year of age did he begin his musical studies, first with the piano, and subsequently, at the age of thirteen years, when he began studying trumpet. It is in this period that Pasquale met Maestro Filippo Veniero, an important musical guide for subsequent studies. He studied trumpet at the school of Maestro Francesco Lentini, Bari Conservatory, with whom he obtained the middle completion and, subsequently under the guidance of Maestro Diego Benedusi, he obtained the superior completion of trumpet.

After completing his trumpet studies, he collaborated as an instrumentalist with orchestras of major opera and symphonic institutions including the Opera House “Teatro di San Carlo in Naples “and with other major opera orchestras and symphonic institutions. Simultaneously he studied Composition and Score Reading at the School of Maestro Filippo Veniero.

The meeting with two conductors, J Withney and Gunther Smidth (United States) conditioned the musical journey and made it possible that in 1998 Pasquale resumed his studies started in Naples with F. Veniero. Also important was the meeting with the famous conductor Anton Coppola in 1999, who became Pasquale’s mentor and guide.

Pasquale is a guest collaborator at festivals and international competitions, including:

International Piano Competition “F. Schubert” in San Cristoforo Virtuosi of the Bacau Philharmonic, Romania, Viotti Music Festival, Camerata Ducale, Italy, Piano Festival of Carrara/Arezzo Orchestra 900’ of the Teatro Regio of Turin, Oída Symphony Orchestra (Arezzo) Philharmonic Orchestra of Benevento, New Orchestra Scarlatti and Florida Philharmonia

In the academic year 2023 he was appointed Visiting Professor of Conducting Studies at the “London Performing Arts Academy” and at the end of 2023, appointed Honor Roll of “ALTAMURA MERCADANTE FEST”.

Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the version of the Psalms included with the Book of Common Prayer.

It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music.

The Messiah is George Frideric Handel’s best-known composition. It has become one of the world’s most frequently performed choral works, particularly popular during Advent season. Part I is divided into “scenes” composed of individual recitatives, in which the singer adopts a rhythm of ordinary speech, as well as arias and choruses. There are two instrumental numbers, the opening overture and the “pastoral symphony” at the mid-point of the work. The performance concludes with the jubilant Hallelujah Chorus.

Oratorio

Messiah differs from Handel’s other oratorios in that it does not contain an encompassing narrative, instead offering contemplation on different aspects of the Christian Messiah.

The oratorio’s structure follows the liturgical year: Part I corresponding with Advent, Christmas, and the life of Jesus. The birth and death of Jesus are told in the words of the prophet Isaiah, the most prominent source for the libretto. The only true “scene” of the oratorio is the annunciation to the shepherds which is taken from the Gospel of Luke. The imagery of shepherd and lamb features prominently in many movements, for example: in the aria “He shall feed His flock like a shepherd” (the only extended piece to talk about the Messiah on earth), in the opening of Part II (“Behold the Lamb of God”), in the chorus “All we like sheep”, and in the closing chorus of the work “Worthy is the Lamb “

The librettist arranged his compilation in “scenes” each concentrating on a topic.

Scene 1: “The prophecy and realization of God’s plan to redeem mankind by the coming of the Messiah”

Scene 1: “Isaiah’s prophecy of salvation” (movements 2–4)

1. “ Overture”

2. Comfort ye, Comfort ye my people

3. Ev’ry valley Shall be exalted.

4. And the Glory of the Lord.

Scene 2: “The prophecy of the coming of Messiah and the question, despite, of what this may portend for the World” (movements 5–7)

5. Thus saith the Lord, the Lord of Hosts - the Lord whom ye seek shall suddenly come to His Temple.

6. But who may abide the day of His coming.

7. And He shall purify.

Scene 3: “The prophecy of the Virgin Birth” (movements 8–12)

8. Behold, a virgin shall conceive.

9. O thou that tellest good tidings to Zion.

10. For behold, darkness shall cover the earth.

11. The people that walked in darkness.

12. For unto us a Child is born.

Scene 4: “The appearance of the Angels to the Shepherds” (movements 13–17)

13. Pastoral Symphony.

14. There were shepherds abiding in the field. And lo, the angel of the Lord came upon them.

15. And the angel said unto them.

16. And suddenly there was with the angel.

17. Glory to God in the highest.

Scene 5: “Christ’s redemptive miracles on earth” (movements 18–21)

18. Rejoice greatly, O daughter of Zion.

19. Then shall the eyes of the blind be open’d.

20. He shall feed His flock like a shepherd come unto Him, all ye That labour.

21. His yoke is easy, His burthen is light.

44. Hallelujah Chorus

FEATURED ARTISTS

THE OPERA ORLANDO CHORUS

The Opera Orlando Chorus is made up of local professional singers trained in opera and classical voice. They have been featured in multiple productions over the years including Carmen, La Traviata, La Boheme, Rigoletto, and The Magic Flute and can next be seen in Opera Orlando’s production of Amahl and the Night Visitors and Cavalleria Rusticana this season at Steinmetz Hall.

SOPRANO

Abigail Blurts

Christine Germain

Samone Hiks

Olivia Miller

Candice Shields

Tiffany Jeffers

Garner Katy

ALTO

Kelsie Everett

Selina Fernandez

Rosel Labone

Camryn McCullers

Al Milurn

Jacuelyn Pilekas

TENOR

Evan Couch

Chris Teixeira

John Teixeira

Steve Velasquez

Larry Fortunato

Adrian Ahern

BASS

Nick Barth

Raphael Fernandez

James Guild

Matthew Walker

Jason Ernst

Miguel Montalvo

FEATURED ARTISTS

JULIE BATMAN, SOPRANO

An Iowa native, Julie Batman sings with The Villages Philharmonic Orchestra as a featured soloist for the 7th year. She sings as a soloist and occasional choral singer with many local organizations such as Opera Tampa, the Orlando Light Opera, the Basilica, Mary Queen of the Universe, St. James Cathedral Orlando, The Bach Festival choir, the Messiah Society of Winter Park, The Dicken’s Carolers and Central Florida Community Arts. She is a graduate and Staff Professor of voice and piano at Rollins College. Julie has been a church music director for several churches, classroom music teacher, choral director and vocal and instrumental accompanist as well. Her credits include being a featured soloist for the contemporary ballet, Carolina, Handel’s The Messiah with Messiah Choral Society, Central Florida Community Arts, and the Basilica Mary Queen of the Universe Shrine. She has sung Mozart’s Requiem, Schubert Magnificat, Vivaldi’s Nulla in Mundo Pax/Alleluia, Mozart’s Laudate Dominum with the Bach Festival Choir and t in Carnatus est from Mozart’s Grand Mass in C with Central Florida Community Arts and has been a featured soloist on several CDS: Osterkantate Ernest Wolf Easter Cantata- Moravian Society, All is BrightBach Festival Choir, Ave Maria- Stemik music, Carolina contemporary Ballet CD and DVD. In addition to singing and teaching, Julie enjoys accompanying choral groups, and offering vocal and piano musical entertainment to social groups and events and traveling with family.

EMILY HEUMANN, MEZZO-SOPRANO

Mezzo-soprano Emily Heumann has gained recognition for her “delicious vocals” (Arts + Culture Texas Magazine) and “credible” storytelling (Orlando Sentinel). She has appeared with dozens of companies across the country in operas, concerts, oratorios, musicals, and new music programs. Recent appearances include the title role in Argento’s Miss Manners on Music in Clearwater, an appearance in the Romanza Festival in St. Augustine, and Mercedes in Carmen. Favorite roles from the operatic stage include Cherubino in Le Nozze di Figaro, Hansel in Hansel and Gretel, Mrs. Noye in Noye’s Fludde, Nicklausse in Les contes d’Hoffmann, and The Fox in The Little Prince. Emily is an alumna of the St. Petersburg Opera Company Emerging Artist Program, the Opera Orlando Studio Artist Program, and the Savannah VOICE Festival Studio Artist Program. She received her M.M. in Voice Performance and Pedagogy at The University of Houston’s Moores School of Music and her B.A. in Music (Voice Performance) from Rollins College. She is currently on the voice faculty at The College of Central Florida and she serves as the Executive & Artistic Director of the Howey Music Series.

FEATURED ARTISTS

Hailed as a “Scene-stealer...with a knack for staying in character even when he isn’t the center of attention,” as well as “Vocally the most promising singer...with an assured and stylish technique.” by the Guardian Newspaper for his interpretation of Mozart’s Don Giovanni, Stephen Mumbert is currently an Adjunct Professor of Voice at Rollins College as well as Seminole State College and maintains a private voice studio here in Orlando, FL. He is a graduate of Stetson University where he holds a B.M. in voice performance, and he also holds an M.M. in opera from The Boston Conservatory.

Recent performances include singing Khan Kontchak from Borodin’s Polovtsian Dances in Steinmetz Hall with the Royal Philharmonic Orchestra, Bass Soloist for the Winter Park Bach Society’s Classic Christmas Concert which was filmed and aired on PBS this past Christmas, a concert of Handel’s Vespers with the Bach Vocal Artists, Mozart’s Requiem with the Riverside Community Chorale and Orchestra as well as with the Dakota Valley Symphony (broadcast on Twin Cities Public Television), Handel’s Messiah with the Messiah Choral Society, First Presbyterian Church of Orlando, and Space Coast Symphony Orchestra, Jesus in Bach’s St Matthew Passion, BWV 90, and Faure’s Requiem with the Bach Festival Society of Winter Park, Adam in Haydn’s Creation with Orlando Sings, the Doctor in the Death of Ivan Ilych, Count Monterone in Rigoletto, Actor 8 in a tour of All is Calm, as well as Marco in Gianni Schicchi all with Opera Orlando, and a new opera project performing the lead roles of Guildenstern in Herschel Garfein’s Rosencrantz and Guildenstern are Dead and Hopkins in Robert Aldridge’s Sister Carrie staged with the respective Grammy award winning composers in residence.

Upcoming local performances include singing as bass soloist for Bach’s B Minor Mass in Steinmetz Hall with Orlando Sings, Bach’s Magnificat and Voices of Light with the Bach Festival Society of Winter Park, and Bass soloist in Considering Matthew Shepard with Orlando Sings/Solaria Singers at the Dr. Phillips Center. Stephen is thrilled and honored to be returning to join The Villages Philharmonic!

FEATURED ARTISTS

NATHAN MUNSON, TENOR

Nathan Munson has been praised for his vocal beauty, maintaining a versatile presence on the concert and operatic stage. He has sung leading and supporting roles with the Sarasota Opera, Hawaii Opera Theatre, the Atlanta Opera, Opera North, Piccola Opera San Antonio, Capitol City Opera, dell’Arte Opera, and the Illinois Opera Theatre. Roles include Beppe in Pagliacci, the Steersman in Wagner’s Der fliegende Holländer, Tom Snout in A Midsummer Night’s Dream, Normanno in Lucia di Lammermoor, Pedrillo in Die Entführung aus dem Serail, Remendado and El Dancaïre in Carmen, Rodolfo in La bohème, Roméo in Roméo et Juliette, Ferrando in Così fan tutte, Cassio in Verdi’s Otello, and Dr. Baglioni in a world-premiere revision of Daniel Catan’s La hija de Rappaccini. Recent performances with the Atlanta Opera include roles in Carmen, Der Kaiser von Atlantis, Frida, Salome, The Seven Deadly Sins, and Turandot.

In addition to his operatic appearances, Mr. Munson has been a frequent visitor to the concert stage. Most recently, he sang the tenor solos in Handel’s Messiah with the National Chorale on the stage of David Geffen Hall at the Lincoln Center in New York City and Carmina Burana with the Georgia Symphony Orchestra. He premiered a new work for tenor and orchestra by Thomas Ludwig in April of 2021, entitled To Be or Not To Be? Before cancellations due to the COVID-19 pandemic, he was to have sung with the Greenville Symphony Orchestra in Beethoven’s 9th Symphony, and Carmina Burana with Berry College. He made his Carnegie Hall debut in Haydn’s Lord Nelson Mass and debuted with the Helena Symphony Orchestra (Montana) in Handel’s Messiah. He has been soloist in Bruckner’s Te Deum, Bach’s B-minor Mass, Saint John’s Passion and Magnificat, and Mozart’s Requiem. He has also been featured with the Kalamazoo Symphony Orchestra, Kentucky Symphony Orchestra, and the Huntsville Symphony.

Mr. Munson can be heard on the world premiere recording of The Golden Ticket (Albany Records) and was a featured soloist in a Christmas Concert with the Atlanta Opera, which was recorded live for broadcast by WABE-Atlanta. He is an Assistant Professor of Music-Voice in the School of Music at Stetson University in DeLand, Florida.

FIRST VIOLIN

Stewart Kitts, Concertmaster

Marius Tabacilia

Jose Guédez

Michael De Jesus

Carlos Jaques

Baoling Xu

David Qi

Scott Knopf

SECOND VIOLIN

Gregory Carreño, Principal

Elizabeth Kitts

Israel Mendez

Isabella Diaz

Luisamar Navarro

Daniel Herrera

Yenifer Laurens

VIOLA

Richard Urbano, Principal

Juan Carlos Siviero

Andrea Oliveira

Francia Laurens

ORCHESTRA ROSTER

CELLO

David Calhoun

Olga Beliaieva

Helen Lewis

DOUBLE BASS

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Jonathan Ingram

HARPSICHORD

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TYMPANI

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TRUMPET

John De Paola, Principal

Luis Diego Mora Ferreira

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VPO DONORS 2024-25 CONCERT SEASON

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MEMORIAL DONATIONS

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BUSINESS PARTNERS

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PRIVATE BOX experience

ENJOY YOUR NEXT SHOW AT THE SHARON LIKE A VIP!

• Private experience for up to 15 guests.

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• Upgrades available such as a private bartender or personalized celebratory furnishings.

WE LOOK FORWARD TO CREATING AN EXPERIENCE TO REMEMBER!

To explore accommodations and availability, please contact Yasmeen@SignificantProductions.org

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