VPO American Music Program

AMERICAN -MUSICCELEBRATION OF LOVE

The Sharon®L. Morse

PERFORMING ARTS CENTER

Dear Patron of the Arts,

Welcome to The Sharon® L. Morse Performing Arts Center!

Much like the building’s namesake, my grandmother, Sharon L. Morse, we love all varieties of the performing arts here. It is in her memory that I, along with my amazing team of artists and arts administrators, strive to bring many different types of the highest quality entertainment here to The Sharon.

Since opening in 2015, we have strived to establish your trust, that a show at The Sharon is a show worth seeing. Perhaps you find yourself here today to see a concert of one of your favorite musicians, or to take in the national tour of a Broadway show. Either way, we encourage you to consider trying out a new show that perhaps you haven’t heard of before, knowing that it has been intentionally curated by our team.

We welcome you to The Sharon: a place for you to see an old favorite, but also a place to discover your new favorite. I sincerely hope you enjoy the show today, and I look forward to seeing you here again soon!

See You at The Sharon,

W hitney Morse Artistic Director

Part One

Sound

of

Hollywood Suite for Orchestra Arr. by Marty Gold

A Man Without Love

Arr. by Domenico Brasiello

Lover Man

Arr. by Domenico Brasiello

Love Me Tender

Arr. by Domenico Brasiello

Besame Mucho

Arr. by Domenico Brasiello

Somewhere

Arr. by Domenico Brasiello

My Way

Arr. by Domenico Brasiello

Warsaw Piano concerto by Richard Addinsell ~ Intermission ~

Part Two

Suite from Star Wars

Arr. by Robert W. Smith

Maintenant

Arr. by Domenico Brasiello

The Impossible Dream

Arr. By Sean Stork

My Funny Valentine

Arr. by Domenico Brasiello

I Could Have Danced All Night

Arr. by Sean Stork

I Can’t Help Falling in Love With You

Arr. by William Ross

La Vie En Rose

Arr. by Domenico Brasiello

Cheek to Cheek

Arr. by Domenico Brasiello

The Music of the Night

Arr. by Domenico Brasiello

Warsaw Piano Concerto

Richard Addinsell is the composer of the Warsaw Concerto, it was written to play a key role in the 1941 film Dangerous Moonlight. Richard Addinsell was a British composer who spent much of his creativity on works for stage and screen. His initial work came from occasional film scores for theater and radio, but he eventually developed a career scoring feature films. His first big hit was Goodbye Mr. Chips (1939), but his most iconic score was definitely Dangerous Moonlight. The plot of the film centers on the Polish pianist and composer Stefan Radetzky, forced to take refuge in England during the Second World War. Addinsell's Warsaw Concert features prominently in the film as a piece written and performed by the character Radetzky. The filmmakers wanted a work in Rachmaninoff's style and initially approached him to write the piece. Rachmaninoff declined and the job was given to Addinsell. His themes are brilliant and capture the essence of the romantic piano concerto. The Warsaw concerto running approximately nine minutes, Addinsell's miniature concert was a hit with audiences and music lovers alike. The piece has been recorded over 100 times with sales in excess of 5 million.

PASQUALE VALERIO, MAESTRO

Pasquale Valerio is the creator nurturer, mentor, and guiding light for the villages Philharmonic Orchestra and Chorale.

Pasquale was born in Naples Italy and began his music studies at the age of nine he began studying Trumpet Performance at The N. Piccinni Conservatory of Music, graduating in 1985. His studies were not limited to trumpets but included complimentary piano studies, harmony, and lectures from maestro Filippo Veniero, who was his guide and mentor from 1976 to 1989 period his adult musical career began during his national service as a member of the Carabinieri (Italian Military Police). Fortunately for his musical development, most of this was with the band. After his discharge, he began playing trumpet at the Naples Opera House and he began studying conducting. Pasquale Valerio served as an apprentice under Sir Antonio Pappano for six years period Pasquale followed him around the world from 2006 to 2011 and learned directly from the conductor of the Royal Opera House in London period to that end, Pasquale believes fully in the music of education through music and that children are never too young to start discovering the power of harmony.

In 1996, Pasquale relocated to the United States to continue his conducting studies with Jay Whitney and Gunter Schmidt. In 2004 he became the founder and the musical director of Villages Philharmonic Orchestra where he continues to serve today. Maestro Valerio was the founder of the Lake Sumter Chamber Orchestra and the co-founder and conductor of the Florida Lake Symphony from 2005 to 2006. Pasquale has been regularly invited as a guest conductor at the Orchestra Philharmonic 900’, Teatro Regio, and Viotti International Music festival.

In 2023, Pasquale was appointed as a Conductor Visiting Professor LPMAM for London Performing Academy of Music.

FEATURED ARTISTS

DEVIN EATMON

Praised for his “mature and heroic sound,” 27 year old tenor Devin M. Eatmon is a graduate of the Florida State University where he earned a Master’s and Bachelor’s degree in voice performance.

Some roles that Mr. Eatmon performed during his Bachelor’s degree included, Lorenzo in William Bolcom’s one act opera Lucrezia, 2016 and George Villiers, in the scholastic premiere of Carlisle Floyd’s The Prince of Players, 2017. It was during this production that Devin coached with Maestro Floyd and was complimented upon singing “two thrilling B flats!”

With a graduate teaching assistantship offer, Devin found himself once more at the Florida State University studying with his incredible voice teacher, David Okerlund. He was then cast to play the roles of, Rodolfo in Giacomo Puccini’s La bohème, 2018, Curley in Carlisle Floyd’s American classic, Of Mice and Men, 2019 and, Edgar Aubrey in Heinrich Marschner’s german romantic opera, Der Vampyr, 2019.

Mr. Eatmon has also spent a summer at Inspiration Point, Opera in the Ozarks back in 2015 where he played the role of Gastone in Giuseppe Verdi’s La traviata as well as chorus assignments for La Cenerentola by Gioachino Rossini, and Jacques Offenbach’s Les Contes d’Hoffmann. Devin, also spent the summers of 2018 and 2019 at Aspen Music Festival where he sang scenes from roles such as Alfredo in La traviata, Nadir in Georges Bizet’s, Les pêcheurs de perles, Candide in Leonard Bernstein’s, Candide, Rodolfo in La bohème, and Bill in Samuel Barber’s one act opera A Hand of Bridge. As well as taking voice lessons with Carol Vaness and Dr. Stephen King.

Mr. Eatmon spent the 2020/21 season as an Artist in Residence at Opera Colorado. His touring production assignments were to include, The Barber of Seville and The Pirates of Penzance, as well as mainstage performances in Paul Moravec’s adaptation of Stephen King’s novel, The Shining, as well as perform as Don José in Georges Bizet’s, Carmen. The season was ultimately canceled due to the pandemic however, the Artists in Residence remained busy at Opera Colorado filled with weekly coachings with Maestro Ari Pelto, as well as masterclasses with General director, Greg Carpenter, lessons with Baritone, Daniel Belcher, a coaching with AVA vocal coach, Danielle Orlando, and regular acting classes with the director of the Artist in Residence program, Cherity Koepke. Mr. Eatmon had the pleasure of singing, Lennie in the Act 1 duet from Carlisle Floyd’s Of Mice and Men as well as Paul in the duet “Glück das mir Verblieb” from Erich Korngold’s opera Die Tote Stadt. He also regularly sang “O soave fanciulla” from Puccini’s,

FEATURED ARTISTS

La bohème and “The Pearl Fisher’s” duet in Georges Bizet’s titular opera. Finally, Mr. Eatmon was given the chance to sing on the prestigious “Mozart and More” concert at the end of the season which was conducted by Maestro Ari Pelto and accompanied by a string quartet from the Opera Colorado Orchestra. There he performed, “Dei miei bollenti spiriti” from Verdi’s La traviata as well as “O soave fanciulla” as an encore for the event. Recently, Devin has spent his 2021/22 season living in Orlando, Florida performing in multiple venues some of which include, The central Florida Lyric Opera, The Villages Philharmonic Orchestra, St. Petersburg Opera, promotional concerts for Opera Orlando, and performances with the legendary pop music composer David Foster as a member of the crossover trio, The Serenad3.

Devin is happy to consider himself now affiliated with St. Petersburg Opera in St. Petersburg Florida. This season he performed as the lead tenor in multiple concerts/programs that Maestro Mark Sforzini organized. The programs included Popera: Love and Madness where Devin sang arias/scenes from Verdi’s Rigoletto, Tchaikovsky’s Eugene Onegin, and Bizet’s Carmen. He also performed in Tavern Songs which featured scenes from Operas, as well as classical Musical Theater, and some Oratorio. For that program Devin sang arias/scenes from Orff’s Carmina Burana, Schönberg’s, Les Miserables, Sondheim’s, Sweeney Todd, Bizet’s Carmen, and Strauss II’s Die Fledermaus. Devin was also granted the opportunity to perform as one of the “3 tenors” in an evening soiree for St. Petersburg Opera’s high level donors. Mr. Eatmon is looking forward to performing again with St. Petersburg Opera as Spoletta in Puccini’s, Tosca this fall of October 2022.

Finally, Devin is incredibly proud to announce that he will be spending much of his 2022/23 season with Palm Beach Opera as an Apprentice Artist. There he is scheduled to coach with some of the best teachers and vocal coaches the country has to offer as well as sing in the Apprentice Scenes programs. He is scheduled to be singing chorus for their mainstage season for Verdi’s Falstaff, Mozart’s Così fan Tutte, and Puccini’s Madame Butterfly. Additionally, Mr. Eatmon is most particularly excited to announce that he will be covering the role of B.F. Pinkerton in Madame Butterfly.

FEATURED ARTISTS

SARA LUCILLE LAW

Praised for her “…striking stage presence and pinpoint high coloratura.” (South Florida Classical Review), as well as her “…amazing voice and good acting instincts...” (Utah Theatre Bloggers), BroadwayWorld award winning soprano & singing actor Sara Lucille Law was last seen as Papagena in Opera Orlando's production of Mozart's Die Zauberflöte. In her 2022/2023 season, Ms. Law will be in residency with Opera Orlando as the soprano in their Studio Artist program, where she will debut as Lauretta (Gianni Schicchi) and Fanni (The Bill of Marriage), as well as cover The Queen of the Night (Die Zauberflöte) and Marie (The Daughter of the Regiment). This summer, Ms. Law joins one of the most celebrated repertory theatres in the United States, Ohio Light Opera, as a Resident Artist, where she will be seen as Guenevere (Camelot), Josephine (H.M.S. Pinafore), and Cupid (Orpheus in the Underworld). Previous roles include Amalia Balash (She Loves Me) at both Utah Festival Opera and Musical Theatre and Quisisana Resort, Papagena at Utah Festival Opera and Musical Theatre, Frasquita (Carmen), Margaret Ayre in Victor Herbert's The Only Girl, Susanna (Le nozze di Figaro), Monica (The Medium), Tytania (A Midsummer Night's Dream), Zerlina and Donna Anna (Don Giovanni), April in Company (2019 BroadwayWorld Best Actress Nominee), Johanna in Sweeney Todd (2018 BroadwayWorld Best Actress Winner), La fée (Cendrillon), and Miss Wordsworth (Albert Herring).

Equally at home on the concert stage, Ms. Law made her debut with the Walt Disney World Resort and the Orlando Philharmonic Orchestra as the soprano soloist on their Young People's Concert Series show Game Overture. While in residency at Utah Festival Opera, Sara performed as the sole soprano soloist on the company's annual "Big Band" concert Sentimental Journey, which paid tribute to the music of Frank Sinatra and Henry Mancini. In the spring of 2022, Ms. Law made her company and cruise ship debut with MSC Cruises as a Lead Vocalist. While aboard, Sara performed a variety of both operatic and musical theatre hits in one of the headlining shows, A Musical Extravaganza at Sea. In 2021, she made yet another company debut with Peach State Opera as one of seven featured singers on their first virtual presentation of their annual Operatizers! tour, performing scenes as Susanna, Adele, and Gretel. At the end of 2019, Sara was seen as the soprano soloist in Handel's Messiah with the Eureka Ensemble, and in the holiday season of 2018, she made her debut with the Charleston Symphony Orchestra as the soprano soloist on their annual Holiday Pops! concert. She returned in the spring of 2019 to the CSO as the soprano I soloist for their presentation of Bach's Mass in B minor. Ms. Law has also performed with the Taylor Festival Choir, where she has sung the soprano solo in Mozart’s Laudate Dominum under the baton of Dr. Joseph Flummerfelt, as well as the soprano I solos in Monteverdi's motet, Beatus Vir, Vaughan William’s Serenade to Music, and

FEATURED ARTISTS

Bach's Jesu, meine Freude.

Additionally, Ms. Law is a part of the off-Broadway Victor Herbert Renaissance Project troupe in New York City, where she is regularly featured in the company's productions of the decorated composer. She holds a Masters degree in Vocal Performance from the Mannes School of Music, and a Bachelors in the same field from New England Conservatory.

FRANCESCO MARIA NAVELLI

Francesco Maria Navelli was born in 2003 in a family of musicians. He began studying the piano very early. At the age of 13 he was admitted to the International Piano Academy "Incontri col Maestro" in Imola with Professor Leonid Margarius. At the age of 18 he graduated with honors from the "G.Martucci" Conservatory of Music in Salerno. At the age of 19, he was selected by Professor Benedetto Lupo as a student at the Santa Cecilia Academy in Rome.

Francesco Maria succeeded in national and international competitions. At the age of 15 he won the 3rd prize at the 21st “Pietro Argento” International Competition in Gioia del Colle, Sect. "Piano performance” (without age limit), also winning the "Best Italian Finalist" Award. When he was 16 years old he won the 3rd prize at the 29th International Competition for Piano and Orchestra “Città di Cantù”, the only Italian among the six finalists in the classical and romantic section. In 2018 he won the three-years scholarship of the Imola Rotary Club, chosen among the best young pianists of the International Piano Academy. In Siena, selected by M° Lilya Zilberstein for the Masterclass at the Chigiana Academy, Francesco won the "Rotary Club" scholarship in 2020 and the "Matilde Neri Sclavo" scholarship in 2021.

Francesco took part to Masterclasses held by Pavel Gililov, Alexander Romanovsky, Benedetto Lupo, Anna Kravtchenko, Lilya Zilberstein, Antonio Pompa Baldi, Roberto Prosseda, Grigory Gruzman, Michail Lifits. In November 2021 he was selected among 24 pianists ny the Eppan Piano Academy, where he took lessons from Pavel Gililov, Arie Vardi and Andrea Bonatta.

He was invited by various associations to perform in various cities of Italy: Milan, for the “Società del Quartetto”, in the Sala Puccini of the "G. Verdi" Conservatory, Rovereto "Casa Mozart", Pescara "Associazione Mozart Italia", "Concerts on the terrace” organized by the San Carlo Theater, Imola. Invited as a soloist to the 34th Tagliacozzo Festival, he performed the Concerto No. 3 for piano and orchestra by L.V. Beethoven with the Georgia State Orchestra and in December 2019, at the Teatro dei Rozzi in Siena, with the “Orchestra Giovanile Italiana” conducted by Maestro Daniele Rustioni. In July 2021 he was invited as a soloist accompanied by

FEATURED ARTISTS

the Bologna Youth Orchestra, conducted by Anna Handler, at the "Ebe Stignani" theater in Imola, where he performed Mozart's K. 537 Piano Concerto. In August he was invited to the OperaBarga Festival, where he performed a solo recital at the Teatro dei Differenti in Barga. In November 2021 he performed the concert for piano and strings "Malediction" by Liszt with the “Roma Tre Orchestra”, conducted by Maestro Sieva Borzak, at the Apollo theater in Mogliano, the Palladium Theater in Rome, and on the occasion of the 34th edition of the Liszt Albano Festival. He was invited by the Philharmonic Academy of Bologna, where he performed for the concert season "Il Sabato all'Accademia" at the Sala Mozart. In August 2022 he was invited to play a solo recital at the "Emilia Romagna Festival”.

Abroad he performed in Madrid and Leon in Spain, in Orlando, Florida, where he played the Rhapsody "I got rhythm" for piano and orchestra by Gershwin. Invited by CIDIM, in October 2022 he played at the Theater “Casa d’Italia” in Istanbul.

He recently recorded three pieces by C. Ferrigno: “Space”, “Etude pour une etoile” and “Paraphrase sobre Libertango”.

Alongside his solo career he also plays in chamber music, playing in a piano- viola duo with his brother Davide Navelli, and in a piano-cello duo with Eleonora Testa, with whom in March 2021 he held an online concert organized by “Agimus”, at the “Aula Magna of the University for Foreigners of Perugia” and a concert at the Chigiana Academy of Siena, as a duo selected by M° Antonio Meneses. Invited again by “Agimus”, they performed in Rome at the National Museum of Musical Instruments and in Perugia. In June, for the "Walton Foundation”, they performed in two recitals in Ischia, at the "Giardini La Mortella”. He recently performed the piano quintets of Schumann and Brahms, in Naples, invited by the Collegium Philarmonicum Association.

GABRIEL PREISSER

Grammy Award winning baritone Gabriel Preisser has been praised by Opera News for his “handsome voice, charismatic energy, and timbral allure” and The New York Times called his performance as Lt. Gordon “wonderful.” His resume includes over 40 operatic and musical theater roles including Danilo in The Merry Widow with Utah Festival Opera, Billy Bigelow in Carousel with Minnesota Orchestra, Figaro in Il barbiere di Siviglia with St Petersburg Opera, Dandini in Cenerentola with Opera Tampa, Escamillo in Carmen with Lyric Opera of the North, Belcore in L’elisir d’amore with Shreveport Opera, Le Mari in Les Mamelles de Tiresias with Opera Parallele, Albert in Werther with Minnesota Opera, Mercutio in Romeo et Juliette with Opera Tampa and St. Petersburg Opera, Tommy in Brigadoon with Gulfshore Opera, Silvio in Pagliacci

FEATURED ARTISTS

with Opera Naples, Harold Hill in The Music Man with Colorado Symphony, and Bob Baker in Wonderful Town with Skylark Opera to name a few. He has been praised for having a “matinee idol’s charm and charisma,” “a beautiful, luscious baritone,” and “a compelling, commanding stage presence.”

Mr. Preisser has made a name for himself as a versatile, cross-over performer and has especially been active in new works. He created the role of Lt. Gordon in Kevin Puts’ Pulitzer Prize winning Silent Night at Minnesota Opera with subsequent performances at Opera Philadelphia, Cincinnati Opera, and Michigan Opera Theatre. His performance as Lt. Gordon with Minnesota Opera was also broadcast nationally on PBS in 2013 and 2014. He also took on the role of Farmer Bean in Tobias Picker’s Fantastic Mr Fox both with Opera San Antonio and Odyssey Opera of Boston. He can be heard on the first official audio recording of Fantastic Mr Fox under the baton of Gil Rose with the Boston Modern Orchestra Project which won the Grammy Award for best new opera recording in 2020. He has also been seen as the title role in Aldridge’s Elmer Gantry, Tom Joad in Gordon’s The Grapes of Wrath, Riolobo in Catan’s Florencia en el Amazonas, Antonio in Hagen’s New York Stories, John Brooke in Adamo’s Little Women, and the Shoe Salesman/Puppet role in Argento’s Postcard from Morocco. He recently made his Italian debut in Naples, Italy as soloist in the Mozart Requiem under the baton of Maestro Pasquale Valerio.

A 2016 League of American Orchestras Emerging Artist, Preisser is known for his dynamic interpretation of Orff’s Carmina Burana performed with the Winter Park Bach Festival, Atlanta Ballet, Gulf Coast Symphony, and others. He has also been heard as a bass soloist in Bach’s St Matthew Passion with the Colorado Symphony under the baton of Cristian Macelaru, soloist in William Walton’s Belshazzar’s Feast with Jacksonville Symphony and the Canterbury Chorale, Schlendrian in Bach’s Coffee Cantata with Orlando Philharmonic, bass soloist in Bach’s St John’s Passion with the Houston Bach Society, and bass soloist in Handel’s Messiah with Ars Lyrica and The Messiah Choral Society.

MARCELLA RICHARDSON

Marcella Richardson started her singing career in northern Michigan, Torch Lake area, at a family restaurant called Brownwood. She went on to travel with a 10-piece show band that started from Brownwood called TORCH. She continued to travel the country performing and eventually formed her own groups with partners based out of Atlanta, Georgia. She has also done radio, TV jingles, and commercials. Eventually moving her business to The Villages Florida, in 2010 she started singing in The Pops and Holiday Concerts with The Villages Philharmonic Orchestra. Along with performing with The Villages Philharmonic Orchestra, she studies and competes in ballroom dancing.

FEATURED ARTISTS

REEMA SCHONBECK

Reema’s noir pop style has been called “so beautiful to experience.” She has performed in Paris, Berlin, London, Alaska, Mexico— as well as every part of the United States from California to New York. Reema enjoys singing in up to 7 different languages a part of her performances, and bringing cultural authenticity and styling. Her sound can be heard on Platinum level selling albums, on TV, in commercials, on Disney stages, as part of press releases for luxury resorts, and so much more. Most recently, Reema can be seen as a featured vocalist on Disney+ as part of the “Harmonious Live” concert special filmed at Epcot in 2022. She’s very excited to be sharing the stage with The Villages Orchestra for the first time!

FLUTE

Nicolas Real, Principal

Tanja Agreiter

OBOE

Amy Collins, Principal

Joshua Hall

CLARINET

Jason Gibbs, Principal

Dominique Snider

BASSOON

Christopher Eberle, Principal

Kevin Fuller

FRENCH HORN

Joseph Lowinski, Principal

Nicholas Burner

TRUMPET

John De Paola, Principal

Tarcisio D’Addona, Co-Principal

TROMBONE

Andrea Rowlison, Principal

Jeremy Fielder

Anthony Hill

ORCHESTRA ROSTER

TUBA

Paul Mungall

TYMPANI

Jordan Holley

PERCUSSION/ DRUM SET

Simon Ramos

GUITAR

Nik Schoenbek

PIANO

Sergei Kossenko

KEYBOARD

Will Daniels

FIRST VIOLIN

Stewart Kitts, Concertmaster

Marius Tabacila

Michael De Jesus

David Dajiang

Cindy Qi

Baoling Xu

Carlos Jaques

Iryna Usova

SECOND VIOLIN

Gregory Carreño, Principal

Yenifer Laurens

Natalie Kitts

Sheryl Genco

Eduardo Castro

Luisa Maria Zambrano

Vladimir Sklyarov

VIOLA

Ross DeBardelaben, Principal

Juan Siviero

Andrea Oliveira

Joseph Hernández

Francia Laurensz

CELLO

Olga Beliaieva, Principal

Petar Kacenovici

Helen Lewis

Joseph Hamlet

DOUBLE BASS

Kevin Gallagher,Principal

Luis Luna

Jonathan Ingram

Mickey McCabee

Blackston Financial Advisory Group

FMK Restaurant Group

Francesco’s Ristorante

Fross & Fross Wealth Management

Havana Country Club & Legacy Restaurant at Nancy Lopez Country Club by Suleiman Family Restaurants

Royal Décor Company

Sheds N More

VPO DONORS 2022-23 CONCERT SEASON

ORCHESTRA CIRCLE

$10,000+

Margaret M. Dick

Linda Ferens

Maurice & Betsy Joy

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$5,000 – $9,999

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$2,500 – $4,999

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$1,000 – $2,499

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OVERTURE CIRCLE

$500 – $999

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Schaffer

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SUITE CIRCLE

$100 – $499

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Constant

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VPO DONORS 2022-23 CONCERT SEASON

Richard & Susan Jacobs

Brad Koozman

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ARIA CIRCLE Up to $99

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MEMORIAL DONATIONS

Bill Barnes: Susan Escobedo

Fred Boyd: Frank & Janet

Argenziano

Fred Boyd: Mr. & Mrs. Manning

Fred Boyd: Don & Janet

Schiegel

Carolyn Johnson: Richard Johnson