ERIC NATHAN
In Between
for Flute/Piccolo, Oboe, Clarinet/Bass Clarinet, Alto Saxophone, Horn, 2 Percussion, Piano, Harp, 2 Violins, Viola, Violoncello
Copyright 2022 – Eric Nathan. All rights reserved. P U B L I S H E D B Y N A T H A N A R T S (ASCAP) WWW.ERICNATHANMUSIC.COM | Providence, RI USA *PLEASE NOTIFY NATHAN ARTS OF ALL PERFORMANCES*
Commissioned by the Chicago Center for Contemporary Composition at the University of Chicago for the Grossman Ensemble Dedicated to the Grossman Ensemble, conductor Timothy Weiss, and director and founder Augusta Read Thomas, with admiration and gratitude
INSTRUMENTATION : Score in C [Instruments that sound at the octave or double octave are notated at their written pitch; Harmonicas are always notated at concert / sounding pitch regardless of the specific tuning of each instrument] Flute (doubling Piccolo) Oboe Clarinet in B-flat (doubling Bass Clarinet in B-flat) Alto Saxophone in E-flat Horn in F Percussion (2 Players) Total requirements: Harmonicas in D, G, and A [with 2 harmonica face holders] (note: all harmonicas should be Hohner Blues Band Harmonicas (10 holes), or similar, using Richter tuning), Almglocken (C4, D4, G4, A4), 5 Tuned Thai Gongs (C#4, D4, E4, G#4, B4), Vibraphone, Crotales (lower octave), Bongos, Triangles (high, med.), Suspended Cymbals (high, low), 2 Sizzle Cymbals, China Cymbal, Woodblock, Bass Drum, Piece of Paper, Snare Drum Percussion 1: A Harmonica and D Harmonica [with harmonica face holder], Bongos, Almglocken (C4, D4, G4, A4), Crotales (lower octave), Triangles (high, med.), Vibraphone, Suspended Cymbals (high, low), Sizzle Cymbal, China Cymbal Percussion 2: G Harmonica [with harmonica face holder], Woodblock, Bass Drum, Piece of Paper, Snare Drum, Sizzle Cymbal, 5 Tuned Thai Gongs (C#4, D4, E4, G#4, B4) Piano (with preparation) Harp 2 Violins Viola Violoncello Duration: ca. 13 minutes
PERFORMANCE NOTE: Rustling/Fluttering Sounds and Conductor Gestures: Each instrumental player should choose two “rustling/fluttering” sounds on their instrument, in any register, with any technique, playing, tapping, striking, stroking, etc. These should sounds should be wispy, effervescent, delicate, like leaves, branches, grasses, or bird feathers and should be primarily unpitched sounds, but can have some pitch/harmonics present (with the exception of the winds and brass, which should strive to create as un-pitched sounds as possible). Players should assign each chosen sound respectively to a durational/dynamic figure (Figures 13 in the Rustling/Fluttering Sounds Performance Key on the following page). In performance, players may use the durational gestures provided or improvise new ones in the style of these (striving to have a range of short-to-long fluttering sounds that cresc., dim., and swell). Players should memorize these figures for use in the sections marked by slash notation, and only when cued by the conductor. In the sections in the instrumental parts marked with slash notation, players should watch the conductor intently and the conductor will gesture in sweeping motions across ensemble (Left / Middle / Right) with their Left Hand and/or Right Hand. During these sections, players should play when gestured/pointed at by conductor, randomly choosing between Figures 1-3 in Rustling/Fluttering Sounds Performance Key each time. Players should randomly pick a figure to start on and may choose the same figure twice in a row, but not three times. If you are cued again while still playing a figure, stop and start that or a new figure. The conductor’s pointed hand in these sweeping motions is an “active” gesture and means to play when pointed at. The conductor’s closed hand is an “inactive” gesture, and does not trigger sound. The goal is for each wave of sound initiated by conductor’s sweeping gestures to ripple through the ensemble in ways that change slightly each time (with some players playing the same figure, and others playing a new figure/duration). It should be evoke the sense of wind rustling the leaves in trees in a forest. Cues: The large Cue 1, Cue 2, Cue 3 markings only apply to the instruments playing repeating, asynchronous boxed figures. These markings are used to instruct the players to either change or end the repetition of the boxed musical figures. Every player in the orchestra has these large cue numbers in their parts for their reference. The players for which these cues are not applicable are instructed to disregard them.
Rustling/Fluttering Sounds Performance Key: Gestures marked "f" means perform forte, though it may sound less. Tremolo is unmeasured. See Figs. 1-3 below.
Conductor Notation: Conductor “paints” with gestures sweeping across ensemble. Hand positions: Pointed hand/open palm: Closed palm/fist: Staff notation: Top line of staff: point to left side of ensemble Middle line: point to middle of ensemble Bottom line: point to right side of ensemble Glissando line: Slide hand from starting to end points (L to R; or R to L across ensemble)
Piano preparations: Pianist should firmly place multiple layers of Blu-Tack (or similar) putty across the strings behind the dampers in the ranges indication in the score for the duration of the piece. There should be no resulting pitch, only a timbral difference in pitch height, sounding like pitched temple blocks. If putty is not allowed on piano, two assistants can hand-dampen the selected pitches using gloves for the duration of the movement.
Harmonicas: Both percussionists are asked to double on Harmonica. The Harmonicas used should be Hohner Blues Band Harmonicas (10 holes), or similar, using Richter tuning. The players should use harmonica face holders, resting these on one’s shoulders, to hold the harmonica in the holder so as to perform it without holding it in one’s hands where indicated. Harmonica instructional diagram:
Harmonica performance instructions: • No prior expertise with harmonica playing is required. • Each Harmonica is tuned to a different diatonic key, but are notated in Concert /Sounding Pitch in the score and parts. • Players are only asked to blow chords through the harmonica, sounding in approximate ranges and with approximate pitches (as notated). • The harmonicas should be performed in either the low, middle or high ranges, as indicated in the score/parts and the enclosed diagrams. It is fine if players blow through a wider or narrower range or holes/pitches than is notated, depending on the size of one’s mouth and other performance conditions. Harmonica ranges: G Harmonica:
A Harmonica:
D Harmonica:
PROGRAM NOTE: In Between (2022) for ensemble was born out of the unique collaborative and explorative workshop experience afforded by composing for the Grossman Ensemble at the University of Chicago Center for Contemporary Composition. With this piece, I explore a newfound personal artistic space in my practice in between areas of improvisation, controlled aleatory, spatialized gestural choreography and detailed music notation. The players invent rustling, feathery sounds, the conductor “paints” gesturally through the ensemble in a music filled with chorale-like singing, meditative stillness and intricately vibrant musical textures woven through it all. The emotional inspiration for the work came from my standing in a forest near my house this fall on a late afternoon. As I stood there amidst the trees – these magisterial, quiet, monumental, and seemingly wise beings – I felt their imposing yet comforting presence, and listened to all the motion and movement that seemed to inhabit the “quiet” that surrounded me. It reminded me of a visit I made to my friend’s property in Vermont a few years prior, on an invitation to come and “meet” the trees that are so dear to him. He told me how at his age he now speaks with them and hoped they might speak to me. This has all been a starting point that unlocked my imagination in surprising ways, creating within and between spaces of stillness and activity and listening and singing. In Between for ensemble was commissioned by the Chicago Center for Contemporary Composition for the Grossman Ensemble, and is dedicated to the Grossman Ensemble, conductor Timothy Weiss, and director and founder Augusta Read Thomas, with admiration and gratitude.
Commissioned by the Chicago Center for Contemporary Composition at the University of Chicago for the Grossman Ensemble To the Grossman Ensemble, conductor Timothy Weiss, and director and founder Augusta Read Thomas, with admiration and gratitude
Score in C
In Between The conductor gestures in sweeping motions across ensemble (Left / Middle / Right) as indicated in the conductor's staves below, using Left Hand and Right Hand as indicated. See Performance Note for instructions.
Senza misura (q = c 72 )
Eric Nathan (b. 1983)
play rustling/fluttering sounds (as in Perf. Note from Figs. 1-3), following conductor gestures; begin figures when cued. Fermatas are given to show when conductor will pause (you should keep playing your chosen figure until finished)
Ensemble (Fl., Ob., B. Cl., A.Sx. Hn., Perc 1-2, Hp. Pno., Vlns. I-II, Vla., Vc.)
Senza misura (q = c 72 )
(pointed hand/ open palm)
œ 43
L.H.
44 œ
(Ens. Right)
Conductor
3(Ens. Left) ∑ 4
R.H.
U
Œ
44 œ
43 œ
Ó
U
4 4
(Ens. Right)
3 4
∑
U ’ ’ ’ ’ ’ ’ ’ ’ U
∑
L.H. Cond. R.H.
œ
R.H.
Ó
U
œ
œ
Ó
∑
œ
∑
œ
œ
U
Œ Ó
Ó
Œ
œ œ
œ
œ
œ
œ œ
œ
œ
3 4 ’ ’ ’
L.H.
3 4 œ
œ
Œ
4 4
U
3 4 Œ
œ
œ
4 4
∑
15
23
16
17
∑
U 24
œ
Ó œ
œ
Ó 25
44 œ Œ UÓ
œ 3 œ 4 œ
Ens.
R.H.
Ó
œ 6
U U ’’’’ ’ ’ ’ ’ ’ ’ ’ ’ U
Œ
œ
∑
U
∑
œ 43 œ œ
U 4 4 ’’’’ ’ ’ ’ ’
23
Cond.
œ
œ
4 Π4
∑
Œ
5
’ ’ ’ ’
œ Œ
U
Œ
3 4
∑
4
œ
∑
44 œ
U
œ Ó
œ
∑
Ó
U
∑
œ
Œ
œ
7
U
L.H. Cond.
Ó
U
3
U ’ ’ ’ ’ ’ ’ ’ ’
Œ
œ 43
Ó
8 9 10 11 12 13 14 U U U 3 4 3 ’ ’ ’’ ’ ’ ’ ’ ’ ’ ’ ’ 4 ’ ’ ’ 4 ’ ’ ’’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’’ 4
15 Ens.
U
Œ
œ
œ
U
Œ
4 4
∑
Conductor staff notation: 1 to left side of ensemble;2 Top line: point Middle line: point to middle of ensemble; Bottom line: point to right side of ensemble
Ens.
4 4 ’ ’ ’ ’
(fist)
(Ens. Left) (slide hand from L to R Ens.)
7
U 4 3 4 ’ ’ ’ ’ 4 ’ ’ ’
U 4 3 4 ’ ’ ’ ’ 4 ’ ’ ’
3 4 ’ ’ ’
1
œ
U
4 4
18
U
œ
œ Œ Ó
∑
∑
19
20
œ
6 3 4 ’ ’ ’ ’ ’ ’ 4 ’ ’ ’ 6 4 œ
œ
6 4 Œ
œ
œ
œ œ
œ
œ œ
œ œ
3 œ 4 3 œ 4
26
Copyright 2022 – Eric Nathan. All rights reserved.
œ Œ 27
U
œ Œ Ó
Œ Œ
21
œ
œ
Œ ∑
28
3 4
U 4 4 ’ ’ ’ ’& 22
’ ’ ’
43
4 œ 4
œ
4 4 œ
œ
U
Ó
U
Ó
29
2 Cue 1
In Between
30 In time: mysterious, awakening q = 60 rustling/fluttering sounds, following conductor gestures (un-pitched sounds only)
&’
’
’
’
’
’
’ ’
∑
∑
∑
Ob.
&’
’
’
’
’
’
’ ’
∑
∑
∑
B. Cl.
?’
’
’
’
’
’
’ ’
∑
∑
∑
’
’
’
’ ’
∑
∑
∑
Œ
‰
Fl.
rustling/fluttering sounds, following conductor gestures (un-pitched sounds only)
rustling/fluttering sounds, following conductor gestures
(un-pitched sounds only)
rustling/fluttering sounds, following conductor gestures (un-pitched sounds only)
A. Sx.
Hn.
&’
’
’
∑
&
tap mouthpiece w/palm
j Ó ¿ > p
rustling/fluttering sounds, following conductor gestures
1 Perc. 2
Hp.
Pno.
ã ’
’
’
’
’
’
’ ’
∑
∑
∑ Woodblock med.
&’
’
’
’
’
’
’ ’
?’
’
’
’
’
’
’ ’
∑
’ ’
rustling/fluttering sounds, following conductor gestures
ã ’
&Œ
’
’
’
’
’
Ó
∑
‰ œ Œ J p ∑
rustling/fluttering sounds, following conductor gestures
yarn mallet
Piano preparation: Place multiple layers Blu-Tack putty on C4 + D4, behind the dampers The resulting sound should be like woodblocks, without any pitch, but with timbral pitch height
‰
?
j Ó œœ p> ∑ °
∑
∑
∑
∑
‰
‰
j Œ œœ F>
Ó
tap mouthpiece w/palm
j ¿ > p
Œ
Ó Œ
∑
∑
∑
∑
∑
∑ Ó
‰
*tune bongos high (like a "pop")
∑
∑
∑
Cue 1 30 In time: mysterious, awakening q = 60 rustling/fluttering sounds, following conductor gestures
I Vlns. II
&’
’
’
’
’
’
rustling/fluttering sounds, following conductor gestures
&’
’
’
’
’
’
rustling/fluttering sounds, following conductor gestures
Vla.
Vc.
B’
’
’
’
’
palm mute all strings; bow over bridge; white noise/air sound/very little pitch (some harmonics ok)
arco ? ‰ –– .. –– .. ∏
¬¬ ¬¬
’
’ ’
∑
Œ
’ ’
∑
Ó
∑
’ ’
¬¬ ¬¬ p
¬¬ ¬¬
col legno (battuto) Sul IV.
≈ ·r ‰ p
Ó Œ
col legno Sul IV. (battuto)
‰
j · p
tap instrument body with fingers
> ‰ ¿¿¿ Œ J π P
Ó ¬¬ ¬¬
Œ Ó Ó
tap instrument body with fingers
> ‰ ‰ ¿. ¿ ¿ ¿ ¿ Ó J 3 p π ‰
Conductor's Performance Note: Beat time/conduct ensemble normally with R.H., and use L.H. as needed, ord.; L.H. staff is included for gestural instructions for L.H. sweeping/pointing motions; When L.H. has pointed hand, firmly outstretched, it gives performance indications as described in Performance Note (pointed hand/open palm vs. closed fist), performers are alerted when to follow this gesture in score
œ
(Ens. Left)
Cond. (L.H.)
œ
(Ens. Right)
30
Œ
Ó 31
‰ ·j Œ p
3
> ‰ ¿. ¿ ¿ ¿ ‰ Œ J 3 π p
¬¬ ¬¬
∑
∑
∑
32
33
34
Bongos (high) with fingers
œ. J p
3
In Between
(Whisper loudly into mouthpiece)
35 Fl.
& ‰ ¿j Œ pfl
Ó
tongue pizz.
&
∑
?
∑
A. Sx.
&
∑
Hn.
&
∑
Ob.
B. Cl.
Ó
2
Hp.
Pno.
ã
œœ œœ œ
F
Ó
cantabile, glowing
Woodblock med.
Ó
∑
Œ
˘¿ ‰ J Œ p
II
Vla.
‰ ‰ œœ π
∑ Ó ∑
Vc.
j & ‰ · Œ Ó p tap instrument body with fingers > ‰ ‰ ¿. ¿ ¿ ¿ Œ & Ó J 3 p P
? ¬¬ ¬¬
Ó Ó
Ó
∑
Ó
∑
35
Ø
Œ
Ó
∑
Œ
∑
Ó
‰
‰
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑ j · F
∑
col legno (battuto)
‰ ·j F
chop/dead stroke (no pitch)
Ó
col legno (battuto)
36
∑
‰
œ J F 0
‰¿ Œ π 3
∑ 37
‰.
‰ ‰
3
j Œ œœ p
˘¿ R
Œ
Ó
∑
p
∑
∑
œ Œ J P
∑
p
œœœ
‰ ≈ r œœ > F
Œ
> ‰ ¿. ¿ ¿ ¿ ‰ Ó J 3 p F
Œ
Ó ∑
col legno (battuto)
· J p
‰ Œ
· J Œ p
Sul II. pizz.
‰
∑ ∑ pizz. ‰ ·j Œ F>
col legno (battuto)
(tap)
38
‰ œ Œ J p
∑
∑
Ó
∑
Œ
Œ
(tap) > ‰ ‰ ¿. ¿ ¿ ¿ ¿ Œ J π3 p
Ó
"Ch!"
∑
œ œ # œœœ œœœ œ œ J p F ∑
pizz.
‰ jŒ ¿ fl f
∑
∑
‰
‰ Œ
∑
≈ r‰ ¿ p>
Œ
j ¿ pfl Œ
‰ ≈ r ¿ flp
Œ
‰œ œ œ œ J P
∑ Ó
∑
tongue slap/pizz.
Bongos with fingers
Œ Œ
Ó
∑
∑
∑
3
?
B
Œ
yarn mallet
∑
& ‰ œj Œ œ p ?
Ó
col legno (battuto)
Vlns.
∑
∑
π
&
(ped.)
I
∑
A Harmonica (in face holder)
œœ # & œœœ p ã
Perc.
∑
tongue slap/pizz.
blow (mid range) approx. pitches
1
∑
tongue pizz.
Ó
‰ ·j Œ p
Ó
‰ ¿ Œ J p
Ó
chop (no pitch)
tap> ‰¿ ¿ ¿ Œ J F
39
Ó
4
In Between
40 Fl.
Ob.
&Ó
Œ ‰ j Œ ¿ fl p
tongue pizz.
∑
&
Œ
A. Sx.
Hn.
1 Perc.
2
Hp.
Pno.
∑
&
∑
&
∑
ã
∑
ã
∑
&
∑
&
?
?
(ped.)
40
I Vlns. II
Vla.
Vc.
& & B
?
‰
jŒ ¿ pfl
Ó
∑
∑
∑
Œ
˘¿ ‰J‰Ó
∑
∑
Ó
Œ
Œ ‰ j ∑ ¿ p> Harm. œ œ Œ ‰ # œœœ œœœ Œ ∑ œ œ J p F p Bongos ‰ œ. Œ Ó ∑ J p Woodblock ∑ Œ ‰ œ Ó J π
‰
˘¿ ?Œ ‰JÓ π &
∑
∑
t.s.
B. Cl.
Ó
Ó
slap mouthpiece
∑
p
3
jŒ ¿ π>
Ó
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑ ∑ ∑ 40
∑ > ‰¿ ¿ ¿ Œ J π
(tap)
Œ Ó
∑ 41
Ó
> ‰¿ ¿ ¿ Ó J p ∑
Ó
Π42
‰ j Œ œœ p
> ‰ ¿. ¿ ¿ ¿ Œ Ó J P ˘ Œ ‰¿‰Ó J p3 col legno (battuto) (tap) · ‰ Œ ‰ >¿ >¿ Œ J p π (tap)
(tap)
> ‰ ≈¿ R F
(tap)
∑
∑
Ó
∑
43
Ó
‰‰ j ¿ π> 3
∑ ∑ ∑
Ó
∑
∑
∑
∑
∑
≈ r‰ Ó œœ > p ∑ ∑
Œ
∑
Œ
‰œ‰Œ J p3
Œ ∑
Ó
∑
∑
∑
j · ‰ Œ p
∑
∑
∑
pizz.
∑
∑
∑
‰ jŒ œœ > F ∑
∑
∑
∑
Ó
‰ j ¿ fl p t.s.
∑
G.P.
> ≈¿ ‰ Ó R p col legno (battuto) · ‰ Œ J p
∑ ∑ G.P.
∑ ∑ ∑
∑
∑
44
45
46 Fl.
Ob.
B. Cl.
(Whisper loudly into mouthpiece) "Ch!"
j &‰ ¿ Œ fl f &
˘ t.s. ¿ ?‰ J Œ P & ‰ ¿j Œ Pfl & ‰ ¿j Œ p>
Ó
Hn.
1
Perc.
rustling/fluttering sounds (when cued)
’
’
’
’
∑
∑
’
rustling/fluttering sounds (when cued)
’
’
’
’
∑
Ó
∑
rustling/fluttering sounds (when cued)
’
’
’
’
∑
Ó
∑
rustling/fluttering sounds (when cued)
’
’
’
’
∑
Ó
&
∑
ã
∑
Œ
2
ã Ó
‰ –j ¬ p
’
’ ’
’
’
’
’
’
’
’
’
’ ’ ’ ’
blow air through instrument (no pitch)
∑
¬ F Œ
A Harmonica
∑
œ # œœœ œ p
¬ p
˙˙ ˙˙ ˙ f ∑
G Harmonica
œœ œœ œ
p
Ó
Œ
π
Ó Œ
‰
Bongos
blow (low range) approx. pitches
slap mouthpiece
Ó
‰ ‰ jŒ ¿ p> 3
∑
œœ≈ Ó
p
Œ
3
j Ó œœ œœ œœ œœ ˙˙ œœ œœ œœ œœ ˙˙ p p w/piece of paper f Bass Drum slow swirl (like the sound of breath) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Œ ‰ œj w w w π p π "F " ∑
&
5
50
∑
∑
t.s.
A. Sx.
In Between
48
∑
Œ
‰
(in face holder)
‰ œœ≈ ∑ ∑
(ped.)
Hp.
Pno.
&
∑
∑
?
∑
∑
& ‰ œœj Œ > f ?
Ó ∑
rustling/fluttering sounds (when cued)
’
’
’
’
’
’
’
’
∑
’
’
’
’
’
’
’
’
∑
∑
∑
∑
∑
‰
j Œ œœ p
Ó
Œ
∑
‰
j Ó œœ p ∑
(ped.)
I Vlns. II
Vla.
pizz. j &‰ · Œ F> col legno (battuto)
j &‰ · Œ p j pizz. œ B ‰ œœ Œ œ f
Ó
∑
rustling/fluttering sounds (when cued)
’
’
’
’
∑
Ó
∑
rustling/fluttering sounds (when cued)
’
’
’
’
∑
Ó
∑
rustling/fluttering sounds (when cued)
’
’
’
’
∑
palm mute all strings; bow over bridge; white noise/air sound/very little pitch (some harmonics ok)
Vc.
50
48
46
arco ? ‰ –– .. – .. – π
¬ ¬¬ ¬
¬ ¬¬ ¬ p
’ ’ ’
’
’
’
’
’
’
’ ’ ’
j – –– ‰ – π
¬ ¬¬ ¬ "F "
(ped.)
(pointed hand/ open palm)
Cond. (L.H.)
∑
∑
46
47
Œ
> ¿ Œ J F
(tap w/fingers)
‰
¿¿
∑
(closed hand)
œ
(slide hand from L to R Ens.)
48
œ
Œ
Ó
∑
49
50
π3
6 j ¿ Œ fl f
51 Fl.
Ob.
&‰
B. Cl.
?‰
A. Sx.
&‰
Hn.
&‰
t.s.
1
Perc.
Ó
Ó
rustling/fluttering sounds (when cued)
’
’
’
’ ’ ’ ’
∑
∑
Ó
rustling/fluttering sounds (when cued)
’
’
’
’ ’ ’ ’
∑
Œ
Ó
Ó
rustling/fluttering sounds (when cued)
’
’
’
’ ’ ’ ’
∑
j Œ ¿ fl f j Œ ¿ p>
Ó
Ó
rustling/fluttering sounds (when cued)
’
’
’
’ ’ ’ ’
∑
Ó
blow air through instrument (no pitch)
"Ch!"
&
˘¿ J
f
t.s.
&
∑
ã
∑
&
∑
’
(W.B.)
Hp.
Pno.
> œ J p
Œ
’
Œ
Œ
Bass Drum
∑
Ó
?
∑
Ó
j Œ œœ > f
?
’
– F œ # œœœ œ p
¬
A Harmonica
∑
Ó
’
’
Œ
Ó
’
’
’
Ó
’
’
¬. p
&
&‰
’
’
2
ã ‰
In Between
52
‰
j œœ œœ p
G Harmonica
¬ p
˙˙ .. ˙˙ .. ˙. f œœ œœ
Πp
∑
blow (low range) approx. pitches
w/piece of paper slow swirl (like the sound of breath)
œœ œœ f
Œ
˙˙ ˙˙
π ∑
Snare Drum (snares on)
∑ ∑
p
Ó
w/brushes swirl
Œ ∑
~~~~~~~~~~~~~~~~~~~~~~~~~~~~ w π ∑
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙. w w ˙ ˙ p "f " p π rustling/fluttering sounds (when cued)
’
’
’
’
’
’
’ ’ ’ ’
∑
’
’
’
’
’
’
’ ’ ’ ’
∑
Ó
∑
∑
∑
∑
∑
∑
∑
∑
∑
(ped.)
52 &‰
pizz.
I Vlns.
j · Œ > f
col legno (battuto)
II
&‰
Vla.
B‰
pizz.
j · Œ p j œœ œ Œ œ f
Œ
‰.
Œ
‰
Ó
? ‰ –– .. – .. – π
¬ ¬¬ ¬
white noise (as before)
Vc.
Cond. (L.H.)
col legno (battuto)
j ¿ p
r · Ó > p
(tap)
rustling/fluttering sounds (when cued)
’
’
’
’ ’ ’ ’
∑
Ó
rustling/fluttering sounds (when cued)
’
’
’
’ ’ ’ ’
∑
Ó
rustling/fluttering sounds (when cued)
’
’
’
’ ’ ’ ’
∑
¬ ¬¬ ¬
’ ’ ’
[change bow as needed]
’ ’ ’
’ ’ ’
¬ ¬¬ ¬ "F "
¬ ¬¬ ¬ π
(as possible)
∑ 51
Ó
– p
œ 52
œ 53
Œ
¬ ¬¬ ¬ ∑
∑
54
55
56 Fl.
(rustling/fluttering sounds – as cued)
& ’
’
’
’
(rustling/fluttering sounds – as cued)
Ob.
& ’
B. Cl.
? ’
’
’
’
’
’
’
(rustling/fluttering sounds – as cued)
Hn.
& ’
’
’
’
& ¬ f
Perc.
j & ‰ œœ œœ œœ œœ .. œœ œœ œœ œœ .. p f
Pno.
’
’ ’ ’ ’
’
∑
∑
’
∑
∑
’ ’ ’ ’
’
’ ’
’
’ ’ ’ ’
’
’ ’
’
‰
to Clarinet
∑
π
∑
∑
‰ œ. Œ J π
?
’
∑
∑
∑
∑
∑
Ó
Π&
˙.
˙
∑
π
∑
blow (high)
Œ
∑
œ J ‰ f œ J ‰ f j ¬ ‰ f œœ œœ J ‰ f
(air sound)
¬ π ˙ # ˙˙˙ p
∑
∑
∑
∑
∑
∑
∑
∑
‰ œœ≈
π Œ
D Harmonica
Œ
(B.D.) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ã w w w "F " p π
& ’
∑
∑ Bongos
∑
p
π3
’
’
’
’ ’ ’ ’
’
’ ’
’
∑
∑
∑
’
’
’
’ ’ ’ ’
’
’ ’
’
∑
∑
∑
∑
∑
∑
∑
(rustling/fluttering sounds – as cued)
Hp.
’
œœ ˙˙ ˙˙ Œ ∑ & # œœœ ˙ p p f (S.D.) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙. w Ó ã œ π p F G Harmonica
2
’ ’ ’ ’
¬ p
A Harmonica
1
’ ’ ’ ’
Clarinet in B-flat
(rustling/fluttering sounds – as cued)
A. Sx.
7
In Between
&
∑
∑
?
∑
∑
‰ jŒ œœ p
Ó
‰
∑
3
œœ œœ π
≈Œ
Ó ∑
&
(ped.)
I
(rustling/fluttering sounds – as cued)
’ ’ ’ ’
’
’ ’
’
∑
(rustling/fluttering sounds – as cued)
’ ’ ’ ’
’
’ ’
’
∑
’
∑
& ’
’
’
’
Vlns. II
& ’
Vla.
B ’
’
’
’
(rustling/fluttering sounds – as cued)
Vc.
Cond. (L.H.)
? ¬¬ ¬¬
’
’
œ
œ 56
’
’ ’ ’ ’ ¬¬ ¬¬ œ
œ 57
’ ¬¬ ¬¬
’ ’
¬¬ ¬¬ Ø
Ow π
Ȯ ..
arco
Œ
arco
Ó
arco
¬¬ ¬¬
˙o . π
Oœ ‰ J f œo J ‰ f œ J ‰ f
˙o . œ œ ‰ J π
non vib.
˙. ¬¬ ¬¬
∑
∑
∑
∑
58
59
60
61
8
In Between
62 Sacred; singing; chorale-like j & ¿ ‰ fl f
43
&
∑
43
&
to Bass Clarinet
∑
43
"Ch!"
Fl.
Ob.
B. Cl.
A. Sx.
&
Œ
to the fore non vib.
Ó
w
∑
44
∑
Ó
∑
44
∑
Ó
∑
44
˙ 43
p
œ J
Hn.
&
Almglocken yarn mallets
1
&
2
P ã œœ p B.D.
Perc.
œœ p
∑
Œ
Ó
Sizzle Cymbal yarn mallet
Œ
Hp.
œ
Pno.
& ?
43
∑
Ó
43
∑
Ó
43
∑
Ó
3 4
∑
w/mallet (ord.)
o (sounds 8va) Œ & œ p ? Œ
∑
∑
4 4
p (
43
plaintively, resonant, a stoic lament, with an ancient wisdom
43
œ) O
Œ
44
∑
44 œo p 4 4 44 œœ p 44
O.
Œ
’
∑ Œ
’
Ó Ó
’
45 ’
’
45 ’
’
Perform rustling/fluttering sounds (on cue)
’
’
j œ ‰
’
’ ’
44
’
’ ’
44
’
’ ’
44
45 ˙ . 5 4 ’
œ.
Perform rustling/fluttering sounds (on cue)
’
’
’
’
45
∑ Ó
Ó
’
Perform rustling/fluttering sounds (on cue)
Ó
plastic mallet
∑
Ó
Crotales
44 œ p
’
˙.
∑
Piano harmonics: Play string with diamond notehead, at node to result in pitch in parentheses
∑
Ó
44 w p
‰
plaintively, resonant, a stoic lament, with an ancient wisdom
3 4
Bass Clarinet
45 ’
Perform rustling/fluttering sounds (on cue)
‰
4 4
’ ’
44
∑
Perform rustling/fluttering sounds (on cue)
’
’
(B.D. with paper)
45 ’
’
44
’
’ ’
44
’
’
45 ’
’
’
’ ’
44
’
’
5 4 ’
’
’
’ ’
4 4
Perform rustling/fluttering sounds (on cue)
Ó ∑
∑
45
∑
44
∑
45
∑
44
62 Sacred; singing; chorale-like I
&
Vlns. II
Vla.
to the fore arco non vib.
# # Ow
Ȯ 43
p
plaintively, resonant, a stoic lament, with an ancient wisdom
& B
∑
to the fore arco non vib.
o o œ- œ-o œ- -̇o .
F
3
plaintively, resonant, a stoic lament, with an ancient wisdom
Vc.
Cond. (L.H.)
?
¬¬ ¬¬ π
43
62
43
44 Nw p
‰
o œ J
¬¬ .. ¬¬ ..
‰
&
4 4
∑
∑ 63
44
˙o .
w
Sul II.
p
4 –– 4 – –
Ó
¬¬ .. ¬¬ .. "F "
64
Ó
œo .
45 ’
Perform rustling/fluttering sounds (on cue)
’
¬¬ ¬¬ ∑
o. 54 ˙
Sul II.
j œ ‰
˙.
44
∑
3 o 4 ˙ p 3 4
∑
Oœ J
’ œo J
‰
B
65
’
44 44
’ ’
5 4 ˙.
œ.
¬¬ .. ¬¬ .. π
¬¬ ¬¬
4 4
Ó
44
5 4 œ
’
‰
45
œ 66
‰
4 4
9
In Between
Fl.
4 5 &4 ’ ’ ’ ’ 4
Ob.
4 5 &4 ’ ’ ’ ’ 4
B. Cl.
4 5 &4 ’ ’ ’ ’ 4
67
A. Sx.
Hn.
w & 44 F
4 5 &4 ’ ’ ’ ’ 4 4 & 4 # œœ
2
Hp.
Pno.
I Vlns. II
Vla.
Vc.
Cond. (L.H.)
∑
4 4
∑
4 4
œ ‰ 4 J 4 4 4
∑
∑
∑
& 44
45
∑
5 4
∑
o 44 o œ œ π 4 4
5 4
∑
4 4
p
?4 4
œ
4 &4 ?4 4
4 &4
(
Kœ )
Ó
∑ Œ
Ó ∑
5 4
O #w
5 4
F
4 5 &4 ’ ’ ’ ’ 4 wo B 44 F ? 4 ¬¬ 4 ¬ ¬ 4 4
O
p
o 5 w 4 p 5 ¬ 4 ¬¬ ¬
∑ 67
5 4
4 4
∑
∑ 68
∑
5 4
∑
2 4 ’ ’
3 4 3 4 ’ ’ ’ 4 ’ ’ ’ ’ 4
∑
5 4
Perform rustling/fluttering sounds (on cue)
π
∑
5 4
2 4
3 4 œ F
Œ
3 4
∑
5 4
∑
(B.D.)
3 4 3 4 ’ ’ ’ 4 ’ ’ ’ ’ 4
∑
5 4
∑
(Alm.)
42
∑
43
∑
2 4
∑
3 4
∑
2 4
∑
3 4
Ó
3 4
O
p œ (
p Kœ )
Œ
Œ
44
∑
43
∑
45
4 4
∑
3 4
∑
5 4
3 4
∑
5 4
3 4
∑
5 4
‰ 43 œ p
Œ
Œ
4 4
¬¬ ¬ ¬ "F "
73
wo
2 4
∑
2 ¬ 4 ¬¬ ¬ 2 4 œ
o 3 ˙. 4 p 3 ¬. 4 ¬¬ .. ¬. π
P
4 4 #w P 4 4
arco
4 œ 4 71
œo J ‰ 5 4 ∑
3 4 ˙ ∑
∏
3 4 70
3 4
˙o
3 4 3 4 ’ ’ ’ 4 ’ ’ ’ ’ 4
Perform rustling/fluttering sounds (on cue)
Ó
Ó
(Crot.)
4 4 œœ Œ Ó p 4 ∑ 4
∑
O.
pizz.
2 4 ’ ’
∑
69
4 4 œ Œ F
arco
2 œ. 4 œ.
∑
Œ
Perform rustling/fluttering sounds (on cue)
œ J ‰ 4 ww0 4 π
4 4
∑
2 4 ’ ’
70
pizz. œ œo Œ J ‰ 44 π –– 4 ¬¬ 4 ¬ – – ¬
p
j œ ‰ 45
43 ˙
3 4 3 4 ’ ’ ’ 4 ’ ’ ’ ’ 4
2 4
4 4
œ.
44 w P
Perform rustling/fluttering sounds (on cue)
Ó
Œ
˙.
‰ 43
2 4 ’ ’
4 4 ( œ) O
‚
w
3 4 3 4 ’ ’ ’ 4 ’ ’ ’ ’ 4
Perform rustling/fluttering sounds (on cue)
∑
4 œ Œ 4 œ F
5 4
∑
(Alm.)
4 5 ã 4 ’ ’ ’ ’ 4
Œ
∑
2 4 ’ ’
42
#w π
∑
(Alm.)
Perc.
4 4
5 4
(Crot.)
1
w 45 p
∑
70 Perform rustling/fluttering sounds (on cue) 73 2 3 4 3 4 ’ ’ 4 ’ ’ ’ 4 ’ ’ ’ ’ 4
Π72
Ó
5 4 j ‰ 45 œ
3 4
∑
5 4
3 4
∑
5 4
73
10
In Between
Fl.
5 &4 Ó
Ob.
5 &4 Ó
B. Cl.
& 45 Ó
A. Sx.
Hn.
’ ’ ’ ’ ’ ’
Perc.
’ ’ ’
œ ‰ J p
5 &4 Ó
2
Hp.
Pno.
5 ã 4 Ó
4 4
5 ’ ’ ’ ’ 4 ’ ’ ’ ’ ’
4 5 4 ’ ’ ’ ’ 4
∑
4 4
44
’ ’ ’ ’ 45 ’ ’ ’ ’ ’
44 ’ ’ ’ ’ 45
∑
44
4 4
w
Perform rustling/fluttering sounds (on cue)
’ ’ ’
II
Vla.
Œ
’ ’ ’ ’ ’ ’
4 4
5 ’ ’ ’ ’ 4 ’ ’ ’ ’ ’
4 5 4 ’ ’ ’ ’ 4
∑
4 4
5 &4
∑
4 4
? 45
∑
44
Cond. (L.H.)
?5 Ó 4 45 Ó
(sounds 8va)
(
œ O
5 4
∑
∑
5 4
∑
∑
5 4
∑
Œ
Ó
45
)
4 # # Ow 4 p 4 4
O
5 O 4 w
’ ’ ’
4 4
œ
44
5 4
wo
5 ’ ’ ’ ’ 4 ’ ’ ’ ’ ’
75
Ó
4 4
∑
5 4
44
œ
45 œ 76
(Kœ )
Œ
Ó
45
O
(sounds 8va)
F ( Kœ )
Œ
Ó
Œ
4 4
Œ
Ó
Œ
4 4
∑
B
4 4
∑
O
‚
78 5 #w 4 F
w
4 5 4 ’ ’ ’ ’ 4
œo J ‰ 44 P
rustling/fluttering sounds (when cued)
œ
∑
Oœ 4 J ‰ 4 P
5 ’ ’ ’ ’ 4 ’ ’ ’ ’ ’
wo o 4 œ ‰& 4 J p p
4 4
o 5 œ 4 p # œo 5 4
4 4 œ
‚
Perform rustling/fluttering sounds (on cue)
74
4 4 44
∑
o o œ- -o œ- -̇o . 5 B4 œ f 3
∑ ∑
?5 4
’ ’ ’
F
œ J ‰ 44 p
44 ’ ’ ’ ’ 45
∑
œ ‰ œ J p
4 5 4 ’ ’ ’ ’ 4
w
4 4
’ ’ ’ ’ 45 ’ ’ ’ ’ ’
5 &4
5 w &4 w F
5 4
∑
44
Perform rustling/fluttering sounds (on cue)
lamenting
Vc.
5 ’ ’ ’ ’ 4 ’ ’ ’ ’ ’
o 4 œ 4 p 4 4
5 &4 Ó
œ ‰ 4 4 w J P
Perform rustling/fluttering sounds (on cue) choose any instrument
0
Vlns.
p
4 4
(Ped.)
I
5 w 4
Perform rustling/fluttering sounds (on cue)
(Alm.)
1
5 ’ ’ ’ ’ 4 ’ ’ ’ ’ ’
Perform rustling/fluttering sounds (on cue)
5 w &4 F Ó & 45 œ œ
4 4
78 4 5 4 ’ ’ ’ ’ 4
Perform rustling/fluttering sounds (on cue)
74
44
œ J ‰ 44 p ∑
o 5 w 4 F
4 4
œo J ‰ 44 p
4 5 4 ’ ’ ’ ’ 4
∑
4 4
44
∑
44
∑ 77
45
78
79 Fl.
4 &4
∑
3 4
∑
81 4 4
Ob.
4 &4
∑
3 4
∑
4 4
B. Cl.
4 &4
∑
3 4
∑
4 4
A. Sx.
Hn.
1
Perc.
2
Hp.
Pno.
4 &4 w p
3 4 ˙.
4 4 ∑
44 44
& 44
∑
43
& 44
∑
43
∑
& 44
∑
43
∑
ã 44 4 o &4 œ p ?4 4
∑
44
3 4
∑
4 4
∑
3 4
∑
4 &4
∑
3 4
∑
4 4
?4 4
∑
3 4
∑
4 4
Œ
Ó
Vlns. II
Vla.
Vc.
Cond. (L.H.)
4 & 4 #w & 44 B 44
wo
3 4 ˙. ∑
43 43
p
˙o .
∑
&
4 4
’
Œ
’
’
’
’
’
’
Perform rustling/fluttering sounds (on cue)
’
’
w
’
’
’
’
’
’
’
’
’
’
’ ’
’
’
’
’
’
’
’
’
’
’ ’
’
’
’
’
’
’
’
’
’
’ ’
Œ
œ
w
’
’
’
’ ’
w
f
˙
p
Œ
Perform rustling/fluttering sounds (on cue)
(Crot.)
Bass Drum w/mallet (ord.)
œ p √ bœ
’
’
π ’
’
’
’
Œ
Ó
∑
∑
∑
Œ
Ó
∑
∑
∑
Œ
’
’
’
’
Œ
Ó
’
’
’
’
’
’
’
’
’
’
’
’
’
’
’
’
’
’ ’
’
’
’
’
’
’
’
’ ’
∑
∑
Perform rustling/fluttering sounds (on cue)
(muted pitches)
’
F
’
Perform rustling/fluttering sounds (on cue) (with paper)
Perform rustling/fluttering sounds (on cue)
f œ œ œ
’
π
’
’
’
’
’
’
’
’
∑ ’
’
’
w
w
w
4 # # Ow 4 f
Ow p
Oœ # # Ȯ .. æ π
Ow æ
44 44
∑
3 4
∑
4 4
4 4
∑
3 4
∑
4 4
80
Œ
’
w
?4 4
79
’
Perform rustling/fluttering sounds (on cue)
81 I
Œ
Perform rustling/fluttering sounds (on cue)
#œ f 44(Alm.) œ Nœ f
43
∑
11
In Between
Œ
Perform rustling/fluttering sounds (on cue)
arco
’
o o œ- -o œ- -̇o . œ
f
Œ
’
’
’ o w
Perform rustling/fluttering sounds (on cue)
Œ
œ 81
’
’
p
3
’
’
’
’
.
.
’
’
’
’
’
o w æ π
’
’
’
’
’
œ
œ 82
83
’
’
’ o w æ
?
’
’ ’
’
’ ’ &
’
’
’ ’
œ
Œ
Ó 84
12
In Between
85 Chorale; flowing Picc.
Ob.
Cl.
A. Sx.
Hn.
&
to Piccolo
& &
Perc.
2
Hp.
Pno.
43 ’
’
∑
∑
43 ’
’
Œ
˙
& œ F & œ
œ J p
& œœœ f
œ F
Ó
œ F
Bass Drum w/mallet (ord.)
Œ
? Ó
Œ
&
∑
?
∑
œ p
Ó
f
I Vlns. II
Vla.
Vc.
Cond. (L.H.)
& Nœ f & & ?
œo f
˙
(
F Kœ )
(
‰
∑ B˙
œ J p
‰
#œ
œœ
0
F œo
F œo
p
Œ
non vib.
∑ ∑ 85
F
œ
0
œ
œ # œœœ œ ‰ J p Œ
43
p
’
’
‰
œ.
œ
p P
˙˙ ˙˙ ˙ 43 f 43 Œ
Œ
43 ’
’
Πp
œœ P
’
∑
œ f
43
’
∑
43 Œ
Œ
p œ.
’
43 œo f
43
Œ ’
f œ
˙
’
’
‰ œœ p P
43 ’
’
’
f
43
’
˙o ’
(rustling/fluttering sounds – as cued)
’
(more active)
œo .
3 œ 4
‰
œo
’ ˙o
p P œ 87
˙
F
œœœ F
œ # œœœ œ J p
œœ œœ œ
œœ œœ œ
f
Œ
‰
p
œœ œœ œ Œ
Œ ∑ ∑
#˙
F
’
’
∑
’
’
∑
œo
88
j œ
∑
˙
’
Oœ
Œ
‰
∑
∑
0
(more active)
’
œ
∑ œo .
œ P
œ J p
∑
‰ œœ
’
F
’ œ
Œ
˙
∑
(rustling/fluttering sounds – as cued)
œo
’
∑
(rustling/fluttering sounds – as cued) (muted pitches)
43 ’
œ
˙
(rustling/fluttering sounds – as cued)
Ó
86
’
œ
’
∑
’
(rustling/fluttering sounds – as cued)
43 ’
œ
#˙
∑
43 œ
∑
0
’
’
œ f
∑
œ ) O.
’
’
‰ œ p P
#œ f
œœ
∑
O
œ J p
0
œ
∑
œ œ
’
43 œ .
f
Œ
85 Chorale; flowing ° (non vib.)
œ
Œ
Œ
’
(rustling/fluttering sounds – as cued)
D Harmonica
Ó
∑
&
œ
œ F
Ó
r œ
#œ
F
(rustling/fluttering sounds – as cued)
blow high range (in face holder)
∑ (Alm.)
˙ p
œ
‰
j ‰ œ p
˙
&
ã
∑
∑
to Clarinet
F
1
∑
Œ
˙o
F
∑ 89
œ J p
‰
œo J p
‰
#œ.
90 Picc.
& œ p
Ob.
Cl.
& &
‰ p
F
cantabile
œ
p
Hn.
& & #œ p
œ. F
‰ p
&
Πp
œœ œœ œ
1 Perc. 2
Hp.
Pno.
I Vlns.
ã
Œ
∑ ‰ p
& ? ‰
Œ ∑
F
∑
& ? Œ
90 0 ˙ & F
(
œ ) · °
œ. œ. F
non vib.
II
Vla.
Vc.
Cond. (L.H.)
& œ p B
?
œo
p
œ. F
œ p
’
’
œ
’
œ F
œ
’
’
œ p
œ
’
’
œ F
œ # œœœ œ
œ ˙˙ .. ˙˙ .. ˙.
œœ œœ œ
(B.D.)
(rustling/fluttering sounds – as cued)
œ p
’
p
f
’
œ
Œ
‰
’
F
j #œ
œ ‰ J p
’
4 Π4
p
’
’
˙.
˙
’
’
4 Π4
p
’
’
’
’
’
#˙
4 4 4 Π4
˙. p ∑
π ’
’
’
’ ∑
œ
˙
’ p
œ
44 Ó 4 4
’
’
’
’
’
’
’
’
’
4 Ó 4
’
’
’
’
’
44
œ p
œ
f
’
’
(more active)
œ
p
œ
’ œo
f
œ 91
’ œ
o ˙. p
˙ ˙ 0
’ ˙o
’
’ ˙. œ
92
’
44 4 Π4
0
p
œ
4 Œ 4 ’
Π93
Œ
∑
Œ
œ
œ
œ
f
‰ œj œ . F ‰
j œ œ.
∑
’
#œ
œ f
#œ œ. ‰ J
∑ f
’
œo
f
4 4
’
0
œ
œ œ. ‰ J
∑
’
(more active)
#œ F
œ
œ
f
∑
’
’
œ F
‰ # œj œ .
44
’
’
cantabile
#œ
œ
∑
’
’
œ F
œ
œ
∑
’
’
F
œ
44
’
(rustling/fluttering sounds – as cued)
œ
replace with A Harmonica
˙
(rustling/fluttering sounds – as cued)
‰ p
˙.
4 Π4
∑
(rustling/fluttering sounds – as cued)
Œ
˙
p
’
∑
∑
90
œ
Œ
‰ p
∑
œ F
Œ
Œ
œ.
œ
(rustling/fluttering sounds – as cued)
cantabile
(Harm.)
p
’
cantabile
A. Sx.
œ
(rustling/fluttering sounds – as cued)
∑
Nœ. F
13
In Between
44
œ
˙
∑ p
p
Ó
˙o p
˙
∑
∑
o œœo ‰ π p ∑
∑ 94
˙ ∑
˙ ° œo .
Œ
F
œo J ‰ π
o œœo J ‰ Œ π œo
p
Ó ∑
Œ π
Ó ∑ 95
‰
p
‰ p ‰ p ‰ p ‰
p
14
#œ J F j œ F
96 Picc.
Ob.
Cl.
A. Sx.
Hn.
1 Perc. 2
Hp.
Pno.
I Vlns. II
Vla.
Vc.
Cond. (L.H.)
& œ. p œ. & p & œ. p
Œ
ã
Œ
& ? Œ & Œ
œ œ
j œ F
œ. p
ã
œ
j œ F œ J F
& #œ. p &
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
Nœ
œ
(rustling/fluttering sounds – as cued) (unpitched perc.)
’
’
’
(rustling/fluttering sounds – as cued)
’
’
’
F
Ó
œ
B Œ ? Œ Œ
p p p p
Œ Œ Œ Œ
’ ’
˙. P ˙.
œ
˙. P
œ
(rustling/fluttering sounds – as cued)
’
’
’
˙. P
œ
#˙. P
œ
’
’
’
’
(rustling/fluttering sounds – as cued)
’
(more active)
’
’
(rustling/fluttering sounds – as cued)
’
(more active)
’
’
(rustling/fluttering sounds – as cued)
’
(more active)
œ 96
’
’
’
’ ∑ P œ
’
’
Ó
(rustling/fluttering sounds – as cued)
(more active)
’
œ
P
Ó
∑
& Œ
p
Œ
∑
?
& Œ
In Between
’
œ
#˙
Πp
p ˙
Πp
p
Πp
Œ
p
’
∑
’
∑ ∑
Œ
∑
’
∑
Œ
∑
π
w
˙
w
˙ p
w
˙ p
w
p
Πp
w
rit.
π π π π ∑
(B.D.)
œ p
Œ
&
Ó ∑
p
Œ
œ
Ó ∑ ∑
rit.
’
’
’
’
∑
’
’
’
’
’
’
’
’
∑
’
’
’
’
’
’
’
’
∑
’
’
’
’
’
’
’
’
∑
’
’
’
’
œ
œ 97
∑ 98
œ 99
œ
100 Windy a tempo
Fl.
Ob.
Cl.
A. Sx.
Hn.
&
∑
&
∑
&
∑
improvise rustling/fluttering sounds starting on beat 1, continually building, following dynamic contour indicated; swelling like one big gust of wind take breaths as needed (this instance does not follow the gestural conductor cues, as before)
’ p
>œœ
Triangles (high/med.)
1
ã
f
Œ
Vibraphone
& N œœ > f
Perc.
Œ
’
’
’
∑
’
’
’
’
"
∑
∑
’ ff "
’
’
’ p
’
’ p
’
’ p
’
’
’
’
’
’
’
’
’
"
’
’
’
’
’
’
’
’
"
˙˙ æ
’
˙˙ .. ˙˙ .. ˙.
’
Πp
ww æ
’
’
œ # œœœ œ p ww æ
˙˙ .. ˙˙ .. ˙. f
œœ œœ
Œ
’
’
’
p *
Œ
’
"
œ # œœœ œ p
’
Ó
’ ff "
’
’ ff "
’
’ ff "
’
’
’ Œ
’ p œ
π
’
’
’
’
’
’
’
’
’
˙˙ ˙˙ ˙ f
œœ œœ œ
Œ
Ó
˙˙ ˙˙ p
’
improvise rustling/fluttering sounds starting on beat 1, continually building, following dynamic contour indicated; swelling like one big gust of wind take breaths as needed (this instance does not follow the gestural conductor cues, as before)
A Harmonica blow mid range (in face holder)
ww & # www ƒ
’
improvise rustling/fluttering sounds starting on beat 1, continually building, following dynamic contour indicated; swelling like one big gust of wind take breaths as needed (this instance does not follow the gestural conductor cues, as before)
∑
&
’
improvise rustling/fluttering sounds starting on beat 1, continually building, following dynamic contour indicated; swelling like one big gust of wind take breaths as needed (this instance does not follow the gestural conductor cues, as before)
∑
&
15
In Between
p
’
˙ # ˙˙˙ ˙ p
∏
Ó
G Harmonica
blow low range (in face holder)
2
& ww ww ƒ ã
Hp.
Pno.
œ f
Sizzle Cymbal
œ & œ f ? œ œ #œ œ & œ f ?
œ °
Œ
Ó
Œ
Ó
Œ
Ó
Œ
Ó
Œ
Ó
100 Windy I
&
a tempo ∑
Vlns. II
Vla.
Vc.
& B ?
œœ œœ
∑ ∑ ∑ 100
p
Œ
œœ œœ p
œœ œœ f
Œ
p
œœ œœ p
˙˙ ˙˙ f
p
improvise rustling/fluttering sounds starting on beat 1, continually building, following dynamic contour indicated; swelling like one big gust of wind (this instance does not follow the gestural conductor cues, as before)
’ p
’
’
’
’
’
’
’
’
’
’
’
’
’
’
’
’
’
’
’
’ p
’
’
’
’
’
’
’
’
’
’
’
’
’
’
’
’
’
’
"
improvise rustling/fluttering sounds starting on beat 1, continually building, following dynamic contour indicated; swelling like one big gust of wind (this instance does not follow the gestural conductor cues, as before)
’
"
improvise rustling/fluttering sounds starting on beat 1, continually building, following dynamic contour indicated; swelling like one big gust of wind (this instance does not follow the gestural conductor cues, as before)
’ p
’
’ p
’
’ p
’
’ p
’
’
’
’
’
’
’
’
’
"
improvise rustling/fluttering sounds starting on beat 1, continually building, following dynamic contour indicated; swelling like one big gust of wind (this instance does not follow the gestural conductor cues, as before)
’
’
’
’
’
’
’
’
"
improvise rustling/fluttering sounds starting on beat 1, continually building, following dynamic contour indicated; swelling like one big gust of wind (this instance does not follow the gestural conductor cues, as before)
’
’
’
’
’
’
’
’
"
improvise rustling/fluttering sounds starting on beat 1, continually building, following dynamic contour indicated; swelling like one big gust of wind (this instance does not follow the gestural conductor cues, as before)
’
101
’
’
’
’
102
’
’
’
"
103
˙˙ ˙˙ F
’ ff "
’
’
’
’
’
’
’
’
’
’
’
’ ff "
’
’
’
’
’
’
’
’
’
’
’
’ ff "
’
’
’
’
’
’ ff "
’
’
’
’
’
’ ff "
’
’
’
’
’
’ ff "
’
’
’
’
’
104
p
16
In Between
105 Fl.
Ob.
Cl.
A. Sx.
Hn.
1
Perc. 2
& &
w
& Ó
Pno.
Œ #œ π
Ó
w
π
p w
w
w
w
p w
w
p
P w
p w
w
w p
& ’ ’ ’ ’
’ ’ ’ ’ π p
∑
∑
∑
∑
∑
∑
∑
∑
∑
˙˙ ˙˙ ˙ p Ó ∑
& ’ ’ ’ ’ ? ’ ’ ’ ’ & ’ ’ ’ ’ ? ’ ’ ’ ’
œ
w
’ ’ ’ ’ Ó p π
˙˙ & ˙˙˙ P & ˙˙ ˙˙ p
Œ
π
Ó
110 ˙
w
& ’ ’ ’ ’
ã
Hp.
∑
˙
˙ π ∑
˙ Ó
˙
˙ p ˙ # ˙˙˙ ˙ p ∑ ∑
˙
Sizzle Cymbal
∑
’ ’ ’ ’
∑
∑
∑
’ ’ ’ ’ p π
∑
∑
∑
∑
∑
∑
B.D.
#œ
f cantabile œ œ
f cantabile œ Œ #œ F f cantabile
˙
∑
’ ’ ’ ’
ΠF
˙
∑
’ ’ ’ ’ p π
ΠF
œ
ΠF
f
F
œ f
Œ
˙˙ .. ˙˙ .. ˙. f ‰ œ. œœœ .. . p P œ Œ œ p
˙˙ ˙˙ f
œ
Πp
Ó
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
cantabile
œ
#œ œ œ #œ œ
∑ œœ œœ p
Œ
Ó ∑
(rustling/fluttering sounds – as cued by conductor, as in Perf. Note)
’
’ ’ ’
’ ’ ’ ’
∑
∑
(rustling/fluttering sounds – as cued by conductor, as in Perf. Note)
’
’ ’ ’
’ ’ ’ ’
∑
∑
110 105 I Vlns. II
Vla.
Vc.
Cond. (L.H.)
& ’ ’ ’ ’ & ’ ’ ’ ’ B ’ ’ ’ ’ ?
’ ’ ’ ’ ∑ 105
∑
∑
∑
∑
∑
∑
’ ’ ’ ’ p π
∑
∑
∑
∑
∑
∑
∑
106
107
’ ’ ’ ’ p π
’ ’ ’ ’ p π
’ ’ ’ ’ p π
(rustling/fluttering sounds – as cued by conductor, as in Perf. Note)
’
’ ’ ’
’ ’ ’ ’
’
’ ’ ’
’ ’ ’ ’
’
’ ’ ’
’ ’ ’ ’
∑
’
’ ’ ’
’ ’ ’ ’
∑
∑
œ
108
109
(rustling/fluttering sounds – as cued by conductor, as in Perf. Note)
(rustling/fluttering sounds – as cued by conductor, as in Perf. Note)
(rustling/fluttering sounds – as cued by conductor, as in Perf. Note)
œ 110
∑ 111
17
In Between 112 Fl.
Ob.
Cl.
A. Sx.
Hn.
& & &
˙
Œ
p ˙ p
F Œ #œ F
p
F
f
F
f
#˙
Œ Œ
& ˙ p
Œ
& ˙ p (Harm.)
1 Perc.
&
(Harm.) (high)
2
Hp.
Pno.
I Vlns.
œ
œ
& ‰
œœ .. œœ ..
∑
p
˙˙ ˙˙
f
œ œ œ
#œ #˙
˙
f P œ #œ ˙ f
œ œ
#œ f
œ
p
P ˙
˙
P
œ
˙ P Œ
(high)
Œ
Ó
Πp Πp
˙ œ # œœœ p
ww ww
Πp
f œf
Œ #œ p f
˙
P œ ˙
Ó
œœ œœ
˙
p
Œ
œ-
F
∑
#œ œ
œ #œ
œ
œ
œ
œ-
œ
œ
œ f
œ
œ
f
œ
œ
œœ œœ J ‰ Œ p
œ
œ œ œ
#œ
#œ
F F œ F
œ.
œ
F œ #˙.
œ #œ Ó
œ
œ
˙
œ
œ.
w F
œ J
œ
˙.
w w
#œ J
w w
∑
Ó
˙ # ˙˙˙ p
∑
∑
∑
&
∑
∑
∑
∑
∑
∑
?
∑
∑
∑
∑
∑
∑
&
∑
∑
∑
∑
∑
∑
?
∑
∑
∑
∑
∑
∑
&
∑
∑
∑
∑
∑
∑
II
&
∑
∑
∑
∑
∑
∑
Vla.
B
∑
∑
∑
∑
∑
∑
?
∑
∑
∑
∑
∑
∑
112
113
114
115
116
117
Vc.
18 118 Fl.
&
Ob.
&
Cl.
&
A. Sx.
&
Hn.
1
Hp.
Pno.
#˙. p ˙. p w p œ p
œ
w
w
#œ
w
w
#w
w
w
w
#˙.
& w &
Perc. 2
In Between
w
ww ww ∑
ã
o & #œ p ?
Œ ∑
& Ó ?
Ó
Œ ∑
∑ ∑ Œ
Œ
∑
#œ
∑
π
∑
π
∑
π
o #œ p
#œ
π
Ó
π ˙
∑
Ó
w
π œ ‰ Œ J π w
∑
p
F
w
#œ p
Œ
Œ ∑ œ
π
∑
Ó ∏
∑ Bass Drum swirl with paper
o #œ p
œ.
∑ ‰ Ó ∏ ∑ ∑
Snare Drum swirl w/brushes
ã
~~~~~~~~~~~~~~~~~~~~~~~~~~~~ w π
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ w w π o ∑ Œ #œ Œ ‰ # œJ p ∑
‰ œJ
∑
∑
∑
Ó
∑
‰ ∑
118
#w
non vib.
I
&
Vlns.
π
∑
w
w
w
w
#w æ π
w æ
w æ
w æ
# wO π
wO
wO
II
&
Vla.
B
∑
?
∑
∑
118
119
Vc.
∑
∏
∑
∑
∑
120
121
122
(muted)
j Œ œœ >p
19
In Between Fl.
Ob.
Cl.
A. Sx.
Hn.
1 Perc. 2
Hp.
Pno.
I Vlns. II
Vla.
&
∑
∑
∑
∑
2 4
G.P.
&
∑
∑
∑
∑
42
U
∑
&
∑
∑
∑
∑
42
U
∑
&
∑
∑
∑
∑
42
U
∑
43
&
∑
tap mouthpiece
‰ j 42 ¿ >
U
∑
43
U
∑
3 4
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ã w 42 w w w ∏ o o #œ j Œ j 2 Ó ‰ Ó Œ ‰ ∑ Œ ‰ J & 4 #œ #œ Ó p ? ∑ ∑ ∑ ∑ 42
U
43
∑
2 4
U
∑
∑
42
U
∑
43
42
G.P.
U
42
U
43
∑
42
U
∑
43
42
U
43
‰ jŒ ¿ > p
Ó
Œ
‰ ≈ rÓ ¿ >
Ó
Œ
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 2 w w w ã w 4 ∏
& Œ
‰
?
&
3
œœ œœ p ∑
≈Ó
‰ jÓ œœ
Ó
w
wO Ó 123
Ó
#œ 124
Œ
wO π
‰ j œœ
w
π w æ π
#w æ
B O w p
Œ ∑
w
p w & æ p #œ ? ‰ J Œ p
Œ
∑
w
pizz.
Vc.
U
123
Ø
∏ w æ ∏
∑ 125
wO ∏ #œ π
Ø Ø Œ
Ó 126
∑
∑
U
∑
U
∑
∑
∑
127
3 4 43 43
3 4 43 3 4
43
20 In Between 128 Brilliantly, bright, vibrantly q = 108 >œ œ œ œ œ #œ œ œ #œ #œ #œ 3 4 #œ œ #œ ∑ Fl. &4 4 #œ ‰ p ƒ >œ œ #œ #œ #œ 3 4 #œ œ #œ ∑ Ob. &4 4 ‰ #œ Nœ ƒ p >œ œ #œ œ œ #œ #œ #œ #œ j 3 4 j ‰ œ Cl. & 4 #œ œ ‰ #œ 4 œ > p > ƒ ç p ç >œ œ #œ #œ 3 4 Œ ‰ Œ A. Sx. &4 4 j #˙ œ ƒ > fÍ 3
6
6
5
Hn.
& 43 # œ . > fÍ
ord.
1
>œ & 43
Perc. 2
Hp.
Pno.
I Vlns. II
ã 43 & 43 Œ ?3 4
>œ
Sizzle
œ > f
f ∑
ƒ # >œ
3 & 4 #˙ > ƒ ?3 4
Vc.
&
128
∑
44
3 ‰ 4 œ œ p
Œ
Œ
4 4
3 4 #œ Nœ Nœ Nœ Œ p
Œ
4 4
Œ
44
43 ˙
f
44
∑
43
∑
43
∑
44
3 4
∑
4 4
3 4
∑
4 4
3 4
∑
4 4
3 4
∑
4 4
>œ f
4 Π4
#œ >
4 Ó 4
œ
l.v. sempre
œ
#œ
3
œ
œ
#œ
œ
3
œ Nœ Nœ Nœ #œ
f
œ
∑
5
Ó
#œ #œ #œ
‰
4 Ó 4
‰ 129
Œ
p
3
j 4 œ ‰ 4 Ó > ç Œ
œ #œ
43
∑
128 Brilliantly, bright, vibrantly q = 108 >œ gliss. con vib. æJ 3 # œ œj ‰ pizz. 4 arco æ æ &4 4 ‰ #œ > > f p ç ƒ arco >œ gliss. pizz. 3 # œ Œ con vib. 4 j ‰ æ &4 4 #œ æ #œ > p f ç ƒ
pizz. ? 3 Œ # >œ 4 ƒ
#œ #œ
44
43
con vib.
Vla.
#œ #œ Nœ Nœ
∑
∑
4 4
∑
B 43 Œ # œ p
Œ
43
44
44
Œ
∑
‰
44 w
‰ #œ > fÍ
Susp. Cymb. yarn mallet (high) (low)
5
‰
œ
Œ
æ
œ æ p
æ ^ œ p
arco
^ œ
^ œ
^ ^ ^ #œ #œ #œ p
^ ^ ^ œ #œ #œ œ^ # œ^
œ^
3 4 œ æJ p
‰
Œ
44 &
Œ
^ ^ œ^ œ^ # œ^ # œ^ 34 # œ^ œ^ # œ œ Œ ƒ ^ ^ ^ œ^ # œ^ # œ^ # œ^ œ^ # œ # œ œ 3 Œ 4 ƒ 130
44
4 4 44 4 4
21
In Between
131 Fl.
Ob.
Cl.
A. Sx.
Hn.
& 44 Œ
#˙
œ J ‰ p
f cant.
j & 44 # œ œ ‰ ˙ > > p ç fÍ . & 44 # œ # œ F f
‰
& 44 # œ Œ > f °
œ >
Vibraphone
1
Perc.
ã 44 Ó
yarn mallets
2
Hp.
Pno.
Vlns. II
Vla.
Vc.
Œ
& 44 # œ Œ œ > > ƒ & 44 # œ # œ Œ > f ? 44 ∑ & 44 Œ # œ œ f ∑ & 44
œ >
˙.
j œ
p >œ
‰
ƒ
>. œ
œ #œ #œ #œ #œ
p
# ww>
f
Œ
œ 43 œ
œ > Œ
œ >
Œ
Œ >œ
# >œœ
‰
œ
#œ
œ
œ
#œ
3
œ
œ
p
3
∑
>œ Nœ Nœ Nœ #œ
‰
# >œœ arco
#œ
Ó
3
# >œ
j & 44 # œ œ ‰ œ œj ‰ Œ > p > p ç ç # œ >œ >˙ 4 J B4 Œ ‰ Œ p ç fÍ pizz. ? 44 # >œ Œ Œ >œ Ó ƒ 131
∑
> œ
f
Œ >œ æJ f
5
‰
Œ
# >œ æ f
gliss.
p
‰
#œ #œ #œ œ ‰
æ
æ
æ
æ
Nœ æ p
Œ
‰
Œ
arco
gliss.
æ
‰
Œ
132
‰
‰
‰
œ J ƒ
Œ œœ J
‰
44 44
Œ
43 ˙ p
œ #œ #œ ‰ Nœ p
43 œJ π
˙.
ƒ
œ 43 J
œ J ƒ
>œ #œ #œ #œ #œ œ # œ # œ 43 N œ Œ Nœ Nœ bœ ƒ p
‰
fÍ > œ
#˙ 43 p
p
6
œ
°
pizz. > 4 & 4 Œ #œ ƒ
6
Sizzle Cymbal
Tuned Gongs
131
I
œ >
# >œ
ƒ
3
f
p >œ fÍ œ ‰ & 44 Œ # ˙ J f cant. p & 44 # œ . ‰ œ > fÍ heroic, f> brassy
‰
>œ œ œ Nœ Nœ #œ œ œ #œ #œ #œ #œ œ #œ #œ Œ
‰
44
Œ
44
Œ
44
Œ
44
43
∑
44
43
∑
44
43
∑
44
43
∑
44
43
∑
44
43
∑
44
^ ^ ^ ^ # œ^ # œ^ # œ^ œ^ œ^ œ^ œ œ #œ #œ p ƒ ^ # œ^ œ^ œ^ # œ^ # œ^ 34 # œ # œ ‰ ‰ æJ ƒ p p ^ ^ ^ ^ 3 ^ ^ # œ^ # œ^ # œ^ œ^ œ^ œ^ # œ^ œ^ # œ # œ œ œ 4 #œ #œ p ƒ ^ ^ ^ 3 ^ ^ ^ ^ ^ # œ^ # œ^ # œ^ œ^ œ^ # œ^ # œ 4 #œ œ œ #œ #œ #œ #œ ƒ p 43 ‰
133
44 44 44 44
22 134 Fl.
Ob.
Cl.
A. Sx.
Hn.
4 &4
∑
4 > & 4 #˙ fÍ 4 &4 Œ & 44 Œ 4 > & 4 #œ. fÍ
œ f
Perc.
2
Hp.
Pno.
Vlns. II
Vla.
Vc.
> ‰ ˙
#œ > fÍ
fÍ
4 > & 4 #œ f œ ° F 4 &4 Ó
Tuned Gongs
#œ
4 &4 4 &4 Œ & 44 Œ
œ f °
> œ
œ Œ ∑
f
B 44 Œ ˙ f
>œ ? 4 pizz. Œ 4 f
134
˙
#œ
Œ
F # >œ
œ #œ œ œ #œ #œ ≈ Œ p
6
˙
‰
ƒ œ
#œ ˙. F
w ƒ
œ Œ # œœœ œ f >˙ ˙ #œ œ f
ww ww w ƒ w w
∑
Ó
Œ œ > œ œ Œ Œ #œ > ∑
Ó
>˙ >˙
˙ # œæ œæ ˙ æ F f ˙ ˙ # ˙æ æ F f ˙ ˙ æ æ f arco # ˙ . ord. Œ æ p 0
#œ œ cant. f
In Between
‰ f
>œ #œ
f
3
f
‰
>œ œ œ ƒ
3
>œ œ œ #œ œ #œ œ f 3
0
135
ww æ f
œ #œ œ œ #œ ≈ Œ #œ p
‰
p
p
>œ #œ œ œ
ƒ
‰ ∑
Œ
‰
Œ
‰
w w æ ƒ w w æ ƒ w æ ƒ w æ ƒ
‰
>œ >œ œ œ œ #œ
>œ #œ œ œ œ #œ œ œ ‰ ƒ p >œ œ œ #œ ‰ Œ
136
3 4
#œ œ œ #œ #œ ≈Œ 6
Œ
π
3 Œ 4 œ #œ ‰ π >œ #œ œ #œ 3 œ #œ ‰ 4 π f
6
w ƒ
#œ œ œ
œ
w
Triangles
#œ > l.v. sempre ƒ 4 > Œ & 4 #œ #œ œ > f ?4 ∑ 4 4 &4 Œ
œ
Ó
œ
∑
3
A Harmonica
Vibraphone
4 ã 4
œ
>˙ #œ œ F ƒ
∑
134
I
œ
ƒ
#˙. > fÍ
fÍ
4 &4 1
Ó > ˙
˙. > fÍ
>˙
>œ #œ
43 ‰
Œ Œ
Œ œ #œ œ œ œ #œ π F
3 4 ˙ p
Œ
˙. 3 ˙. 4 ˙. 3 ˙. 4 æ p 3 4
œ
π œ 3
œ #œ #œ œ 3
3 4
∑
3 4
∑
3 4
∑
3 ˙. 4 ˙. æ f ˙. 34 ˙ . æ f 3 ˙. 4 æ f ˙ 3 æ 4 f
p
Œ
π π π
137
œ æJ ‰ π
23
In Between 138 Melding, merging Fl.
Ob.
&
∑
Œ
Œ
&
∑
Œ
#˙ p
Cl.
& Œ
A. Sx.
& Œ
Hn.
Perc. 1
Hp.
Pno.
˙.
#˙ p Œ
#œ p
& #˙. > Í
#œ p
>œ J ‰ ç
˙ ˙
œ
œ
˙.
œ
˙.
j œ f
œ > ç
j œ > ç
‰
‰
#œ. > fÍ
Œ
‰
Bongos
œ æJ p
˙ æ
Œ
œ > ç
Œ
Œ
‰
Œ
Œ
44
∑
44
j #œ p
44
œ ‰
˙.
j #œ p
4 4 44
∑
4 4
∑
4 4
∑
4 4
∑
∑
44
∑
∑
4 4
ã
∑
∑
‰
&
∑
∑
Œ
?
∑
∑
j #œ œ > f ∑
&
∑
∑
&
∑
∑
(high) w/fingers
‰
∑
Œ
f
138 Melding, merging I
& ‰
Vlns. II
Vla.
& Œ B Œ
# >œ
j #œ π
(ord.)
?
f
(grad.)
(ord.)
#˙ π Œ Œ
138
sul pont.
˙æ.
˙
pizz.
Vc.
(grad.)
œ #œ æ π
(ord.)
Œ
Œ ƒ
˙æ
sul pont.
˙æ
˙æ.
˙. æ
œ æ
ƒ
sul pont.
(grad.)
∑ 139
Œ
ƒ
Œ ‰
# >œ J f
140
Œ Œ
Œ
# ˙æ π
Œ
‰
4 4
ord.
j # œæ π
ord.
Ͼ
44
∑
44
∑
44
141
24
In Between
& 44
142 Fl.
Ob.
Cl.
A. Sx.
Hn.
∑
& 44 # w p & 44 w
Perc. 1
Hp.
Pno.
43 œ
& 44 ˙ .
3 œ œ 4 > ç Œ 43 Œ ƒ
& 44 ˙ . ã 44 Œ
Bongos
& 44
˙æ. p
Vlns.
∑
43 Œ
?4 4
∑
3 4
4 &4
∑
3 4 Œ
4 &4
∑
3 4
4 & 4 wæ
3 4 ˙æ
& 44 wæ
43 Ͼ
B 44 # wæ π
3 # >œ 4 J ‰ ƒ
sul pont.
sul pont.
ord. (grad.)
Vla.
arco sul pont.
Vc.
? 44 Œ
Œ
‰
ƒ
Œ
#˙. æ π
142
Œ ‰
∑
°
44 Œ
> ‰ œ J fÍ
Œ
44 w
> œ J f
f
∑
j #œ ‰ > ƒ
˙ 34 æ
143
˙
# >œ ƒ
Ó œ
p
p
˙.
p
˙. œ
#w
#˙ p
#œ
˙
#˙.
43
#˙
43
w
43
w
w
43
w
w
43
Vibraphone
#˙
44
∑
∑
44
∑
∑
F ° ∑
4 4
∑
∑
∑
3 4
4 4
∑
∑
∑
3 4
4 4
∑
∑
∑
44
Œ œ. æ
Œ
Ó
yarn mallets
&
rall.
4 Ó 4
œæ # œ Œ > ƒ Œ
Ó
44 Ó
Œ
∑
# ˙æ p
44 >œJ ‰ Œ ç 44 Ó
j œ ‰ > ç
sul pont.
(grad.)
II
œ > ç
43 Ͼ.
(low)
(grad.)
I
#˙. 43 p 43 ˙
rall.
Œ ∑
œ æ p
ord.
43
?
3 4
w æ
w æ
3 4
w pæ
w æ
43
ord.
4 4
∑
Œ
44
∑
Ó
144
43
˙. æ p
w æ
ord.
Œ
ord.
145
œ æ p
3 4
w
43
æ
146
25
In Between 147 Rapturously, tremulous, churning q = 108 Fl.
Ob.
Cl.
3 &4 3 &4 3 &4
A. Sx.
& 43
Hn.
3 &4
˙.
ƒ
con forza
˙.
˙.
ƒ
con forza
˙.
ƒ
˙.
œ
˙.
˙.
ƒ con forza
>œ
Œ
ƒ # >˙ .. # ˙ & 43 f
Œ
3 ã 4
G Harm.
2
Hp.
Pno.
I Vlns.
& 43 ? 43 3 &4
#œ œ Œ œ œ > œ π f
5
Œ
#œ > Ï # >œ # œœ ƒ >œœ œ
Œ
Œ
˙.
p
∑
> # # ˙˙ .. ˙.
&
Ï
&
#œ œ R ≈ ‰
ƒ
Œ
>œ
‰
Œ
‰
Œ
Œ
ƒ
œ
3
Ͼ p
violently
# >œ # œ
‰ œœ‰
3 &4 & 43
Vla.
B 43 ?3 4
œ
œœ
œ
œ œ œ
œ œœ œ resonant, wildly ƒ 5 5 œ œœ œ œœœ œœœ ƒ resonant, wildly œ œ œ œ œ œ œ œ ƒ resonant, wildly œ œ œ jæ œ œ œ œ ƒ
resonant, wildly
3
147
œ œ œ 5
œ œ
5
œœœ 3
œ œ œ
3
œ œ
œ
œæ œ > œ œ ç œ œ œ
5
œ œ œ œ 3
œ
≥ œ
f
œ æ
f
Œ
˙ æ
œæ ç
Ͼ p
Ͼ
œæ ç
Œ
‰
œ
3
Œ
Œ #œ
œ
œ
œ
œ ≤ œ
≥œ
œ œ ≤ œ
≥
6
œ
œ œ
6
appassionato, as if a soloist
148
œ æJ
œ. æ p >œ . æ ç
œ æ
œ œ
œ
œ
œ
œ
œ œ
œ 6
œ œ œ
# >œ
#œ
œ R ≈ ‰
f
œ
œ
œ
p
> œ œ œ
‰
F
5
# >œ # œ
Œ œœ‰
œ
>. œ æ ç
œ
œ 6
œ
œ
f
Œ
3
œ
œ
œœ
149
‰
f
œ
‰
3
#œ
‰
Ͼ p
#œ œ R ≈ ‰ ≈ œ œ œ
Œ
‰
œ #œ Œ
Œ
>œ œ
F
œ
3
3
>œ æ ç œ œ œ œ œ
œ. æ p œ æ p
œ æ
œ
œ
>˙ æ ç
œ æ p
>. œ æ ç œ æJ p 6
# >œ
≈ #œ œ œ Œ
3
œ æ p
> œ æ ç
œ œ
˙.
œ æ p
147 Rapturously, tremulous, churning q = 108 5
Œ
œ æ ç violently
3
6
œ #œ Œ
#œ œ Œ > œ œ œ π F
œ æ p
≈ #œ œ œ Œ
Œ #œ
B.D. w/paper
œ R ≈ ‰
f
≈ #œ œ œ Œ # >œ # œ
œ
scrape w/brushes
Œ
ã
# >œ œ #œ œ œœ œ 3 3 f π
p
S.D.
p
∑
# >œ
‰
Œ
5
F
Œ
Œ
œ œ > œ œ œ F π
5
˙˙ .. ˙˙ ..
? 43 gg ˙ . gg ˙ .. gg N ˙ √> °
II
Vc.
˙˙ .. ˙. ƒ >˙ .
Tuned Gongs
& 43
‰
#œ œ Œ œ œ > œ ç π
˙ .. ˙
Vib.
Perc.
#œ œ #œ œ ‰ π ç 3
˙˙ .. ˙˙ .. ˙.
Sizzle Cymbal
3 ã 4
F
con forza
>. 3 # ˙˙˙˙ ... & 4 ˙. ƒ
# >œ œ #œ #œ œ #œ #œ Œ ‰ ‰ 3 3 ƒ π > #œ œ # >œ œ # œ #œ #œ # œ ‰ ‰ œ #œ ‰ p f F 6 > 3 œ #œ œ #œ #œ œ #œ œ Œ #œ œ ‰ #œ œ Œ > 3 f F π π
œ J
3
con forza
ƒ
>œ œ œ #œ œ #œ #œ 3 ƒ 3 π
‰
> œ #œ
œ.
A Harmonica
1
# >œ œ #œ #œ œ #œ #œ 3 3 ç π
œ
6
œ
œ
œ
œ
>œ æ ç œ œ œ œ œ 6
æ p
>. œ æ ç
œ
6
œ œ F
150
œ
œ
œ æ p œ
œ
œ 6
œ
œ
œ
26
# >œ œ # œ
151 Fl.
Ob.
Cl.
A. Sx.
Hn.
& ‰
Perc.
Hp.
Pno.
‰
153 # >œ # œ #œ ‰ œ #œ ≈ ‰ 3
3
#œ
ã ã
˙.
œ æ ç ˙æ
˙ æ p #œ #œ
& ‰
F
‰
Œ
≈ œ œ Œ œ
Œ
Œ
‰
œœ ‰ œ
Œ
Œ
œ
>œ
˙
Œ
3
& æ ç
3
3
æ p
æ
ç
>œ #œ
p
II
Vla.
Vc.
& œ æ p
˙ æ p
ç
p
p
Œ
3
œŒ œ
3
œ
≈‰
∑
3
3
#œ œ > œœœ π p 5
∑ ˙ æ p
∑ œ æ ƒ
œæ ƒ
#œ #œ #œ R ≈ ‰ p
∑
˙ æ p
˙æ p
œæ ƒ
≈ œ œ Œ œ
∑
Œ
‰
∑
Œ
Œ
œœ
ç
≤≥≤ œ œ œ œ œ
ϲ
ϲ
≥ œ
>œ #œ
p
≥ œ
ϲ 5
appassionato, as if a soloist 6
œœœ œ
œ
œ
F
œ
œ œ
5
6
3
œŒ
œ œ œ
œ
f
3
œ
≈‰
œœ
6
∑ œ
œ
œ œ
œ œœ 5
5
œ œ œ œ œ 6
œ œœ œ ç
p
œ
œ
œœ œ
œ œ œ
5
œ œ œ œ œ 6
6
œœœœ
5
œœ
f
œ œ œ œ 6
œœœœ
≤ ≥ 6 6 6 6 6 6 œ≤ 6 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ œ œ œ œ œ œ œ œ œ œ œœ œ œœ œœ œœ œœ œœ p f f ƒ ƒ ƒ f appassionato, as if a soloist >œ >œ œ œ œ œ œ œ œ œ œ œ œ œ 6 6 ? æ æ æ æ æ œ œ œœ œ œ œœ œ œ œ œ œ œ œœ œ œ œ œ œ œ œ œ œ œ œ œœ œ œ ç p æ 3 6 6 6 6 p f ƒ œ. B æ
>œ . æ ç
151
≥
œ œ ç
#œ œ #œ ‰ œ π
∑
œ
≥
∑
Œ
≥
æ p
∑
#œ œ #œ ‰ π
> œ #œ
‰
153
Vlns.
>˙ æ
# >œ œ # œ
to Piccolo
Œ
p
œ æ ƒ
Œ
#œ #œ #œ ‰ R ≈ ‰ p
Œ
&
#œ œ ‰ œ
˙ æ p
˙æ p
& Œ
F
˙æ p
P
3
π
œæ ƒ
≈ #œ œ œ Œ # >œ œ #œ Œ ‰
& Œ
œ æ ƒ
œæ ƒ
œ R ≈ ‰
>˙
I
Œ
& ˙.
B.D.
2
#œ
# >œ # œ
œ #œ ≈ ‰ Œ 3 3 3 F p π P >œ # >œ œ # œ # >œ œ # œ œ œ #œ œ #œ ‰ œ œ #œ ‰ #œ œ œ ‰ Œ & p p π p F P > > 3 3 3 œ #œ œ #œ #œ œ œ ‰ #œ œ #œ ‰ ‰ Œ ‰ Œ & œ #œ ‰ œ œ œ 3 3 P π π π p 5 5 5 # œ # œ œ œ Œ œ Œ œ Œ & Œ > œ œ œ > œ œ œ > œœœ p P P π π π
S.D.
1
#œ œ #œ
In Between
appassionato, as if a soloist
œ 6
152
153
154
27
In Between
155 Picc.
&
∑
∑
∑
∑
Ob.
&
∑
∑
∑
∑
Cl.
&
A. Sx.
&
∑
∑
∑
∑
Hn.
&
∑
∑
∑
∑
1 Perc. 2
Hp.
Pno.
I
Vlns.
∑
ã œ æ ƒ
˙ æ p
ã
∑
∑
œ æ ƒ
∑
˙ æ p
∑ ∑
∑
œœ
ƒ
œ œ œ
∑
œ œ œ œ 5
œœœ f
5
œ
œ œ
œ œ
œ œ
œœœ
5 5
∑
∑
∑
∑
∑
∑
∑
∑
∑
&
∑
∑
[remove putty from D4, as quietly as possible] (you may also remove putty from C4 if it makes removing the putty easier)
∑
∑ œ œ œ
œ œ œ œ 5 5
œ œœ
∑
œ œ œ
œ œ œ œ 5
œœœ ƒ
5
œ
œ œ
œ
Repeat, ad lib., asynchronously from others q = 88-108 (vary speed)
œ
œ
œ
5
œ œœ f
5
œ œ œ
œ œ œ œ 5
œ
5
wildly, as if a soloist!
Repeat, ad lib., asynchronously from others q = 88-108 (vary speed)
œ œ œ œ œ 6
& œœ œ œœ 6
II
˙ æ p
∑
&
&
œ æ ƒ
∑
&
&
∑
œ œ œ œ œ 6
œœ œœ ƒ
œ œ œ œ œ 6
6
œœ œœ
f
œ œ œ œ œ 6
œœ œœ
œ œ œ œ œ 6
6
œœ œœ ƒ
œ œ œ œ œ 6
œœ œœ
6
œ œœ œ
œ
œ
œ
œ
6
œ
œ œ
f wildly, as if a soloist!
Repeat, ad lib., asynchronously from others q = 88-108 (vary speed) 6 6 6 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ B œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ f ƒ f f wildly, as if a soloist! 6
Vla.
Vc.
6
œ >œ . ? æJ æ ç
6
œ æ p
155
œ
f
œ
œ œ œ œ œ 6
6
œ
6
œœ
156
6
œ
œ œ œ œ œ ƒ
6
œ
œ œ
œ
6
œ œ œ œ œ 6
F
œ
6
œœ
6
œ
œ œ œ œ œ 6
Repeat, ad lib., asynchronously from others q = 88-108 (vary speed)
œ
œ œ f
157
œ
œ œ œ œ œ 6
œ
6
œœ
œ
œ œ œ œ œ 6
wildly, as if a soloist!
158
œ
œ
28
In Between
159 # >˙ .
Picc.
Ob.
Cl.
A. Sx.
Hn.
& & &
˙.
ƒ- f # >˙ . ƒ- f # >˙ .
Perc.
˙. > ƒ- f
Triangles
f ˙˙æ.. Œ ã œ ƒ > China Cymbal
Œ
Harm.
2
Hp.
Pno.
Tuned Gongs
& # œœ ƒ > # >˙ . (up) # ˙ . ˙. g & gggg ggg ƒ ggg gg & gggg ˙˙ .. ggg ˙ . > (up) >. # ggg # ˙˙ .. & ggg ˙ ggg ggg ƒ gg & gggg ˙ . gg ˙ . > °
ƒ
˙.
>˙ . ˙. # & ˙˙˙ ... ƒ
& ˙˙ .. ƒ >˙˙ ..
ƒ
˙.
Harm.
1
ƒ
˙.
ƒ- f > & ˙. ƒ- f &
ƒ
˙.
Œ
Œ
ƒ
˙˙ .. ˙˙ .. ˙. p ˙˙ .. æ ˙˙ .. ˙˙ .. p
∑ ∑ ∑ ∑ ∑ ∑
*
∑ ∑
∑
˙˙ . ˙ ..
∑ ∑
˙. ˙˙ . . ˙˙ .. ˙.
∑ ∑ ∑
˙˙ . .
159
I
&
Vlns. II
&
Vla.
B
Vc.
? 159
160
161
163 162
&
∑
Ob.
&
∑
Cl.
&
∑
A. Sx.
&
∑
Hn.
&
∑
&
∑
ã
∑
&
∑
&
∑
&
∑
&
∑
&
∑
&
∑
Picc.
1
Perc.
2
Hp.
Pno.
I
# >˙ .
ƒ- f # >˙ . ƒ- f # >˙ .
˙. > ƒ- f
Triangles
China Cymbal Harm.
˙˙ .. ˙˙ .. > ƒ Tuned Gongs œ #œ ƒ >> # # ˙˙ .. (up) ˙ . ggg ggg ggg ƒ ggg gggg ˙ . ggg ˙˙ .. g > (up) > . #˙ ggg # ˙˙ .. ggg ggg ggg ƒ ggg ggg ˙ . gg ˙ . > °
œ
˙
˙.
œ
f #œ
˙
˙.
˙
˙.
œ f
˙
˙.
œ f
˙
˙.
œ
ƒ- f
>˙ . # ˙˙˙ ... ˙. ƒ f ˙˙æ.. œ ƒ>
œ
œ
ƒ- f >. ˙
Harm.
29
In Between
œ
Œ
Œ
Œ
Œ
˙˙ .. ˙˙ .. ˙. p ˙˙ .. æ ˙˙ .. ˙˙ .. p ˙˙ . ˙ ..
f #œ f
˙˙ .. æ
ƒ ƒ ƒ ƒ ƒ ∑
∑ ∑
∑ ∑
˙. ˙˙ . . ˙˙ .. ˙.
∑ ∑ ∑
˙˙ . .
163
&
Vlns. II
&
Vla.
B
Vc.
? 162
163
164
165
*
30
In Between Cue 1
166
&
∑
∑
Ob.
&
∑
∑
Cl.
&
∑
∑
A. Sx.
&
∑
∑
Hn.
&
∑
∑
Picc.
1
ã
∑
∑
&
∑
∑
>˙ .
Hp.
Pno.
&
∑
∑
&
∑
∑
&
∑
∑
&
∑
∑
œ
œ
˙
ƒ-F >˙ .
œ
F œ
˙
>˙ .
œ
œ
˙
>. ˙
œ
œ
˙
œ F
˙
j œ > F (down) ggg œœœ ggg J ‰ ggg ggg F ggg j ggg œ ‰ gg œ (down) ggg œœœ ggg J ‰ ggg gg F ggg j ggg œ ‰ ggg œ °
Œ
ƒ-F ƒ-F ƒ-F ˙. > ƒ-F
Triangles
China Cymbal
Perc. 2
Cue 2
168
Tuned Gongs
fæ ˙˙ .. œ > ƒ
œ œ > ƒ (up)> . ˙ ggg ˙˙ .. ggg ggg ggg ƒ ggg ggg ˙ . ggg ˙˙ .. (up) > >. ggg ˙˙˙ .. ggg ggg ggg ƒ ggg ggg ˙ . gg >˙ . °
F F
œ Œ
Œ
p ˙˙ .. æ
Œ
Œ
‰
168
Cue 1
F
Œ
˙˙ ˙ ˙˙ ˙˙ ˙ ˙˙
Cue 2
change repeating figure where indicated (after cue) Repeat asynchronously, ad lib. q = 108-120 (vary speed) as if a soloist! full bows
I
q
&
Vlns.
>œ
J ‰ œ œ œ ç f resonant, ecstatic, violently 3
change repeating figure where indicated (after cue) Repeat asynchronously, ad lib. q = 108-138 (vary speed) as if a soloist! full bows
II
&
Vla.
B
Vc.
œ.
œ œ œ œ œ
œ œœ ƒ resonant, ecstatic, violently 3
? 166
167
168
169
œ
œ
31
In Between 170 Picc.
&
˙.
˙.
˙.
& ˙.
˙.
& ˙.
#˙.
˙˙ .. ã æ
˙˙ .. æ
&
Cl.
&
Hn.
Perc. 1
Hp.
Pno.
I
˙.
˙.
Ob.
A. Sx.
˙.
&
˙˙ .. ˙.
ƒ ƒ ƒ ƒ π
˙˙ .. ˙.
& ˙˙ .. &
ƒ
˙ .. ˙
˙˙ .. ˙.
˙˙ .. ˙.
& ˙˙ ..
˙ .. ˙
*
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
172
173
&
Vlns. II
&
Vla.
B
Vc.
? 170
171
32 174 Picc.
Ob.
Cl.
A. Sx.
Hn.
Cue 3
& Œ & ‰.
In Between
>˙
œ
ƒ-F >œ ˙ R
ƒ-F >œ ˙ & ‰ J ƒ-F > & ≈ œJ . ƒ-F
˙
& ˙. > ƒ-F
Hp.
Pno.
& ‰ & Œ
˙
˙.
œ
>˙
œ
ƒ-F ≈ >œ ˙
˙.
œ.
ƒ-F >œ ˙
œ
>˙
˙.
œ
œ
˙.
≈
œ
˙
ƒ-F
ƒ-F
œ
≈
j ‰ Œ œ > f 3
>œ œœ J
‰
& Œ
≈
& Œ
‰
& Œ
≈
f r œ ‰ œ > >œ œ œ J f r œ ‰ œ >
Œ
Œ
Œ
>œ œœ
Œ
≈
>œ œœ
Œ ‰
‰
≈
>. œ J ƒ-F
j œ ƒ ->F
œ.
Tuned Gongs
Perc. 2
>œ
∑
Œ
Œ
∑
Œ
j œ .. œ >
Œ
Œ
∑
Œ
Œ
Œ
∑
Œ
r œ ‰ œ >
Œ
Œ
∑
Œ
3
ƒ-F
>. œ J ƒ-F
˙
j‰ #˙. œ > ƒ-F
j œ ‰ Œ >
‰
ƒ-F # >œ ˙
‰
3
> œ‰ Œ J
>œ œ # œ ‰ JŒ r ≈ # œœ ‰ Œ > >œ # œœ ‰ JŒ r ≈ # œœ ‰ Œ >
Cue 3 174 I Vlns. II
Vla.
& & B
change repeating figure where indicated (after cue)
q
Repeat asynchronously, ad lib. q = 108-120 (vary speed) as if a soloist! 3
œ œæ
˙ æ ç
œ œ f resonant, ecstatic, violently
?
change repeating figure where indicated (after cue)
Vc.
174
q
Repeat asynchronously, ad lib. q = 108-138 (vary speed) as if a soloist!
œ œ œ œ œ œæ æ æ æ æ œ œ ç ç f resonant, ecstatic, violently 3
175
176
Œ
177
33
In Between Cue 4 œ & J ƒ œ & J ƒ œ & J ƒ
178 Picc.
Ob.
Cl.
A. Sx.
Hn.
Perc. 2
Hp.
Pno.
& œJ ƒ j & œ ƒ
‰ Œ
Œ
∑
‰ Œ
Œ
∑
‰ Œ
Œ
∑
‰ Œ
Œ
∑
‰ Œ
Œ
∑
180
>˙
Œ
ƒ-F >œ ˙ ‰. R ƒ-F # >œ ˙ ‰ J ƒ-F > ≈ œ. ˙ J ƒ-F ˙. > ƒ-F
œ.
∑
∑
‰
&
∑
∑
Œ
&
∑
∑
Œ
&
∑
∑
Œ
&
∑
∑
Œ
3
ƒ-F ‰
œ J
‰
Œ
Œ
‰
# œ>œ . ≈ œ .. J >œ œœ J ‰
Œ Œ
>œ ≈ # œœ ‰ R
Œ
ƒ-F
>. ≈ # œJ ƒ-F
œ
> œ œ J ƒ-F
Œ
> œ‰ Œ J 3 f Œ
Œ
Œ
Œ
Œ
Œ
Œ
‰
>œ œœ J
Œ
>˙
‰
œ
> œ‰ Œ J >œ f œ # œ ‰ J f r ≈ œœ ‰ > >œ œ # œ ‰ J f r ≈ œœ ‰ >
˙
ƒ-F >œ ˙
œ J
Tuned Gongs
&
>œ
œ
Cue 4 180
I
œ
&
Vla.
Vc.
œœ œ œ œ
3
œ
3
f appassionato, risonante
Vlns.
II
Repeat asynchronously, ad lib. q = 108-120 (vary speed) full bows
&
Repeat asynchronously, ad lib. q = 108-120 (vary speed)
œ
œ
f
B
œ œœ œ œ
full bows
œ
3
3
appassionato, risonante
Repeat asynchronously, ad lib. q = 108-120 (vary speed)
œ
full bows
?
œ
178
179
œ
œ
f
œ œœ œœœ 3
3
œœ J 3
appassionato, risonante
180
œ œ œœ J
181
3
34
In Between
˙.
182 Picc.
Ob.
Cl.
A. Sx.
Hn.
Perc. 2
Hp.
Pno.
I Vlns. II
&
œ p œ J p
˙.
&
˙.
&
p
˙.
&
˙
&
‰
œ J p
‰
p
‰
Œ
3
> ‰ œ
Í
3
Í
Í
œ
˙
œ
∑
‰
&
∑
Œ
&
∑
Œ
&
∑
Œ
&
∑
Œ
‰
˙.
j œ Œ > f
Œ
Œ
f
>œ # œœ
j ‰ ‰ œœ Œ > >œ œ # œ Œ J f 3 j ‰ ‰ œœ Œ > 3
Œ
# >œ
œ
˙.
> œ œ J 3 Í
˙.
œ > Í
˙.
Í
f f
3
Œ
‰
‰ ∑
j Œ œ f
∑
‰
f
˙.
œ.
Tuned Gongs
&
# >œ ˙ ‰ J Í >˙ œ J ‰ Í
œ
# >œ ˙ J Í
3
˙. > Í
>˙
>œ
>œ # œœ ‰ Œ J f j œ ‰ Œ œ >
f f ∑ ∑ ∑
Œ
∑
Œ
∑
& & Repeat asynchronously, ad lib. q = 108-120 (vary speed)
Vla.
Vc.
B ?
œ ˙
full bows
j œ œ
œ œœ
3
œ
3
f appassionato, risonante
182
183
184
185
35
In Between Cue 2
Cue 1 186
-̇
Picc.
&
Œ
Ob.
&
Œ
Cl.
&
Œ
Œ
A. Sx.
&
Œ
Œ
Hn.
&
œ.
F-p # œ- œ ‰ J F-p
∑
˙
œ-
˙.
‰ # œJF-p
˙.
F-p
Perc. 2
Hp.
&
œ ˙ ‰ J p con ped. (each note)
& & &
Pno.
Œ
Œ
Tuned Gongs
&
>œ ‰ J Œ f
‰
&
œ
>œ
pf
‰ œj ‰ œ F
F-p œ
Œ
Œ
∑
F-p
Œ
‰ # œJ F-p
œ œ ‰ J p >œ ‰ J Œ
‰ ∑
>œ
pf
˙
œ
-̇
˙
‰ j œ- œ F-p
˙
F-p
œ
œ
œ J ‰ œ
Œ
∑ Œ
˙.
F-p œ ≈ œ- ˙ .
∑
3
∑
Œ
œ-
-̇ .
Vibraphone
1
‰
189 q = 80
rall.
˙. j ‰œ ‰ œ F 3
Œ
Œ
II
&
Vla.
B
Vc.
?
˙.
œ ‰ # œJ F-p
‰ œJ F-p j‰ œ
œ ˙ ‰ J p
Œ
Œ
Œ
∑
∑
∑
‰
∑
œ
>œ
pf
Œ
˙. ˙.
-̇ . F-p ˙.
j ‰œ ‰ œ F 3
Œ
∑ ∑ ∑
Œ
∑
∑
∑
189
190
Cue 2 189 q = 80
186 Vlns.
‰ œJ œ F-p
F-p
>œ ‰ J Œ
rall. &
˙.
∑
Cue 1
I
-̇
F
P
F
P
F
P
F
P
186
187
188
36
In Between
191 ˙
&
Œ
Ob.
& ˙
Œ
Cl.
& ˙
Œ
A. Sx.
& ˙
Œ
Hn.
& ˙
Œ
Picc.
˙
Vibraphone
1 Perc. 2
Hp.
Pno.
& &
∑
& Œ
Œ
&
∑
& Œ
Œ
&
∑
# ˙- .
˙.
P-p
œ- ˙ ‰ ≈ R P-p
‰ # œJ œ P-p
Œ Œ
Œ ∑
≈ œ- . J P-p
˙.
‰ # œJ p > ‰ # œJ f
Œ ∑
# >œ
‰ #œ p f
194 q = 72
rit.
˙
# ˙- .
Œ
rit.
p
˙.
˙
˙.
˙
Œ
œ- ˙ ‰ J p Œ #˙
˙.
˙
Œ
Œ
# ˙- . P-p
˙
Œ
Œ
‰ # œJ p
˙.
˙.
Tuned Gongs
Œ
Cue 3
Œ
Œ
j ‰ œ #œ P
Œ
∑
∑
∑
∑
Œ
∑
∑
∑
∑
Œ
Œ
∑
Œ
∑
∑
Œ
> ‰ # œJ f
p
‰ œ- . p
Œ
Œ
# œp
3
∑
j œ Œ #œ p
∑
# >œ
‰ #œ p f
∑ ∑
Cue 3 rit. I
&
194 q = 72
rit.
p
Repeat asynchronously, ad lib. q = 60-72
Vlns.
II
Vla.
q
&
p
U œ œ œ œ
non vib.
p
3
delicately
Repeat asynchronously, ad lib. q = 60-72 aim to restart figure when other string players are not articulating non vib.
U œœ œ J
h
B
aim to restart figure when other string players are not articulating
p
p
3
delicately
Repeat asynchronously, ad lib. q = 60-72 aim to restart figure when other string players are not articulating non vib.
Vc.
#œ œ J
? 191
192
193
p
U œ
3
delicately
194
195
37
In Between Cue 4 196 q = 60 ˙ Picc. & Ob.
Cl.
A. Sx.
& &
&
Perc. 1
&
Hp.
˙ ˙
‰
ΠF
Œ
ΠF ΠF
-̇
˙
‰
& Œ
Œ ∑
&
Pno.
p
ΠF
& ˙
Hn.
# ˙- .
ΠF
& Œ
Œ ∑
&
œ J
#œ
# >œ
p f
˙.
# ˙-
˙. œ- .
‰
Œ #œ J p °
˙
p
Œ
> ‰ # œJ f
‰
œJ p
˙
p
Œ
# œp
œ
œ J #œ
Œ ∏
to Flute
∏
œ
∏
∑
∑
∑
∑
Œ
Œ
∑
to Bass Clarinet
˙.
˙
˙.
˙. π
˙.
˙.
˙.
˙.
Œ ∏
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
197
198
199
200
Cue 4 196 q = 60
Repeat asynchronously, ad lib. q = 60-72 aim to restart figure when other string players are not articulating (con vib.)
I
&
Vlns. II
&
Vla.
B
Vc.
œ
˙
U œ
3
p delicately
? 196
38
In Between
Cue 1 201 Fl.
Ob.
B. Cl.
A. Sx.
Hn.
205 ∑
&
∑
∑
∑
Flute
∑
∑
∑
∑
&
∑
∑
∑
Bass Clarinet
∑
& ˙. œ
∑
∏
’’’ ’’’
Perform rustling/fluttering sounds following conductor L.H. gestures
∑
∑
∑
’’’ ’’’
Perform rustling/fluttering sounds following conductor L.H. gestures
&
&
’’’ ’’’
Perform rustling/fluttering sounds following conductor L.H. gestures
∑
∑
’’’ ’’’
Perform rustling/fluttering sounds following conductor L.H. gestures
∑
’’’ ’’’
(coloring resonance of strings)
1 Perc. 2
Hp.
Pno.
& ã
∏
œ. ∑
j #œ
˙.
∑
˙.
∑
˙.
ã
∑
∑
∑
∑
&
∑
∑
∑
∑
&
∑
∑
∑
∑
&
∑
∑
∑
∑
Perform rustling/fluttering sounds following conductor L.H. gestures
’’’ ’’’
Perform rustling/fluttering sounds following conductor L.H. gestures
∑
&
208
Perform rustling/fluttering sounds following conductor L.H. gestures
’’’ ’’’
Perform rustling/fluttering sounds following conductor L.H. gestures
∑ ∑ ∑ ∑ ∑ ∑ ∑
rustling/fluttering sounds (as cued)
∑
44
rustling/fluttering sounds (as cued)
∑
44
rustling/fluttering sounds (as cued)
44
rustling/fluttering sounds (as cued)
44
rustling/fluttering sounds (as cued)
4 4
’’’ ’’’ ’’’ ’’’
∑
’’’ ’’’
∑
’’’ ’’’
∑
’’’ ’’’
rustling/fluttering sounds (as cued)
∑
’’’ ’’’
&
44
rustling/fluttering sounds (as cued)
44
rustling/fluttering sounds (as cued)
∑
’’’ ’’’
’’’ ’’’
∑
’’’ ’’’
∑
44
’’’ ’’’
∑
’’’ ’’’
∑
44
rustling/fluttering sounds (as cued)
44
Perform rustling/fluttering sounds following conductor L.H. gestures
’’’ ’’’
∑
’’’ ’’’
∑
’’’ ’’’
∑
’’’ ’’’
∑
?
44
Cue 1 201 I
&
Vlns. II
Vla.
& B
Perform rustling/fluttering sounds following conductor L.H. gestures
∏
π π
∏
π
∏
. ? #˙
˙.
non vib.
Vc.
Cond. (L.H.)
208
205
π
˙.
˙.
∑
∑
∑
∑
201
202
203
204
∑
’’’ ’’’
Perform rustling/fluttering sounds following conductor L.H. gestures
’’’ ’’’
Perform rustling/fluttering sounds following conductor L.H. gestures
’’’ ’’’ ˙.
˙.
œ 205
∑ ∑
˙.
rustling/fluttering sounds (as cued)
44
rustling/fluttering sounds (as cued)
44
rustling/fluttering sounds (as cued)
44
∑
206
207
∑
’’’ ’’’
∑
’’’ ’’’ ˙.
œ Œ Œ
∑
’’’ ’’’
˙.
œ
œ 208
˙. Œ Œ 209
4 4 ∑
210
44
œ
211 Fl.
Ob.
B. Cl.
A. Sx.
Hn.
& 44
œ
œ
p cantabile œ œ 4 œ &4 p cantabile & 44
œ
œ
œ p cantabile 4 œ &4 œ ˙ p cantabile & 44 œ p
œ #œ
cantabile
1
Perc.
4 &4
œ
˙.
œ
˙.
œ
œ
Œ π Œ π Œ π
#˙. œ
Almglocken yarn mallet (l.v. sempre)
œ
Œ π
˙.
Œ
Œ
˙.
∑
& 44 œ p
Hp.
Pno.
Ó
œ p
Vlns.
& 44 ? 44
p K ( œ )
4 &4
∑
Vla.
Vc.
#˙
p œ p
œ
p
œ ‰ J π j œ ‰ π
#˙
œ p
j ‰ œ π
˙
œ # œœœ blow (high) Œ ‰ J p D Harm.
œ p
œ J ‰ π
˙
Œ
∑
(
O °
O
wo
˙o .
p
π
& 44 w p 0
II
Œ
œ
∑
œœ œœ Ó
œœ œœ F
œ p
œ
p
œ p
˙.
œ J ‰ Œ π œ J ‰ Œ π
˙.
œ #˙. p
∑
œœ œœ p
j œ ‰ Œ π j œ ‰ Œ π
˙.
∑ Ó
œ
œ
p
#œ
Ó œ
œ p
œ
œ p
œ
œ
œ
œ
Œ
Ó
&
#œ œ
œ œ
∑
∑
œ p
œ
∑
?
∑
œ
œ
∑ Œ
œ p
œ
Œ
œ
Œ
w/paper (very slow swirl) ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 ã 4 w w w w w w π œ 4 ∑ ∑ ∑ Œ Ó ∑ ∑ &4 p F p ? Ó ∑ ∑ ∑ œ Œ Ó Œ Œ ‰ jÓ & 44 #œ œ
211 I
π
∑
Bass Drum
2
39
In Between
B 44
. ? 44 œ
∑ ‰ Ó ∏
211
˙. π
∑
Kœ )
∑
∑
O
Œ Œ
Œ
# Ȯ p
∑
∑
∑
∑
∑
212
213
Ó
j œO ‰ π
Œ
˙o
p
(
Kœ ) O
˙o .
∑
p π
∑
Ó
Ó
∑
214
œ O
(
∑
)
˙o
Ó
œo J ‰ Œ π
∑
˙o .
p
Ó
Ó # Ȯ
∑
Ó
Π215
p
pizz.
œ p
Œ
˙o
Œ π
p Oœ J ‰ Œ π
‰ jÓ #œ 216
40
In Between
217 Fl.
&
Ob.
&
B. Cl.
&
A. Sx.
Hn.
œ
P
Perc.
2
Hp.
Pno.
& ‰ & Œ
œ
p
j #œ
œ.
#œ
P
D Harm.
œ.
œ
& œ &
œ J
∑
œ P
blow (high)
1
œ
j œ
œ. ∑
œ # œœœ J p
œœ œœ
œœ œœ
œ p
œ
π
j œ œ
œ.
w p
. 3 ˙ 4
w
∑
π
˙.
43
∑
∑
∑
43 ˙ .
w π
∑
˙˙ ˙˙
F
œ J
œ.
220
˙.
∑
3 4 ’
’
∑
43 ’
’
∑
3 4 ’
rustling/fluttering sounds (as cued)
’
’
rustling/fluttering sounds (as cued)
’
’
’
’
’
’
rustling/fluttering sounds (as cued)
p
œ p
œ
∑
ã
’
’
’
’
’
Ó
&
∑
∑
Ó
?
∑
∑
Ó
&
∑
∑
?
∑
∑
Ó
o œ p o œ
∑ p (Kœ ) O
Œ
3 4 ’
’
’
’
’
’
Œ
3 4 ’
’
’
’
’
’
3 4 ’
’
’
’
’
’
3 4 ’
’
’
’
’
’
’
’
’
’
’
’
’
’
Œ
Œ
rustling/fluttering sounds (as cued)
rustling/fluttering sounds (as cued)
220 œ
non vib.
I
&
Vlns. II
Vla.
Vc.
Cond. (L.H.)
&
Œ œ œ p B.D. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 ã w 4 ˙. w w ˙. Alm.
Œ
∑
non-pitched (choose instrument)
& B ?
˙o .
∑ Œ π ∑
π
œ
p
œ.
π ∑ ∑
∏
‰
∑
3 4 ’
’
∑
3 4 ’
’
∑
3 4 ’
’ ’
rustling/fluttering sounds (as cued)
’
’
rustling/fluttering sounds (as cued)
’
’
rustling/fluttering sounds (as cued)
∑
∑
∑
43 ’
∑
∑
∑
3 4 œ
217
218
219
’
’
rustling/fluttering sounds (as cued)
220
’
’ œ
221
41
In Between 222 Fl.
&
Ob.
&
B. Cl.
˙.
∑
∏
∑
& ˙.
∑
Hn.
Perc. 2
Hp.
Pno.
& ’
∑
’
’
∑
&
’
∑
∑
∏ ’
∑
’
˙. π
solo
Œ #œ
˙ π
cantabile
˙. p
Clarinet
∑
to Clarinet
˙.
rustling/fluttering sounds (as cued)
A. Sx.
224 Wistfully q = 72 ∑ ∑
˙.
∑
∑
∑
∑ œ
Œ
solo
π
cantabile
˙.
p
˙. j œ ‰ π
˙.
œ
˙
Œ
Œ
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ã ˙. ˙. ˙. ˙. ˙. ˙. & ’
’
?
’
’
’
∑
& ’
’
?
’ ∑
’
’
’
∑
’ ∑
∑
∑
∑
∑
∑ ∑
o œ p
Œ
Œ
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
& ’
’
’
’
’
224 Wistfully q = 72 ∑ ∑ ’
II
& ’
’
’
’
’
’
∑
∑
∑
∑
Vla.
B ’
’
’
’
’
’
∑
∑
∑
∑
Vc.
? ’
’
’
’
’
’
∑
∑
∑
∑
œ
Œ
Œ
∑
∑
∑
∑
224
225
226
227
I Vlns.
Cond. (L.H.)
œ
222
223
42
In Between
228 Fl.
Ob.
& Œ Œ
Cl.
&
A. Sx.
&
Hn.
1 Perc. 2
Hp.
Pno.
∑
&
& &
˙.
∑ œ
solo
π
˙
Œ #œ
˙. ˙.
∑ ∑
p
p
œ J‰Œ Œ π ˙.
cantabile
p ˙.
#˙.
#˙
solo
∑ Vibraphone
∑
#˙.
∑
œ
œ.
œ J F
˙. ∑
œ.
˙.
˙.
p
‰Œ π
œ.
π
U 45 Œ Œ Ó
Œ
43
54 UŒ Œ Ó
Œ
43
∑
U 45 Œ Œ Ó
Œ
43
∑
∑
∑
∑
∑
∑
∑
5U 4 Œ Œ Ó
Œ
3 4
∑
∑
∑
∑
54 UŒ Œ Ó
Œ
∑
‰Œ
∑
∑
54 UŒ Œ Ó
43
Œ
43
∑
∑
∑
54 UŒ Œ Ó
Œ
43
∑
Œ
43
Œ
43
π ° B.D. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ∑ ã ˙. ˙. ˙. ˙. Ø &
∑
∑
∑
∑
∑
∑
∑
?
∑
∑
∑
∑
∑
∑
∑
&
∑
∑
∑
∑
∑
∑
∑
?
∑
∑
∑
∑
∑
∑
∑
54 UŒ Œ Ó U 45 Œ Œ Ó U 45 Œ Œ Ó
54 UŒ Œ Ó rit.
˙.
solo
&
∑
∑
∑
∑
∑
con vib.
Vlns. II
Vla.
Vc.
∑
= 60 236 q (B)
3 4
f
43
∑
∑
∑
U 45 Œ Œ Ó
Œ
43
232
233
234
∑
∑
?
∑
∑
∑
∑
228
229
230
231
∑
43
Œ
∑ ∑
Œ
∑
∑
∑
warm
5 UŒ Œ Ó 4
235
Œ
3 4
˙.
∑
44
U
∑
44
U
44
U
∑
4 4
U
∑
44
∑
44
U
44
∑
U
∑
U
∑ ∑
U 45 Œ Œ Ó
∑ ∑
5 4
œ œ
gliss.
p
U
∑
Œ Œ
43
∑
∑ ∑
π
cantabile, espress.
˙.
U
œ
Œ
∑
& B
∑
∑
233
I
q = 60
236
rit.
˙.
∑
to Bass Clarinet
œ‰Œ Œ J π ∑
233
˙.
∑
U
∑
U
∑
∑ ∑ ∑
236
44 44 44
U
˙.
4 4
(con vib.)
p cantabile
44
U
∑
44
U
44
U
∑ ∑
237
4 4
43
In Between 238 Senza misura (q = c 72 ) rustling/fluttering sounds (as cued) U U 3 U 4 4 U 6 3 4 Fl. & 4 ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’’ 4 ’ ’ ’ 4 ’’’’ ’ ’ ’ ’ 4 ’ ’ ’ ’ ’ ’ 4 ’ ’ ’ ’ ’ ’ 4 ’ ’ ’’ ∑ Ob.
rustling/fluttering sounds (as cued) U U U U 4 & 4 ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’’ 43 ’ ’ ’ 44 ’’’’ ’ ’ ’ ’ 46 ’ ’ ’ ’ ’ ’ 43 ’ ’ ’ ’ ’ ’ 44 ’ ’ ’’ ∑ Bass Clarinet
B. Cl.
A. Sx.
Hn.
1 Perc. 2
Hp.
Pno.
rustling/fluttering sounds (as cued) U U 3 U U 4 4 6 3 & 4 ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’’ 4 ’ ’ ’ 4 ’’’’ ’ ’ ’ ’ 4 ’ ’ ’ ’ ’ ’ 4 ’ ’ ’ ’ ’ ’ 44 ’ ’ ’’ ∑ rustling/fluttering sounds (as cued) U U U U 4 & 4 ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’’ 43 ’ ’ ’ 44 ’’’’ ’ ’ ’ ’ 46 ’ ’ ’ ’ ’ ’ 43 ’ ’ ’ ’ ’ ’ 44 ’ ’ ’’ ∑ rustling/fluttering sounds (as cued) U U 3 U 4 4 U 6 3 4 & 4 ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’’ 4 ’ ’ ’ 4 ’’’’ ’ ’ ’ ’ 4 ’ ’ ’ ’ ’ ’ 4 ’ ’ ’ ’ ’ ’ 4 ’ ’ ’’ ∑
rustling/fluttering sounds (as cued) U U U U 4 ã 4 ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’’ 43 ’ ’ ’ 44 ’’’’ ’ ’ ’ ’ 46 ’ ’ ’ ’ ’ ’ 43 ’ ’ ’ ’ ’ ’ 44 ’ ’ ’’ ∑
U U 3 U 4 4 U 6 3 4 ã 4 ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’’ 4 ’ ’ ’ 4 ’’’’ ’ ’ ’ ’ 4 ’ ’ ’ ’ ’ ’ 4 ’ ’ ’ ’ ’ ’ 4 ’ ’ ’’ ∑ rustling/fluttering sounds (as cued) U U U U 4 & 4 ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’’ 43 ’ ’ ’ 44 ’’’’ ’ ’ ’ ’ 46 ’ ’ ’ ’ ’ ’ 43 ’ ’ ’ ’ ’ ’ 44 ’ ’ ’’ ∑
U U U ? 44 ’ ’ ’ ’ ’ ’ ’ ’ ’ ’U’’ 43 ’ ’ ’ 44 ’’’’ ’ ’ ’ ’ 46 ’ ’ ’ ’ ’ ’ 43 ’ ’ ’ ’ ’ ’ 44 ’ ’ ’’ ∑ rustling/fluttering sounds (as cued) U U U U 4 & 4 ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’’ 43 ’ ’ ’ 44 ’’’’ ’ ’ ’ ’ 46 ’ ’ ’ ’ ’ ’ 43 ’ ’ ’ ’ ’ ’ 44 ’ ’ ’’ ∑
U U U ? 44 ’ ’ ’ ’ ’ ’ ’ ’ ’ ’U’’ 43 ’ ’ ’ 44 ’’’’ 6 3 ’ ’ ’ ’ 4 ’ ’ ’ ’ ’ ’ 4 ’ ’ ’ ’ ’ ’ 44 ’ ’ ’’ ∑
238 Senza misura (q = c 72 ) œ (sustain)
I Vlns. II
Vla.
Vc.
L.H. Cond. R.H.
& 44
[dim. on cue]
43
p
44
46
43
U
44
n.
rustling/fluttering sounds (as cued) U U 3 U 4 4 U 6 3 4 & 4 ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’’ 4 ’ ’ ’ 4 ’’’’ ’ ’ ’ ’ 4 ’ ’ ’ ’ ’ ’ 4 ’ ’ ’ ’ ’ ’ 4 ’ ’ ’’ ∑ rustling/fluttering sounds (as cued) U U U U B 44 ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’’ 43 ’ ’ ’ 44 ’’’’ ’ ’ ’ ’ 46 ’ ’ ’ ’ ’ ’ 43 ’ ’ ’ ’ ’ ’ 44 ’ ’ ’’ ∑ rustling/fluttering sounds (as cued) U U U ? 44 ’ ’ ’ ’ ’ ’ ’ ’ ’ ’U’’ 43 ’ ’ ’ 44 ’’’’ ’ ’ ’ ’ 46 ’ ’ ’ ’ ’ ’ 43 ’ ’ ’ ’ ’ ’ 44 ’ ’ ’’ ∑
U
44 œ 44
œ Œ Ó ∑ 238
U
œ Œ Ó
œ 239
240
Π44
U
43 Œ œ œ 44
∑
43 œ
œ
241
∑
U 242
Ó
œ
œ œ Ó 243
46 œ
œ
œ
œ
œ 3 œ œU œ 4 œ Œ œ Œ 44 œ Ó œ
U œ œ œ 46 Œ œ œ œ 43 Œ Œ Œ Œ Œ 44 œ œ Ó 244
245
246
247
U
(cue Violin I w/head)
∑
U
∑
248