Dance and Architecture: Graduate Thesis Project

THESIS STUDIO II Final Presentation DANCE AND ARCHITECTURE Spatial Qualities: From (Dance) Movement to Architectural Form An Interdisciplinary Dance Studio & Performing Arts Theater

FINAL PRESENTATION 4-5-19

ERIC HARRIS PROF. SUSAN KLIMAN ARCP 550-01 SPRING 2019 SOURCE: DEZEEN.COM

MOTIF DANCE STUDIO + PERFORMING ARTS THEATER

2

PRESENTATION CONTENTS 1. INTRODUCTION 2. BACKGROUND 3. METHODOLOGY

4. SCHEMATIC DESIGN 5. DESIGN DEVELOPMENT 6. FINAL DESIGN SCHEME

7. REFERENCES

3 SOURCE:COLINSHREENAN.COM

INTRODUCTION

4 SOURCE: BODIESINMOTION.PHOTO

Context WHAT IS A SPACE?

SPACE DEFINED

LANGUAGE OF SPACE

•

Architectural space is the process of creating volume out of void.

•

Dance is the movement through space.

•

The word choreography means space-writing.

•

Architecture and dance share the same language of movement.

•

There is a synergy between dance and architecture.

•

Motif communicates the dance idea or theme and is capable of being developed. It provides shape and structure to a dance.

•

Architecture is what we produce when we move through buildings.

•

Our movement gives things (buildings) their meaning.

5 SOURCE: GOOLEIMAGES

INVESTIGATION 1

Dance Facilities

1

SOURCE: THE KENNEDY CENTER

The Dance Institute of Washington: Columbia Heights, NW DC

KEYWORD: OUTREACH

2

SOURCE: THE WASHINGTON LOBBYIST

City Dance DREAM: U Street, NW DC

KEYWORD: CAREER

3

SOURCE: ARCHITECTURAL RECORD

The Kennedy Center For Performing Arts: Foggy Bottom, NW DC

KEYWORD: PERFORMANCE

6

MOVEMENT 2

Exploration of Movement Performing Arts

1

SOURCE: NEWJERSEYSTAGE

2

SOURCE: KENNEDYCENTER

3

SOURCE: WARNER THEATER

D

Cynthia Oliver Co. – Virago Man Dem

Diavolo Dance Theater

Redbull Flying Bach

DANCE PLACE

THE KENNEDY CENTER: EISENHOWER THEATER

WARNER THEATRE

7 SOURCE: KENNEDYCENTER/DANCEPLACE/WARNER THEATRE

INVESTIGATION

DISTANCE BETWEEN DANCE INSTITUTIONS

2

1

COLUMBIA HEIGHTS NW

1.3 MILES

2 Interdisciplinary Dance Studio & Performance Art Theater

4

U STREET NW

1.7 MILES DUPONT CIRCLE NW

1.1 MILES

3

FOGGY BOTTOM NW 8 SOURCE: GOOLE IMAGES/MAPS

PROBLEM •

Deficiency to integrate dance studio into performance and facilitate spaces for events.

•

Inefficient resources, space and outreach initiatives.

•

Design not conducive for the type of program required to foster dance opportunities and environment.

•

Inability to cultivate local dance community.

•

Some pockets of neighborhood are not as vibrant as they used to be.

9 SOURCE: VALENCESTUDIO.COM

EXPLORATION Interdisciplinary Dance Studio & Performance Theater: DuPont Circle, NW DC •

This institution will show the spatial relationships between movement and architecture.

•

Building is a catalyst for dance education, performance, and outreach.

•

This facility increases the presence of performing arts and adds to the value of the DuPont neighborhood and to the field of dance.

10 SOURCE: THETOWNMOUSE.WORDPRESS.COM

OBJECTIVE •

Analyzed how dance (movement) creates form that inspires design and architecture.

•

Designed a dance performance and theater that informs the users of dance and allows dance to inform the definition of the architectural space.

•

Appropriated a dance facility in the heart of downtown DC.

11 SOURCE: STEVEN HALL ARCHITECTS

BACKGROUND

12 SOURCE: BODIESINMOTION.PHOTO

SITE 1

Background DuPont Circle

1 • Historically a brickyard 2 and

• Spans a distance of 170 Acres.

3

4

5

6

7

slaughterhouse.

• Pierre Charles L’Enfant – 1791 “Federal City” Plan Designer (Washington, DC) • In 1871, the U.S. Army Corps of Engineers began construction of the traffic circle, then called Pacific Circle.

• On February 25, 1882 Congress renamed it “DuPont Circle”.

• In recognition of his service in the Civil War Rear Admiral Samuel Francis DuPont was commemorated with a bronze statue in 1884.

SOURCE: HOUSEHISTORYMAN.BLOGSPOT.COM

13

SITE 2

Background DuPont Circle SOURCE: TRVL.COM

1

2

3

• The central fountain designed by Daniel Chester French provides seating, and long, curved benches around the central area were installed in 1964.

4

5

6

7

• Architectural Style: Late 19th And 20th Century Revivals, Queen Anne, Romanesque.

• Overall neighborhood designed by architects McKim, Mead & White; Carrere & Hastings.

• Currently Populated with single and singlefamily homeowners.

14

Demographics Profile

SITE 3

SOURCE: AREAVIBES.COM/DUPONTCIRCLE

Population

Demographics DuPont Circle

Population Density

21,083

Median Age

32 y/o

Male/Female Ratio

Population Breakdown

4

13,972

Caucasian

5

0:9:1

80. 07%

African American

4.77%

Asian

9.31%

American Indian

0.95%

Native Hawaiian

1.00%

Mixed Race

3.77%

Other Race

1.12%

Age Breakdown (M/F) 25 - 34

42.9/51

35 - 44

17.2/13.2

45 - 54

11.9/7.0

55 - 64

8.6/6.5 15

DUPONT CIRCLE

SITE •

This section of the submarket largely defines its identity. It is DuPont Circle’s key retail corridor and its small, creative shops (such as Kramer books) have become local institutions.

2. P Street

2

• •

This section is comprised of Residential and Commercial/Retail space Adding a dance facility will increase the exposure of N street and revitalize the area that is consumed with commercial and retail businesses. The performing arts would foster communal interactions.

3

LOWER CONNECTICUT M Street Northwest

4

19TH Street Northwest

4. Business District/Residential

B

M Street Northwest

This section is circulating with local-serving, offbeat shops and restaurants.

This area is essentially a separate submarket (part of the business district)

N Street Northwest P Street Northwest

DUPONT CIRCLE

3. Lower Connecticut Ave •

17th Street Northwest

P STREET CORRIDOR

20TH Street Northwest

•

UPPER CONNECTICUT

B

19th Street Northwest

Commercial, Retail, Residential DuPont Circle 1. Upper Connecticut Ave

A1

20th Street Northwest

4

P Street Northwest

DUPONT CIRCLE

N Street Northwest

A = Major Intersection

= Minor Intersection = Neighborhood Intersection = Sub- Section A

= Section 1 = Section 2 = Section 3 = Section 4

= Sub- Section B

= Public space

16 SOURCE: GOOGLEMAPS

SITE Site Location 1900 N Street NW, Washington DC 20036 Between 19th & 20th Street NW

Ward 2

19TH ST. NW

N ST. NW

20TH ST. NW

5

DISCTRICT OF COLUMBIA WARDS

17 SOURCE: GOOGLE IMAGES/MAPS/ARCGIS

SITE 6

1

Street View 1900 N Street NW

2

East Side

4

South Side

Eight-story 114,000 S.F. Class B office building; D-5 Constructed in 1981 159 Parking Spaces

4

2

3 19th STREET NW

1

N STREET NW

20th STREET NW

• • • • •

North Side

JEFFERSON PL NW

3

West Side

M STREET NW

18

2

3

SITE 7

Building Views DuPont Circle 4

2

Rooftop Panoramic

4

1

1 3

NE Corner, Looking East

NW Corner, Looking North

NE Corner, Looking South SOURCE: GOOGLE IMAGES/ARCGIIS

19

SITE 8

Building Code Analysis DuPont Circle D-5 Zoning

1

I § 540.1 - Maximum Height: ~100/110’ (Right-of-Way + 20’) I § 539.1 - FAR: Residential: Unrestricted Non-Residential: 6.5 (without credits) ~174,290 GSF I § 202 - Lot Occupancy: 100% N STREET NW I § 205.2 - Rear Yard: None Required for Through Lot, including a lot fronting on three (3) streets I § 206 - Side Yard: None Required I § 543.1 - Off-Street Parking: None Required I § 212.5 – Bicycle Parking: required per Subtitle C, Chapter 8

I § 208 – Green Area Ratio: 0.2

SITE

MU 16 -22

RA 5 -10

D5 20

SITE 9

DuPont Circle – Zoning Requirements Historic District

Buildings/Lots

Site

Building Code Analysis DuPont Circle This project is proposed to be in a D-5 zone and is not listed in any Historic Zone: U § 700.6 (g) – Matter-of-Right Use: D-Zone (3) Art or performing arts school, including but not limited to schools of dance, photography, filmmaking, music, writing, painting, sculpting, or printmaking; U § 512.1 (f) – Matter-of-Right Use: MU-Use Group E Entertainment, assembly, and performing arts uses, except that a bowling alley shall be subject to the following conditions: 1.

2.

The use shall not be within twenty-five feet (25 ft.) of a residentially zoned property unless separated by a street or ally; and Soundproofing to the extend deemed necessary for the protection of adjoining and nearby property shall be required

21 SOURCE: PROPERTYQUEST.DC.GOV/DCMR 11

SITE 10

Accessibility DuPont Circle

Project Site

SOURCE: GOOGLE IMAGES/MAPS

Metro

1525 20th ST NW 0.1 MILE (3 Min) Walk

Bus

Conn Ave & N ST NW 0.1 Mile. (3 Min) Walk

Circulator

303 19th ST NW 305 FT. (1 Min) Walk

Bike (CABI)

20TH & O ST NW 0.2 Mile (3 Min) Walk

Parking

1250 Conn. Ave NW 0.1 Mile (3 Min) Walk

22

SITE 11

Amenities DuPont Circle Banks 1.

2.

3.

4.

5.

6.

PNC Bank Bank of America Eagle Bank SunTrust Citibank Wells Fargo

Hotels 1.

2.

3.

4.

5.

6.

7.

8.

9.

Hotel Palomar Topaz Hotel The Fairfax at Embassy Row Courtyard Marriott The Dupont Circle Hotel Ritz-Carlton The Westin Georgetown Park Hyatt Marriott

Restaurants 1.

2.

3.

4.

5.

Panera Bistrot Du Coin Urbana Tabard Inn Komi

Project Site

6.

7.

8.

9.

10.

11.

12.

13.

14.

15.

16.

17.

18.

19.

20.

21.

22.

23.

24.

25.

26.

27.

28.

29.

30.

31.

32.

33.

34.

Obelisk Panas Hanky’s Oyster Bar Firefly Mandu Founding Fathers Le Diplomate Keren Quill Lincoln Bub and Pop’s Boqueria Roti Mediterranean Grill Pizzeria Paradiso Nando’s Peri Ris Scion Restaurant Lauriol Plaza Starbucks Circa Café Little Serow Black and Orange Moby Dick Shop House Agora Restaurant Dupont Italian Kitchen Shake Shack DC Café Kramerbooks &Cafe

23 SOURCE: GOOGLE IMAGES/MAPS

PRECEDENTS 1

1 STEVIE ELLER DANCE THEATER

Stevie Eller Dance Theater Tucson, Arizona

ZAGREB DANCE CENTER

Zagreb Dance Center Zagreb, Croatia

5 MONT-LAURIER MULTIFUNCTIONAL THEATER

Mont-Laurier Multifunctional Theater Mont-Laurier, QC, Canada

3

2 WRITERS THEATRE

TELUS Center for Performance & Learning Toronto, Canada

8

7

6

Wagner Noel Performing Arts Center Midland, Texas

TEULUS CENTER

Writers Theatre Glencoe, IL

WAGNER NOEL PERFORMANCE CENTER

4

HOUSTON BALLET CENTER FOR DANCE

Houston Ballet Center for Dance Houston, Texas

DANCE PLACE

Dance Place Washington, District of Columbia

24 SOURCE: ARCHITECTUREWEEK.COM

SOURCE: GOOLGE MAPS/IMAGES

PRECEDENTS 1a

1

2

• •

Architects: Donna Barry, Jose Pombo, Gould Evans

Stevie Eller Dance Theater

29,000 S.F. complex

•

Tucson, Arizona

300 seat theater

• •

50 performances a year

•

Costume & Scene Shop •

1737 E University Blvd, Tucson, AZ 85719

3 A – STADIUM B – LIBRARY C – SHOPPING D – SPORTS CENTER E - MALL

C B

Pilates studio Dressing rooms

•

A

Built in 2003

•

Outdoor stage

4

E D

25 SOURCE: ARCHITECTUREWEEK.COM

PRECEDENTS

APPLICATION

1b

• Extend to Public Space • Views from Building to engage Public • Connect with the Community

FACING MALL

NORTH FACING STADIUM

STEVIE ELLER 26 SOURCE: ARCHITECTUREWEEK.COM

SOURCE: GOOLGE MAPS/IMAGES

PRECEDENTS 2a

2

1

Writers Theatre Glencoe, IL

325 Tudor Ct, Glencoe, IL 60022

3 4

A

B

C

A – STARBUCKS B – PULBIC LIBRARY C - RESTAURANTS

•

Built in 2016; LEED Gold Certified

•

Architects: Studio Gang Architects

•

36,000 S.F.

•

250 seat theater; 99 Seat Box theater

•

Rehearsal space & Public Zones

•

Canopy walk hung from wooden glulam roof beams

•

Theater engages its surrounding through transparent visual connections and ivy-covered backdrops to the surrounding parks

27 SOURCE: STUDIOGANG.COM

PRECEDENTS 2b

APPLICATION • Rooftop Terrace • Box –Style Theater • Flexibility of Spaces

• Multi-function of Spaces

250 SEAT MAIN THEATER AND 99-SET FLEXIBLE BLACK BOX ROOM

WRITER’S THEATRE 28 SOURCE: ARCHITECTUREWEEK.COM

SOURCE: GOOLGE MAPS/IMAGES

PRECEDENTS 3a

2

1

Mont-Laurier Multifunctional Theater Mont-Laurier, QC, Canada

543 Du Pont Street, Mont-Laurier, QC J9L 0L4, Canada

3

B B

A A – HOSPITALITY CENTER B – PARK C – RESTAURANTS D – OTHER AMENITIES

4

B

A

C

C

A – STARBUCKS B – PULBIC LIBRARY C - RESTAURANTS

D

•

Built in 2015

•

Architects: Les Architectes FABG

•

35,0000 S.F.

•

270 - 700 Seats

•

Mezzanine of 184 Seats

•

Theater, Convention Center and Concert Hall

•

Telescopic seats that retract to provide additional floor space when needed

29 SOURCE: ARCHDAILY.COM/OFFICE/FABG

PRECEDENTS

APPLICATION • Telescopic Seating

3b

• Box – Style Theater • Use of space for other activities and programs

MONT-LAURIER 30 SOURCE: ARCHITECTUREWEEK.COM

SOURCE: GOOLGE MAPS/IMAGES

PRECEDENTS 4a

2

1

Houston Ballet Center for Dance Houston, Texas

601 Preston St, Houston, TX 77002

3

B

B

A A

4

A

A – PARK B – PERFORMING ARTS CENTER C - RESTAURANTS

C

B

B

A C

•

Built in 2010

•

Architects: Gensler

•

115,000 S.F. (Ballet and Academy)

•

9 Dance studios

•

200- seat Dance Laboratory

•

Administrative and Support Facilities

•

West-facing studios have automated blinds that lower as the afternoon sun increases

•

Autism friendly performances

31 SOURCE: HOUSTONBALLET.ORG

PRECEDENTS 4b

APPLICATION • Outreach • Create Spaces

• Inclusive Programs Offered • Cultivate local artists

HOUSTON BALLET 32 SOURCE: ARCHITECTUREWEEK.COM

SOURCE: GOOLGE MAPS/IMAGES

PRECEDENTS 5a

2

1

Dance Place

Washington, District of Columbia

3225 8th Street NE, Washington DC 20017

3

D

B C

4 A

B A – PERFORMING ARTS B – STOREFRONT CORRIDOR C – RESTAURANTS/DINING D – UNIVERSITY

A A

B

C

B

A

•

Renovation in 2013; completion 2014

•

Architects: Hickok Cole Architects

•

9500 S.F. (Institutional/Cultural)

•

Backstage area, dressing, offices

•

144- seat Dance Theater

•

Dance School

•

Work / study and internship programs

•

Community based, outreach oriented

33 SOURCE: HICKOK COLE ARCHITECTS/DANCE PLACE

PRECEDENTS

APPLICATION • Community Based

5b

• Metro Accessible • Dance Classes • Work/Study/Internship Programs

DANCE PLACE 34 SOURCE: ARCHITECTUREWEEK.COM

SYNTHESIS 6a

1

2

APPLICATION • Community Based

Building Analysis/Synthesis 1900 N Street NW

• Metro Accessible • Dance Classes

BLDGS

SITE

PATHS

ENTRANCE

2 3

• Work/Study/Internship Programs

FLOW

1

• Outreach • Inclusive Programs Offered

3

• Cultivate local artists

• Use of space for other activities and programs • Extend to Public Space • Connect with the Community

35 SOURCE: GOOGLE.COM/MAPS

METHODOLOGY

36 SOURCE: BODIESINMOTION.PHOTO

GENEALOGICAL TREE OF DANCE

MOVEMENT 1

Evolution of Dance Timeline • • • • • • • • •

African Dance Ballet Ballroom (Waltz) Latin American Ballroom (Salsa) Modern Jazz Modern Dance Contemporary Broadway Jazz (Tap, Swing)

• • • • • • • • • • •

Disco Funk (Locking, Popping) Hip-hop (Old School) Breaking, Rocking, Bounce* Waacking House Break Dance Street Jazz Pop, Commercial Krump Hip-hop (New Style), Twerking*

• Laban (LMA)

1500 1600

1800

1920’s 1970’s 1980’s

1990’s 2000’s 2010’s

37 SOURCE: SDHS.ORG

MOVEMENT 2

LABAN MOVEMENT ANALYSIS Created by Rudolf Laban, LMA is a theoretical framework and language for describing, visualizing, interpreting and documenting human movement.

by: SILA SVETA

38

SOURCE: MOVESCAPECENTER.COM

MOVEMENT 3

LABAN MOVEMENT ANALYSIS

Laban Movement Analysis is separated

into three categories: time, weight of the movement, and the way you move through space.

Time pertains the rhythm of the movement (sustained or quick).

The weight refers to how the movement is organizing itself in gravity (light or strong).

Space, relates to how the movement travels through space (either indirect or direct).

Flow: The fluidity of the movement (free or bound) Laban defines manner in eight effort actions: press, punch, dab, flick, slash, wring, float, and glide.

by: SILA SVETA

39

SOURCE: KEYWORDSUGGEST.ORG

MOVEMENT 4

LABAN MOVEMENT ANALYSIS The basic concepts of Body, Effort, Shape, and Space are explored through movement experiences, observations, and theoretical discussion. The human body moves through space dynamically, in constantly changing patterns.

by: SILA SVETA

40

SOURCE: ASCTHEATRECAMP.WORDPRESS.COM

MOVEMENT 5

8 LABAN EFFORTS CHART

Indirect Light

Direct flow Free

Bound

time Slow

Quick

Heavy

ENERGY/FLOW

WEIGHT

SPACE

TIME

PUNCH

Heavy

Direct

Quick

Bound

PRESS

Heavy

Direct

Slow

Bound

SLASH

Heavy

Indirect

Quick

Bound

WRING

Heavy

Indirect

Slow

Bound

DAB

Light

Direct

Quick

Free

GLIDE

Light

Direct

Slow

Free

FLICK

Light

Indirect

Quick

Free

FLOAT

Light

Indirect

Slow

Free

EFFORTS = ENERGY

by: SILA SVETA

41

SOURCE: DANCETHERAPY.CN

MOVEMENT 6

LABAN MOVEMENT ANALYSIS

The way the body changes shape during movement indicates the movement of the body’s internal components in supporting or influencing external activity.

The body is interacting with the environment and the body's relationship the environment.

42 SOURCE: DANCETHERAPY.CN

MOVEMENT 7

LABAN EFFORT DIAGRAM

LABAN MOVEMENT ANALYSIS Movements can create a kinesphere centered around an object in the environment, or around another person. Body movements can also be organized or arranged around centers anywhere in the external space.

by: SILA SVETA

43

SOURCE: ASCTHEATRECAMP.WORDPRESS.COM

MOVEMENT 8

1

Building Design Concept

IDENTIFY BUILDING PROGRAM LAYOUT + CIRCULATION

2

DIAGRAM LABAN PROGRAM (bubble diagrams)

3

TRANSLATE LABAN INTO ARCHITECTURAL SPACES

4

ARCHITECTURAL SPACES TRANFORM INTO BUILDING FORM

(adjacencies + bubble diagrams)

DANCE (MOVEMENT)

QUALITATIVE ENERGY

SPACE + SYNERGY

=

BUILDING FORM (Architecture)

44

SCHEMATIC DESIGN

45 SOURCE: BODIESINMOTION.PHOTO

PROCESS 1

Building Site & Massing

HIGH DENSITY DEVELOPMENT

BUILDING SITE

COMMERCIAL/ MIXED USE

(COMMERCIAL/MIXED-USE)

MULTIPLE DWELLING UNIT RESIDENTIAL DEVELOPMENT

46

BUILDING FUNCTION DIAGRAM

PROCESS 2

Bar

Lounge

13.5’

Spatial Relationships: Programming A.

B.

Entrance/Street View • Theater 2 • Theater 3 • Gallery/Display • Bookstore • Cafe • Outdoor Landscaping/Seating Theater Production/Rehearsal Hall • Dressings Rooms • Locker Rooms • Backstage • Concession / Admin

C.

Dance Studios/Dance Labs • Classrooms • Multi-functional

D.

Board Room/Restaurant • Board Room • Conference Room • VIP Lounge • Green Rooms • Restaurant

E.

Rooftop • Bar & Lounge • Terrace

Rooftop Terrace Restaurants

Green Rm Brd Rm Conf Rm VIP Lounge Offices Classroom/Studios

15’

Classroom/Studios Dance Labs

14.5’

Rehearsal

Cafe Multi-functional

15’ 14.5’

Green Rm Shop

Theater Production

Theater 1

11.5’

14’

Theater 2

Theater 3

Theater 2

Theater 3 Gallery/Display Bookstore

Concession

Admin

30’ Cafe

PARKING

47

PROCESS 3

Adjacencies

MATRIX

THEATER 1 LOBBY/ENTRANCE THEATER 2 THEATER 3 GALLERY DISPLAY BOOKSTORE CAFÉ GIFTSHOP RESTROOMS ELEVATORS

PRIMARY SECONDARY

STAIRS

48

PROCESS 4

BUILDING PROGRAM FLOORS 1 TO 9 PENTHOUSE

Building Program

Dance and Video Mapping Performance 49

PROCESS 5

LABAN PROGRAM FLOORS 1 TO 9 PENTHOUSE

Laban Program

Dance and Video Mapping Performance 50

PROCESS 6

LABAN EFFORTS IMAGERY

flick

wring

float

punch

punch

slash

glide

float

dab press

flick

press

wring

51 SOURCE: GOOGLE IMAGES

8 LABAN EFFORTS

PROCESS 7

SLASH

FLICK

PRESS

FLOAT

PUNCH

GLIDE

Building Design Concept

DAB

WRING 52

PROCESS 8

Bubble Diagrams & Functions

53

PROCESS 9

8 Laban Efforts

WEST SIDE

light

G L I D GLIDE

F L O A T FLOAT

D A B

DAB

G L I D E

PUNCH

FLOAT

P R E S S

PUNCH

P U N C H

P R E S S

E

WRING

P U N C H

W R I N G

PUNCH

D

SLASH

F L I C K

P R E S S

GLIDE

D A B

D A B

P R E S S

F L O A T

F L I C K

D A B

P R E S S

F L I C K

F L I C K

D A B FLOAT

G L I D E

S L A S H FLOAT

G L I D E

D A B DAB

F L I C K

direct direct indirect indirect

sudden sustained sudden sustained

free free free free

dab glide flick float

heavy heavy

direct direct

sudden sustained

bound bound

punch press

heavy heavy

indirect indirect

sudden sustained

bound bound

slash wring

143’-0”

ROOF

128’-0”

PENTHOUSE

114.5’-0”

9th FLOOR

103’-0”

8th FLOOR

88’-0”

7th FLOOR

73’-0”

6th FLOOR

58’-6”

5th FLOOR

44’-0”

4th FLOOR

A B

F L O A T

G L I D E

light light light light

CORE BUILDING – NORTH SIDE

A B

F L I C K

MIN

heavy

light

Building Design Concept

D

MAX

MIN

GLIDE

FLOAT

D A B

GLIDE

P U N C H

W R I N G P R E S S

WRING PRESS

PRESS

D A B

P U N C H

FLOAT

G L I D E

P U N C H

PUNCH

FLOAT

D A B

SLASH

FLICK

30’-0”

DAB

3rd FLOOR 2nd FLOOR

0’-0”

1st FLOOR

54

PROCESS 10

Building Design Concept

Penthouse 9th Floor 8th Floor

7th Floor 6th Floor 5th Floor

4th Floor 3rd Floor

2nd Floor Ground Floor Underground Parking

55

DESIGN DEVELOPMENT

56 SOURCE: BODIESINMOTION.PHOTO

DESIGN DEVELOPMENT 1

Building Mass

57

DESIGN DEVELOPMENT 2

Building Mass

NORTHEAST SIDE

SOUTHEAST SIDE

NORTHWEST SIDE 58

DESIGN DEVELOPMENT 3

Building Mass & Site Context

AERIAL VIEW NORTHWEST 59

DESIGN DEVELOPMENT 4

Building Mass & Site Context

AERIAL VIEW EAST 60

DESIGN DEVELOPMENT 5

Site Plan N STREET NW 19TH STREET NW

20TH STREET NW SITE/ROOF PLAN SCALE: 1/16” = 1’0”

OUTDOOR PUBLIC SPACE CORE BUILDING OUTDOOR SEMI-PUBLIC

61

DESIGN DEVELOPMENT 6

Floor Plans

55 PARKING SPACES

UNDERGROUND PARKING PLAN

CIRCULATION

SCALE: 1/32” = 1’0”

FUNCTION

62

DESIGN DEVELOPMENT 7

Floor Plans

DISPLAY

MAIN ENTRY

GALLERY

BOOKSTORE

LOBBY

MAIN THEATER

BOX THEATER

CAFE

GROUND FLOOR PLAN SCALE: 1/32” = 1’0”

WOMEN’S MEN’S

OUTDOOR THEATER AREA

PROGRAM CIRCULATION FUNCTION

63

DESIGN DEVELOPMENT 8

Floor Plans

CONCESSION

BOX OFFICE MAIN THEATER

BOX THEATER

WOMEN’S MEN’S

2nd FLOOR PLAN SCALE: 1/32” = 1’0”

PROGRAM CIRCULATION FUNCTION

64

DESIGN DEVELOPMENT 9

Floor Plans

STORAGE WOMEN’S

THEATER PRODUCTION

3rd FLOOR PLAN SCALE: 1/32” = 1’0”

WORKSHOP

MEN’S

PROGRAM CIRCULATION FUNCTION

65

DESIGN DEVELOPMENT 10

Floor Plans GREEN ROOM DRESSING ROOM REHEARSAL REHEARSAL

STORAGE

GREEN ROOM

WOMEN’S

DRESSING ROOM

MEN’S REHEARSAL

GREEN ROOM

DRESSING ROOM

4th FLOOR PLAN SCALE: 1/32” = 1’0”

PROGRAM CIRCULATION FUNCTION

66

DESIGN DEVELOPMENT 11

Floor Plans

DANCE LAB

DANCE LAB

MULTIFUNCTONAL

MEN’S

WOMEN’S

MULTIFUNCTONAL

5th FLOOR PLAN SCALE: 1/32” = 1’0”

PROGRAM CIRCULATION FUNCTION

67

DESIGN DEVELOPMENT 12

Floor Plans

STUDIO

CAFE

STUDIO

STUDIO

STUDIO

MEN’S STUDIO

6th FLOOR PLAN SCALE: 1/32” = 1’0”

WOMEN’S

STUDIO

PROGRAM CIRCULATION FUNCTION

68

DESIGN DEVELOPMENT 13

Floor Plans

STUDIO

STUDIO

STUDIO

STORAGE STUDIO

MEN’S STUDIO

7th FLOOR PLAN SCALE: 1/32” = 1’0”

WOMEN’S

STUDIO

PROGRAM CIRCULATION FUNCTION

69

DESIGN DEVELOPMENT 14

Floor Plans

BOARD ROOM

CONF. ROOM

CONF. ROOM

CONF. ROOM

CONF. ROOM

CONF. ROOM

CONF. ROOM BOARD ROOM

GREEN ROOM MEN’S

ADMIN SUITE

WOMEN’S

LOUNGE GREEN ROOM CONF. ROOM

8th FLOOR PLAN SCALE: 1/32” = 1’0”

PROGRAM CIRCULATION FUNCTION

70

DESIGN DEVELOPMENT 15

Floor Plans RESTAURANT KITCHEN

KITCHEN

RESTAURANT

KITCHEN

RESTAURANT

MEN’S

WOMEN’S

RESTAURANT

KITCHEN

9th FLOOR PLAN SCALE: 1/32” = 1’0”

PROGRAM CIRCULATION FUNCTION

71

DESIGN DEVELOPMENT 16

Floor Plans

TERRACE

TERRACE

LOUNGE

BAR

LOUNGE MECHANICAL WOMEN’S

MEN’S

TERRACE

TERRACE

PENTHOUSE FLOOR PLAN SCALE: 1/32” = 1’0”

PROGRAM CIRCULATION FUNCTION

72

DESIGN DEVELOPMENT 17

Elevations

NORTH ELEVATION |SCALE: 1/16” = 1’0” 73

DESIGN DEVELOPMENT 18

Elevations

SOUTH ELEVATION |SCALE: 1/16” = 1’0” 75

DESIGN DEVELOPMENT 19

Elevations

EAST ELEVATION|SCALE: 1/16” = 1’0” 77

DESIGN DEVELOPMENT 20

Elevations

WEST ELEVATION |SCALE: 1/16” = 1’0” 79

DESIGN DEVELOPMENT 21

B

Section A

A. CROSS-SECTION EAST SIDE

B. LONG-SECTION NORTH SIDE

81

DESIGN DEVELOPMENT 22

Building Modeling & Site Context

NORTH VIEW Facing WEST 82

DESIGN DEVELOPMENT 23

Exterior Building Materials COPPER

MARBLE CLAD

GREENERY

BLACK PLYWOOD

SMOKED BRICK

GLAZING

83

FINAL DESIGN SCHEME

84 SOURCE: BODIESINMOTION.PHOTO

FINAL DESIGN SCHEME 1

Rendering

NORTHEAST VIEW FACING WEST

Application

Houston Ballet

Outreach 85

FINAL DESIGN SCHEME 2

Rendering

OUTDOOR PERFORMANCE SPACE FACING SOUTH

Application

Stevie Eller

Extension to Public Space 86

FINAL DESIGN SCHEME 3

Rendering

LOBBY/ENTRANCE GROUND FLOOR

Application

Writer’s Theatre

Multi-Function Spaces 87

FINAL DESIGN SCHEME 4

Rendering

MAIN THEATER GROUND FLOOR

Application

Mont-Laurier

Telescopic Seating 88

FINAL DESIGN SCHEME 5

Rendering

CAFÉ GROUND FLOOR

Application

Dance Place

Amenities; Commercial/ Retail

89

FINAL DESIGN SCHEME 6

Rendering

DANCE STUDIO SIXTH FLOOR

Application

Houston Ballet

Inclusive Programs; Cultivate Artists

90

FINAL DESIGN SCHEME 7

Rendering

ROOFTOP TERRACE OUTDOOR SPACE FACING EAST

Application

Writer’s Theatre

Rooftop Terrace 91

FINAL DESIGN SCHEME 8

Rendering

NORTHWEST VIEW FACING EAST

Application

Dance Place

Community Based; Metro Accessible

92

FINAL DESIGN SCHEME 9

Rendering

BIRD’S EYE VIEW FACING NORTHWEST

Application

Stevie Eller

Views from Building to Engage Public

93

MOTIF DANCE STUDIO + PERFORMING ARTS THEATER

94

REFERENCES 1.

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42.

Duncan, Isadora. “The Dance of the Future.” Dance as a Theater Art: Source Readings in Dance History from 1581 to the Present. Ed. Selma Jeanne Cohen. Princeton, NJ: Princeton Book Company, Publishers, 1992.

Onians, John. “Greek Temple and Greek Brain.” Body and Building: Essays on the Changing Relation of Body and Architecture. Ed. George Dodds and Robert Tavernor. Cambridge, MA: The MIT Press, 2002.

Squillante, Sarah. “What do street dance and ballet have in common? Blog. https://ums.org/2014/01/23/what-do-street-dance-and-ballet-have-in-common/. Published Jan 23, 2014.

Tzonis, Alexander. Santiago Calatrava: The Poetics of Movement. New York: Universe Publishing, 1999.

Yudell, Robert J. “Body Movement.” Body, Memory, and Architecture. By Kent C.Bloomer, Charles W. Moore and Robert J. Yudell. New Haven: Yale University Press, 1977.

Blog. https://erenyazicioglu.wordpress.com/2016/11/14/dance-and-architecture/ Web. https://www.pinterest.com/pin/41447259044172963/?lp=true Web. http://robohub.org/the-relationship-between-dance-and-robotic-fabrication-with-video/ Web. http://www.kennedy-center.org/ Web. http://www.dancingstrong.com/architecture.html City Dance. Web. https://www.citydance.net/ The Dance Institute of Washington. Web. http://www.danceinstituteofwashington.org/ Voorthius, Jacob. http://www.voorthuis.net/. 1994 – 2014.

Web. http://www.areavibes.com/washington-dc/dupont+circle/livability/?ll=38.91165+-77.04346 Web. http://www.derivative.ca/events/2012/SilaSveta/ Web. https://www.archdaily.com/797079/steven-holl-and-jessica-langs-tesseracts-of-time-explores-the-relationship-between-architecture-and-dance Web. https://planning.dc.gov/publication/dupont-circle-retail-action-strategy Web. http://dance.arizona.edu/about_us/facilities/stevie_eller_theatre/ Web. http://www.etsy.com http://dance-in-architecture.blogspot.com/2011/08/visualizing-movement-of-dance.html http://www.dsgnr.cl/2017/10/camaras-bailarines-nexo-danza-fotografia-arquitectura-jacob-jonas/ https://www.yatzer.com/jacob-jonas-company-camerasanddancers http://microcities.net/portfolio/measuring-space/ Newlove, Jean, 1993, Laban for Actors and Dancers, Putting Laban’s Movement Theory into Practice, A Step-by-Step Guide, Nick Hern Books, United Kingdom https://www.theatrefolk.com/blog/the-eight-efforts-laban-movement/ http://www.movementhasmeaning.com/wp-content/uploads/2010/09/LMA-Workshop-Sheet.pdf Web. https://www.google.com/search? q=architecture+and+dance&safe= active&source=lnms&tbm=isch& sa=X&ved= 0ahUKEwjorrihhu3YAhVJ3FMKHaWaB g4Q_AUICigB&biw=1371&bih=673# imgdii=PfEGZUKKPmdGeM:&imgrc= CDqm-u9PkC_QoM Web. https://ar.pinterest.com/pin/ 666321707337780985 Web. http://www.academia.edu/6253327/The_architectural_spaces_and_Their_psychological_impacts Web. https://www.wired.com/2011/04/the-psychology-of-architecture/ Web. https://sydney.edu.au/architecture/documents/staff/garymoore/28.pdf Web. http://www.bbc.com/future/story/20170605-the-psychology-behind-your-citys-design Web. http://www.kopvol.com/downloads/2009_Vollmer%20Koppen_The%20Psychological%20Quantum%20of%20Architecture.pdf Web. https://issuu.com/madhurjain22/docs/human_psychology_in_rehabilitative_ Web. http://portico.space/journal//architectural-concepts-circulation Web. https://www.aaai.org/Papers/Symposia/Spring/2005/SS-05-06/SS05-06-025.pdf Web. https://www.researchgate.net/publication/228646158_Space_Syntax_in_Architectural_Design https://creators.vice.com/en_uk/article/jpvekb/how-motion-can-bring-us-together-through-architecture http://www.soma-architecture.com/index.php?page=theme_pavilion&parent=2# https://www.bdcnetwork.com/shape-shifters-kinetic-architecture-allows-buildings-perform-beyond-their-intended-purpose http://www.pavegen.com/permanent http://househistoryman.blogspot.com/2012/02/changes-over-time-to-dupont-circle-park.html

95

THESIS STUDIO II Final Presentation DANCE AND ARCHITECTURE Spatial Qualities: From (Dance) Movement to Architectural Form An Interdisciplinary Dance Studio & Performing Arts Theater

ERIC HARRIS PROF. SUSAN KLIMAN ARCP 550-01 SPRING 2019

THANK YOU! FINAL PRESENTATION 4-5-19

SOURCE: DEZEEN.COM