Thesis - Studio I Progress Presentation

THESIS STUDIO I Progress Presentation DANCE AND ARCHITECTURE Spatial Qualities: From (Dance) Movement to Architectural Form An Interdisciplinary Dance Studio & Performance Theater

ERIC HARRIS PROF. SUSAN KLIMAN ARCP 502-01 SPRING 2018

PROGRESS PRESENTATION

5-4-18

SOURCE: STUDIOLECARRE

PRESETATION CONTENTS 1. INTRODUCTION 2. BACKGROUND 3. METHODOLOGY

4. DESIGN PROCESS 5. SCHEMATIC DESIGN

2 SOURCE:FINEARTAMERICA.COM

INTRODUCTION

3 SOURCE: CUDED.COM

Context WHAT IS A SPACE? •

• •

Can the expression of movement (dance) influence architectural design?

SPACE DEFINED •

Dance is the movement through space.

•

Architecture is what we produce when we move through buildings.

How do we move our body through space?

How does an architect create flow and circulation?

•

The word choreography literally means spacewriting.

•

Our movement gives things (buildings) their meaning.

LANGUAGE OF SPACE •

Architecture and dance share the same language of shape and form or movement.

•

Synergy between dance and architecture.

•

“Both architecture and dance share a passion for space and light in time...” (Steven Holl)

4 SOURCE: GOOLEIMAGES

INVESTIGATION 1

Dance Facilities

1

SOURCE: GOOGLE IMAGE/DIW

The Dance Institute of Washington: Columbia Heights, NW DC

KEYWORD: OUTREACH

2

SOURCE: GOOGLE IMAGE/CITY DANCE

City Dance DREAM: U Street, NW DC

KEYWORD: CAREER

3

SOURCE: KENNEDY CENTER

The Kennedy Center For Performing Arts: Foggy Bottom, NW DC

KEYWORD: PERFORMANCE

5

INVESTIGATION

DISTANCE BETWEEN DANCE INSTITUTIONS

2

1

COLUMBIA HEIGHTS NW

1.3 MILES

2 Interdisciplinary Dance Studio & Performance Theater

4

U STREET NW

1.7 MILES DUPONT CIRCLE NW

1.1 MILES

3

FOGGY BOTTOM NW 6 SOURCE: GOOLE IMAGES/MAPS

PROBLEM •

•

Deficiency to integrate dance studio into performance and facilitate spaces for events.

Inefficient resources, space and outreach initiatives.

1.

The Dance Institute of Washington is a very small building which requires utilizing other facilities for performance and events. It also lacks an inclusive or diverse program due to lack of resources and funding (i.e. programs for seniors, veterans, people with disabilities).

2.

DanceCity provides many classes and programs, however lacks the space to produce large productions in-house. It also under

•

•

Design not conducive for the type of program required to foster dance opportunities and environment.

Inability to cultivate local dance community.

represents performances for veterans, seniors, and people with disabilities. Their outreach seems displaced and can be centralized for maximum effect.

3.

The Kennedy Center is inaccessible at times due to heavy traffic which makes it a challenge to navigate the site. This location is also

not in close walking range to metro which requires additional traveling time. And parking is a challenge regardless of time or day.

Nor does the place cultivate local dancers.

7 SOURCE: GOOLEIMAGES

OBJECTIVE •

Design a dance performance and theater that informs the users of dance and allows dance to inform the definition of the architectural space.

•

Appropriate a dance facility in the heart of downtown DC

•

Analyze how dance (movement) creates form that inspires design and architecture.

8 SOURCE: GOOLEIMAGES

EXPLORATION 4

Interdisciplinary Dance Studio & Performance Theater: DuPont Circle, NW DC •

This institution will show the spatial relationships between movement and architecture.

•

Center will be a catalyst for dance education, performance, and outreach.

•

This facility will increase the presence of performing arts and add to the value of the DuPont neighborhood and to the field of dance.

DANCE

KEYWORD: LEARN – PERFORM- CONNECT

PERFORMANCE

THEATER

ART

9 SOURCE: ALBERTONRECORDS

BACKGROUND

10 SOURCE: CUDED.COM

SITE 1

Background DuPont Circle SOURCE: TRVL.COM

1 • Historically a brickyard 2 and

• Spans a distance of 170 Acres.

3

4

5

6

7

slaughterhouse.

• Architectural Style: Late 19th And 20th Century Revivals, Queen Anne, Romanesque.

• Pierre Charles L’Enfant – 1791 “Federal City” Plan Designer (Washington, DC) • The central fountain designed by Daniel Chester French provides seating, and long, curved benches around the central area were installed in 1964.

• Overall neighborhood designed by architects McKim, Mead & White; Carrere & Hastings.

11

Demographics Profile

SOURCE: AREAVIBES.COM/DUPONTCIRCLE

SITE 2 1

Neighborhood DuPont Circle

Population Breakdown

2

DUPONT CIRCLE District of Columbia

USA

3

4

5

6

7

Dupont Circle

LIVABILITY SCORE COMPARISON

54 % 71%

71

Age Breakdown

66 %

VERY LIVEABLE 12

DUPONT CIRCLE

SITE •

This section of the submarket largely defines its identity. It is DuPont Circle’s key retail corridor and its small, creative shops (such as Kramer books) have become local institutions.

2. P Street

2

• •

This section is comprised of Residential and Commercial/Retail space Adding a dance facility will increase the exposure of N street and revitalize the area that is consumed with commercial and retail businesses. The performing arts would foster

3

LOWER CONNECTICUT M Street Northwest

4

19TH Street Northwest

4. Business District/Residential

B

M Street Northwest

This section is circulating with local-serving, offbeat shops and restaurants.

This area is essentially a separate submarket (part of the business district)

N Street Northwest P Street Northwest

DUPONT CIRCLE

3. Lower Connecticut Ave •

17th Street Northwest

P STREET CORRIDOR

20TH Street Northwest

•

UPPER CONNECTICUT

B

19th Street Northwest

Commercial, Retail, Residential DuPont Circle 1. Upper Connecticut Ave

A1

20th Street Northwest

3

P Street Northwest

DUPONT CIRCLE

N Street Northwest

A = Major Intersection

= Minor Intersection = Neighborhood Intersection = Sub- Section A

= Section 1 = Section 2 = Section 3 = Section 4

= Sub- Section B

= Public space

13 SOURCE: GOOGLEMAPS

1 CITY MAP (DC)

SITE Site Location 1900 N Street NW, Washington DC 20036 Between 19th & 20th Street NW

N ST. NW

19TH ST. NW

SUNDERLAND PL NW

20TH ST. NW

4

JEFFERSON PLACE NW

2 3

SITE MAP (LOCATION)

SOURCE: GOOGLE MAPS/ARCGIS

VICINITY MAP 14CIRCLE) (DUPONT

SITE Ward 2

19TH ST. NW

N ST. NW

20TH ST. NW

5

DISCTRICT OF COLUMBIA WARDS

15 SOURCE: GOOGLE IMAGES/MAPS/ARCGIS

South Side

2

SITE 6

M STREET NW

Aerial/Street View 1920 N Street NW

LOCATION OF SITE BEFORE DEMOLITION OF BUILDING

North Side

1 East Side N STREET NW

West Side

3

4 20TH STREET NW 20TH STREET NW

16 SOURCE: GOOGLE MAPS

SITE 7

Boundaries & Zoning DuPont Circle Types of Zoning

1

•

MU – 16- 22: Mixed-use; Commercial, institutional, and multiple dwelling unit residential development

•

RA – 5-10: Urban residential development (all types)

•

D-5: High-density development N STREET NW (commercial and mixed-use)

SITE 17

SITE 8

Building Code Analysis DuPont Circle D-5 Zoning

1

I § 540.1 - Maximum Height: ~100/110’ (Right-of-Way + 20’) I § 539.1 - FAR: Residential: Unrestricted Non-Residential: 6.5 (without credits) ~174,290 GSF I § 202 - Lot Occupancy: 100% N STREET NW I § 205.2 - Rear Yard: None Required for Through Lot, including a lot fronting on three (3) streets I § 206 - Side Yard: None Required I § 543.1 - Off-Street Parking: None Required I § 212.5 – Bicycle Parking: required per Subtitle C, Chapter 8

I § 208 – Green Area Ratio: 0.2

SITE 18

SITE 9

DuPont Circle – Zoning Requirements Historic District

Buildings/Lots

Site

Building Code Analysis DuPont Circle This project is proposed to be in a D-5 zone and is not listed in any Historic Zone: U § 700.6 (g) – Matter-of-Right Use: D-Zone (3) Art or performing arts school, including but not limited to schools of dance, photography, filmmaking, music, writing, painting, sculpting, or printmaking; U § 512.1 (f) – Matter-of-Right Use: MU-Use Group E Entertainment, assembly, and performing arts uses, except that a bowling alley shall be subject to the following conditions: 1.

2.

The use shall not be within twenty-five feet (25 ft.) of a residentially zoned property unless separated by a street or ally; and Soundproofing to the extend deemed necessary for the protection of adjoining and nearby property shall be required

19 SOURCE: PROPERTYQUEST.DC.GOV/DCMR 11

METHODOLOGY

20 SOURCE: CUDED.COM

PRECEDENTS 1

1 STEVIE ELLER DANCE THEATER

Stevie Eller Dance Theater Tucson, Arizona

ZAGREB DANCE CENTER

Zagreb Dance Center Zagreb, Croatia

5 MONT-LAURIER MULTIFUNCTIONAL THEATER

Mont-Laurier Multifunctional Theater Mont-Laurier, QC, Canada

3

2 WRITERS THEATRE

TELUS Center for Performance & Learning Toronto, Canada

8

7

6

Wagner Noel Performing Arts Center Midland, Texas

TEULUS CENTER

Writers Theatre Glencoe, IL

WAGNER NOEL PERFORMANCE CENTER

4

HOUSTON BALLET CENTER FOR DANCE

Houston Ballet Center for Dance Houston, Texas

DANCE PLACE

Dance Place Washington, District of Columbia

21 SOURCE: ARCHITECTUREWEEK.COM

PRECEDENTS 2

1 Stevie Eller • Extend to Public Space • Views of from Building to engage Public • Connect with the Community

ANALYSIS/APPLICATION

2 Writers Theatre • Rooftop Terrace • Box –Style Theater

• Flexibility of Spaces • Multi-function of Spaces

4

3

5

Mont-Laurier Houston Ballet

Dance Place

• Telescopic Seating

• Outreach

• Community Based

• Create Spaces

• Metro Accessible

• Inclusive Programs Offered

• Dance Classes

• Box – Style Theater • Use of space for other activities and programs

• Cultivate local artists

• Work/Study/Internship Programs

22 SOURCE: ARCHITECTUREWEEK.COM

PRECEDENTS

APPLICATION

3

• Extend to Public Space • Views of from Building to engage Public • Connect with the Community

SOUTH FACING MALL

NORTH FACING STADIUM

STEVIE ELLER 23 SOURCE: ARCHITECTUREWEEK.COM

PRECEDENTS 4

APPLICATION • Rooftop Terrace • Box –Style Theater • Flexibility of Spaces

• Multi-function of Spaces

250 SEAT MAIN THEATER AND 99-SET FLEXIBLE BLACK BOX ROOM

WRITER’S THEATRE 24 SOURCE: ARCHITECTUREWEEK.COM

PRECEDENTS

APPLICATION • Telescopic Seating

5

• Box – Style Theater • Use of space for other activities and programs

MONT-LAURIER 25 SOURCE: ARCHITECTUREWEEK.COM

PRECEDENTS 6

APPLICATION • Outreach • Create Spaces

• Inclusive Programs Offered • Cultivate local artists

HOUSTON BALLET 26 SOURCE: ARCHITECTUREWEEK.COM

PRECEDENTS

APPLICATION • Community Based

7

• Metro Accessible • Dance Classes • Work/Study/Internship Programs

DANCE PLACE 27 SOURCE: HICKOK COLE ARCHITECTS/DANCE PLACE

MOVEMENT 1

LABAN EFFORT GRAPH

Movement Scale LMA is a method and language for describing, visualizing, interpreting and documenting human movement

LABAN MOVEMENT ANALYSIS

Dance and Video Mapping Performance

by: SILA SVETA

28

SOURCE: ASCTHEATRECAMP.WORDPRESS.COM

MOVEMENT 2

Movement Scale

Rudolf Von Laban’s Choreutics, an “analysis of forms in movement”. The three plans From: Danse et architecture. Nouvelle de danse 42/43. Editions Contredanse

Laban Movement Analysis is separated into three categories: time, weight of the movement, and the way you move through space.

Time pertains to how quickly the movement occurs, The weight refers to the strength behind the action, and;

FIRST SIX INCLINATIONS

Space, the manner in which energy is focused in a movement.

SECOND SIX INCLINATIONS

Laban defines manner in eight effort actions: press, punch, dab, flick, slash, wring, float, and glide.

TWELVE INCLINATIONS

Dance and Video Mapping Performance

Rudolf Von Laban’s Choreutics, an “analysis of forms in movement”. The three plans From: Danse et architecture. Nouvelle de danse 42/43. Editions Contredanse

by: SILA SVETA

29 SOURCE: MICROCITIES.NET

MOVEMENT 3

Movement (Scale) Levels:

Space:

Timing:

Dynamics:

1. High-middle-low

1. Geometric Forms

1. Tempo

1. Weight (Strong-Light)

2. Vertical-horizontaloblique

2. Symmetry vs.

Asymmetry

2. Metre (time signature)

2. Time (Sustained- Sudden)

3. Scale

3. Rhythm

3. Space (Direct-Indirect) 4. Flow (Bound-Free)

by: SILA SVETA

30 SOURCE: MICROCITIES.NET

MOVEMENT 4

Movement Diagramming (Scale)

Dance and Video Mapping Performance

by: SILA SVETA

31

SOURCE: ZAIDEEWALKER.WEEBLY.COM

MOVEMENT 5

Movement (Scale) 1. Kinesphere – Space and Relationship

2. Choreutics – Forms in Movement 3. Proxemics – Public, Social, Personal, Intimate, 4. Harmony – Flow of Movement

by: SILA SVETA

32

SOURCE: CREATORS.VICE.COM

SPACE ANALYSIS Psychological Analysis •

Spatial experience is an inseparable part of everyday life.

•

The everyday life is not separate from the spatial experience.

•

No experience will be perceived without understanding the meaning of space.

•

Architecture is responsible for making environments that include the need of all types of people.

•

The building should maintain its unity with the environment.

Physical Space Analysis

Fields of Impact: psychological, architectural, restoration 1. Psychological aspect – The feeling of a person related to his/her place and role in space.

2. Architectural aspect – Architectural aspect in the development of space that determines the boundaries of urban planning.

3. Restoration aspect – Interface between the new and old character of town (city).

Physiological Analysis

1. Thermal Comfort – Physiology (parameters) 2. Thermal Adaptation – Psychology (experiences) 3. Thermal Sensation – Behavior (relationships) Dance and Video Mapping Performance

by: SILA SVETA

33 SOURCE: MICROCITIES.NET

DESIGN PROCESS

34 SOURCE: CUDED.COM

PROCESS 1

Adjacencies

MATRIX

THEATER 1 LOBBY/ENTRANCE THEATER 2 THEATER 3 GALLERY DISPLAY BOOKSTORE CAFÉ GIFTSHOP RESTROOMS ELEVATORS

PRIMARY SECONDARY

STAIRS

by: SILA SVETA

35

PROCESS 2

3RD FLOOR SMALL STORAGE

Bubble Diagrams

THEATER 3

SHOP LARGE STORAGE

1ST FLOOR

4TH FLOOR THEATER 2

CAFE DISPLAY OUTDOOR AREA

BOOKSTORE

LOBBY ENTRY

GALLERY

THEATER 1

REHEARSAL 2 GREEN ROOM

REHEARSAL 1

LOCKER ROOM

THEATER 3

BOX OFFICE

5TH FLOOR 2ND FLOOR

THEATER 2

TECH BOOTH

DANCE LAB 2 STORAGE THEATER 3

MULTIFUNCTIONAL

DANCE LAB 1

36

PROCESS 3

8TH FLOOR

Bubble Diagrams OFFICES GREEN ROOM

6TH FLOOR

CONFERENCE ROOM

VIP LOUNGE

BOARD ROOM CONFERENCE ROOM

9TH FLOOR

CAFÉ

RESTAURANT 4

STUDIO STUDIO

RESTAURANT 2

RESTAURANT 1

RESTAURANT 3

STUDIO STUDIO

ROOF

7TH FLOOR BAR LOUNGE TERRACE STUDIO STUDIO STUDIO STUDIO

37

PROCESS 4

Building Program

BUILDING PROGRAM LOCATION

QTY CAPACITY

SIZE

TOTAL

NOTES

1ST FLOOR/2ND FLOOR THEATER 1 LOBBY/ENTRANCE THEATER 2 THEATER 3 GALLERY DISPLAY BOOKSTORE/ CAFÉ GIFTSHOP RESTROOMS 10% CORE FACTOR + UTILITIES

1 1 1 1 1 1 1 1 2

50 100 125 250 60 50 215 50 TBD

1000 1650 2250 3553.5 1750 1500 3000 1500 300 10% CFU

1000 OUTDOOR PERFORMANCE SPACE 11650 ENTRACE/ EXIT TO BUILDING 2250 BLACK BOX SEATING 3553.5 LARGER THEATER 1750 FLEX SPACE TO SHOW MIXED MEDIA 1500 TIMELINE OF DANCE 3000 RETAIL COMPONENT/ SERVICES 1500 RETAIL COMPONENT/ SUPPLIES 600 USED BY PATRONS 2236.5 BUILDING CIRCULATION / EGRESS 19365 SQ. FT.

3RD FLOOR THEATER PRODUCTION STORAGE SHOP RESTROOMS 10% CORE FACTOR + UTILITIES

1 1 1 2

30 40 32 TBD

5803.5 6025 4700 300 10% CFU

5803.5 PRODUCTION AND LIGHTING 6025 STORAGE FOR PRODUCTION/ LIGHTS 4700 BUILDING SETS AND PROPS 600 USED BY PATRONS 2236.5 BUILDING CIRCULATION / EGRESS 19365 SQ. FT.

4TH FLOOR REHEARSAL LOCKER ROOM/DRESSING GREEN ROOM STORAGE RESTROOMS 10% CORE FACTOR + UTILITIES

3 3 3 1 2

30 10 30 30 TBD

Dance and Video Mapping Performance

1000 560 5345 300 10% CFU

6803.5 REHEARSAL SPACE FOR DANCERS 3000 CHANGING SPACE 1680 FOR PATRONS 5345 STORAGE FOR EQUIPMENT 600 USED BY PATRONS 2236.5 BUILDING CIRCULATION / EGRESS 19365 SQ. FT.

by: SILA SVETA

38

PROCESS 5

Building Program

BUILDING PROGRAM LOCATION

QTY CAPACITY

SIZE

TOTAL

NOTES

5TH FLOOR DANCE LAB MULTI-FUNCTIONAL STORAGE RESTROOMS 10% CORE FACTOR + UTILITIES

2 1 1 2

30 300 5 TBD

6TH FLOOR STUDIO/CLASSROOM CAFÉ RESTROOMS 10% CORE FACTOR + UTILITIES

6 1 2

20 TBD

300 10% CFU

7TH FLOOR STUDIO/CLASSROOM RESTROOMS 10% CORE FACTOR + UTILITIES

6 2

20 TBD

2500 300 10% CFU

15000 DANCE STUDIOS/PRACTICE SPACE 600 USED BY PATRONS 2236.5 BUILDING CIRCULATION / EGRESS 19365 SQ. FT.

8TH FLOOR BOARD ROOM CONFERENCE ROOM GREEN ROOM VIP LOUNGE OFFICE SUITE RESTROOMS 10% CORE FACTOR + UTILITIES

3 6 2 1 1 2

20 10 20 300 15 TBD

800 530 560 6828.5 3000 300 10% CFU

2400 LARGE BOARD ROOM FOR MEETINGS 3180 SMALLER CONF ROOM FOR MEETINGS 1120 FOR PATRONS 6828.5 FOR DONORS 3000 ADMINISTRATIVE STAFF 600 USED BY PATRONS 2236.5 BUILDING CIRCULATION / EGRESS 19365 SQ. FT.

Dance and Video Mapping Performance

4000 8000 528.5 300 10% CFU

2500

8000 FOR PEOPLE W/ DISABILITIES + VETERANS 8000 PERFORMANCE SPACE FOR LABS 528.5 STORAGE FOR MULTI-FUNCT SPACE 600 USED BY PATRONS 2236.5 BUILDING CIRCULATION / EGRESS 19365 SQ. FT. 15000 DANCE STUDIOS/PRACTICE SPACE EATING AREA FOR DANCERS 600 USED BY PATRONS 2236.5 BUILDING CIRCULATION / EGRESS 19365 SQ. FT.

by: SILA SVETA

39

PROCESS 6

Building Program

BUILDING PROGRAM LOCATION

QTY CAPACITY

SIZE

TOTAL

NOTES

9TH FLOOR RESTAURANT 1 RESTAURANT 2 RESTAURANT 3 RESTAURANT 4 STORAGE RESTROOMS 10% CORE FACTOR + UTILITIES

1 1 1 1 4 6

200 112 140 132 3 TO 5 TBD

5000 2800 3500 3228.5 200 300 10% CFU

ROOF TERRACE BAR/LOUNGE MECHANICAL 10% ROOF CIRCULATION

1 1 1

200 125 10

3500 2500 3000 10% CFU

3500 WALKABLE AREA/SEE THE VIEWS 2500 COVERSATION AREA/ SEE THE VIEWS 3000 UTILITIES/ MECHANICAL 2236.5 BUILDING CIRCULATION / EGRESS 11236.5 SQ. FT.

TOTAL

174,285 SQ. FT. PLUS ROOF/ PENTHOUSE

Dance and Video Mapping Performance

5000 DINING SPACE 2800 DINING SPACE 3500 DINING SPACE 3228.5 DINING SPACE 800 ADDT'L KITCHEN STORAGE 1800 USED BY PATRONS 2236.5 BUILDING CIRCULATION / EGRESS 19365 SQ. FT.

by: SILA SVETA

40

PROCESS 7

Building Design Concepts 1. Gameboard Configuration 2. Laban Movement

Concept 1

Concept 2 41

PROCESS 8

Building Design – Concept 1 GAMEBOARD

Dance and Video Mapping Performance 42

PROCESS 9

Building Design – Concept 2 LABAN TIME

Dance and Video Mapping Performance

WEIGHT

SPACE

by: SILA SVETA

43

PROCESS 10

Building Design – Concept 2 LABAN

1

3

TIME

WEIGHT

SPACE

2

Dance and Video Mapping Performance

4 44

PROCESS 11

Building Design – Preliminary Design

45

PROCESS 1

SUN STUDY – Summer Solstice: June 21

1900 N ST NW SITE LOCATION

00:00 – 03:45 – night 03:45 – 04:31 – astronomical twilight 04:31 – 05:12 – nautical twilight 05:12 – 05:44 – civil twilight 05:44 – 05:47 – sunrise 05:47 - 20:35 – daylight 20:35 – 20:38 – sunset 20:38 – 21:10 – civil twilight 21:10 – 21:50 – nautical twilight 21:50 – 22:37 – astronomical twilight 22:37 – 00:00 – night

46 SOURCE: SUNCAL.NET

PROCESS 2

SUN STUDY – Winter Solstice: December 21

1900 N ST NW SITE LOCATION

00:00 – 05:48 – night 05:48 – 06:21 – astronomical twilight 06:21 – 06:54 – nautical twilight 06:54 – 07:24 – civil twilight 07:24 – 07:27 – sunrise 07:27 – 16:47 – daylight 16:47 – 16:50 – sunset 16:50 – 17:20 – civil twilight 17:20 – 17:54 – nautical twilight 17:54 – 18:26 – astronomical twilight 18:26 – 00:00 – night

47 SOURCE: SUNCAL.NET

PROCESS 3

2 Top View

Wind Study – 1900 N St. NW Building Mass

1 East Facing Side

3 West Facing Side

48

PROCESS 1

Kinetic Architecture Kinetic architecture is a concept through which buildings are designed to allow parts of the structure to move, without reducing overall structural integrity.

•

Kinetic architecture can bring practical and aesthetic value to an already ambitious project.

•

The concept is as ancient as drawbridges in the Middle Ages, and as timely as building exterior schemes that adjust to natural elements.

•

The rationale for kinetic design in the U.S. is as much experiential as performative.

•

Practical, even economical, application of kinetics to enhance a building’s utility and performance has become at least a more viable alternative to be considered.

•

Kinetic system helps lower the building’s heating and cooling expenses by taking advantage of passive and active strategies.

1

ONE OCEAN PAVILION by Soma

2

PENUMBRA SHADING SYSTEM

3

FOSUN FOUNDATION 49 SOURCE: AASARCHITECTURE.COM

PROCESS 2

Kinetic Architecture ONE OCEAN PAVILION by Soma Located in Yeosu, South Korea, the aim of the design is to create an iconic landmark that is integrated into its urban context and the surrounding nature.

We experience the Ocean mainly in two ways, as an endless surface in an immersed perspective – as depth. This plain/ profound duality of the Ocean motivates the building’s spatial and organizational concept.

Continuous surfaces twist from vertical to horizontal orientation and define the significant interior spaces. Form, material, movement and light are seamlessly interrelated.

As a moving, emotional experience, the kinetic façade combines the sensation with the sensational while communicating the Expo’s theme in a innovative and investigative way.

50 SOURCE: SOMA-ARCHITECTURE.COM

PROCESS 3

Kinetic Architecture PENUMBRA SHADING SYSTEM by Tyler Short "This project was designed to offer a kinetic and mechanical solution to a problem that would otherwise be nearly impossible to solve with static architectural components: providing shading across a building facade for both low evening sun and high afternoon sun conditions," explained Tyler Short, who created the design for his architecture degree at the University of Oregon.

This video produced by architecture student Tyler Short shows an alternative to the traditional window shade – mechanical louvres that move in three dimensions to adapt to sunlight at different times of the day. Put into motion, the shades create an undulating ripple across the facade.

The solution was a series of vertical shading louvres, that can independently pivot to maximize solar protection, and when the sun reaches an altitude in which vertical louvres would be ineffective, completely rotate upwards to act as a horizontal shading element and light shelf.

51 SOURCE: DEZEEN.COM

PROCESS 4

Kinetic Architecture FOSUN FOUNDATION CULTURAL & ARTS CENTER by Heatherwick Studio and Foster + Partners Located in the Bund Finance Center of Shanghai, The front of Fosun Foundation cultural and arts center consists of three layers of bronze tubes, visually similar to bamboo, moving vertically around the structure, altering the shape of the building.

With an area of approximately 4,000 square meters, Fosun Foundation, was designed by Foster + Partners and Heatherwick Studio. Inspired by the open stages of traditional Chinese theatre, the architecture is a multilevel venue encircled by a three layers moving veil. Fosun Foundation's aim is to promote and provide various art exhibitions, fashion shows, culture performance, forums and summits.

52 SOURCE: TECHINSIDER.COM

PROCESS 1

Kinetic Energy • • •

•

Renewable Energy Low Cost Multifunctional custom flooring system • Each tile is equipped with a wireless API that transmits real-time movement data analytics about pedestrians’ movements Lights powered by clean & free energy • One footstep can generate about 20 seconds of power for an LED Light • Footsteps transformed into off-grid electricity • Flooring has been installed in streets, train stations, malls, offices, airports, and public spaces • Tiles are also able to connect to a range of mobile devices and building management systems.

by: SILA SVETA

53 SOURCE: PAVEGEN.COM

PROCESS 2

Kinetic Energy APPLICATIONS

54 SOURCE: PAVEGEN.COM

PROCESS 3

Kinetic Energy APPLICATIONS

55 SOURCE: PAVEGEN.COM

PROCESS 4

Kinetic Energy APPLICATIONS DuPont Circle, Washington DC The 18th of November 2016 marked a huge step in Pavegen’s development. We have our first large scale outdoor installation in the heart of one of the US’s busiest cities, Washington D.C. Pavegen has provided a seamless way for pedestrians to contribute renewable power to the local grid, by simply walking down the road. Every day 10,000 people will be passing over 240 sq. feet of Pavegen tiles on Connecticut Avenue, meters away from the White House.

The Pavegen team worked in conjunction with the District Department of Transportation, ZGF and Golden Triangle BID to deliver the installation. This project has initiated Pavegen’s further expansion into the US market, and has received tremendous press and support from both US and UK governments.

56 SOURCE: PAVEGEN.COM

PROCESS 5

Kinetic Energy APPLICATIONS Bird Street, London On June 29 Pavegen launched its latest installation at Bird Street, which runs off Oxford Street, the busiest shopping site in Europe. Commissioned by the New West End Company and Transport for London, a 20 square meter array of our award-winning V3 technology is the center piece of what has been billed the ‘world’s first smart street’.

The kinetic energy of visitors’ footsteps is being converted into electricity to power bird sounds during the day and a lighting display at night. The launch also coincides with release of our app, which rewards people for their footsteps via the Tribal Planet Citizen Earth platform. Pavegen is accompanying Airlabs, an air cleaning bench and Airlite whose paint removes VOCs and NOx emissions from the air, which has been applied to pop-up shopping pods. The street, which has been transformed from a forgotten side road into an attractive and healthier oasis, has really caught the imagination of local communities.

57 SOURCE: PAVEGEN.COM

PROCESS 6

Kinetic Energy APPLICATIONS Green Quarter - Astana, Kazakhstan On June 29 Pavegen launched its latest installation at Bird Street, which runs off Oxford Street, the busiest shopping site in Europe. Commissioned by the New West End Company and Transport for London, a 20 square meter array of our award-winning V3 technology is the center piece of what has been billed the ‘world’s first smart street’.

The kinetic energy of visitors’ footsteps is being converted into electricity to power bird sounds during the day and a lighting display at night. The launch also coincides with release of our app, which rewards people for their footsteps via the Tribal Planet Citizen Earth platform. Pavegen is accompanying Airlabs, an air cleaning bench and Airlite whose paint removes VOCs and NOx emissions from the air, which has been applied to pop-up shopping pods. The street, which has been transformed from a forgotten side road into an attractive and healthier oasis, has really caught the imagination of local communities.

58 SOURCE: PAVEGEN.COM

PROCESS 7

Kinetic Energy APPLICATIONS

Favela Football Pitch (Shell) - Rio de Janeiro, Brazil Challenge Aligning with the Shell #makethefuture campaign, to create a world's first viral project that inspires an entire community through sport, by supporting bright energy ideas.

Solution A 200-tile people-powered football pitch situated in the Morro de Mineira favela, a deprived area in Brazil. As the children run, their energy is stored in batteries to power the pitch floodlights after sunset.

Impact The project received media coverage in over 20 countries and was supported by Brazilian football legend, PelĂŠ. The story has received over 100 million impressions and an increase of 500% positive content engagement for Shell.

59 SOURCE: PAVEGEN.COM

PROCESS 8

Kinetic Energy APPLICATIONS The Crystal Building - London, UK Challenge To introduce 'People Power' to the UK's most sustainable building, The Crystal in London, through an informative and fun installation.

Solution 9 tiles were installed to power lighting inside the exhibition and track real-time footfall data. Two tiles power an interactive totem that visually displays the energy generated and the applications it can power.

Impact Situated in the 'Kinetic Energy Zone,' The Crystal is home to the world's largest technology exhibition on the future of smart cities. The Pavegen install proves to be a popular stop along the guided tours with students and guests interacting with the technology.

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PROCESS 9

Kinetic Energy APPLICATIONS Sandton City Mall - Johannesburg, South Africa

Challenge To unite wider communities through renewable energy generation by creating a proactive and optimistic way to make a change, as part of the Samsung Electronics Africa #WhatIfICan movement.

Solution A 68-tile walkway in Sandton City Mall, South Africa. The energy harvested was stored and donated to power a technology classroom in Sunrise Secondary School in the local rural village of Diepsloot.

Impact Over 402 million footsteps were collected and users could also donate their footsteps digitally via an Android app. The campaign received 14 million online impressions, ÂŁ470,000 in earned media and was shortlisted for a Cannes Lions Award.

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PROCESS 10

Kinetic Architecture & Energy APPLICATION TO PROJECT 1900 N St. NW DuPont Circle, Washington DC Challenge To introduce to the project site renewable energy generation by creating a proactive and optimistic way to make a change, as part of the my design solution for an interdisciplinary dance studio and performance theater.

Proposed Solution Kinetic sidewalks (pavers) and kinetic faรงade (responsive shading system) that will generate electricity for the building and surrounding site.

Site Impact To convert the external and internal spaces of the site into energy that will be used to power the building and therefore reduce heating and energy costs.

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SCHEMATIC DESIGN

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BUILDING FUNCTION DIAGRAM

PROGRAMMING 1

13.5’

Schematic Design: Spatial Relationships A.

B.

C.

D.

E.

Entrance/Street View • Theater 2 • Theater 3 • Gallery/Display • Bookstore • Cafe • Outdoor Landscaping/Seating Theater Production/Rehearsal Hall • Dressings Rooms • Locker Rooms • Backstage Dance Studios/Dance Labs • Classrooms • Multi-functional Board Room/Restaurant • Board Room • Conference Room • VIP Lounge • Restaurant

Bar/Lounge

Rooftop Terrace

Restaurants Brd Rm

Offices

Conf Rm VIP Lounge Classroom/Studios

15’

Classroom/Studios Dance Labs

14.5’

15’

Multi-functional

14.5’

Green Rm

Rehearsal

Shop

Theater Production

Theater 1

11.5’

Theater 2

Theater 3

Theater 2

Theater 3

14’ 30’

Gallery/Display Bookstore

Cafe

PARKING

Rooftop Terrace • Bar Lounge

64

SPACE PLAN 1

Space Planning & Spatial Relationships

N STREET NW 19TH STREET NW

20TH STREET NW SITE PLAN SCALE: 1/32” = 1’0”

OUTDOOR PUBLIC SPACE

KINETIC PAVERS

CORE BUILDING OUTDOOR SEMI-PUBLIC

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SPACE PLAN 1

Space Planning & Spatial Relationships

FIRST FL SPACE PLAN SCALE: 1/32” = 1’0”

ENTRY/LOBBY

BOOKSTORE/ CAFE

OUTDOOR PUBLIC SPACE

RECEPTION

GIFTSHOP

DISPLAY

OUTDOOR SEMI-PUBLIC

GALLERY

INDOOR-OUTDOOR SPACE / SPACE FOR THEATER 2 & 3

66

Perspective 1

Space Planning & Spatial Relationships

67

Perspective 1

Space Planning & Spatial Relationships

68

SPECIFICATIONS 1

Building Specifications Project Design

Location: Central Business District Number of Floors: 9 + Penthouse

Building Hours: Mon-Fri: 7am – 10pm; Sat: 9am – 11pm

Building Size: 174, 290

Nearest Metro: DuPont Circle (Red line); 1 Block

Typical Floor: 19,365 (Max)

Floor To Ceiling Height: 14’-0” (varies)

Building Amenities: Private rooftop space totaling 9,000 SF of indoor and outdoor amenity space with bar and lounge, bicycle parking, outdoor café seating area, and outdoor performance space

Loading Dock: Yes

Building Occupancy:

Passenger Elevators: 5

Building Type: Mix- Use

Beam Spacing: 40’x 30’/TBD

Freight Elevators: 1 Dance and Video Mapping Performance

by: SILA SVETA

69 SOURCE: MICROCITIES.NET

NEXT STEPS 1

Schematic Design & Design Development •

Floor plans

•

Sections; Elevations

•

Exterior Renderings

•

3 Model(s) of Building

•

Site Model

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REFERENCES 1.

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Duncan, Isadora. “The Dance of the Future.” Dance as a Theater Art: Source Readings in Dance History from 1581 to the Present. Ed. Selma Jeanne Cohen. Princeton, NJ: Princeton Book Company, Publishers, 1992.

Onians, John. “Greek Temple and Greek Brain.” Body and Building: Essays on the Changing Relation of Body and Architecture. Ed. George Dodds and Robert Tavernor. Cambridge, MA: The MIT Press, 2002.

Squillante, Sarah. “What do street dance and ballet have in common? Blog. https://ums.org/2014/01/23/what-do-street-dance-and-ballet-have-in-common/. Published Jan 23, 2014.

Tzonis, Alexander. Santiago Calatrava: The Poetics of Movement. New York: Universe Publishing, 1999.

Yudell, Robert J. “Body Movement.” Body, Memory, and Architecture. By Kent C.Bloomer, Charles W. Moore and Robert J. Yudell. New Haven: Yale University Press, 1977.

Blog. https://erenyazicioglu.wordpress.com/2016/11/14/dance-and-architecture/ Web. https://www.pinterest.com/pin/41447259044172963/?lp=true Web. http://robohub.org/the-relationship-between-dance-and-robotic-fabrication-with-video/ Web. http://www.kennedy-center.org/ Web. http://www.dancingstrong.com/architecture.html City Dance. Web. https://www.citydance.net/ The Dance Institute of Washington. Web. http://www.danceinstituteofwashington.org/ Voorthius, Jacob. http://www.voorthuis.net/. 1994 – 2014.

Web. http://www.areavibes.com/washington-dc/dupont+circle/livability/?ll=38.91165+-77.04346 Web. http://www.derivative.ca/events/2012/SilaSveta/ Web. https://www.archdaily.com/797079/steven-holl-and-jessica-langs-tesseracts-of-time-explores-the-relationship-between-architecture-and-dance Web. https://planning.dc.gov/publication/dupont-circle-retail-action-strategy Web. http://dance.arizona.edu/about_us/facilities/stevie_eller_theatre/ Web. http://www.etsy.com http://dance-in-architecture.blogspot.com/2011/08/visualizing-movement-of-dance.html http://www.dsgnr.cl/2017/10/camaras-bailarines-nexo-danza-fotografia-arquitectura-jacob-jonas/ https://www.yatzer.com/jacob-jonas-company-camerasanddancers http://microcities.net/portfolio/measuring-space/ Newlove, Jean, 1993, Laban for Actors and Dancers, Putting Laban’s Movement Theory into Practice, A Step-by-Step Guide, Nick Hern Books, United Kingdom https://www.theatrefolk.com/blog/the-eight-efforts-laban-movement/ http://www.movementhasmeaning.com/wp-content/uploads/2010/09/LMA-Workshop-Sheet.pdf Web. https://www.google.com/search? q=architecture+and+dance&safe= active&source=lnms&tbm=isch& sa=X&ved= 0ahUKEwjorrihhu3YAhVJ3FMKHaWaB g4Q_AUICigB&biw=1371&bih=673# imgdii=PfEGZUKKPmdGeM:&imgrc= CDqm-u9PkC_QoM Web. https://ar.pinterest.com/pin/ 666321707337780985 Web. http://www.academia.edu/6253327/The_architectural_spaces_and_Their_psychological_impacts Web. https://www.wired.com/2011/04/the-psychology-of-architecture/ Web. https://sydney.edu.au/architecture/documents/staff/garymoore/28.pdf Web. http://www.bbc.com/future/story/20170605-the-psychology-behind-your-citys-design Web. http://www.kopvol.com/downloads/2009_Vollmer%20Koppen_The%20Psychological%20Quantum%20of%20Architecture.pdf Web. https://issuu.com/madhurjain22/docs/human_psychology_in_rehabilitative_ Web. http://portico.space/journal//architectural-concepts-circulation Web. https://www.aaai.org/Papers/Symposia/Spring/2005/SS-05-06/SS05-06-025.pdf Web. https://www.researchgate.net/publication/228646158_Space_Syntax_in_Architectural_Design https://creators.vice.com/en_uk/article/jpvekb/how-motion-can-bring-us-together-through-architecture http://www.soma-architecture.com/index.php?page=theme_pavilion&parent=2# https://www.bdcnetwork.com/shape-shifters-kinetic-architecture-allows-buildings-perform-beyond-their-intended-purpose http://www.pavegen.com/permanent

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THESIS STUDIO I Progress Presentation DANCE AND ARCHITECTURE Spatial Qualities: From (Dance) Movement to Architectural Form An Interdisciplinary Dance Studio & Performance Theater

ERIC HARRIS PROF. SUSAN KLIMAN ARCP 502-01 SPRING 2018

THANK YOU!

PROGRESS PRESENTATION

5-4-18

SOURCE: STUDIOLECARRE