Architecture portfolio

E R F A N F A L L A H I A N

Selected Works

2019-2023

ARCHIT E C T U R E P O R T F O L I O

2019 - 2023

E R F A N F A L L A H I A N Architecture Portfolio

CONTENTS Erfan Fallahian CV Introduction 01 | 7 Peykar (7 Domes) Architectural Representation

1 - 2

3 - 6

7 - 10

Academic Project 03 | A Settlement For Street Children

Academic Project 05 | Behnoud House II Professional Project 06 | Barz Rural House Professional Project

08 | Kooche Magazine Competition

25 - 28

29 - 30

09 | Fundamental Workshop Competition

31 - 32

Competition Project

11 - 14

Academic Project 04 | Residential Apartment

Professional Project

Competition Project

Academic Project 02 | Risbaf Factory Heritage ReDesign

07 | Behnoud House I

15 - 18

19 - 20

21 - 24

Taar Workshop-Regeneration Workshop Experience Publications Personal Experiences Photographies & Collages Personal Experiences Sketches Personal Experiences

33

34

35 - 36

37

Erfan fallahian Curriculum Vitae

About Me: As an aspiring architect and a current student pursuing a Master’s degree in Architecture at the Art University of Isfahan, I am eager to merge my academic insights with real-world experiences. My strengths in critical thinking, creativity, adaptability, time management, and collaborative leadership position me to contribute effectively and thrive in diverse environments. Let’s embark on this journey of innovation and growth together.

Contact Info: Isfahan, IRAN www.erfanfallahian.com Erfan.fallahian.S@gmail.com +98(922) 692-6053 Erfan_Fallahian Erfan_Fallahian

1| CV

Research Interests

Work Experience

Research experience

Te a c h i n g E x p e r i e n c e

•Architectural Space-Place •Spatial Dialectics •Phenomenology in architecture •Historic and Cultural Architecture •Architectural Representation •Philosophy of Architecture Education

2022 - Now Golcheghane Atelier Position: Atelier Chef

“Body & Architecture” Research presentation at art university of Isfahan (May 2023)

2nd Sem 2022-2023

FAFA House Rehabilitation IR, Kashan _ (Start) Role: Second Architect Sabbagh Timche Rehabilitation IR, Kashan Bazar_ (built) Role: Project Representor Behnood House II Rehabilitation IR, Kashan _ (unbuilt) Role: Second Architect 111 Guest House Rehabilitation IR, Kashan _ (built) Role: design team + Site Supervisior Barz Rural House Architectural Design IR, Isfahan, Barz _ (under Construction) Role: Second Architect Aghaei Boutique Hotel Interior Design IR, Kashan _ (unbuilt) Role: Second Architect Behnood Gallery Rehabilitation IR, Kashan _ (under construction) Role: Second Architect

“History of body in architecture and merleau-pontie’s Philosophy on embodiment in architecture.”

2021 - Now M.A. Architecture Art University of Isfahan GPA: (18.33/20) or (3.90/4) Final Thesis: Finding a pattern of contemporary houses based on the analysis of body, tectonics, and space (supervisor: Dr. M. Afshari)

2021 - Now B.A. Architecture Sheikhi-bahaii University of Isfahan GPA: (16.12/20) or (3.21/4) Final Thesis: Designing a settlement for street children (supervisor: Prof. M.J.Fesharaki)

Skills & Tool

Photoshop InDesign MS Office

Research General

Mendely Endnote

Architecture

AutoCad 3Ds Max Lumion Sketchup

2020 - 2021 Project Collabration & Internship Amani House Façade Design In associate with Barsam Hajirasouliha Yakhchal House rehabilitation 1st place in Mizan architecture prize Role: Part of Representation team Client: Sasan Rezaporian Aoos-e-Manzel Villa District Entrance Gate Architecture Design In associate with Nima Taghi-zoghi Villa Tonekabon Architecture Design In associate with Nima Taghi-zoghi

“Utopias & Architecture” Research presentation at art university of Isfahan (May 2023) “ The history of Utopian thinking in the architecture in the book of N. Coleman : Utopian & Architecture”

Publications Climatic design solutions in the architectural element of Hozkhaneh (Springhouse) in traditional houses of Isfahan (Oct. 2023)

Exploring Socio-Spatial Problematics through the Application of Power Discourse on Architectural Space based on Henry Lefebvre’s Ideas (Sep. 2023)

Embodied experience of architecture: a research on the role of body in design process (Sep. 2023)

Heterotopia in Architectural Space and Social Democracy based on Michel Foucault's ideas

2| CV

Under Review

Teacher's Assistant Art University of Isfahan-Design StudioII Professor Mehdi Mahmoudi

Awards & Honors 2022 - 2023 Member of Architecture Scientific Association, Art University of Isfahan, Architecture Department (Instagram/anjoman_aui)

Jan 2021 Yakhchal House rehabilitation, Isfahan, Iran

1st plcae in Mizan architecture prize (Part of Representation team)

Sep 2019 Taar Workshop-Regeneration Volun-

teer Candidate;

A workshop on rehabilitating Taar water mill, Isfahan (Instagram/Workshop_Regeneration)

May 2019 Fundamental Workshop-Competition; Isfahan, Iran 2nd Place Winning Award

Languages English: IELTS Overall Score 6.5 ( L:7.0, R:6.0, W:6.5, S:6.5) Persian: Native

01

Haft-peykar (7 Domes) Architectural Representation Academic Project|Master’s Design studio II Date: Spring 2023 Course: Design Studio II Instructor: Dr. mahmoudi Role: Designer The seventh composition in the corpus of Nezami’s works, titled “Haft Peykar,” was initiated in the year 590 Hijri and spanned four years of dedicated literary endeavor. Among the five treasures of Nezami’s poetic legacy, “Haft Peykar” stands out as the most remarkable and innovative. This poetic masterpiece serves as a historical account of Bahram Gur’s life journey.

Within this poetic narrative, Nezami, as the primary narrator, meticulously details the life of Bahram Gur from his early childhood through his youth, chronicling his rise to kingship, reign, and his astounding achievements. Furthermore, the narrative gathers the seven princesses from the seven climes, each characterized by distinctive traits and attributes, uniting them to engage in the captivating tale of Bahram and his interactions with the seven princesses from the seven regions.

3D Isometric Perspective

3D Isometric Perspective

3| Academic

3D Isometric Perspective

4| Academic

Black Dome

Gold Dome

Green Dome

Red Dome Blue Dome

Sandal Dome

White Dome

The story presented by Nizami unfolds in a linear poetic structure, starting in a black dome and ending in a white dome. Despite this linear progression, the imagery transcends time, creating a timeless, surreal landscape.

A View of Green Dome

Upward Path

1. Linear path of 7-peykar narrative

Lin

ea

rP

at

h

2. Combination of linear + upward

3. Final complicated design

A View of Sandal Dome

A View of White Dome

5| Academic

As the protagonist, Bahram, moves between domes and interacts with the Lady of the Palace, he undergoes an evolving journey. However, the narrative contains complexities that add intricacies to the storyline.

To solidify the overall design, each dome must have a unique form, using a 9-part square model.

The architectural elements and climatic influences of each dome’s Lady shape its design.

By segmenting the structures, a sense of disconnection is created, resulting in an unreal space that reflects the narrative within. This approach blurs boundaries and unifies the interior and exterior, forming a cohesive whole.

Complicated like a Maze

A Surreal Narrative

Romantic & Erotic Space

No Time & No Place

Imagination of Reality

Impossible in real world

Haft-Peykar’s Characteristics

-Black Dome

-Golden Dome

-Green Dome

-Red Dome

-Blue Dome

-Sandal Dome

-White Dome

-Story of Indian Lady

-Story of Persian Lady

-Story of Roman Lady

-Story of Russian Lady

-Story of Egyption Lady

-Story of Chinese Lady

-Story of Khawrazm Lady

-Saturn

-Sun

-Saturn

-Mars

-Mercury

-Jupiter

-Venus

6| Academic

02

Risbaf Factory Heritage ReDesign Academic Project|Master’s Design studio II Date: winter 2022 Course: Design Studio I Instructor: Dr. Saghafi Role: Lead Designer (Partners: O. dashti, E. Majidi) The Risbaf factory, also known as the National Risbaf Company, in Isfahan has historical significance dating back to 1932. Initially focused on rope production, it expanded to cotton and woolen fabrics by 1934. Plans to transform it into the Isfahan Museum haven't materialized, and the factory, built on 69,000 square meters in the style of Peter Behrens, now faces decay. Proposals for revitalization involve a three-phase approach: restoring and strengthening existing structures (warehouse areas) from the Safavid era, creating a community-friendly space with multifunctional facilities like museums, amphitheaters, and cafes, and introducing poetic elements such as steel structures to enhance the overall experience, reflecting the garden-like atmosphere of Chaharbagh. The aim is to preserve cultural heritage, serve daily needs, attract various social groups, and establish a dynamic urban environment, ultimately transforming the factory into a multifunctional, open space.

Site Location in Isfahan, Iran

7| Academic

A View of the main entrance

A View of central part of the complex

A View of entrance central yard

A View of central part of the complex

A View of central part of the complex

8| Academic

Invaluable Industrial Heritage

Proximity with Charbagh as a Live Urban line

Designing a Livable and Dynamic Urban Space

Using Similar Case Studies

Considering Diverse Groups of the society

Given the examination of the dormant urban space in this city area, there's potential for transformation into a lively urban space, preserving architectural and cultural heritage. The design focuses on creating a dynamic urban environment in three stages below:

1 1. Renovation and Preservation of Cultural Collection's Structures and Empty Urban Spaces.

2

3

2. Creation of a Multifunctional Open urban Space for Diverse Community Engagement and Services.

9| Academic Section B-B

3. Creation of Dramatic Spaces through Steel Structures, Emphasizing Heritage and Offering Varied Experiences in the Collection.

Guide

The glass pages intertwine to create a captivating and mysterious spatial environment.

boxes along the path, creating a space for selecting and preparing refreshments.

Plan of Risbaf

1. Creative Industries Gallery 2. Syrup House 3. Sanitary Services 4. Workspace & Research Area 5. Culture & Art Library 6. Art Laboratory 7. Creative Workshops 8. Book Cafe 9. Storage (Exclusive) 10. Administrative 11. Observation Point 12. Art Exhibition 13. Commercial 14. Textile Industry Museum 15. Art Gallery 16. Music Exhibition 17. Children's Creative Center 18. Board & Celebrities Hall 19. Digital Center 20. Amphitheater 21. Restaurant 22. Experimental Workshops 23. Arts and Techniques 24. Central Facilities 25. Greenhouse 26. Security and Guard 27. Educational Classroom

03

A Settlement for street children Academic Project|Bachelor’s Final Design Studio Date: Spring 2020 Course: Design Studio VI Instructor: Eng. Fesharaki Role: Lead Designer (Partner: F. Taghian) Children, especially those who work and live on the streets, are a vulnerable group, and neglecting their needs can have severe consequences for society. These children, facing the hardships of street life, are at risk of disrupted physical, mental, emotional, and social development. They require special attention.

Addressing the issue of street children is vital for several reasons. It's a significant social concern with far-reaching implications, as these children are among the most deprived and often engage in risky behaviors. The lack of adequate facilities in large cities like Isfahan is a problem.

This leading project aims to develop regulations and standards for designing centers to support street children. It will focus on creating a residential, educational, and recreational center for boys aged 7 to 12 in Isfahan's District 1, considering the higher male population in this age group.

11| Academic

Site Plan

In below the process of design has been showed step by step. This proccess has been influenced by the natural and functional factors.

1. A modular grid on site boundries

2. Main axes inspired

by Isfahan axes

3. Four Square zones created

4. Central courtyard for each zone

5. Elimanation of some parts because of limitations

6. Main Entrance and locating main spaces

7. Choreograph the circulation in the building

8. Final complex and adding green areas

12| Academic

Ground Fl. Plan

First Fl. Plan

Section A-A

13| Academic

Site Analysis

Historical zones around the site

Natrual Axes around the site

Climate Analysis of the site

Upper spaces (Dorms) become more private for children

Car & Pedstrain access to the site First Fl. Perspective A View of the main entrance

Ground Fl. Perspective A View of entrance central yard

Isometric Perspective of Complex 14| Academic

A View of central part of the complex

04

Reseidential Apartment Academic Project|Bachelor’s Design Studio V Date: Fall 2019 Course: Design Studio V Instructor: Dr. Nekoei Role: Designer (Partners: B. Hajirasouliha + A. Asgari) A task was presented involving the design of a four-story apartment complex within the constraints of a site measuring 20 meters in width and 40 meters in length. The prescribed programmatic elements for the development included allocating underground space for parking, a gym, and storage facilities. On the ground floor, provisions were to be made for a lobby, a door keeper suite, and a one-bedroom apartment. The first and second floors were designated for one-bedroom, two-bedroom, and three-bedroom apartments. The third floor was designated for one-bedroom and four-bedroom apartments, while the fourth floor was reserved for a one-bedroom penthouse.

Given the dimensions of the site, the design necessitated the incorporation of voids to facilitate the ingress of natural light and ventilation to all the apartments. These voids were conceived not merely as apertures for light and air but also as functional spaces akin to individual green courtyards for each apartment on the respective floors. This innovative design concept enabled the creation of high-quality living spaces for each apartment, catering to diverse preferences by offering a range of apartment sizes.

A view from Northeast

15| Academic

A view of North Facade

A view of Western side from South

A view of the western void from outside

16| Academic

A view from Northeast

1

1. The given site location with dimention : 20m × 40m

Level +16

Level +13

2

3

2. According to the urban regulations we were allowed to build 60% of the site and the other should be green.

Brick Material in facade design

Level +10

Level +7

3. Voids eliminated from the mass to provide daylight, fresh air, greenary and view.

Rusty Metal for outdoor frames Section C-C

Level +4

4

5

Design Process Diagram

4. Given the rules we were able to develop north and south side 1.20 meters.

Level 0

Exposed concrete in facade designe

Level -2

5. The final format of different apartment with high quality space were designed.

Level -5

Exploded Diagram

17| Academic

Section B-B

4th Fl.

Terrace

1-bedroom apartmetnt

3d Fl.

4-bedroom apartment 2-bedroom apartment

Parking -2 Plan

Ground Fl. Plan

3rd Fl. Plan

1st + 2nd Fl.

3-bedroom apartment Instalations

Locker room

Ground Fl.

Gym

Stair & Elevator

1st + 2nd Fl. Plan

4th Fl. Plan

18| Academic

Parking -1 Parking -1 Plan

Parking

Parking -2

Storage

Physical program Diagram

Isfahan Location in Iran

05

Behnoud House II Professional Project|Golcheghane Atelier Date: Winter 2022 Location: Iran, Kashan Principle Architect: Sasan Rezapourian Role: Senior Architect Kashan Location in Isfahan

Site Location in Kashan

This House which is located in a residential context of Mohtasham neighbourhood of kashan, is a Qajar based house with Pahlavi interpolations.

Almost 2 sides of the house is destructed during the time and some restorations have been done by the last owner.

In order to make this house back alive, Firt of all we should have completed the pattern of the house in the destructed sides of the house according to Isometric Perspective the speculations. The next step was planning a physical program that in Before rehabilitation addition to be efficient, also justifies the economy.

So the decision was considering this house as a residential complex which consists of some residential units and some public zones that can serve people living there and also other clients that come to visit.

Units supply the daily needs of people and considered in different areas to serve different desires and othe public zones are for the social needs.

19| Professional

Isometric Perspective After rehabilitation

Ground Fl. Plan

A View of the House frome upper courtyard

Physical Program Diagram

Basement Fl. Plan

The house consists of some residental units and some public zones. In the provided diagram, residential units has been clarified with red color and public parts are shown with icons

Circulation Diagram

Some changes occured in the movement circulation of the house to make easier access to the spaces.

A View of the House from northside of the courtyard

20| Professional

Section C-C

A View of the House frome garden pit

06

Barz Rural HOUSE Professional Project|Golcheghane Atelier Date: Summer 2022 Location: Iran, Isfahan, Natanz, Barz Village Principle Architect: Sasan Rezapourian Role: Senior Architect According to the needs of the client and the situation of the building were it was in, the physical program of the new house has been placed in the right position.

Decision has made to add a space to the existing spaces to resolve the needed spaces, wich located in the space within entrance and the rooms.

According to the diagram below, after entering the house you pass throw a corridor to reach the hashti. In this area you can go upstairs, to the house, or enter the Iwan. as it shows, there is a kitchen between the private area and the public one wich connects and departs these to spaces.

Also on the top of the living room we have a parlour wich can be used by the suite of upstairs or a place for the guests o the public area.

Vertical access to the upstairs which is a suite for the owner, has considered in 2 defernt zones: 1. One of them is right after you enterd which can be accessed throw Hashti.

2. Other in the private part which can be accesed throw the indoor spaces.

21| Professional

Site Plan

A View from entrance corridor

A View from 1st floor’s terrace

A closeup View of the building

A View from southwest to the building

22| Professional

A View southeast to the building

The inception of this project's design process entailed a comprehensive documentation of the existing condition of the residence, aimed at gaining an indepth comprehension of the house's prevailing architectural language and the state of its structural elements. Subsequently, we integrated the requisite physical program requirements into this foundational understanding, thereby guiding the evolution of our design concept within the context of the preexisting conditions.

A key facet of our proposal was a deliberate consideration of spatial privacy.

While our design promotes spatial flexibility, a paramount concern was the strategic arrangement of spaces to ensure a progressive increase in privacy as one moves from the entrance to the upper levels of the house. This meticulous attention to the hierarchy of spatial privacy underscores our commitment to creating a design that not only accommodates functional needs but also prioritizes the inhabitants' sense of seclusion and comfort within the space.

Isometric Perspective Before rehabilitation

Adjointed gable roof structure Gable roof consists of:

Ajointed I-beam Structures

1. upper perlins 2. truss 3. lower Perlins 4. galvanized sheet

Current Structure of the house

1st fl. wooden spars Isometric Perspective After rehabilitation

1st fl. piers structure Adjointed stairs ground fl. wooden spars

ground fl. piers structure Current Structure Wall Section

23| Professional

StairCase

Terrace

Service

Master Room

Closet

Kitchen

Parlor Living Room Rest Room

Outdoor Stairs

Hashti

Service

Owners Suite

More Private

Stairs

Rooms

Kitchen

Panj-Dari

More Public

Entry

Iwan Courtyard

Enrance Corridor

As we get close to the 1st floor, the spaces becom more private.

Closet

Instalations Yard Access

Physical Program Diagram

Storage

1.Enrance

3. Hashti

5. Storage

7. Courtyard 9. Panj-Dari

11. Kitchen

2. Corridor

4. Yard access

6. Instalation

8. Iwan

12. Bedroom 14. Bath

10. W.C.

13. Closet

The House exploded 3D

Ground fl. plan

24| Professional

07

Behnood House I Professional Project|Golcheghane Atelier Date: Fall 2022 Location: Iran, Kashan Principle Architect: Sasan Rezapourian Role: Senior Architect Sar-pole neighborhood`s building is a 9-part plan house with a sunken courtyard in between which is located in the center of Kashan historical context. Not much is known about previous owners, but probably it belonged to a middle-class family of its era.

The project began in the fall of 2022 with studies and documentation of the current situation. It was designed by defining the usage change of the house to the gallery-cafe for the employer, Behnoode Foundation.

The design of the building was formed in two rounds: First round was rehabilitation of the building as an Irainian house.

Second round was designing the house according to the usage change of it into an Art-residency place.

25| Professional

Current Situation of The House

Roof fl. perspective level: +3.31

Site Location in the city Ground fl. perspective level: -1.20 Site Analysis

Neighborhood Location

Neighborhood Access

Neighborhood Mass

Neighborhood Void

26| Professional

Basement fl. perspective level: -5.50

Design Process 1. Current status of the house

2. Panj-dari returned to its original proportions

3. Entrance axis of the house formed

Ground fl. plan

Private Circulation

Public Circulation

House transformed into gallery with changes aligned to Artist-Audience axes. Host-Guest and Private-Public relationships formed. Ground floor and sunken courtyard feature main spaces like Hashti, living areas, and exhibition rooms. Ancillary spaces hold service facilities.

4. Two Rooms on the roof were added

5. The balcony(public space) were formed

Basement fl. plan

Section A-A

27| Professional

6. The house after rehabilitations.

A View from South side of the courtyard

A View from North side of the courtyard

28| Professional

08

Kooche Magazine Competition Competition Project|House design Date: Winter 2023 Organizer: Kooche Magazine Status: Not Send Role: Designer The answer to question of this competition is the statement below: Home as a place of being Heidegger asserts that human existence is rooted in settling, achieved through harmonious coexistence with the world via construction using four elements. The Iranian house, evolving over time, once served as a stable temporal model but lost relevance due to modernity’s complexities.

Home and contemporariness To be contemporary, one must bridge the past, present, and future, which eluded illusory modernity introduced to an underdeveloped Iran. The search for contemporaneity birthed new patterns replacing the evolutionary past.

Home in place Lefebvre posits space as a product shaped by ideological, economic, and political forces. Iranian homes interact with surrounding spaces, utilizing inefficient urban designs as social cores, with parking serving both residents and passerby-generated public spaces.

Home’s narrative Updating house plans, as shown in diagrams, is crucial but insufficient.

Sustaining Iran’s architectural heritage necessitates dialectical action in adapting past models to contemporary needs.

29| competition

3D Section Isometric Perspective

Design Process

1. Using the central pattern House

2. Exmine how it was designed in the past

3. Obtaining the grammar using case studies

Moving machines underground enables people to live together under the sky.

A bird-view of the house

first fl. plan

4. Merging new concrete system with obtained design

The parking lot will be moved underground so that people can attend on the ground The parking lots are connected to the sky through openings

5. Considering contemporary life style in the physical program A View of the House from north-east

Movable elements create democratic spaces; cities for “becoming,” houses for “being.”

A View of the House from south-west

City walls not renovated, but “framed” for lasting memories, protesting against speculation.

The cars places become the of the neighborhood’s social centers

6. Synthesis of Modern system and traditional one

7. Influence of place; Providing the outer shell of the building for the city

30| competition

House within the world of the city

09

Fundamental Workshop-Competition Competition Project|Pavilion design Date: Winter 2019 Organizer: Maan Memaran Isfahan Status: 2nd Place winner Role: Designer In the context of this competition, participants were instructured to design a pavilion utilizing fundamental design elements, including dot, line, and surface. The ultimate objective was to establish a cubic structure through their design. Following a systematic exploration of various alternatives, the ultimate design was subsequently formed.

Curiosity is a prominent theme in the circulation of this structure. There is no obvious way for visitors to observe what takes place on the next floor.

Additionally, there are some irregularities in the plates which have enabled others to use them differently. Also important to note here is the connection between people and the site around the project, which can be clearly seen in the diagrams.

Dot

31| competition

Line

Surface

Define a Cube

Line Groups

The cube is composed of two groups of diagonal lines and one group of parallel plates, each of which defines the cube independently. This cube also has certain restrictions that should be mentioned.

In different angles of view, the cube’s final form resembles a wonderful matlike texture.

Alt 1.

Circulation Diagram

Surfaces in different levels

Alt 2.

Alt 3.

Alt 4.

Alt 5.

Alt 6.

Alt 7.

Different Alternatives trial & error

Pavilion Plan (dots+lines+surfaces)

Combine both

Circulation Diagram Pavilion Plan (surfaces)

Eliminate limitations

Design process Diagram

Circulation Diagram

Circulation Diagram

32| competition

Pavilion Plan (lines)

Ta a r W o r k s h o p - R e g e n e r a t i o n Experience Description: Participating in the “Taar Workshop-regeneration” was an exceptional experience that emphasized the power of collaboration and handson problem-solving. With over 60 participants, including students, tutors, lecturers, local experts, and international partners, this workshop tackled the pressing issue of rural transformation in Iran. Through a blend of academic discussions, field visits, and practical projects like regenerating a cottage and a watermill, we explored conservation, circularity, degrowth, indigenous methodology, and resiliency. This collaborative effort transcended borders, creating a multilayered perspective on rural regeneration that left a lasting impact on all involved.

Date: Sep. 2019

Click to see more ...

Group photo of participants © Arezoo khazanbeig

Aerial photo of the location of the site

Before regeneration © Sonia Beigi

After regeneration © Amirreza Azade

Section of the watermill and its neighborhood © Arkadeep Roy

1

33| Workshop

Publications

Embodied experience of architecture: Research on the role of body in design process

Exploring Socio-Spatial Problematics through the Application of Power Discourse on Architectural Space based on Henry Lefebvre’s Ideas

The 5th international conference on new technology in architecture engineering and town planning in Iran

The 10th National Conference on Modern Studies and Research in Geography, Architecture and Urban Development of Iran

Date: Sep. 2023

Date: Sep. 2023

Abstract: Throughout history, various perspectives regarding the body have shaped architectural designs. These perspectives have shifted from viewing the body as a structure to considering it as a machine and beyond. The focal point of the current research is the consideration of the lived body, which is central idea of Merleau-Ponty’s philosophy. According to this viewpoint, the process of human existence and perception is corporeal. In other words, humans perceive and embody things in space through their bodies, and their existence is fundamentally tied to this embodiment. Thus, the body can be considered the existential center of space, a space that emerges from architectural design. By considering their lived experience and the user’s lived-world, the architect, brings a space to the forefront. This space is imbued with cultural, political, social, economic forces, etc., internalized through the design process.

Lived experience, in fact, creates a bond between the experiencer and the experienced through the body. The present research aims to explore the role of the body in the design process. The findings of the research indicate that the architectural design process is an embodied process, where the designer provides the user with environmental conditions through their connection with the user’s body. Additionally, the architectural design becomes a place where the user interacts with the designer through multisensory experience, thus architectural design effects a form of art conveying messages.

Link to the article

Abstract: Henry Lefebvre’s theory of space production represents a groundbreaking shift in spatial conceptualization. He transforms space from a passive, impartial construct to a socially constructed, problematic framework produced by society. This research focuses on Lefebvre’s contributions to architecture. Viewing architecture as the art of creating space, the real achievement of this art is seen as the creation of space itself. Unlike the conventional view where space is taken for granted in design, Lefebvre argues that space is a social product, revealing complex socio-political elements.

Therefore, space is not merely a container; it’s a political entity fundamental to architectural practice. The research underscores how, according to Lefebvre’s ideas, space plays a central role in continuous social interaction and serves a political function in safeguarding the interests of political powers. Architecture serves as a tool for producing this social product (space), enabling dominant powers to exert control over users. By integrating the experiences of users in representational spaces, power dynamics become visible in everyday life, with space acting as a medium for power to influence users.

Link to the article 34| Publications

Analogue photographies In my perspective, photography serves as more than a mere hobby; rather, I perceive it as a valuable means of deliberate practice. I posit that photography aids architects in enhancing their capacity to perceive and analyze their surroundings. Analog photography, in particular, facilitates an in-depth examination of the interplay between light and composition, guided by aesthetic principles, ultimately leading to the creation of artistic works. Moreover, photography serves as a mode of contemplative thought and concentration.

Canon T70 | Veresk

Canon T70 | Veresk

Canon T70 | Kashan

Canon T70 | Barz

Canon T70 | Abyane

Canon T70 | Eznaveh

35| Personal Experiences

Digital Collages In my perspective, collages are one of the best ways of expressing art.

I sometimes use the photos I take to manifest something abstract in my mind through digital collage and visualizations.

Psycho Ceiling

Sufism of Sama

Nudity in the cemetery

36| Personal Experiences

Sketches The act of sketching within a notebook holds significance for architects as it serves as a means to distill abstract concepts into tangible architectural designs. Presented below is a curated assortment of sketches transcribed from my personal notebook.

37| Personal Experiences

That is the true beginning of our end

T h a n k Yo u F o r Yo u r T i m e

William Shakespeare