Epiphany Magazine - The Homage Issue No. 16

ISSUE NO.16

CREATE YOUR REALITY

A look into the remarkable life of

the Jack of all trades, master of all.

Navigating a new chapter of the Arti-culator with author

The Issue

the inside of scoop:

An excerpt from the Art-iculator with iconic artist

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Issue No.16 Sponsored by

I

Advocacy and Achievement:

n a world where the path to success is often painted with conventional hues of academic degrees and corporate ladders, there are those who color outside these lines with a palette of passion, advocacy, and community. Mindy Galloway, owner of the Pocket Dispensary, is one such individual.

The Pocket Dispensary, is more than just a place to purchase cannabis products; it is a reflection of Mindy’s values, her commitment to community empowerment, and her vision for an inclusive future.

The humbling Beginning: Mindy Galloway’s story with cannabis began in her younger years, not in the classrooms of academia but in the workshops of life, where she learned to harness every part of the cannabis plant.

Galloway’s serious engagement with cannabis started in 2008, when she joined A Therapeutic Alternative in Sacramento. Here, she was unknowingly part of an internal incubator program designed by owner Kimberly Cargile to foster diversity and women leadership within the cannabis space.

“The incubator taught us everything about running a business from accounting and HR to inventory management,” Mindy recalls. This comprehensive training prepared her for the role of a CEO, a position she’s held for over five years, overseeing manufacturing and distribution in addition to managing a dispensary.

Galloway’s rise was not without challenges.

In Sacramento, only 30 dispensaries had been licensed since 2010, and there was a clear lack of representation for women and people of color among the owners. To achieve her success, Galloway and several others advocated for more licenses under the social equity program. Her tenacity paid off when she was one of only ten people chosen from a pool of 200 applicants to receive a dispensary license – a strenuous journey that took two and a half years.

“

It is our mission to inspire and motivate people, using cannabis, creativity, and caring to help them reach a balance of physical and mental health.

- Mindy Galloway

A Entrance into Wellness The Pocket Dispensary is more than a place to buy cannabis; it’s an entry into wellness with plant medicine.

Mindy’s brand story is about introducing this transformative experience to the Pocket/South Land Park/Greenhaven Neighborhood. “It’s about the experience, the people, the positivity, and the feeling of safety to explore and learn,” she explains. Her focus on customer service and education transcends the transactional nature of retail to offer a holistic health journey.

Mission for the Community The Pocket Dispensary’s mission is to create a safe and sacred world of wellness, where people are inspired to achieve balance in physical and mental health through cannabis, creativity, and selfcare. Education is a cornerstone of their approach, as is the empowerment of members to become advocates for their own C10-0001156-LIC

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Looking to the future, Mindy envisions a brand identity that intertwines cannabis with programming and healing in a community setting. Her goal is to broaden the understanding of how cannabis can alleviate physical ailments and foster mental serenity, leading to a better quality of life.

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Aligned Values Mindy’s values are deeply embedded in the fabric of the Pocket Dispensary. Her passion for people and their stories of relief, her commitment to creating opportunities for artists and the community, and her plans for charity work all resonate with the essence of her business. She’s also a board member of Sisters of the Creative Divine, an organization dedicated to empowering women in shelters or seeking assistance.

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Words of Wisdom and A Call to Community

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Galloway imparts with some words of wisdom: “Real richness is not about having a lot of money; it’s about having good people in your life.” Says Mindy, She credits her success to the support of mentors and the power of community, firmly believing that a collective effort is key to solving world issues.

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Mindy Galloway’s story with the Pocket Dispensary is a vivid illustration of what can be achieved when one combines personal passion with a commitment to community and wellness. Her journey shows us that success can be measured not just in profits, but in the lives touched, the knowledge shared, and the world made a little better through genuine care and connection.

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CONTENTS THE HOMAGE ISSUE N0.16

letter from the editor Homage to Black History Month

1 3 5

Power to the people— A Tribute to Sacramento’s Black Panther Party Revisiting Sacramento’s Bustling Black Businesses Revolutionizing Representation

A Tribute to Sac’s icons

9 11 17 23 25 27

A Journey to The Past One on One with The Articulator’s Bill Stotler An Excerpt From The Articulator with Shonna McDaniels Uniting Creativity and Commerce From Broadcast to Podcast Introducing Phil Hernandez: The Host of Art Everywhere Podcast

32 33 35 41

Did you know?

Retro Fashion Flare Gerry ‘GOS’ Simpson: The Renaissance Man Rockin’ Sneakers: Kick’s Making A Comeback

a letter from the editor Dear Readers, Happy New Year!

As we turn the crisp pages of a fresh calendar, I find myself reflecting not just on the year that has passed but on the unwritten promise of 2024. It is with a heart full of hope and excitement that I wish each and every one of you an inspiring and prosperous New Year.

This is a moment to look forward with anticipation, to set our sights on new horizons and embrace the creative potential that resides within us all. To our readers, artists, creators, and entrepreneurs: I encourage you to pour endlessly into your projects, businesses, and dreams with every stroke of your brush, every product released, and every strategic step is a testament to your unyielding spirit.

In this spirit of new beginnings, I am proud to present our latest edition, The Homage Issue No. 16. This issue is a loving nod to the Sacramento creators and entrepreneurs who have been the backbone of our creative economy since its earliest days. Their dedication and resilience remind us that the act of creation is not just an individual pursuit but a communal pursuit. As the old African proverb goes “If you want to go fast, go alone. If you want to go far, go together.”

In this new issue we pay homage to Gerry ‘Gos’ Simpson, Bill Stotler, Shonna McDaniels, and Phil Hernandez—artists whose distinctive visions and relentless passion have not only helped shaped our local artistic landscape but have also inspired countless others to follow in their footsteps and be a beacon of light in our creative community. Their stories, featured within these pages, are a testament to the importance of the ‘process’— in paying homage we are honoring the past, shaping the present, and inspiring the future.

And to the Sacramento art community, your support means more than words can ever express. It is with deep gratitude that I thank you for being part of this incredible journey, for championing the arts, and for celebrating the voices that make Epiphany magazine a mosaic of community engagment.

In closing, I leave you with a thought to carry with you throughout the year: “Perseverance is not a long race; it’s many short races one after the other.” May this quote remind you that dedication to your craft is a series of small, persistent steps toward greatness.

Here’s to a year of perseverance, dedication, and epiphanies.

Warmest wishes, Eddie Walker Editor-in-Chief Epiphany Magazine

Introduction

The

Homage

issue N0.16 A

s artists, designers, writers, makers, and seekers of creative expression, we find ourselves captivated by the transformative power of bringing ideas to life.

That pivotal moment when a vision takes shape before our very eyes ignites a profound curiosity within us. The sheer delight and unwavering focus displayed by another soul immersed in the act of creation resonates deeply, as if we ourselves were the ones creating instead of observing.

This initial encounter into the world of creativity is a powerful one that usually leads us on a journey of exploration and discovery, forever leaving a lasting mark.

For those of us who’ve had the privilege to watch and learn from someone who loves to make art they become something like mentors, and if they actually do take on that roll they’re the one who initiates us into arthood. Over time you gradually go from student to master and in that transformation theres a moment of sincere gratitude in a new found mission in life.

In taking a step back and reflecting, we can all vividly recall a certain individual or unique experience that planted the seed of creating into our essence. That moment and experience is what this issue is all about— paying homage to those came before us— the trailblazers, non conformists, and creative geniuses.

The fantastic four artists featured in the homage issue are Gerry ‘Gos’ Simpson, Bill Stotler, Shonna McDaniels and Phil Hernandez.

Everyone one of these special artists has created and paved their own path to the level that we all strive for.

Lastly, within the homage issue we paid our respect to Black History Month and to the distant past, which is continuously shaping our future.

HOMAGE TO BLACK HISTORY MONTH Artivist Faith J. McKinnie

POWER TO THE PEOPLE

A tribute to the oak park Black Panther Party

1 | Epiphany ‘Homage Issue’

The Black Panther Party, a revolutionary political organization, made a significant impact on the civil rights movement in the United States during the 1960s and 1970s. While the party’s influence was felt nationwide, its presence in Sacramento, California, was particularly notable. Founded by Charles Brunson in Oak Park in 1968, the Sacramento Black Panther Party played a crucial role in empowering the local community and inspiring transformative change. This article delves into the history, activities, and lasting legacy of the Sacramento Black Panther Party.

The Birth of the Oak Park Black Panther Party: The Sacramento Black Panther Party emerged in response to the social and economic injustices faced by the African American community in the city. Charles Brunson, a dedicated community organizer, established the chapter with the aim of addressing issues such as police brutality, inequality, and lack of access to basic resources. The heart of the movement took place in Oak Park on 35th Street, near 5th Avenue and McClatchy, at the Sacramento chapter office.

Community Programs and Activism: The Sacramento Black Panther Party was renowned for its COMMUNITY SURVIVAL PROGRAMS that aimed to uplift and empower the local Black population. This included initiatives such as free breakfast programs for children, health clinics, legal aid services, and educational programs. These programs not only provided essential support to underserved communities but also highlighted the party’s commitment to social justice and most importantly equality.

The Sacramento chapter would often feed children at the United Church of Christ on 4th Avenue. Additionally, the party distributed thousands of bags of groceries each month to families and elderly individuals. They also were responsible for founding a Liberation School, also known as the Freedom School, at their Oak Park office. The school’s primary intention was to educate children about Black history and various other subjects that promoted black excellence.

Along with these programs, the Black Panther Party taught and promoted the 10-point program to all members, which was: 6. We want all Black men to be exempt from military 1. We want freedom. We want power to determine the service. destiny of our Black Community.

7. We want an immediate end to POLICE BRUTALITY and MURDER of Black people.

2. We want full employment for our people.

3. We want an end to the robbery by the Capitalists of our Black Community.

4. We want decent housing, fit for shelter of human beings.

5. We want education for our people that exposes the true nature of this decadent American society. We want education that teaches us our true history and our role in the present day society.

8. We want freedom for all Black men held in federal, state, county and city prisons and jails.

9. We want all Black people when brought to trial to be tried in court by a jury of their peer group or people from their Black Communities, as defined by the Constitution of the United States.

10. We, want land, bread, housing, education, clothing, justice, and peace.

Confronting Police Brutality: One of the primary focuses of the Sacramento Black Panther Party was addressing the issue of police brutality, which disproportionately affected the African American community. The party organized community patrols to monitor police activities, educate residents about their rights, and ensure accountability. By openly carrying firearms, the Panthers asserted their right to self-defense while also exercising their Second Amendment rights, these acts of legal self-defense were implemented throughout chapters across the entire US.

Political Engagement: Similar to many other chapters across the country, the Sacramento Black Panther Party actively engaged in local politics to bring about systemic change. They registered voters, promoted African American political candidates that shared similar goals, and pressured elected officials to address the concerns of the community. Their efforts played a crucial role in increasing political representation and amplifying the voices of marginalized communities.

Media and Perception: The Sacramento Black Panther Party faced significant challenges concerning media portrayal and public perception. Mainstream media often depicted the Panthers as a violent and radical organization, neglecting their community initiatives and activism. They were even labled as Public Enemy Number One by the US government. However, through their own publications, such as The Black Panther newspaper — the party effectively communicated their goals, achievements, and the realities of life in African American communities.

Repression and Legacy:

Like many Black Panther Party chapters across the country, the Sacramento chapter faced intense government surveillance, infiltration, and harassment. The FBI’s COINTELPRO program targeted the Panthers, seeking to disrupt their activities and dismantle the movement. On Father’s Day, 1969, the Sacramento chapter was raided and completely dismantled. Despite these challenges, the Sacramento Black Panther Party left a lasting legacy of community organizing, advocacy, and empowerment.

The Oak Park Black Panther Party, founded by Charles Brunson in 1968, played a crucial role in addressing social and economic injustices faced by the African American community in the Sacramento. Through the community programs, activism, and political engagement, the party sought to empower and uplift the local population. Overcoming repression and negative media portrayal was a constant battle the Panthers faced. In the end, the Oak Park Panthers instilled a sense of safety and security in the community that white America consciously failed to address.

1968: Oakland, California Eldridge Cleaver, Minister of Information of the Black Panther Party, talking to Captain Kenny Den mon of the San Diego Black Panthers (on the left) and Captain Charles Brunson of Sacramento, CA

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7 | Epiphany ‘Homage Issue’

PHIL HERNANDEZ

BILL STOTLER

SHONNA MCDANIELS

GOS

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A journey to the past Revisiting Sacramento’s Artistic History:

S

acramento, the capital city of California, has a rich history in the arts and beyond that spans over the past century. six Reflecting on the last ten decades, Sacramento has been shaped by countless factors including renowned art organizations, a diverse range of artists, a spirited collection of small businesses, and long standing cultural events. It is from these community developments that Sacramento has nurtured a vital and responsive creative culture.

The 1950s: A time of transformation The 1950s marked a period of social and cultural upheaval, with Redevelopment forcing many minorities to vacate the ethnically diverse West End of downtown. These communities were labeled as ‘slums’ and ‘blight’ by California Governor Pat Brown, making them Redevelopment eligible under the Sacramento Model. The Japanese occupied such a vast majority of the land, that it was known as Jtown. Inevitably Redevelopment would affect the creative and cultural community that was thriving in the minority population.

Before Redevelopment, the West End was popular for its enchanting Jazz scene. Black owned establishments like The MoMo and Zanzibar Cafe and Club would frequently host world famous singers like Billie Holliday, Count Basie, and Duke Ellington. These establishments were able to draw and connect all races and cultures making Sacramento a unique destination at the time. Unfortunately, Redevelopment would be demise of these cultural hubs and the rise of million dollar federal buildings, stripping away the vibrant core that made Sacramento what it’s in the process of becoming today.

9 | Epiphany ‘Homage Issue’

The 1960s: The 60s in Sacramento shined a light upon notable artists such as Wayne Thiebaud, Gregory Kondos, and Robert Arneson who emerged during this time and made significant contributions to the local art scene. Their works reflected the spirit of the era, capturing the essence of the changing times, was a popular movement of the era known as Funk Art. It was also during the these times that Black artists began expressing their cultural experiences regarding the civil rights movement throughout their art.

The 1970s: Fostering Artistic Growth The 1970s witnessed the establishment of several arts organizations that played a pivotal role in shaping Sacramento’s art scene. The Crocker Art Museum, founded in 1872, became a popular hub for artistic exhibitions and educational programs in the 70s. They showcased the works of both local and internationally renowned artists, providing a platform for artistic dialogue and appreciation.

The Royal Chicano Air force was founded in 1970 by the revolutionary trio Ricardo Favela, Jose Montoya, and Esteban Villa to support rapid growth of the Chicano art movement. At one point in time murals painted by Chicano artists were common throughout Sacramento. Furthermore, the Sacramento Metropolitan Arts Commission was also formed in 1977, with the intention to promote and support the artistic community of Sacramento.

The 1980s: A Flourishing Artistic Renaissance The 1980s brought about an artistic renaissance in Sacramento, with a surge of creativity and innovation. Popular art installations such: The Avon Schlegell Fountain, the Butterfield Horse, Double L Eccentric Gyratory II, The way home mural, and California Vietnam Veterans Memorial.

Local artists like Thomas Kinkade also known as the “Painter of Light” and Gale Hart gained recognition for their distinctive styles and contributions to the contemporary art scene. The intersection of art and music also became prominent, with sensational underground spaces like ‘The Loft’ that supported local up and coming bands emerging from Sacramento’s vibrant underground music scene. These underground spaces provided a sense of community and freedom from the authorities that many creatives desperately crave today.

The 1990s: Embracing Diversity and New Perspectives The 1990s witnessed a shift towards embracing diversity and exploring new artistic perspectives. The Latino Center of Art and Culture was founded in 1996, providing a platform for Latino artists to showcase their work and celebrate their cultural heritage.

The Verge Center for the Arts, established in 1991 as the Center for Contemporary Art, continued to push boundaries by exhibiting experimental and cutting-edge artworks.

The 2000s and Beyond: Innovation and Collaboration Entering the 21st century, Sacramento’s art scene has continued to evolve, driven by innovation and creative collaboration. The emergence of digital art and new media provided artists with new avenues for creative expression— especially in the podcast space.

Art Everywhere, Have A Dope Day, and We Are Sacramento are all podcasts that are connecting people with one another and spreading awareness about the Sacramento’s thriving art culture. Also, in 2016 Wide Open Walls mural festival, launched and transformed the city’s walls into an open-air gallery, showcasing the talent of local and international muralists.

The transformation of Sacramento’s art scene over the last six decades has had an impact on the subject matter explored by local artists. Themes of identity, inequality, and the city’s environment have been reflected in the artworks created by Sacramento’s artists, highlighting the deep connection the between the city’s past, present, and future.

Sacramento’s robust art and creative scene has experienced remarkable growth and evolution, spanning over six decades, thanks to the unwavering commitment of the creative talents of our local artists and influential arts organizations. The interplay of social and cultural influences has played a pivotal role in shaping the city’s

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Introducing

BILL STOTLER

publisher. editor.

photographer.

I

n the bustling art community of Sacramento, one name stands out as a driving force behind the documentation and celebration of the city’s creative talents— Bill Stotler.

As the editor, principal photographer, and publisher of the renowned publication, the articulator, Bill has dedicated his efforts to capturing the stories and experiences of Sacramento-based artists and makers who have become influential leaders within their communities.

Before diving into the world of the articulator, Bill’s professional journey includes his work as the CEO and Director of Marketing and Business Development for FME Architecture + Design, where he successfully led the firm’s marketing operations before retiring in 2012.

Stotler has also acquired a rich background in event management and sales, having served as the VP of Events and Development for the San Francisco Chamber of Commerce and as the General Manager of SkyDeck, an iconic observation deck in the heart of Embarcadero Center, among other positions in the tour and travel industry.

Bill’s passion for community engagement and good governance led him to serve on the Board of SPUR, a prominent organization focused on promoting responsible urban planning.

His involvement in various committees, such as the Individual Membership Committee and the Business Membership Committee, allowed him to make a significant impact on the organization’s initiatives. Currently, Bill is contributing his expertise and knowledge to the Board of DBA Arts.

“The more one learns about a city, the more apt they are to return.”

- Mike Testa

Bill’s publication, The articulator serves as a platform for oral histories, sharing the challenges and triumphs of growing and sustaining Sacramento’s creative communities. Stotler has had the privilege of working closely with numerous notable artists such as Trisha Rhomberg, Barbara Range, Liv Moe, Estella Sanchez, Harley White Jr., Shonna McDaniels, and Gioia Fonda. Alongside these interviews is the work of six additional artists invited by those who were interviewed, to showcase a sampling of the thriving Sacramento creative community. These oral histories cover the last 50 years of life in different districts within Sacramento, capturing the captivating essence of vibrant districts and the evolving artistic landscape of Sacramento.

The first edition of The Articulator, published in book form, featured six comprehensive interviews accompanied by six artist portfolios. It offered readers a deeper understanding of the artists’ journeys and the historical context that shaped their creative expressions. The website, www.art-iculator.com, also featured condensed first-person versions of these in-depth interviews.

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an excerpt from the Intro:

S

Before 1996, McDaniels was one of the co-founders and artists of the Visual Arts Development Project, teaching art classes, conducting workshops, and organizing art exhibits throughout the Oak Park and Del Paso communities.

McDaniels has expanded her reach through the museum, offering a youth docent program, business development program, senior knowledge-sharing and senior care programs, numerous community mural and public art projects, and the annual Banana Festival.

Though the museum is based in South Sacramento, its legacy throughout the Sacramento region is renowned to grassroots organizations, professional artists, politicians, and the business community.

McDaniels’ contributions have been recognized by Council members Lauren Hammond, Bonnie Pannell, Larry Carr, Mayor Kevin Johnson, Congresswoman Doris Matsui, and Governor Arnold Schwarzenegger. The Sojourner Truth Art Museum is dedicated to creativity and social engagement to support an evolving, healthy community.

17 | Epiphany ‘Homage Issue’

Articulator: How do you describe your work?

Shonna McDaniels: My work speaks to the upliftment and the spirit of the Black Woman.

Articulator: What inspires your work?

D CE N VA PY O AD C

honna McDaniels started working on a community art and history space in 1988, which grew into the Sojourner Truth Art Museum, which she founded in 1996. In addition to her duties as Executive Director, she is a professional artist, teacher, muralist, and community activist.

Interview with Shonna:

Shonna McDaniels: I draw on my experiences as a Black woman coming from a single-parent home. My mother is one of the strongest women that I’ve ever met. She raised four children alone because my father spent most of my younger life in prison.

He went to prison when I was four years old. He was part of the Black Panther movement and one of the many members incarcerated for crimes they didn’t commit. They said that he was the mastermind of a bank robbery.

He’s done some things in his life that were not good, but masterminding that bank robbery, I don’t think so. I remember when they came and got him; I was four years old, but I remember that morning vividly that he didn’t have shoes or a shirt, just a pair of pants. I was angry when they marched him out of the house like that—you know how they handle Black men. I don’t know where I learned the term, but I yelled, “You pigs, leave my dad alone!” I kept screaming it; I remember that vividly.

So, watching my mother navigate this world as a single parent, putting a hot meal on the table for us every day with just a little bit of money, it was amazing how she made something out of nothing. She got out there every day and worked. I remember her not having a car to get to work; she would walk, leaving at five o’clock in the morning.

When I say walk to work, we lived off Amherst, and she would walk from there down to her job, which was past Southgate.

When she got off, she’d walk back and continue to do this until she could get a car. I remember these struggles. She was determined and never gave up; she gave us all the love and nourishment we needed.

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Uniting Creativity & Commerce.

23 | Epiphany ‘Homage Issue’

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acramento, known primarily for its historical significance and political relevance, is now emerging as a vibrant epicenter of art and entrepreneurship, where a symbiotic relationship between local creatives and small businesses is cultivating a thriving ecosystem. This unique collaboration has not only fostered a new renaissance for creativity but has also contributed to economic growth and community vitality.

Artistic Renaissance and Entrepreneurial Synergy In recent years, Sacramento has witnessed a remarkable shift in its art and entrepreneurial scene. Small businesses all throughout the Sacramento region have recognized the value of art in enhancing their spaces and engaging their customers. Whether that be through hosting art exhibitions or creative events. like paint

Simultaneously, local artists have found new platforms to exhibit their work, collaborate with businesses, and generate prfits from their work.

Many artists are being embraced and finding support in collaboration with small businesses.

The Birth of the New Gallery The most popular collaborations between artists and local small businesses is the establishment of galleries, art walks, and hosting creative events that have provided Sacramento’s neighborhoods an atmosphere to connect and bask in the ambiance of art.

Local businesses, ranging from cherished cafes like DRiP Expresso to dynamic tattoo shops like The Medium Tattoo and Art Gallery, are prime examples of businesses that have opened their doors to local artists. Even dispenaries like The Pocket Dispensary are supporting artists with their retail space. Ultimately, these businesses and several overs are becoming beacons for artists to host exhibitions and get creative with the space available to them.

The newest small business to dedicate and convert a portion of their retail space into a gallery is Timeless Thrills located at 3714 J Street, Sacramento, CA 95816. At Timeless Thrills one can explore the tees, hoodies, beanies, totes, and of course art. Partnerships between artists and local business have not only transformed commercial spaces into vibrant art hubs but they have also drawn a diverse group of locals and visitors to explore the city’s majestic artistic offerings, which now extend beyond tradional museums and galleries.

The Limitless Possibilites The increasing integration of art into the fabric of Sacramento’s small businesses underscores the intrinsic value of art in fostering cultural enrichment and community engagement. As these collaborations evolve, they are likely to solidify Sacramento’s reputation as a dynamic and culturally rich city while contributing to its economic prosperity.

The future of Sacramento’s creative hubs appears promising. As the city continues to evolve, there is a growing emphasis on nurturing and expanding these collaborative spaces. With ongoing support from local government initiatives, community organizations, and passionate advocates, there is a strong foundation for the sustained growth of art-focused small businesses and creative ventures in Sacramento.

In conclusion, the symbiotic relationship between art, artists, and small businesses in Sacramento is a testament to the power of collaboration in cultivating a dynamic and inclusive creative ecosystem. As this partnership continues to thrive, it is poised to further elevate Sacramento’s status as a vibrant cultural hub while driving innovation and economic prosperity for years to come.

Fostering Innovation and Economic Growth The synergy between art and small businesses has not only enriched Sacramento’s creative landscape but has also contributed to economic growth.

This, in turn, has provided artists with opportunities to gain experience, exposure, and most importantly the benefit to monetize their art.

By many small businesses incorporating art into their business models, small enterprises have enhanced their appeal, attracting a broader customer base and differentiating themselves from strictly retailers only and the larger corporations, thus fostering a sustainable creative economy.

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FROM BROADCAST TO PODCAST the decline of traditional media Once a prominent force in the media industry, traditional media such as television, radio, newspapers, books, and magazines have experienced a decline in recent years.

The rigid structure, limited airtime, and adherence to commercial interests have led to a repetitive and predictable format that has contributed to its downward trend.

For example, radio was once a dominant force in the media industry, has witnessed a decline in recent years. The rise of digital platforms and changing consumer preferences have contributed to the shift away from traditional radio. Traditional radio’s archaic reliance on advertising revenue often restricts hosts from exploring diverse and niche topics, resulting in a homogenized listening experience that fails to cater to the varied interests of audiences.

Listeners now have access to a vast array of content options, on-demand streaming services, and customizable experiences that have eroded the once-captive audience of radio. As a result, radio stations have experienced declining ratings and advertising revenue, prompting a search for new avenues to engage with audiences.

Even our beloved television is on the decline, a survey conducted by the Pew Research Center revealed that a large majority of Americans now rely on digital devices for news consumption. About 86% of adults reported getting news from smartphones, computers, or tablets, with 60% doing so frequently. In comparison, 68% obtained news from television, but 25 | Epiphany ‘Homage Issue’

only 40% did so frequently. Radio and print publications were less popular, with 50% and 32% respectively accessing news from these sources.

The survey also highlighted the preference for digital platforms, with 52% favoring news websites, search engines, social media, or podcasts. Television was preferred by 35% of respondents. The shift towards digital news consumption is particularly favored among younger age groups, with older adults still relying on television as a primary source. News websites and social media were the preferred digital platforms across different age groups.

the podcast revolution Enter podcasts— Podcasts began to hit the mainstream around the mid-2000s, gaining significant traction and popularity for their dynamic and flexibility that has disrupted the audio landscape.

Podcasts allow hosts to break free from the limitations of traditional radio, offering an array of benefits and freedoms that have propelled their rise to popularity.

One of the most significant advantages of podcasts is the creative control hosts have over their content.

Unlike traditional talk radio, podcast hosts can delve into niche topics, explore their passions, and express their unique perspectives without external influence.

This freedom enables hosts to cater to specific audiences, fostering a dedicated community of listeners who share their interests and values.

Podcasts have democratized media production and consumption. With a smartphone and an internet connection, anyone can become a podcast host and reach a global audience. Additionally, listeners have the freedom to choose when and where they consume content, offering unparalleled convenience and flexibility. Unlike traditional radio, podcasts are not bound by specific time slots or geographical constraints, allowing for on-demand and personalized listening experiences.

Also, podcasts allow for extended conversations and in-depth analysis. Hosts can engage with guests or co-hosts for hours, providing comprehensive insights into a topic. This format encourages thoughtful discussions, intellectual exploration, and a deeper connection with the audience. Listeners can gain a deeper understanding of complex subjects and engage in immersive storytelling, fostering a loyal and engaged community.

While talk radio relies heavily on advertising revenue, podcasts offer various monetization opportunities for hosts. From sponsorships and partnerships to crowdfunding and merchandise sales, podcast hosts have the freedom to explore diverse revenue streams.

This flexibility allows hosts to generate income while maintaining their creative independence and providing valuable content to their audience.

The rise of podcasts signifies a paradigm shift in the media landscape, challenging the dominance of traditional talk radio.

With their unique advantages and freedoms, podcasts have empowered hosts to become independent creators, fostering diverse voices and perspectives. The increasing popularity of podcasts has led to a vibrant ecosystem with a multitude of genres and styles, catering to every interest and taste.

As the sun sets on the era of traditional media, podcasts have emerged as the dawn of a new era in audio entertainment. The benefits and freedoms that podcasts offer to hosts have reshaped the media landscape, granting creative control, accessibility, convenience, and revenue opportunities. In this transformative era of podcasting, hosts have the power to connect with audiences on a deeper level, explore niche topics, and build loyal communities. As the future unfolds, podcasts are poised to become the driving force behind a more diverse, engaging, and personalized audio experience for listeners worldwide.

SACRAMENTO PODCASTS FOR THE WIN

Art Everywhere

we are sacramento

REIMIX PODCAST

Host: Phil Hernandez

Hosts: Mario Lopez, Mari Padilla Miles Jolly

Host: Rie Thomas

talk arty to me

HAVE a dope day

Have some shame

Host: Uli Smith

Host: Gabriel Lopez

Hosts:

Vicky Hernandez & Yesenia Medina 26

introducing

27 | Epiphany ‘Homage Issue’

‘Art Everywhere Podcast ‘

is painting a vibrant audio landscape for artists.

P

hil Hernandez, is making a name for himself in both the podcast and art community here in Sacramento. Phil is the founder and host of Art Everywhere Podcast.

He is an artist who defies easy categorization, jokingly describing himself with a self-deprecating wit, he is a down to earth figure who wears many hats—cook, illustrator, poet, musician, painter, and podcaster. His unorthodox approach to art and life is a breath of fresh air in an often overly curated world.

Phil’s journey into the realm of creativity seemed predestined, with an innate pull towards the arts evident from an early age.

The defining moment came with the iconic Van Halen music video for “Jump,” which sparked a realization in Phil that some individuals possess the ability to create something extraordinary.

It wasn’t long before he channeled his limitless perspective into various art forms, eventually leading to the inception of his podcast—a decision catalyzed by an enlightening conversation during an evening with a friend. “one night after taking acid with my buddy Pig-fish I said, “Hey, I’m thinking about starting a podcast man.” He said, “Yeah dude, I think you’d be really good at that.” Before you know it, I was hanging out with Mario, from We Are Sacramento, talking about recording my first episode.”

Recalls Phil.

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Gerry ‘Gos’ Simpson in 1983. Full fledge model mode.

33| Epiphany ‘Homage Issue’

From high street brands to online platforms, these retailers are tapping into the trend by showcasing items like oversized blazers, graphic tees, acid-washed denim, and statement accessories.

Retro fashion particularly in the 1980s was a decade defined by bold fashion choices and a distinctive aesthetic that continues to influence contemporary style.

From the iconic looks of 80s celebrities and musicians to the resurgence of 80s-inspired trends among millennials and Gen Z, the impact of 80s fashion remains a fashion favorite.

In the 80s, celebrities and musicians played a pivotal role in turning fashion into an art form. Icons like Madonna, Michael Jackson, and Prince used their outfits as expressions of their music and personalities. Madonna’s edgy and provocative style, characterized by fishnet stockings, lace gloves, and layered accessories, challenged societal norms and became synonymous with the era.

Michael Jackson’s military-inspired jackets and glittering gloves influenced fashion trends worldwide, while Prince’s flamboyant and gender-bending fashion choices pushed boundaries and inspired individuality.

The 80s also witnessed the rise of Power Dressing, with influential figures like, Grace Jones, Princess Diana, and Joan Collins epitomizing this trend. Shoulder pads, oversized blazers, and bold accessories became symbols of female empowerment and success.

Majority of the fabrics were made in silk or polyester satin foulard or crepe de chine substitutes which softened the harshness of severe man-tailored jackets. Tight-fitting jersey knit bodies that buttoned under the crotch and gave a smooth silhouette also became popular especially after the mid-eighties.

The availability of these 80s-inspired fashion pieces allows individuals to experiment with their style, channeling the boldness and self-expression that characterized the decade.

In addition to the impact on fashion, the influence of 80s music has transcended generations and found a new home on social media platforms like TikTok. Music and subcultures played a crucial role in shaping 80s fashion. The punk movement, led by bands like The Sex Pistols and The Clash, rebelled against mainstream fashion with ripped clothing, safety pins, and bold hairstyles.

The catchy melodies, infectious beats, and distinctive sound of 80s music have become viral sensations, captivating the attention of today’s generation by leaving them with main character vibes that today’s music so desperately lacks.

The New Romantic movement emerged, characterized by flamboyant and theatrical outfits worn by bands like Duran Duran and Spandau Ballet.

80s fashion has left its mark on the world of style, pushing boundaries and embracing individuality. The fashion choices of 80s celebrities and musicians transformed clothing into an art form, blurring the lines between music, performance, and style.

The hip-hop culture of the 80s introduced baggy tracksuits, gold chains, and sneakers as fashion statements that transcended racial and cultural boundaries.

Today, 80s fashion is experiencing a revival among millennials and Gen Z. The vibrant colors, bold patterns, and exaggerated silhouettes of the era resonate with younger generations seeking self-expression and nostalgia.

Today, millennials and Gen Z are rediscovering and reinventing the boldness of 80s fashion, incorporating elements into their own wardrobes and personal styles. The timeless appeal of 80s fashion lies in its ability to resonate with new generations seeking self-expression and a connection to the past.

Influencers and celebrities often incorporate 80s-inspired elements into their wardrobes, from oversized blazers and Casio watches to high-waisted jeans and acid washed denim.

As designers continue to pay homage to the era through their reinterpretations of iconic styles. Renowned fashion houses like Balenciaga and Marc Jacobs have embraced the spirit of the 80s seeking to add an edgy and bold aesthetic to modern designs.

The vibrant and neon colors that defined the era are also being revived, injecting energy and nostalgia into the fashion scene.

Not only high-end designers but also retailers are capitalizing on the resurgence of 80s fashion. They recognize the demand for nostalgic styles and are offering 80s-inspired collections to cater to fashion enthusiasts who want to embrace the retro look.

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GOS 35| Epiphany ‘Homage Issue’

introducing

G erry

‘Gos’

Simpson artist. model. singer. fashion designer. professor.

R

enowned artist Gerry Simpson, widely known as ‘Gos’, was born and rai sed in Passaic, New Jersey in 1954, Gos’s remarkable journey began in the world of art, and carried on into fashion and music. After 25 years of creating art in Sacramento, Gos continues to produce art in his preferred medium of water colors and ink, for their natural and experimental properties.

Reflecting back to the beginning of his journey, at the age of nine, Gos began his creative pursuits in the art and fashion space. As Gos recalls, “There use to be these draw Blinky type of ads in the back of magazines. Without my parents permission I drew one of the pictures, got a stamp and mailed it in. A few weeks later a man knocked on our door asking for me, he said I had won an art set. In all honesty he wanted me to sign up for classes, my Dad wasn’t going for that. However, that didn’t stop me.”

Gos proudly pays homage to the many positive encounters with his childhood art teacher Ms. Meek, “It was when I met Ms. Meek that the light went off, she would

visit my class and give us an art experience. She told my class that art was a privilege and if we were bad in class the privilege would be taken away. Ms. Meek was the first person to display my art publicly and I have been evolving ever since.” Says Simpson.

People have to get creative, Wherever there’s a wall, you gotta ask if you can show.

Fast forward to 1982, at the of 28, Gos was singing and performing in a vocal group and band by the name of ‘The Friends of Finesse.’

Eagerly seeking to get back into the fashion scene, Gos jumped on a unique opportunity and entered a fashion competition.

At the competition Gos successfully displayed his very own self designed wardrobes, winning a first place trip to Hollywood.

After his trip to Hollywood, Gos connected with an old friend and moved to San Jose, California. In San Jose, he put on his first fashion show and became involved in several projects within the fashion industry.

As his fashion successes compiled he would soon land a Stylist position at Nordstrom— making him the first Black Person to break into the role of design display.

It was in San Jose, Gos earned the role of Head Instructor for Barbizon School of Modeling which he successfully managed until 1995.

Building off his accomplishments Gos took his knowledge and Co-founded ‘STYLE, A Models Workshop which he operated until 1998.

In 2000, Gos and his family relocated to Elk Grove, California. It was here that Gos was appointed a position as professor at American River College, teaching several courses over his ten year career including: Visual Merchandising, Fashion Promotion, and Introduction to Fashion Design.

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