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Tuesday, July 11, 2017
‘Spider-Man: Homecoming’ Slings to Massive $117 Million Domestic Opening
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Tuesday, July 11, 2017
LOS ANGELES - Spider-Man is officially a box office overachiever. As of Sunday morning, the latest cinematic depiction of the webbed-hero, “Spider-Man: Homecoming,” is looking at a $117 million opening from 4,348 locations. $10.6 million of the domestic total came from 392 Imax screens. That’s a huge win for Sony, Columbia Pictures, and Marvel Studios for the film, which cost roughly $175 million to produce. The anticipated opening weekend is higher than industry estimates, which were in the $90 million to $110 million range, while the studio cautiously pegged it at $80 million. “Everyone at Sony and Marvel are thrilled,” said Josh Greenstein, Sony’s marketing chief. “It’s safe to say it’s a triumphant return for Spider-Man.” “Homecoming” banked on the idea that the summer box office was craving a family-friendly superhero movie -- Tom Holland plays a high school version of Peter Parker who, at 15 years old, has to prove that he is worthy of being called an Avenger. And it seems that bet is paying off. The $117 million figure is the second largest in Sony Pictures history, behind “Spider-Man 3.” Much attention has been paid to the flick’s successful marketing campaign, which heavily featured Iron Man (Robert Downy Jr.), who serves as Spider-Man’s mentor in the film. Michael Keaton plays the big bad, Vulture, Jon Favreau plays Spidey’s guardian, Happy Hogan, and Zendaya stars as Michelle Jones (“MJ”), Parker’s brainy classmate. The movie consistently dominated social media in the weeks leading up to its release. Before “Homecoming,” Jon Watts directed two much lowerbudget feature films -- the 2014 horror movie “Clown” and 2015’s “Cop Car” starring Kevin Bacon. He also has a handful of writing and producing credits, and is one of six writers credited on the “Homecoming” script. Kevin Feige and Amy Pascal share production credit. While the former has proven essentially infallible in the biz, “Homecoming”
serves as a redemption narrative for the latter. After the infamous 2014 Sony hack, Pascal was ousted from her post at the top of the studio, and began to focus on producing. This is her second major release following last summer’s “Ghostbusters” reboot, but she also has a hand in a long list of upcoming projects including Sony’s “Barbie” movie, Steven Spielberg’s A-list-studded “The Papers,” and future “SpiderMan” movies. “We have incredible partners,” said Greenstein, who said that those relationships helped the film to be “embraced in a big way. It really shows the strength for this beloved character.” Despite the reliability of superhero movies at the box office, “Homecoming” could have been seen as a big bet for all parties involved. For one, it’s the third iteration of the character in the past 15 years -- before Holland, Andrew Garfield and Tobey Maguire donned the Spidey suit. The makers had to trust that audiences would be ready to see the character yet again. On top of that, the summer box office has not been particularly kind to the sequels and reboots that have become the industry’s summer signature. As audience fatigue has impacted previously reliable franchises like “Transformers” and even “Despicable Me,” the one thing that this summer has proved is that the domestic audience is not yet burnt out on superheroes. This is yet another Marvel movie release that has managed to capture
Chuck Zlotnick/Columbia Pictures-Sony via AP
This image released by Columbia Pictures shows Tom Holland in a scene from “Spider-Man: Homecoming.” the approval of critics and audience members -- something the the DC Extended Universe could not claim until this summer with “Wonder Woman.” But Marvel’s been there since the beginning. “Homecoming” currently has a 93% on Rotten Tomatoes and an A CinemaScore. “Homecoming” is the only major release this weekend, so the rest of the top five are made up to familiar faces. Starting with “Despicable Me 3,” which is headed for a $34 million second frame, or a 53% drop from last weekend. “Baby Driver” should sit comfortable in third, as positive word of a mouth is steering to a $12.8 million second weekend, or a 38% drop. “Wonder Woman” continues to hold on with $10.1 million in its sixth weekend, and
“Transformers: The Last Knight” should round out the top five with $6.3 million. Kumail Nanjiani’s “The Big Sick” is entering the top ten as it expands toward wide release, starting next Friday. From 326 North American theaters this weekend the movie should make $3.7 million. Sofia Coppola’s “The Beguiled” should stay in the top ten as it, too, expands. This weekend it’s expected to make $2.1 million from 941 locations. Meanwhile, A24’s “A Ghost Story” starring Rooney Mara and Casey Affleck should spook $105,000 from four locations during its opening frame. Overall, the summer box office stands at about $2.3 billion, or 8% lower than last year. That leaves the
year overall about dead even with 2016 after movies like “Beauty and the Beast,” “Logan,” “Get Out” and “The Fate of the Furious” laid a strong foundation for the summer during the early part of the calendar year. “Despite the strength of ‘SpiderMan: Homecoming,’ yet another ‘down’ weekend puts us dead even with last year’s box office pace as we remain down 8% for the summer,” said Paul Dergarabedian, senior media analyst at ComScore. “The silver lining is the expected continued strength of Spidey, plus ‘War For The Planet of The Apes,’ ‘Dunkirk,’ and ‘Atomic Blonde’ all in rapid succession that could fuel a much-needed late summer renaissance at the multiplex.”(rtr)
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REUTERS/Fabian Bimmer
Residents clean the street in front of the Rote Flora building during a “Clean-up” after demonstrations at the G20 summit in the Sternschanze district in Hamburg, Germany July 9, 2017.
Germans angry over ‘orgy of violence’ at Merkel’s pre-election G20
BERLIN - Germans expressed anger on Sunday over violence that hit a G20 world leaders’ summit in Hamburg, raising awkward questions for Chancellor Angela Merkel less than three months before an election. About 20,000 police struggled to contain several hundred anti-capitalist militants who torched cars, looted shops and hurled Molotov cocktails and stones during the July 7-8 summit. Tens of thousands more people demonstrated peacefully. Overall, 476 officers suffered injuries ranging from cuts and firework burns to eye damage from laser pointers. Police said on Sunday they had arrested 186 people and took 225 into custody. German newspapers devoted far more space to pictures of police firing water cannon onto hooded anarchists and other protestors than they did to Merkel’s diplomatic balancing act with fellow leaders of major world economies. “Embarrassment for Germany”
was Tagesspiegel’s description. “The pictures of helpless police who could not secure state order and protection of property are a political catastrophe,” columnist Gerd Nowakowski wrote in the paper. Top-selling Bild am Sonntag splashed pictures of masked anarchists and politicians on its front page with the headline “Criminals and Losers”. Inside, a political scientist described the scenes as an ‘orgy of violence’.
International media have focused more on U.S. President Donald Trump’s first meeting with his Russian counterpart Vladimir Putin at the summit, as well as Trump’s diverging views on climate change and trade from those of the other leaders. Nevertheless, an Emnid poll showed that a majority of Germans, 59 percent, believed the riots damage the image of their country - even though violence has affected a number of international meetings around
the world over the years. Merkel was forced to defend her choice of Hamburg, saying other cities, like London, had hosted similar meetings. Hamburg, a seaport which is Germany’s second biggest city, has a strong radical leftist tradition. It was also home to an al Qaeda cell that carried out the 9/11 attacks on U.S. targets in 2001. Merkel had wanted to demonstrate to G20 partners, including Putin and Turkish President Tayyip Erdogan, her commitment to freedom of speech and rejected the notion that some cities were out of bounds as summit venues. The strategy has backfired, said some commentators. “I can barely
breathe with anger because Chancellor Merkel and Hamburg mayor (Olaf) Scholz trivialise the brutal riots as ‘not acceptable’,” wrote a commentator in Bild am Sonntag. The Social Democrats (SPD), trailing Merkel’s conservatives by 12-15 percentage points in polls, squarely blamed Merkel. Continued to page 6 News can also be heard in “Bali Image” at Global Radio FM 96.5 from 9.30 until 10.00 am. Listen to Global Radio FM at http:// globalfmbali.listen2myradio.com or live video streaming at http:// radioglobalfmbali.com and http:// ustream.tv/channel/global-fm-bali.