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Entertainment
Tuesday, June 3, 2014
‘Maleficent’ spooks box office with $70M debut
WEATHER FORECAST 23 - 32 Dps
Associated Press
NEW YORK — The biggest box-office debut of Angelina Jolie’s career propelled Disney’s twisted fairy tale “Maleficent” to a scary-good $70 million opening. The PG-rated fantasy beat forecasts to easily top all films over the weekend, according to studio estimates Sunday. Though “Maleficent” was early on considered a risky endeavor for Disney that might turn away family audiences by retelling “Sleeping Beauty” from the villain’s perspective, the film emerged as a hit largely because of the draw of Jolie. Star power has been increasingly elusive in modern Hollywood, where name-brand concepts often rule the box-office. But Jolie, in her first live-action starring role in years, drove interest for “Maleficent” despite lackluster reviews from critics. “It’s a unique thing,” said Dave Hollis, head of distribution for Disney. “Her star power transcends borders and genre.” Seth MacFarlane’s Western comedy “A Million Ways to Die in the West” was out-gunned by “Maleficent.” The R-rated Universal release opened in third place with a tepid $17.1 million despite a starry cast of Liam Neeson, Charlize Theron and Amanda Seyfried. By contrast, MacFarlane’s “Ted” (for which he’s making a sequel) opened with $54.4 million in 2012. Last weekend’s top film, Fox’s big-budget mutant sequel “X-Men: Days of Future Past,” dropped to second with $32.6 million. It’s a somewhat steep decline for “Days of
Future Past,” but the film made $95.6 million internationally in its second week, good enough to push its global cumulative total passed $500 million already. But “Maleficent” dominated the marketplace, which has seen female-leading films continually challenge the much-disputed but still prevalent notion that male stars fuel box office receipts. “The whole movie kind of rises and sets on her performance,” said Paul Dergarabedian, senior analyst for box-office tracker Rentrak. “The concept is the character. The character is completely linked to the person playing that role.” The film was a balancing act for Disney, which is used to churning out brighter tales. Hollis credited the company’s marketing department for “walking the fine line” of selling the movie to families (which made up 45 percent of the audience, according to Disney) and suggesting an edginess
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AP Photo/Disney, Frank Connor
This photo released by Disney shows Angelina Jolie in a scene from “Maleficent.” that would appeal to a broader audience. “Maleficent” earned about $100 million internationally. “If you go to Disney, the longest lines are for the scariest rides,” said Dergarabedian. “We’re going to see more of this, where the villains are the new heroes.” Disney has had success reimagining fairy tales in recent years with “Alice in Wonderland” ($116 million in 2010) and “Oz the Great and Powerful” ($79.1 million debut in 2013). “Maleficent” fell short of those releases, but it was made in the same lineage. Robert Stromberg, the production designer for both earlier movies, makes his
directorial debut with “Maleficent.” Next weekend will bring a battle between Shailene Woodley in the young adult novel adaptation “The Fault in Our Stars” and Tom Cruise in the sci-fi thriller “Edge of Tomorrow.” ‘’Edge of Tomorrow” got a jump on its North America release, taking in $20 million in 28 countries over the weekend.
IBP/Wawan
‘Brady Bunch’ actress Ann B. Davis dies
The rapid development in Bali increasingly deviates from the style of Balinese architecture becoming the characteristics of the Island of the Gods. Even, the modern and minimalist architecture proliferates and goes uncontrollably.
Associated Press
Emmy-winning actress Ann B. Davis, who became the country’s favorite and most famous housekeeper as the devoted Alice Nelson of “The Brady Bunch,” died Sunday at a San Antonio hospital. She was 88. Bexar County, Texas, medical examiner’s investigator Sara Horne said Davis died Sunday morning at University Hospital. Horne said no cause of death was available and that an autopsy was planned Monday. Bill Frey, a retired bishop and a longtime friend of Davis, said she suffered a fall Saturday at her San Antonio home and never recovered. Frey said Davis had lived with him and his wife, Barbara, since 1976. More than a decade before scoring as the Bradys’ loyal Alice, Davis was the razor-tongued secretary on another stalwart TV sitcom, “The Bob Cummings Show,” which brought her two Emmys. Over the years, she also appeared on Broadway and in occasional movies. Davis considered her ordinary look an asset. “I know at least a couple hundred glamour gals who are starving in this town,” she told the Los Angeles Times in 1955, the year the Cummings show began its four-year run. “I’d rather be myself and eating.” She said she told NBC photographers not to retouch their pictures of her, but they ignored her request and “gave me eyebrows.” Producer Sherwood Schwartz’s “The
16 Pages Number 110 6th year
Buildings increasingly deviate from Balinese style AP Photo/Gus Ruelas, File
FILE - In this April 14, 2007, file photo, Florence Henderson, from left, Susan Olsen, Maureen McCormick, Lloyd Schwartz and Ann B. Davis of the television show “The Brandy Bunch” accept the Pop Culture Award during the 5th Annual TV Land Awards in Santa Monica, Calif. Brady Bunch” debuted in 1969 and aired for five years. But like Schwartz’s other hit, “Gilligan’s Island,” it has lived on in reruns and sequels. As “The Brady Bunch” theme song reminded viewers each week, the Bradys combined two families into one. Florence Henderson played a widow raising three daughters when she met her TV husband, Robert Reed, a widower with three boys. In her blue and white maid’s uniform,
Davis’ character, Alice Nelson, was constantly cleaning up messes large and small, and she was a mainstay of stability for the family. “I think I’m lovable. That’s the gift God gave me,” Davis told The Associated Press in a 1993 interview. “I don’t do anything to be lovable. I have no control.” Davis’ face occupied the center square during the show’s opening credits. Her love interest was Sam the Butcher, played by Allan Melvin.
Bali Post
DENPASAR - The rapid development in Bali increasingly deviates from the style of Balinese architecture becoming the characteristics of the Island of the Gods. Even, the modern and minimalist architecture proliferates and goes uncontrollably. Actually, the Regional Bylaw No.5/2005 on the building and architecture clearly states that at least the Balinese architecture should be applied in every building in Bali. Chairman of the Chamber of Commerce and Industry of Badung Chapter, AA Ngurah Alit Wiraputra, considered the number of buildings having no adopted the characteristics of Bali was inseparable from the lack of oversight by provincial and county / municipal government in enforcing the Regional Bylaw No.5/2005. “Supposedly the supervision has been made from the beginning in the process of construction of a building,” said Alit Wiraputra when contacted on Saturday (May 31). According to him, applying the concept of building and
maintaining the characteristic of Balinese architecture was not too difficult. Even, the public would be benefited by applying Balinese architecture because it had been designed in accordance with the tropical climate. “Indeed, it is not easy to maintain the cultural identity of Bali amidst the rapid development and the impact of globalization. Balinese architecture is basically flexible, inexpensive unlike the assumption of most people and very relevant to be applied,” he said. He hoped the hallmark of Bali should be persistently
maintained in all fields, particularly in relation to tourism sustainability. One of them was the application of Balinese architecture in buildings because it posed one of the important points in the imaging of Bali tourism. “Utilization of Balinese architecture should start from Balinese gates as at the Ngurah Rai Airport, Benoa Harbor, Padang Bai Harbor and other entrances,” he said. Application of Balinese architectural style at every entrance, said Alit Wiraputra, was intended in order that foreign and domestic travelers could have felt if they were in Bali when setting foot here. “Any building in Bali, especially those at roadside including commercial buildings should also apply Balinese architectural style. On that account, the government should oversee the regulation in order to prevent the irregularities and give strict punishment to violators,” he advised. Continued on page 6