Edisi 26 September 2013 | International Bali Post

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I N T E R N A T I O N A L

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Entertainment

Thursday, September 26, 2013

Gordon-Levitt’s porn parable ‘Don Jon’

16 Pages Number 190 5th year

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Associated Press Writer

Jon Martello’s relentless libido has a comic math to it. At the club, Jon (Joseph Gordon-Levitt) and his pals rate girls on a scale of one to “a dime.” He keeps a weekly tally of both his conquests and his far more numerous — and to him more rewarding — porn-aided masturbations. And being a good Catholic boy, every Sunday, he counts up his sins and receives back from the priest his neat sum of Our Fathers and Hail Marys. (He recites them while working out.) His life is a circle of replenishing lust, a ritual of superficial pleasure that adds up to robotic emptiness. Some like it hot; Jon (“Don,” as in Don Juan, to his friends) needs it hot. Even his most attractive catches leave him unsatisfied, and he sneaks out of bed to his laptop. Real sex doesn’t measure up to the fantasy of online pornography that lets him “lose himself.” But “Don Jon,” the writingdirecting debut of GordonLevitt, equals something quite substantial: a speedy little comedy about not just sex addiction

but modern lives wasted on shallow gratification. There are other contemporary cravings, too: A big-screen TV dominates family meals at his parents’ house (Tony Danza and Glenne Headly shouting back-and-forth like a sitcom couple), where Jon’s younger sister (Brie Larson) pecks away at her smartphone. Jon’s compulsive routine (echoing the “gym-tan-laundry” of “the Situation” from “The Jersey Shore,” a clear inspiration) is broken when he meets Barbara Sugarman (Scarlett

AP Photo/Relativity Media, Daniel McFadden

Johansson, in full sex This film image released by Relativity Media shows Joseph Gordon-Levitt, left, bomb). She requires the and Scarlett Johansson in a scene from “Don Jon”. “long game” of dating Barbara isn’t: unaffectedness and family-meeting before sleeping with Jon, but he over thick makeup; humor over judges her worth it. Their first self-seriousness; love over lust. Until Moore fully enters the date is a sparring match of Jersey accents, a dueling “Saturday film, “Don Jon” is little more than a cartoon, albeit an enterNight Live” sketch. When their relationship hits taining one, constantly flashing a road block (it involves both the pornographic images that his porn addiction and, miracu- roil Jon’s mind. Though the lously, Swiffer sweepers), Jon point is that Jon is a living clifinds himself drawn to an older, che, it means the journey here is less glamorous woman from his merely the awakening of a mannight class (Julianne Moore), nequin. (No offense intended to who epitomizes everything 1987’s “Mannequin.”)

Mom selling Kurt Cobain’s childhood home in Wash.

Associated Press Writer

ABERDEEN, Washington — This month marks the 20th anniversary of Nirvana’s final studio album, and fans aren’t just able to buy a new “super deluxe” box set to celebrate the occasion. They can also buy the childhood home of late frontman Kurt Cobain, complete with his mattress. Cobain’s mother, Wendy O’Connor, is putting the tired, 1.5story bungalow two hours southwest of Seattle on the market this week. To help sell it, the family is offering a glimpse into the early life of its tortured and talented son through photos shot at the house, including one of a chocolate-frosted birthday cake for Kurt and a shot of a teenage Cobain smiling, guitar in hand, in his messy room. The home, last assessed at less than $67,000, is being listed for $500,000. It’s a short walk from a

riverfront park dedicated to Cobain’s memory, and the family said it would welcome a partnership to make the home into a museum. His room still has the stencil-like band names — Iron Maiden, Led Zeppelin — he reportedly put on the walls, as well as the holes he put in them. “We’ve decided to sell the home to create a legacy for Kurt, and yes, there are some mixed feelings since we have all loved the home and it carries so many great memories,” Cobain’s sister, Kim Cobain, said in an emailed statement. “But our family has moved on from Washington, and (we) feel it’s time to let go of the home.” The house, a 1923 structure with dingy carpeting, water-stained wooden shingles on some interior walls, and a recent coat of yellow paint, is on East 1st Street in Aberdeen, a gritty and struggling former timber town at the mouth of the Chehalis River near the southwest Washington coast.

Balinese dancers performed during the opening ceremony of Sanur Village Festival on Tuesday (24/9) night.

Eight years of Sanur Village Festival

Cultural Spirit non-negotiable

Bali Post

DENPASAR - Cultural spirit has been non-negotiable in every implementation of the Sanur Village Festival. It is reflected by each performance presented. Similar concept also happened to the opening of eighth Sanur Village Festival featuring the theme Segara Giri graced with several art performances.

AP Photo/Courtesy Kim Cobain

In this undated photo provided by Kim Cobain, a young Kurt Cobain plays piano in his childhood home in Aberdeen, Wash.

IBP/Eka Adhiyasa

Denpasar Mayor, Ida Bagus Rai Dharmawijaya Mantra, said that every cultural show presented became a nice spectacle for the public. On that account, such an activity had to be organized sustainably with a nonnegotiable cultural spirit. “With the branding ‘Morning of the World’ I expect that Sanur tourism can continue. I am proud that SVF can be implemented up to eight years,” said IB Dharmawijaya Mantra before officially opening the 8th Sanur Village Festival, Tuesday night (Sep

24) in the Maisonette area of the Inna Grand Bali Beach Sanur marked with the sticking of kayonan puppet. Chairman of the Sanur Development Foundation, Ida Bagus Gde Sidartha, said the passage for eight years of the festival had very much inspired people and the creative industries to keep on promoting the destination through an independent and innovative promotion. “The art and cultural activities supporting the Sanur tourism strengthened by the awareness of the

environmental preservation poses a capital to maintain the festival continuity,” he said. Sidharta said the festival was a celebration of life for the people of Sanur to raise the potential of nature, art and culture, a variety of dynamics and creativity. The festival would like to promote the local potential to global community including through the performance of the arts, sports, environmental care, culinary bazaar, exhibition and creative industries. This festival originated from the

concern of Sanur residents to participate in the recovery program of Bali tourism after the second Bali bombing in 2005. In the first implementation of SVF (2006) and the second SVF (2007), the theme highlighted was The New Spirit of Heritage which was then used as the basis for the sustainable SVF. Meanwhile, the subsequent implementation of the SVF developed the basic theme into the theme of activities namely the Going Green (2008), Marine Life (2009), Saha Nuhur (2010), in collaboration with the National Flora Flori Week taking the theme Flori Fiesta (2011) and Salampah Laku (2012). Having been inaugurated, the performance presenting the fragmentary show entitled Segara Giri, Legong

Intaran and appearance of Ayu Laksmi & Swara Semesta and Dwiki Dharmawan could draw thousands of spectators. The entertainment taking place until the middle of the night was also jazzed up with Indian Dance, Ocha & Universe and Rasta Kids. Meanwhile, on Wednesday (Sep 25) aside from the exhibition was also held a cultural discussion on the Segara Giri: The Universal and Contextual at Sudamala Resort & Villas, while at night was resumed with the presentation of many performances including the Sundown Jazz ethnic music, Bhakti Negara martial arts, Batu Jimbar ballet, endek fashion show, Kita Art, Balawan ‘In Rock Jamz’ and Small Axe reggae. (kmb27)


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