ALLIANCE ENCORE :: SEPTEMBER 2021 :: DARLIN CORY by Encore Magazine

A L L I A N C E T H E AT R E

SEP 8–OCT 3, 2021

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DA R L I N ’ C O RY

F R O M T H E A R T I S T I C D I R E C TO R Between Us. .

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F E AT U R E A Musical of Its Time. . . . . . . . . . . . . . Discovering the “unique treasures” of writing Darlin’ Cory during COVID

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6 P age 6

Story by Sally Henry Fuller Photos by Kathleen Covington and Aniska Tonge Program Highlight.

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Onstage & Off. .

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Program Notes.

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Your Story, Your Stage. Synopsis. .

P age 11

D E PA R T M E N T S . . . . . . . .

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About the Alliance Theatre. Board of Directors. . Sponsors.

Annual Fund.

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Alliance Theatre Staff.

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34 44 P age 14

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E N C O R E AT L A N TA .C O M P U B L I S H E R

Brantley Manderson brantley@encoreatlanta.com S E N I O R

AC C O U N T

D I R E C TO R

Donna Choate donna@encoreatlanta.com — CREATIVE — E D I TO R

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C H E F

Robert Viagas robert@encoreatlanta.com G R A P H I C

D E S I G N E R

Megan Turner mturner2@communicorp.com D I G I TA L

M E D I A

D I R E C TO R

Allie Johnson allie@encoreatlanta.com P R O G R A M

P R O D U C E R

Ashley Elliott Ashley.Elliott@alliancetheatre.org C O N T R I B U T I N G

W R I T E R

Sally Henry Fuller

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CABARET BOOK JOE MASTEROFF

MUSIC JOHN KANDER

LYRICS FRED EBB

BASED ON THE PLAY BY JOHN VAN DRUTEN AND STORIES BY CHRISTOPHER ISHERWOOD

J U N E 2 - 1 9, 2 0 2 2

T I C K E T S O N SA L E AU G 1 7 AT 1 0A M

ATLANTAOPERA.ORG | 404-881-8885 sponsored by

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The Discoveries series is dedicated to audience members who are seeking new works, new ideas, and fresh perspectives.

4 | betweenus Context is everything. As I write this, I am a week into rehearsing the show you’re about to see. Which means I’m spending a bunch of glorious hours each and every day with singers, writers, actors, composers – people for whom the exquisite gift of some time on this earth required the amplification their own gifts might offer. “I get to fall in love? In gratitude, here’s my love song.” “I get to test myself in adversity? In gratitude, here’s my adventure story.” “I get to walk this beautiful earth for some decades? In gratitude, here’s my vulnerability, offered in service of a reminder to pay attention.” We went to another place for 18 months. A place of forced reflection on what we value, what we can live without, and what we need to not just survive, but to thrive. And while we still have a solid foot in the weirdness, we are starting to step back into life as we not so much knew it, but as we imagined it. I have never been more grateful for the presence, company, and North-Star-providing of artists. They are showing us a way back. They are reminding us of both our better angels and our pitfalls. And as we open ourselves to a kind of unexpected do over, they are offering us a kind of GPS on the way to being fully human. Oh golly, I am so grateful to be with you all. Susan V. Booth Jennings Hertz Artistic Director

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COVID-19 Safety Precautions at the Alliance The Alliance Theatre is excited to return to in-person performances on its Coca-Cola Stage and Hertz Stage for its 2021/22 Season. Safety for our patrons, artists, and staff is our top priority. The Alliance will continue to closely monitor local, state, and federal policies regarding indoor activities and plan our safety protocols accordingly. Effective immediately, all patrons will be required to show proof of vaccination or a negative test taken, as well as a matching photo ID, to enter the performance space. Here are a few ways we’ve redesigned the experience with safety in mind:

VAC CIN AT ION R EQ UIR E D

M A SK S R E Q UIR E D

A DDI T ION A L H A ND S A NI T I Z ING S TAT IONS

MOBIL E OR E -T IC K E T S ONLY

IMP R O V E D A IR CIR C UL AT ION A ND IONI Z AT ION

Learn more at alliancetheatre.org/covid-update

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ctor Gillian Rabin on the first day of rehearsals for Alliance Theatre’s Darlin’ Cory. A - Photo by Aniska Tonge.

A MUSICAL OF ITS TIME Discovering the “unique treasures” of writing Darlin’ Cory during COVID STORY BY

Sally Henry Fuller

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there’s one thing this pandemic has given us more of, it’s time. Time to slow down and feel bored. Time to watch a full series of a silly show. Time to be alone. And in the process of writing Darlin’ Cory, the creative team found unexpected doors opening as they were obligated to create in slow motion. “There was more thinking time for me,” says librettist Phillip DePoy. “I had a lot more time to just ponder all by myself than you would if you’re in the rehearsal hall. [Normally when] we’re right across the table from each other, things are happening a lot faster and a lot more immediately. But having that much thinking time, I think, actually did something unusual to this entire process. Don’t you Kristian?” Composer Kristian Bush replies, “Yeah, I would agree with you completely! There was a time before the internet that I completely recall when I could walk around singing things to myself over and over again. I even remember writing long letters, and that’s what this feels like. It feels very slow without being methodical.”

Almost Dreamlike Without having each other right across the table for immediate and overlapping collaboration, the creative process morphed into a series of waves from one creator to another. Bush says it felt almost dreamlike. “Very early on, we had a different story in mind, but the same universe,” Bush says. His process included continually tweaking version after version of the songs, sending them to the Darlin’ Cory creative team for their feedback. Eventually, there could be twenty versions of a song before the team landed on the one that fit the best.

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riter and Co-Lyricist Phillip DePoy on the first day of W rehearsals for Alliance Theatre’s Darlin’ Cory. - Photo by Kathleen Covington.

“The songs that were written then, some of them became tentpoles, and I stopped changing them, and they just sat there. And because we’re doing nothing and we’re alone, it’s the one thing you can go back and listen to and re-imagine the world around. So, Phillip did this weird thing where he took a song that was meant for something else and kept reinventing it by what he put around it. It was super cool.”

DePoy, Bush, director Susan V. Booth, and the rest of the Alliance’s creative team worked in sync together despite being separated, fostering an environment that combined everyone’s strengths and ideas. Ultimately, this allowed the concepts to percolate while Darlin’ Cory was being workshopped and Wait a second. I developed into the finished piece it is don’t think that’s today.

dialogue. I think that’s a song lyric.’ So he would take that and turn it magically into song lyrics.

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“I mean, it’s, it’s really true,” DePoy adds. “I would write something in the privacy of my own, you know, cramped little office, send it to Kristian, and he would go, ‘Wait a second. I don’t think that’s dialogue. I think that’s a song lyric.’ So he would take that and turn it magically into song lyrics. It obviated maybe a third of the scene and

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omposer and Co-Lyricist Kristian Bush and Musical Director Brandon Bush on the first C day of rehearsals for Alliance Theatre’s Darlin’ Cory. - Photo by Kathleen Covington.

made it better, you know? So, the scene builds up to the song. The song reveals the content of what had been the scene, and it moves it along so much better and so much more interestingly.”

The King of Driving the Plot The team kept centering their creative process around this idea that the plot drives everything. Every song was written with a plot-advancing purpose in mind. “Phillip is the king of driving the plot, right?” Bush explains. “He is! That’s what he does! I’ve only known him for a very short time, and I would trust him with that 1000 percent because his compass always knows which way to go with that kind of stuff.” As the writers have followed the story and let it dictate where the music goes, they have stumbled upon quite a unique treasure.

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We were creating an almost mythic environment in which the songs and the action could happen.

“I would say you could probably categorize this as a new kind of musical too,” says DePoy, “because the book isn’t as much a typical musical book as it is a script that has been infused with musical identity. It’s a much more complex script and much more complex songs than I think you would get certainly in a typical Broadway musical.” DePoy likens their concept to Broadway’s Hadestown, a stylistic retelling of Greek Mythology. “That was a good thing for us to think about early on that we were creating an almost mythic environment in which the songs and the action could happen.”

Binge-Worthy Bush says part of his vision was to cater to audiences who binge-watch TV shows. “We are alive at this time and culture that we all have vocabulary about. We don’t watch one or two episodes of something,” he relates. “We want four seasons of a show, like, right now. You don’t want a story that’s an hour and a half long right now. You want a story that’s seven months long, right? And Phillip’s constantly found a way to put six years’ worth of episodes of a Netflix show into one story.” The team has landed on a show that feels binge-worthy and unforgettable. “And it’s dense! It’s also like a really good dessert,” Bush jokes. “You know what I mean? It kind of smacks you around a little bit. You will never freaking forget it. And there’s salt on top.”

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programhighlight

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MANY SOUNDS, ONE VOICE STORY BY

Abrianna Belvedere

front porch is more than just an entrance to one’s home. It’s often a gathering place where elders share stories, young people court, and neighbors join together as a community. In Appalachian history, the front porch also served as a musical workshop. Musicians and families would gather on the front porch of their homes, transforming it into a stage, just as our stage has transformed for music on the front porches of a cabin and public stoops outside of the general store. Through these makeshift performances, communities shared music, techniques, and traditions. Appalachian music was a product of the constant collaboration and change from these gatherings, each musician mining whatever styles and forms were suitable for new adaptations of raw material. Appalachian music and culture developed through the act of sharing and synthesis, becoming a musical scrapbook of the styles and genres of the many ethnic and cultural traditions of the Appalachian region. Over time, Appalachian music has borrowed and adapted elements from a variety of musical traditions, including jazz, blues, bluegrass, honky-tonk, country, gospel, and pop. Even the instruments common in Appalachia came from a variety of places. The fiddle was brought by Anglo-Celtic colonists, and

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rank Proffitt sings and plays for Anne Warner in 1941. Pick Britches Valley, North Carolina. Anne and F Frank Warner Collection. Photo by Frank Warner.

German immigrants brought instruments like the harmonica, Appalachian dulcimer, and autoharp. The banjo, one of the oldest instruments used in traditional Appalachian music, was derived from African instruments as a result of the Transatlantic Slave Trade, and Black musicians in Appalachia can be credited for much of the source and style of traditional folk songs from the region. Still today, Appalachian musicians experiment with a variety of sounds, making an effort to preserve the mountain music and grow on the tradition of collaboration and communal music-making. The collaborative nature of Appalachian music is a direct reflection of the importance of community in Appalachian towns. Though Appalachian culture is one that respects self-sufficiency and independence, it also is one that understands the importance of showing up for our neighbors when they need a helping hand. Through music, people were able to build strong relationships and understand their responsibility to learn

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Valerie June and Gil Landry at the Filmore in 2019 by Alessio Neri.

from one another. This resulted in a rich, diverse culture guided by a variety of artistic traditions — and more importantly, a culture that didn’t allow anyone to stand alone against their struggles. Appalachian music tells the stories of grief, faith, hardship, and resilience that run through the veins of Appalachian culture, built from the traditions of generations of people who were willing to listen, adapt, and lend a hand to a neighbor in need. From the strings of the banjo to the vibration of the harmonica, Appalachian music is a cultural harmony written by the people who made their way up the mountains, and created by feet planted firmly in tradition, yet with minds willing to change.

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14 | onstage&off

WOMEN AND MOONSHINE STORY BY

Raiyon Hunter

hen you consider cultural traditions you’ve been exposed to growing up, such as jumping the broom, building Ofrendas, crafting paper cranes, or even making and then drinking mulled wine around a decorated Christmas tree, do you think about the trailblazers who started them? We all have frequent and seasonal practices and customs that are directly or indirectly passed down to us by our ancestors. Living in 1930s Appalachia, our protagonist Clara inherited the tradition These trailblazing of making strong moonshine from her Mama. In Appalachian culture, women created a moonshine-making is one of the many traditions still practiced today. In the n ew t r a d i t i o n t o 1920s, following Prohibition, the sale of moonshine soared due to alcohol being b e p a ss e d d ow n , outlawed. Surprisingly, the majority of moonshiners during this time and a means for were women as they had significant their survival. advantages over moonshining men due to laws that prevented police officers from searching women. Some men even hired women to ride in cars with them as they delivered the goods because officers wouldn’t stop a car with a woman in it. Additionally, most juries did not convict moonshining women because they believed women to be incapable of committing such a crime. Because these women were

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underestimated, they could conveniently make up the majority of moonshine operators, at one point even outnumbering men moonshiners five to one. For centuries, women have had to come up with innovative and creative ways to provide for their families. The same ideals that created laws prohibiting women from working allowed women such as Maggie Bailey, Josephine Doody, Mary Wazeniak, and Mary Josephine Doody from Glacier National Park Collection Ann Moriarity to use their societal positioning to inconspicuously run their moonshine operations out of their own homes, therefore making money for their families and others. Maggie Bailey, also known as “Queen of the Mountain Bootleggers,” started selling moonshine as a young teen and used the money made to help people in her community. She put many kids through college and bought groceries for families who had fallen on hard times. Maggie was a hometown hero in Clover Town of Harlan County, Kentucky, and a household name. Hiding moonshine in laundry baskets and chicken coops, these trailblazing women created a new tradition to be passed down, and a means for their survival. When we stop and consider the way women had to fight for their right to earn money and respect, we realize the irony in so many of our cultural norms sitting on the shoulders of these change-making women. Moonshining women are now ingrained in Appalachian culture, and in the world of Darlin’ Cory, Clara stands on the shoulders of the many moonshining women who came before her.

E XPERIENCE YOUR S TORY. Let the story move you. We welcome your reactions — laughter, tears, gasps, applause, and more — throughout the show.

RESPEC T YOUR S TAGE. Immerse yourself in the experience. We ask that you please silence your cellphones and other electronic devices.

SHARE YOUR S TORY. PRESERVE YOUR S TAGE. Feel free to take photos or videos before or after the show! Share on social with #AllianceTheatre. However, we do kindly ask that you refrain from taking pictures, recording audio, or capturing video during the performance.

Our stories are not simply told for you, but with you.

THE ALLIANCE THEATRE Susan V. Booth, Jennings Hertz, Artistic Director & Mike Schleifer, Managing Director present

BOOK BY

PHILLIP DEPOY SCENIC DESIGN

TODD ROSENTHAL MUSIC DIRECTION

BRANDON BUSH

MUSIC BY

KRISTIAN BUSH COSTUME DESIGN

KARA HARMON CHOREOGRAPHY

JOHN WELKER

LIGHTING DESIGN

XAVIER V. PIERCE CASTING

JODY FELDMAN

LYRICS BY

PHILLIP DEPOY & KRISTIAN BUSH SOUND DESIGN

CLAY BENNING STAGE MANAGER

JAYSON T. WADDELL

DIRECTED BY

SUSAN V. BOOTH Generous support for this production provided by Dean DuBose & Bronson Smith. This musical is a recipient of an Edgerton Foundation New American Play Award. This production is supported in part by the BOLD Theater Women’s Leadership Circle. ALLIANCE SERIES SPONSORED BY

18 | programnotes CAST * JEREMY AGGERS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bailey JIMEZ ALEXANDER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gaither MARCELLO AUDINO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tucker * JOHN BOBEK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Grey/Brody * JEWL CARNEY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Alex Crow * KATIE DEAL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Truegood * KELLI DODD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Jenny/Ivy * ROB LAWHON . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Doug * RHYN MCLEMORE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mama Grace GILLIAN RABIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Clara * MARIA RODRIGUEZ-SAGER . . . . . . . . . . . . . . . . . . . . . . . . Cass Crow * ASIA ROGERS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Honor UNDERSTUDIES COLLIN CRUIKSHANK . . . . . . . . . . . . . . . . . . . . US Brody/Grey/Gaither GINA DELISE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . US Clara/Honor LAMONT J. HILL . . . . . . . . . . . . . . . . . . . . . . . . . US Alex Crow/Tucker JESSI LITTLE . . . . . . . . . . . . . . . . . . . . . . . US Cass Crow/Mama Grace NATALIE MYRICK . . . . . . . . . . . . . . . . . . . . . . . US Ivy/Jenny/Truegood JACOB VALLEROY . . . . . . . . . . . . . . . . . . . . . . . . . . US Doug/Bailey STAGE MANAGERS * JAYSON T. WADDELL . . . . . . . . . . . . . . . . . . . . . . . . . . Stage Manager * SHAINA PIERCE . . . . . . . . . . . . . . . . . . . . . . . . Assistant Stage Manager * LIZ CAMPBELL . . . . . . . . . . . . . . . . . . . . . . . . . Assistant Stage Manager ASHLEY DICKEY . . . . . . . . . . . . . . Stage Management Production Assistant PRODUCTION AND DESIGN ASSISTANCE AMANDA WATKINS . . . . . . . . . . . . . . . . . . . . . . . . . . . . Line Producer RAIYON HUNTER . . . . . . . . . . . . . Assistant Line Producer/Assistant Director AMELIA FISCHER . . . . . . . . . . . . . . . . . . . . . . . . . Fight Choreographer CONNOR HAMMOND . . . . . . . . . . . . . . . . . . . . . . . Fight Choreographer ELISA CARLSON . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dialect Coach ETHAN GODFREY . . . . . . . . . . . . . . . . . . . . . . . . . . . Music Assistant JOANN KANE MUSIC . . . . . . . . . . . . . . . . . . . . . . . . . . . Music Copyist RUSSELL BARTMUS, ALEX JACKSON . . . . . . . . . . . . . . . . . . Music Copyist ABRIANNA BELVEDERE . . . . . . . . . . . . . . . . . . . . . . . . Literary Assistant CONNOR MCVEY . . . . . . . . . . . . . . . . . . . . . .Assistant Lighting Designer CHEYENNE SYKES . . . . . . . . . . . . . . . . . . . . . Associate Lighting Designer SOTIRIOS LIVADITIS . . . . . . . . . . . . . . . . . . . . . . . Assistant Set Designer HIDENORI NAKAJO . . . . . . . . . . . . . . . . . . . . . Associate Sound Designer HAYLEE SCOTT . . . . . . . . . . . . . . . . . . . . . . . . . . . COVID Coordinator

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BRANDON BUSH . STELLO CLARK . . TOMI MARTIN . . . Q. ROBINSON . . . ZACK ALBETTA . .

. . . . .

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MUSICIANS . . . . . . Music Director and Player/Conductor . . . . . . . . . . . . . . . . US Guitar/Keyboard . . . . . . . . . . . . . . . . . . . . . . . . Guitar . . . . . . . . . . . . . . . . . . . . . . . . Drums . . . . . . . . . . . . . . . . . . . . . . US Drums

FOR THIS PRODUCTION NEIL ANDERSON, GABRIELLE DRUM . . . . . . . . . . . . . Follow Spot Operator KATE LUCIBELLA . . . . . . . . . . . . . . . . Assistant Stage Operations Manager HOLLY O’REAGAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sound Mixer EMMA MOULEDOUX . . . . . . . . . . . . . . . . . . . . . . . . . . . . Deck Sound WILLIE PALMER PARKS AND VICTOR MOULEDOUX . . . . . . . . . Stagehands SKYLAR BURKS . . . . . . . . . . . . . . . . . . . . . . . . . Properties Stagehand BRYAN PEREZ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Crew Chief HAUZIA CONYERS, YVONNER STEPHENS, ZACHARY MORRISON . . . .Wardrobe SPECIAL THANKS The Frances and Beverly DuBose Foundation, Inc. COMMUNITY PARTNERS Women’s Resource Center to End Domestic Violence The Atlanta Women’s Foundation Frank Hamilton School Frank Hamilton School of Music Atlanta-Area Friends of Folk Music Foxfire Appalachian Heritage Foxfire Museum and Heritage Center Public Broadcasting Atlanta

* Denotes a member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States Musicians employed in this production are represented by the American Federation of Musicians of the United States and Canada. The Alliance Theatre operates under an agreement between the League of Resident Theatres (LORT) and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States, and the Society of Stage Directors and Choreographers, an independent national labor union. The Alliance Theatre at the Woodruff is a member of Theatre Communications Group (TCG), the national organization for the American theatre, and is a member of the League of Resident Theatres (LORT), the International Association of Theatre for Children and Young Audiences (ASSITEJ/USA), The Atlanta Coalition of Theatres, the Atlanta Chamber of Commerce, the Atlanta Convention and Visitors Bureau, and the Midtown Alliance. Photos may be taken in the theater before the performance, during intermission, and following the performance. If you share your photos, please credit the designers. Photos, videotaping or other video or audio recording of this production is strictly prohibited, is a violation of United States Copyright Law, and is an actionable Federal Offense.

20 | programnotes JEREMY AGGERS (Bailey) This show marks Jeremy’s 10th Alliance production, and he is beyond grateful. Past Alliance credits include Edward Foote, Candide, Shakespeare in Love, Whipping Man, Ghost Brothers of Darkland County, The Wizard of Oz, The Lion, the Witch and the Wardrobe, Small Mouth Sounds, and most recently, the 2020 drive-in A Christmas Carol. Other Atlanta credits include This Wonderful Life (Aurora Theatre), Buddy: The Buddy Holly Story (Georgia Ensemble), and Singles in Agriculture (Aurora Theatre). He has released three albums of his music (that you can stream just about anywhere) and has narrated somewhere around 400 audiobooks under Jeremy Arthur and other pseudonyms. All his love to KJW and AEWA. BL continue to M. JIMEZ ALEXANDER (Gaither) Is from New Orleans, Louisiana. He studied theatre at Belhaven University and has performed in plays such as Twelfth Night, In Lieu of Flowers, Voyage of the Little Mermaid. He graced the silver screen in the Sundance award winning film “Ballast”, “Choosing Chasity season 2” “Haunting In Connecticut 2” and his most recent credit was “Brian Cole’s Pseudo”. He is also a puppeteer, musician, teaching artist husband and proud father of three. Jimez is represented by The Brock Agency. He is grateful to make his Alliance Theatre debut as (Gaither). Enjoy the show! MARCELLO AUDINO (Tucker) is so grateful to be back on stage at the Alliance! You may have previously seen him as La Tortuga in La Tortuga and The Hare. More recent

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credits around Atlanta including Newsies, On Your Feet!, and Men with Money at Aurora Theatre. He was thrilled to understudy Alliance’s first show back under the tent, Working, this spring. Marcello also regularly appears in commercials, television shows, and voice overs and is proudly represented by People Store here in Atlanta. All of the love & gratitude to the Alliance for this opportunity and to my family and friends who support me. Welcome back to the theatre! IG: @marcello_audino JOHN BOBEK (Brody/ Grey) is a new Atlantan making his Alliance Theatre debut. He has been seen on TV (“The West Wing,” “Happy Endings,” “American Crime,” “A Series of Unfortunate Events,” “Strong Tower”), Film (When a Stranger Calls, Stomping Ground) and On Stage most recently in Geffen Playhouse’s world premiere Mysterious Circumstances. He is a proud member of Antaeus Theatre Company and Sacred Fools Theatre Company in Los Angeles. Also a singer/songwriter, his music was most recently featured in the indie film Limerence, and his albums are available wherever digital music is sold or streamed. <3 EB || Instagram: @itsjohnbobek JEWL CARNEY (Alex Crow) was born and raised in Hawaii and left at the age of 16 to join the 2nd National Tour of Miss Saigon as Kim. She went on to play the role of Nala in The Lion King at The Pantages Theater in Los Angeles. She made her way back to the stage in The Alliance Theatre’s Spring musical Working in 2021. As a session/demo singer, solo artist and song writer, she took a time out to become Mom to two little Carneys kids, Shine and Free. “Michael, Shine, and Free, my life is more blessed, beautiful, filled with grace and completely chaotic with you in it. I love you always.”

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COLLIN CRUIKSHANK (US Brody/Grey) is delighted to be making his debut with Alliance Theatre. He graduated from the Savannah College of Art and Design with a degree in performing arts in 2020. Recent credits include narrating the audio book “Summer of the Monkeys” by Wilson Rawls and starring in a Coca-Cola commercial. As a day job he owns an online store for funny vegan merch called Bazaar Vegan. KATIE DEAL (Truegood) As an Appalachian music nerd and a big fan of the Bush brothers, Katie is overjoyed to be originating the role of Truegood. Previous world premieres: Back Home Again: My Life with John Denver (Penny - Milwaukee Rep), Lakebottom Proper (Rowena Springer Opera House), and Crazy Love (Margarita - Springer Opera House). Favorite regional credits: Keep on the Sunny Side (Sara Carter - Barter Theatre), Back Home Again (Penny People’s Light & Ivoryton Playhouse), Ring of Fire (June Carter Cash - Barter Theatre), and A Closer Walk with Patsy Cline (Patsy - Springer Theatricals national tour 2006 & 2011). Katie has co-produced several touring concerts honoring country music’s greats, is a frequent guest vocalist with the Atlanta Pops Orchestra and has been featured in two major motion films: Let’s Be Cops and Billy Lynn’s Long Halftime Walk. Off stage, Katie serves as the Director of Alumni Engagement at Piedmont University. Many thanks to Susan, the cast and crew, Piedmont, her family, and the love of her life, Sam, for all the support. www.KatieDeal.com. GINA DELISE (US Clara/ Honor) is an ATL and NYC based actor. She is a recent graduate from the University of Evansville where she was seen in The

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Grapes of Wrath (Rose of Sharon) and Spring Awakening (Thea/Frau Gabor). As a Georgia native, Gina is thrilled to be making her Alliance debut, and she thanks her family and friends for their love and support.@gina_delise KELLI DODD (Jenny/Ivy) is thrilled to make her debut with the Alliance! Recent credits: Million Dollar Quartet, The Bridges of Madison County (Colorado Springs FAC), The Great American Trailer Park Musical (Mountain Rep Theatre), Dolly Parton’s Stampede and Christmas Celebration, Always...Patsy Cline (MRT, The Legacy Theatre), The Marvelous Wonderettes (MRT, Virginia Samford Theatre), Pump Boys and Dinettes, Annie Get Your Gun, Holiday Spectacular (Red Mountain Theatre), and Smoke on the Mountain (Central Alabama Theatre). Kelli thanks her husband, Kyle. Matt.5:16. www.kellidodd.art Catch her next in Kelli Sings Dolly! at the Legacy Theatre this October! LAMONT J. HILL (US Alex Crow/Tucker) Atlanta: City Springs Theatre: Into The Woods (Cinderella’s Father), Elf the Musical (Store Manager), Sentimental Journey/ Broadway Revue (U/S); Atlanta Lyric Theatre: Jekyll & Hyde (Utterson); Actor’s Express: Suzi Bass Award Winning The Color Purple (Harpo); Once on This Island concert (Jennie T. Anderson), Wallace Buice Theatre Co.: Parade (Riley), Dominion Ent. Group: A Lesson Before Dying (Grant U/S), Kenny Leon’s True Colors Theatre Co.: The First Noel, Vocalist Six Flags Holiday in the Park, Berea College Theatre: The Wiz (Scarecrow), Ma Rainey’s Black Bottom (Sylvester), Top Dog/Underdog (Booth), Lead Male Vocalist (Norwegian Cruise Line Holdings). Education: BA in English, Theatre, & Speech Communications (Berea College) and also trained at The Company Acting

22 | programnotes Studio (Buford, GA). Film: Trying Grace, First Family. Lamont is new to the Alliance Theatre and is thrilled to be a part of Darlin’ Cory. ROB LAWHON (Doug) is delighted to return to the Alliance Theatre! You may remember Rob from shows like Working, Songs to Grow On, The Wizard of Oz, Troubadour, Pancakes, Pancakes!, or Ghost Brothers of Darkland County. Many thanks to the Bush Brothers and the Brothers DePoy, and Susan and Jody. A very special thank you goes to my son Gibson, who I love more than anything else in the whole wide world. JESSI LITTLE (US Cass Crow/Mama Grace) is new to Atlanta having moved from Seattle last year. Atlanta credits include; Lace Larrabee’s Stand Up Comedy class, Aurora Theatre Welcomes - A Cabaret, 48 Hour Film Project, and recurring entertainment at various retirement, memory care, and assisted living communities. Her general public cabarets combine stand up, trivia, and music and have been performed in numerous states west of the Mississippi; next up Charlotte, NC (Jan. 2022). Favorite credits include: Lizzie Darcy in Miss Bennet: Christmas at Pemberley (New Village Arts, CA), u/s Siobhan & Voice 3 in The Curious Incident… (Village Theatre, WA), “Day by Day” in Godspell (Taproot Theatre, WA), Baker’s Wife in Into the Woods (StageRight Theatre, WA), and singing the National Anthem at Fenway Park (Go Sox!). www.jessilittle.com IG: @jjessilittle RHYN MCLEMORE (Mama Grace) is over the moon to be back on the Coca-Cola stage, where she was last seen in Ever After (Suzi Bass Award nominee — Best

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Supporting Actress). Other Atlanta theater includes: Fun Home, Stupid Fucking Bird and Company (Actor’s Express); The Cake (Horizon Theatre); Safety Net (Theatrical Outfit); Dot (Kenny Leon’s True Colors Theatre Company); The Bridges of Madison County and Split in Three (Aurora Theatre). Off-Broadway: Dot (The Billie Holiday Theatre); A World to Win (The York Theatre Company). Regional: Violet and The Crucible (Gallery Players); The Sound of Music (Sierra Repertory Theatre); The Spitfire Grill (Cape Fear Regional Theatre); A Streetcar Named Desire, Cat on a Hot Tin Roof, and Our Town (West Virginia Public Theatre); The Crucible (North Carolina Shakespeare Festival). Upcoming: A Christmas Carol (Alliance Theatre). Big love to her amazing partner, Joshua. BFA, Carnegie Mellon University. www.rhynmclemore.com NATALIE MYRICK (US Ivy/Jenny/Truegood) is a theatre artist/musician based in New York City, and she is thrilled to be back in the southeast for her Alliance debut! After graduating from the University of North Carolina at Chapel Hill, she toured in shows for young audiences around South Korea. Regionally and OffBroadway, her artistic projects especially center original works in development and contemporary musical theatre. Select credits: Reverb Arts Festival (Roundabout), Playdate (Dixon Place), Phantom Tollbooth (Hangar Theatre), Tarzan (English Musicals Korea), Last Five Years (Company Carolina). www.nataliemyrick.com // @noots.mcgoots GILLIAN RABIN (Clara) is thrilled to be making her debut performance on the Alliance’s Coca-Cola Stage with Darlin’ Cory! An Oglethorpe University graduate, Gillian was honored to work with some of Atlanta’s

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finest: Freddie Ashley, Richard Garner, Mira Hirsch, and many others. Gillian joined the 2019 apprenticeship program at Actor’s Express, appearing in both Skintight and Fun Home prior to the pandemic. Offstage, Gillian is signed with People Store and Lifetime movie fans will recognize Gillian as Pippa in Who’s Killing the Cheerleaders? Be sure to check Gillian out in upcoming films Emergency, Evolution of Nate Gibbs, and The Re-Education of Molly Singer. MARIA RODRIGUEZSAGER (Cass Crow) is crazy stoked she gets to make her Alliance main-stage debut on the newly transformed Coca-Cola Stage. She was first seen at the Alliance as Kanga in Winnie the Pooh. Some of her work: Our Town and The Laramie Project (Theatrical Outfit), Project Dawn (Horizon Theatre), In the Heights (Aurora Theatre/Theatrical Outfit), In the Next Room (Synchronicity Theatre) and George S. Clinton’s and Sherry Landrum’s That Other Woman’s Child (Baryshnikov Arts Center, NYMF). You can also see her recurring on The CW in DC’s “Stargirl” and Christopher Landon’s film Freaky (2020). She thanks you for supporting local professional theater and hopes you will continue to participate in sustaining this live art form for generations to come. For there is no Us without You. www.mariasager.com ASIA ROGERS (Honor) is delighted to be returning to the Alliance Theatre. Previously, she had the pleasure of understudying another of Phillip DePoy’s works in Nick’s Flamingo Grill. Her credits include Our Town & The Laramie Project (Theatrical Outfit), Pipeline (Horizon Theatre), Skeleton Crew (True Colors Theatre), Titanic (Serenbe Playhouse), A Christmas Carol and Damn Yankees (Theatre Buford), Dangerous Women (Weird Sisters Theatre Project), and The Jungle Book (Georgia Ensemble

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Theatre). Special thanks to her family and to her husband Nijel for all of their support! JACOB VALLEROY (US Doug/Bailey) is thrilled to be making his debut at the Alliance! He is a graduate of the University of Alabama (Roll Tide!) with a degree in Musical Theatre. Off-Broadway/National Tours: Alcestis Ascending (Straton), A Christmas Carol (Jacob Marley). Atlanta Credits: Spring Awakening (Melchior), The Last Five Years (Jamie), Les Misérables (Enjolras), Big Fish (Will Bloom), Chess (Ensemble), Fun Home (Roy, Bobby Jeremy, etc.), and A Year With Frog and Toad (Male Swing). Instagram: @jrvalleroy SUSAN V. BOOTH (Director, Jennings Hertz Artistic Director) joined the Alliance Theatre in 2001 and has initiated the Palefsky Collision Project for teens, the Alliance/ Kendeda National Graduate Playwriting Competition, the Reiser Atlanta Artists Lab and commercial partnerships on such projects as The Prom; Tuck Everlasting; Ghost Brothers of Darkland County; The Color Purple; Bring It On: The Musical; Twyla Tharp’s Come Fly Away; Sister Act: The Musical; Bring in ’da Noise, Bring in ’da Funk; and Jesus Christ Superstar GOSPEL. She has directed nationally at the Goodman Theatre, La Jolla Playhouse, New York Stage and Film, Actors Theatre of Louisville, Northlight Theatre, Victory Gardens, Court Theatre and many others. She holds degrees from Denison and Northwestern Universities and was a fellow of the National Critics Institute and the Kemper Foundation. She has held teaching positions at Northwestern, DePaul and Emory universities and is a past President of the board of directors for the Theatre Communications Group, the national service organization for the field. Booth’s leadership is underwritten by the BOLD Theater Women’s

24 | programnotes Leadership Circle, an initiative to support and promote women’s theater leadership funded by The Helen Gurley Brown Foundation. She is married to Max Leventhal and is the proud mother of Moira Rose Leventhal. PHILLIP DEPOY (Librettist, Co-Lyricist) is the author of 22 novels (the latest, Sammy Two Shoes, comes out in October 2021) and 45 plays. An internationally reviewed performance artist, he was writer in residence for the Georgia Council for the Arts and Composer in Residence for the Academy Theatre in the 1980s. In the 1990s he was the Artistic Director of Theatrical Outfit and has composed music for 17 Alliance Theatre productions (Angels in America, The Seagull, Man for All Seasons, et al). Since then, he served as the director of several university theatre programs. He was awarded Georgia Author of the Year Lifetime Achievement Award in 2015. Notable theatrical work includes the 1993 New York production of Lamb on Fire, the 2002 Edgar Award winning mystery play Easy, also in New York, and for the Alliance Theatre, the Suzi award-winning Edward Foote. His Appalachian Christmas Homecoming has been produced over 30 times nationally since 1994. Phillip DePoy also holds an undergraduate degree in English literature and folklore, and a graduate degree in performance art. His greatest achievement, however, is having been married to playwright Lee Nowell for over twenty-two years. KRISTIAN BUSH (Music, Co-Lyricist) Kristian Bush is a multi-platinum-selling, two-time Grammy winner most known for being half of the recordbreaking country music duo Sugarland. The Sevierville, Tenn., native launched his professional music career in 1994 with the folk-rock duo Billy Pilgrim. Within the decade, Kristian

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moved on to form Sugarland with Jennifer Nettles. The duo released “Baby Girl,” its debut song, in 2004. The seminal coming-of-age anthem paved the way for Sugarland to become the most influential country duo of its generation. Kristian released his critically acclaimed solo debut Southern Gravity in 2015. Its follow-up, the soundtrack to Bush’s first musical Troubadour, comes out in Fall of 2021. Bush made a foray into television theme songs in 2016 with “Forever Now (Say Yes),” which he penned and performed for TLC’s popular “Say Yes to the Dress.” He’s a founding member of rock jam band Dark Water alongside his brother Brandon Bush and Benji Shanks. He co-wrote a song for the Atlanta staging of Stephen Schwartz’s Working: A Musical. Me Before You is Bush’s third full-length musical that is opening in February of 2022 at the GABLESTAGE in Miami, FL. TODD ROSENTHAL (Set Design) is a Chicago-based set designer and educator. Broadway credits include: August Osage: County (Tony Award), The Motherfucker with the Hat (Outer Critic’s Circle Award nomination and Tony Award nomination), Who’s Afraid of Virginia Woolf? (Tony Award for Best Revival), Of Mice and Men (filmed by National Theatre Live), This is Our Youth, Fish in the Dark, Straight White Men and Linda Vista. Select OffBroadway: Red Light Winter (Barrow Street), Domesticated (Lincoln Center) Close Up Space (Manhattan Theatre Club), and The Qualms (Playwrights Horizons). Set designer for six years for The Big Apple Circus. International credits include: August: Osage County (National Theatre of Great Britain, London and Sydney Theatre Company, Australia), The Beauty Queen of Leenane (Waterford, Ireland), Madama Butterfly (Irish National Opera, Dublin/Cork), Nice Fish (London’s West End), and Downstate (National Theatre of Great Britain, London). Regional work includes Steppenwolf Theatre Company (Over 30 productions), Goodman Theatre (Artistic

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Partner), Guthrie Theatre, Mark Taper Forum, American Repertory Theatre, Arena Stage, Oregon Shakespeare Festival, Lyric Opera of Chicago, Alliance Theatre, Berkeley Repertory Theater, La Jolla Playhouse and many others. Todd started the exhibition design He has received many other accolades, including the Laurence Olivier Award (first American set designer), the Helen Hayes Award, the LA Stage Alliance Ovation Award, the Backstage Garland Award, Suzi Bass Award, the Joseph Jefferson Award, the Bay Area Theater Critics Circle Award, the 2019 USITT Distinguished Achievement Award, the Michael Merritt Award for Excellence in Design and Collaboration, and has been nominated for four American Theater Wing Henry Hewes Design Awards for best set design. Todd is a Full Professor at Northwestern University and a graduate of the Yale Drama School. KARA HARMON (Costume Designer) The Alliance: Goodnight Tyler, Angry Raucous & Shamelessly Gorgeous, God of Carnage. Regional: Guys and Dolls, Steel Magnolias, Guthrie Theatre; Eclipsed, Milwaukee Rep; The Color Purple, Portland Center Stage; The Wiz, Ford’s Theatre (Helen Hayes Award); We, the invisibles, ATL Humana Festival; A Raisin in the Sun, Indiana Rep; Nina Simone: Four Women, Arena Stage; The Purists, A Guide for the Homesick, Huntington Theatre; In the Heights, Geva; Barbecue, Geffen Playhouse (NAACP Award); The Rape of Lucretia, Wolf Trap Opera; Much Ado About Nothing, The Comedy of Errors, Oregon Shakespeare Festival. New York: Lockdown, Rattlestick Playwrights, The Niceties, Manhattan Theatre Club; Dot, Vineyard Theatre. Assistant Costume Design TV: “The Marvelous Mrs. Maisel” Season 2, Amazon, “Daredevil,” Season 2, Netflix; “Boardwalk Empire,” Season 5, HBO. Training: NYU Tisch School of the Arts. KaraHarmonDesign.com XAVIER V. PIERCE (Lighting Design) Professional credits include: Public Theatre (NYC), Steppenwolf Theatre

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(Chicago, IL), Oregon Shakespeare Festival (Ashland, OR), Guthrie Theatre (Minneapolis, MN), McCarter Theatre Center (Princeton, NJ), Long Wharf Theatre (New Haven, CT), Saint Louis Repertory Theatre (St Louis, MO), Seattle Repertory Theatre (Seattle, Washington), Arena Stage (Washington, DC), California Shakespeare Theatre (Orinda, Ca), Cincinnati Playhouse (Cincinnati, OH), Indiana Rep (Indianapolis, IN), Arden Theatre (Philadelphia, PA), Playmakers Rep (Chapel Hill, NC), Westport Country Playhouse (Westport, CT), George Street Playhouse (New Brunswick, NJ), Syracuse Stage (Syracuse, NY), Two River Theatre Company (Red Bank, NJ), Olney Theatre Center (Olney, MD), Intiman Theatre (Seattle, WA), Arizona Theatre Company (Phoenix,AZ), Florida Studio Theatre, Arkansas Shakespeare Theatre, Triad Stage (Greensboro, NC & Winston Salem, NC), Charlotte Childrens Theatre (Charlotte, NC), Crossroads Theatre (New Brunswick, NJ). Xavier Pierce is a graduate of New York University Tisch School of the Arts MFA in Design Stage and Film. Recent Credits: Harvey by Mary Chase, directed by Libby Appel at Guthrie Theatre. Two Trains Running by August Wilson directed by Raelle Myrick-Hodges. A Raisin in the Sun at the Westport Country Playhouse directed by Phylicia Rashad. Xavier lit Two Trains Running directed by Ruben Santiago-Hudson at Two Rivers Theatre Company in Red Bank, NJ and Katori Hall’s The Mountain Top directed by Raelle Myrick-Hodges in a co-production between Playmakers Rep and Triad Stage. Xavier designed August Wilson’s Fences directed by Phylicia Rashad in a co-production between Long Wharf Theatre and the McCarter Theatre. Xavier designed The Piano Lesson at the Olney Theatre Center directed by Jamil Jude. CLAY BENNING (Sound Design) Resident Sound Designer for the Alliance Theatre and has designed more than 150 productions in his career,

26 | programnotes with over 100 for the Alliance. Recent works for the Alliance include Naked Mole Rat Gets Dressed, Small Mouth Sounds, and Max Make a Million. Other design work has included Georgia Shakespeare, Atlanta Ballet, Cincinnati Playhouse, Repertory Theatre of St. Louis, Theatrical Outfit, Geva Theatre, Synchronicity Theatre, and the Georgia Aquarium. Awards: Seven Suzi Bass awards for outstanding sound design with 16 nominations. He is a graduate of Presbyterian College (BA), North Carolina School of the Arts (MFA) and a member of IATSE/USA829 and TSDCA. BRANDON BUSH (Music Director) has performed on Grammy® Award nominated and winning releases by John Mayer, Sugarland and Shawn Mullins. As a member of the rock band Train, Brandon toured the world indulging in his lifelong fantasy of performing a keyboard solo on a smoke-emitting Moog synthesizer. Theater work includes Composing and Sound Design for Approval Junkie (Alliance) and Music Direction credits for Shakespeare in Love (Alliance) and the world premier musical Troubadour (Alliance). Currently, Bush is touring as the music director for his brother Kristian Bush. He also manages the Atlanta based creative studio, Songs of the Architect where he composes for visual media. JOHN WELKER (Choreography) John’s passion for dance began at the age of 11, after the encouragement of his sister to take his first ballet class at BalletMet in Columbus, OH. He studied under many distinguished teachers and schools on full scholarship with the School of American Ballet, National Ballet of Cuba, and Bolshoi Ballet Academy in Vail, Colorado. Beginning his professional career at 16, he’s had the opportunity to perform on stages across the U.S. and around the world, including “Romeo” in Romeo and Juliet, “Albrecht” in Giselle, “Everyman” in James Kudelka’s Four Seasons, Alexei Ratmansky’s Seven Sonatas, and Ohad Naharin’s Minus 16 to name a few. While sustaining a

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busy dance career, John founded and directed Atlanta Ballet’s Wabi Sabi, a public contemporary dance initiative beginning in 2010, which commissioned 36 new works by 23 choreographers that introduced dance to thousands of new audience members over the course of its seven-year history. He Kennesaw State University’s College of the Arts and graduating Summa Cum Laude earning his B.A. in dance, and also attended Coles College of Business, earning him academic honors as a Beta Gamma Sigma member with a Masters of Business Administration graduate degree. Currently serving as Director of Terminus Modern Ballet Theatre, through his role John desires to cultivate a deeper public appreciation for the arts by empowering those who create and aspire to connect communities through dance. Since its inception in 2017, John has helped to guide Terminus from its entrepreneurial beginnings to a critically acclaimed ballet company that has quickly earned a reputation for boldly expressive high quality work and a thriving school known for its high caliber ballet training. JODY FELDMAN (Casting) began her theater career as an actress in Atlanta before moving into administration as the Assistant General Manager at Frank Wittow’s Academy Theatre. Feldman started her career at the Alliance as Casting Director in 1991, and added Producer to her title and responsibilities in 2001. She has cast and produced more than 200 productions at the Alliance, encompassing a range of world premieres that includes The Last Night of Ballyhoo by Alfred Uhry, What I Learned in Paris by Pearl Cleage, Broke and Troubadour by Janece Shaffer, In the Red and Brown Water by Tarell Alvin McCraney and more than 10 years of Alliance/Kendeda National Graduate Playwriting Competition-winning plays plus such world and regional premiere musicals as Tuck Everlasting; Aida; The Color Purple; Sister Act: The Musical; Bring It On: The Musical;

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Ghost Brothers of Darkland County; Harmony, A New Musical and The Prom. Jody is most proud of the thriving Alliance engagement activities and partnerships that recognize theatrical work as a catalyst for community conversation and connection. JAYSON T. WADDELL (Stage Manager) is proud to return to the Alliance Theatre for his eleventh season. At the Alliance, he’s worked on such productions as Songs to Grow On, Data, A Drive-In Christmas Carol, Becoming Nancy, Approval Junkie, Ever After, Nick’s Flamingo Grille, Candide, Crossing Delancey, Troubadour, Moby Dick, Born for This, Tuck Everlasting, The Geller Girls, A Christmas Carol, Ghost Brothers of Darkland County, Broke, Sex and the Second City, Next to Normal, Holidays With the Chalks and Bike America. At Atlanta Lyric Theatre: Oliver!, Jesus Christ Superstar, The Full Monty, and Young Frankenstein. At the Illinois Shakespeare Festival: Shakespeare in Love, I <3 Juliet, Hamlet, Q Gents, Antony & Cleopatra, Macbeth, As You Like It, Twelfth Night, and A Winter’s Tale. Jayson graduated from the Gainesville Theatre Alliance and is a proud member of Actors’ Equity Association.

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MIKE SCHLEIFER (Managing Director) joined the Alliance Theatre in 2014 as General Manager, and in 2016 became Managing Director. While at the Alliance, Schleifer has led the administrative team on more than 50 productions and was one of the architects of the “On the Road” season, in which the Alliance produced 12 shows at 12 venues. He is proud to have started the Alliance’s Equity, Diversity & Inclusion Committee and to serve on the League of Resident Theatre’s Equity, Diversity, & Inclusion Initiative. Previously, he spent 13 years at Baltimore’s Center Stage, working as Associate Producer, Production Manager and Resident Stage Manager. While in Baltimore, he spent seven years as an adjunct faculty member at Towson University and guest lectured all over the East Coast. He began his career as a Stage Manager and has dozens of stage-management credits in New York and regionally. He is married to theater director and educator Laura Hackman and is the proud father of two boys, Jack and Ben.

28 | yourstoryyourstage Twelve months ago, when I came to Literacy Action as its new Executive Director, I met the staff, students, and volunteers via Zoom. I did not carry a box filled with framed family photos and a potted plant to make my new office feel like home. I also could not slip into the back of a classroom to watch Literacy Action teachers animatedly inspiring a group of adult students working toward their GED or perhaps working toward a dream of reading to a grandchild for the first time. But while the COVID-19 health crisis meant I didn’t have the first day I imagined when I accepted the position, the stark disparities in our community that by Sandeep Gill it exposed – in our healthcare system, our education Executive Director, Literacy Action system, our policing and our attitudes toward race — served as a constant and vivid reminder of why I took the job in the first place. For the adults we work with, a vaccine will not eradicate these disparities nor will it bridge the gap between talent and opportunity. Low literate adults are more likely to live in poverty, to be incarcerated, to be dependent on government assistance, and to have children who read well below grade level. In turn, their children become low literate adults and the intergenerational cycle of poverty persists, often despite the good intentions of parents, students and educators. Like the women in the play who are trapped in abusive relationships and tethered to small town life because they are denied an education, many modern day Atlantans are trapped in poor paying jobs and tethered to poverty because they lack basic reading and writing skills. The women in this beautifully written play ultimately get the chance to escape the shackles of illiteracy thanks to their strong wills and, of course, a dash of magic on the part of the Crow siblings. Many of our students also face multiple barriers to independence and success and need more than just motivation to transform their lives. This is where Literacy Action steps in: we offer undereducated adults tuition—free classes in adult basic education, ESL, Digital literacy and GED preparation, equipping them with a broad array of tools to reach their highest potential. In Darlin’ Cory, it takes a village — the nurturing of Mama Grace, the well-meaning deception of the Crow siblings, the bravery and ambition of Clara and Honor and the courage of Mr. Tucker to get books into the hands of the women in Blue Mountain, Georgia. In modern day Atlanta, it still takes a village. You can be part of our Literacy Action village by becoming a volunteer or donor. To learn more about our mission, our students and our events, visit www.literacyaction. org or follow us on Twitter @LAIAtlanta or Instagram @literacy_Action.

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SYNOPSIS In 1932, a tiny town tucked away in the Appalachian Mountains has no road in — and no road out. This community, a long journey from the nearest town, Lake Hazard, carries secrets. A young woman collides with a pastor deeply committed to preserving the status quo and cracks begin to form in the town’s well-constructed facade. A stranger appears with the best moonshine anyone’s ever tasted, and the secrets of the town threaten to spill.

GET SOCIAL Connect with us and other audience members on your Alliance experience. Share your comments and photos on Facebook, Instagram and Twitter with hashtags #DarlinCory and #AllianceTheatre. Plus, search your social media platforms with those hashtags for fun, behind-the-scenes photos from our cast, crew and creative team. alliancetheatre.org alliancetheatre alliancetheatre alliancetheatre alliancetheatre

Do you appreciate live theatre, enjoy meeting new people and trying new things? If so, then get involved with one of the largest volunteer forces in the arts. The Alliance Theatre volunteer STARS program offers a wide range of opportunities, which includes advocating for live theatre, ushering for Alliance productions, participating in and staffing fundraising & hospitality events, and assisting Alliance staff members with daily office tasks. STARS is composed of three committees working together on fund-saving and fundraising projects to benefit the theatre. The three committees are the Theatre Advocates, the Theatre Educators, and the Theatre Ushers. For more information on becoming a volunteer, please contact ATushers@alliancetheatre.org.

30 | aboutthealliance

ABOUT THE ALLIANCE THEATRE Founded in 1968, the Alliance Theatre is the leading producing theater in the Southeast, reaching more than 165,000 patrons annually. Under the leadership of Susan V. Booth, Jennings Hertz Artistic Director, the Alliance received the Regional Theatre Tony Award® for sustained excellence in programming, education, and community engagement. In January 2019, the Alliance opened its new, stateof-the-art performance space, The Coca-Cola Stage at Alliance Theatre. Known for its high artistic standards and national role in creating significant theatrical works, the Alliance has premiered more than 116 productions including nine that have transferred to Broadway. The Alliance education department reaches 90,000 students annually through performances, classes, camps, and in-school initiatives designed to support teachers and enhance student learning. The Alliance Theatre values community, curiosity, collaboration, and excellence, and is dedicated to representing Atlanta’s diverse community with the stories we tell, the artists, staff, and leadership we employ, and audiences we serve. www.alliancetheatre.org.

OUR MISSION To expand hearts and minds onstage and off. OUR VISION Making Atlanta more connected, curious, and compassionate through theatre and arts education. LAND ACKNOWLEDGMENT In the sincerest efforts to gain further understanding of the history that has brought us to reside on this land and to accept the knowledge that colonialism is a current and ongoing process under which we need to build our mindfulness of our present participation, we hereby acknowledge this native land of the Muscogee Creek Nation.

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boardofdirectors

OFFICERS Chair Jocelyn J. Hunter Immediate Past Chair Lila Hertz Secretary E. Kendrick Smith Treasurer LeighAnn Costley Ex-Officio Hala Moddelmog LIFETIME DIRECTORS Rita M. Anderson Ken Bernhardt Frank S. Chew Ann W. Cramer Linda Davidson Laura Hardman John Hays Mershon Richard S. Myrick Helen M. Regenstein Robert E. Reiser, Jr. Jane Shivers Helen Smith Price Benjamin T. White BOARD OF DIRECTORS Kristin R. Adams James L. Anderson Alba C. Baylin Kenny Blank Brittany Boals Moeller Terri Bonoff Matthew Bower Laura E. Brightwell Jeffrey S. Cashdan Steve W. Chaddick Miles Cook LeighAnn Costley Joe Crowley Alison Danaceau Fred Ehlers Reade Fahs

Howard L. Feinsand Andrea Freeman Richard Goerss Lila Hertz Nichelle Hughley Mayberry Jocelyn J. Hunter Anne Kaiser John Keller Andjela Kessler Lauren Kiefer Jim Kilberg Jesse Killings Mary Jane Kirkpatrick Carrie Kurlander Allegra J. Lawrence-Hardy Jean Ann McCarthy Alan McKeon Alan McKnight Dori Miller Hala Moddelmog Phil H. Moïse Maureen Morrison Shareka Nelson Allison O’Kelly Vicki Palefsky Paul Pendergrass Jamal Powell Asif Ramji Danielle Reardon Patty Reid Margaret Reiser Matthew Richburg Robyn S. Roberts Maurice M. Rosenbaum Kerri Sauer Steve Selig Mital Shah William D. Sleeper H. Bronson Smith E. Kendrick Smith Chandra Stephens-Albright Charlita Stephens-Walker Rosemarie Thurston Benny H. Varzi Cynthia Widner Wall

Rebekah Wasserman Dana Weeks Ugwonali Glenn Weiss Todd Zeldin ADVISORY BOARD Advisory Board Laura Hardman Advisory Board Vice Chair Phil H. Moïse Chris Ahrenkiel Kim Aiy Rene Alegria Charmaine Alexander Joe Alterman Jonathan Arogeti Carrie Ashbee Farideh Azadi Kelli Bennett Kamau Bobb Jericho Brown Merry Hunter Caudle Farah Clerveau Elizabeth Cooper Gail Crowder Tallia Deljou Anjali Enjeti Jason Feldman Rev. Everett Flanigan Nathan Flint Mary Beth Flournoy Jennifer Foster Karen Foster Lula Gilliam Shauna Grovell Laura Hardman Wendy Heckelman Jason Hoch Elizabeth Hollister Zenith Houston Jim Issa Joyce Gist Lewis Debby Kelly Robin Kendric Triplett Helen Kim Ho

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Quinn Leoni Andra London Indira Londono Theo Lowe Monica McClary Jaime McQuilkin Jenna Measroch Nishant Mehta Phil H. Moïse Victoria Necessary Andisheh Nouraee Ade Oguntoye Aixa Pascual Shirley Powell Will Power Nancy C. Prager Shannon Price Alexis Rainey Kristin Ray Kat Reynolds Kirk Rich Ryan Roemerman Fred Roselli Kyle Rossilli Amanda Shailendra Pastor Beverly Brown Shaw Dan Moss Silverboard Christie Sithiphone Charles Stephens Brian Stoltz Maria Storts Yvette Thomas-Henry Velma C. Tilley Kathy Gillespie Tomajko Ronald J. Tomajko Hilda Tompkins Roxanne Varzi Stuart Wilkinson

32 | sponsors Alliance Sponsors are businesses, corporations and institutions that have supported the work of the Alliance Theatre. We thank them for their generosity and support.

$1 Million +

The Zeist Foundation

The Coca-Cola Company

$50,000+

$500,000+

Chick-fil-A Foundation Rhonda and Dan Cathy R. Howard Dobbs, Jr. Foundation Edgerton Foundation Fulton County Board of Commissioners Georgia Power Foundation, Inc. King & Spalding Northside Hospital WestRock

Lettie Pate Evans Foundation

$250,000+ Anonymous The Andrew W. Mellon Foundation AT&T Foundation The Goizueta Foundation Helen Gurley Brown Foundation The Home Depot Foundation

$100,000+ The Arthur M. Blank Family Foundation The Molly Blank Fund of the Arthur M. Blank Foundation Charles Loridans Foundation Delta Air Lines, Inc. Farideh & Al Azadi Foundation Georgia Natural Gas Invesco QQQ The Kendeda Fund PNC Shubert Foundation The Harold & Mimi Steinberg Charitable Trust The David, Helen, and Marian Woodward Fund The Rich Foundation

$25,000+ Alston & Bird Camp-Younts Foundation City of Atlanta Mayor’s Office of Cultural Affairs Georgia-Pacific The Imlay Foundation National Endowment for the Arts Northern Trust The Princess Grace Foundation, USA Rotary Education Foundation of Atlanta United Distributors William Randolph Hearst Foundations

$10,000+

Thalia & Michael C Carlos Foundation Cartoon Network CNP Disney Publishing Eversheds Sutherland George M. Brown Trust of Atlanta Georgia Council for the Arts Jones Day Kile’s Beautiful Mind Foundation The Johnny Mercer Foundation Macy’s Osiason Educational Foundation Worldpay US, Inc.

$5,000+ Anonymous Augustine Foundation Do a Good Day Foundation Frances Wood Wilson Foundation John and Mary Franklin Foundation Lexus Mary Wilmer Covey Charitable Trust South Arts Theatre Forward

AEC Trust Anonymous Aon Cancer Treatment Centers of America

By attending our theater, you have made a powerful statement about how important the arts are to you. Make another statement of support louder than any standing ovation. Visit alliancetheatre.org and click on Donate.

alliancetheatre.org | @alliancetheatre

encoreatlanta.com

| 33

Alliance Series Sponsor

The Coca-Cola Company is a total beverage company with products sold in more than 200 countries and territories. Our company’s purpose is to refresh the world and make a difference. We sell multiple billion-dollar brands across several beverage categories worldwide. Our portfolio of sparkling soft drink brands includes Coca-Cola, Sprite and Fanta. Our hydration, sports, coffee and tea brands include Dasani, smartwater, vitaminwater, Topo Chico, Powerade, Costa, Georgia, Gold Peak, Honest and Ayataka. Our nutrition, juice, dairy and plant-based beverage brands include Minute Maid, Simply, innocent, Del Valle, fairlife and AdeS. We’re constantly transforming our portfolio, from reducing sugar in our drinks to bringing innovative new products to market. We seek to positively impact people’s lives, communities and the planet through water replenishment, packaging recycling, sustainable sourcing practices and carbon emissions reductions across our value chain. Together with our bottling partners, we employ more than 700,000 people, helping bring economic opportunity to local communities worldwide.

Official Hotel

Official Research Partner

government

Major funding for this organization is provided by the Fulton County Board of Commissioners

This program is supported in part by the Georgia Council for the Arts through the appropriations of the Georgia General Assembly. GCA also receives support from its partner agency the National Endowment for the Arts.

Major support is provided by the Mayor’s Office of Cultural Affairs.

34 | annualfund Individual, foundation and corporate donors contribute more than $7 million to the Alliance Theatre so that we are able to present exceptional theater and educational programming to our community. We are deeply grateful for your support. To find out more about the benefits of giving or to make your gift, visit us at alliancetheatre.org/donate or call 404-733-4710. Listed below are pledges and gifts to the Alliance Theatre Annual Fund from June 1, 2020-July 31, 2021.

PREMIERE SUPPORT

Chairman’s Circle $25,000+

Spotlight $500,000+

Antinori Foundation Kathy* & Ken Bernhardt Nancy and Kenny Blank Dean DuBose & Bronson Smith The Frances and Beverly DuBose Foundation, Inc Doug & Lila Hertz Starr Moore & James Starr Moore Memorial Foundation Naserian Foundation

Anonymous The Balloun Family Roxanne & Jeffrey Cashdan Mr. & Mrs. Anthony Catalfano Ann & Jeff Cramer Katie & Reade Fahs David & Carolyn Gould Jocelyn J. Hunter David & Mary Jane Kirkpatrick Mr. & Mrs. Asif Ramji Rosemarie & David Thurston Carol & Ramon Tomé Family Fund

Artistic Director’s Circle $35,000+

Leadership Circle $15,000+

Barbara & Steve Chaddick Mr. Fredric M. Ehlers & Mr. David Lile Mr. & Mrs. Douglas Ivester Anne & Mark Kaiser Jane & J. Hicks Lanier Anne Meisner Bob & Margaret Reiser Mr. & Mrs. E. Kendrick Smith Sally Tomlinson & Kate & Elwyn Tomlinson Foundation, Inc.

Ms. Kristin Adams Mr. & Mrs. Thomas J. Asher Farideh & Al Azadi Alba C. Baylin Susan Booth & Max Leventhal Ms. Alison Danaceau & Mr. Tim McKinley Ellen & Howard Feinsand Doris & Matthew Geller Marsha & Richard Goerss Seth & Lisa Greenberg Mr. Patrick J. Gunning Mr. Wayne S. Hyatt

The SKK Foundation Spotlight $50,000+

alliancetheatre.org | @alliancetheatre

Boland & Andrea Lea Jones Jane & J. Hicks Lanier Jean Ann & Barry McCarthy Victoria & Howard Palefsky Patty & Doug Reid Patricia & Maurice Rosenbaum Linda & Steve Selig Ms. Mital Shah Dr. & Mrs. Dennis Lee Spangler Lynne & Steve Steindel Nossi Taheri & Hope Vaziri Tim & Maria Tassopoulos Benny & Roxanne Varzi Kathleen & Art Waldrop Amy & Todd Zeldin Director’s Circle $10,000+ James Anderson Deborah L. Bannworth & Joy Lynn Fields Natalie & Matthew Bernstein Terri Bonoff & Matthew Knopf Judge JoAnn Bowens Martha & Toby Brooks Miles and Nicole Cook LeighAnn & Chad Costley Marcia & John Donnell Bill & Angel Freitag Kim and Ted Greene John C. Keller Mr. & Mrs. David E. Kiefer

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Jim and Lori Kilberg Brian & Carrie Kurlander Ms. Evelyn Ashley & Mr. Alan B. McKeon Melanie & S. Alan McKnight, Jr. Ms. Brittany Boals Moeller & Mr. David Moeller Phil & Caroline Moïse Mr. & Mrs. Angus Morrison Allison & Shane O’Kelly Paul Pendergrass & Margaret Baldwin Jamal & Tiffany Powell Mr. & Mrs. Sean Reardon Matt Richburg Robyn Roberts and Kevin Greiner Mark & Linda Silberman William & Margarita Sleeper Karen & John Spiegel Waffle House Mark & Rebekah Wasserman Ramona & Ben White Suzy Wilner The Zaban Foundation BENEFACTORS $5,000+ Anonymous Lisa & Joe Bankoff Mr. & Mrs. Roland L. Bates Beryl Bergquist Ron & Lisa Brill Charitable Trust Frank & Jenn Buonanotte Mr. & Mrs. W. Kent Canipe Franklin & Dorothy Chandler Ann & Jim Curry Linda & Gene Davidson Diane Durgin Eve Joy Eckardt Dr. Cynthia J. Fordyce & Sharon Hulette John & Mary Franklin Foundation Heidi & David Geller Dr. & Mrs. Marvin Goldstein

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Mr. Terrence S. Hahn & Ms. Joan Stanescu Dr. & Mrs. John B. Hardman Ariana L. Hargrave Henry & Etta Raye Hirsch Heritage Foundation Tad & Janin Hutcheson Mrs. Erika James In honor of Carol Jones Mr. Charles R. Kowal Lubo Fund Raymond & Penelope McPhee Mr. & Mrs. Nathan Metzger June M. Morrison Richard S. & Winifred B. Myrick Debbie & Lon Neese Joan Netzel & John Gronwall John & Helen Parker Steve & Tonya Paro Sam & Barbara Pettway Daniel Marks & Keri Powell Helen Smith Price Mr. & Mrs. Norman J. Radow Mr. George Russell, Jr. & Mrs. Faye SampsonRussell Dr. & Mrs. R. K. Sehgal Charlita Stephens-Walker & Delores Stephens Maria-Ruth Storts Chuck Taylor & Lisa Cannon-Taylor

Mr. & Mrs. J. Michael Hostinsky Linda & Richard Hubert Jason & Laurie Jeffay Mr. James Kieffer Allegra J. Lawrence-Hardy and Valerie Haughton Kristie L. Madara Jennifer Manning Anna & Hays Mershon Wade Rakes & Nicholas Miller Don & Rosalinda Ratajczak Dr. Denise Raynor Peter & Alice Rogers Mr. Ronald B. Russell and Mr. Tommy Sweat Jane & Rein Saral Sharon & David Schachter Alan & Cyndy* Schreihofer Sam Schwartz & Lynn Goldowski Mr. & Mrs.* Charles B. Shelton III Brian Shively & Jim Jinhong Henry N. & Margaret P. Staats Susan & Alan* Stiefel Mark Swinton Judith & Mark Taylor Stan & Velma Tilley Kathy & Ron Tomajko Lynne Winship William & Nancy Yang John & Kathy Zamer

$2,500+

$1,500+

Anonymous Elaine & Miles Alexander Dr. & Mrs. Raymond Allen Ellen Arnovitz Dr. Deborah Baumgarten Ginny & Charles Brewer Candace Carson Rita & Ralph Connell Joe Crowley and Phil Mack Mr. & Mrs. Erik Curns Dr. Karen A. Foster Andrea and Jerry Freeman Karen & Andrew Ghertner Mr. David F. Golden

Judge Gregory A. Adams & Wanda C. Adams Mr. & Mrs. George Ajy Diane & Kent Alexander Mr. & Mrs. Robert Arogeti Juanita Baranco Candace & Jeff Bell Mark & Pam Bell Dr. Aubrey Bush & Dr. Carol Bush Andrew Childers Melodie H. Clayton Susan & Ed Croft Brad & Sally Currey

36 | annualfund $1,500+ (continued) Ralph & Ree Edwards The Elster Foundation Kathy & Jason Evans Tina and Tim Eyerly Michael & Jody Feldman Mr. and Mrs. David Felfoldi Andrew & Wendie Fisher Debbie Frank & Sandy McDonald Kristin Garbarino Azita & Oscar Garrett Mr. and Mrs. Bill Garrigan Mr. & Mrs. Frank S. Goodman Warren M. Gump Mrs. Elaine L. Hentschel Melissa Hudlow Debraleigh & Jonathan Jowers Jason Kahn Dr. William A. Kiser David L. Kuniansky Robert & Michelle Leven Dori & Jack Miller Dedi & Julian Mohr Clair & Thomas Muller Dennis & Debra Murphy Lynn & Galen Oelkers Timothy Overmyer Pete Patel Mr. and Mrs. Armond R. Perkins Ms. Margaret Petersen Peg Petersen Bill & Tonya Powers Julia & Zack Prescott Helen M. Regenstein Dr. & Mrs. Fredric Rosenberg Mr. & Mrs. Mark Rosenberg Jane Shivers and Bill Sharp Mr. Jim Schroder and Ms. Morli Desai James Shevlin Nancy & Gerald Silverboard Matt Sitler Chandra Stephens-Albright & Warren Albright Jim & Janie Stratigos

Dr. and Mrs. Harry Strothers Tom & Raeann Tighe David Turner Ms. Avril Vignos Ms. Kathy Waller & Mr. Kenny Goggins Kelly Walls Ms. Cathy Weil Mr. & Mrs. Glenn Weiss Kim Boldthen & Carolyn Wheeler Mr. & Mrs. Charles L. Young PATRONS $1,000+ Dr. Evelyn R. Babey Chubb Charitable Foundation Rob & Suzanne Boas Karen & Alex Stickney Mr. and Mrs. Dennis Kelly Mr. W. Imara Canady Mr. Kevin Clift and Mr. Michael Yochelson Ms. Lauren Linder & Mr. Jonathan Grunberg Sarah Latif Dr. & Mrs. Kenneth G. Taylor Hala & Steve Moddelmog Vicki & Steve Morris Ms. Janet F. Smith Ms. Kristin L. Ray Jennifer Smith Dawn & Michael Adamson John & Lynn Ayers Sara & Alex Brown David Cofrin & Christine Tryba-Cofrin George T. Baker Foundation, Inc. Mr. and Mrs. Gregory Giornelli Ms. Joy Hambrick Jabian Consulting Suzanne & Thad King Thomas and Constance Kinnear Sheri & Steve Labovitz Paul & Marcia Meis Amsi Morales-Owens

alliancetheatre.org | @alliancetheatre

Ann Starr & Kent Nelson Scott, Dallas, & Mia Pioli Mr. and Mrs. Chris Rozell Mr. and Mrs. David W. Scheible Tony Spurlin Jenny Streeter Eric C. Tiegel Ms. Kathy Waller Kiki Wilson Gail Crowder $500+ Anonymous Dr. and Mrs. Marshall Abes Dragon Army Mr. and Mrs. John Bauer Patricia Bigazzi Mr. George Boyd Dr. Deloris Bryant-Booker Ms. Michelle Burdick Mr. Brandon Bush Karen and Harold Carney William M. Carroll Ms. Jacquel Kelly Ms. Sarah K. Chester and Mr. Jeff Chester Frank & Mary Anne Chew Mr. and Mrs. Joe Colonna Colonna Family Mr. & Mrs. Lawrence R. Cowart B.J. Erb, M.D. & Bruce I. Crabtree III Gray & Marge Crouse Carol Comstock & Jim Davis Mr. Derrick Doose Desmond Drummer Mr. & Mrs. Robert G. Edge Mrs. Eleanor H. Finley Brenda Fleming Ms. Nathalie Fleury Marla Jane Franks, MD Homer S. French Thomas & Donna Fullilove Mrs. Nancy S. Geller Judith & Robert Golomb Dr. Richard Goodjoin Katie Goodman Adam Greenwald Bryant Gresham

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Louise S. Gunn Mrs. Jo Ann Haden-Miller Mr. Alan H. Halpern Wynette Hammons James Hernandez Dr. & Mrs. David M. Hill Mr. & Mrs. George H. Johnson Mr. & Mrs. Stephen Kalista Mr. and Mrs. Doug Kallman Elena Kaplan Drs. Sharon Neulinger & Richard Kaplan Mr. & Mrs. Peter G. Kessenich Andjela and Michael Kessler Mr. & Mrs. Loren Koch Mr. Brian Latour Ms. Ellen B. Macht Ms. Jaime McQuilkin Earl & Burrelle Meeks The Merkel Family in memory of Amelia Cruz Stacia Minton Chris & Brittany Moses Mr. Denis Ng Christine Oresky Gracie Overcash Mr. Mark A. Pallansch Scott Pearson Steve M. Peck Sophia Brothers Peterman Lori & Jonathan Peterson Marc & Jean Pickard Debra & Scott Pyron Shannon Reichley Mr. and Mrs. Bill Rogers Mr. Howard Rowe Garey C. Rozier Barbara Schreiber Elizabeth Wallace & Christopher Scislowicz Dr. David Scott Dr. Susan E. Shapiro Suzanne Shull Ms. Carol Smith Ms. Martha Solano Atlanta Workshop Players Mrs. Jill Strickland Patricia & James Sykes Ed Tam Charles Thompson Celia Till

John & Bunny Underwood Simmie Walker Caroline Waterson Amanda Watkins Caitlin Way Brooke & Winston Weinmann Mrs. Kate Robson Adrienne Whitehead Sue S. Williams Sherry Wright Michelle Zinney $250+ Anonymous Alfred G. & Sarah H. Adams Thomas Anders Ilene Baker Eleanor Banister Mr. and Mrs. Jim Barnhart Michael & Mary Baron Mr. & Mrs. Herschel Beker Mr. & Mrs. Peter Benoit Ms. Mary Bergh Mr. & Mrs. Michael E. Bernardino Betty Blondeau-Russell Mr. & Mrs. Gerald A. Blonder Lee Buechele Barbara R. Christjohn Ms. Mishelle Cirillo and Ms. Bryan Suttles Jamie Clements & Lance Owen Elizabeth Corrie Mr. & Mrs. Ben T. Counter Ms. Tanya Counter Dr. Richard C. Dicker Enid & Jerry Draluck Elizabeth Etoll Mr. & Mrs. Edward Feldstein Amy Ferguson Judy and Stan Fineman Louise B. Franklin Hudson Fund Betty F. Furst Nancy and Ronnie Galanti Ms. Mary B. Galardi Larmon R. Gervin Mrs. Anne Gillman Dr. & Mrs. Donald M. Gilner Dale R.F. Goodman

| 37

Melinda S. Hamm Ms. Cathy D. Hampton Mr. Alfred Hanner Alan & Camille Harvey Stuart & Maria Harvey Sarah Hawbecker & William Fuller Joseph R. Hawkins Dr. Wendy Heckelman Hegi Family Foundation Daniel Henning Ms. and Mr. Loretta Holmes Rebecca Jarvis Mr. Barnabas Kane Mr. and Mrs. Roger A. Key Ken & Susan Kincaid Lucy Kinnaird Ms. Mary Alice Kirkpatrick Ms. Edith V. Knowlton Mr. and Mrs. Steve Koonin Elizabeth Kosbab Megan Kurzius Jim & Ellen Landers Mrs. Sarah L. Larson Dr. & Mrs. John Lee Mr. & Mrs. Darryl Lesure S. Jarvin Levison Karen Lightfoot Parker Lincoln Mrs. Casey B. Lybbert Judith Lyon & Ron Bloom Jo Ann Regan Ms. Alison Main Lori Marshall Jennifer Mathews Terry & Elaine McClean Sharon McCreery Kirkland McGhee Heather & Jim Michael Mr. and Mrs. Leo F. Mullin, Jr. Dr. & Mrs. Stephen I. Oppenheimer Leonard Pallats Edward M. Panetta Jay Patel Santiago PerezVarela Mr. Thomas A. Peterman and Ms. Jeanne Bertolli Ms. Kendrick Phillips Mr. & Mrs. James M. Poe Joan Policastro

38 | annualfund $250+ (continued) Kathleen Presswala Rishi Renjen Miss Lillie M. Robbins Gloria J. Rodgers Mrs. Peggy Rogers Mr. & Mrs. Peter Savitz Ms. Donna Schwartz Mr. Alexander Shulman Ben Simms Chaundra Smith Fred B. Smith

Kaniaru Wacieni Scott Watson Mr. and Mrs. Napoleon A. Williams Joyce Smith Wilson Mr. and Mrs. Jim Wininger Mr. Bruce Wilson Mr. and Mrs. Lane Wolbe Barry Etra & Janice Wolf Mr. Ron Wolfe Mr. and Mrs. David Young

Sherman & Lesa Smith Barry Spurlock Mr. & Mrs. Kenneth A. Strassner Straughn-Turner Mr. & Mrs. Micky Tate Robert Thompson & John Stegall Robert Todd Ms. Rosanne Tricoles and Mr. Glenn Colville Christin Viola Mr. & Mrs. Joseph B. Vivona Ms. Andrea Volk

Scan the QR code below to make a one-time or monthly contribution.

alliancetheatre.org | @alliancetheatre

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| 39

ALLIANCE THEATRE MONTHLY SUSTAINER SOCIETY We would like to thank our donors who have committed to giving us a recurring monthly donation to the Alliance Theatre Annual Fund. Join today: www.alliancetheatre.org/sustainer Dr. & Mrs. Marshall Abes Morgan Allen Thomas Anders Mr. E. Scott Arnold Gaytra D. Arnold Dr. Evelyn R. Babey Mr. & Mrs. John Bauer Ms. Aparna Bhattacharyya & Mr. Paul Nilsson Jeff Burnham Mr. Brandon Bush Henry Cabaniss Mrs. Carol Calhoun Mr. W. Imara Canady Karen & Harold Carney Mr. William Carroll David Cashman Ms. Jacquel Chambers Ms. Sarah K. Chester Ms. Mishelle Cirillo & Ms. Bryan Suttles Mr. Kevin Clift & Mr. Michael Yochelson Ouida Collins Mr. & Mrs. Joe Colonna Ms. Janeen Cook Elizabeth Corrie Mr. Lawrence R. Cowart Mr. & Mr. Christopher Cox Marge & Gray Crouse Derrick Doose Mr. Desmond W. Drummer & Ms. Jayna Hoffacker Christina Dunn Mr. & Mrs. Philip D. Dunphy Angel Edwards Whitney Fahner Mr. & Mrs. Stanley Fineman Eric Fisher Brenda Fleming Mr. Ken H. Foskett Ms. and Ms. Katie S. Goodman Mr. Bryant D. Gresham & Mr. Alexander Bossert Shauna Grovell Lauren & Jonathan Grunberg Mrs. Jo Ann Haden-Miller & Mr. William Miller

Ms. Joy Hambrick Ms. Wynette Hammons Penn Hansa Ms. Lindsey E. Hardegree Ms. Linda L. Hare & Mr. Gerald A. Barth Nancy A. Hatfield Dr. & Mrs. David M. Hill Ms. Becca Hogue Luke Howard Jim Johnson Karen Jones Kelley J. Jordan-Monne Mr. & Mrs. Stephen J. Kalista Mr. Barnabas Kane Ms. Ruth Kanfer Amy & Jeremy King Ms. Lynne Kuhn Tamara Kullback Sarah Latif Ms. Martha LaTour & Mrs. Barbara J. McArdle Mr. Darryl E. Lesure & Mrs. Candice Simon-Lesure Ms. Joyce R. Lewis Ms. Karen Lightfoot Ms. Barbara Lincoln & Mr. Gary Rosenshein Christian & JoJasmin Lopez Ms. Jo Ann Regan Ms. Alison Main Susan McDaniel Ms. Megan McKnight Ms. Jaime McQuilkin Mr. and Mrs. James Michael Ms. Jeanette M. Morgan Christine Oresky Ms. Ronita Pace Mr. Steve M. Peck Chris J. Peterson Mr. & Mrs. Jonathan K. Peterson Ms. Kendrick Phillips Mr. and Mrs. Marc B. Pickard Sharon Porter Jacqueline Powe Ms. Shannon L. Price Mrs. Brenda Pruitt

M. Corwin Robison Mrs. Peggy Rogers Mr. Howard Rowe Garey C. Rozier Mr. and Mrs. Peter S. Savitz Barbara Schreiber Ms. Donna Schwartz Mr. & Mrs. E. Alan Simmons Mr. Tom Slovak & Mr. Jeffery Jones Ms. Carol Smith Chaundra Smith Ms. Janet F. Smith Jennifer Smith Ms. Lesa Smith Ms. Lynn Stallings Laura Stordy Mrs. Jill Strickland Charles Thompson Ms. Andrea Volk Ben Warshaw Ms. Caitlin Way Mr. & Mrs. David D. Whitley Mr. & Mrs. Napoleon A. Williams Ms. Janice A. Wolf & Mr. M. Barry Etra Chandra C. Wright Michelle Zinney

40 | legacysociety&matchinggifts LEGACY SOCIETY Celebrating our supporters who have made a legacy gift to the Alliance Theatre. The Legacy Society celebrates individuals who have made a planned gift to the Alliance Theatre. Making a planned gift is a wonderful way to show your support and appreciation for the Alliance Theatre and its mission, while accommodating your financial, estate planning and philanthropic goals. With smart planning, you may increase the size of your estate and/or reduce the tax burden on your heirs. Just as important, you will know that you have made a meaningful and lasting contribution to the Alliance Theatre. To learn more about the Legacy Society, please contact Caitlin Way at 404-733-4710 or caitlin.way@alliancetheatre.org. Rita M. Anderson Anonymous Roland & Linda Bates Anne & Jim Breedlove Ezra Cohen Ann & Jeffrey Cramer Susan & Edward Croft Sallie Adams Daniel Linda & Gene Davidson Terry and Stacy Dietzler Diane Durgin Elizabeth Etoll Ellen & Howard Feinsand Laura & John Hardman Nancy & Glen Hesler

P.J. Younglove Hovey William Hyde Lauren & David Kiefer David Kuniansky Virginia Vann* & Ken Large Edith Love* Lauren & John McColskey Anna & Hays Mershon Caroline & Phil Moïse Winifred B. & Richard S. Myrick Victoria & Howard L. Palefsky Armond & Sharon Perkins Jan Pomerantz

Helen Regenstein Margaret & Robert Reiser Betty Blondeau-Russell Tricia & Neal Schachtel Debbie* & Charles B. Shelton III Jane E. Shivers Roger Smith & Christopher Jones* Lee Harper & Wayne Vason Terri & Rick Western Ramona & Ben White * deceased

MATCHING GIFT COMPANIES Many companies offer a matching gifts program for employees and retirees. You can double, or even triple, your gift at no additional cost to you simply by asking your employer! Think of how much further your donation can go. We would like to thank the following companies who have matched contributions to the Alliance Theatre Annual Fund. To find out more about matching gifts, contact Caitlin Way (caitlin.way@alliancetheatre.org). AIG Corporation American Express Aon Risk Solutions The Arthur M. Blank Family Foundation AT&T Bank of America/Merrill Bryan Cave-Powell Charles Schwab & Co., Inc. Chubb Charitable Foundation The Coca-Cola Company Deloitte Equifax Inc.

Foundation GE Energy Georgia Power Goldstein Home Depot Foundation Honda Motor Co. IBM JPMorgan Chase Kimberly-Clark Lynch Macy’s Foundation McDonald’s Corporation McMaster-Carr Supply Microsoft Corporation

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44 | staff ARTISTIC Jennings Hertz Artistic Director . . . . . . . . . . . . . . . . . . . . . Susan V. Booth Producer & Casting Director . . . . . . . . . . . . . . . . . . . . . . . . Jody Feldman Director of Diversity, Equity, & Engagement . . . . . . . . . . . . . . Daviorr Snipes Distinguished Artist in Residence . . . . . . . . . . . . . . . . . . . . . . Pearl Cleage BOLD Artistic Director Fellow . . . . . . . . . . . . . . . . . . Tinashe Kajese-Bolden Associate Producer . . . . . . . . . . . . . . . . . . . . . . . . . . . . Amanda Watkins Spelman Leadership Fellow . . . . . . . . . . . . . . Raiyon Hunter, Alexis Woodard Spelman Interns . . . . . . . . . . .Christina James, A’Shia N Rachel, Karen Douyon Kenny Leon Intern . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Tyra Wilson Resident Artist & Allyship Program Director . . . . . . . . . . . . . . Maya Lawrence Reiser Lab Artists Round 5 . . . . Daryl Lisa Fazio, Karen Robinson, Carolyn Cook, Okorie Johnson, Radcliffe Bailey, Fahamu Pecou, Topher Payne, Richard Eldredge, Gina Rickicki Round 6 . . . . . . . . . . Jake Krakovsky, Jane Foley, Ibi Owolabi, Hannah Church, Julia Appleton, Sarah Newby Halicks, Jaclyn Hoffman, Lee Osorio, Angela Farr Schiller, Rachel Parish Round 7 . . . . . .Skye Passmore, Michelle Pokopac, Amee Vyas, Denise Arribas, Michael Haverty, Jeffrey Zwartjes Production Management Director of Production . . . . . . . . . . . . . . . . . . . . . . . . . Lawrence Bennett Associate Production Managers . . . . . . . . . . . . Phil Baranski, Courtney O’Neill COVID Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Haylee Scott Costumes Director of Costume Shop and Wardrobe . . . . . . . . . . . . Spencer Henderson Assistant Costume Shop Manager . . . . . . . . . . . . . . . . . . . . . .Laury Conley Drapers . . . . . . . . . . . . . . . . . . . . . . . . . . Tonja Peterson, Cindy Lou Who Craftsmaster . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Diana L. Thomas 1st Hands/Stitchers . . . . . . . . Lyudmila Fesenko, Brett Parker, Mary Cruz Torres Wig Master . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Lindsey Ewing Wardrobe . . . . . . . . . . . Hauzia Conyers, Yvonner Stephens, Zachary Morrison Electrics Director of Lighting and Projection . . . . . . . . . . . . . . . . . . . Ernesto Gomez Staff Electricians . . . . . . . . Steve Jordan, Gabrielle Drum, Benjamin Strickland Properties Props Department Manager . . . . . . . . . . . . . . . . . . . Suzanne Cooper Morris Props Artisan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bruce Butkovich Props Artisan / Buyer . . . . . . . . . . . . . . . . . . . . . . . . . Kimberly Townsend Props Artisan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Kathryn Andries Scenery Technical Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ruth Richardson Assistant Technical Director . . . . . . . . . . . . . . . . . . . . . . . . Jason Gottlieb Shop Supervisor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Patrick Conley Buyer/Lead Welder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rigel Powell Auto Lead . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Chris Seifert Carpenters . . . Amy Jackson, Marlon Wilson, Hailey Rose Thomas, Charles Bedell Charge Scenic Artist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kat Conley Scenic Artist . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Brianna Bass, Sound Resident Sound Designer . . . . . . . . . . . . . . . . . . . . . . . . . . .Clay Benning Production Sound Engineer . . . . . . . . . . . . . . . . . . . . . . . . Michelle Jarvis Sound Engineers . . . . . . Emma Mouledoux, Holly O’Reagan, Graham Schwartz Stage Management Resident Stage Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . Liz Campbell Stage Managers . . . . . . . . . . . . . . . . . . Jayson T. Waddell, Rodney Williams Stage Management Fellow . . . . . . . . . . . . . . . . . . . . . . . . . Shaina Pierce Stage Management Production Assistants . . . . . . Ashley Dickey, Amanda Perez Stage Operations Stage Operations Manager . . . . . . . . . . . . . . . . . . . . . . . . . . Scott Bowne Assistant Stage Operations Manager . . . . . . . . . . . . . . . . . . . Kate Lucibella Flyman . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Willie Palmer Parks Automation Stagehand . . . . . . . . . . . . . . . . . . . . John Victor Mouledoux Jr.

EDUCATION Dan Reardon Director of Education & Associate Artistic Director . . . . . . . . . . . . . . . . . . . . Christopher Moses Naserian Foundation Head of Early Childhood Programs . . . . . . . . . . . . . . . . . . . . . . . Hallie Angelella Head of Youth & Family Programs . . . . . . . . . . . . . . . Olivia Aston Bosworth Administration & Education Manager . . . . . . . . . . . . . . . . . . Elecia Crowley Head of Secondary Curriculum & Partnerships . . . . . . . . . . . . . . . . Liz Davis Adult Programs & Administrative Manager . . . . . . . . . . . . . Robert Hindsman Head of Strategic Initiatives . . . . . . . . . . . . . . . . . . . . . . . . Aierelle Jacob

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Education Process Manager . . . . . . . . . . . . . . . . . . . . . . . . . Patrick Myers Head of Elementary School Programs . . . . . . . . . . . . . . . . . Rebecca Pogue Artist in Residence & Teen Programs Manager . . . . . . . . . . . Sam Provenzano Education Marketing Manager . . . . . . . . . . . . . . . . . . . . . . . .Kristen Silton Education Associate . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jasmine Thomas Alliance@Work Creative Director . . . . . . . . . . . . . . . . . . . . . . . . . J. Noble Teaching Artists Jae Ahn, Jimez Alexander, Will Amato, Chase Anderson, Jasmine Anthony, Ricardo Aponte, Imani Banks, Kim Bowers-Rheay Baran, Olivia Aston Bosworth, Jared Brodie, Chelsea Brown, Lon Bumgarner, Sara Burris, Dan Caffrey, April Andrew Carswell, Katie Causey, Lina Chambers, Hannah Lake Chatham, Hannah Church, Megan Cramer, Kelly Criss, Nakeisha Daniel, Peyton McDaniel Davis, Theresa Davis, Shelli Delgado, Sarah Donnell, John Doyle, Laurin Dunleavy, Suehyla El-Attar, Amitria Fanae, Shelby Folks, Sharon Foote, Spencer Ford, Daryl Funn, Allison Gardner, Neeley Gossett, Ilasiea Gray, Meg Grey, Amber Hamilton, Meg Harkins, Robert Hindsman, Julissa Sabino Hobbs, Deja Holmes, Renita James, Meg Johns, Kendra Johnson, Carole Kaboya, Ashe Kazanjian, Chris Lane, Maya Lawrence, Antonia LeChe, Anja Lee, Kathleen Link, Amy Lucas, Ansley Lynn, Christian Magby, Barry Stewart Mann, Cara Mantella, Gloria Martin, Mari Martinez, Dalyla McGee, Candy McLellan, Karin Mervis, Erika Miranda, Mary Moccia, Courtney Moors-Hornick, Amanda Wansa Morgan, Jenna Jackson Morris, Kevin Moxley, Audrey Myers, JD Myers, Amor Owens, Mary Michael Patterson, Tafee Patterson, Sydney Patton, Zuri Petteway, Rebecca Pogue, Michelle Pokopac, Samantha Provenzano, V Reibel, Morgan Rysdon, Daniela Santiago, Riley Schatz, Erin Schaut, Avery Sharpe, Caitlin Slotnick, Alexandria Joy Smith, Lucy Smith, Taryn Spires, Destiny Stancil, Autumn Stephens, LeeAnna Lambert Sweatt, Megan Tabaque, Jasmine Thomas, Callie Timme, Sariel Toribio, Ebony Tucker, Julia VanderVeen, Jeremy Varner, José Miguel Vasquez, Rachel Wansker, Megan Wartell, Andrea Washington, Davia Weatherill, Ayana Williams, Jay Williams, Vallea Woodbury, Melissa Word Teen Ensemble Members Jamaica Brewster, LaNiyah S. Kelly, Caroline Brown, Emma Kate Farlow, Zariyah Allen, Khala Flemister, Nicole Cortes, Zariya Hargett, Samyukta Iyer, Cady Walls, Isabella Cavienss, Chloe Lomax, Abigail Kirk, Naia Morgan, Nathan Bell, Zachary Hornbeck, Jude Harris, Nick Fargar, Ugo Anyanwutaku, Varun Kashyap, Da’Quan Cooney, Xavier Doyle, Alex Lopez

MANAGEMENT Managing Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mike Schleifer Company Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Laura Thruston Administration & Finance Director of Finance & Administration . . . . . . . . . . . . . . . . . . . Brian Shively Accounting Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Julie Hall Accounts Payable Specialist . . . . . . . . . . . . . . . . . . . . . . . Kenterill Boden Senior Data Analyst . . . . . . . . . . . . . . . . . . . . . . . . . . . . Christina Dresser Management Assistant . . . . . . . . . . . . . . . . . . . . . . . . . . Jessica Charlton Development & Memberships Director of Development . . . . . . . . . . . . . . . . . . . . . . . . . Trent Anderson Associate Director of Development, Individual Giving . . . . . . . . . . Caitlin Way Associate Director, Strategic Institutional Advancement . . . . . Collins Dessellel Manager of Annual Fund & Donor Relations . . . . . . . . . . . . . . . . . . . . . . Lindsay Ridgeway-Baierl Development Coordinator, Individual Giving . . . . . . . . . . . . . . . . . Jo Lopez Development Coordinator for Board Relations & Special Events . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kailan Daugherty Sales Director of Sales . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Danielle Hicks Membership Services Manager . . . . . . . . . . . . . . . . . . . . . . Corey L. Smith Box Office Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Donny Codden Season Ticket Concierge . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ken McNeil Season Tickets Associate . . . . . . . . . . . . . . . . . . . . . . . . . . Ethan Padgett Group Sales Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . Jocelyn Rick Marketing Director of Marketing & Communications . . . . . . . . . . . . Kathleen Covington Creative Manager . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Talia Bromstad Marketing Coordinator . . . . . . . . . . . . . . . . . . . . . . . . . . . . .Ashley Elliott Front of House & Patron Experience Manager . . . . . . . . . . . . . . David Flores Associate Front of House Manager & Assistant Company Manager . . . . . . . . . . . . . . . . . . Thomas D. Powell Community Engagement & Audience Development Manager . . . . . . . . . . . . . . Rita Kompelmakher Digital Communications Manager . . . . . . . . . . . . . . . . . . . . . .Ansley Usery Social Media Manager & Content Producer . . . . . . . . . . . . . . . . Aniska Tonge House Manager . . . . . . . . . . . . . . . . . . . . . . . . Robyn E. Sutton-Fernandez

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ALLIANCE ENCORE :: SEPTEMBER 2021 :: DARLIN CORY

Articles inside

Program Notes

Synopsis

Your Story, Your Stage

Annual Fund

About the Alliance Theatre

Program Highlight

Between Us