Encore Atlanta March 2011 FOX

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contents March 2011

8

12

Features

The Performance

8 Stompin’ to a Joyful Noise

15 Program and notes

12 Burn the Floor

Departments

Stomp is loud, proud and amazingly inventive.

We dare you to keep your toes from tapping.

46 Fox Fun Facts How much do you know about the Fox Theatre ballrooms?

48 Get Your Cha-Cha Heels On

Here’s our guide to some of the best local dance schools.

52 Going Gluten Free

Who says avoiding allergens means eating bland food?

4 EncoreAtlantA.com

36 Information 37 Staff/Golden Rules 38 Dining Guide 60 The Buzz

Cover Photo: @ fox theatre archives, photo by yukari umekawa

Junichi Takahashi; joan marcus; academy ballroom/Rachel Champion Jones

48

Outstanding Music …

Superb Acoustics C L AY T O N S TAT E U N I V E R S I T Y M O R R O W, G E O R G I A

STILE ANTICO SUNDAY, APRIL 3 | 3PM

A Grammy Award-winning early music vocal consort from Britain, Stile Antico unites impeccable musicianship with an uncanny blend and intensity of vibrato-free sound to create enthralling, ethereal performances.

PROGRAM: SONG OF SONGS Sensuous polyphony from the courts of Renaissance Europe

HAOCHEN ZHANG PIANO

SATURDAY, APRIL 16 | 8:15PM A Van Cliburn International Piano Competition 2009 Gold Medalist, Haochen Zhang “impressed with his depth of musical understanding and subtle expressive nuance,” glowed Dallas Morning News critic Scott Cantrell, adding, “At the competition’s end, he was the musician I’d walk across town to hear.”

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Junichi Takahashi

Alvin Ailey American Dance Theater company member Linda Celeste Sims.

8 EncoreAtlantA.com

Stompin’ to a joyful noise

By Kathy Janich

I

t’s been said that one man’s trash is another man’s treasure. In the case of Stomp, that “trash” is a playground of sound and movement, a rhythmic cacophony of hands, feet, trash cans, lids, plungers, plastic bags, boots, brooms, buckets, dustbins, rubber tubing, Zippo lighters, sticks, hammers and hubcaps. It’s loud, proud and amazingly inventive.

At its simplest, Stomp is an exploration of rhythm in everyday things. But Stomp – as theater, dance, music and performance art – is anything but simple. Its cast of eight to 12 indulges in an increasingly complicated combination of percussion and choreography in the course of each performance. To say that they dazzle and astound is an understatement. This is performance as tribal ritual, done in a steely industrial jungle.

Stomp obviously doesn’t spend much on wardrobe – the performers dress way down, in shorts, torn jeans, kickbutt boots, distressed T’s and kerchiefs, but in a week’s time – there are eight performances in five days here – they go through something like 30 brooms, eight trash-can lids, five short dustbins, 10 poles (6-ft., 6-in. each), 15 pounds of sand, four blocks of athlete’s chalk, 12 pairs of drumsticks, 200 liters of water, eight bananas and 12 boxes of matches.

What a journey it has been.

The Stomp phenomenon began in 1991 with two “buskers” on the streets of Brighton, England. Busking dates to the Middle Ages and is the British term for street performance that encourages passers-by to stop, look and listen.

Twenty years ago, creators Luke Creswell and Steve McNicholas likely had no idea of the sensation they’d unloosed.

Stomp’s performers have become rock stars. The show, although a bit of a mongrel by design, has an undeniable pedigree. It has been seen in more than 350 cities in 36 countries. An off-Broadway production continues to sell out in its 15th season.

Companies crisscross the United States and Europe as they have for years. And there is a sit-down company in London.

Stomp’s trophy case includes an Olivier Award (London’s Tony Award) for Best Choreography, off-Broadway’s Obie Award and a Drama Desk Award (New Atlanta’s Performing Arts Publication 9

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and given two new full-scale routines using paint cans, tractor-tire inner tubes (think bungees) and strip-lighting recycling containers that imitate a gourdshaped South American percussion instrument known as the “guiro.”

The new and the used, so to speak, are performed by musicians, dancers, singers, percussionists and actors from California, Texas, Massachusetts, Hawaii, Maryland and, of course, England. Along with their audiences, they seem to share one commonality. As performer Michael Landis puts it, “The way of the beat came to my heart.”

Kathy Janich is an Atlanta theater artist and freelance writer. After years in daily newspapers, she’s found a joyous second career as an artistic associate at Atlanta’s Synchronicity Theatre. Visit synchrotheatre.com, please.

Junichi Takahashi

York) for Unique Theater Experience.

It also was cited in Otis L. Guernsey’s highly respected industry tome, The Best Plays of 1993-94. In 2000, Stomp-ers performed for a millennial celebration on the steps of the Lincoln Memorial in Washington, D.C. Cresswell and McNicholas have been honored by the American Choreography Association and have Stomp-ed with the Muppets. Second Avenue at Eighth Street in New York now is called “Stomp Avenue”; Entertainment Weekly, in 2008, listed Stomp among its “New Classics: The 50 Best Plays and Musicals, 1983-2008,” alongside Angels in America, August: Osage County; Fences; Grey Gardens; and Rent.

Cresswell and McNicholas’ collaboration goes back to the early 1980s, when they belonged to a street band called Pookiesnackenburger and a theater group called Cliff Hanger. During that time, they concocted the famous “Bins” commercial for Heineken, the piece that eventually grew into Stomp’s showstopping dustbin dance.

The show itself has changed as time stomps on. It “has evolved a great deal since its first incarnation,” McNicholas has said. “Every reworking has involved losing some pieces and gaining new ones but has always stayed true to the original premise of the show: to create rhythmic music with instantly recognizable objects and do it with an eccentric sense of character and humor.”

So you won’t ever see the same old Stomp, routine for routine. This goround has been updated, restructured

Burn, Baby Burn!

Former “So You Think You Can Dance” star Karen Hauer sizzles in Burn The Floor By Bret Love he last time we saw Venezuela-born ballroom dancer Karen Hauer, she was being eliminated from the sixth season of “So You Think You Can Dance.”

But in her defeat, the 2008 World Mambo Champion found victory, getting cast alongside fellow SYTYCD alums Anya Garnis, Pasha Kovalev, Robbie Kmetoni and Janette Manrara (not to mention “American Idol” finalist Vonzell Solomon) in the original cast of Burn The Floor.

Now on tour after successful runs on Broadway and London’s West End, the show brings the passion and power of Latin and Ballroom dance styles to the 12 EncoreAtlantA.com

theatrical stage. From the Viennese waltz and the foxtrot to salsa, rumba and pose doble, the dazzling show is like a walk through the history of modern dance.

We recently caught up with Hauer to talk about her life in dance, her time on TV and how Burn The Floor is like nothing audiences have ever seen.

You came to the U.S. from Venezuela at the age of 8. When did you first fall in love with dance?

I always say that dance found me. I was in a school-wide audition for a new dance Continued on page 58

joan marcus

T

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A one-time donation of $5 will be added to your mobile phone bill or deducted from your prepaid balance. You will also receive up to 4 messages per month from United Way of Metropolitan Atlanta Alerts. Msg&Data Rates May Apply. All charges are billed by and payable to your mobile service provider. Service is available on most carriers. Donations are collected for the benefit of the United Way of Metropolitan Atlanta by the mGive Foundation and subject to the terms found at www.mGive.com/A. To unsubscribe text STOP to 90999, for help text HELP to 90999. Privacy Policy http://mgive.com/PrivacyPolicy.aspx

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Photo by Lindsay Hebberd

Atlanta’s Performing Arts Publication 15

HARLEY MEDCALF JOE WATSON RICHARD LEVI RICHARD FRANKEL TOM VIERTEL STEVEN BARUCH MARC ROUTH RAISE THE ROOF ONE and

TOPPALL/STEVENS/MILLS BENIGNO/KLEIN CALDWELL/ALLEN CARRPAILET/DANZANSKY BUD MARTIN THE PRODUCTION STUDIO SCHAFFERT/SCHNUCK by special arrangement with

DANCE PARTNER INC. present

starring

Kevin Clifton Santo Costa Igor Dogoter SASHA FARBER ANYA GARNIS Natalia Gorshkova KAREN HAUER faye huddleston Ash Leigh Hunter ROBBIE KMETONI PASHA KOVALEV JANETTE MANRARA GISELLE PEACOCK damien samuel Aljaž Skorjanec EMMA SLATER SARAH SORIANO GARY WRIGHT and

Peter Saul and Vonzell Solomon

SCENIC DESIGN

LIGHTING DESIGN

RAY KLAUSEN RICK BELZER

COSTUME DESIGN

JANET HINE*

SOUND DESIGN

PETER J. FITZGERALD

*based on the original design by John Van Gastel

Associate Lighting Designers

Associate Sound Designer

Production Stage Manager

Michael Brown Scott Rogers

Derek Wilson

Bruce Fossey Bolton

PRODUCTION MANAGEMENT Peter fulbright

Exclusive North American Tour Direction ON THE ROAD

MUSIC CONSULTANT

CHARLIE HULL

Tour Marketing and Publicity

GENERAL MANAGER

FRANKEL GREEN THEATRICAL MANAGEMENT JOE WATSON ASSOCIATE PRODUCERS

DAN FRISHWASSER PETA ROBY NIC NOTLEY BRAD BAUNER CREATIVE CONSULTANT

RAJ KAPOOR

DIRECTED AND CHOREOGRAPHED BY

JASON GILKISON 16 EncoreAtlantA.com

Allied Live, LLC

DANCE NUMBERS Act I Inspirations

“Ballroom Beat”........................................................Cha Cha “Let’s Face the Music and Dance”....................Viennese Waltz “History Repeating”.................Viennese Waltz, Foxtrot, Swing, Lindy, Jive, Samba, Rumba, Cha Cha, Samba “Magalena”................................................................Samba “Slip into Something More Comfortable”......................Rumba “Weather Storm/The Ballroom Boys”............................Rumba “Fishies”.......................................................... Jive, Cha Cha “Nights in White Satin”....................................Viennese Waltz “Pastorale”................................................................... Waltz

Things That Swing “Sway”.......................................................... Cha Cha, Swing

“It Don’t Mean a Thing (If It Ain’t Got That Swing)”.... Quickstep

“I Just Want to Make Love to You”................................. Swing

“The Dirty Boogie”....................................... Jive, Lindy, Swing

“I’m a Ding Dong Daddy”..............Quickstep, Lindy, Jive, Swing

ACT II The Latin Quarter “Cariño”...................................................................Cha Cha

“Harlem Nocturne”......................................................Rumba

“Sing Sing Sing (with a Swing)”..........................Salsa, Samba

“Tanguera”.................................................................. Tango

“Matador”........................................................... Paso Doble

“España Cañí”..................................................... Paso Doble CODA–The Last Part

“Burn for You”............................................................Rumba “Club le Narcisse”....................................................Cha Cha “After All”.............................Waltz, Tango, Paso Doble, Rumba “Proud Mary”.................................................................. Jive “Turn the Beat Around”..............................................Cha Cha Percussion: Giorgio Rojas, Henry Soriano

BURN THE FLOOR will be performed with one 15-MINUTE INTERMISSION.

The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited.

Atlanta’s Performing Arts Publication 17

BALLROOM DANCE Burn the Floor features “international style,” which has been danced competitively since 1920. Ballroom dancing is comprised of 10 dances.

The five standard dances: the waltz is a ballroom dance with a strong accent on the first beat and a pattern of step-step-close. The foxtrot employs a syncopated rhythm and the use of “trotting steps.” Established as a French peasant dance in 1559, The Viennese Waltz became popular in the 1800s in Vienna. The Tango originated in Argentina and was brought to Paris in 1910.

In order to move around the ballroom floor, the international tango was born in the 1930s and combined ballroom dances with staccato action. Emerging from ragtime and from dances like The Charleston, Quickstep follows a 4/4 rhythm, similar to foxtrot.

The five Latin dances: The Cuban Cha Cha was popularized in the 1950s and is an offshoot of the triple mambo. The Samba originated in Brazil and features intricate cross percussive music. Paso Doble developed in France and is of Spanish origin. Its high style was based on the use of both marching steps and the bullfight. The Rumba, also Cuban, is the most sensuous of the Latin American dances. It is a dance of lust. The Jive is based on jazz or improv; it originated in the U.S. from African-Americans in the early 1940s. Soldiers took the Lindy hop/jitterbug to Europe during WWII.

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CAST

Kevin Clifton

Santo Costa

Igor Dogoter

Sasha Farber

ANYA GARNIS

Natalia Gorshkova

Karen Hauer

FAYE HUDDLESTON

Ash Leigh Hunter

ROBBIE KMETONI

PASHA KOVALEV

JANETTE MANRARA

GISELLE PEACOCK

damien samuel

Alja탑 Skorjanec

Emma Slater

SARAH SORIANO

Gary Wright

Peter Saul

VONZELL SOLOMON

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who’s who KEVIN CLIFTON (Dancer). Original Broadway cast member. Kevin studied dance from an early age at the Clifton Dance Academy in England, run by his parents (former International Latin American Champions). He has competed for 21 years winning British Championships (Juvenile/Junior/Youth) and various international championships, retiring from competition to pursue a career on stage and TV with Burn the Floor in 2008. Kevin is proud to be bringing ballroom to Broadway.

Santo Costa (Dancer). Original West End cast member. Santo has been dancing for 13 years. He was an Australian Junior Latin Champion, an Australian Youth Latin Champion and Amateur Latin Champion. He joined the Burn the Floor family in 2009.

Igor Dogoter (Dancer) was born in Moldova in Eastern Europe, lives in Las Vegas, and has been dancing since age 9. For the past 13 years he has partnered with Natalia Gorshkova. They became World and European champions in Formation Standard. Igor represented his country in numerous competitions and received the title of International Master of Sport and the Best Sportsman of the Republic of Moldova. Lately he has been performing around the world and is thrilled to join Burn the Floor.

SASHA FARBER (Dancer). Original Broad­way and West End cast member.

Born in Russia, Sasha started dancing at 13 in his new homeland, Australia.

By 17, Sasha had won the Australian Youth Latin Champion­ships twice and represented Australia at the World Latin Championships. He was featured in the closing ceremony at the 2000

Sydney Olympics and on television’s “Dancing With the Stars.”

ANYA GARNIS (Dancer). Original Broad­way and West End cast member.

On the TV show “So You Think You Can Dance,” Anya was handed a firstclass ticket on the “Hot Tamale Train,” and her career has been sizzling ever since. Credits include: guest dancer on “Dancing with the Stars,” “Superstars of Dance,” the Academy Awards and “So You Think You Can Dance” season 7 as an All-Star professional this summer. Born in Latvia, she has been a ballroom superstar for 10 years.

Natalia Gorshkova (Dancer) was born in Moldova, lives in Las Vegas and has been dancing since childhood, specializing in ballroom since age 10.

A national finalist in Standard and Latin, she represented her country in World and Europeanchampionships. For the past 13 years, she has partnered with Igor Dogoter. They became World and European Champions in Formation Standard. Natalia received the title of International Master of Sport as well as the Best Sportsman of the Republic of Moldova. She is thrilled to join Burn the Floor.

KAREN HAUER (Dancer). Original Broad­way and West End cast member.

Born in Venezuela, Karen began to dance shortly after arriving in NYC at age 8. She attended LaGuardia High School of the Performing Arts. 2008 World Mambo Champion. Credits: “So You Think You Can Dance” (U.S.) Ttop 12. Love to my family, friends and Robert Watman.

FAYE HUDDLESTON (Dancer). Has danced since the tender age of three.

Atlanta’s Performing Arts Publication 21

who’s who Competed nationally in the U.K. until 2005, then turned to theater. Credits include: Simply Ballroom (U.K. and Las Vegas); Cheek to Cheek (Coliseum West End); Latin Fever (Sadler’s Wells and Peacock Theatre West End); and Cuban Groove (Austria 2009). She has danced on “GMTV” and represented QDOS on the nationwide broadcast of the MBA Telethon hosted by Jerry Lewis live from Las Vegas. Faye has also given her time to charity events such as SCOPE and CARE. Ash Leigh Hunter (Dancer). Original West End cast member. Ash Leigh began taking classes when she was 5 years old. She was an Australian Junior Dance Champion, Australia 10 Dance Champion and represented Australia at the World Amateur 10 Dance Championships. In 2009, Ash Leigh was a finalist on the Australian TV show “So You Think You Can Dance.”

She first joined Burn the Floor in 2002.

ROBBIE KMETONI (Dancer). Original West End cast member. Robbie won season 3 of “So You Think You Can Dance” (Australia) at age 19. He specializes in Contemporary, and is a versatile dancer, having studied a variety of styles, including ballet, jazz and hiphop with Brent Street, Sydney Dance Company and Alvin Ailey. He has made numerous TV appearances and has performed at dance festivals across Australia and in the U.S. Robbie is thrilled to make his professional touring debut with Jason Gilkison and Burn the Floor on the West End and U.S. tour.

PASHA KOVALEV (Dancer). Original Broad­way and West End cast member.

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Born in Siberia, Russia, Pasha started dancing at age 8. He began appearing on TV shows after a successful career in ballroom. Credits include: “Dancing With the Stars,” “Superstars of Dance” and “So You Think You can Dance” season 7 as an All-Star professional.

JANETTE MANRARA (Dancer). Original West End cast member. Janette began musical theater at age 12 and started formal dance training at 19, studying ballroom, ballet, pointe, jazz, hip hop and salsa. Janette was a finalist in season 5 of “So You Think You Can Dance” and toured with the other finalists. She appeared on the “82nd Annual Academy Awards” and danced with Jennifer Lopez on the “So You Think You Can Dance” finale. She is a principal dancer on Fox’s “Glee” and the Glee Live Tour.

GISELLE PEACOCK (Dancer) started dancing at age 10, capturing U.S. and British Youth Championship titles.

Giselle has studied, ballet, jazz, hiphop, contemporary and modern dance.

She’s appeared on “So You Think You Can Dance,” “Dancing with the Stars” and “Superstars of Dance.”

DAMIEN SAMUEL (Dancer). Damien started dancing at age 5 studying jazz, tap and ballet until he realized his natural ability in the art of ballroom dance. He is a ballroom and hip-hop teacher, a former Junior Australian Dance champion and a Youth Ambassador. Damien made the Top 14 in season 2 of Australia’s “So You Think You Can Dance.” Damien makes his theater debut with Burn the Floor.

Aljaž Skorjanec (Dancer). From Slovenia, Aljaž started dancing at age five. He is a 19-time Slovenian champion

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who’s who and musical theater at Guildford School of Acting, U.K. His stage and screen credits include Berger in Hair (Frankfurt), 12 Tenors (China tour), Legles and first cover Jean Valjean in Les Misérable (London), Benny and first cover Roger in Rent (Frankfurt), Whistle Down the Wind (U.K. tour) and in film — Closer (Mike Nichols).

in ballroom, Latin and 10 dance. He has successfully represented Slovenia in World Latin and Ballroom Dance championships. He has appeared in the Slovenian “Dancing With the Stars.”

Aljaž would like to thank everyone who has supported him through the years, especially his family.

EMMA SLATER (Dancer). Original Broadway and West End cast member.

Emma began ballroom dancing at age 8. She is the 2006 British U21 Latin American Champion. Theater: Latin Fever (West End), Dirty Dancing (Aldwych Theatre), Simply Ballroom (U.K., U.A.E., South Africa tour). TV/ Film: Mamma Mia!, Round Here.

Mamma Mia! soundtrack.

SARAH SORIANO (Dancer). Original Broadway and West End cast member.

Sarah started dancing at the age of 6.

After studying ballet, tap and jazz for 10 years, she ventured into ballroom dancing, competing both nationally and internationally. From 1999 to 2001, Sarah’s dancing career was put on hold while she successfully fought breast cancer. Sarah joined the cast of Burn the Floor in 2002.

GARY WRIGHT (Dancer). Original Broadway and West End cast member.

Born in Liverpool, Gary started dancing at age 10, representing England in Junior Ballroom, Latin and 10 Dance World Championships. He is a British National under 21 champion. He has appeared in Simply Ballroom (Theatre Royal, West End), Cheek to Cheek, Latin Fever and the Burn the Floor China tour 2009.

Giorgio Rojas (Percussionist). Born in Peru into a musical family, Giorgio’s stage debut was with his father’s band playing the Cajon. At the age of 13, he migrated to Australia and studied at the Australian National University graduating with a B.A. of music in 2005. He has worked with many respected musicians and bands in Australia, Canada and the U.S., and has toured as the support act for such international artists as the Black Eyed Peas and De La Soul. Giorgio has been touring the world as Burn the Floor Latin percussionist for four years.

Peter Saul (Vocalist). Original West End cast member. Peter studied performing arts at King Alfred’s College

HENRY SORIANO (Percussionist).

Original Broadway cast member. Henry was born in the Philippines and has

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VONZELL SOLOMON (Vocalist), better known as “Baby V,” is an international singer, songwriter, producer, recording artist, model and actress. She was the second runner-up in the fourth season of the FOX TV series “American Idol.”

Following her amazing performances on “Idol,” she launched her own record label, Melodic Records. Vonzell is presently putting the finishing touches on her highly anticipated sophomore CD release. She is thrilled to be making her U.S. tour debut with this fabulous show, Burn the Floor! www. vonzellbabyvsolomon.com, twitter.com/ vonzellsolomon

who’s who lived in Las Vegas since 1992. His professional career began at age 19 when he performed and recorded with such musical idols as Ron Carter, Phil Woods, Harvey Mason, Kenny Burrell, Shirley Horn and Monty Alexander on Johnny Pate’s 80th Birthday Celebration CD. Henry began touring with Burn the Floor in 2007, seeing Broadway and much of the world in a three-year span.

JASON GILKISON (Director/Choreographer) and dance partner Peta Roby are Australia’s most successful dance couple, winning the World, British and International Ballroom Dance championships. Recent choreography includes Aspects of Dance (West End); Happy Days (Australian tour 2004); “So You Think You Can Dance” U.S./ Australia as guest choreographer; Sydney Olympic Games, Closing Ceremony 2000. Broadway: Dame Edna: Back With a Vengeance and Dame Edna tours 2002–07. Dedicated to my late grandfather, Sam Gilkison MBE. Thanks to my mother, Kay Gilkison, for teaming me with Peta.

RAY KLAUSEN (Scenic Designer) has designed more than 350 productions for theater and television. Broadway: Cat on a Hot Tin Roof, Liza’s at the Palace, On Golden Pond, Brooklyn the Musical, Big River, Comedy Tonight, Waiting in theWings and Bea Arthur on Broadway.

Regional theater: Mark Taper Forum (five shows), St. Louis Rep (three), Kennedy Center (six), Prince Music Theater (two), etc. rayklausen.com.

RICK BELZER (Lighting Designer). At age 13, to quote his mother, “I took him to the local theater and haven’t seen him since!” Millions of miles

and five continents later, he’s still at it. Rick is thrilled to be involved with Burn the Floor and its high-paced dance energy. He is involved with the musical Twist which had its world premiere this past fall at Atlanta’s Alliance Theatre directed by Debbie Allen. He also is working on museum exhibitions (a total of six) in South America, Singapore and the U.S. Rick would like to dedicate his work on this show to the memories of two early mentors: R. Tyler Gatchell Jr. and Tharon Musser.

JANET HINE (Costume Designer).

Australia: Christine Anu, Tina Arena, Vanessa Amorossi, Savage Garden, Chris Issak, Harry Connick Jr., Kylie Minogue.

Theater: 42nd Street, Grease, Little Shop of Horrors, Hot Shoe Shuffle, Chicago, Oliver!, We Will Rock You, the original production of Dirty Dancing, Spamalot, High School Musical, Sweet Charity, Man From Snowy River, SYTYCD, The Full Monty and Saturday Night Fever (Green Room Award).

PETER J. FITZGERALD (Sound Designer) is president of Sound Associates, Inc. 2008/9: Blithe Spirit, Speed-the-Plow, Will Ferrell’s You’re Welcome America, Story of My Life, NY Philharmonic’s Camelot.

Noted designs: Billy Joel’s Movin’ Out, Swing, La Cage aux Folles, Victor/ Victoria, Gypsy, Falsettos, Paul Simon’s The Capeman, 42nd Street, Minnelli on Minnelli with Liza. Peter and wife Maritza are the proud parents of Lori and Mallori.

BRUCE FOSSEY BOLTON (Production Stage Manager). From an accidental fall into studying theater after a doomed attempt at engineering, Bruce has worked for the State Theatre Companies of Queensland, N.S.W., Victoria and South Australia before moving from Atlanta’s Performing Arts Publication 25

who’s who straight theater into musicals. Since then he has spent a decade touring with Austral-asian productions of Cats; Me and My Girl; Crazy for You; Hello, Dolly!; The Pirates of Penzance; We Will Rock You; and a lifetime of Mamma Mia! FRANKEL GREEN THEATRICAL MANAGEMENT (General Management) is currently general managing A Little Night Music and Rock of Ages in New York; Stomp in New York and on tour; and Young Frankenstein on tour.

Richard Frankel and Laura Green have managed more than 90 productions in the past 20 years in New York and on tour in the U.S., Europe and Asia. Previous productions: Smokey Joe’s Café, The Sound of Music, The Weir, Swing!, The Producers, Hairspray, Little Shop of Horrors, Sweeney Todd, Company, Young Frankenstein, Gypsy, The Norman Conquests and Finian’s Rainbow.

PETER FULBRIGHT/TECH PRO-DUCTION SERVICES (Production Manager). Peter, along with associates Mary Duffe and Colleen Houlehen, operates a New York City-based technical supervision and production management office. Peter’s more than 70 Broadway, international and tour favorites include: Jersey Boys, Rock of Ages, Hairspray, 13, Curtains, Bombay Dreams, 42nd Street, Urinetown, Into the Woods, Vampires, Blast!, Aspects of Love, Rocky Horror, The Sound of Music, …Forum, Smokey Joe’s Café, Crazy for You, Guys and Dolls, Joseph…, Secret Garden, Starlight Express, Singin’ in the Rain and Foxfire.

of Priscilla Queen of the Desert, Dusty the Musical, Saturday Night Fever, Hair, Footloose, Leader of the Pack, Shout, Oh What a Night, Fame, Jesus Christ Superstar, Rasputin, Big Sister and Great Expectations.

RAJ KAPOOR (Creative Consultant) recently directed Carrie Underwood’s Play On Tour, American Idols Live Tour 2010 and Jonas Brothers Live In Concert Tour.

Raj has also directed two of the “Dancing With the Stars” tours. He has worked with Usher, Eminem, Rihanna, Britney Spears, Josh Groban, Mary J Blige and Maroon 5.

HARLEY MEDCALF (Producer). In a career spanning 39 years, Harley has worked with artists as diverse as Marlene Dietrich, Frank Sinatra, Elton John, Billy Joel, Michael Crawford, Billy Connolly, Michael Flatley, Meat Loaf, Queen, Lionel Richie, Kenny G and Sarah Brightman. For Barry Humphries (Dame Edna): Look at Me When I Am Talking to You, Remember You’re Out, Back to My Roots, A Night With Dame Edna, Dame Edna: Back With a Vengeance on Broadway and Dame Edna: My First Last Tour. Harley founded Burn the Floor in 1999 and has passionately produced the show in more than 30 countries.

JOE WATSON (Producer) has been a general manager with Frankel Green Theatrical Management in New York for 15 years. Currently he manages Stomp (off-B’way and national tour). Past Broadway productions include: Burn the Floor (producer), Forever Tango, Swing! and The Rocky Horror Show.

CHARLIE HULL (Music Consultant). A well-known musician in Australia, his credits as musical director and/or RICHARD LEVI (Producer). Credits: arranger include the Australian premieres ’70s a dancer with Bejart and London 26 EncoreAtlantA.com

who’s who Dance Theatre; ’80s a choreographer forHubbard Street, Ballet Jazz, national tours, RL Dance Co.; ’90s designing/ manufacturing entertainment merchandise for Cirque, Disney, Broadway and his Halloween company. Richard invested in …Spelling Bee and also managed investors in Avenue Q (Old Vic), Dirty Dancing and Drowsy Chaperone.

Producer: 9 to 5 and Burn the Floor.

THE FRANKEL/VIERTEL/BARUCH/ROUTH GROUP (Producer) have produced and managed productions for more than 25 years. Currently: A Little Night Music, Young Frankenstein tour, Hairspray (on tour in the U.K.) and Stomp. Previously: The Norman Conquests, Gypsy, Young Frankenstein, The Producers, Hairspray, Sweeney Todd, Company, Little Shop of Horrors, The Weir, The Sound of Music, Smokey Joe’s Cafe, Angels in America, Oleanna, Love Letters, Driving Miss Daisy, Frankie and Johnny…, Penn & Teller, many others. Upcoming: Leap of Faith with music by Alan Menken on Broadway in spring 2011 and Flashdance in London in Fall 2010. Awarded 36 Tonys, 47 Drama Desk Awards, 38 Outer Critics Awards, four Grammys, eight Olivier Awards and two Pulitzer Prizes.

They have the rare distinction of having won Tony Awards in all four “best” categories — play, musical, play revival and musical revival.

RAISE THE ROOF ONE (Producer).

Elaine Krauss, Jean Doumanian, Harriet Newman Leve and Jennifer Manocherian have joined forces to create Raise the Roof One. Individual or joint credits include La Cage aux Folles, A Little Night Music, The Mountaintop, Superior Donuts, August: Osage County, The 39 Steps, The Norman Conquests, Stomp, 28 EncoreAtlantA.com

Mary Stuart, Ma Rainey’s Black Bottom.

International productions of Chicago; The Crucible; Spring Awakening; Caroline, or Change; The Diary of Anne Frank; Thoroughly Modern Millie; and The Lieutenant of Inishmore.

TOPPALL/STEVENS/MILLS (Producer).

Lawrence S. Toppall: president of Mazel Musicals Inc., produced and presented more than 100 theatrical and concert productions. Broadway producing credits include The Gathering, Say Goodnight Gracie and Looped. Lauren Stevens: Broadway: All My Sons, Tony-nominated Ragtime and Radio Golf. Off-Broadway: My Sweetheart’s the Man in the Moon.

Board member, MCC Theater. Marianne Mills: Broadway: Frozen, 33 Variations, All My Sons. Board member of MCC and Labyrinth Theater companies.

BENIGNO/KLEIN (Producer). Proud to have made their Broadway debut as producers of Burn and prouder still to be producers of Burn’s U.S. tour.

Sharon Klein, a professional dancer and formerly with the Shubert Organization, has produced and cast special events for corporations, hospitals and charities worldwide. Tom and Angie Benigno have managed investors for Dirty Dancing/ Toronto and its U.S. tour. May all our shows be dedicated to our amazing dancers (we miss you all in NYC and Long Island). Love to Diana, Laura and John, and all our moms.

CALDWELL/ALLEN (Producer) won best musical for their production of Citizen Ruth at NY Fringe and developing One Love from Harold Arlen’s library with Franco Dragone and 5th Ave. Theater.

David Caldwell credits with RFP more than 17 years include The Rocky Horror Show, Stomp, Tap Dogs, Jeffrey. For

who’s who Broadway, Chris Allen is developing Paint Your Wagon and Same Time Next Year, and is producer for Zevo 3/Nicktoons and SMandS/Comedy Central.

CARRPAILET/DANZANSKY (Producer).

Janet Pailet, Sharon Carr and Danzansky Partners are proud to be part of Burn the Floor. Broadway credits include Dr. Seuss’ How the Grinch Stole Christmas!, American Buffalo, Steel Magnolias, Passing Strange, Barefoot in the Park. Off-Broadway: I Love You Because, Masked, The Great American Trailer Park Musical, Glimpses of the Moon, Groundswell. Upcoming: IDAHO!, The Scottsboro Boys, On a Glorious Day. THE PRODUCTION STUDIO (Producer) includes Allan S. Gordon, Elan V. McAllister and Adam S. Gordon. Allan and Elan’s collaborations include Hairspray, Spamalot, Metamorphoses, The Crucible, Coram Boy and Cry-Baby.

Mr. Gordon also produced Rent and Death of a Salesman. Ms. McAllister produced Rent, Spamalot and Michael Moore Live! in London’s West End. Adam S. Gordon will be bringing The Pee Wee Herman Show to Broadway.

BUD MARTIN (Producer). Bud is thrilled to return to his roots in the theater after a “brief” 25-year hiatus in corporate finance. He is a co-founder of DFB Productions, recently formed to manage investments in Broadway, West End and other theatrical production. Since his return to the theater two years ago, Bud has been producing artistic director at Act II Playhouse near Philadelphia. His Broadway producing credits include The Story of My Life, 9 to 5, Burn the Floor, Time Stands Still and La Bete. West End: Legally Blonde, La Bete.

SCHAFFERT/SCHNUCK (Producer).

Greg Schaffert (Associate Producer) All Shook Up, Bat Boy the Musical; (producer) No Wake, Ace, Striking 12, Three Musketeers, Next Thing You Know, Great Wall, Magnetic North, How to Save the World and Find True Love, The Girl in the Frame, Painted Alice, Luck. Terry Schnuck (producer) Race; Superior Donuts; Hair; Blithe Spirit; The Homecoming; Spring Awakening; Martin Short: Fame Becomes Me; The Caine Mutiny Court-Martial; ’night, Mother; Enchanted April; Ministry of Progress.

DAN FRISHWASSER (Associate Producer). Broadway: The Miracle Worker, Come Fly Away, Memphis (Tony Award), All About Me, A Little Night Music, Burn the Floor, The Norman Conquests (Tony Award). Upcoming: Ballroom, La Bete.

Off-Broadway: 39 Steps, Inventing Avi. National: Burn the Floor, The 39 Steps, Little House on the Prairie. UK: London: Hair, All My Sons, Sweet Charity, La Bete.

Tour: Hairspray. Movie: On Coal River­ PETA ROBY (Associate Producer) and Jason Gilkison danced together for 35 years, becoming undefeated World, British and International Latin dance champions. Young Australian of the Year, 1990; BTF principal dancer 1999–2004. Peta became company manager and executive producer of Burn the Floor in 2005.

NIC NOTLEY (Associate Producer) first fell in love with ballroom when he saw Jason Gilkison and Peta Roby dance together in 1985. He also fell in love with Peta; they married four years later.

In 2004, Nic founded the Australian Ballroom Company.

BRAD BAUNER (Associate Producer) served as associate producer for the Atlanta’s Performing Arts Publication 29

who’s who Marines Memorial Theater and Post Street Theater in San Francisco for six years. Served as associate general manager of Stomp for 6 1/2 years.

Thanks to Joe, Harley, Jason, Nic, Peta and, most of all, FH. ALLIED LIVE (Tour Marketing and Press) is a full-service marketing and advertising agency representing Broadway shows, national tours, performing arts institutions, and experiential entertainment entities. Clients include: Billy Elliot, Hair, West Side Story, In the Heights, Washington National Opera, Los Angeles Philharmonic, Cirque du Soleil, Madame Tussauds Hollywood, Hollywood & Highland Center. www. alliedlive.com.

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Do you have furniture you no longer use and would like to see it go to individuals and families in need? Please consider a donation to the Furniture Bank of Metro Atlanta — we accept bedroom and living room furniture including dressers, mattresses, couches, tables and chairs.

For Free Pick Up: 404.355.8530 www.furniturebankatlanta.org

who’s who STAFF FOR FOR DANCE PARTNER, INC. Founder and Producer...................... Harley Medcalf Director and Choreographer..............Jason Gilkison Company Manager.................................. Peta Roby Executive Producer................................. Nic Notley Production Stage Manager.................. Bruce Bolton Wardrobe Supervisor.................... Catherine Mayne Wardrobe Deputy................................. Bret Hooper Company Accountant......................... Gordon Davis Assistant Accountant.................................Rita Yao Personal Assistant to Mr. Medcalf. Jaccinta Medcalf Accounting Business Services.....East Bay Business Services, Marcia Hyman Payroll Service..........................Team Services, Inc. Immigration................... RAZCo Visas, Ron Zeelens Music Clearances..... Evan Greenspan, Gillian Jones, EMG, Inc. Merchandising......... Broadway NY Marketing Group, Adam Gordon, David Eck Insurance.................................DeWitt Stern Group Travel................................. Rod Thomas at Qantas Freight....................... Chris Seroukas, Soundmoves Photography......... Lindsay Hebbard, Mark Kitaoka & Tracy Martin, Louise Rojas, David Wyatt Banking..... USA-City National Bank, Darlene Huntley Australia-NAB Private, Daniela Siataga Costume Makers........Sharon Brown, Marie Dowsett

Company Management Assistant........... Liz Halakan Production Carpenter........................... Mike Martin Electricians..................... Scott Butler, Scott Rogers Moving Light Programmer...................Chris Herman Production Sound Engineer.................Derek Wilson Production Properties...................... Gardner Friscia Scenic Design Modification................. Josh Zangen Sound Assistant................................... Bob Hanlon Assistant to Mr. Routh........................ Katie Adams Assistant to Mr. Baruch....................... Sonja Soper Assistant to Mr. Viertel............... Tania Senewiratne Studio Assistant to Rick Belzer..... Elvira Nedavnyaya Personal Assistant to Mr. Belzer.............Jenn Henry

STAFF FOR Burn The floor

National Press Consultant......Boneau/Bryan Brown Chris Boneau, Jackie Green, Kelly Guiod Online Advertising, Marketing & Design..............Art Meets Commerce, Jim Glaub, Ryan Greer, Mark Seeley, Whitney Manalio Tour Graphics............KD Graphics Inc, Karen Munro Tour Media...........................................HMS Media Production Photography...................... Joan Marcus Insurance......................... DeWitt Stern Group, Inc. Legal Counsel......................... Patricia Crown, Esq., Coblence & Associates Carter Ann McGowan, Esq. Banking.............................. JP Morgan Chase Bank Hazel Hyndman Payroll Service................................... Paychex, Inc. Accounting....... Fried & Kowgios Partners, CPAs, LLP

General Management FRANKEL GREEN THEATRICAL MANAGEMENT Richard Frankel Laura Green Joe Watson Leslie Ledbetter

FRANKEL GREEN THEATRICAL MANAGEMENT STAFF

BUSINESS MANAGER William Ferry U.S. Booking On the Road Booking, LLC Simma Levine, President 212-302-5559 ontheroadbooking.com EUROPEAN Booking The Royal Theatre Carre, Amsterdam Tour Marketing and Publicity Allied Live, LLC Laura Matalon Tanya Grubich Mary Alyce Blum Sarah Dahlberg PRODUCTION MANAGER TECH PRODUCTION SERVICES, INC. Peter Fulbright Mary Duffe Colleen Houlehen Kate Baker

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Finance Director........................ Michael Naumann Assistant to Mr. Frankel......................... Heidi Libby Assistant to Ms. Green...............Joshua A. Saletnik Assistant to Joe Watson....................... Liz Halakan Assistant Finance Director.................... Sue Bartelt Finance Associate.................. Katharine Vandergriff Information Technology Manager........Roddy Pimentel Director of Business Affairs.............Michael Sinder Business Affairs Assistant..............Dario Dallalasta Office Manager................................... Emily Wright Receptionists......Rebekah Hughston, Allison Raines Blue Line Studios, Las Vegas, NV Scenery, Automation, Theme Work, Fabrication, Sculpting, Painting. www.bluelinestudios.net

who’s who CREDITS AND ACKNOWLEDGEMENTS Scenery built and paintedby Blue Line Studios, Sound equipment from Sound Associates. Lighting equipment from Hudson Sound and Light, LLC. Fiberoptic lighting by TPR Enterprises, Ltd. Makeup provided by MAC Cosmetics. Cymbals by UFIP America.

Special THANKS With love and thanks to: Jessica Lingotti, Jason Fripp, Leigh Evans, Jason Seifert, Martine Munro, Peter Simpson, Peter Skillman, Janelle Mason, Glen Caruba, Ben Bruno, Sergio Kolomiers, Giorgio and Louise Rojas, Felix Rappaport, Mike Grose, Sue Maloney, Wallace Flores, our lifetime friends at Kansai Television, Tama Home, all past members of BURN THE FLOOR who have made this journey possible, plus Sabrina, Jaccinta and Maria Medcalf.

Publishing. “Fanfare Paso Doble” Charlie Hull-Dance Partnership Pty Ltd. “España Cañi” traditional arr. Charlie Hull, Dance Partnership Pty Ltd. “Burn for You” written

by John Farnham, Ross Fraser, Phillip Buckle; Universal Music-MGB Songs on behalf of Universal Music Publ. MGB Australia Pty/Universal-Polygram Int. Publ., Inc. on behalf of Offkey Music and T.W.O. Polygram Music Publ. Pty. Ltd. “Club le Narcisse” written by M. McLaren, L. Gorman, D. Hakagen/Bourgoin-Sony/ATV Music Publishing LLC, Chrysalis Music Publishing, Chrysalis. “After All” written

by Tom Snow, Dean Pritchard; used by permission of EMI Intertrax Music Inc. and Snow Music, Karen Schauben Music Administration. “Proud Mary” written by John C. Fogerty; courtesy of Jondora Music, used by permission of Concord Music Group. “Turn the Beat Around” written by Jackson and Jackson-Warner Chappell Music Inc.

PERCUSSION AND DRUM SETS COURTESY OF PEARL

MUSIC CREDITS “New Beginnings/BTF Guns” Charlie Hull-Dance Partnership Pty Ltd. “Lets Face the Music and Dance” words and music by Irving Berlin. “History Repeating” written by Alex Gifford; Chrysalis Music. “Slip Into Something More Comfortable” written by Mark Blackburn, Frederick Karger, Julius Waters, Robert Wells; Universal Music-Z Tunes LLC on behalf Imagem London Ltd., Barton Music Corp. “Weather Storm” written by Craig McKenzie Armstrong, Robert Del Naja, Curtis Harmon, Nellee Hooper, James Lloyd, Grantley Marshall, Cameron J. Murray, Cedric Napoleon, Andrew Lee Vowles; Universal Music-MGB Songs on behalf of G.W. JR Music, Inc./ Universal Island Music Ltd. On behalf of Island Music Ltd., EMI Virgin Music, Outer National Publishing o/b/o Pieces of a Dream, Inc. “The Ballroom Boys” Charlie Hull-Dance Partnership Pty Ltd. “Fishies” written by Feliz Riebl, Henry James Angus; The Cat Empire Music, by arrangement with Ocean Park Music Group. “Nights in White Satin” written by Hayward; The Richmond Organization. “Pastorale” written by Lovland; Universal Music Publishing. “Sway” Beltran, Ruiz, Rosas, Girnbel; Peer Music. “It Don’t Mean A Thing (If It Ain’t Got That Swing)” written by Duke Ellington and Irving Mills, used by permission of EMI Mills Music Inc., Sony/ATV Music Publishing LLC as successor in interest to Famous Music.

“I Just Wanna Make Love to You” written by Willie Dixon; Bug Music Inc. “The Dirty Boogie” written by Brian Setzer; Setzersongs. “I’m a Ding Dong Daddy on the D Car Line” written by Steve Perry, SONY/ATV. “BTF Entracte” Charlie Hull-Dance Partnership Pty Ltd. “Cariño” written by Mongo Santamaria, Neil Creque, Manny Benito, Cory Rooney, Jennifer Lopez, Jose Sanchez, Frank Rodriguez, Guillermo Edgehill Jr.; Bug Music Inc. on behalf of Mongo Music Ltd. Stony/ATV Songs LLC. “Harlem Nocturne” written

by Hagan; Shapiro Bernstein. “Sing Sing Sing (with a Swing)” Louis Prima, used by permission of EMI Robbins Catalog Inc. “Bordello” Charlie Hull-Dance Partnership Pty Ltd. “Tanguera” written by Mores-Warner Chappell Music

United Scenic Artists represents the designers and scenic painters for the American Theatre.

The Road Crew are members of the International Alliance of Theatrical Stage Employees.

This production is produced by a member of The Broadway League in collaboration with our professional union-represented employees.

Atlanta’s Performing Arts Publication 33

1708 Peachtree St. NW, Suite 410, Atlanta GA 30309 Monday - Friday 10:00 a.m. - 5:00 p.m.

404.873.4300 Stephanie Parker . . . . . . . . . . . . Vice President, Mid-South Region Sarah Goodson . . . . . . . . . . . . . . . . . . . . . . . . . Ticketing Manager Rachel Bomeli . . . . . . . . . . . . . Ticketing /Administrative Assistant Rebekah K. Jones . . . . . . . . . . . . . . . . . . . . . . . Technical Director Terry Romanoli . . . . . . . . . . . . . Director of Corporate Partnerships Marc Viscardi . . . . . . . . . . . . . . . . Director of National Marketing Sasha DeFazio . . . . . . . . . . . . . . . . . National Marketing Manager For media inquiries, please contact Jennifer Walker at BRAVE Public Relations, 404-233-3993.

Thank you to our Sponsors:

FOR INFORMATION regarding corporate partnerships and promotional opportunities with Broadway Across America — Atlanta, please call 404.873.4300.

We are thrilled to announce the new BROADWAY lineup filled with incredible Tony AwardÂŽ-winning shows direct from Broadway!

The 2011-12 season is jam-packed with dance, drama and excitement all characterized through our fantastic lineup of blockbusters including, How the Grinch Stole Christmas, Memphis, Billy Elliott, Les Miserables and Jersey Boys! Single tickets for Shrek the Musical are now on sale! Call 404-982-ARTS or go to www.BroadwayAcrossAmerica.com. Single tickets for Hair go on sale April 3. Join our E club to receive special offers and get all the latest Broadway news!!!!

Watch exclusive videos, become a fan, follow us and visit us online:

:http://www.youtube.com/BAANational :http://www.facebook.com/BroadwayAcrossAmerica :http://www.twitter.com/BwayAmerica Visit our home page at www.BroadwayAcrossAmerica.com.

FOR YOUR INFORMATION The Theatre A fully restored 1929 “Movie Palace,” the Fox Theatre, with 4,678 seats, is a multiple-purpose facility, housing Broadway shows, ballet, symphonies, concerts, movies, and private corporate events.

Private Rooms The Fox Theatre has three private rental spaces, with accommodations for 25 to 1,200 guests. Our Egyptian Ballroom and Grand Salon are beautifully decorated and can be set up to your specifications. The brand new Landmarks Lounge is adjacent to the lobby and is perfect for a small pre-show and intermission event. All rooms include the Fox Theatre’s professional sales and coordination staff. To book your ”Fabulous Fox“ evening, please call 404.881.2100 or visit us at www.foxtheatre.org.

The Box Office The Fox Theatre Box Office is located in the arcade entrance to the theatre. The Box Office is open for walk up ticket sales Monday-Friday, 10:00 a.m.-6:00 p.m., and Saturday, 10:00 a.m.-3:00 p.m. The Fox Theatre Box Office is not open on Sundays unless there is a performance. During Events, the Box Office opens two hours prior to show time. Doors to the Fox open one hour prior to show time. Tickets for all performances at the Fox may be purchased at any TICKETMASTER outlet, by calling TICKETMASTER at 800.745.3000, or by visiting the Fox Theatre Box Office in person during regular Box Office hours.

Concessions Concession stands are located in the Spanish Room, adjacent to the main lobby, and on the mezzanine lobby level.

Restrooms Restrooms are located on the Main Lobby and Mezzanine Lobby levels.

Restrooms are also located on the Gallery level. Restrooms for patrons who are physically challenged are located in the Spanish Room Gift Shop The Fox Theatre operates a gift shop selling history books, T-shirts, sweatshirts, and an assortment of other theatrerelated merchandise. The gift shop is located in the main lobby and is open at each performance.

Tours Tours of the Fox Theatre are available through the Atlanta Preservation Center. Tours are conducted Mondays, Wednesdays, and Thursdays at 10:00 a.m. and Saturdays at 10:00 a.m. and 11:00 a.m. Tours begin in the Peachtree Street Arcade entrance to the theatre.

For more information on tours and to confirm the tour schedule, please call the Atlanta Preservation Center at 404.688.3353.

Smoking In accordance with the Fulton County Clean Air Ordinance, the Fox Theatre is a smoke-free facility. Smoking is only permitted in designated areas.

Special Needs Ken Shook, Patron Services Director, is our liaison to the disabled community. He can be reached at 404.881.2118 and can provide information on such topics as the locations and prices of accessible seating and other programs for the disabled. The Fox Theatre also has a new brochure detailing all these programs for our patrons with special needs. They are available at the Guest Relations Table.

Fox Ambassadors are located at the Guest Relations Table in the main lobby at the Fox Theatre Merchandise Kiosk to offer their assistance, theatre information, and several rental items to enhance your performance enjoyment. An audio clarification device (Phonic Ear) is available for patrons with hearing disabilities. It is available, free of charge, on a first-come, first-serve basis on the evening of a performance, or you may reserve a device by calling the Patron Services Director. A limited number of booster seats are also available free of charge. Binoculars are available for sale. All items require a form of identification to be held until the item is returned.

Elevators Elevators are located at the north end of each lobby. The elevators are available during all performances and make it possible to access each lobby without the use of stairs.

Parking Parking is available within a four-block radius in all directions of the Fox Theatre. Advanced reserved parking is available for sale at the Fox Box Office or by calling TICKETMASTER at 800.745.3000. The Fox Theatre assumes no responsibility for vehicles parked in any of the privately owned parking lots operating in the Fox Theatre district.

Performance Notes All patrons, regardless of age, must have a ticket in order to be admitted to the theatre. Please be aware that not all events are suitable for children. Infants will not be admitted to adult programs/performances. Parents will be asked to remove children who create a disturbance.

Latecomers will be seated at the discretion of the management, in conjunction with the wishes of the producers.

Please turn off all pagers and cell phones prior to the beginning of each performance. Please limit conversation during the performances.

Camera and recording devices are strictly prohibited.

Lost and Found Lost and Found items are turned in to the House Manager’s office. To check on lost items, please call the House Manager at 404.881.2075. Lost and Found items will be retained for 30 days.

Emergency Information In the event of an emergency, please walk to the nearest exit. Do Not Run.

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Backstage employees are represented by the International Alliance of Theatrical Stage Employees (I.A.T.S.E.)

GOLDEN RULES The following brief, but important, article has been published to assist in audience etiquette.

To this day we get at least one phone call a week asking for reprint rights. These calls and letters come from orchestras and theatres, opera and ballet companies all over the United States and Canada, big and little troupes alike.

The message, telegraphed between the lines, seems to be an S.O.S.: American audiences are out of control. Are they?

Here’s a refresher course. Please read on, and remember, part of one’s pact as an audience member is to take seriously the pleasure of others, a responsibility fulfilled by quietly attentive (or silently inattentive) and selfcontained behavior. After all, you can be as demonstrative as you want during bows and curtain calls.

1. Go easy with the atomizer; many people are highly allergic to perfume and cologne.

2. If you bring a child, make sure etiquette is part of the experience. Children love learning new things.

3. Unwrap all candies and cough drops before the curtain goes up or the concert begins.

4. Make sure cell phones, beepers, and watch alarms are OFF. And don't jangle the bangles.

5. The overture is part of the performance.

Please cease talking at this point.

6. Note to lovebirds: When you lean your heads together, you block the view of the person behind you. Leaning forward also blocks the view.

7. THOU SHALT NOT TALK, or hum, or sing along, or beat time with a body part.

8. Force yourself to wait for a pause or intermission before rifling through a purse, backpack, or shopping bag.

9. Yes, the parking lot gets busy and public transportation is tricky, but leaving while the show is in progress is discourteous.

10. Honor the old standby: Do unto others as you would have them do unto you.

— Broadway Theatre League

The Fox Theatre

660 Peachtree Street, N.E. Atlanta, Georgia 30308 404.881.2100 • www.foxtheatre.org

STAFF

Allan C. Vella . . . . . . . . . . . . . . . . . General Manager Adina Alford Erwin . . . . . . . Assistant General Manager Pat “Sunshine” Tucker . . . . . . . . . . Box Office Manager Robert Burnett . . . . . . . . . . . . . . . . . . . . . . . Controller Jennifer S. Farmer . . . . . . . . Director of Sales/Ballrooms Oliver Diamantstein . . . . Director of Food and Beverage Len Tucker . . . . . . . . . . . . . . . . Director of Operations Pat Prill . . . . . . . . . . . . . . . . . . . . . . . House Manager Greta Duke . . . . . . . . . . . . . Assistant House Manager Kristen Delaney . . . . . . . . . . Director of Marketing & PR Ken Shook . . . . . . . . . . . . . . . Patron Services Director Shelly Kleppsattel . . . . . . Booking & Contract Associate Jamie Vosmeier . . . . . . . . . . . . . . Group Sales Director Molly Fortune . . . . . . Preservation Department Manager Amy Smith . . . . . . . . . . . . . . . . . . Production Manager Rebecca J. Graham . . . . . Assistant Production Manager Gary Hardaway . . . . . . . . . . . . . . . . Master Carpenter Larry Watson . . . . . . . . . . . . . . . . . . . . House Flyman Scott Hardin . . . . . . . . . . . . . . . . . . . . Property Master Ray T. Haynie . . . . . . . . . . . . . . . . . . Master Electrician Cary Oldknow . . . . . . . . . . . . . . . Assistant Electrician Rodney Amos . . . . . . . . . . . . . . . Head Sound Engineer Larry-Douglas Embury . . . . . . . . . Organist In Residence Tammy Folds . . . . . . . . . . . Production Security Manager

EXECUTIVE COMMITTEE AND BOARD MEMBERS Alan E. Thomas . . . . . . . . . . . . Chairman of the Board Edward L. White . . . . . . . . . . . . . . . . . . . . . . President Beauchamp C. Carr . . . . . . . . . . . . 2nd Vice President John A. Busby Jr. . . . . . . . . . . . . . . . 3rd Vice President Julia Sprunt Grumbles . . . . . . . . . . . . 4th Vice President Edward Hutchison . . . . . . . . . . . . . . . . . . . . . Treasurer Robyn Rieser Barkin . . . . . . . . . . . . . Assistant Treasurer Clara Hayley Axam . . . . . . . . . . . . . . . . . . . . Secretary Walter R. Huntley Jr. . . . . . . . . . . . . . Member at Large Robert E. Minnear . . . . . . . . . . . . . . . Member at Large Carl V. Patton. . . . . . . . . . . . . . . . . . Member at Large Ada Lee Correll, Richard Courts IV, Keith Cowan, Robert L. Foreman Jr., F. Sheffield Hale, John R. Holder, Florence Inman, Craig B. Jones, Steve Koonin, Charles Lawson, Starr Moore, Jay Myers, Joe G. Patten, Glen J. Romm, Sylvia Russell, Nancy Gordy Simms, Clyde C. Tuggle, Carolyn Lee Wills.

HONORARY BOARD MEMBERS Anne Cox Chambers, Arnall (Pat) Connell, Rodney Mims Cook Jr., Jere A. Drummond, Richard O. Flinn III, Arthur Montgomery, Joseph V. Myers Jr., Edward J. Negri, Edgar Neiss, Herman J. Russell, Preston Stevens Jr.

Official Beverage of The Fox Theatre

Official Airline of The Fox Theatre

Official Vehicle of The Fox Theatre

Official Hotel of The Fox Theatre

Official Restaurant of The Fox Theatre

Atlanta’s Performing Arts Publication 37

South City Kitchen

Fox theatre Dining Guide Looking for a great night out? Try one of these local restaurants before or after the show. For Dinner and a Show packages, visit encoreatlanta.com/offers.

Neighborhood codes: A–Alpharetta, B–Buckhead, IP–Inman Park, OFW–Old Fourth Ward, M­—Midtown, D–Downtown, P–Perimeter Mall area, SS–Sandy Springs, VH–Virginia-Highland, V—Vinings, W–Westside

American Broadway Diner Unique, due to its food and décor, the Broadway Diner serves great food (including authentic Greek cuisine) at awesome prices. Based on a Broadway-style theme, the diner is perfect for families and business people.

620 Peachtree St. NE, (404) 477-9600, thebroadwaydiner.com. M Deckard’s Kitchen and Kegs is a neighborhood American tavern with a New England twist.

Specializing in simple craft cuisine, classic ingredients and an extensive, eclectic beer selection. 650 Ponce De Leon Avenue, 404-9413520. kitchenandkegs.com. M Einstein’s The place that puts a smile on your face.

Dining with an emphasis on service, Einstein’s offers innovative competitively-priced cuisine in a warm, accommodating environment. Enjoy a delicious meal on their award-winning patio and sip on their infamous martinis. 1077 Juniper St., 404-876-7925, einsteinsatlanta.com. M Garrison’s A neighborhood destination known for high quality food, generous portions and a comfortable setting. Superb wine and specialty cocktails compliment the highest quality seafood, 38 EncoreAtlantA.com

steaks and creative sandwiches. Their outside dining is perfect for relaxing and people-watching.

Vinings Jubilee Shopping Center, 4300 Paces Ferry Rd., 770-436-0102, garrisonsatlanta.com. V Goodfellas Pizza and Wings brings you the finest pizza in the Atlanta area. Using the freshest ingredients, Goodfellas offers everything you need for lunch and dinner — pasta, salads, calzones, subs and, of course, pizza and wings. 615 Spring St. NW, 404-347-7227, goodfellaspizzawings.com. M Hudson Grille is the perfect place to catch a game, to meet friends for a great meal or to enjoy drinks at one of their expansive bars. Four locations: Midtown, 942 Peachtree St. NE, 404-2499468; Alpharetta, 865 North Main St., 770777-4127; Perimeter, 4400 Ashford-Dunwoody, 770-350-0134; Brookhaven, 4046 Peachtree Rd., 404-233-0313, hudsongrille.com. M,A,P,B Joe’s Inside and out on the patio, this hotspot’s nostalgic charm sets the stage for a wholly unique tavern experience. With an accent on congenial good times, Joe’s sassy food servers keep patrons smiling, while the master mixologists behind the bar whip up drinks known for their flavor and potency. Midtown: 1049 Juniper

St NE, Atlanta, GA 30309, 404-875-6344; College park: 2144 Sullivan Rd, College Park, GA, 404-844-5000, joesatlanta.com. M Lenox Square Grill offers breakfast, lunch and dinner daily. DJ every Friday and Saturday night til 2am. Private meeting rooms accommodate up to 150. 3393 Peachtree Rd. NE, 404.841.2377, lenoxsquaregrill.com. B Livingston Restaurant and Bar It’s hard to beat the location (across the street from the Fox Theatre in the Georgian Terrace), and diners get complimentary parking, but the main attraction is the glamour of the main dining room, which has hosted the likes of Clark Gable, and the al fresco seating area, which is available in warm weather. 659 Peachtree St. NE, 404-897-5000, livingstonatlanta.com. M Lobby The menu focuses on seasonal fare at this sophisticated American restaurant in the lobby of TWELVE Atlantic Station. 361 17th St., 404961-7370, lobbyattwelve.com. M ONE.midtown kitchen Dine on fresh, seasonal American cuisine in a club-like atmosphere near Piedmont Park. 559 Dutch Valley Rd., 404-8924111, onemidtownkitchen.com. M Murphy’s This restaurant has one of the city’s top brunch menus, but it’s known for great peoplewatching and its contemporary comfort food. 997 Virginia Ave., 404-872-0904, murphysvh.com. VH Taco Mac Atlanta’s favorite family friendly sports restaurant and bar since 1979.

Consistently voted Atlanta’s best wings and best beer selection, Taco Mac has something for everyone. 25 metro Atlanta locations, including 933 Peachtree Street NE, blocks away from the Fox Theatre. 678-904-7211. tacomac.com. M Two Urban Licks “Fiery” American cooking meets live music at this hip hangout. 820 Ralph McGill Blvd., 404-522-4622, twourbanlicks.com. M

American/steakhouse Cowtippers is known as an avid supporter of the community, whimsy and down right good old-fashioned fun. Home to traditional steak house fare served with creative twists; enjoy huge desserts, 25 types of margaritas, and the best burgers in town. 1600 Piedmont Ave., 404-874-3751, cowtippersatlanta.com. M Joey D’s Oakroom Near Perimeter Mall, this stylish steak house has a staggering selection of spirits and a hot after-dinner singles scene. 1015 Crown Pointe Pkwy., 770-512-7063, centraarchy.com. P 40 EncoreAtlantA.com

New York Prime A Prime Time Top 10 USDA Prime Steakhouse known for its wine list, atmosphere and world class service. 3424 Peachtree Rd. NE, 404-846-0644, centraarchy.com. B Prime Enjoy steak, sushi and seafood in a festive atmosphere near Lenox Mall. 3393 Peachtree Rd. NE, 404-812-0555, h2sr.com. B Ruth’s Chris Steakhouse A favorite local steak house with multiple locations near shopping and entertainment hotspots. Sides are generous, and the quality of the steaks and seafood is excellent.

Three locations: Buckhead, 3285 Peachtree Rd. NE, 404-365-0660; Sandy Springs, 5788 Roswell Rd., 404-255-0035; Centennial Olympic Park, 267 Marietta St., 404-223-6500; ruthschris.com. B, SS, D The Tavern at Phipps This is one of Atlanta’s hottest after-work spots, and has been singled out for its happy hour and singles scene by Jezebel, InSite Magazine and the AOL City Guide. 3500 Peachtree Rd. NW, 404-814-9640, centraarchy. com. B

American/southern South City Kitchen With a stylish, Southerncontemporary menu, this DiRoNA restaurant helped make grits hip for the business crowd.

Sundays are BBQ Nite. Two locatons: Midtown: 1144 Crescent Ave. 404-873-7358, Vinings: 1675 Cumberland Pkwy. 770-435-0700, southcitykitchen.com. M, V Terrace celebrates American heirloom recipes through supporting local and regional farmers, fisherman and producers. It recaptures the pure simple flavors and tastes of natural and organic ingredients while bursting with delicious flavors. 176 Peachtree St. NW, 678.651.2770, ellishotel.com/terrace. D

asian fusion Aja Restaurant & Bar Serving modern Asian cuisine, Aja has a 150-seat patio overlooking Buckhead and a huge lounge, where diners nosh on dim sum and sip mai tais. 3500 Lenox Rd., Ste. 100, 404-231-0001, h2sr.com. B Noodle continues its proven approach to Asian cuisine with a menu that offers fresh, madeto order dishes, house-made curries, and an upscale Pan Asian array of choices at a lower price than you’d typically find in similarly themed establishment. Decatur: 205 E. Ponce de Leon Ave., Decatur, GA 30030, 404-3788622; Midtown: 903 Peachtree St., Atlanta, GA

30309, 404-685-3010; College Park: 3693 Main St., College Park, GA, 30337, (404) 7675154, noodlehouse.net. M

bakery Sugar Shack From breakfast paninis in the morning, signature sandwiches for lunch and dinner, and amazing cakes, pies, cheescakes, cupcakes and coffee. There is something for everyone at every hour at the Sugar Shack. Life is sweet. 4058 Peachtree Road, Atlanta, GA 30319, 404-816-6161, sugarshackatlanta.com. B

brew pub/goUrmet pub fare Engine 11 Firehouse Tavern has a great menu and always has something special that isn’t on their regular menu. They carry an extensive draft beer selection that focuses on American Craft beers. Their selection does changes seasonally as more interesting beers make their way into Georgia. 30 North Avenue, Atlanta, GA 30308, 404-873-FIRE. engine11.com. M Gordon Biersch Fresh-brewed beers are a tasty accent to this brewery-restaurant’s hearty pizzas, salads and sandwiches. For a small

additional fee, pre-show diners can leave cars in the lot while they’re at the Fox. Two locations: Midtown: 848 Peachtree St. NE, 404-8700805; Buckhead: 3242 Peachtree Rd. NE, 404264-0253, gordonbiersch.com. M, B Tap A gastropub offering easy-to-share pub fare and an extensive beer selection. The patio is a great place to chill after work. 1180 Peachtree St., 404-347-2220, tapat1180.com. M

creole/cajun Parish New Orleans-inspired dishes served with a modern twist and a fully stocked raw bar; a Nawlins-inspired brunch is served on the weekends.

Downstairs, a take-away market sells sandwiches, spices, pastries and beverages. 240 N. Highland Ave., 404-681-4434, parishatl.com. IP

european fusion Ecco Esquire Magazine named this casual, European-influenced bistro a “Best New Restaurant in America.” It’s also gotten raves for its killer wine list, wood-fired pizzas, and impressive meat and cheese menus. 40 Seventh St. NE, 404-347-9555, ecco-atlanta.com. M

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mediterranean/latin/asian fusion Shout A young crowd keeps Shout’s rooftop lounge hopping every night. The menu reflects a mix of Mediterranean, Far Eastern and South American influences. 1197 Peachtree St. NE, 404-846-2000, h2sr.com. M

MEXICAN Cantina Tequila & Tapas Bar is located in the Terminus building on the corner of Peachtree and Piedmont roads. It features authentic Mexican cuisine and has become Buckhead’s newest watering hole. Join us weekly for $2 Taco Night every Tuesday, Buck Wild Wednesdays, when certain items are only $1, and Disco Thursday.

3280 Peachtree Rd. NW, Terminus 100, Ste. 150, 404-892-9292, h2sr.com. B El Taco An eco-friendly watering hole serving fresh Mexican food made with all-natural meats and killer margaritas. 1186 N. Highland Ave. NE, 404-873-4656, eltaco-atlanta.com.VH

seafood/sushi Coast Seafood and Raw Bar serves Atlanta’s freshest seafood and island cocktails. The menu

incorporates classics including crab and corn hush puppies, a signature seafood boil, and a variety of raw or steamed oysters, clams and mussels; along with signature fresh catch entrees.

111 W. Paces Ferry Rd. NW, 404-869-0777, h2sr.com. B Goldfish This fun seafood/sushi restaurant has Happy Hour specials Mon-Fri and nightly entertainment in its lounge. 4400 Ashford Dunwoody Rd., 770-671-0100, h2sr.com. P

steak/sushi Room This elegant restaurant serves steak and sushi on the ground floor of the TWELVE Centennial Park hotel. 400 W. Peachtree St., 404-418-1250, roomattwelve.com. D Strip This sophisticated steak, seafood and sushi restaurant offers an in-house DJ and a rooftop deck. Atlantic Station at 18th St., 404-385-2005, h2sr.com. M Twist This lively restaurant has a huge bar, satay station, tapas menu, sushi and seafood dishes; patio seating is first-come, first-served.

3500 Peachtree Rd. NW, 404-869-1191, h2sr.com. B

Our Professional Ensemble Bruce V. Benator, CPA, Managing Partner Kevin J. Hedrick, CPA, Partner Steven G. Horn, CPA, Partner Laura E. Speir, CPA, Partner Patricia A. Yeager, CPA, Partner

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Fox fun facts: the ballrooms

The Egyptian Ballroom, Grand Salon, and Spanish Room were all originally Shriner meeting spaces. Here are some other fun facts: The Egyptian Ballroom was reserved for Shriner ceremonies and celebrations, and the adjoining Grand Salon served as their library.

In the 1970s, the walls of the Egyptian Ballroom were covered with several coats of paint obscuring the original stenciled designs. As years of paint were removed, vivid Egyptian symbols for life and rebirth were revealed, along with row after row of fake hieroglyphics.

Depicted on the Egyptian Ballroom’s balcony is a scarab, or dung beetle, which was the symbol for the sun god Ra, who was thought to ward off evil. It is surrounded by the wings of Osiris, god of the underworld, afterlife, and resurrection.

Above the Egyptian Ballroom’s stage stretch the gilded and glazed wings of Osiris. A plaster intaglio panel of 46 EncoreAtlantA.com

Ramses II subduing an enemy is the focal point of the stage.

The hieroglyphics on the underside of the balcony read, “Welcome you who is bringer of joy.” The other hieroglyphics in the room are not arranged to make real phrases.

www.sandraandgreg.com; Fox Theatre Archives

The 7,500-sq. ft. Egyptian Ballroom’s original floor is hard rock maple.

A custom-designed carpet with Egyptian symbols of the afterlife and resurrection now protects the maple floor.

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Academy Ballroom

Get Your Cha Cha Heels On

By Taylor Dahl

D

Learn it Check out these dance companies to learn moves like the ones you see on “Dancing with the Stars,” “So You Think You Can Dance,” or this month’s tour of Burn the Floor.

Academy Ballroom Atlanta, is known for its friendly and knowledgeable staff.

It offers all levels of ballroom dancing.

Classes include everything from foxtrot to salsa, merengue to West Coast swing.

Once you’ve mastered a few moves, show them off at one of the Academy Ballroom Atlanta dance parties that occur on the second and fourth Saturday of each 48 EncoreAtlantA.com

month. 800 Miami Circle NE; 404-8463201; academyballroomatl.com Dance 101 is a boutique adult dance studio for beginners or professional dancers. It features more than 100 weekly classes, including hip-hop, jazz, ballet, modern, contemporary, lyrical, bellydance and salsa. If you’re just starting out, check out the Discover Level Classes, which are meant for those wanting to dance recreationally for fitness, weight loss and good health. 2480 Briarcliff Rd., Ste. 11; 404-542-3887; dance101.com Located in both Buckhead and Johns Creek, Daza Dance Ballroom

academy ballroom/Rachel Champion Jones

ancing is every bit an art form—from the movement of the body to the colorful and ornate costumes. Glitter, rhinestones, fringe, high heels, loud music — it’s all fun to watch, but it’s more fun to learn and practice your moves on an actual dance floor. Whether you’re looking for a class, a hot dance club or want to watch a competition or show, here is your guide to everything dance for the month of March.

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Academy offers more than 50 weekly classes in all styles and levels of ballroom, Latin and swing dance — even bellydancing. Two locations: 721 Miami Circle, Ste.103; 404-751-1634 (Buckhead). 3005 Old Alabama Road, Ste. 4000; 678-353-0182 (John’s Creek); dazadanceatlanta.com.

Practice it Now that you have the moves and the confidence, head out on the town to show off your moves.

Get ready to dance the night away.

Loca Luna Restaurant & Bar has it all: tasty Latin tapas, tropical drinks and live samba, salsa and merengue music every night. There’s a late-night DJ on Fridays and Saturdays. 550-C Amsterdam Ave. NE; 404-875-4494; loca-luna.com Dress to impress and wear your dancing heels! CosmoLava, located in the heart of Midtown, has three dance floors with DJs spinning everything from Top-40 to ’80s, funk and hip-hop. 45 Thirteenth St.; 404873-6189; cosmolava.com Opa! Nothing is as infections as the Greek spirit. Taverna Plaka is like catching dinner and a show — it’s known for delicious Greek food and a staff that will stop everything 50 EncoreAtlantA.com

Salsa Fest

to dance the “Zorba.” Late night at Taverna Plaka begins at 10 p.m., when a DJ spins Mediterranean music and exotic bellydancers take the floor. 2196 Cheshire Bridge Rd.; 404-636-2284; tavernaplakaatlanta.com Watch it If you’re more of an armchair enthusiast, check out these live entertainment options for a night full of fun.

Salsa Fest 2011 features live salsa bands, DJs, authentic Latin foods, dance lessons, exhibitions and more. Located at Turner Field on March 27, tickets for Salsa Fest are $10.755 Hank Aaron Dr.; 404-350-0200; salsafestivalatlanta.com It’s a bit of a drive, but the Garden City Dance Challenge 2011 is Augusta’s only professional dance competition.

Watch both American and internationalstyle professional dancers in their competitive element the weekend of March 25. Augusta, Ga.; 706-414-6381; ballroominmotion.com/gcdc Taylor Dahl freelances for several lifestyle and entertainment publications, and also works for a successful marketing company in Atlanta. She lives in the city with her dog, Lucy.

dance 101/Paulina de La Valette; salsa fest

Dance 101

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Eat, Drink, Nourish Your Soul

Going gluten free Avoiding allergens doesn’t mean you need to settle for bland food

By Kristi Casey Sanders

I

miscarriages, and those symptoms vary wildly from person to person.

The only thing those afflicted have in common is that when they consume the protein gluten, which is found in wheat, rye, spelt, barley, malt and contaminated oats, they can’t digest it. The gluten scrapes the small intestine, much like you scrape your knee; the more gluten introduced to the system, the larger the internal wound becomes.

Luckily, there is an easy fix (if you can stomach it): Avoid gluten entirely, which allows the intestines to heal. But because even a half a teaspoon of gluten or food contaminated with gluten can make a celiac sufferer sick, it’s crucial that when eating out, you go someplace SHUTTERSTOCK

f you cut your hand, chances are you would clean the wound and keep it bandaged until it healed.

But how do you clean and dress a wound you can’t see? That’s the quandary millions of people with celiac disease face every day.

Celiac disease is an autoimmune disorder that affects about one in 133 people. But, according to the Celiac Disease Foundation (celiac.org), 97 percent of those who have the disease don’t know they do.

Part of the difficulty in diagnosing the disease stems from the vast range of symptoms people exhibit. Celiac disease has been linked to everything from eczema and diarrhea to thyroid disorders, lupus and spontaneous

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that understands how to prepare gluten-free meals. Here are some local restaurants that offer gluten-free variations of meals that celiac patients are most likely to miss.

Sweet stuff Craving cookies and breads? Sally’s Bakery (sallysbakery.com) in Sandy Springs offers chocolate cookies to die for, fresh loaves of bread and pizza crusts; just phone ahead if you want to order in bulk or if a holiday is coming up, because they bake limited quantities. Southern Sweets Bakery 54 EncoreAtlantA.com

(southernsweets.com) in Decatur offers a magical assortment of cakes, including a gluten-free chocolate galette that will make your toes tingle, and standard vanilla and chocolate cakes that are perfect for birthday parties.

Whole Foods’ gluten-free bakehouse (in the freezer section) offers frozen goodies such as chocolate chip muffins, apple pies and English muffins. And at Kroger and Publix, look for gluten-free cake and brownie mixes from Betty Crocker and gluten-free Bisquick for biscuits and pancakes that are light, fluffy and won’t make you feel deprived at all.

Steak and seafood Outback Steakhouse (outback.com) on Crossville Road in Roswell is the

shutterstock

Burgers and fries Even foods that seem like they’d be safe — french fries, for example — often aren’t because they’re fried in the same oil as flour-dusted creations like onion rings. So it’s a real treat finding some place that uses separate fryers. Five Guys Burgers (fiveguys. com) is safe — just order the burger without a bun and be smart about toppings. Five Guys does cook the fries in peanut oil and has peanuts by the front door, so this may not be a good choice for those with nut allergies.

Yeah Burger! (yeahburger.com) offers a high-end alternative. In addition to serving hormone-free, organic burgers and sides, the hip restaurant offers gluten-free hotdog and hamburger buns as well as onion rings and fries. If you feel like splurging, go whole hog and top it all off with a shake or glutenfree dessert.

Photos: Iris Feinberg

What will you pass down?

Ensure that you will be remembered and that your charitable giving and lifelong values will continue for generations to come.

For more information, visit www.AtlantaJewishLegacy.org.

Create a Jewish Legacy is an initiative of the Jewish Federation of Greater Atlanta.

VB-14699 Encore Atlanta

12/4/07

Come Coast Awhile, Atlanta!

10:07

After the show, Enjoy some of our award winning...

Southern Hospitality

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A Boutique Luxuryat Hotel West Peachtree 10th

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only Georgia location with a glutenfree menu. It even offers safe versions of classic appetizers like the bloomin’ onion and coconut shrimp. Ted’s Montana Grill (tedsmontanagrill.com) also has a special menu for glutenintolerants and a knowledgeable staff that can advise on the contents of sauces and marinades.

Latin flair Every once in a while it’s a drag even having to ask for a gluten-free menu.

That’s why Fuego Mundo (fuegomundo. com) is such a breath of fresh air. Every entree and side at this South American grill not is gluten- and dairy-free. The entire menu is an extension of the owners’ belief that certain foods, eaten together, will make you feel better and be better for you.

Pizza and pasta Mellow Mushroom (mellowmushroom. com) now offers a tasty gluten-free crust at selected locations, so call ahead.

It only comes in one size (medium), but almost all of the pizzeria’s toppings are available. And it tastes as good cold as it does when it’s fresh from the oven.

Buckhead Pizza Co. (buckheadpizzaco. com) is another good option; its crust is slightly heavier, but there are a variety of toppings to choose from.

If you’re craving pasta, head to Saba (saba-restaurant.com), which has a selection of gluten-free appetizers, salads and pastas that come with savory sauces like lamb vindaloo and alfredo.

56 EncoreAtlantA.com

Figo (figopasta.com), with multiple locations, has a gluten-free pasta menu.

Ecco (ecco-atlanta.com), which is bestknown for its flatbread pizzas, is an easy place for celiac patients to eat, as well. The waitstaff is so knowledgeable about the menu of tapas-style plates, creating a custom gluten-free meal is a breeze. And they make one of the best flourless chocolate cakes in the city.

Southern cooking Two staples of Southern cooking — rice and corn — are perfectly safe for people with celiac disease. Great news, because life without grits would be a very sad thing. South City Kitchen (southcitykitchen.com), which made it OK for business people to eat grits at lunch, has a menu full of New South classics that will fill your belly without making it hurt.

Mobile resources If you’d like to know more about celiac disease, visit the Celiac Disease Foundation’s website at celiac.org. “The View” co-host Elizabeth Hasselbeck has written a book about her life with the illness, The G-Free Diet (gfreediet. com), which includes tips about eating out and finding gluten-free cosmetics.

A series of iPhone apps — “Is That Gluten-Free?” and “Is That GlutenFree: Eating Out” — are a handy way to know at a glance whether common items at the grocery store or fast-food restaurant are safe to consume. Both are available on iTunes.

BAI LE Y PERFORMANCE CENTE R K E N N ESAW STATE UNIVERSIT Y | School of Music

eighth blackbird

Saturday, April 2, 2011, 8 p.m. | $30 With their uniquely provocative and engaging performances, Grammy速 Awardwinning sextet eighth blackbird has secured a reputation as one of the most admired new music ensembles of the day. Combining exhilarating virtuosity with an alluring sense of irreverence, the group debunks the myth that contemporary music is only for a cerebral few.

For this concert, the ensemble will present the world premiere of a new work by the talented young composer Nico Muhly, co-commissioned by eighth blackbird and the KSU School of Music.

For tickets call 770-423-6650 baileycenter.kennesaw.edu

SEAT 12 ROW J

4 SEAT 1 ROW J

flourish with us

Present your tickets or this ad to receive 10% off your total bill.*

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Continued from page 12 program called “Arts Connection” in my elementary school in Queens, N.Y., and I was one of the kids they picked.

Growing up in a Latin household with all the many parties, I was always the last one on the dance floor, even as a toddler. I had already fallen in love with dancing without even knowing it.

You went to the LaGuardia High School of the Performing Arts. When did you first realize you could actually make a living as a dancer?

Before I got accepted, I made a promise to myself that if I didn’t get accepted to this school that was my first and foremost goal that I had set for myself as a dancer, I would not continue with a dream that was not gonna become reality. I was very hard on myself. Then one day after the auditions, my acceptance letter came.

That’s when I knew that this was my dream and nothing would get in my way.

What was your experience like on “So You Think You Can Dance”?

It was an experience that every dancer should go through. I became extremely aware of all my strengths and learned how to not show my weaknesses, 58 EncoreAtlantA.com

staying on my toes and always ready for anything at any time. The show helped my career and opened doors that I’d never imagined. I went straight to Broadway after the show ended, which was a dream come true for me.

What can audiences expect from Burn The Floor?

Burn The Floor is like nothing you have ever seen. Shows on TV only show the surface of what our art is fully about.

Here you have two hours of 20 dancers, two percussionists and two vocalists showing you the real deal. Our show goes beyond the glitter, taking you through a rollercoaster ride full of sensuality, power, beauty and full-on adrenaline. We show you the connection between man and woman, and the different personalities that will have our audiences connecting to each and every one of the dancers. You will leave the theatre wanting more ... and wanting to go and dance yourself!

Bret Love is the founder of GreenGlobalTravel. com; the National Managing Editor of INsite magazine; and Music Editor for Georgia Music Magazine. He freelances for many publications, and performs on numerous improv teams with Jackpie at Relapse Theatre.

Beytan Erkman

What do you think it was about the art form that attracted you?

Dancing to me is more than just an art form. My family and I went thru a lot of hardships coming from a completely different country and trying to survive on our own. Dance to me was an escape, a savior, a nurturer. It kept me safe. All my sweat, happiness, tears, fears and strength went into it.

C

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CM

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youarethejourney Atlanta’s Performing Arts Publication

More than a program, it’s your ticket to the arts.

404.459.4128 encoreatlanta.com

404-877-9000 | MELIA.COM 590 WEST PEACHTREE ST NW | ATLANTA, GA 30308

the buzz

By Kristi Casey Sanders

b u s i n e s s + p r od u c t i v i t y

Pocket assistant Who says you have to shell out big bucks for a personal assistant to get things done? Download the Siri mobile application and you’ll have a secretary right in your pocket. Voice recognition software allows you to voice your requests and GPS-coding ensures the proper taxi is called, movie theater tickets are bought or restaurant reservations are made at your behest.

Work it out: Available free from iTunes.

Learn more at siri.com.

fa s h i o n + s t y l e

Custom eyewear Admire the way Johnny Depp and Tina Fey rock glasses? See what you look like in their specs or design your own at DesignYourOwnEyewear.com.

Upload your picture to the site and see what kind of frames, lenses and colors suit you best. Select from preassembled pairs or create your own from scratch.

For your eyes only: Cost is $595, which includes a measurement kit with nose mold, measurement tapes and a lifestyle quiz to complete the custom experience and ensure a perfect fit.

Fit in a flash

Timothy Ferriss — author of The 4-Hour Work Week — has treated himself like a human guinea pig to discover the most efficient and least time-intensive ways to lose weight, gain muscle, increase fitness, improve sleep and enjoy sex. The fruits of his extensive experimentation are documented in The 4-Hour Body: An Uncommon Guide to Rapid Fat-Loss, Incredible Sex, and Becoming Superhuman. Follow the author’s advice and read only the sections that address your current goals. After all, why waste any time getting where you want to be?

Get in shape: Cost for hardcover is $27, softcover is $18.35 and Kindle edition $9.99. Available from Amazon.com and local bookstores.

60 EncoreAtlantA.com

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