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Manuel Finol VENEZUELA

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B.1934

–

VENEZUELA

D.2019

Manuel Finol VENEZUELA

B.1934

–

VENEZUELA

D.2019

@enatemllc

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+19544121166 (CHAT WITH US)

Manuel Finol is a visual artist by vocation, study and commitment, a cultural promoter by conviction and dedication. Son of Zulia of proven reciprocal love. He wanted to be a painter and to get it started entering the School of Plastic Arts of Maracaibo. There he had as teachers, among others, Carlos De Solaeche, Rubén Suárez and Víctor Valera. Venezuelan art ran for the time in which that group of students in Paris created the movement called Los Disidentes, whose air impregnated desires for renewal in decadent art academies, especially in Caracas and later in Maracaibo. Driven by these events and the fact that the School of Arts of Zulia was going through a period of stagnation and abandonment, some students, led by Manuel Finol, José Fajardo, Eduardo Morán and Régulo Díaz, raised their disagreement with the Ministry of Education , ascription body for that time. It was in 1951. Promises of investigation and attention to the approach that were not met resulted in the expulsion of qualified claimants students of insurgents. The Free Zulia Art Workshop was born, organized by those same students, inspired by the experience of the School of Caracas, which had already expressed its rejection of academic practices without renewal. Although they did not proclaim any manifesto, there is no doubt that Taller Libre marked the course of Manuel Finol as an artist, free of thought and action, reflective before the changes, open-minded to the new proposals, in which he ventured without clinging to them . In 1954 he entered the School of Plastic Arts "Cristóbal Rojas" of Caracas, where he had as teachers Pedro Ángel González, Ernesto Maragall and Francisco Narváez. He returned the landscape as an academic practice, drawing as a method and sculpture as an element of practical expression. Of this time are his works Tolstoy, David, Ramses, Beethoven.

Manuel Finol VENEZUELA

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VENEZUELA

D.2019

Nuclear Explosion, Matter in Transformation, Cosmic Maternity ", Conquest Dream, The Magic Eye . It is in a way an alert to the present of the earth. All this can happen. The energy is present. From the Cosmic to the Human (1973) it seems to derive from a philosophical approach, giving visual possibilities to the esoteric reader that he also finds a clear message for him, because indeed the work of Finol, in any of its stages, expresses a high feeling human. This sample suggests an attempt to relate the work of man and place it harmoniously in the cosmic context, that is, with the rest of the created, in a subjective manner consistent with the artist's thought at the time of its creation. Things of Our Time (1979). It consists of forty markedly expressive works of Social Realism, school whose most recognized exponent in the country was Gabriel Bracho. In fact these figures are beings with an irreverent tendency to decomposition that frighten. They are by-products of a world struck down by pollution and hunger. Again his painting is alert. Procedure that the artist has used to motivate an opinion committed to the subject fact of the work. But the anecdote is presented without concessions to the tragic. What is exposed are beings that call for reflection but the nobility in the use of stroke and color soften the emotion of the message and the eyes stop at each singularly approached detail, in such a way that the whole reflects harmony. In 1988, the Collective Anniversary Exhibition was organized at the Ateneo de Caracas. Professional artists participated in it. Finol won the Second Prize with the work Personaje del Siglo XVI. Testimonies of the Memory (1996). Lucky choice of the name for this sample, inscribed in the New Figuration trend. It consists of serene encounters with sleep and memories. They are translucent human figures, without defined features on the face, with a background framed by lines that express stillness. They are groups that refer to the memory of the family album. Strong colored backgrounds support the whole. Finol is a master of color. Here your palette is rich in shades of orange, permanent blue, pink violet, Indian yellow, manganese blue, black, gray, pure white. Scattered, blurred,

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Finol ventured for a short time in what he called "geometric experiences". The search for an own language oriented him towards Informalism, for the freedom to avoid forms and to enhance the value of color as a noun of the work. The manifestations of this time of work and achievements were reflected in the exhibitions that were held for more than a decade (1955-1968) in the art halls of the country. On May 12, 1958, Finol was twenty-four years old and that day another expression of his rebellions was inaugurated: the Hall of Rejection. Unpublished exhibition that was exhibited at the headquarters of the Venezuelan Association of Journalists, on Avenida Andrés Bello in Caracas. It involved twenty-nine artists, some of whom subsequently received the National Prize for Plastic Arts. Finol presented three pictorial works. This Hall was organized in clear protest by the discretion with which the authorities of the Official Hall accepted or rejected the participants, without the merits of the works were decisive. In 1969, the Petrochemical Exhibition was held at the Palace of Industries, Caracas. Two hundred and seventy-four paintings by professional artists were presented. Finol won the Second Prize with the play "Nuestro Origen". As of 1970, his work showed a different language to that used up to that moment. His creations aroused a certain enthusiasm and were criticized as timidly abstractionist. In short, his work from that time was recognized. Participated in the Air Force Hall of Venezuela, whose sample was composed of seventy-seven paintings and won the First Prize with his Radioactive Insect. It became clear, no doubt, that Abstractionism had won it. It is proved by his exhibitions Space and Matter, Cosmic Images, From the Cosmic to the Human, Things of Our Time. In Cosmic Images (1971), he presented thirty-three works in the Vía Margutta Gallery, in Caracas, and later in Maracaibo and Barquisimeto. With this exhibition he moves away from his previous motivations and responds to his personality. The serene exploration, constant and fascinating at the same time, achieves a result implicit in the hallmark that distinguishes it: a vigorous stroke, impregnated with color and texture, that surprises and captivates, an essential function of art. In these works he expressed his dreams and what he senses of the cosmos as a space outside the earth and even a threatening, premonitory futuristic vision of what could happen. Hence, these works received, among others, the names of Explosion, Lunar Walk, Cosmic Space, Floating Figures, Module, Monster Vision,

B.1934

Manuel Finol VENEZUELA

–

VENEZUELA

Manuel Finol embodies a life dedicated to culture. As a plastic, creative and transforming artist, standing up without petulance but with dignity, he has remained alert and observant in the face of fashion and trend and then try and experiment with his own language and stamp, thus achieving a work of recognized talent, strengthened by his perseverance and commitment His works are in various collections of public and private institutions, as well as in countless private collections. Teaching has allowed him to share knowledge and, as an active member of a community, he is the axis of a movement for which the dissemination of music is essential. Simultaneously, he has performed administrative tasks in public bodies and private institutions, always in the cultural field. Blanca de González Caracas, 2014

Simultaneously with his craft as a plastic artist, he carried out organizational work, always in the cultural area, in public organizations such as INCIBA and CONAC and has been a promoter in private institutions. Currently, in full physical, artistic and spiritual maturity, he continues to develop intense activity in the company of his children Isabel Cristina and Manuel Enrique, the latter, a plastic artist and photographer who owes the selection and reproduction of the material illustrated in this text.

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D.2019

In addition to his work in the visual arts, his desire to be a man who creates culture has manifested itself in other areas: insinuating figures as subtle shadows, in human groups of undeniable elegance and sobriety. There is no doubt: Finol transmits serenity of spirit in this evanescent show and as Pedro Francisco Lizardo pointed out in the catalog, "Manuel Finol is in search of transparency as a definitive element of his inalienable artistic condition". From a very young age he ventured into the theater, in the mid-fifties, he worked as set designer and costume designer for the pioneer Grupo "Mascaras" together with César Rengifo and Humberto Orsini among others. In 1991, he founded with a group of notable intellectuals and artists the Society of Friends of Culture that later in 1994 would become the New Athenaeum of Los Salias and offered as his headquarters his own residence in the Urbanización Las Polonias Viejas, San Antonio de los Altos. From there he develops an intense cultural activity standing out the School of Painting and Sculpture, under his charge; he prepared the radio program "Cultural Activity in Sintonia", on Radio Sintonía, through which weekly reviews and interviews were presented to various personalities of the country's cultural life. Since 1996, each year assumes the organization, production and general coordination of the Festival of Symphony Orchestras in the Altos Mirandinos, through which tribute is paid and the work of recognized composers, both foreigners and Venezuelans is publicized. Up to 2010, fourteen Festivals have been held.

B.1934

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Manuel Finol VENEZUELA

CHRONOLOGY

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VENEZUELA

D.2019

1988 Anniversary Collective Exhibition at the Ateneo de Caracas 1990-1996 Individual Exhibitions: - The Real Memorioso, Center of Fine Arts, Maracaibo. - Testimonies of the Memory, BANAP Gallery, Caracas. 1990-1999 Ten Collective Exhibitions in Art Salons of Caracas, The Teques and Maracay. 2002-2004 Participation in Collective Exhibitions: - Pioneers of Zulia Art, Museum of Contemporary Art - Space between Places, Mirandino artists. - Mirandino Art Vision - Greater Arts and Letters Contest, Caracas. 2005 Mega Exhibition. National Art Gallery 2006 II Venezuelan Art Salon of the 21st Century, Tribute to Jesús Soto. 2007 Mirandina Expression, Venezuelan Institute of Scientific Investigations, Caracas. 2008 Imaginary, Venezuelan Institute of Scientific Investigations. 2009 Contrastes y Ritmos, tribute to Armando Reverón. 2010 Colors in the Spaces, Los Salias Municipality. ADMINISTRATIVE WORK IN THE CULTURAL AREA 1975-1978 Coordinator of National and International Events of the National Institute of Culture and Fine Arts - INCIBA. 1978-1981 Coordinator of the National Council of Culture - CONAC - for the Zulia Region. 1991-1992 Coordinator of the National Council of Culture - CONAC- for the Miranda State. 1991-1993 Founder and General Coordinator of the Society of Friends of Culture, San Antonio de Los Altos, Miranda State. 1994 Founder and current General Coordinator of the New Athenaeum Los

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BECOME A PLASTIC ARTIST 1950 He entered the School of Plastic Arts Julio Arraga, Maracaibo. 1953 Creation of the Free Art Workshop in Maracaibo 1954 He entered the School of Plastic Arts Cristóbal Rojas, Caracas 1955-1968 Participation in the Collective Exhibitions of the Art Salons: J. D'Empaire, Arturo Michelena, Julio Arce, Planchart, Pez Dorado, Art Officer, Plastic Arts of Aragua and Tocars. 1958 Organization and participation in the Hall of Rejected, Room of the Venezuelan Association of Journalists, Caracas. 1969 Collective Exhibition, Hall of the Venezuelan Petrochemical Institute. 1969 Individual Exhibition Space and Matter, Gallery of the National Savings and Loan Bank, Caracas. 1970 Hall of the Air Forces of Venezuela. 1971 Individual Exhibition Cosmic Images: - Vía Margutta Gallery, Caracas - Center of Fine Arts of Maracaibo - Professional Center of Barquisimeto 1971-1978 Twelve Collective Exhibitions at Art Exhibitions in the country and the Exterior. 1973-1974 Individual Exhibition of the Cosmic to the Human: - Caracas Cultural Plan, Plaza Bolívar - Rafael Monasterios Gallery, Barquisimeto. 1976-1979 Individual Exhibition Things of Our Time: - Center of Fine Arts, Maracaibo. - Gallery Hotel Meliá, Puerto La Cruz. - Reading Room, San Cristóbal. 1983 Collective Exhibitions: - Hall of Municipal Art of Painting, Maracay. - First National Painting Salon Cristóbal Rojas 1987 Solo Exhibition of Roads, Galería el Muro.

B.1934

Manuel Finol VENEZUELA

B.1934

–

VENEZUELA

D.2019

Salias, San Antonio de Los Altos, Miranda State. TEACHING PERFORMANCE 1968-1970 Professor of Art, Estudios América, Caracas. 1985-1996 Professor of Drawing and Painting, Club Puerto Azul. 1994-2013 Professor of Drawing and Painting at the New Ateneo Los Salias. RECOGNITIONS OBTAINED 1969 Second Prize for Professional Artists, Salón Instituto Venezolano de Petroquímica. 1970 First Prize Hall Air Forces of Venezuela 1989 Second Prize Painting Salon Anniversary in Ateneo de Caracas. 1990 Honorary Recognition of the School of Plastic Arts Julio Arraga, Maracaibo. 2001 Gold Button Museo de Arte Contemporáneo del Zulia. 2004 Decoration of the Order Brothers Salias in First Degree. 2007 Incorporated as Cultural Heritage by the Institute of Cultural Heritage (IPC) Catalog 2004-2006.

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It is part of the Biographical Dictionary of Visual Arts in Venezuela. Edited by the National Art Gallery, Caracas, 2004.

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On the eve of the celebration of the 229th anniversary of the National Day of France "La Féte Nationale", the French Embassy in Venezuela, through the French Alliance, has organized a wonderful exhibition that brings together an important group of works of art masters universal, under an exquisite and specialized team selection Enatem Llc. Spectators and collectors will be able to enjoy a pleasant aesthetic experience with emphasis on representative works of geometric abstraction, constructive art and other trends of modern art, which aims to delve into the knowledge of artists of great notoriety and universal projection , such as: Víctor Vasarely (1908-1997), the history of art considers him as the father of Op-art; Joan Miró (1893-1983), is one of the greatest representatives of Surrealism, in his works he reflects his interest in the subconscious, in the "infantile", in the culture and traditions of his native Catalonia; Alejandro Otero (1921-1990), important Venezuelan painter and sculptor, exponent of abstract and kinetic art, represented in large national and international art collections; Mateo Manaure (1926-2018), master of abstractionism, distinguished by his emblematic works in the University City of Caracas and large-scale public projects; Carlos Cruz-Diez (1923), maximum representative of the kinetic art worldwide, his research has contributed to the art a new form of knowledge about the phenomenon of color, considerably expanding his perceptive universe; Francisco Narváez (1905-1982), an important Venezuelan sculptor, is characterized by a strong ethnic component, expressed in a language of his own synthesis with Negroid and indigenous reminiscences; Rafael Bogarín (1946), a constructive artist who conscientiously manages forms and resources as part of an autonomous language; Luis Chacón (1927-2010), extraordinary master engraver who applied in his engravings the concept of unique work, as if it were paintings avoiding repetition, arrives at three-dimensionality with constructive approaches; Esteban Castillo (1941), artist who has developed in a virtuous manner an extensive constructivist work, based on color and geometry; Darío Pérez-Flores (1936), in his works creates a subtle optical vibration that attracts the viewer towards its center, stimulated by a visual and mysterious emotion; Francisco Hung (1937-2001), consecrated painter, in his works the signs and gestures constitute his plastic language, the force of color fills the void with lines; Hugo Arapé (1942), graphic artist of profuse category, has developed a work with a great poetic charge; Antonio Pérez-Melero, an artist with outstanding skills in art, uses fundamentally the interaction of color, light and form in his work; Manuel Finol (1934), a Venezuelan painter with a long career, presents works from a stage of exploration on geometric abstraction; Gabriel Marcos (1938), artist interested in the constructive plan, highlighting the value of pure colors; Rubén Vásquez (1955), an artist who has developed a brilliant career in the arts, taking on expressive abstraction as his own language; Oswaldo Vigas (1926-2014); Venezuelan artist, his work is an original synthesis between the cultural roots of the Latin American continent and the plastic currents of modernity. Jean Cocteau said: "When a work seems ahead of its time, it's just that time is behind the work." Undoubtedly, art acts as a catalyst of daydreams and utopias, at the same time it makes us problems and opens enigmas. Build the collective memory of societies and project a future of changes. This exhibition fosters a space of reunion and reflection about our times, about who we are and how artists, through their particular understanding, take the creative experience to the deepest level. Long live Venezuela, live France forever!

Ambassador Romain Nadal– Instagram @romnadal

I recommend visiting the extraordinary exhibition in the French Alliance of La Castellana with works by Vasarely, Miró, Alejandro Otero, Cruz-Diez, Soto, Narváez, Vigas, among many other testimonies of the artistic compratir between Venezuela and France. A contribution made by the company ENATEM. The fine arts were always the crucible of an intense cultural dialogue between France and Venezuela.

Sede Alianza Francesa La Castellana: Avenida Mohedano, Quinta Wuilmarú, Urbanización La Castellana, Caracas - Venezuela

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First Edition Enatem Llc (copyright)

56 WORKS OF ART IN 10,000 SQF

CURATOR Luis Adrián León – AKA “Carúpano” MUSEOGRAPHY Luis Adrián León – AKA “Carúpano” Nerio Moreno

TEXT Manuel Finol Cavalieri CARPENTRY / MARCHETRY Francisco González William García

SPECIAL THANKS Ambassador Romain Nadal Counselor Pierre Mazzoni France embassy Alianza Francesa Venezuela

Francoise Dumiot Leidy Berrios Manuel Arguinzones Manuel Finol Manuel Finol Cavalieri

Fabián Chacón Ángel Enrique Zambrano Rafael Bogarín Esteban Castillo Carlos Calderón Árias

Luca Araneo Isaac Blum Enatem Llc Team

Víctor Vasarely Víctor Vasarely Víctor Vasarely Víctor Vasarely Víctor Vasarely Víctor Vasarely Joan Miró

Joan Miró

Título: sin título Técnica: Serigrafía sobre Cartulina Número: P/A Fecha: circa 1950 Dimensiones: 47,5x35,5 Certificación: Francisco Da Antonio (AICA)

Título: sin título Técnica: Serigrafía sobre Cartulina Número: P/A Fecha: circa 1949 Dimensiones: 39x35,5 Certificación: Francisco Da Antonio (AICA)

Título: sin título Técnica: Serigrafía sobre Cartulina Número: P/A Fecha: circa 1950 Dimensiones: 53x26cms Certificación: Francisco Da Antonio (AICA)

Título: sin título Técnica: Serigrafía sobre Cartulina Número: P/A Fecha: circa 1957 Dimensiones:45x37,8cms Certificación: Francisco Da Antonio (AICA)

Título: sin título Técnica: Serigrafía sobre Cartulina Número: P/A Fecha: circa 1948 Dimensiones:39,5x35,5cms Certificación: Francisco Da Antonio (AICA)

Título: Capella 4B Técnica: Litografía sobre Papel Número: S/N Fecha: 1965 Dimensiones: 85x45cms Certificación: Francisco Da Antonio (AICA)

Título: sin título Técnica: Tinta sobre Cartulina Número: única pieza Fecha: circa 1940 Dimensiones: 25x15cms Certificación: Enatem Llc

Título: Derrier le Miroir (Catalogue) N: 193/194 Técnica: Litografía (Andrien Maeght ateliers) Fecha: Oct-Nov 1971 Dimensiones: 38x22cms Certificación: Enatem Llc

Título: Derrier le Miroir (Catalogue) N: 193/194 Técnica: Litografía (Andrien Maeght ateliers) Fecha: Oct-Nov 1971 Dimensiones: 38x44cms Certificación: Enatem Llc

Luis Adrián León “Carúpano”

Joan Miró

Alejandro Otero Alejandro Otero

Título: Derrier le Miroir (Catalogue) N: 193/194 Técnica: Litografía (Andrien Maeght ateliers) Fecha: Oct-Nov 1971 Dimensiones: 38x44cms Certificación: Enatem Llc

Título: Gaudí Técnica: Reproducción sobre Grabado Número: 50/50 Fecha: 1981 Dimensiones: 34x24cms Certificación: Enatem Llc

Título: S/T - Serie “Serruchos” Técnica: Intaglio Número: P/A Fecha: 1966 Dimensiones: 62x50cms Certificación: Enatem Llc

Título: S/T - Serie “Serruchos” Técnica: Intaglio Número: P/A Fecha: 1967 Dimensiones: 62x50cms Certificación: Enatem Llc

Luis Adrián León “Carúpano”

Título: “M” L´Alfabeto Técnica: Riproduzione Fotolitografica (8 colori) Número: 1/5000 Fecha: 1972 Dimensiones: 34x24cms Certificación: Bolafiarte “Club dei Cinquemila”

Luis Adrián León “Carúpano”

Alejandro Otero Alejandro Otero Alejandro Otero Mateo Manaure Mateo Manaure Mateo Manaure Mateo Manaure Mateo Manaure Mateo Manaure Mateo Manaure Título: S/T - Serie “Serruchos” Técnica: Intaglio Número: III/IV Fecha: 1967 Dimensiones: 61x50cms Certificación: Enatem Llc

Título: S/T - Serie “Serruchos” Técnica: Intaglio Número: VI/VII Fecha: 1967 Dimensiones: 62x50cms Certificación: Enatem Llc

Título: Cafetera Azul (1947) Técnica: Serigrafía Número: 290/300 Fecha: 1987 (Art International) Dimensiones: 62x50cms Certificación: Enatem Llc

Luis Adrián León “Carúpano”

Título: La Noche Fastuosa Técnica: Materiales diversos Sobre papel encolado a cartón Número: única pieza Fecha: 1965 Dimensiones: 70x47cms Certificación: Francisco Da Antonio (AICA)

Título: El Sueño de la Mariposa Técnica: Serigrafía sobre Cartulina Número: P/A Fecha: circa 1970 Dimensiones: 66,5x51,2cms Certificación: Francisco Da Antonio (AICA)

Título: Sin Título Técnica: Serigrafía sobre Papel Número: P/A Fecha: 1971 Dimensiones: 100x100cms Certificación: Enatem Llc

Título: S/T Serie “Cuvisiones” Técnica: Serigrafía sobre Cartulina Número: 88/200 Fecha: 1977 Dimensiones: 99,5x60cms Certificación: Francisco Da Antonio (AICA)

Título: Sin Título Técnica: Serigrafía sobre Papel Número: P/A Fecha: 1997 Dimensiones: 100x70cms Certificación: Enatem Llc

Título: Sin Título Técnica: Serigrafía sobre Papel Número: S/N (11 piezas) Fecha: circa 1982 Dimensiones: 34x65ms Certificación: Enatem Llc

Luis Adrián León “Carúpano”

Título: S/T Serie “Cuvisiones” Técnica: Serigrafía sobre Cartulina Número: P/A Fecha: 1974 Dimensiones: 56,3x51cms Certificación: Francisco Da Antonio (AICA)

Luis Adrián León “Carúpano”

Jesús Soto

Carlos Cruz-Diez Carlos Cruz-Diez Carlos Cruz-Diez Francisco Narváez Rafael Bogarín Rubén Vásquez Luis Chacón

Esteban Castillo Esteban Castillo

Título: S/T – Serie “Escrituras” Técnica: Serigrafía sobre Cartulina Número: 47/100 Fecha: 1970 Dimensiones: 65x65cms Certificación: Enatem Llc

Título: sin título Técnica: Serigrafía sobre Cartulina Número: 37/75 Fecha: 1981 Dimensiones: 80x60cms Certificación: Enatem Llc

Título: sin título Técnica: Serigrafía sobre Cartulina Número: P/A Fecha: 1975 Dimensiones: 62x62cms Certificación: Enatem Llc

Título: sin título Técnica: Serigrafía sobre Cartulina Número: 47/100 Fecha: circa 1969 Dimensiones: 65x65cms Certificación: Enatem Llc

Título: sin título Técnica: Serigrafía sobre Cartulina Número: 12/45 Fecha: circa 1969 Dimensiones: 68x50cms Certificación: Enatem Llc

Título: sin título Técnica: Serigrafía sobre Papel Número: 85/100 Fecha: circa 1990 Dimensiones: 75,5x56cms Certificación: Enatem Llc

Título: sin título Técnica: Tintas sobre Cartón Número: única pieza Fecha: 1983 Dimensiones: 76x57,5cms Certificación: Enatem Llc

Título: Activación Técnica: Serigrafía sobre Papel Número: 50/100 Fecha: circa 1974 Dimensiones: 48,5x41cms Certificación: Enatem Llc

Título: sin título Técnica: Serigrafía sobre Papel Número: 8/10 Fecha: circa 1981 Dimensiones: 35x35cms Certificación: Enatem Llc

Título: sin título Técnica: Serigrafía sobre Cartón Número: HC y SN Fecha: circa 1981 Dimensiones: 10x10cms c/u Certificación: Enatem Llc

Luis Adrián León “Carúpano

Esteban Castillo Darío Pérez-Flores Hugo Arapé

AntonioPérez-Melero AntonioPérez-Melero Manuel Finol

Manuel Finol

Título: sin título Técnica: Serigrafía sobre Cartón Número: 6/39 y HC Fecha: circa 1981 Dimensiones: 12,5x7,5cms c/u Certificación: Enatem Llc

Título: Prochromatique Técnica: Tintas sobre Cartulina Número: única pieza Fecha: circa 1985 Dimensiones: 60x60cms Certificación: Enatem Llc

Título: sin título Técnica: Serigrafía sobre Papel Número: 133/150 Fecha: circa 1980 Dimensiones: 70x50cms Certificación: Enatem Llc

Título: Yo Positivo Técnica: Fondo Geométrico Número: única pieza Fecha: 1982 Dimensiones: 36,5x36,5cms Certificación: Enatem Llc

Título: sin título Técnica: Fondo Geométrico Número: única pieza Fecha: 1992 Dimensiones: 60x60cms Certificación: Enatem Llc

Luis Adrián León “Carúpano

Título: Composición Técnica: Óleo sobre Tela Número: única pieza Fecha: 1958 Dimensiones: 95x45cms Certificación: Enatem Manuel Finol

Título: Simbolismo 3 Técnica: Óleo sobre Tela Número: única pieza Fecha: 1958 Dimensiones: 99,6x44,5cms Certificación: Enatem Manuel Finol

Título: Composición Técnica: Óleo sobre Tela Número: única pieza Fecha: 1958 Dimensiones: 95x46,6cms Certificación: Enatem Manuel Finol

Manuel Finol

Francisco Hung Gabriel Marcos Oswaldo Vigas Oswaldo Vigas Oswaldo Vigas

Título: Simbolismo 5 Técnica: Óleo sobre Tela Número: única pieza Fecha: 1958 Dimensiones: 99,5x44,5cms Certificación: Enatem Manuel Finol

Título: Simbolismo 8 Técnica: Óleo sobre Tela Número: única pieza Fecha: 1958 Dimensiones: 99,5x44,5cms Certificación: Enatem Manuel Finol

Título: Composición Técnica: Óleo sobre Tela Número: única pieza Fecha: 1959 Dimensiones: 59,7x43cms Certificación: Enatem Manuel Finol

Título: sin título Técnica: Acrílico sobre Tela Número: única pieza Fecha: 1993 Dimensiones: 100x90cms Certificación: Enatem Manuel Finol

Título: Gris Bermellón Técnica: Óleo sobre Tela sobre Visopan Número: única pieza Fecha: 1962 Dimensiones: 54x37cms Certificación: Francisco Da Antonio (AICA)

Título: sin título Técnica: Serigrafía sobre Papel Número: P/A Fecha: 2005 Dimensiones: 68x58cms Certificación: Enatem Llc

Título: Brujita Técnica: Litografía sobre Cartulina Número: S/N Fecha: 2005 Dimensiones: 15x9cms Certificación: Enatem Llc

Luis Adrián León “Carúpano

Título: sin título (E-3097) Técnica: Serigrafía sobre Papel Número: 9/40 Fecha: circa 1971 Dimensiones: 47x45cms Certificación: Fundación Vigas

Celebration of the 229th anniversary of the National Day of France "La Féte Nationale"

GREAT MASTERS IN THE ALLIANCE

AmbassadorRomainNadal–Instagram@romnadal I recommend visiting the extraordinary exhibition in the French Alliance of La Castellana with Works by Vasarely, Miró, Alejandro Otero, Cruz-Diez, Soto, Narváez, Vigas, among many other testimonies of the artistic share between Venezuela and France. A contribution made by the company ENATEM. The fine arts were always the crucible of an intense cultural dialogue between France and Venezuela.

MAYTE NAVARRO

27/07/2018 11:01 pm

The French Alliance presented the exhibition Grand Masters that was framed in the programation of the Week of France 2018. The opening was in charge of Romain Nadal, Ambassador of France; François Dumiot, General Director of the French Alliance; and the Collector Claudio Giummarra. The exhibition, which was held at the headquarters of the French Alliance of La Castellana, brought together works by Víctor Vasarely, Joan Miró, Alejandro Otero, Mateo Manaure, Carlos Cruz-Diez, Francisco Narváez, Rafael Bogarín and other consecrated Artist. In this way, the French Alliance continues its action of projecting culture and being a bridge between France and Venezuela.

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http://www.eluniversal.com/sociales/16167/grandes-maestros-en-la-alianza https://www.youtube.com/watch?v=JC5a_aH3vqc http://elsumario.com/la-alianza-francesa-reunio-a-maestros-universales/ http://viajesboletin.com/index.php/component/tags/tag/exposicion-maestros-universales http://www.circuitobaila.com.ve/2018/07/02/la-alianza-francesa-reunio-a-maestros-universales/ http://www.vive.gob.ve/index.php/articulos-m/4209-muestra-de-artistas-universales-se-exhibe-en-la-alianza-francesa-de-la-castellana-categ=12 http:// www.noticias24.com/gente/noticia/163820/manuel-finol-cavalieri-nos-ensena-el-lenguaje-de-los-maestros-de-las-artes-universales/ http://www.caraotadigital.net/cultura/alianza-francesa-reunio-a-maestros-universales-para-conmemorar-la-semana-de-francia-2018/ http://elestimulo.com/blog/alianza-francesa-reunio-a-artistas-del-siglo-xx-en-la-exposicion-maestros-universales/ https://www.facebook.com/www.caracas.afvenezuela.org/photos/a.10150214649415960/10156451088750960/?type=1&theater

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Manuel Finol

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enatemllc@gmail.com

+19544121166 (CHAT WITH US)

Manuel Finol

@enatemllc

enatemllc@gmail.com

+19544121166 (CHAT WITH US)

Manuel Finol

@enatemllc

enatemllc@gmail.com

+19544121166

Manuel Finol

@enatemllc

enatemllc@gmail.com

+19544121166 (CHAT WITH US)

Manuel Finol

@enatemllc

enatemllc@gmail.com

+19544121166 (CHAT WITH US)

Manuel Finol

Mr. Francisco Da Antonio, Member of International Association of Art Critics, based on Paris, France. He is also a Member of the Expert Committee of this Association - AICA

@enatemllc

enatemllc@gmail.com

+19544121166 (CHAT WITH US)

Manuel Finol

@enatemllc

enatemllc@gmail.com

+19544121166

Manuel Finol

@enatemllc

enatemllc@gmail.com

+19544121166

Manuel Finol

@enatemllc

enatemllc@gmail.com

+19544121166

Manuel Finol @enatemllc

enatemllc@gmail.com

Manuel Finol

VENEZUELA B.1934 â€“ D.2019

Manuel Finol VENEZUELA

B.1934

–

D.2019

El día de ayer 26 de junio de 2019, ha fallecido en Venezuela el gran artista plástico Manuel Finol, quien tuvo una impresionante trayectoria artística de mas de 65 años. Expresamos nuestras mas sentidas condolencias a su hijo Manuel, viuda, familiares y amigos. QEPD -------------------------------------------Yesterday, June 26, 2019, the great plastic artist Manuel Finol died in Venezuela, who had an impressive artistic career of more than 65 years. We express our deepest condolences to his son Manuel, widow, family and friends. RIP

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