Interior Architecture Portfolio

GAYOEN YOU UNIVERSITY OF WISCONSIN - MADISON INTERIOR ARCHITECTURE 2016

TABLE OF CONTENTS

01 SYNERGY Co-Working Space

02 PRIMARK Retail

Furnishings

03 PLACE Restaurant

You_G_3

04 Smith & Jones Law Firm Office

Partner’s Office

Senior Partner’s Office

05 LINE | GRID | MANIPULATION Making + Meaning

06 SURFACE | TEXTURE | SHADE Making + Meaning

07 SPACE ENCLOSURE Design Fundamental II

01 SYNERGY (2015) TYPE

CO - WORKING SPACE

SIZE 10.000 SF SITE

MADISON, WI

NOTES

Award of Excellence, - Student Competition

RECEPTION [Revit]

AFF 11’ - 0”

AFF 14’ - 0”

AFF

AFF

AFF 11’ - 0”

ADJACENCY DIAGRAM [Illustrator]

1

Level 1 1/16" = 1'-0"

CONCEPT STATEMENT

www.autodesk.

As a forward-thinking, progressive co-working space, Synergy is a space that promotes collaboration and innovation for the clients who use the space. The owner believes that such characteristics can be achieved with the strong sense of community. The concept of space within space was implemented to accomplish that idea, while efficiently dividing the space. Then, different colors were assigned to strengthen the identity of each space.

1

Level 1 1/16" = 1'-0"

AFF 9’ - 0”

GAYOEN YOU

AFF 11’ - 0”

SYNERGY

AFF 9’ - 0”

F 9’ - 0”

F 9’ - 0”

AFF 11’ - 0”

AFF 9’ - 0”

AFF 9’ - 0”

AFF 9’ - 0”

AFF 9’ - 0”

AFF 9’ - 0”

7th floor, REFLECTED CEILING PLAN [Revit]

Owner

Synergy .com/revit

No.

Description

Date

Unnamed Project Number Project number 11/30/15 Date Drawn byAuthor Checked Checker by

7th floor, FLOOR PLAN [Revit]

FORUM ROOM [Revit]

YELLOW OPEN OFFICE [Revit]

GAYOEN YOU SYNERGY

BLUE OPEN SPACE [Revit]

OPEN OFFICES Synergy believes that innovative and creative ideas are created through collaboration. Thus, most offices are designed to be open. Different types of workstations were chosen to provide options for the customers. Writable spaces through the room encourage sharing ideas.

OPEN OFFICES Synergy is divided into four different spaces and color coded to promote the sense of community. Comfortable lounge seatings like built in benches and stools encourage people to sit down and share their ideas quickly.

GREEN OPEN OFFICE [Revit]

SMALL AMPHITHEATER [Revit]

SMALL AMPHITHEATER The amphitheater is where employees can hold informal presentations. When there is no reservation, it functions as a lounge area.

WORK CAFE [Revit]

WORK CAFE Work CafĂŠ is a space where employees can enjoy a meal together and have informal meetings. Four different types of seating were provided to incorporate a range of settings to support individuals to focus on work and peer to peer collaboration: bar, booth, table, and lounge seatings. The color red was chosen to represent vibrant atmosphere.

02 PRIMARK (2016) TYPE RETAIL DESIGN SIZE 20,000 SF SITE

KING OF PRUSSIA, PA

NOTES

done with coordination with GENSLER NYC

CHECKOUT DESK [Revit]

FACADE OF PRIMARK [by Gensler NYC]

PROJECT BRIEF

CONCEPT STATEMENT

Primark is a fast-fashion company based in Ireland.

Their target demographics are teens and young adults, while also offering a variety of options for all age ranges. With their large presence in the European fashion market, they are looking to expand to the United States. As the second biggest mall in America, King of Prussia in Pennsylvania was chosen as a flag shop to test their new concepts.

The goal of this project is to utilize social media as a mean of establishing a new brand image in the United States. Unique architectural features with reflective surfaces and large digital screens are incorporated to encourage customers to take pictures and share them on their social media.

GAYOEN YOU

HOME

PRIMARK

MEN

KIDS

LINGERIE

SHOES

ACCESSORIES

CHECKOUT

WOMEN

FLOOR PLAN [by Gensler NYC]

CEILING FEATURE WITH BUILT-IN BENCH [Revit]

GAYOEN YOU PRIMARK

MAIN DISPLAY [Revit]

CEILING FEATURE [Revit]

CEILING FEATURE As a focal point of the space, ceiling elements are designed to grab customer’s attention from the entrance and encourage them to explore the area.

The digital panel in the middle allows flexibility for frequent change of display. The geometry of the structure provides different experiences by the direction of the travel.

HOME DEPARTMENT [Revit]

HOME DEPARTMENT Abstraction of home that evokes the idea of being home while shopping home goods. Ceiling timber and window sashes bring elements of home with a modern twist.

MEN’S DEPARTMENT Linear pendant lights overlaid to provide the sophisticated and contemporary look of the space.

MEN’S DEPARTMENT [Revit]

GAYOEN YOU PRIMARK

KID’S DEPARTMENT Different shades of acrylic panels are inserted in the columns with lights underneath. It will not only provide contemporary urban look but also catch kid’s attention and help them to stay longer. The shaded gradient glass makes space more interesting as customers walk into space.

KID’S DEPARTMENT [Revit]

03 PLACE

(2016)

TYPE RESTAURANT DESIGN SIZE 15,000 SF SITE

SAN FRANCISCO, CA

HOST STAND [Revit]

KITCHEN

FLOOR PLAN [Revit]

1

Floor Plan 1/16" = 1'-0"

CONCEPT STATEMENT Place is a Modern California Cuisine specialized in wine pairing. As it is located in downtown San Francisco, the owner strived to make a strong connection to the Bay Area. The color gold was selected for San Francisco’s history of the gold rush.

Floor plan and many design elements were inspired by wave motif to bring the ambiance of the bay area.

GAYOEN YOU PLACE

REFLECTED CEILING PLAN [Revit]

CURVE From the two-dimensional floor pattern to bar and seating, curved shapes continue throughout the space. It not only reflects the shape of the wave in the Bay Area but also helps the luxurious fine dining restaurant with relaxed ambiance.

INDOOR BAR [Revit]

MAIN DINING AREA [Revit]

MAIN DINING AREA Dropped ceilings frame the mural and set the main dining area as a stage.

GAYOEN YOU PLACE

DINNING AREA [Revit]

SECTION VIEW OF THE WALL TO OUTDOOR SPACE [Revit]

2. Window 1/4" = 1'-0"

12/9/2016 1:20:32 AM

3

OUTDOOR LOUNGE [Revit]

CALIFORNIA ARCHITECTURE Another way of bringing California into the space is by incorporating characteristics of California’s architecture. California’s architecture puts a huge emphasis on the connection of indoor and outdoor space. By extending the ceiling plane out to the outdoor area, it successfully ties the spaces as a whole.

GAYOEN YOU PLACE

OUTDOOR BAR [Revit]

WINE GLASS MOSAIC Lights are inserted in wine bottles and placed as a mosaic in a shape of a wave, which reemphasizes the connection to the Bay Area.

04 SMITH & JONES (2015) TYPE OFFICE DESIGN SIZE 4,500 SF SITE

CHICAGO, IL

CONCEPT STATEMENT The intent of Smith, Jones & Associates design is to create multi-functional workspaces that can impress clients and show their confidence. To impress clients, the office environment is designed to evoke sleekness and drama. Such ambiances were achieved by having the high contrast of colors and luxurious materials and various architectural features that help clients to be continuously impressed as they walk through space. It also includes integration of modern technologies that suggest high-end professionalism of the firm.

SLEEK & DRAMA [Mood Board]

S-4

A WS-4

S-4

S-3 CH-3 T-6

WS-4

CH-2

E JENNY CLUB CHAIR E CAMPFIRE BIG LOUNGE AIR BINDU EXECUTIVE CHAIR R WITH PLASTIC SEAT AND

T-3 CH-2

E CAMPFIRE BIG LOUNGE E CAMPFIRE HALF LOUNGE

E BIVI DEPOT E BIVI BIG DEPOT LOWER STORAGE

ND TABLE OFFEE TABLE RACETRACK E2-LARGE

EMU ROUND TABLE E JENNY COFFEE TABLE E CAMPFIRE BIG TABLE

S-5

S-2

S-2

WS-2 WS-2

S-5

C-4

S-2

T-1 CH-1

CH-2

CH-6

T-2

C-1 CH-3

T-5

T-2 CH-5

T-4 CH-7

STEELCASE, K, (1) STEELCASE THINK

T-2

WS-4

WS-3

C-3

YPICAL- (1) STEELCASE (2) CH-2 YPICAL(B)- (1) BLE, LEFT TURN DESK,

CH-4

YPICAL(B)- (1) LE, RIGHT TURN DESK,

T-3

WS-1

WS-1

C-2

WS-4 S-1

N WS-1

WS-1

C-5

C

CH-6

CH-2

T-2 CH-5

MOBILE PEDESTAL ET

T-5

T-3

31st floor, FLOOR PLAN [Revit] S-2 WS-2 WS-3

T-4

CH-5

GAYOEN YOU SMITH & JONES

31st floor, REFLECTED CEILING PLAN [Revit]

1’6” DROP CEILING PANELS WALNUT VENEER

9' - 0"

1’ - 8”5' - 10"

4' - 11"

7’ - 0”

7’ - 3”

WHITE MARBLE COUNTERTOP 12’ L x 2’2” W

2’ - 4”

0' - 1 1/2" 0' - 3 1/2"

2' - 7"

3' - 11"

3' - 0"

1' - 0"

WOOD BUILT-IN SHELF 1’H x 6’5” W x 1’D

3” DARK WOOD WALL BASE

FROSTED GLASS PANEL

ASSOCIATE ATTORNEY HALLWAY 3 1/4" = 1'-0" CONFERENCE ROOM 1 3/8" = 1'-0"

GREY STAINED WOOD CABINETS GREY STAINED WOOD FINISH HALLWAY NEAR ASSOCIATE ATTORNEY ELEVATION [Revit] 1’6” W x 2’10 1/2” H x 2’ D 4’10” W x 9‘ H x 2’4” D

BRUSHED NICKEL LETTERING

1’ DROP CEILING PANELS, WALNUT VENEER

CLEAR GLAZING

BLACK ALUMIUM FRAMING

2’W x 9’ 9” H

MOVABLE PARTITIONS

0' - 6" EQ.

1' - 0"

1' - 0"

1’ DROP CEILING

0’ - 3”

10’ - 0”

10’ - 0” 7' - 0" 0' - 3"

3” BLACK ALUMINUM DOOR FRAME

CLEAR GLAZING

2' - 6"

1” LIGHT WOOD FRAME

1' - 0"

1' - 6"

0' - 6"

6” DROP CEILING

0' - 6"

1' - 0"

10’ - 0”

10' - 0"

0’- 10”

3' - 6"

2' - 2"

1' - 4 1/4"

2' - 8"

EQ.

2' - 10 1/4"

& Associates

EQ.

8' - 0"

EQ.

Smith, Jones

1 3/4” BLACK STAINED WOODWOOD SHELVES LIGHT 1’ Deep FINISH

WHITE MARBLE SLAB

LIBRARY 2 3/8" = 1'-0" RECEPTION 4 3/8" = 1'-0"

CLEAR GLAZING 14’2” W x 7’6” H

LIBRARY SHELF ELEVATION [Revit]

9' - 0"

2' - 6"

3” BLACK ALUMINUM DOOR FRAME

1’ - 8”

WHITE MARBLE COUNTERTOP 12’ L x 2’2” W

2’ - 4”

WOOD BUILT-IN SHELF CONFERENCE ROOM 1 1’H x 6’5” W x 1’D 3/8" = 1'-0" ASSOCIATE ATTORNEY HALLWAY 3 1/4" = 1'-0"

GREY STAINED WOOD CABINETS 1’6” W x 2’10 1/2” H x 2’ D

GREY STAINED WOOD FINISH

3” DARK WOOD 4’10” W x 9‘ H x 2’4” D WALL BASE

FROSTED GLASS PANEL

1’ DROP CEILING PANELS, WALNUT VENEER

1' - 0"

CONFERENCE ROOM ELEVATION [Revit]

7’ - 0”

7’ - 3”

3' - 0"

0' - 1 1/2" 0' - 3 1/2"

0' - 3"

3' - 11"

2' - 7"

1' - 0"

10’ - 0”

7' - 0"

4' - 11"

10’ - 0”

5' - 10"

CLEAR GLAZING

ELEVATION

A 201 A 202

1' - 0"

1' - 6"

1” LIGHT WOOD FRAME

ELEVATIONS

CLEAR GLAZING 6’ W x 7’6” H

1’6” DROP CEILING PANELS WALNUT VENEER 0' - 6"

6” DROP CEILING

BLACK STAINED WOOD SHELVES 7’4” W x 1’D

3” DARK WOOD WALL BASE

3-FORM INFINATE GLASS WALL PANEL 2’W x 9’ 9” H

0' - 6"

CLEAR GLAZING

2’W x 9’ 9” H

MOVABLE PARTITIONS

10’ - 0”

2' - 10 1/4"

Smith, Jones 10' - 0"

& Associates

3' - 6"

LIBRARY 3/8" = 1'-0"

1 3/4” BLACK STAINED WOOD SHELVES 1’ Deep

CLEAR GLAZING 14’2” W x 7’6” H

0' - 6"

2

0’- 10”

2' - 8"

2' - 2"

1' - 0"

1' - 4 1/4"

EQ.

EQ.

8' - 0"

EQ.

1' - 0"

EQ.

BLACK ALUMIUM FRAMING

0’ - 3”

BRUSHED NICKEL LETTERING

1’ DROP CEILING

WHITE MARBLE SLAB

4

RECEPTION 3/8" = 1'-0"

LIGHT WOOD FINISH

RECEPTION ELEVATION [Revit]

3-FORM INFINATE GLASS WALL PANEL 2’W x 9’ 9” H

3” DARK WOOD WALL BASE

BLACK STAINED WOOD SHELVES 7’4” W x 1’D

CLEAR GLAZING 6’ W x 7’6” H

ELEVATIONS

A 201 ELEVATIONS

A 202

GAYOEN YOU SMITH & JONES

MATERIALS & FURNITURE SELECTION

05 LINE (2016) GRID MANIPULATION NOTES

PROJECT DONE FROM

SOUTHERN CALIFORNIA INSTITUTE OF ARCHITECTURE

FOLDED GRID The Grid is an organizing and measuring device, but it can be a problem of literal flatness. Working through the manipulation and photography of orthogonal grids on folded surfaces, they were translated into physical structures with materials properties.

You_G_1

A.

GRID

FOLDED GRID

2D PROJECTION

You_G_3

B.

You_G_2

C.

Three different grids A, B, and C were created. They were folded to provide geometry and depth. Then, it was photographed to transfer as a two-dimensional surface. The photos were translated into the three-dimensional surface with wooden sticks and wire.

A.

B.

C.

PROJECTED GRID [Museum Board]

As they are photographed in with shadows, 2D projections were transformed into three-dimensional surfaces. The photos are traced and turned into to another two-dimensional object projected grid.

GAYOEN YOU LINE | GRID | MANIPULATION

FINAL PRODUCT [Museum Board]

Then, structures of those objects are studied by folding and placing in an environment with shadow. Finally, three projected grids were combined to form a single object.

06 SURFACE TEXTURE SHADE NOTES

(2016)

PROJECT DONE FROM

SOUTHERN CALIFORNIA INSTITUTE OF ARCHITECTURE

PLEATS [16 x 24” Museum Board]

This project examined the line, its segment and length, as it relates to surface, texture, and depth. First, it was started with the single articulation of line. Museum boards were folded into peaks and valleys, which act as grids in a third dimension. Then, through the alignments, overlaps, and slippages, different patterns were produced. By examining the tone and texture, spatial ambiguities were studied.

A.

B.

C.

PATTERNS [Photoshop]

FINAL PRODUCT [16 x 24” Museum Board]

Through the interpretation of the composite images of pleated surfaced, half-toned drawings were created. In the science of lights, white is a mix of various colors. By using “bitmap” in Photoshop, RGB colors were offset. Bitmap implies one bit per pixel.

GAYOEN YOU SURFACE | TEXTURE | SHADE

FINAL PRODUCT TEXTURE [Photoshop]

07 SPATIAL (2016) ENCLOSURE NOTES EXHIBITED AT RUTH DAVIS

DESIGN GALLERY, WI

GAYOEN YOU

ARCHITECTURE & INTERIOR

FINAL PRODUCT [Chipboard]

SPACE ENCLOSURE

An enclosed space inspired by Daniel Libeskind’s Royal Ontario Museum