Exhibit Deck

E X H I B I T - R E L AT E D D E S I G N E X P E R T I S E

GRAPHIC HIERARCHY IN AN ENVIRONMENT Organization of content into a graphic system Creation of a typographic hierarchy to clearly communicate the various levels of messages Creation of multiple visual points of entry for the visitor, depending on their learning preference Distribution of content to avoid bottlenecks and increase visitor engagement Visual consistency across full exhibitions

GRAPHIC HIERARCHY IN AN ENVIRONMENT Organization of content into a graphic system Creation of a typographic hierarchy to clearly communicate the various levels of messages Creation of multiple visual points of entry for the visitor, depending on their learning preference Distribution of content to avoid bottlenecks and increase visitor engagement Visual consistency across full exhibitions

GRAPHIC HIERARCHY IN AN ENVIRONMENT Organization of content into a graphic system Creation of a typographic hierarchy to clearly communicate the various levels of messages Creation of multiple visual points of entry for the visitor, depending on their learning preference Distribution of content to avoid bottlenecks and increase visitor engagement Visual consistency across full exhibitions

GRAPHIC HIERARCHY IN AN ENVIRONMENT Organization of content into a graphic system Creation of a typographic hierarchy to clearly communicate the various levels of messages Creation of multiple visual points of entry for the visitor, depending on their learning preference Distribution of content to avoid bottlenecks and increase visitor engagement Visual consistency across full exhibitions

GRAPHIC HIERARCHY IN AN ENVIRONMENT Organization of content into a graphic system Creation of a typographic hierarchy to clearly communicate the various levels of messages Creation of multiple visual points of entry for the visitor, depending on their learning preference Distribution of content to avoid bottlenecks and increase visitor engagement Visual consistency across full exhibitions

GRAPHIC HIERARCHY IN AN ENVIRONMENT Organization of content into a graphic system Creation of a typographic hierarchy to clearly communicate the various levels of messages Creation of multiple visual points of entry for the visitor, depending on their learning preference Distribution of content to avoid bottlenecks and increase visitor engagement Visual consistency across full exhibitions

GRAPHIC HIERARCHY IN AN ENVIRONMENT Organization of content into a graphic system Creation of a typographic hierarchy to clearly communicate the various levels of messages Creation of multiple visual points of entry for the visitor, depending on their learning preference Distribution of content to avoid bottlenecks and increase visitor engagement Visual consistency across full exhibitions

GRAPHIC HIERARCHY IN AN ENVIRONMENT Organization of content into a graphic system Creation of a typographic hierarchy to clearly communicate the various levels of messages Creation of multiple visual points of entry for the visitor, depending on their learning preference Distribution of content to avoid bottlenecks and increase visitor engagement Visual consistency across full exhibitions

INSTRUCTION DESIGN We use visitor testing to inform the design of the instructions Illustration or image-driven instructions Each step is clearly explained Typographic hierarchy Use of example imagery to inform visitors without suggesting there’s only one way to interact with the component

INSTRUCTION DESIGN We use visitor testing to inform the design of the instructions Illustration or image-driven instructions Each step is clearly explained Typographic hierarchy Use of example imagery to inform visitors without suggesting there’s only one way to interact with the component

Content organization

INSTRUCTION DESIGN We use visitor testing to inform the design of the instructions Illustration or image-driven instructions Each step is clearly explained Typographic hierarchy Use of example imagery to inform visitors without suggesting there’s only one way to interact with the component

ILLUSTRATION Vector-based illustration Simple representations Detailed depictions Stylized to fit within any exhibition

ILLUSTRATION Vector-based illustration Simple representations Detailed depictions Stylized to fit within any exhibition

ILLUSTRATION Vector-based illustration Simple representations Detailed depictions Stylized to fit within any exhibition

ILLUSTRATION Vector-based illustration Simple representations Detailed depictions Stylized to fit within any exhibition

ILLUSTRATION Vector-based illustration Simple representations Detailed depictions Stylized to fit within any exhibition

ILLUSTRATION Vector-based illustration Simple representations Detailed depictions Stylized to fit within any exhibition

ILLUSTRATION Vector-based illustration Simple representations Environmental sustainability at the Museum of Science

Detailed depictions

The Museum of Science is committed to reducing its environmental impact. We use science to inform our decision-making as we continue to identify and carry out ways to be more sustainable in our operation.

Using electricity from renewable sources We buy 100% wind-generated electricity, reducing our reliance on fossil fuels. The wind turbines and solar panels on our roof generate electricity for educational purposes.

Replacing inefficient technologies

Replacing wasteful lightbulbs

We replaced an aging air conditioning chiller and motors in our ventilation system with energy efficient equipment. These systems provide the Museum with better air quality and lower energy costs.

We replaced our lightbulbs with over 3,000 efficient LED lights, reducing our energy consumption for lighting by 70%. Using LED lights, which last longer, reduces the number of bulbs sent to landfills.

Stylized to fit within any exhibition

Reducing wasted electricity

Cleaning with safer products

Balancing electricity use

We use paints, carpets, furniture, and cleaning supplies that contain low or no Volatile Organic Compounds (VOC) whenever possible. Without proper ventilation, these VOCs can have an odor and may be harmful to inhale.

We generate electricity from the solar panels on our roof.

Over time, the electricity produced by these panels balances much of the 2.5 million volts used by the Van de Graaff generator in our lightning shows.

Controlling indoor sunlight

Sealing air leaks

We replaced our river-side lobby windows with an electronically-controlled tinted window system.

We use coatings on many other windows for the same purpose. Controlling how much sunlight comes in reduces the energy needed for heating and cooling.

We sealed many air leaks, closing the equivalent of a truck-sized hole in the side of our building. Weather sealing limits air exchange and reduces the need for heating and cooling.

We replaced 85% of the lighting in offices and in the parking garage with motion and light sensors. Some lights turn on when cars or people move under them, while others remain on when it is dark for safety.

Flushing with less water We installed low-flow sinks, toilets, and waterless urinals in new and existing bathrooms. These fixtures reduce our use of public drinking water.

Environmental sustainability at the Museum of Science Climate change and environmental sustainability are among the greatest challenges facing society today.

The Museum is addressing these issues by developing related educational resources and by taking significant steps to reduce our own environmental impact.

Learn more about our sustainability commitment at: mos.org/environmental-sustainability

Environmental sustainability at the Museum of Science Climate change and environmental sustainability are among the greatest challenges facing society today.

The Museum is addressing these issues by developing related educational resources and by taking significant steps to reduce our own environmental impact.

Learn more about our sustainability commitment at: mos.org/environmental-sustainability

“MISS EMMA SCIENCE”

“ESPLA NADIA”

Driving with bio-fuel The Boston Duck Tours boats run on biodiesel fuel made from oil extracted from soybeans. Using bio-fuel instead of gasoline reduces the emission of gases that trap heat in the atmosphere.

Composting kitchen food waste We compost 50 tons of unused food a year from our kitchens instead of sending it to landfills. Composted food naturally breaks down into nutrients for plants, animals, and microorganisms.

Decreasing landfill waste

Heating with waste steam

Cleaning the Charles River

We recycle many items every year including: 30 tons of paper, 25 tons of cardboard, 10 tons of metal, 6 tons of wood, and 34 tons of bottles. Cutting down on waste reduces what we send to overloaded landfills.

Our building is heated, in part, by waste steam produced by a nearby power station.

This minimizes the fossil fuels we burn for heat, and reduces wasted heat that would otherwise be released into the air and water.

Our employees volunteer around 300 hours a year on the Charles River Clean Up Boat, picking up trash from the river. A clean river is good for aquatic life and public recreation.

ILLUSTRATION Vector-based illustration Simple representations Detailed depictions Stylized to fit within any exhibition

ICON DESIGN Design of icons to represent aspects or sections of an exhibit Designed to be consistently and easily used throughout various materials, such as wayfinding, individual components, printed handouts, etc.

ICON DESIGN Design of icons to represent aspects or sections of an exhibit Designed to be consistently and easily used throughout various materials, such as wayfinding, individual components, printed handouts, etc.

ICON DESIGN Design of icons to represent aspects or sections of an exhibit Designed to be consistently and easily used throughout various materials, such as wayfinding, individual components, printed handouts, etc.

ICON DESIGN Design of icons to represent aspects or sections of an exhibit Designed to be consistently and easily used throughout various materials, such as wayfinding, individual components, printed handouts, etc.

INFOGRAPHICS Communication of complex content in visual, intuitive format We obtain an indepth understanding of the content to ensure clarity for all visitors Prioritization of content to be easily understood at a glance as well as authentic to experts

INFOGRAPHICS Communication of complex content in visual, intuitive format We obtain an indepth understanding of the content to ensure clarity for all visitors Prioritization of content to be easily understood at a glance as well as authentic to experts

INFOGRAPHICS Communication of complex content in visual, intuitive format We obtain an indepth understanding of the content to ensure clarity for all visitors Prioritization of content to be easily understood at a glance as well as authentic to experts

INFOGRAPHICS Communication of complex content in visual, intuitive format We obtain an indepth understanding of the content to ensure clarity for all visitors Prioritization of content to be easily understood at a glance as well as authentic to experts

INFOGRAPHICS Communication of complex content in visual, intuitive format

Ourw orld has changed

We obtain an indepth understanding of the content to ensure clarity for all visitors

W e inherited DNA from ancestorswho evolved in adifferentenvironm ent Sm allti ghtknit com m unity Ourancestorsevolved in sm all, localcom m unitieswith close soci alconnections.

Prioritization of content to be easily understood at a glance as well as authentic to experts

Changed environm ent

Com plex soci alnetworks Fewerclose,local connections

Fight orflight response

Ourancestorsevolved with brain circuitsand DNA thatallowed them to respond quickly in m om entsofdanger.

Ourancestors

Exercise

M ostofourancestorswho survi ved were very acti ve. u OrDNA respondsto physicalactiv ity with im proved m entalhealth.

Disconnected groups

Having fewerclose connectionsincreasessoci al isolation,which isassoci ated with m ajordepressi on.

Changed environm ent

Hormo ne changes

Changed environm ent

Inactivity

Stresscan be chronic and unavoidable

Physicalactiv ity isnot criticalfordail y survi val

Ourinherited DNA m ay respond differently underchronic stressin ourwork and hom e lives.Longterm stresscan change brain activ ity and lead to depressi on.

Inacti ve people do notgain the inherited m entalhealth benefits thatcom e with exercise and m ay be m ore atrisk of developing depressi on.

Us now

INFOGRAPHICS Communication of complex content in visual, intuitive format We obtain an indepth understanding of the content to ensure clarity for all visitors Prioritization of content to be easily understood at a glance as well as authentic to experts

INFOGRAPHICS Communication of complex content in visual, intuitive format We obtain an indepth understanding of the content to ensure clarity for all visitors Prioritization of content to be easily understood at a glance as well as authentic to experts

INFOGRAPHICS Communication of complex content in visual, intuitive format We obtain an indepth understanding of the content to ensure clarity for all visitors Prioritization of content to be easily understood at a glance as well as authentic to experts

LOGO DESIGN Logo design for exhibitions including color scheme and typography standards Designed to be used with unique materials and for installation Designed to fit within exhibition look and feel

LOGO DESIGN Logo design for exhibitions including color scheme and typography standards Designed to be used with unique materials and for installation Designed to fit within exhibition look and feel

LOGO DESIGN Logo design for exhibitions including color scheme and typography standards Designed to be used with unique materials and for installation Designed to fit within exhibition look and feel

LOGO DESIGN Logo design for exhibitions including color scheme and typography standards Designed to be used with unique materials and for installation Designed to fit within exhibition look and feel

LOGO DESIGN Logo design for exhibitions including color scheme and typography standards Designed to be used with unique materials and for installation Designed to fit within exhibition look and feel

LOGO DESIGN Logo design for exhibitions including color scheme and typography standards Designed to be used with unique materials and for installation Designed to fit within exhibition look and feel

MOTION GRAPHICS Storyboarding Asset creation and research Motion graphic execution

MOTION GRAPHICS Storyboarding Asset creation and research Motion graphic execution

MOTION GRAPHICS Storyboarding Asset creation and research Motion graphic execution

MOTION GRAPHICS Storyboarding Asset creation and research Motion graphic execution

INTERACTIVE SCREEN LAYOUT Layout for screen interactives Storyboarding Asset creation for screen based interactives

INTERACTIVE SCREEN LAYOUT Layout for screen interactives Storyboarding Asset creation for screen based interactives

DIGITAL ASSET DESIGN Vector-based illustrations Assets broken into movable pieces for animation Naming convention compatible with developers preferences Storyboarding

DIGITAL ASSET DESIGN Vector-based illustrations Assets broken into movable pieces for animation Naming convention compatible with developers preferences Storyboarding

Fish a re blocked by the dam and some a re injured by turbines.

Water quality declines.

The dam pr oduces some p ower for homeowners t o use.

DIGITAL ASSET DESIGN Vector-based illustrations Assets broken into movable pieces for animation Naming convention compatible with developers preferences Storyboarding

DIGITAL ASSET DESIGN Vector-based illustrations Assets broken into movable pieces for animation Naming convention compatible with developers preferences Storyboarding

EXHIBITION ORGANIZATION Compile content for planning Create documents to serve as a tool for clients to see what will be in the exhibition and where it will go Working documents that are updated through the exhibition development Resource for funding and stakeholder meetings

EXHIBITION ORGANIZATION Compile content for planning Create documents to serve as a tool for clients to see what will be in the exhibition and where it will go Working documents that are updated through the exhibition development Resource for funding and stakeholder meetings

EXHIBITION ORGANIZATION Compile content for planning Create documents to serve as a tool for clients to see what will be in the exhibition and where it will go Working documents that are updated through the exhibition development Resource for funding and stakeholder meetings

MATERIALS & 3D INTEGRATION Direct to substrate Back printed plexi Vinyl 3D letters 3D printing Indoor & outdoor printing methods Backlit graphics Tactile graphics Projection overlay

TYPES OF EXHIBITIONS Permanent Traveling Refresh Screen-based interactive Projection-based interactive Physical interactive Trade show Art gallery Low-budget

OTHER SKILLS Print management Universal Design / Accessibility Prototyping Presentations & Reports Photo Research and Photo Editing

VISUALIZING GREAT IDEAS FOR SO CIAL IMPACT COLORBOXINDUSTRIES.COM INFO@COLORBOXINDUSTRIES.COM 6 1 7.9 4 2 . 0 3 4 0