Continuing Studies at Emily Carr: Spring 2016

SPRING2016

january - april | continuing studies courses + programs

SPRING2016

january - april | continuing studies courses + programs

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Receive exclusive benefits and invitations to special events throughout the year. ecuad.ca/innercircle

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EMILY CARR UNIVERSITY OF ART + DESIGN CONTINUING STUDIES 1399 Johnston Street, Vancouver BC V6H 3R9

ecuad.ca/cs

3626881

Certificates Courses Studio Spac e Teen Progr ams Workshops

continuing studies

The Leeway is a membership-based community studio space where artists and designers can explore new techniques, work among peers and learn from experienced instructors through scheduled workshops.

Teen Programs

Access to professional equipment, tools and materials as well as support from knowledgeable studio technicians allow Leeway members the freedom to experiment and create.

Open to students aged 15-18 with a range of experience, interests and talents, Emily Carr University of Art + Design’s teen programs include opportunities for portfolio development, improving skills and techniques and building an understanding of art and design as a contemporary practice.

Become a member STANDARD MEMBERSHIP

$200 month $635 term $1,750 year*

We offer a range of responsive programs each year – from portfolio workshops to summer intensives – to prepare students to study at art and design universities and to help support the next generation of artists and designers on their path.

DISCOUNTED MEMBERSHIP For Alumni, Seniors (60+) and Staff

$150 month $465 term $1,250 year* *Yearly and four-month term memberships start in January, May or September

Workshops PAST AND CURRENT PROGRAMS

Our three and six hour workshops are hands-on sessions that focus on a particular form or technique. These one-day sessions are listed throughout our course calendar and are hosted

by The Leeway.

Summer Institute for Teens Month-long program of focused studio practice in chosen subjects + cultural studies.

Demos + Open Studios The Leeway also hosts free events throughout the year. Demos are short sessions of instruction on different practices and processes. Open Studios are three-hour sessions that allow non-Leeway members to try working in a communal studio space.

BC Summer Studios 10-day creative intensives for portfolio and skill development in BC communities.

(2015 Communities: Whistler and Prince George) Teen Art Group After-school program on art practice and visual culture with the Vancouver Art Gallery.

theleeway@ecuad.ca 604 844 3810

ecuad.ca/theleeway

X Learn more: page 37

follow us / join our mailing list / contact us

@EmilyCarrCS teens@ecuad.ca 604 844 3810

teens.ecuad.ca

SPRING 2016 Table of Contents COURSES + WORKSHOPS Communication Design Core Skills Cultural Studies Digital Skills, Media + Technologies Drawing Film/Video Graphic Novel Illustration Industrial Design Painting Photography Printmaking Professionalising Your Practice Sculpture + Installation Textile Arts CERTIFICATE PROGRAMS Design Essentials Certificates Part-Time Certificates Part-Time Certificates: Fine Arts

REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

6 8 9 10 13 18 18 19 21 22 26 28 30 31 33

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STUDIO SPACE The Leeway

37

TEEN PROGRAMS Overview inside back cover GET STARTED Courses at a Glance How to Register

34 36

RESOURCES Registration Policies + General Information FAQs Contact Us

38 40 40

Registration Opens November 17, 2015 Cover: Continuing Studies student Nola Accilli, Dark Facade: Maison 2015, India + acrylic ink, 10×14˝

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DESIGN ESSENTIALS CERTIFICATES

Intensive and career-focused programs that combine conceptual design skills and technical knowledge.

COMMUNICATION DESIGN ESSENTIALS Delivered by BCIT and Emily Carr University of Art + Design, Communication Design Essentials is a one-year program that provides students with a solid foundation in design principles, combined with technical skills in the Adobe Creative Cloud. Graduates work in a variety of roles across design studios, marketing and advertising agencies and entrepreneurial endeavours.

How to Apply Apply through BCIT. Visit bcit.ca/admission.

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X Start Dates: April 2016 + October 2016 Get Ready New to communication design?

Start learning some basic skills and create work for your admissions portfolio with these CS courses.

CECD 110 Basics of Communication Design CECD 160 Drawing For Design CECS 133 Indesign: The Basics

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

INTERACTION DESIGN ESSENTIALS Interaction Design Essentials is a six-month, full-time program that brings together user experience and design principles. Students develop skills in areas from web design to coding to motion graphics as they produce both web and mobile-based applications. Graduates exit the program with a professional-level portfolio and a range of in-demand skills.

Course content includes: X Design and prototyping for responsive design, including mobile environments; X User interface (UI) and user experience (UX) skills; X Website development using HTML, XML, PHP, JavaScript, jquery, CSS; X Mastery of Adobe Creative Cloud tools; and X How to lead effective projects and work in teams.

X Start Dates: April 2016 + October 2016 Apply by February 1, 2016 for entry into our April 2016 program.

How to Apply Submit your application online and include the following: X A portfolio of work X CV or resumé X Academic transcripts (high school and/or university) X One letter of recommendation

Get Ready New to interaction design? Start learning some basic skills and create work for your admissions portfolio with these CS courses.

Term 1

Design Fundamentals • User Centered Design • Design Research and Management • Programming for Interactivity • Designing For The Web • Interaction Design Studio I • Motion Graphics • Web Development I • Portfolio Development I

CEDA 232 Introduction To Web Design CEDA 250 Introduction To Wordpress CECS 130 Adobe Illustrator: The Basics

Term 2

Mobile Web Development • Mobile Application Design • Mobile Application Production • Interaction Design Studio II • Web Development II • Portfolio Development II

essentials/ecuad.ca

essentials@ecuad.ca 604 844 3810

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PART-TIME CERTIFICATES Flexible programs in fine arts and design focused on technique and portfolio development.

Part-time Certificate students: X Set their own pace of study and areas of focus X Build a portfolio that showcases their personal style and abilities X Receive feedback and assessments from their instructors X Join a community of like-minded artists and creative individuals X Have access to advance registration in CS courses Part-time certificate programs run through our evening and weekend courses and are suitable for all levels of experience.

Learn More:

INTRODUCTORY J 1-3 years Fine Arts Photography 2D Design 3D Design

Page 8 Page 26 Page 6 Page 21

ADVANCED J 1-4 years Drawing Painting Illustration Sculpture

Page 13 Page 22 Page 19 Page 31

X Browse courses in our course calendar or online X Download our student handbooks from our website X Join us for an information session X Visit ecuad.ca/certificates

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ecuad.ca/certificates

cscertificates@ecuad.ca 604 844 3810

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SPOTLIGHT PART-TIME CERTIFICATE FINE ART TECHNIQUES Develop a broad foundation in fine art practice by learning to work in a range of media as well as understand the creative process. Hands-on studio time is supplemented with discussions of art in a cultural, contemporary and historical context.

Get Started CEFA 160 Basics of Composition and Form CEDR 160 Drawing Fundamentals I: Composition/Process CEPN 164 Using Colour

Go Further Our advanced part-time certificates offer in-depth study of a specific subject area, for beginners who have a focus in mind or for students who have completed a certificate in fine arts techniques and want to go further.

Part-time Certificate in DRAWING

Part-time Certificate in ILLUSTRATION

Part-time Certificate in PAINTING

Start or expand your creative practice in drawing and develop your skills in different mediums as you create a portfolio and examine drawing from a historical and contemporary standpoint.

Experiment with a variety of techniques, tools, and media used in illustration as you explore illustration as an art form and business, focusing on either commercial or picture book work.

Play with colour, image, structure, surface and support as you work in different media and with an array of materials to produce a diverse portfolio that reflects your individual style and talents.

Get Started

Get Started

Get Started

CEDR 160 Drawing Fundamentals I: Composition/Process Drawing courses - p. 13

CEIL 170 Introduction to Illustration Illustration courses - p. 19

CEFA 170 Materials and Media in Fine Art Practice Painting courses - p. 22

REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

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COMMUNICATION DESIGN FUNDAMENTALS BASICS OF COMMUNICATION DESIGN Carolina Becerra CECD 110 S001 Jan 20 - Feb 24 Wed 6:30 pm - 9:30 pm

Learn the fundamentals of communication design including process, ideation, research, analysis, concept development, problem definition, and creative problem solving. Through collaborative exercises, you will be introduced to design process – from development through to the creation of a mock-up and a short design presentation.

6 sessions / 18 total hrs $275

Prerequisite(s): None

Register by Jan 15

THE ART OF FONTS Linda Coe CECD 112 S001 Feb 16 - Mar 8 Tue 6:30 pm - 9:30 pm 4 sessions / 12 total hrs

This course introduces you to the anatomy of letterforms and the principles of typographic usage. From the fundamentals of choosing and combining type to the terminology of typography, you will explore distinctions between typefaces, typographic usage and shaping the page with type. By the end of the course, you will be able to apply your typographic knowledge to a range of print and digital media projects.

$225 Register by Feb 11

Prerequisite(s): None

RenĂŠe Alexander

In this course, students examine the elegant and beautiful script of Copperplate, its uses and place in history. Students will be shown how to flourish their letters, layout text and create stroke variations. The course covers small lettering as well as larger drawn letters that can be used to duplicate old signage designs. After achieving skill with the pointed pen nib, students will be encouraged to try a freer, more contemporary look. Typographers, graphic designers, calligraphers and anyone interested in the beauty of hand lettering and font design will enjoy this course.

COPPERPLATE SCRIPT: THEN AND NOW CECD 140 S001 Feb 13 - Apr 9 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $295 Register by Feb 8 No class Mar 26

Prerequisite(s): None

DRAWING FOR DESIGN Vjeko Sager CECD 160 S001 Mar 1 - Apr 19 Tue 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $325 Register by Feb 24

Drawing is an essential process in design. It is a necessary tool for concept development and is used to communicate with clients and other design professionals throughout the design and production process. This course introduces you to the basic principles of drawing with a specific focus on applications in design including: point; line; form; tone and value, the representation of mass and volume; and composition. Assignments incorporate exercises in drawing techniques combined with problem solving skills and basic design principles. Note: this course may include an undraped live model.

Prerequisite(s): None

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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

SKILL BUILDING TYPOGRAPHY Linda Coe CECD 320 S001 Feb 21 - Apr 17 Sun 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $285 Register by Feb 16 No class Mar 27

This course is perfect for those ready to pursue a more in-depth study of typography.

Building on your basic knowledge of fonts, you will further develop your understanding of letterform anatomy, typographic principles and classification systems. Influential typographers, both historical and contemporary, will be discussed. Through hands-on individual and group assignments, you will develop techniques to shape the page with type as a dominant element.

PUBLICATION DESIGN Carolina Becerra CECD 330 S001 Mar 15 - Apr 19 Tue 6:00 pm - 10:00 pm 6 sessions / 24 total hrs $340 Register by Mar 10

Prerequisite(s): Working knowledge of Adobe Illustrator, Photoshop or InDesign

Through this course, you will design a publication while learning basic principles of design including layout strategies for multi-page documents and considerations for commercial and small-run printing.

You must have prior knowledge of Adobe InDesign and Photoshop, and you are encouraged to bring in a project and all related materials for the first day of class.

On completion of the course, you will have a draft multi-page publication, as well as a deeper understanding of publication design concerns.

Prerequisite(s): A working knowledge of Adobe Photoshop, and QuarkXPress or Adobe InDesign is required; expertise with Adobe Illustrator is recommended

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ITALIC VARIATIONS IN HAND LETTERING RenĂŠe Alexander CECD 902 S001 Feb 4 Thu 6:00 pm - 9:00 pm 1 session / 3 total hrs $65

Develop your hand lettering practice in this workshop dedicated to italics. Learn about the historical origins of the form as well as its contemporary variations with hands on exercises intended to fully explore the form.

Register by Jan 30

REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

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COMMUNICATION DESIGN (CONT’D) KADENZE

Online Course: Project Management for Designers This non-credit course guides students through the business side of design, including how to get organized and stay on track with timeline projections, cost estimates and workflow charts. From working in a small or mid-size design studio to more independent roles, students will learn the strategies behind administrative processes that support their design practices and help to ensure their success and profitability. Learn how to make a business run cleanly and efficiently, how to manage yourself and your workflow, and how to keep client relationships productive and clear.

Register Online: www.kadenze.com

CORE SKILLS FUNDAMENTALS BASICS OF COMPOSITION AND FORM Frances Grafton

Frances Grafton

CEFA 160 S001

CEFA 160 S002

Jan 23 - Mar 19

Feb 21 - Apr 17

Sat 9:30 am - 12:30 pm

Sun 1:30 pm - 4:30 pm

8 sessions / 24 total hrs

8 sessions / 24 total hrs

$325

$325

Register by Jan 18

Register by Feb 16

No class Feb 6

No class Mar 27

This foundational course introduces you to the relationship of concept and composition in 2D art practices. You will develop skills in composition by investigating how line, shape, colour, texture and surface treatment enhance and influence form. Experimentation with a variety of media allows you to explore aesthetics and meaning by applying the elements and principles of composition. You will learn to reference historical and contemporary theories and image sources as inspirations for art making.

Prerequisite(s): None

SKILL BUILDING MATERIALS AND MEDIA IN FINE ART PRACTICE Karen Kazmer CEFA 170 S001 Jan 16 - Jan 30 Sat 9:30 am - 4:00 pm

In this course, you will explore the relationship between ideas, materials, media and context, and how these are used to create 3D objects. Both traditional and unconventional materials and processes will be employed in exercises and projects. Topics include: space, mass, volume, plane and texture, as well as how these elements can be manipulated, through your choice of materials.

3 sessions / 16 total hrs $250

Prerequisite(s): None

Register by Jan 11 Last class (Jan 30)

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9:30 am - 3:30 pm EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

CULTURAL STUDIES FUNDAMENTALS

take the n ex enrol in ot step ur

part-time certificate in fine art learn m ore: p. 4

ISSUES IN CONTEMPORARY DESIGN Ramon Kubicek CESE 110 S001 Feb 20 - Apr 16 Sat 10:30 am - 1:30 pm 8 sessions / 24 total hrs $330 Register by Feb 15

This course examines a range of contemporary debates, themes and issues that affect designers including: ‘wicked problems’ in design; social responsibility; design thinking; architecture and urban planning; user-centered design; objects we think with; and many others. In addition to weekly readings and discussions, you will work in teams to address contemporary design challenges, moving from talking about design to the practical implications of developing design proposals. You will develop a greater awareness of ways in which design is connected to your everyday life.

No class Mar 26

Prerequisite(s): None

ISSUES IN CONTEMPORARY ART Janet Jones CESE 160 S001 Feb 14 - Apr 10 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $295

This course introduces you to a range of issues affecting contemporary art from the mid-20th century to today. You will examine a number of themes including: the changing role of the artist; the problem of the avant-garde and originality; the idea of discourse; postmodernism and beyond; the problem of ‘beauty’; nature as subject; pastoral tradition and nostalgia; ecological art; new feminism; radical art; cyber-culture and the post-human; and the new sublime. You will complete an exhibition review and a portfolio of research and writing exercises.

Register by Feb 9 No class Mar 27

Prerequisite(s): None

Rajdeep Gill

This course offers an introduction to the history of Western art, focusing on the cultures and individuals that shaped art and architecture over the last 1000 years. Linking historical precedents to contemporary artistic practices, this course will provide you with a general introduction to art history. This course is ideal if you want to be better informed when visiting museums or galleries, or who want to understand their own practice in the context of what went before.

A SURVEY AND HISTORY OF ART CESE 180 S001 Feb 15 - Apr 11 Mon 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $295 Register by Feb 10 No class Mar 28

Prerequisite(s): None

Ramon Kubicek

Curious about contemporary art in Canada? This course offers a broad survey of some of the significant artists and movements that have emerged since the 1980s. From British Columbia, the Prairies, Ontario and Quebec, to the Maritime Region and the breadth of Aboriginal communities across the country, this course is ideal for anyone who is culturally curious.

CONTEMPORARY CANADIAN ART CESE 260 S001 Feb 20 - Apr 16 Sat 2:30 pm - 5:30 pm 8 sessions / 24 total hrs $295

Prerequisite(s): CESE 160 Issues in Contemporary Art is recommended, but not required

Register by Feb 15 No class Mar 26

REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

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DIGITAL SKILLS, MEDIA + TECHNOLOGIES

FUNDAMENTALS INTRODUCTION TO MAYA Develop your design and computer skills through an introduction to computer animation in CEAN 152 S001 this two-day intensive workshop offering an introduction to Autodesk Maya. Learn fundamentals Feb 20 - Feb 21 of modeling, texturing, animation, lighting, and rendering in three-dimensional space. Create Sat + Sun 10:00 am - 4:30 pm assets and environments and apply them to animation for broadcast, film, video games and 2 sessions / 12 total hrs visualization. Projects investigate the conceptual, aesthetic and expressive potential of the 3D $195 environment, and demonstrate various design strategies for 3D imaging and animation. By Register by Feb 15 the end of the course you will be comfortable using Autodesk Maya and able to create simple films or simulations.

Thomas Groppi

Prerequisite(s): Basic computer skills

ADOBE ILLUSTRATOR: THE BASICS Jaime Clay CECS 130 S001 Jan 23 - Mar 19 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $395

Adobe Illustrator is a powerful digital tool for many applications including illustration, drawing and design. Learn the key features of this program and become familiar with the basics of digital drawing and painting by creating and modifying geometric shapes, drawing with Bézier curves, utilizing gradients and patterns. Small weekly assignments and one larger illustration project will allow you to apply all the skills learned in class. Note: This course is taught in our Mac Labs using Creative Cloud.

Register by Jan 18 No class Feb 6

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Prerequisite(s): Experience with Macintosh Computer is highly recommended

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

FUNDAMENTALS (cont’d) PHOTOSHOP: THE BASICS Jaime Clay CECS 131 S001 Feb 13 - Apr 9 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $425

Explore the creative potential of Adobe Photoshop for digital image processing and photo editing.

Learn the basics of image manipulation including simple retouching, applying filters, blending and combining image, and adding text to image. Other topics include: resolution; masks; channels; and paths. This course is an ideal introduction to the skills and techniques needed to work in this industry standard program, and will allow you to immediately apply your knowledge to practical projects. Note: This course is taught in our Mac Labs using Creative Cloud.

Register by Feb 8 No class Mar 26

Prerequisite(s): Strong computer skills are recommended

Jen Hiebert

Adobe InDesign is a powerful tool for design, page-layout and production, and is the ideal platform to bring together work created in Photoshop, Illustrator and Acrobat. In this course, you will gain basic experience with the software as you work with page layout, creating and formating text, inputting and manipulating images, as well as gaining a basic understanding of colour as it relates to printing. Please note that this course is taught in our Mac Labs using Creative Cloud.

INDESIGN: THE BASICS CECS 133 S001 Feb 14 - Apr 10 Sun 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $395 Register by Feb 9 No class Mar 27

Prerequisite(s): Experience with Macintosh Computer is highly recommended; familiarity with Microsoft Word is strongly recommended; experience with Adobe Illustrator is an asset

SKILL BUILDING THE ADOBE SUITE FOR DESIGN AND PRODUCTION Jen Hiebert

Eduardo Rodriguez

CECS 136 S001

CECS 136 S002

Jan 30 - Apr 2

Feb 22 - Apr 18

Sat 2:00 pm - 6:00 pm

Mon 6:00 pm - 10:00 pm

8 sessions / 32 total hrs

8 sessions / 32 total hrs

$495

$495

Register by Jan 25

Register by Feb 17

No class Feb 6 and Mar 26

No class Mar 28

This course is a comprehensive introduction to the Adobe Suite including Illustrator, Photoshop and InDesign as an integrated software tool for the design and production of print and digital media. Focus is on gaining basic knowledge of each program, and a deeper understanding of how they work as part of an integrated toolkit. You will learn to use the Suite in document layout, typesetting and combining both vector art and raster art to design and producing work for print and digital outputs. Note: This course is taught in our Mac Labs using Creative Cloud.

Prerequisite(s): Strong computer skills are highly recommended

PHOTOSHOP FOR PHOTOGRAPHERS Kathryn Mussallem CECS 140 S001 Jan 17 - Mar 13 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $425 Register by Jan 12

Designed for photographers, this course explores the range of capabilities of Adobe Photoshop as a tool for image correction and manipulation including colour calibration, layers, dodging and burning, converting colour images to greyscale, toning and retouching. Time will be available for work on personal images. Using scanned and digital images, you will be introduced to topics including: RAW file format, colour management, basic selection techniques, a variety of techniques for tonal and colour correction, retouching and final image output. Note: This course is taught in our Mac Labs using Creative Cloud.

No class Feb 7

Prerequisite(s): Experience with a Macintosh computer or equivalent, as well as general experience in either digital or film photography

REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

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DIGITAL SKILLS, MEDIA + TECHNOLOGIES (CONT’D) SKILL BUILDING (CONT’D) INTRODUCTION TO MODO In this two-day intensive workshop CECS 154 S001 students learn to use 3D modeling, Jan 23 - Jan 24 animation and rendering using Modo to Sat + Sun 10:00 am - 4:30 pm visualize consumer product goods, 2 sessions / 12 total hrs scientific services, print illustration and $195 architectural presentations. Model, Register by Jan 18 render and animate 3D photo-realistic simulations, through a series of realworld production projects, to create images and movies or quickly work up alternative designs to render CAD data for marketing shots, animations or rapid prototyping (3D print). By the end of the course you will be comfortable using Foundry’s Modo.

Thomas Groppi

INTRODUCTION TO WEB DESIGN Kevin McMillan CEDA 232 S001 Jan 24 - Feb 21 Sun 9:30 am - 4:30 pm 4 sessions / 24 total hrs $385 Register by Jan 19 No class Feb 7

This course will give you an understanding of how web pages are made, plus the ability to create your very own. Content covers the technical and aesthetic issues of developing a web site including how to write code that works on any range of browsers, and how to create pages that work equally well on large desktop monitors and the more restricted displays of smart phones. If you currently use a Content Management System such as WordPress, knowing how to write HTML and CSS will allow you to take your projects to the next level. that promotes your own work or that of your clients.

Prerequisite(s): Basic computer skills

Prerequisite(s): Basic computer skills

INTRODUCTION TO WORDPRESS Jaime Clay CEDA 140 S001 Feb 23 - Apr 12 Tue 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $390 Register by Feb 18

DIGITAL ANIMATION

Kevin McMillan

This introductory class will focus on how to use After Effects for animation. This course is aimed at working professionals looking to expand their skill set through animation. Topics will include motion graphics, animated text and digital cut-out animated characters. Through practical exercises, you will learn animation principles, key-frames, motion-paths, how to work with layers, nested compositions, rendering, adding sound to animation using Adobe Premiere and much more.

CEDA 250 S001

Prerequisite(s): Working knowledge of Adobe Photoshop and/or Illustrator is an asset

Feb 28 - Mar 20 Sun 9:30 am - 4:30 pm 4 sessions / 24 total hrs $385 Register by Feb 23

As an introduction to web design using the WordPress platform, this course offers an in-depth look at the technology and skills required to develop a content-managed web site. Through the production of your own site, you will learn how to install WordPress and make posts, pages and galleries. In addition, you will learn how to use WordPress themes, plugins, widgets, comment forms and more. The course will demonstrate a variety of the easiest and most effective ways of designing, managing and securing your personal WordPress site. Additional topics will include how to get a domain and web hosting, how to set up a WordPress testing environment, and auditioning plugins, themes and more before committing them to your live site.

Prerequisite(s): Basic computer skills

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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

take the n ex enrol in ot step ur

part-time certificate in drawing learn m ore: p. 4

DRAWING

FUNDAMENTALS DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS Frances Grafton

Martin Guderna

Keith Langergraber

CEDR 160 S001

CEDR 160 S003

CEDR 160 S005

Jan 23 - Mar 19

Jan 30 - Apr 2

Feb 20 - Apr 16

Sat 1:30 pm - 4:30 pm

Sat 9:30 am - 12:30 pm

Sat 9:30 am - 12:30 pm

8 sessions / 24 total hrs

8 sessions / 24 total hrs

8 sessions / 24 total hrs

$285

$285

$285

Register by Jan 18

Register by Jan 25

Register by Feb 15

No class Feb 6

No class Feb 6 and Mar 26

No class Mar 26

Janet Jones

Martin Guderna

CEDR 160 S002

CEDR 160 S004

Jan 26 - Mar 15

Feb 15 - Apr 11

Tue 6:30 pm - 9:30 pm

Mon 6:30 pm - 9:30 pm

8 sessions / 24 total hrs

8 sessions / 24 total hrs

$285

$285

Register by Jan 21

Register by Feb 10 No class Mar 28

Drawing, observation, recording and compositional organization are foundational tools for any creative practice. In this course, you will explore studies in line, shape, value, perspective, proportion, positive and negative space and the human figure.

Using a wide range of drawing materials and hands-on practice, you will be introduced to drawing as a means of intense visual investigation. This course is an ideal, supportive learning environment if you are new to the field of drawing, and are looking to gain skills that will be broadly applicable.

Prerequisite(s): None

note: The following courses may include an undraped live model: CEDR 160 Drawing Fundamentals I: Composition/Process, CEDR 164 Drawing Into Painting: An Introduction, CEDR 180 Line Drawing Techniques, CEDR 215 Life Drawing in Colour, CEDR 252 Drawing the Portrait, CEDR 261 Drawing the Figure and Face, CEDR 263 Introduction to Life Drawing, CEDR 400 Life Drawing: Open Studio.

REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

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DRAWING (CONT’D) FUNDAMENTALS (CONT’D) PERSPECTIVE DRAWING FOR ARTISTS AND DESIGNERS Tony O’Regan CEDR 162 S001 Feb 21 - Apr 17 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs

This course is essential for artists, designers, illustrators and animators who wish to create convincing images of form, depth and space. Regardless of the form you work in, you will improve the impact of your work with an understanding of this powerful drawing technique. You will be guided through step-by-step exercises, moving from rough layout sketches to more carefully proportioned images of world architecture, vehicles and the human form.

$315 Register by Feb 16

Prerequisite(s): None

No class Mar 27

CREATIVE DRAWING AND ARCHITECTURE Tony O’Regan CEDR 163 S001 Feb 21 - Apr 17 Sun 1:30 pm - 4:30 pm 8 sessions / 24 total hrs

This structured, high-energy course develops your basic to intermediate drawing and sketching skills, specifically related to space and spatial concerns. Exercises and projects focus on applying principles of perspective drawing, sketching concepts, and other compositional strategies. A variety of creative freehand techniques will allow you to develop your approach to architectural figurative drawing. Class work includes some drawing from a model.

$300 Register by Feb 16

Prerequisite(s): None

No class Mar 27

DRAWING INTO PAINTING: AN INTRODUCTION Lori Goldberg CEDR 164 S001 Mar 16 - Apr 20 Wed 6:00 pm - 10:00 pm 6 sessions / 24 total hrs

This course provides an introduction to the fundamentals of drawing and painting, and the transition from black-and-white to colour in your creative practice. You will investigate line, form, value, colour and pictoral composition by using a variety of drawing materials and water-based paints. You will begin with drawing and move into painting using the still life, the model and the imagination.

$300 Register by Mar 11

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Prerequisite(s): None

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

SKILL BUILDING DRAWING AND COLLAGE Aimee Brown CEDR 165 S001 Feb 4 - Mar 31 Thu 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $295 Register by Jan 30 No class Mar 24

This course introduces you to various approaches of collage in drawing while exploring the process of combining varied two-dimensional materials with drawing media. The focus will be on how variations in shapes and textures alter the composition and mark-making of a drawing. Subject matter will include the model, still life, found imagery and imagination. A wide range of drawing and collage materials will be used.

LINE DRAWING TECHNIQUES Vicki Israel CEDR 180 S001 Feb 20 - Apr 16 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $300 Register by Feb 15 No class Mar 26

Prerequisite(s): Any 100-level drawing course or equivalent

DRAWING WITH PEN AND INK: BLACK-AND-WHITE Stan Hunc CEDR 167 S001 Jan 24 - Mar 20 Sun 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $300 Register by Jan 19 No class Feb 7

Take a classic, black-and-white approach to the expressive medium of pen and ink drawing. Through exercises and step-by-step tutorials, you will learn to create a range of work, from photo-realism to abstraction and everything in between. Work with a range of pen points using bistre and sepia inks, as well as combinations of ink and watercolour.

Experimentation with ink and wash will be introduced as you explore tone, texture, line and stroke, gesture and calligraphy, proportion and visual balance.

Prerequisite(s): Any 100-level drawing course or equivalent

Line drawing is an expressive art form in itself as well as an important tool for documenting and expressing concepts or ideas. In this course, students explore line art - the creation of imagery without the use of shading - through a combination of practical exercises. Students will experiment with different tools as they develop their line drawing skills. This in-depth exploration of a variety of line art techniques will allow artists, designers and illustrators to further develop ideas or to produce a final piece of art that reflects their own personal visual language.

Prerequisite(s): None

LIFE DRAWING IN COLOR Vjeko Sager CEDR 215 S001 Feb 14 - Apr 10 Sun 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $345 Register by Feb 9 No class Mar 27

The world around us is full of colour, yet we often draw using only black and white. What makes drawing in colour so challenging? In this course, you will tackle this question head-on. The ability to use colour as a drawing tool is an excellent skill to inform further exploration into painting, but In this course, you will approach drawing in colour as an end to itself, creating and completing finished artworks. Through historical and contemporary examples you will learn about colour in theory and in practice, and using techniques ranging from the extremely expressive to the finely detailed you will explore a range of materials including coloured pencils, pastels, inks, markers and coloured contĂŠ in order to capture the human figure. An emphasis on visual experimentation will be encouraged and course work will include drawing from a live model.

Prerequisite(s): CEDR 160 Drawing Fundamentals I: Composition/Process or equivalent

REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

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DRAWING (CONT’D) APPLIED TECHNIQUES DRAWING THE PORTRAIT Vjeko Sager CEDR 252 S001 Jan 23 - Mar 19 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $315 Register by Jan 18 No class Feb 6

This course provides an in-depth study of the head for portraiture. Using a variety of media such as charcoal, ink, graphite and more you will explore proportion, resemblance, texture, shape and expression. Basic structural analysis of both the human head and figure will be covered. Class work includes drawing directly from a model.

INTRODUCTION TO LIFE DRAWING Develop and expand your drawing and observation skills In this course, on drawing the human figure. Gesture, line and value, proportion, composition, form and volume will be explored through a variety of approaches to drawing the figure. There will be a brief introduction to the structural anatomy of the body and identification of superficial anatomical points. Drawing from the skeleton and the live model will be included.

Frances Grafton CEDR 263 S001 Feb 21 - Apr 17 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $345 Register by Feb 16 No class Mar 27

Prerequisite(s): Any 100-level drawing course or equivalent; experience drawing from a model is recommended

Prerequisite(s): Any 100-level drawing course or equivalent

DRAWING THE FIGURE AND FACE Keith Langergraber CEDR 261 S001 Mar 8 - Apr 5 Tue 6:30 pm - 9:30 pm 5 sessions / 16 total hrs $235 Register by Mar 3 Last class (Apr 5) 6:00 pm - 10:00 pm

This course will teach you how to construct the human form without relying on a model.

By helping you develop an ‘internal model’ using basic anatomical proportions, gesture, contour and shading, you will have a stronger understanding of proportion and construction of the head and figure, the drawing and mapping of facial features, hands and feet, and understanding of typical standing, walking and seated poses.

This course will be of special interest for anyone who needs to draw scale figures, whether to use in design, illustration, animation or any other artistic form.

DRAWING WITH PEN AND INK: COLOUR Take a colourful and unconventional approach to pen and ink drawing. In this class you will learn to create a range of unusual, colouroriented pen and ink projects. Work with a range of extraordinary pens and colour inks, as well as combinations of ink, watercolour and other creative mediums. You will be encouraged to go beyond ‘classic’ pen techniques and experiment with various forms of line, shape, texture, value and colour-generating methods in a series of independent projects.

Stan Hunc CEDR 267 S001 Feb 4 - Apr 14 Thu 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $300 Register by Jan 30 No class Feb 18 + Mar 31

Prerequisite(s): CEDR 167 Drawing with Pen and Ink: Black-and-White or equivalent experience

Prerequisite(s): CEDR 160 Drawing Fundamentals I: Composition/Process or equivalent is recommended, but not required

DRAWING OPEN STUDIO Vjeko Sager CEDR 310 S001 Feb 18 - Feb 25 Thu 6:00 pm - 10:00 pm 2 sessions / 8 total hrs $125 Register by Feb 13

Drawing Open Studio is a self-directed course intended to provide support for work on your independent projects. You will benefit from individual guidance from the instructor as well as group discussions and critiques. In addition to addressing technical issues, you will have the opportunity to further develop your ideas and personal style.

Prerequisite(s): Any 100-level drawing course or equivalent is required; 200-level drawing experience is strongly recommended.

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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

LIFE DRAWING OPEN STUDIO Uninstructed CEDR 400 S001 Mar 5 - Apr 2 Sat 1:00 pm - 5:00 pm 4 sessions / 16 total hrs $95

Take advantage of an open studio situation with a model. No instruction is provided. If you have fundamental drawing skills and wish for the opportunity to work on figure or life drawing, this series of weekly sessions is for you.

USING THE GRID METHOD FOR DRAWING AND PAINTING Vicki Israel CEDR 902 S001 Jan 28 Thu 6:00 pm - 9:00 pm 1 session / 3 total hrs $65

Register by Feb 28 No class Mar 26

Prerequisite(s): Experience drawing or painting from the model is strongly recommended

Stan Hunc

Want to liven up your drawing practice?

Challenge yourself to move away from more conventional mark making techniques (even if for a moment) and explore the various personalities of an essential building element of drawing using ink. Both novice and experienced artists will benefit from this hands-on workshop.

Register by Jan 23

The Grid Method is an effective way to manually reproduce or enlarge images.

This drawing method has been used for centuries as a way of creating accuracy in proportion and layout. In this 3 hour workshop participants will improve drawing and observational skills by learning how to reproduce a black and white drawing or photograph using a grid system and graphite pencils.

EXPERIMENTAL MARK MAKING: INK CEDR 901 S001 Apr 21 Thu 6:00 pm - 9:00 pm 1 session / 3 total hrs $65 Register by Apr 16

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FILM/VIDEO FUNDAMENTALS ADOBE PREMIERE PRO: THE BASICS Jaime Clay CEFV 170 S001 Mar 2 - Apr 20 Wed 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $375

Adobe Premiere Pro is a comprehensive film-editing program used by professional filmmakers and beginners alike. In this course, you will to learn basic film editing and how to use the many tools available in this program. You will learn about transition effects, title screens and knockout backgrounds as well as how the addition of sounds, music and narration can add polish to your videos. From simple slideshows to full animation, you will leave the course with a new-found knowledge of film.

Register by Feb 25

Prerequisite(s): Basic computer skills. Video cameras, cell phone cameras, or video footage accessibilty.

GRAPHIC NOVEL FUNDAMENTALS THE CONTEMPORARY COMIC: AN INTRODUCTION Julian Lawrence CEGN 160 S001 Feb 22 - Apr 18 Mon 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $235

In this course, you will learn the necessary tools to tell great stories in the medium of comics by bringing together storytelling with illustration. Topics include text and image relationships, dialogue and character development, narrative structures, body language, passage of time, flow, perspective, and composition. You will learn to develop your own ideas from concept to final product, and have a draft comic on completion of the course. Note: this course may include an undraped live model.

Register by Feb 17

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No class Mar 28

Prerequisite(s): None EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

ILLUSTRATION FUNDAMENTALS INTRODUCTION TO ILLUSTRATION Robin Thompson CEIL 170 S001 Jan 23 - Mar 19 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs

Illustration is an effective form for linking images to text and communicating ideas, offering commentary, educating and catching the attention of an audience. In this course, you will be introduced to illustration and the many roles it can play. Hands-on projects, presentations, discussions and critiques will expose you to a variety of techniques, media and styles as you explore how content, design elements and materials are used in the translation of ideas into images.

$295 Register by Jan 18

Prerequisite(s): None

No class Feb 6

SKILL BUILDING COMMERCIAL ILLUSTRATION Robin Thompson CEIL 230 S001 Feb 10 - Mar 30 Wed 6:30 pm - 9:30 pm 8 sessions / 24 total hrs

This course explores illustration techniques with a focus on commercial marketing and branding.

Learn to apply creative designing, drawing and colouring skills to the communication design field, and expand your art or design practice to commercial businesses. Practical exercises in logo design, poster design, narrative storyboards and advertising will be applied. You will learn the tools with which to evaluate your own work from the perspective of the commercial market.

$295 Register by Feb 5

Prerequisite(s): Any 100-level drawing course or equivalent

Robin Thompson

Editorial Illustration describes the creation of images to accompany text in an effort to illuminate or point to a particular aspect. In this course, you will be introduced to the history of editorial work, and through instruction using a variety of traditional and non-traditional media you will create illustrations for magazine articles, opinion pieces, short fiction and essays. Discussions will address the working practices of editorial illustrators, working with art directors and clients, and the different types of illustration that lend themselves to editorial works.

EDITORIAL ILLUSTRATION CEIL 235 S001 Jan 24 - Mar 20 Sun 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $295 Register by Jan 19 No class Feb 7

Prerequisite(s): CEIL 170 Introduction to Illustration or equivalent

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REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

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ILLUSTRATION (CONT’D) APPLIED TECHNIQUES ILLUSTRATION FOR PICTURE BOOKS Lisa Cinar CEIL 240 S001 Jan 26 - Mar 15 Tue 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $295 Register by Jan 21

This creative and practical course explores illustration for picture books. While being introduced to key classic and contemporary works in this art form, you will be shown how to create an effective illustration and main character, as well as how to develop your own unique style. Topics include: storyboarding and composition exercises, as well as experimenting with ink, pen, brush-work and collage. You will also learn to digitize your illustrations using Photoshop, and how to share them with publishers.

PEN AND INK BOOK ILLUSTRATION Stan Hunc CEIL 260 S001 Feb 21 - Apr 17 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $300 Register by Feb 16 No class Mar 27

Prerequisite(s): Any 100-level drawing course or equivalent

Prerequisite(s): Any 100-level drawing course or equivalent; basic Macintosh skills recommended

ILLUSTRATION FOR PICTURE BOOKS III Lisa Cinar CEIL 440 S001

Jean Okada CEIL 250 S001 Mar 13 - Apr 17 Sun 1:30 pm - 4:30 pm 5 sessions / 16 total hrs $215 Register by Mar 8 No class Mar 27 Last class (Apr 17)

This course focuses on the exploration of pen and ink illustration, visual interpretation, and personal style in ink drawing. You will be guided through line drawing exercises and will explore gesture, texture and innovative approaches to pen and ink illustration. In examining traditional and contemporary book art illustrations, you will develop your drawing skills and create personal visual interpretations from literary samples.

FASHION ILLUSTRATION I

Jan 24 - Apr 17

In this course, you will develop your drawing skills and begin to produce basic fashion illustrations. Working from imagination, photographs and the model, you will create fashion figures through the study of proportion, line and silhouette as you work on communicating your fashion direction. Note: this course may include an undraped live model.

Sun 1:30 pm - 4:30 pm 11 sessions / 32 total hrs $350 Register by Jan 19 No class Feb 7 + Mar 27 First class (Jan 24) ends

at 3:30 pm

This advanced-level course focuses on in-depth character development and the creation of sequential art for picture books.

You will produce sketches for finished illustrations and learn different painting techniques and approaches. Throughout the course, an emphasis is placed on developing style and personal voice through guided assignments, allowing for multiple interpretations. You will be introduced to working sequentially and in series, and will produce final projects that are ready for publishing.

1:00 pm - 5:00 pm

Prerequisite(s): Any 100-level drawing course or equivalent

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Prerequisite(s): CEIL 240 Illustration for Picture Books or equivalent

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

INDUSTRIAL DESIGN FUNDAMENTALS BASICS OF INDUSTRIAL DESIGN Ying-chiu Chan CEID 120 S001 Jan 23 - Mar 5 Sat 1:30 pm - 4:30 pm 6 sessions / 18 total hrs $295 Register by Jan 18 No class Feb 6

INTRODUCTION TO RHINO Learn how to model, edit and analyze CEID 235 S001 organic 3D surfaces using the industry’s Apr 2 - Apr 3 powerful, standard software, Rhinoceros.

Sat + Sun 10:00 am - 4:30 pm In this two-day intensive weekend 2 sessions / 12 total hrs workshop you will acquire hands-on 3D $195 prototyping skills by working from real-life Register by Mar 28 scenarios and problem solving with professional and personal projects as examples. This course is ideal for industrial designers, jewelry makers, product designers and anyone who needs to model or prototype products for manufacturing.

Thomas Groppi

This course introduces you to the fundementals of Industrial Design. In it, you will gain an awareness of the design process with an emphasis on design criteria. This will be followed by formulation of the design brief, development of creative concepts, user testing and quick model making. You will work on a design project through to completion of a full-scale model and a short design presentation.

Prerequisite(s): None

APPLIED TECHNIQUES 3D DESIGN STUDIO Scott Staniland

Prerequisite(s): None

CEID 420 S001 Mar 5 - Apr 16 Sat 1:30 pm - 5:30 pm

Laura Kozak CEID 121 S001 Feb 18 - Apr 21 Thu 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $295 Register by Feb 13 No class Mar 24 and Apr 7

EXPLORATION OF 3D DESIGN

6 sessions / 24 total hrs

This course familiarizes you with the principles of three-dimensional design, as well as a variety of materials and processes related to art and design. Technical and conceptual skills in applying the concepts of space, mass, contrast, balance, scale and surface will be developed. You will create both functional and sculptural objects through projects that explore 3D concepts, forms and materials.

The emphasis will be on problem solving and imaginative and experimental responses to proposed projects.

$335

Prerequisite(s): None

Laura Kozak

Register by Feb 28 No class Mar 26

In this advanced-level studio course you will work on product design processes and methods as they relate to the development of functional or experimental objects or environments. The emphasis is on research, problem solving and creative experimental responses to projects, discussions and critiques of ideas and form. Topics include: analysis, concept development and communicating 3D concepts for products or environments as models or prototypes.

Prerequisite(s): Previous 3D Design experience is required

INTRODUCTION TO SCALE DRAWING CEID 902 S001 Mar 24 Rebecca Bayer CEID 122 S001 Feb 24 - Apr 13 Wed 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $315 Register by Feb 19

BASICS OF ARCHITECTURAL DESIGN

Thu 6:00 pm - 9:00 pm

This studio course introduces you to the design process as it applies to architecture and architectural space. Through idea generation, sketch models, proposal research and presentation and modeling techniques, you will interpret your ideas architecturally as you also explore the locational, contextual and structural aspects of architectural design. You will work on a site-specific design project individually and in teams.

1 session / 3 total hrs

Prerequisite(s): None

REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

This workshop introduces the principles and technique of drawing to scale. Basic drafting techniques will allow participants to create accurate plans and sections of architecture, furniture, textiles and objects.

$65 Register by Mar 19

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part-time certificate in 3D design learn mo re: p. 4

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PAINTING FUNDAMENTALS PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS Martin Guderna CEPN 160 S001 Jan 19 - Mar 8 Tue 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $355 Register by Jan 14 Martin Guderna CEPN 160 S002 Jan 30 - Apr 2

This course is an introduction to core principles in painting. Various painting techniques are introduced as you explore basic composition, line, contrast, colour, texture, and the use of tools and materials.

Formal elements of composition are explored as you experiment with a variety of techniques and approaches. Through hands-on exercises, you will explore techniques and methods artists have used through the ages.

Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs

FUNDAMENTALS OF OIL PAINTING Helena Wadsley CEPN 162 S001 Jan 17 - Mar 13 Sun 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $310 Register by Jan 12 No class Feb 7

Prerequisite(s): None

FUNDAMENTALS OF WATERCOLOUR Elena Underhill

Prerequisite(s): None

CEPN 163 S001

$355

Jan 25 - Mar 21

Register by Jan 25

Mon 6:30 pm - 9:30 pm

No class Feb 6 + Mar 26

8 sessions / 24 total hrs $310 Register by Jan 20

FUNDAMENTALS OF ACRYLIC PAINTING Lori Goldberg CEPN 161 S001 Jan 19 - Mar 8 Tue 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $310 Register by Jan 14

This course provides a step-by-step introduction to painting with acrylics.

You will gain an understanding of colour, space and composition while being introduced to technical and conceptual concerns. Thinning, thickening and texturing techniques and their applications will be explored.

Elizabeth Barnes CEPN 161 S002

No class Feb 8

This course introduces you to the essential techniques of painting with watercolour.

Through projects and discussion you will gain familiarity with the properties of watercolour as you explore various approaches to traditional and contemporary concepts. Graded wash, building light and dark values, building perspective and understanding the relation of values to colour will be introduced.

Prerequisite(s): None

USING COLOUR Martin Guderna CEPN 164 S001 Jan 21 - Feb 11 Thu 6:00 pm - 10:00 pm

Prerequisite(s): None

Experience the beauty and texture of oil painting. Explore the tools, skills, terminology and imagery of this luminous medium through projects and experimentation. Use and preparation of various surface materials, colour mixing, composition and texture are examined.

4 sessions / 16 total hrs

Mar 6 - Apr 17

$275

Sun 9:00 am - 1:00 pm

Register by Jan 16

6 sessions / 24 total hrs $310

Lori Goldberg

Register by Mar 1

CEPN 164 S002

No class Mar 27

Feb 27 - Mar 19 Sat 1:30 pm - 5:30 pm

The use of colour is one of the most important considerations you will make in your practice. This introductory course is ideal for anyone who wants to understand the principles of colour theory, and how to work effectively with it. You will investigate the creative use of colour in a variety of mediums, and explore its use in developing observational and painting skills as well as creating compositional structure.

Prerequisite(s): None

4 sessions / 16 total hrs $275 Register by Feb 22

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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

take the n ex enrol in ot step ur

part-time certificate in painting learn m ore: p. 4

APPLIED TECHNIQUES THE BUILT SURFACE: PAINT AND COLLAGE Jeanne Krabbendam CEPN 165 S001 Feb 18 - Apr 14 Thu 6:00 pm - 10:00 pm 6 sessions / 24 total hrs $315 Register by Feb 13 No class Mar 3, Mar 24

+ Apr 7

Explore non-traditional art materials and ways of working in this introductory course on collage and the built surface. Projects introduce you to image-transfer techniques, collage, spackle and mixed composites.

You will experiment with various painting techniques such as frottage, grattage, staining and separation effects. Themes, symbols and concepts related to the object or the place it was found will be developed through discussion and critiques.

Prerequisite(s): None

ANYTHING BUT THE BRUSH Jeanne Krabbendam CEPN 190 S001 Mar 12 - Apr 23 Sat 9:00 am - 1:00 pm 6 sessions / 24 total hrs $310 Register by Mar 7 No class Mar 26

This course will challenge you to expand your approach to paint application by introducing you to a broad range of usual and less usual art tools, from knives and rollers to tile-cutters, brooms, sticks and trowels. In this course, you will step outside of your usual methods and set aside your most comfortable ways of working with paint. Assignments will focus on larger projects and on creating paint-based mixed media art in nonconventional ways.

Prerequisite(s): None

MIXED MEDIA PAINTING TECHNIQUES Lori Goldberg CEPN 169 S001 Jan 24 - Mar 20 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $285 Register by Jan 19 No class Feb 7

For both beginner and experienced painters, this course introduces the process of image-making on a variety of surfaces.

Working with a range of materials such as gesso, plaster, paint, ink, charcoal, and various papers, you will explore expression and emotion through layering, drawing and brushwork.

Prerequisite(s): None

REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

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PAINTING (CONT’D) SKILL BUILDING OIL PAINTING II Helena Wadsley CEPN 262 S001 Mar 20 - Apr 17 Sun 2:00 pm - 6:00 pm 4 sessions / 16 total hrs $245 Register by Mar 15

This intermediate course expands your exploration with oil paint, and focuses on your development, exploration and analysis of colour, composition, use of scale, subject matter and technical processes.

Partly directed through exercise, and partly self-directed studio, throughout the course you will consider examples from contemporary and historical painting and how they inform your work.

FORMS AND CONCEPTS IN CONTEMPORARY PAINTING Elizabeth Barnes CEPN 270 S001 Mar 6 - Apr 17 Sun 2:00 pm - 6:00 pm 6 sessions / 24 total hrs $295 Register by Mar 1 No class Mar 27

Prerequisite(s): CEPN 162 Fundamentals of Oil Painting or equivalent

WATERCOLOUR PAINTING II Elena Underhill CEPN 263 S001 Feb 10 - Mar 2 Wed 6:00 pm - 10:00 pm 4 sessions / 16 total hrs $245 Register by Feb 5

This intermediate course expands your fundamental skills in watercolour. You will continue to explore traditional, alternative and experimental approaches to creating imagery that is lively, vibrant and authentic.

Experimentation and improvisation will help you open up the more expressive and communicative qualities of this fluid and flexible medium. Inspiration will come from working with the still life, the human figure and more imaginative exercises.

Prerequisite(s): This course is geared towards those with a current painting practice

PAINTING TECHNIQUES Ian Forbes CEPN 271 S001 Feb 13 - Apr 9 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $325 Register by Feb 8 No class Mar 26

Prerequisite(s): CEPN 163 Fundamentals of Watercolour or equivalent

CEPN 265 S001 Mar 16 - Apr 20 Wed 6:00 pm - 10:00 pm 6 sessions / 24 total hrs $275 Register by Mar 11

24

Expanding on techniques introduced in CEPN 165, you will explore more challenging projects including experimenting with the juxtaposition of objects and materials for meaningful configurations. Painting techniques explored will include image alteration, and the use of various gels and cold wax. Personal imagery, themes and symbols will continue to be developed through discussion and critiques, with an emphasis on design and creating one-of-akind surface styles.

Prerequisite(s): CEPN 165 The Built Surface: Paint and Collage or equivalent

Move beyond technical deficiencies keeping you from reaching your full painting potential as you work through this intensive circuit of exercises designed to explore the full muscle power of your brush and palette.

Great for the beginner just starting out, as well as for advanced artists wanting to refine skills and gain greater confidence in paint application. Course work will be done using acrylic paints.

Prerequisite(s): Any 100-level painting course or equivalent

EXPLORING THE BUILT SURFACE: GELS AND WAX Jeanne Krabbendam

This unique course combines studio work and contemporary art history with a focus on the practice of painting. This course is ideal for students who are interested in locating their own practice within the contemporary art market and gallery system.

You will be equipped with, and encouraged to locate, your own practice within broader themes and trends. Through field trips, critiques and presentations you will further your studio work, while being encouraged to develop ways of talking about your painting practice in new and contemporary ways.

FROM NATURALISM TO ABSTRACTION Elizabeth Barnes CEPN 277 S001 Mar 7 - Apr 18 Mon 6:00 pm - 10:00 pm 6 sessions / 24 total hrs $295 Register by Mar 2 No class Mar 28

This course will guide students in the experience of working through observation of natural objects and the land, towards an understanding of how observed patterns in nature can inform both structures and process in creating abstraction. Work will begin with drawing and will move to large-scale paintings, introducing nontraditional techniques in paint application and mixed media.

Prerequisite(s): None

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

PAINTING THE PORTRAIT Andrea Taylor CEPN 352 S001 Feb 3 - Mar 9 Wed 6:00 pm - 10:00 pm 6 sessions / 24 total hrs $300 Register by Jan 29

Learn accurate and expressive portrait painting through working from the live model, supplemented with understanding of the proportions and forms of the human head and skull. In addition, you will learn analysis and depiction of features and how to mix a range of warm and cool skin colours. Use of materials, mediums, brushes, finishes and approaches will also be discussed. Reference to contemporary and historical portraiture, demonstrations and feedback will be provided throughout.

Prerequisite(s): Any 100-level painting course or equivalent; Some prior experience in drawing or painting the face is recommended, but not mandatory

LANDSCAPE AND NATURAL ELEMENTS EN PLEIN AIR Elena Underhill CEPN 372 S001 Mar 20 - Apr 17 Sun 9:00 am - 1:00 pm 4 sessions / 16 total hrs $275 Register by Mar 15

Prerequisite(s): CEPN 271 Painting Techniques or equivalent

PAINTING SURFACES: THICK, TEXTURED, GLOSSY AND TRANSPARENT Lori Goldberg CEPN 902 S001 Mar 3

Elena Underhill CEPN 371 S001 Feb 21 - Mar 13 Sun 9:00 am - 1:00 pm 4 sessions / 16 total hrs $235 Register by Feb 16

This course is an intensive, exercisestructured environment with a focus on approaches to painting natural elements, creating landscapes and narrative paintings. It will introduce the element of plein air, working out-of-doors, in nature.

COMPOSITION AND THE PICTURE PLANE

Thu 6:00 pm - 9:00 pm

Learn to draw and paint a portrait working from a live model, supplemented with an understanding of the proportions and forms of the human head and skull. In addition, you will learn analysis and depiction of features and how to mix a range of warm and cool skin colours. Use of materials, mediums, brushes, finishes and approaches will also be discussed. Reference to contemporary and historical portraiture, demonstrations and feedback will be provided throughout.

$65

1 session / 3 total hrs Register by Feb 26

This workshop will look at ways to achieve dynamic multi-layered affects using different applications of acrylic mediums, gesso and paint. Through hands-on exploration, students will gather knowledge about the different types of mediums that can be used with acrylic paint.

Prerequisite(s): CEPN 271 Painting Techniques or equivalent

REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

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PHOTOGRAPHY FUNDAMENTALS BLACK-AND-WHITE FILM PHOTOGRAPHY I AND II Diane Evans CEPH 148 S001 Feb 14 - Apr 17 Sun 1:00 pm - 5:00 pm 9 sessions / 36 total hrs $425 Register by Feb 9 No class Mar 27

This course is for students seeking a robust introduction to the manual operation of a 35mm camera and black-and-white darkroom techniques. Topics include: principles of exposure, use of natural light in photographic imagery, film processing, enlargement techniques and the machine processing of prints. You will be encouraged to expand your understanding of the technical and aesthetic possibilities of photography while developing an awareness of your own approach and interests.

More importantly, you will have the opportunity to work in Emily Carr’s photography studios under the guidance of expert instructors. Students must supply their own 35mm camera.

THE MAGIC OF STREET PHOTOGRAPHY Josh Hite CEPH 230 S001 Mar 10 - Apr 21 Thu 6:00 pm - 10:00 pm 6 sessions / 24 total hrs $285 Register by Mar 5 No class Mar 24

The street has been a subject of interest since the birth of photography. From Eugene Atget and Henri Cartier-Bresson, to Robert Frank and Diane Arbus, the camera became the lens through which photographers began to observe and document everyday life. In this course, you will walk the streets to discover ever-changing inspiration, while learning important considerations for composition, lighting and subject matter.

Through lectures and hands-on assignments the course will feature in-depth critiques, feed-back and discussions. Note: This course does not include darkroom access.

Prerequisite(s): Foundation in photographic principles and practical knowledge of your own camera

Prerequisite(s): None

INTRODUCTION TO DIGITAL PHOTOGRAPHY Josh Hite

t step take the nexour in l enro

part-time certificate hiny photogra: p p. 4 learn more

warning: Pregnant or breast-feeding women are prohibited from taking photography courses with darkroom access due to the chemicals involved.

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CEPH 250 S001 Mar 2 - Apr 20 Wed 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $300 Register by Feb 25

This course is designed for those beginning to explore photography using a digital, as well as for those wanting to add digital techniques to their current photographic practice. While focusing on the specific nature of digital photography, you will also be exposed to larger considerations of composition, lighting and framing. In addition you will learn basic image editing and printing techniques. The course is organized on a series of projects, but also offers you the opportunity to work on your independent projects. Note: This course does not provide robust Photoshop skills, but introductory techniques as applied to the projects in the course.

Prerequisite(s): Proficient Macintosh skills or equivalent; students are required to bring their own digital camera with USB connectivity

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

SKILL BUILDING CONTEMPORARY PORTRAITURE Kathryn Mussallem CEPH 340 S001 Mar 30 - Apr 20 Wed 6:00 pm - 10:00 pm 4 sessions / 16 total hrs $225 Register by Mar 25

The ability to create a compelling portrait is an important skill for any photographer.

This practical and theoretical introduction to photographic portraiture is an opportunity for any student wanting to expand their photographic portrait style and techniques.

Exploring the history and evolution of photographic portraiture and the practical techniques used for producing a contemporary portrait, this course will include the use of natural and studio lighting and working with live models, as well as photographing your own subjects. This course is for both analog and digital photographers. Note: This course does not include darkroom access.

Prerequisite(s): Foundation in photographic principles and practical knowledge of your own camera

REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

THE ART OF ARCHITECTURAL PHOTOGRAPHY Kathryn Mussallem CEPH 441 S001 Feb 13 - Mar 5 Sat 9:00 am - 1:00 pm 4 sessions / 16 total hrs $250 Register by Feb 8

In this course, you will learn introductory techniques for architectural photography for both interior and exterior condition.

From lighting and framing, to preparing and setting up for the shoot, this course will balance demonstrations with hands-on assignments and location shoots. This course is ideal for someone who may want to consider commercial photography options such as real-estate or interior design, or someone who wants to better expand their creative vocabulary towards their own independent work.

Prerequisite(s): CEPH 148 Black-andWhite Film Photography I + II, CEPH 250 Introduction to Digital Photography, or equivalent experience

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PRINTMAKING FUNDAMENTALS LETTERPRESS I Andrea Taylor CEPR 112 S001 Jan 23 - Feb 20 Sat 10:00 am - 5:00 pm 4 sessions / 24 total hrs $395 Register by Jan 18 No class Feb 6

Come and learn to hand set metal and wood type, mix ink, use letterpress printing presses, determine paper grain, pull proofs, print, and distribute type. You can print cards or broadsides, short poems or other short text of your choice using the selection of wood and metal type and ornaments available in Emily Carr’s Letterpress room. This course focuses on the traditional methods of hand typesetting using the school’s collection of metal and wood type.

The class also includes an opportunity for students to do linocut printmaking, and hot foil stamping. Our rich printing history comes to life as you discover the origins of design methods and language we all use in the digital world today.

Prerequisite(s): None

TEXTILE PRINTING I Eleanor Hannan CEPR 164 S001 Feb 13 - Mar 19 Sat 1:30 pm - 5:30 pm 6 sessions / 24 total hrs $420

Textile printing is the application of colour in definite patterns or designs to fabrics.

You will practice a number of methods for printing on fabrics, including block printing and screenprinting. Lessons in concepts and creative approaches, as well as technical practices such as basic dyeing and fabric painting, will lead towards establishing a home practice set-up for fabric printing. You will learn about various types of dyes and fabric pigments.

Paint techniques and cloth types appropriate to each method used will be demonstrated.

Register by Feb 8

Prerequisite(s): None

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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

PRINTMAKING TECHNIQUES Shin Minegishi CEPR 165 S001 Feb 27 - Mar 19 Sat 10:00 am - 4:00 pm 4 sessions / 24 total hrs $245 Register by Feb 22

This course introduces you to the basics of printmaking through three different techniques: intaglio, lithography, and Japanese woodblock. You will start with intaglio as you learn to work with drypoint on plexiglass. In the lithography section, you will draw on polymer sheets, then print your image using a litho press. You will complete your introduction with Japanese style woodblock using hand rubbing as you explore relief printing. On completion, you will have a broad knowledge of printmaking and three sets of prints.

BOOK BINDING BASICS Aimée Brown CEPR 903 S001 Jan 21 Thu 6:00 pm - 9:00 pm 1 session / 3 total hrs $65 Register by Jan 16

Discover the potential of book arts with two easy hand-made bookbinding techniques. Learn how to fold, cut and cover an accordion book and how to assemble, fold and sew a softcover journal. Explore the possibilities for making your own notebooks, notepads and self-published printed matter.

Equipment, materials, and creative alternatives will be discussed.

Prerequisite(s): None

LETTERPRESS BASICS Marlene Yuen CEPR 904 S001 Vanessa Hall-Patch CEPR 902 S001 Mar 20 Sun 10:00 am - 4:00 pm 1 session / 6 total hrs $130 Register by Mar 15

SCREEN PRINTING WITH CUT STENCILS

Feb 11

This workshop introduces the basics of screen printing using hand-cut stencils. Through demos and hands-on experimentation, participants will learn basic techniques in screen and surface preparation, mixing inks, registration and printing. Participants will leave the workshop with a small edition of multi-layered prints. Note: Tuition includes the costs of supplies.

Thu 6:00 pm - 9:00 pm

REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

1 session / 3 total hrs $65 Register by Feb 6

Learn to set movable wood type and print on a table top sign press. Students will learn basic letterpress terminology and leave the workshop with a few hand printed greeting/Valentine’s cards. This workshop is geared towards anyone with an interest in letterpress printing; students wishing to explore beyond the workshop are encouraged to sign up for CEPR 112 Letterpress I.

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PROFESSIONALISING YOUR PRACTICE FUNDAMENTALS THE BUSINESS OF ART PRACTICE Annie Briard CEPD 190 S001 Jan 19 - Feb 11 Tue + Thu 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $245 Register by Jan 14

This practical course introduces you to basic professional skills that will be integral in your pursuit of a career in the visual arts. This course is focused on the business of art practice: record keeping; seeking representation and exhibition; pricing; marketing; publicity and legal considerations.

You will work on creating a basic business plan, as well as core portfolio materials and will learn the basics of sourcing financial, space, equipment and other professional resources.

PHOTO DOCUMENTATION FOR PORTFOLIO Josh Hite CEPD 902 S001 Feb 7 Sun 10:00 am - 4:00 pm 1 session / 6 total hrs $130 Register by Feb 2

WRITING FOR ARTIST RESIDENCIES AND GRANT APPLICATIONS

Prerequisite(s): None April Liu Tony O’Regan CEPD 210 S001 Feb 20 - Apr 16 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $245 Register by Feb 15 No class Mar 26

Prepare to document your artwork for portfolio by learning about the fundamental techniques for photo-documentation, including proper lighting, camera function, basic post-production and file management.

Students must bring a camera and either USB or link to previous documentation of work for discussion.

THE BUSINESS OF DESIGN PRACTICE

CEPD 903 S001

How you present yourself to the public can make or break your design practice.

Through lecture and discussion, this practical workshop will introduce strategies and techniques for the profitable marketing of your creative design services.

Determining who your clients are, identifying your distinctive qualities as a creative professional, crafting your communications to connect effectively with your potential clients, discovering professional resources, developing a marketing plan and making a winning presentation will be covered. This course is ideal for those involved in design practice or for students just discovering design.

Apr 7 Thu 6:00 pm - 9:00 pm 1 session / 3 total hrs $65 Register by Apr 2

Are you a visual artist or an arts organization seeking funding for a project or residency?

This workshop introduces principles and strategies for writing a successful application for a project grant or residency. Criteria for the BC Arts Council Assistance Program and Canada Council Project Grants for Artists will be discussed.

Prerequisite(s): None

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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

SCULPTURE + INSTALLATION FUNDAMENTALS INTRODUCTION TO MOLD DESIGN AND CASTING Phillip Robbins CESC 178 S001 Feb 22 - Apr 18 Mon 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $300 Register by Feb 17 No class Mar 28

Molds, and the production of multiples, are a fundamental component of many sculptural processes and require a specific sequence of steps and attention to particular details for the creation of professional final results.

This intensive, hands-on course explores the essential processes of plasterwork, mold making and casting with an emphasis on the subtleties of mold design and material tips and tricks. You will develop an in-depth knowledge of plaster and related materials, their working characteristics and their appropriateness for casting particular types of shapes in various types of material (synthetic, organic or ceramic).

Prerequisite(s): None

REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

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SCULPTURE + INSTALLATION (CONT’D) FUNDAMENTALS (cont’d) INTRODUCTION TO METAL SCULPTURE Ian Rhodes CESC 180 S001 Jan 19 - Mar 29 Tue 6:30 pm - 9:30 pm 11 sessions / 32 total hrs $455 Register by Jan 14 Last class (Mar 29)

6:30pm - 8:30pm

This hands-on introductory course explores the fundamental concepts, materials, processes and techniques of contemporary metal sculpture. You will examine a broad spectrum of metal fabrication techniques and technology, and through creative interpretation be encouraged to combine, refine and evaluate these materials, processes and techniques, using them effectively in the creation of a modestly sized metal sculpture. Topics include: variety of techniques for material cutting, shaping and joining, general shop and equipment safety, work flow and planning and material characteristics. Hand tools, stationary equipment and MIG/oxyacetylene welding will also be examined. Note: All consumables (gasses, welding/brazing rod, and fabrication materials) will be supplied for in-class assignments. Most materials for personal projects will be purchased by students. All projects must be vetted and approved by the instructor.

Prerequisite(s): Prior art-making experience is required, experience in three-dimensional art is recommended

INTRODUCTION TO METAL CASTING: THE MOLD Ian Rhodes + Phillip Robbins CESC 190 S001 Jan 21 - Mar 10 Thu 6:30 pm - 9:30 pm

This intensive, hands-on course explores initial workflows in the lead-up to metal casting.

You will design, model, mold and cast in wax a moderately sized object in preparation for metal casting. This course explores many of the fundamental creative, material and technical processes needed in the creation of successful wax objects for metal casting.

8 sessions / 24 total hrs $420 Register by Jan 16

Prerequisite(s): This course is labour-intensive; students must be physically capable and must be able to lift 15 kg

APPLIED TECHNIQUES METAL CASTING: THE POUR Ian Rhodes + Phillip Robbins CESC 200 S001 Mar 31 - Apr 21 Thu 6:00 pm - 10:00 pm 4 sessions / 16 total hrs $280

This intensive, hands-on course - the extension of Intro to Metal Casting: the Mold - explores the dynamics of the foundry process, from the wax object to the finished bronze, centering around Emily Carr University’s induction furnace. You will explore ways of correctly preparing a moderately sized mold, its investment, casting, clean up and patination. Note: Bronze costs for the production of individual projects are not included in the tuition and will be dependent on the size and weight of the finished cast.

Register by Mar 26

Prerequisite(s): CESC 190 Introduction to Metal Casting: the Mold, or permission from the Continuing Studies office. This course is labour-intensive; students must be physically capable and must be able to lift 15 kg

t step take the nexour enrol in

part-time certificate in sculpture

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learn more

: p. 4

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

TEXTILE ARTS SMALL SCALE TAPESTRY Jen Hiebert CETA 901 S001 Jan 31 Sun 10:00 am - 4:00 pm 1 session / 6 total hrs $130

Learn how to hand-weave your own tapestry. Using simple, portable frame looms, you will weave a small sampler showing basic tapestry weaving techniques, including shape-building and colour-blending with yarn. Looms and yarn will be provided.

Register by Jan 26

REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

PATTERN MAKING FUNDAMENTALS Heather Martin CETA 902 S001 Apr 17 Sun 10:00 am - 4:00 pm 1 session / 6 total hrs $130 Register by Apr 12

This workshop will give a brief introduction to the fundamentals of pattern making for apparel and soft product design. Through a series of demonstrations balanced with theory and practical knowledge, the principles behind pattern making processes will be revealed. Students will learn about the tools and processes involved in the basic prototype lifecycle, flat pattern anatomy and the methods of transforming the 2D template into a 3D form.

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COURSES AT A GLANCE COMMUNICATION DESIGN – PAGE 6 CECD 110 S001 BASICS OF COMMUNICATION DESIGN CECD 112 S001 THE ART OF FONTS CECD 140 S001 COPPERPLATE SCRIPT: THEN AND NOW CECD 160 S001 DRAWING FOR DESIGN CECD 320 S001 TYPOGRAPHY CECD 330 S001 PUBLICATION DESIGN CECD 902 S001 ITALIC VARIATIONS IN HAND LETTERING

JAN 20 - FEB 24 FEB 16 - MAR 8 FEB 13 - APR 9 MAR 1 - APR 19 FEB 21 - APR 17 MAR 15 - APR 19 FEB 4 - FEB 4

W T S T SU T TH

6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 1:30 pm - 4:30 pm 6:30 pm - 9:30 pm 1:30 pm - 4:30 pm 6:00 pm - 10:00 pm 6:00 pm - 9:00 pm

BECERRA $275 COE $225 ALEXANDER $295 SAGER $325 COE $285 BECERRA $340 ALEXANDER $65

CORE SKILLS – PAGE 8 CEFA 160 S001 BASICS OF COMPOSITION AND FORM CEFA 160 S002 BASICS OF COMPOSITION AND FORM CEFA 170 S001 MATERIALS AND MEDIA IN FINE ART PRACTICE

JAN 23 - MAR 19 FEB 21 - APR 17 JAN 16 - JAN 30

S SU S

9:30 am - 12:30 pm 1:30 PM - 4:30 pm 9:30 am - 4:00 pm

GRAFTON $325 GRAFTON $325 KAZMER $250

CULTURAL STUDIES – PAGE 9 CESE 110 S001 ISSUES IN CONTEMPORARY DESIGN CESE 160 S001 ISSUES IN CONTEMPORARY ART CESE 180 S001 A SURVEY AND HISTORY OF ART CESE 260 S001 CONTEMPORARY CANADIAN ART

FEB 20 - APR 16 FEB 14 - APR 10 FEB 15 - APR 11 FEB 20 - APR 16

S SU M S

10:30 am - 1:30 pm 9:30 am - 12:30 pm 6:30 PM - 9:30 pm 2:30 PM - 5:30 pm

KUBICEK $330 JONES $295 GILL $295 KUBICEK $295

DIGITAL SKILLS, MEDIA AND TECHNOLOGIES – PAGE 10 CEAN 152 S001 INTRODUCTION TO MAYA CECS 130 S001 ADOBE ILLUSTRATOR: THE BASICS CECS 131 S001 PHOTOSHOP: THE BASICS CECS 133 S001 INDESIGN: THE BASICS CECS 136 S001 THE ADOBE SUITE FOR DESIGN AND PRODUCTION CECS 136 S002 THE ADOBE SUITE FOR DESIGN AND PRODUCTION CECS 140 S001 PHOTOSHOP FOR PHOTOGRAPHERS CECS 154 S001 INTRODUCTION TO MODO CEDA 140 S001 DIGITAL ANIMATION CEDA 232 S001 INTRODUCTION TO WEB DESIGN CEDA 250 S001 INTRODUCTION TO WORDPRESS

FEB 20 - FEB 21 JAN 23 - MAR 19 FEB 13 - APR 9 FEB 14 - APR 10 JAN 30 - APR 2 FEB 22 - APR 18 JAN 17 - MAR 13 JAN 23 - JAN 24 FEB 23 - APR 12 JAN 24 - FEB 21 FEB 28 - MAR 20

S + SU S S SU S M SU S + SU T SU SU

10:00 am - 4:30 pm 1:30 PM - 4:30 pm 9:30 am - 12:30 pm 1:30 PM - 4:30 pm 2:00 PM - 6:00 pm 6:00 PM - 10:00 pm 9:30 am - 12:30 pm 10:00 am - 4:30 pm 6:30 PM - 9:30 pm 9:30 am - 4:30 pm 9:30 am - 4:30 pm

GROPPI $195 CLAY $395 CLAY $425 HIEBERT $395 HIEBERT $495 RODRIGUEZ $495 MUSSALLEM $425 GROPPI $195 CLAY $390 MCMILLAN $385 MCMILLAN $385

DRAWING – PAGE 13 CEDR 160 S001 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 S002 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 S003 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 S004 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 S005 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 162 S001 PERSPECTIVE DRAWING FOR ARTISTS AND DESIGNERS CEDR 163 S001 CREATIVE DRAWING AND ARCHITECTURE CEDR 164 S001 DRAWING INTO PAINTING: AN INTRODUCTION CEDR 165 S001 DRAWING AND COLLAGE CEDR 167 S001 DRAWING WITH PEN AND INK: BLACK-AND-WHITE CEDR 180 S001 LINE DRAWING TECHNIQUES CEDR 215 S001 LIFE DRAWING IN COLOR CEDR 252 S001 DRAWING THE PORTRAIT CEDR 261 S001 DRAWING THE FIGURE AND FACE CEDR 263 S001 INTRODUCTION TO LIFE DRAWING CEDR 267 S001 DRAWING WITH PEN AND INK: COLOUR CEDR 310 S001 DRAWING OPEN STUDIO CEDR 400 S001 LIFE DRAWING OPEN STUDIO CEDR 901 S001 EXPERIMENTAL MARK MAKING: INK CEDR 902 S001 USING THE GRID METHOD FOR DRAWING AND PAINTING

JAN 23 - MAR 19 JAN 26 - MAR 15 JAN 30 - APR 2 FEB 15 - APR 11 FEB 20 - APR 16 FEB 21 - APR 17 FEB 21 - APR 17 MAR 16 - APR 20 FEB 4 - MAR 31 JAN 24 - MAR 20 FEB 20 - APR 16 FEB 14 - APR 10 JAN 23 - MAR 19 MAR 8 - APR 5 FEB 21 - APR 17 FEB 4 - APR 14 FEB 18 - FEB 25 MAR 5 - APR 2 APR 21 - APR 21 JAN 28 - JAN 28

S T S M S SU SU W TH SU S SU S T SU TH TH S TH TH

1:30 PM - 4:30 pm 6:30 PM - 9:30 pm 9:30 AM - 12:30 pm 6:30 PM - 9:30 pm 9:30 am - 12:30 pm 9:30 am - 12:30 pm 1:30 PM - 4:30 pm 6:00 PM - 10:00 pm 6:30 PM - 9:30 pm 1:30 PM - 4:30 pm 1:30 PM - 4:30 pm 1:30 PM - 4:30 pm 9:30 am - 12:30 pm 6:30 PM - 9:30 pm 9:30 am - 12:30 pm 6:30 PM - 9:30 pm 6:00 PM - 10:00 pm 1:00 PM - 5:00 pm 6:00 PM - 9:00 pm 6:00 PM - 9:00 pm

GRAFTON $285 JONES $285 GUDERNA $285 GUDERNA $285 LANGERGRABER $285 O’REGAN $315 O’REGAN $300 GOLDBERG $300 BROWN $295 HUNC $300 ISRAEL $300 SAGER $345 SAGER $315 LANGERGRABER $235 GRAFTON $345 HUNC $300 SAGER $125 UNINSTRUCTED $95 HUNC $65 ISRAEL $65

FILM/VIDEO – PAGE 18 CEFV 170 S001 ADOBE PREMIERE PRO: THE BASICS

MAR 2 - APR 20

W

6:30 PM - 9:30 pm

CLAY $375

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EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

GRAPHIC NOVEL – PAGE 18 CEGN 160 S001 THE CONTEMPORARY COMIC: AN INTRODUCTION

FEB 22 - APR 18

M

6:30 PM - 9:30 pm

LAWRENCE $235

ILLUSTRATION – CEIL 170 S001 CEIL 230 S001 CEIL 235 S001 CEIL 240 S001 CEIL 250 S001 CEIL 260 S001 CEIL 440 S001

JAN 23 - MAR 19 FEB 10 - MAR 30 JAN 24 - MAR 20 JAN 26 - MAR 15 MAR 13 - APR 17 FEB 21 - APR 17 JAN 24 - APR 17

S W SU T SU SU SU

1:30 PM - 4:30 pm 6:30 PM - 9:30 pm 1:30 PM - 4:30 pm 6:30 PM - 9:30 pm 1:30 PM - 4:30 pm 9:30 am - 12:30 pm 1:30 PM - 4:30 pm

THOMPSON $295 THOMPSON $295 THOMPSON $295 CINAR $295 OKADA $215 HUNC $300 CINAR $350

JAN 23 - MAR 5 FEB 18 - APR 21 FEB 24 - APR 13 APR 2 - APR 3 MAR 5 - APR 16 MAR 24 - MAR 24

S TH W S + SU S TH

1:30 PM - 4:30 pm CHAN $295 6:30 PM - 9:30 pm KOZAK $295 6:30 PM - 9:30 pm BAYER $315 10:00 am - 4:30 pm GROPPI $195 1:30 PM - 5:30 pm STANILAND $335 6:00 PM - 9:00 pm KOZAK $65

JAN 19 - MAR 8 JAN 30 - APR 2 JAN 19 - MAR 8 MAR 6 - APR 17 JAN 17 - MAR 13 JAN 25 - MAR 21 JAN 21 - FEB 11 FEB 27 - MAR 19 FEB 18 - APR 14 JAN 24 - MAR 20 MAR 12 - APR 23 MAR 20 - APR 17 FEB 10 - MAR 2 MAR 16 - APR 20 MAR 6 - APR 17 FEB 13 - APR 9 MAR 7 - APR 18 FEB 3 - MAR 9 FEB 21 - MAR 13 MAR 20 - APR 17

T S T SU SU M TH S TH S S SU W W SU S M W SU SU

6:30 PM - 9:30 pm GUDERNA $355 1:30 PM - 4:30 pm GUDERNA $355 6:30 PM - 9:30 pm GOLDBERG $310 9:00 am - 1:00 pm BARNES $310 1:30 PM - 4:30 pm WADSLEY $310 6:30 PM - 9:30 pm UNDERHILL $310 6:00 PM - 10:00 pm GUDERNA $275 1:30 PM - 5:30 pm GOLDBERG $275 6:00 PM - 10:00 pm KRABBENDAM $315 9:30 am - 12:30 pm GOLDBERG $285 9:00 am - 1:00 pm KRABBENDAM $310 2:00 PM - 6:00 pm WADSLEY $245 6:00 PM - 10:00 pm UNDERHILL $245 6:00 PM - 10:00 pm KRABBENDAM $275 2:00 PM - 6:00 pm BARNES $295 9:30 am - 12:30 pm FORBES $325 6:00 PM - 10:00 pm BARNES $295 6:00 PM - 10:00 pm TAYLOR $300 9:00 am - 1:00 pm UNDERHILL $235 9:00 am - 1:00 pm UNDERHILL $275

MAR 3 - MAR 3

TH

6:00 PM - 9:00 pm

PHOTOGRAPHY – PAGE 26 CEPH 148 S001 BLACK-AND-WHITE FILM PHOTOGRAPHY I AND II CEPH 230 S001 THE MAGIC OF STREET PHOTOGRAPHY CEPH 250 S001 INTRODUCTION TO DIGITAL PHOTOGRAPHY CEPH 340 S001 CONTEMPORARY PORTRAITURE CEPH 441 S001 THE ART OF ARCHITECTURAL PHOTOGRAPHY

FEB 14 - APR 17 MAR 10 - APR 21 MAR 2 - APR 20 MAR 30 - APR 20 FEB 13 - MAR 5

SU TH W W S

1:00 PM - 5:00 pm EVANS $425 6:00 pm - 10:00 pm HITE $285 6:30 pm - 9:30 pm HITE $300 6:00 PM - 10:00 pm MUSSALLEM $225 9:00 am - 1:00 pm MUSSALLEM $250

PRINTMAKING – CEPR 112 S001 CEPR 164 S001 CEPR 165 S001 CEPR 902 S001 CEPR 903 S001 CEPR 904 S001

JAN 23 - FEB 20 FEB 13 - MAR 19 FEB 27 - MAR 19 MAR 20 - MAR 20 JAN 21 - JAN 21 FEB 11 - FEB 11

S S S SU TH TH

10:00 am - 5:00 pm 1:30 PM - 5:30 pm 10:00 am - 4:00 pm 10:00 am - 4:00 pm 6:00 PM - 9:00 pm 6:00 PM - 9:00 pm

PAGE 19 INTRODUCTION TO ILLUSTRATION COMMERCIAL ILLUSTRATION EDITORIAL ILLUSTRATION ILLUSTRATION FOR PICTURE BOOKS FASHION ILLUSTRATION I PEN AND INK BOOK ILLUSTRATION ILLUSTRATION FOR PICTURE BOOKS III

INDUSTRIAL DESIGN – PAGE 21 CEID 120 S001 BASICS OF INDUSTRIAL DESIGN CEID 121 S001 EXPLORATION OF 3D DESIGN CEID 122 S001 BASICS OF ARCHITECTURAL DESIGN CEID 235 S001 INTRODUCTION TO RHINO CEID 420 S001 3D DESIGN STUDIO CEID 902 S001 INTRODUCTION TO SCALE DRAWING PAINTING - PAGE 22 CEPN 160 S001 PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS CEPN 160 S002 PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS CEPN 161 S001 FUNDAMENTALS OF ACRYLIC PAINTING CEPN 161 S002 FUNDAMENTALS OF ACRYLIC PAINTING CEPN 162 S001 FUNDAMENTALS OF OIL PAINTING CEPN 163 S001 FUNDAMENTALS OF WATERCOLOUR CEPN 164 S001 USING COLOUR CEPN 164 S002 USING COLOUR CEPN 165 S001 THE BUILT SURFACE: PAINT AND COLLAGE CEPN 169 S001 MIXED MEDIA PAINTING TECHNIQUES CEPN 190 S001 ANYTHING BUT THE BRUSH CEPN 262 S001 OIL PAINTING II CEPN 263 S001 WATERCOLOUR PAINTING II CEPN 265 S001 EXPLORING THE BUILT SURFACE: GELS AND WAX CEPN 270 S001 FORMS AND CONCEPTS IN CONTEMPORARY PAINTING CEPN 271 S001 PAINTING TECHNIQUES CEPN 277 S001 FROM NATURALISM TO ABSTRACTION CEPN 352 S001 PAINTING THE PORTRAIT CEPN 371 S001 COMPOSITION AND THE PICTURE PLANE CEPN 372 S001 LANDSCAPE AND NATURAL ELEMENTS EN PLEIN AIR CEPN 902 S001 PAINTING SURFACES: THICK, TEXTURED,

GLOSSY AND TRANSPARENT

PAGE 28 LETTERPRESS I TEXTILE PRINTING I PRINTMAKING TECHNIQUES SCREEN PRINTING WITH CUT STENCILS BOOK BINDING BASICS LETTERPRESS CARDS

GOLDBERG $65

TAYLOR $395 HANNAN $420 MINEGISHI $245 HALL-PATCH $130 BROWN $65 YUEN $65

35

PROFESSIONALISING YOUR PRACTICE – PAGE 30 CEPD 190 S001 THE BUSINESS OF ART PRACTICE CEPD 210 S001 THE BUSINESS OF DESIGN PRACTICE CEPD 902 S001 PHOTO DOCUMENTATION FOR PORTFOLIO CEPD 903 S001 WRITING FOR ARTIST RESIDENCIES AND

GRANT APPLICATIONS

JAN 19 - FEB 11 FEB 20 - APR 16 FEB 7 - FEB 7

T + TH S SU

6:30 PM - 9:30 pm 1:30 PM - 4:30 pm 10:00 am - 4:00 pm

BRIARD $245 O’REGAN $245 HITE $130

APR 7 - APR 7

TH

6:00 PM - 9:00 pm

LIU $65

SCULPTURE + INSTALLATION – PAGE 31 CESC 178 S001 INTRODUCTION TO MOLD DESIGN AND CASTING CESC 180 S001 INTRODUCTION TO METAL SCULPTURE CESC 190 S001 INTRODUCTION TO METAL CASTING: THE MOLD CESC 200 S001 METAL CASTING: THE POUR

FEB 22 - APR 18 JAN 19 - MAR 29 JAN 21 - MAR 10 MAR 31 - APR 21

M T TH TH

6:30 PM - 9:30 pm 6:30 PM - 9:30 pm 6:30 PM - 9:30 pm 6:00pm - 10:00pm

ROBBINS $300 RHODES $455 RHODES + ROBBINS $420 RHODES + ROBBINS $280

TEXTILE ARTS – PAGE 33 CETA 901 S001 SMALL SCALE TAPESTRY CETA 902 S001 PATTERN MAKING FUNDAMENTALS

JAN 31 - JAN 31 APR 17 - APR 17

SU SU

10:00 am - 4:00 pm 10:00 am - 4:00 pm

HIEBERT $130 MARTIN $130

HOW TO REGISTER Registration opens at 9:00 am on November 17, 2015.

Register Online ecuad.ca/cs Secure your spot in the courses you want through our online registration system. Registering online is easy, fast and secure and you can do it at any time and from anywhere in the world. For instructions on how to use our online registration system, insideEC, visit our website: connect.ecuad.ca/register

Register by Phone Give us a call at 604 844 3810.

Register in Person Drop by the Continuing Studies office at 1399 Johnston Street on Granville Island in Vancouver.

Gift Certificates

GIVE THE GIFT OF A NEW EXPERIENCE

Continuing Studies allows you to give the gift of a course, Leeway membership or credit of any amount towards our general programming.

PURCHASE BY PHONE (604 844 3810) OR IN PERSON AT THE CS OFFICE.

CONTINUING STUDIES OFFICE HOURS Monday, Wednesday + Thursday 8:30 am – 4:30 pm Tuesday 9:30 am – 4:30 pm Friday 8:30 am – 12:30 pm Note: Cash and Interac payments accepted during Accounting Office hours only: Monday to Thursday 8:30 am – 4:00 pm Friday 10:00 am – 4:00 pm

36

Holidays Emily Carr Continuing Studies will not run any courses on February 8 (Family Day), March 25 (Good Friday), or March 28 (Easter Monday).

connect.ecuad.ca/register

csinfo@ecuad.ca 604 844 3810

Leeway Membership - Join our Studio The Leeway is a membership-based community studio space where artists and designers can explore new techniques, work among peers and learn from experienced instructors through scheduled workshops. Access to professional equipment, tools and materials as well as support from knowledgeable studio technicians allow Leeway members the freedom to experiment and create.

MEMBERSHIP BENEFITS

STANDARD MEMBERSHIP

X Unlimited access to The Leeway during regular University hours (except during scheduled demos + workshops) X Technical support and resources for a wide range of disciplines X Access to professional equipment, small tools and basic art materials X Storage for artwork and materials X Up to 30% discount at Opus Framing and Art Supplies X Community borrowers’ Library access

$200 / month $635 / term * $1,750 / year*

DISCOUNTED MEMBERSHIP for Alumni, Seniors (60+) and Staff $150 / month $465 / term * $1,250 / year * *Yearly and four-month term memberships start in January,

EQUIPMENT A multi-disciplinary studio, The Leeway is equipped with 4 ft by 8 ft worktables (incl. one dedicated cutting surface), flat files, light table, easels, portable drafting tables, drawing boards, small tools and more.

May or September

BECOME A MEMBER Register online: ecuad.ca/cs

CONTACT US In addition to the above amenities, Leeway members have access to the following equipment: X iMac with Adobe CS 6 X Epson Perfection V600 Photo Scanner X Epson Stylus Pro Wide Format Printers (up to 17” wide) X Canon EOS Rebel T3i 18mp Digital camera X Copy stand for 2D photo-documentation X 500W Hensel Integra 500 kit with softbox and umbrella X Pfaff 1040 Sewing Machine X Showcard Table Top Proofing Press with wood and lead type X Aaxa P300 Pico Projector X Charles Brand Etching Press (20”x40” bed)

REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

Email: theleeway@ecuad.ca Phone: 604 844 3810 In person: Continuing Studies, Rm 103 Emily Carr University of Art + Design 1399 Johnston Street, Vancouver, BC V6H 3R9

ecuad.ca/theleeway

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REGISTRATION POLICIES + GENERAL INFORMATION Admission to individual courses is on a first-come, firstserved basis. Early registration is strongly recommended as class sizes are limited. Unless otherwise indicated, students in Continuing Studies (CS) courses must be at least 18 years old by the course start date.

Registration Deadlines You are encouraged to register at least five days before a course’s start date to ensure your seat. If seats are available, registrations may be accepted up to one day prior to the first day of the course. Students who do not appear on the instructor’s course list will not be permitted to attend. Please note that no registrations are accepted after a course has started.

Fees Your tuition fees cover the cost of the course and, in some cases, materials provided by the instructor. However, most courses require students to purchase additional materials.

Fees are payable at the time of registration. Payment can be made through cash, debit and credit. Failure to make payment within 24 hours of registration will result in being removed from your course(s).

Course Materials Most Continuing Studies courses require that you purchase supplies. A list of required and recommended items is included in your registration statement and available online at connect.ecuad.ca/courses. Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies on Granville Island, and at Petrov’s Art & Craft Supplies in North Vancouver. You must present your course registration confirmation/receipt to receive your discount.

Prerequisites Most Continuing Studies courses are open to everyone, regardless of their experience level. However, we also offer advanced courses for more experienced students. If a course requires a prerequisite course or its equivalent, we highly recommend that you take the prerequisite course prior to taking the advanced course. Please note: If you are not at the level required for the course, the instructor reserves the right to recommend you be transferred into a course that is more suited to your skill level.

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Language Requirements All courses are taught in English. Students whose first language is not English should note that they are required to be proficient in written and spoken English and be able to participate in group discussions and presentations in English. As a guideline, we would expect you to have an IELTS score of 4.5 for studio courses and 6.0 for lecture courses. Please note: If you are not at an appropriate language level, Continuing Studies reserves the right to move you to a course more suitable to your skill level.

Registration Statement When you register online, you will automatically receive a “Class/Payment Acknowledgement” email with links to your course timetable, room location and materials list online. If you do not receive an email, please make sure your current email address is listed on your account and then contact the CS office. If you register in person, by phone or by fax, you will receive an email with your registration statement within 24 hours. Please note: We no longer send registration statements by mail.

Wait Lists If a course is full, contact the CS office to be added to a wait list. If a seat opens up in the course, you will be contacted by the CS office to be enrolled in the course. There is no cost to be added to the wait list and you are under no obligation to register if a space becomes available. Students on wait lists cannot attend classes.

Withdrawal and Refund Policy No refund will be given if notification of withdrawal is received less than seven full calendar days before the start of the course. Exceptions are only considered as they pertain to extenuating circumstances on an individual basis.

In such cases, a written request for refund, accompanied by appropriate documentation from a third party (e.g. subpeona), must be submitted. A refund or a tuition voucher, minus an administrative charge of $35 per course, will be issued if notification of withdrawal is received more than seven full calendar days prior to the course start date. Students may withdraw from a course by phone, fax, or email. Under no circumstances will refunds be granted for requests received after the end of a course or workshop. Course transfers or special requests can also not be accommodated after a course finishes. Please note that the policies listed in this

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

calendar apply to individual courses and workshops only.

For policies on our other programs, please see our website.

Course Transfer Policy No transfers of fees will be granted if notification of transfer is received less than seven full calendar days before the start of the course. A transfer of fees, minus an administrative charge of $35, will be issued if the request for transfer is received more than seven full calendar days prior to the start date of the course you wish to transfer out of. You must pay any additional fees at the time of transfer. You may transfer from one course to another by phone, fax or email.

Cancellations We reserve the right to cancel a course up to five days prior to the course start date if there is not sufficient registration in a course. If a course is cancelled by Emily Carr Continuing Studies for any reason, a full refund will be processed and sent automatically to all registrants. In the event of a cancellation, CS can transfer you into a different course or provide a tuition voucher in lieu of a refund upon request.

Course cancellations will be announced to each student by email. Please ensure that your email is on file and up to date.

Emergency Closures In the event of an emergency closure due to poor weather conditions, information will be posted on the Emily Carr website as soon as a decision is made to close.

respect for the rights of others and to behave responsibly at all times. You are responsible for knowing and observing student-related Emily Carr policies and procedures. For more information on the Emily Carr Code of Conduct, please visit connect.ecuad.ca/studentservices/policies. Emily Carr University reserves the right to remove students from courses if it is felt that their behaviour is disruptive or dangerous.

Emily Carr Library The library is located on the ground floor of the South Building, Granville Island campus. The library collection is composed of print resources including books, journals, and exhibition catalogues; a broad range of electronic resources; slide and digital images; films, videos and DVDs; sound effects; artists’ books; the University’s archives; and a menu collection. Some items may be ‘On Reserve’ for specific courses. Library collections are accessible in-house to all students, faculty and the public. Students registered in Continuing Studies courses and programs are entitled to a free Community Borrower card, which means that they can borrow up to 15 books, graphic novels, or Exhibition Catalogues. For information regarding library services and hours, please call 604 844 3840 or check the library website ecuad.ca/library.

The Concourse Gallery

In the event that a course needs to be cancelled or postponed due to instructor illness, unscheduled school closure or other unexpected event, you will be notified by email.

The Concourse Gallery is the main showcase for work done within the curriculum at Emily Carr. It has featured shows by degree students, CS students, faculty, staff and visitors involved in generating new ways of learning. CS organizes many shows that pertain to our programming in the summer semester, and we invite you to visit and be inspired.

Waiver

The Charles H. Scott Gallery

Emily Carr accepts no responsibility in the event any class, course of instruction, seminar, or workshop is either cancelled or not completed as a result of strikes, lockouts, fire, natural disasters or any other cause beyond the control of the University. Emily Carr reserves the right to change or amend its programs, instructors, fee structure, schedule and regulations at any time from those published in this catalogue.

The Charles H. Scott Gallery is an integral part of Emily Carr.

Since it opened in 1980, the Gallery has played a significant role locally and provincially. The Gallery regularly presents exciting and varied exhibitions of art, design, and architecture by acclaimed regional, national, and international artists and designers. For more information, visit chscott.ecuad.ca.

Studio Access

READ is an ongoing project of the Charles H. Scott Gallery developed to promote the continued availability of artist monographs, artist books, multiples, exhibition catalogues, and critical theory. The focus is primarily on contemporary artists and contemporary art discourse. READ also carries books on film, design, and architecture and has a select collection of magazines and journals. READ sells all Emily Carr’s course textbooks.

Postponement of Courses

Unless otherwise indicated, there is no additional access to studio resources outside of class time. If you require additional studio access, please consider membership at the Leeway.

For more information, please visit ecuad.ca/cs/theleeway.

Student Code of Conduct A University community depends on the good judgment and considerate behaviour of its members. Emily Carr expects the members of its community to conduct themselves with

REGISTRATION BEGINS NOVEMBER 17, 2015 / HOW TO REGISTER p. 36 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

READ at the Charles H. Scott Gallery

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FREQUENTLY ASKED QUESTIONS DO YOU OFFER COURSES FOR TEENS? Yes! We offer many different programs specifically for teens.

Visit teens.ecuad.ca for more information.

WHERE ARE THE COURSES HELD? Currently, all Continuing Studies courses are held at Emily Carr’s Granville Island campus. Our new campus on Great Northern Way will be open in 2017.

WHERE CAN I BUY SUPPLIES, AND HOW MUCH WILL THEY COST? Most Continuing Studies courses require that students purchase supplies. A list of required and recommended items is provided with your confirmation of registration in each course. Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies on Granville Island and Petrov Arts & Crafts in North Vancouver. You must present your course registration confirmation/ receipt to receive your discount. In general, students should expect to spend between $50-$150 on supplies for each course.

AM I ELIGIBLE FOR A DISCOUNT ON COURSES? Seniors: A discount of 10% is available to all seniors aged 60 or older at the time of registration, with identification.

Alumni: A discount of 10% is available for those who have completed an Emily Carr diploma or degree, the Communication Design Essentials Program, or the Interaction Design Essentials Program.

Part-time certificate students who are registered in an advanced certificate and have already completed an introductory certificate will also receive a 10% discount.

Note: only one discount will apply.

HOW WILL I KNOW IF A COURSE IS CANCELLED OR CHANGED? In the event of a course cancellation or a change of instructor, room, date or time, all students registered in the course will be notified by email. Please check connect. ecuad.ca/courses for the most up-to-date information.

DO I RECEIVE A TUITION TAX CREDIT FOR CONTINUING STUDIES COURSES?

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Yes. T2202A Tax Receipts are available to download through InsideEC from the end of February through to March each year. Please email csreghelp@ecuad.ca or call 604 844 3810 if you have any further questions.

DO CONTINUING STUDIES COURSES COUNT TOWARD UNIVERSITY DEGREES AT EMILY CARR? Continuing Studies general program courses do not ladder into the University’s credit programs. Communication Design Essentials graduates can now receive transfer credits. See essentials.ecuad.ca for more information.

CAN I GO ON A TOUR OF THE CAMPUS AND FACILITIES? You will need to plan ahead a little bit and register for a free tour of the University. Most Fridays from September through April, the Admissions Department will take you on an hour-long tour through the various departments and will answer any questions that you may have. To sign up, please email admissions@ecuad.ca.

STILL HAVE QUESTIONS? CONTACT US. GENERAL INFO

csinfo@ecuad.ca T: 604 844 3810 F: 604 630 4535 PART-TIME CERTIFICATES

cscertificates@ecuad.ca DESIGN CERTIFICATES

essentials@ecuad.ca TEEN PROGRAMS

teens@ecuad.ca Emily Carr University of Art + Design Continuing Studies Room 103 – North Building 1399 Johnson Street Vancouver BC V6H 3R9 Continuing Studies Office Hours Monday, Wednesday, Thursday: 8:30 am – 4:30 pm Tuesday: 9:30 am – 4:30 pm Friday: 8:30 am – 12:30 pm

ecuad.ca/cs

@EmilyCarrCS

EMILY CARR UNIVERSITY OF ART + DESIGN / SPRING 2016 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

continuing studies

The Leeway is a membership-based community studio space where artists and designers can explore new techniques, work among peers and learn from experienced instructors through scheduled workshops.

Teen Programs

Access to professional equipment, tools and materials as well as support from knowledgeable studio technicians allow Leeway members the freedom to experiment and create.

Open to students aged 15-18 with a range of experience, interests and talents, Emily Carr University of Art + Design’s teen programs include opportunities for portfolio development, improving skills and techniques and building an understanding of art and design as a contemporary practice.

Become a member STANDARD MEMBERSHIP

$200 month $635 term $1,750 year*

We offer a range of responsive programs each year – from portfolio workshops to summer intensives – to prepare students to study at art and design universities and to help support the next generation of artists and designers on their path.

DISCOUNTED MEMBERSHIP For Alumni, Seniors (60+) and Staff

$150 month $465 term $1,250 year* *Yearly and four-month term memberships start in January, May or September

Workshops PAST AND CURRENT PROGRAMS

Our three and six hour workshops are hands-on sessions that focus on a particular form or technique. These one-day sessions are listed throughout our course calendar and are hosted

by The Leeway.

Summer Institute for Teens Month-long program of focused studio practice in chosen subjects + cultural studies.

Demos + Open Studios The Leeway also hosts free events throughout the year. Demos are short sessions of instruction on different practices and processes. Open Studios are three-hour sessions that allow non-Leeway members to try working in a communal studio space.

BC Summer Studios 10-day creative intensives for portfolio and skill development in BC communities.

(2015 Communities: Whistler and Prince George) Teen Art Group After-school program on art practice and visual culture with the Vancouver Art Gallery.

theleeway@ecuad.ca 604 844 3810

ecuad.ca/theleeway

X Learn more: page 37

follow us / join our mailing list / contact us

@EmilyCarrCS teens@ecuad.ca 604 844 3810

teens.ecuad.ca

SPRING2016

january - april | continuing studies courses + programs

SPRING2016

january - april | continuing studies courses + programs

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EMILY CARR UNIVERSITY OF ART + DESIGN CONTINUING STUDIES 1399 Johnston Street, Vancouver BC V6H 3R9

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Certificates Courses Studio Spac e Teen Progr ams Workshops