Sayres Hanging Gardens

Sayres Hanging Garden

for my parents and to M-E & M & A & A

Published by Blurb To purchase copies, go to www.blurb.com Š 2012 All rights reserved No part of this book may be used or reproduced in any manner without permission from the author, except in the context of reviews.

Sayres House & Hanging Gardens

I- Introduction pp. 8-9 II- Process Images: sketches, drawings, photographs of the design and construction phase pp. 10-121 III- Prelude to Cornell sketches pp. 122-123 IV- Cornell sketches pp. 124-148 V- Photographs of completed house pp. 151-185 VI- Credits p. 180

The following pages contain a cross-sectionalPDFs, drawings & sketches that together take up 30the folder BERTY. The sampling is abbreviated butthat, when seen in sequence, form a textural tapestryimages of the final building, we preferred those thatwhen an idea or thought was first drawn or seen inrepresent a crystallization, a point of pause, in theBy the end of the three years of working on the Bertyusing its particular vocabulary: non-orthogonalaway from plain geometry and an inclination forof space that, once realized and furnished, offeredthem, one wants to be still.¶ Against theour addition hops and leaps, dancing around it. Itsconclusion.¶ In the same manner, this presentationprocess of pulling these images together, I noticedNew York. While resisting the impulse to couch thea connection, I have simply attached some of thefew words, in the back.¶ Undoubtedly whatindividuals both within and outside of my office.and architecture kept us inspired and enabled me-

-

-

-

-

-chronicle of the thousands of JPEGs, TIFFs, DWGs, -gigabytes of space on my office hard-drives, under -not random. On the whole we chose to select images -of a process.¶ Rather than opting for descriptive -allude to a particular moment in time; a moment -construction. Even the few formal drawings included -process of generating construction documents.¶ -house, we had all learned to speak its language -in plan, spatial rather than formal with a tendency -interrupted movement. These forms yielded pocket -a surprising sense of calm and reverence. Within -backdrop of a rigorously geometric existing house, -narrative isn’t linear, nor does it end with a crisp -jumps across phases, time and ideas. In fact, in the -that this project may have started long ago in Ithaca, -fluidity of it into a discursive framework and force -sketches from that period as an addendum, with a -you see is the result of a collaboration between many -Marie-Eve and Michel Berty’s steadfast love of art -to do that which I love.

Maziar Behrooz

shape-shifts

1ST FLOOR EAST PATIO

GREY CELLAR FLOOR

WINE BAR LOUNGE

GREY CARETAKER

BEIGE 44 SF COLOR BEDROOM #2

683 SF

340 SF

YELLOW BEDROOM #1 333 SF

BEDROOM #3

1465 SF

WINE STORAGE

LIVING ROOM

STORAGE CELLAR GALLERY

W.I.C BATH #2

BATH #1

BEDROOM #2 ENTRY HALL

BEDROOM #4

BEDROOM #1 W.I.C

W.I.C

COAT CL.

?

CLOSET LN.

RED COMMON AREA 1ST FLOOR

GARAGE

EXTG. HOUSE SUNKEN COURTYARD

GRASS TERRACE

1827 SF WHITE 1ST FLOOR WEST PATIO

CELLAR GALLERY

GARAGE FLOOR

GRASS TERRACE

BATH #3 SHWR.

OUTDOOR SHOWER

2519 SF

1868 SF

GRASS TERRACE

MECHANICAL ROOM

GRADE STEPS W/. MOSS GRASS TERRACE

LAUNDRY ROOM

Building Area Legend

Area Legend

1ST FLOOR EAST PATIO

GARAGE FLOOR 6

BEIGE COLOR BEDROOM #2

GREY CELLAR FLOOR

Cellar Resin Area Calculation 1/16" = 1'-0"

GREY CARETAKER

2

RED COMMON AREA 1ST FLOOR

1st FL Resin Area Calculation 1" = 20'-0"

WHITE 1ST FLOOR WEST PATIO YELLOW BEDROOM #1

Roof (1) 226 SF

Roof (1) 239 SF

Roof (3) 1459 SF

Roof (2) 288 SF

Area Legend Roof (1)

Building Area Legend

Roof (2)

Roof (3)

1

1st PL (1) 1/16" = 1'-0"

3

Roof Area Calculation @ 1st PL(2) 1/16" = 1'-0"

4

Roof Area Ca 1/16" = 1'-0"

Revision Number

Revision Date

19 46

1ST FLOOR EAST PATIO

Issued to

04.29.09 10.19.09

PCH PCH

Revision Description

Issued by FD/MB FD/MB

A.105 Revision 46

Revision Number 19 46

Revisio Date 04.29.09 10.19.09

YELLOW BEDROOM #1

44 SF BEIGE COLOR BEDROOM #2

333 SF

340 SF

BEDROOM #5 BATH #2

BEDROOM #5

RED SECOND FLOOR

BATH #1

BEDROOM #2

RED SECOND FLOOR

BEDROOM #1 W.I.C

W.I.C

?

644 SF

BATHROOM #5

TOILET#4

TOILET#4

GRASS TERRACE

R.

644 SF

BATHROOM #5

STORAGE

STORAGE EXTG. HOUSE

SUNKEN COURTYARD

W.I.C (HERS)

W.I.C (HERS)

Building HALLWAY Area Legend

GRASS TERRACE

HALLWAY SHWR #6

SHWR #6

ELEVATOR

RED SECOND FLOOR

W.I.C (HIS)

SMOOTH WHITE 2ND FLOOR

W.I.C (HIS)

SMOOTH WHITE 2ND FLOOR

SMOOTH WHITE 2ND FLOOR

SMOOTH WHITE 2ND FLOOR TERRACE

SMOOTH WHITE 2ND FLOOR

SMOOTH WHITE 2ND FLOOR TERRACE

GRASS TERRACE

GRADE STEPS W/. MOSS GRASS TERRACE

586 SF MASTER BATHROOM #6

586 SF MASTER BATHROOM #6

SMOOTH WHITE 2ND FLOOR TERRACE

SMOOTH WHITE 2ND FLOOR TERRACE

Building Area Legend 1ST FLOOR EAST PATIO BEIGE COLOR BEDROOM #2 GREY CARETAKER

367 SF

367 SF

2nd Floor Finish Area Plan 1" = 20'-0"

7

Building Area Legend

RED SECOND FLOOR

ELEVATOR

7

2nd Floor Finish Area Plan 1" = 20'-0"

RED COMMON AREA 1ST FLOOR WHITE 1ST FLOOR WEST PATIO YELLOW BEDROOM #1 REQUEST UPDATED DRAWING FROM ARCHITECT PRIOR CONSTRUCTION

Roof (3) 1459 SF Roof (4)

Roof (4)

475 SF

475 SF

Building Area Legend Building Area Legend

Building Area Legend

Roof (5)&(6)

Roof (4)

Roof (4)2454 SF

C Je G St 12 Ne 21 21 ww

PROJECT:

PR

PROPOSED NEW ADDITION FOR: MICHEL AND MARIE EVE BERTY

PR FO

OWNER ADDRESS: 40 Sayres path

Building Area Legend

Wainscott, NY Roof (5)&(6) 11975

Roof (5)&(6)

2454 SF

Roof (5)&(6)

4

Roof Area Calculation @ 1st PL(3) 1/16" = 1'-0"

5

Roof Area Calculation @ 2nd Fl. Plate 2 1/16" = 1'-0"

5

O 40 W 11

ARCHITECT:

AR

MB Architecture

M

7A Newtown Lane East Hampton, NY 11937

7A Ea

T: 631-329-2983 F: 631-329-4878 E: regenerate@mbarchitecture.com W: mbarchitecture.com

T: F: E: W

CONSTRUCTION SET

C

SHEET TITLE:

SH

Area Calculation

A

maziar behrooz,AIA

a Legend

alculation @ 1st PL(3)

CONSULTANTS: Jeff Stratton GILSANZ MURRAY STEFICEK LLP Structural Engineers 129 West 27th Street, 5th Floor New York, NY 10001 212-254-0030 212-477-5978 Fax www.gmsllp.com <http://www.gmsllp.com>

m

Roof Area Calculation @ 2nd Fl. Plate 2 1/16" = 1'-0"

Date Drawn by

09.30.08 Fred

D

D

-ALL DIMENSIONS ARE FROM FRAMING UNLESS INDICATED FROM STEEL (NOT FROM SHEATHING-NOT FROM CONCRETE EXCEPT INDICATED-NOT FROM GYSUM BOARD) C L

90° /4"

/8"

'10

85

5'

'10

11

"

2'

0' - 4 1/8

BEAM 7' - 9

FIREPLACE TBD.

"

15' - 2 3/4"

// 5' - 3 7/8

1' - C 0 L5/8 " CT. TO STL .

W BELO

AL DIM. W

7/8"

C L //

LINE OF CLG. SOFFIT

90 ° 1/2"

2' - 4

33 " 4 7/8 4' -

90°

7'

" 9 3/4

STEEL BRACING

2' - 6 3/4"

6' - 10 1/2"

6' - 10 1/4"

REMOVABLE CORNER TO REPLACE SASH

//

0' - 10 7/8" TO CT. STL.

DH DH

6

6

VS 10 4.14 DH

6 DH

6

6

6

13' - 5 5/16" STUC

CO TO STUCCO

13' - 5 3/4" 1' - 11 3/8"

DH

0' - 10 3/8"

6

C L

6

IGN AL

2' - 6"

1' - 5"

DH

/4"

DH

13

2' -

93

7' -

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3' -

C L

3' -

FRAME TO FRAM E

C L DOUBLE SLIDER SEE SECTION #1 ON A.355

"

L ON R

5/8" 17' - 7

STEEL BRACING

C L

2' - 5 7/8

° 90

° 90 ° 90

6' - 6 1/2

°

91 °

90

"

NICHE

CT .S TL 11" . TO FR AM E

LINE OF SECOND FLOOR WALL EXT. FINISH

"

L ON R

ALIGN

ALIG N

3/4" 4' - 1

BUILD PITCH FLOOR

5/8"

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TO

7' - 5

1/2"

BUILD PITCH FLOOR

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9' - 2 3/4 AL DIM. W

7' - 4

7

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3' - 1"

1' - 5 1/4

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9 '-

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90 °

COORDINNATE WALL/DOOR PLACEMENT W/. ELEVATOR

N W/.

ALIG

E " AM N ALIG 3 1/2 FR O .T TL .S CT

/

°

EQ EQ

3/4"

90

4 3/8"

6' - 6

//

1' - 9"

C L

SOUND INSUL.

EQ

90 °

1/4"

° 90

°

" 11' - 0 3/4

11' -

6' - 3

°

"

1/4"

" 3/4

3' - 0 3/8

"

EQ

2' - 7 1/2 7' - 4 3/4

2' - 0

//

7/8"

// 7 7/8" CONC. FROM EDGE FLINGE TO CONC. STEP BELOW FRAMING WALL-SEE A.276

" 6' - 10 1/8

" 16' - 5 1/8 "

1/2"

90 °

3/4"

5/8"

1/4" 4' - 10

2' - 3

90 °

4' - 4

C L

6' - 1

EDGE OF PATIO

°

" 0' - 11 3/8 " 1/2" 3' - 7 1/2 9' - 0 C L C L

3 2' -

4' - 8

3 1/4" CONC. FROM EDGE FLINGE TO CONC. STEP BELOW FRAMING WALL-SEE #3 ON A.276 & #8 ON A.355 5 1/4" AME FR L. TO C L T. ST " E C 5/8 1/4" AM 3' - 6 -0 FR 5' TO .

D FN .

NC CO

1 1/2" CONC. FROM EDGE FLINGE TO CONC. STEP BELOW FRAMING WALL-SEE A.276

90

°

EQ

EQ

3' - 5 5/8

7" 4' -

90

LINE OF SOFFIT

1 1/2" CONC. FROM EDGE FLINGE TO CONC. STEP BELOW FRAMING WALL-SEE A.276

90

"

°

/4" 11 3 1/4"

14'

1/2" 3 2' -

/8" 03 -1 4'

1 -1 2'

90 °

1/2"

3/4"

C L

4' - 1

3' - 10

4' - 8"

8' - 4"

MILLWORK

C L

E

" 3/8

" -7 5'

AM FR

90

90° "

3/4"

4'

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9' - 1 5' - 8 3/4

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90

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CT. ST

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3' - 9 3/4

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7' - 8 1/2

//

1 7' -

EQ

.

" 7/8 -4 4' /4"

" - 9 EQ 3' EQ

LOW WALL

T .S

OW BEL

11 C L A.357 SOUND INSUL. IN POCKET DOOR

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93

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//

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//

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EQ

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90°

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CT .

C L

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9 2' -

1/4" 3 2' -

.

3/4"

EQ

3 1/2 3' -

2' -

9'

4'

" 4 3/8

EQ

//

//

4' -

11 2' -

90°

C L EQ

" -4

1 5' " 1 5/8

/8"

" 1/4

13 -1

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-3

C L

/4" 83

//

2'

"

"

1/2"

2'

" 3/8 -0 6'

3'

8' - 4 3/8

" 1/2 SKYLIGHT

ALIGN

N

C L

ALIG

N IG AL

CEILING. LINE

-9

NICHE (SEE FLOOR PLAN)

C L

2' - 9 5/8

-

7'

" 8' - 0 3/4 " 25' - 6 1/4

/8"

6'

8'

6 2' -

90° /4" 21

-5

" 1/2

90°

90°

°

1/2"

//

4' -

8

EQ

" 1/2

DH

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" -6

EQ

-5

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" 1/2

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//

90°

C L

5'

90°

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11

C L

C L

STEEL BRACING

7' -

21

/2"

C L

11

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C L

C L

45

10.06.09

Revision 45

10.19.09 12.07.09

PCH/ELEC CONSULT. PCH PCH

FD/MB

46 48

FD/MB FD/MB

69 73

04.30.10 06.07.10

PCH/Shine/Berty PCH

FD FD/MZ

81

08.22.10

PCH

FD/MZ

Revision 46 Library Wall+Chimney Elec plans Int door schedule, fl plan, framing W/D 1st Floor, Bridge Gallery Soffit

C L

7' - 2 3/8"

11' - 7 1/2"

28' - 9"

25' - 2"

LINE OF SOFFIT EXT. ALUM. CLADDING MATCH WDW.

SOUND INSUL. IN POCKET DOOR

C L

7' - 7 1/4"

CT. TO CT. W/.

INTERIOR EXTG. COLUMN

TAKEN IN FIELD

1 1/2" SIDING

ALIGN

LINE OF CLG. SOFFIT

ALIGN COLUMNS

4' - 4 1/4"

FLUSH FINISH FLOOR

EQ LINE OF SOFFIT

WALLS ALIGNED W/. CELLAR WALLS

WDW CLADDING AND SIDING FLUSH

3' - 4 3/4"

4' - 5 1/4"

C L 10' - 0 1/4"

C L

5' - 0"

7' - 1 1/4"

EQ

C L

9' - 3 1/4" C L

3' - 0 3/4"

C L

2' - 1"

//

8' - 6 1/2"

13' - 10 1/4"

5' - 3 1/2"

째 90

1 1/2"

LINE OF SOFFIT

10 A.357

2' - 11 1/2"

//

C L

6' - 5 3/8"

ALIGN CLG. SOFFIT W/.

DOOR OPENING

4' - 1"

3' - 1 1/2"

ALIGN

LINE OF HIP

ROOF LINE ABOVE

R.F.

1"

" 10 7/8

"

3' - 0"

3' - 1 1/8

36"HIGH TEMPERED GLASS RAILING C L CEILING SOFFIT LINE FLUSH W/. RAILING

V.I.F LOCATION OF EXTG. COLUMN. REMOVE EXISTING WINDOWS AND REPLACE WITH OPENING

0' - 10 3/8" C L

OPEN TO BELOW

10' - 5 1/8" REQUEST UPDATED DRAWING FROM ARCHITECT PRIOR CONSTRUCTION

R.F.

7' -

COR-TEN METAL PLANTER

7' -

03

/4"

C L

2"

C L

TRIANGULATED CUSTON WINDOW

CONSULTANTS: Jeff Stratton GILSANZ MURRAY STEFICEK LLP Structural Engineers 129 West 27th Street, 5th Floor New York, NY 10001 212-254-0030 212-477-5978 Fax www.gmsllp.com <http://www.gmsllp.com>

PROJECT:

-1

" 3/4

C L

PROPOSED NEW ADDITION FOR: MICHEL AND MARIE EVE BERTY OWNER ADDRESS: 40 Sayres path Wainscott, NY 11975 ARCHITECT:

MB Architecture maziar behrooz,AIA

7A Newtown Lane East Hampton, NY 11937 T: 631-329-2983 F: 631-329-4878 E: regenerate@mbarchitecture.com W: mbarchitecture.com

CONSTRUCTION SET SHEET TITLE:

1st Floor Framing Plan

Date

09.30.08 FRED MZ

Drawn by Checked by

A.102D

4' - 0

C L

1/2"

AM

14' -

AME

TO FR

1/8"

"

AME

CONFIRM DIM. W/.

CLIENT

TO FR

7/8"

90 °

NICHE 90 °

STL.

" 7 3/8

71 °

12' -

" 3' - 6 5/8 F.T.F

" " 2 '7 7/8

3' 5

2' -

1/2 "

2' 3

" 8 7/8 6' -

C LINE OF L SOFFIT

WALLS ALIGNED W/.

1ST FLOOR WALLS

//

"

3/4

"

CABINETRY AROUND COLUMN 2' 4

3' -

2'

2 3/4

-5

C L

7/8" 90° 5' - 1 0 1/2 "

1/8

9 1/4 3' " 3/4 '-4 11

       

 

1' 11 5 /8"

3' -

0"

ALIG N

51

4' -

/8" 01 8' NICHE (SEE FLOOR PLAN) /8"

PULL SIDE SHADE

 

//

"

-2 91

/2"

REMOVABLE CORNER TO REPLACE SASH

H

"

"

" 1/4 10

SOUND INSUL.

1/8

4' -

2' -

" 3/8

3/4

-2

0' -

     

   

3"

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3' -

"

//

9'

4'

90°

1" '-1 16

" 12

8' -

IS 9" FIN 0' - XT. E TO ME

"

49

 

/4" 63 E AM FR TO

3/8 " 6" 1/1

3/8

7' 8

'-5 14

//

A FR

-5

10 3 /4"

ME RA OF .T TL .S /4" CT 53 ME 1' RA F O ET AM FR

7' -

1'

/8"

90°

97

90°

3/8"

C L 1' -

2 3/4

"

90°

1' 0

90°

3' -

10

" 3/4

2' -

C L

81

/8"

             

RAILING @ 36" ABV. FINISH FLOOR TERRACE TBD.

FLOOR GRILL TBD. O SL 1 AT PE

     

  

 

6" 5/1 E 81 AM 1' FR TO 6" L. /1 ST - 0 5 .

E 2' CT AM R F TO

C L

PITCH STUCCO 1/4"/FT

"

  

 



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    

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 

" 7/8

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1' -

FR

0" '-1 ME 11 RA OF ET AM

" 5/8

29' - 10 3/4

E AM

9' -

85

6" 3/1 E AM FR TO 11 8' -

FR

 

8"

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.

FT ER

10

0' 71 /2" CT . TO ST L.

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T EA

SHOWER GLASS BETWWEN WDW MULLION

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ISH " /16 . FIN 9 1 EX T O ET AM FR

/8" T. RF PE

PITCH STUCCO 1/4"/FT

RESIN FLOOR W/.

RUBBER ON 3/4" PITCHED PLYWOOD

PITCH STUCCO 1/4"/FT

FLOOR GRILL

PITCH STUCCO 1/4"/FT 1' 6

2nd Floor Framing Plan 1 1/4" = 1'-0"

3/4" 4' 2"

ROOF LINE

/8"

 

PITCH STUCCO 1/4"/FT

IGN AL

FLOOR GRILL

1' 6

3/4"

C L

1/2"

5' - 9"

ROOF L

SOUND INSUL. IN 61" POCKET DOOR

11 5 /8"

ER 1ST RIS

90 ° 90 90 ° °

"

1/4

-5

1'

1' - 8

/8"

7/8"

52 5 78 5

3' 11 3 /4"

12 A.357

14 5 MIN /8" .

9' 3

6 5/8

90 °

" 90 1 3/8 ° 1/8" 1' 3' - 10

/8"

//

2' 2

"

7' -

1/2 "

C L

SAFE 3/4" PLYWOOD WALL

OW

10 4°

1/8" 0' - 4

CT. TO

6' 1

13

/4"

10' -1 11 /8" TO FR AM E

1/2 " 4' 0 5/8 " 4' 4 /2" 01 1' 1

// 90°

9' - 2 1/4"

90°

90°

//

/8"

BEL OPEN TO

90°

01

2' - 0"

C L EQ

3' -

89 °

SOUND INSUL.

3/8"

10"

8 3/4"

90 °

1/2"

W/. ELEVATOR " - 3 1/8 6' - 7' 1910 °3/8 " 90 ° //

//

3' - 4"

6' - 1

/8"

//

35

EQ

EQ

SOUND INSUL.

6' - 8

90 ° 90 °

COORDINNATE WALL/DOOR 5/8" PLACEMENT 7' - 5

ELEC. CONCEALED ROLL DOWN SHADE

C L

3' - 3 5/8"

MED. CAB. LOC. TBD

90 ° 5' 3/4" 2' 6- 78/8 "

90°

SOUND INSUL.

EQ

EDGE OF BEAM BELOW CONCRETE FLOOR SAFE TO BE MOUNTED ON CONCRETE FLOOR VERIFY LOCATION WITH ARCH.

0"

SOUND INSUL. IN POCKET DOOR

2' - 3 1/2"

3' - 3 1/2"

90°

1' -

CHIMNEY FLUE W/.

2" SPACE AROUNDLOCATION TBD

2' - 3 1/8"

C L

3' -

LOW WALL

7/8"

//

C L

C L

SOUND INSUL.

2' - 3"

LOW WALL

° 70

6" STEEL COLUMN EXPOSED

8"

8' - 6

C L

ELEC. CONCEALED ROLL DOWN SHADE

5/8"

1' - 0 11' -

//

5' - 1

TO FR

"

3/8"

1 1/2

7 1/4

2' - 9

10' -

7"

1' - 2

C L

NOTE: -ATTACHED TO STUD WALL FOR CISTERN @ ALL WALL MOUNTED TOILET -ALL DIMENSIONS ARE FROM FRAMING

11' -

Revision Schedule Revision Number

7 1/8" CT. TO STL.

C L

C L

4' - 9 7/8"

14' - 0 1/4"

ROOF LINE. 5' - 4 3/4"

째

C L

Revision Description

Issued by

09.12.08 09.30.08 10.14.08

PCH Town Of EH PCH

MB/FD MB/FD MB/FD

44 46 51

10.04.09 10.19.09 01.14.10

PCH PCH PCH

FD/MB FD/MB FD/MB

52

01.19.10

PCH

FD/MB

55

02.01.10

PCH/Tracey

FD

Bid Set Permit Set Window And Door Schedule Revision 44 Revision 46 2nd Fl. Framing Plan 2nd Fl.Framing Plan Framing Plan 2nd FL.

//

5' - 6 5/8"

10' - 7"

C L OPEN TO BEDROOM #1 BELOW

ALIGN/CT. WALL W/. W8X13 ON 1ST FL.

7' - 9 3/4"

C L

OPEN TO GALLERY BELOW C L C L

" 5' - 10 1/2 5' - 8 3/4"

C L

C L 3' - 1 5/8"

73

6' - 11 1/4"

C L

Issued to

3 4 5

9' - 11 1/4"

ME

Revision Date

LINE

REQUEST UPDATED DRAWING FROM ARCHITECT PRIOR CONSTRUCTION

CONSULTANTS: Jeff Stratton GILSANZ MURRAY STEFICEK LLP Structural Engineers 129 West 27th Street, 5th Floor New York, NY 10001 212-254-0030 212-477-5978 Fax www.gmsllp.com <http://www.gmsllp.com>

PROJECT: PROPOSED NEW ADDITION FOR: MICHEL AND MARIE EVE BERTY OWNER ADDRESS: 40 Sayres path Wainscott, NY 11975 ARCHITECT:

MB Architecture maziar behrooz,AIA

7A Newtown Lane East Hampton, NY 11937 T: 631-329-2983 F: 631-329-4878 E: regenerate@mbarchitecture.com W: mbarchitecture.com

CONSTRUCTION SET SHEET TITLE:

Date

09.30.08 FRED Maz

Drawn by Checked by

A.103B Scale

1/4" = 1'-0"

9/3/2010 1:09:45 AM

2nd Floor Framing Plan

NOTE: -ATTACH CISTERN -ALL DIM

1' .S CT

T

" 3/4

FR

9" 0' - X OE ET AM FR

FLOOR GRILL PITCH STUCCO 1/4"/FT

ROOF LINE

L. ST

CT .

0' -

8"

C L

-7 1/2 " OS TL.

C L

PITC

1

2nd Floor 1/4" = 1'-

4' - 0

C L

1' - 2

C L

3/8"

73

C L

90 ° "

3' -

2'

2 3/4

-5

"

3/4

"

14 5 MIN /8" .

CABINETRY AROUND COLUMN 7/8" 90° 5' - 1 0 1/2 "

1/8

9 1/4 3' /4" 43 3' -

51

/8"

 

 

 

 

 

PULL SIDE SHADE

 

//

4' -

0"

/8"

ALIG GN

" 1/4 10

/2"

91

01

NICHE (SEE FLOOR PLAN)

4' -

2

" '-3

SOUND INSUL.

1' 11 5 /8"

" 8' -

" 3/8

REMOVABLE CORNER TO REPLACE SASH

SH NIIS " FIN .

XT

" 1/8

0' -

     

   

8' -

////

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3/4

-2

'11

90°

1" '-1 16

" 12

"

-2 9'

4' 49

 

E AM FR TO

3/8 " 6" 1/1

7' 8

'-5 14

" /8 3/8

3' -

"

//// 90°

10 3 /4"

-5

2 3/4

"

90°

7' -

ME RA OF .T TL /4" 53 ME 1' RA F TO ME RA

3' -

10

" 3//44

2' -

C L

81

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             

C L

PITCH STUCCO 1/4"/FT

RAILING @ 36" ABV. FINISH FLOOR TERRACE TBD.

     

    

" 7/8

"

FLOOR GRILL TBD. O SL

29' - 10 3/4

   

  

 



 

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FR

0" '-1 ME 11 RA OF ET AM

" 5/8

1 AT PE

 

/8" T. RF PE

RESIN FLOOR W/.

RUBBER ON 3/4" PITCHED PLYWOOD

PITCH STUCCO 1/4"/FT

FLOOR GRILL

PITCH STUCCO 1/4"/FT 1' 6

3/4" 4' 2"

6" 3/1 E AM FR TO 11

8 9' -

   

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.

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IGN AL

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1' 6

3/4"

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11 5 /8" 7' -

ER 1ST RIS

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3' 5

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2' -

1/2 "

1'

7 7/8

-5

///

3' - 1 5/8"

7 3/8

71 °

12' -

90 ° 90 90 ° °

1/4 /4

"

6 5/8

90 °

/8" 3/8 3 90 1'' - 1 ° 1/8" 1 0 10 34 3' 3' - 1

/8 8"

///

52 5

" 2' 2

WALLS ALIGNED W/.

1ST FLOOR WALLS

90°

1'

/8"

C L

C L

9' - 11 1/4"

10' - 7"

90 °

STL.

1/8" 0' - 4

CT. TO

6' 1

13

/4"

10' -1 11 /8" TO FR AM E

1/2 " 4' 0 5/8 " 4' 4 /22" 01 1' 1

1/2 " 9' 3

C LINE OF L SOFFIT

2' 4

5' - 9"

ROOF LINE

SOUND INSUL. IN 61" POCKET DOOR

3/8"

C L 97

C L

1/2 / "

1' 0

90° °

//

2' 3

12 A.357 C L

//

C L

SAFE 3/4" PLYWOOD WALL

2' - 0"

//// 0° 90

OW

C L

3' 11 3 /4"

OPEN TO GALLERY BELOW C L

" 5' - 10 1/2

90°

0° 90 9

2' - 3 1/2"

//8 8"

9' - 2 1/4"

5' - 8 3/4"

BEL OPEN TO

90°

01

8 3/4"

3' -

5' - 6 5/8"

7/8"

C L Q EQ

10"

89 °

SOUND INSUL.

3/8"

5' /4" 3/4 3 2'' 6- 78//8 2 8"

90 °

1/2"

COORDINNATE WALL/DOOR 5/8" 5 PLACEMENT 7' - 5 7'

W/. ELEVATOR " - 3 1/8 6' - 7' 1910 °3/8 8" 90 ° ////

0°

C L

SOUND INSUL.

6' - 1

/8 8"

///9

8' - 6

90 ° 90 °

ALIGN/CT. WALL W/. W8X13 ON 1ST FL.

EQ

EQ

3' - 4"

3' - 3 5/8"

MED. CAB. LOC. TBD

ELEC. CONCEALED ROLL DOWN SHADE

C L

6' - 8

35

OPEN TO BEDROOM #1 BELOW

LOW WALL

SOUND INSUL. IN POCKET DOOR

SOUND INSUL.

EQ

EDGE OF BEAM BELOW CONCRETE FLOOR

2' - 3 1/8"

//

CHIMNEY FLUE W/.

2" SPACE AROUNDLOCATION TBD

SAFE TO BE MOUNTED ON CONCRETE FLOOR VERIFY LOCATION WITH ARCH.

3' -

0° 90 9

C L

SOUND INSUL.

//

C L

0"

ELEC. CONCEALED ROLL DOWN SHADE

5/8"

8"

2' - 3"

3' - 3 1/2"

90°

1' -

11' -

LOW WALL

C L

C L

°

7/8"

1' - 0

° 70

6" STEEL COLUMN EXPOSED

E FRAM

ROOF LINE. CONFIRM DIM. W/.

CLIENT

NICHE

C L

4' - 9 7/8"

14' - 0 1/4"

"

E FRAM

5' - 1

TO

C L

C L

C L

//

TO

1/8"

AME

2' - 9

1 1/2

10' -

7 1/8" CT. TO STL.

1/2"

TO FR

"

5' - 4 3/4"

HED TO STUD WALL FOR N @ ALL WALL MOUNTED TOILET MENSIONS ARE FROM FRAMING

7"

7 1/4

6' - 11 1/4"

14' -

11' -

In 1990 while enrolled at the Cornell Schoolingredients, buried in the sheer mass of Architecture,wasn’t pedantic even though it was conductedThe formality of it was a ruse. More practically, Ihome, only to be able to recreate it at will wherever Ithe journey became personal as it crossed out of make for each of us the sense and non-sense of aapproach. I had to distill matter and memory to theirinto thin abstraction. ¶ In the end, they did. Andpocket all these years. ¶ Had I succeeded inlike fairy dust would magically transform any placeobviousness of anywhere being nowhere eluded meof the labyrinth was to claim the self-evident truthexpression, I described a smaller and smaller,and carried like the tools of a medieval travelling¶ This was my Architecture of an instanturban or rural; and their cross projections, creatingimagery and a refuge for memory. ¶ In thethis last one, shown in the preceding and finala Borgesian doubt over whether I had ever left it.triangulated spaces, it unfolds, paper-like, as you steel and glass and earth and eventually claims that

-

-

-

-

-of Architecture, I set out to extract the subtle -that constitute our perceptions of home. My goal -under the auspices of a Master’s thesis project.

-sought to capture and hold the very essence of a -chose to live. ¶ Very quickly, and undoubtedly, -Architecture and into the myriad dimensions that -house. ¶ The exegesis required an alchemist’s -nearly pure state - anymore and they would vanish -I was left with a residue that has settled in my coat -capturing that essential ingredient, that potion, that -into some place, I would be free to be anywhere. The -at the time; and I convinced myself that the way out -that home is where the heart is. ¶ As a spatial -eventually a portable habitat. It would be worn -cobbler or an astronaut’s suit - close to the skin.

-home: projections of images within dark space, -intersecting horizontal pyramids of domestic -intervening years, I have built many houses. But -pages, found its way back to the labyrinth -casting -Made from nested projections and intersecting cross its interstices and thresholds. It is made of Architecture, built, has the power to extinguish time.

2012

Project Credits Architect: Maziar Behrooz Architecture East Hamtpon and New York, NY

Craftspeople: Cy Ross, library shelves & fireplace Michael Hastalis, bar

Architectâ&#x20AC;&#x2122;s Team: Maziar Behrooz, AIA, principal architect Frederic Debackere, drawing & design Michael Cafiero, book design Marybeth Finegan, administrative

Floors: Fusion Floors

Client: Mrs. Marie-Eve & Mr. Michel Berty

Garden: Steve Torch

Project Location: Wainscott, NY

HVAC: Temp-Art Flanders

Project Type: Addition to existing house Project Size: 9500 sf Mechanical Engineer: Chaleff & Rogers Structural Engineer: Gilsanz, Murray, Steficek, Contractor: Joel Bass Interior Design: Tracey Garrett, library & office Marie-Eve Berty, colors & finishes Lighting Design: Caitlin Faron, Shine Photography: Matthew Carbone

Pool: Pristine Pools

Windows: Panoramic Stair: Kitty Hawk Stair Tiles: Alan Court Associates Urban Archeology Steel: Tebbens Steel Green Roof: Green Living Roofs

Maziar Behrooz Architecture is a studio of architecture and planning founded in 1990 in New York City, and since 1996, with an office in East Hampton, New York.

Our geographic location has given us a critical opportunity and challenge to carefully observe the interdependent relationship of human settlement with nature and the long-term impact of buildings on the environment.

We start our process by redefining outmoded terminologies that perpetuate non-existent relationships. We donâ&#x20AC;&#x2122;t design buildings but create integrated environments. In fact the built (or the building) in our work, in particular in our recent design projects, is a mere component, albeit a vital one, of a total environment. This fundamental shift in attitude, a reversal of the conventional relationship between buildings and nature whereby buildings are a component of much larger Architecture of the Environment, characterizes our approach to design.

As architects our specific role is to demonstrate alternative methods of planning and construction that promote this philosophy while helping preserve, sustain and regenerate the environment.

As practitioners, our challenge is to apply this attitude to every project, large or small, affordable or luxurious. While the physical results vary, we consistently aim for the maximization, wherever possible, of contiguous natural habitats. By clustering buildings and increasing managed landscapes, we leave nature to perform its selfhealing, self-cleaning processes. We like to explore site layouts that reduce or otherwise draw attention to the impact of buildings on the environment.

The use of passive systems which take advantage of solar orientation, wind direction, and landscaping are fundamental to our decision making process while the examination of efficient and alternative materials and building technologies is a fulfillment of that promise.