Sayres Hanging Garden

Sayres Hanging Garden

Maziar Behrooz Architecture

Published by Blurb To purchase copies, go to www.blurb.com Š 2011 All rights reserved No part of this book may be used or reproduced in any manner without permission from the author, except in the context of reviews.

for ME and M and A and A

Maziar Behrooz Architecture

and Fifi and Iraj

Sayres Hanging Garden

ccccc The following pages contain a cross-.......

DWGs, PDFs, drawings & sketches that together....... drives, under the folder BERTY. The sampling is....... to select images that, when seen in sequence, form a....... descriptive images of the final building, we preferred....... moment when an idea or thought was first drawn or....... included represent a crystallization, a point of pause,....... ccccc By the end of the three years of working....... its language using its particular vocabulary. Non-....... tendency away from plain geometry and an inclination....... of space that, once realized and furnished, offered a....... one wants to be, still. ccccc Against the backdrop....... hops and leaps, dancing around it. Its narrative is....... ccccc In the same manner, this presentation....... process of pulling these images together, I noticed.......

New York. While resisting the impulse to couch the....... force a connection, I have simply attached some of ....... foreword, in the back. ccccc Undoubtedly what....... individuals both within and outside of my office. Marie-....... kept us inspired and enabled me to do that which I....... ....... ........

........sectional chronicle of the thousands of JPEGs, TIFFs, ........take up 30 gigabytes of space on my office hard........abbreviated but not random. On the whole we chose ........textural tapestry of a process. Rather than opting for ........those that allude to a particular moment in time; a ........seen in construction. Even the few formal drawings ........in the process of generating construction documents. ........on the Berty house, we had all learned to speak ........orthogonal in plan, spatial rather than formal with a ........for interrupted movement, these forms yielded pocket ........surprising sense of calm and reverence. Within them ........of a rigorously geometric existing house, our addition ........not linear; nor does it end with a crisp conclusion. ........jumps across phases, time and ideas. In fact, in the ........that this project may have started long ago in Ithaca, ........fluidity of it into a discursive framework or to try to ........the sketches from that period as an addendum, with a ........you see is the result of a collaboration between many ........Eve and Michel’s steadfast love of art and architecture ........love. ........ .......

shape-shifts

1ST FLOOR EAST PATIO

GREY CELLAR FLOOR

WINE BAR LOUNGE

GREY CARETAKER

BEIGE 44 SF COLOR BEDROOM #2

683 SF

340 SF

YELLOW BEDROOM #1 333 SF

BEDROOM #3

1465 SF

WINE STORAGE

LIVING ROOM

STORAGE CELLAR GALLERY

W.I.C BATH #2

BATH #1

BEDROOM #2 ENTRY HALL

BEDROOM #4

BEDROOM #1 W.I.C

W.I.C

COAT CL.

?

CLOSET LN.

RED COMMON AREA 1ST FLOOR

GARAGE

EXTG. HOUSE SUNKEN COURTYARD

GRASS TERRACE

1827 SF WHITE 1ST FLOOR WEST PATIO

CELLAR GALLERY

GARAGE FLOOR

GRASS TERRACE

BATH #3 SHWR.

OUTDOOR SHOWER

2519 SF

1868 SF

GRASS TERRACE

MECHANICAL ROOM

GRADE STEPS W/. MOSS GRASS TERRACE

LAUNDRY ROOM

Building Area Legend

Area Legend

1ST FLOOR EAST PATIO

GARAGE FLOOR 6

BEIGE COLOR BEDROOM #2

GREY CELLAR FLOOR

Cellar Resin Area Calculation 1/16" = 1'-0"

GREY CARETAKER

2

RED COMMON AREA 1ST FLOOR

1st FL Resin Area Calculation 1" = 20'-0"

WHITE 1ST FLOOR WEST PATIO YELLOW BEDROOM #1

Roof (1) 226 SF

Roof (1) 239 SF

Roof (3) 1459 SF

Roof (2) 288 SF

Area Legend Roof (1)

Building Area Legend

Roof (2)

Roof (3)

1

1st PL (1) 1/16" = 1'-0"

3

Roof Area Calculation @ 1st PL(2) 1/16" = 1'-0"

4

Roof Area Ca 1/16" = 1'-0"

Issued to 19 46

1ST FLOOR EAST PATIO

04.29.09 10.19.09

PCH PCH

Issued by FD/MB FD/MB

A.105 Revision 46

YELLOW BEDROOM #1

44 SF BEIGE COLOR BEDROOM #2

333 SF

340 SF

BEDROOM #5 BATH #2

BEDROOM #2

BEDROOM #5

RED SECOND FLOOR

BATH #1

RED SECOND FLOOR

BEDROOM #1 W.I.C

W.I.C

?

644 SF

644 SF

BATHROOM #5

BATHROOM #5

TOILET#4

TOILET#4 GRASS TERRACE

R.

STORAGE

STORAGE EXTG. HOUSE

SUNKEN COURTYARD

W.I.C (HERS)

W.I.C (HERS)

Building HALLWAY Area Legend

GRASS TERRACE

HALLWAY SHWR #6

SHWR #6

ELEVATOR

RED SECOND FLOOR

W.I.C (HIS)

SMOOTH WHITE 2ND FLOOR

W.I.C (HIS)

SMOOTH WHITE 2ND FLOOR

SMOOTH WHITE 2ND FLOOR

SMOOTH WHITE 2ND FLOOR TERRACE

SMOOTH WHITE 2ND FLOOR

SMOOTH WHITE 2ND FLOOR TERRACE

GRASS TERRACE

GRADE STEPS W/. MOSS GRASS TERRACE

586 SF MASTER BATHROOM #6

586 SF MASTER BATHROOM #6

SMOOTH WHITE 2ND FLOOR TERRACE

SMOOTH WHITE 2ND FLOOR TERRACE

Building Area Legend 1ST FLOOR EAST PATIO BEIGE COLOR BEDROOM #2 GREY CARETAKER

367 SF

367 SF

2nd Floor Finish Area Plan 1" = 20'-0"

7

Building Area Legend

RED SECOND FLOOR

ELEVATOR

7

2nd Floor Finish Area Plan 1" = 20'-0"

RED COMMON AREA 1ST FLOOR WHITE 1ST FLOOR WEST PATIO YELLOW BEDROOM #1 REQUEST UPDATED DRAWING FROM ARCHITECT PRIOR CONSTRUCTION

CONSULTANTS: Jeff Stratton GILSANZ MURRAY STEFICEK LLP Structural Engineers 129 West 27th Street, 5th Floor New York, NY 10001 212-254-0030 212-477-5978 Fax www.gmsllp.com <http://www.gmsllp.com>

Roof (3) 1459 SF Roof (4)

Roof (4)

475 SF

475 SF

PROJECT: PROPOSED NEW ADDITION FOR: MICHEL AND MARIE EVE BERTY

Building Area Legend

Building Area Legend Building Area Legend Roof (5)&(6)

Roof (4)

Roof (4)2454 SF

OWNER ADDRESS: 40 Sayres path 11975

Roof (5)&(6)

2454 SF

Roof (5)&(6)

ARCHITECT:

MB Architecture maziar behrooz,AIA

7A Newtown Lane East Hampton, NY 11937

a Legend

alculation @ 1st PL(3)

Building Area Legend

Wainscott, NY Roof (5)&(6)

T: 631-329-2983 F: 631-329-4878 E: regenerate@mbarchitecture.com W: mbarchitecture.com

CONSTRUCTION SET Roof Area Calculation @ 1st PL(3) 4 1/16" = 1'-0"

SHEET TITLE:

5

Roof Area Calculation @ 2nd Fl. Plate 2 1/16" = 1'-0"

5

Area Calculation

Roof Area Calculation @ 2nd Fl. Plate 2 1/16" = 1'-0"

Date

19 46

04.2 10.1

FROM GYSUM BOARD) C L

90° /4"

/8"

'10

85

-5

"

2'

/2"

0' - 4 1/8

"

15' - 2 3/4"

90

// ° 90

1/2"

90

BEAM

1' - C 0 L5/8 " CT. TO STL .

W BELO

AL DIM. W

C L //

5/8" 17' - 7

LINE OF CLG. SOFFIT

90 ° 1/2"

2' - 4

33 " 4 7/8

F

4' -

90°

7'

" 9 3/4

STEEL BRACING

2' - 6 3/4"

6' - 10 1/2"

6' - 10 1/4"

REMOVABLE CORNER TO REPLACE SASH

//

0' - 10 7/8" TO CT. STL.

DH DH

6

6

VS 10 4.14 DH

6 DH

6

6

6

C L

13' - 5 5/16" STUC

CO TO STUCCO

13' - 5 3/4" 1' - 11 3/8"

DH

0' - 10 3/8"

6

IGN AL

2' - 6"

1' - 5"

DH

/4"

DH

13

2' -

93

7' -

/4"

3' -

C L

C L

FRAME TO FRAM E

C L DOUBLE SLIDER SEE SECTION #1 ON A.355

"

L ON R

7/8"

3/8"

FIREPLACE TBD.

5' - 3 7/8

"

NICHE

°

STEEL BRACING

3' -

"

L ON R

ALIGN

91 °

BUILD PITCH FLOOR

5/8"

ALIG N

3/4" 4' - 1

7' - 5

1' - 5 1/4

2' - 10

CT .S TL 11" . TO FR AM E

LINE OF SECOND FLOOR WALL EXT. FINISH

2' - 5 7/8

° 90

3' - 0 3/8

" 6' - 6 1/2

3' - 5 5/8

9' - 2 3/4 AL DIM. W

7' - 4

TO

" 28' - 1 1/4

3' - 1"

90 °

COORDINNATE WALL/DOOR PLACEMENT W/. ELEVATOR

7' - 9

ME RA

"

1/2"

N IG AL

7'

9' - 0

BUILD PITCH FLOOR E

/

°

SOUND INSUL.

N W/.

ALIG

" AM N ALIG 3 1/2 FR O .T TL .S CT

90

EQ EQ

//

1' - 9"

3/4"

C L

C L

4 3/8"

6' - 6

° 90

°

" 11' - 0 3/4

"

EQ

90 °

1/4"

°

11' -

6' - 3

"

2' - 7 1/2 7' - 4 3/4

1/4"

/4" 93

EQ

EQ

2' - 0

// 7 7/8" CONC. FROM EDGE FLINGE TO CONC. STEP BELOW FRAMING WALL-SEE A.276

//

3 1/4" CONC. FROM EDGE FLINGE TO CONC. STEP BELOW FRAMING WALL-SEE #3 ON A.276 & #8 ON A.355 5 1/4" AME FR L. TO C L CT. ST " ME 5/8 1/4" 3' - 6 RA -0 F ' 5 O .T D N .F C ON

1 1/2" CONC. FROM EDGE FLINGE TO CONC. STEP BELOW FRAMING WALL-SEE A.276

90

°

"

"

EQ

90 °

1/2"

5/8"

3/4"

3' - 7 1/2 C L

1/4" 4' - 10

2' - 3

90 °

4' - 4

C L

7/8"

C

°

" 0' - 11 3/8

3 2' -

4' - 8

6' - 1

EDGE OF PATIO

" 6' - 10 1/8

" 16' - 5 1/8

14 7" 4' -

90

LINE OF SOFFIT

1 1/2" CONC. FROM EDGE FLINGE TO CONC. STEP BELOW FRAMING WALL-SEE A.276

90

"

° 90

3 3' " 1 3/4 '-1

1/4"

1 7' -

1/2" 3 2' -

/8" 03 -1 4'

2'

90 °

1/2"

3/4"

C L

4' - 1

3' - 10

4' - 8"

8' - 4"

MILLWORK

C L

ME

/8" 13 -1

5'

" -7

E A FR /2" 3 1 TO W L BL C L.

90

9' - 1 5' - 8 3/4

1/8"

4' " 5/8 -7

1/2"

"

°

" 1' - 1 1/2 " 2' - 10 5/8

90

90°

4 1/4" FRAME L. TO

N IG AL

2'

3 2' -

10" 0' -

3' - 9 3/4

- 8 1/2"

°

" -4

3/4" 9 2' -

1/4" E " 1/8 -3 6'

C L

C L

/8" 05

/2"

C L

90

7'

4 1/4"

° 90

51

" - 9 EQ 3' EQ

LOW WALL

ST

//

" 3' - 0 3/4

'11

3 2' -

/8" 47 .

EQ Q. 4'

/4"

N ALIG

EQ

//

OW BEL

°

4 1/4"

" " - 11 3/4 1' 1' - 6 1/2

" 3' - 4 5/8

93

EAM /. B NW ALIG

11 C L A.357 SOUND INSUL. IN POCKET DOOR

90

//

C L

//

.

CT

/D

//

'12

W W/.

C L

EQ

/4" 13 -1 7' EQ

90°

M 5" O FRA WT . BL STL

" -0

EQ

VIF 3/4"

CT. ST

CT .

0'

1

3/8"

EQ

90° 1/2"

5/8" 1 2' -

9'

4'

//

C L

//

90°

C L

4 4' -

1 2' -

C L

"

1 5' -

/8"

" 1/4

13 -1

/4" 51 '16 " -3

-

C L

//

-3

8' - 4 3/8

" 2' - 9 5/8

1/2"

2'

" 3/8 -0 6'

3' 2'

" 1/4

/2" 91 SKYLIGHT

/4" 83

NICHE (SEE FLOOR PLAN)

ALIGN

N

C L

ALIG

N IG AL

CEILING. LINE

-2

7'

" 8' - 0 3/4 " 25' - 6 1/4

/8"

6'

8'

6 2' -

90°

-5

" 1/2

90°

90°

°

1/2"

//

4' -

81

EQ

6

'13

" -6

" 1/2

" 1/4 1 '10

5' EQ

DH

-

//

5'

90°

C L /8" 55

90°

'14

11

C L

C L

STEEL BRACING

7' -

21

/2"

C L

11

/4"

C L

C L

46 48

10.19.09 12.07.09

PCH PCH

FD/MB FD/MB

69 73

04.30.10 06.07.10

PCH/Shine/Berty PCH

FD FD/MZ

81

08.22.10

PCH

FD/MZ

Revision 46 Library Wall+Chimney Elec plans Int door schedule, fl pla framing W/D 1st Floor, Bridge Gallery Soffit

C L

7' - 2 3/8"

11' - 7 1/2"

28' - 9"

25' - 2"

LINE OF SOFFIT EXT. ALUM. CLADDING MATCH WDW.

SOUND INSUL. IN POCKET DOOR

C L

C L

7' - 7 1/4"

CT. TO CT. W/.

INTERIOR EXTG. COLUMN

TAKEN IN FIELD

1 1/2" SIDING

ALIGN

LINE OF CLG. SOFFIT

ALIGN COLUMNS

7' - 1 1/4"

EQ

C L 10' - 0 1/4"

4' - 4 1/4"

FLUSH FINISH FLOOR

EQ LINE OF SOFFIT

WALLS ALIGNED W/. CELLAR WALLS

WDW CLADDING AND SIDING FLUSH

3' - 4 3/4"

4' - 5 1/4"

//

8' - 6 1/2"

C L

9' - 3 1/4"

C L

5' - 0"

3' - 0 3/4"

C L

2' - 1"

13' - 10 1/4"

5' - 3 1/2"

째 90

1 1/2"

LINE OF SOFFIT

10 A.357

2' - 11 1/2"

//

C L

6' - 5 3/8"

ALIGN CLG. SOFFIT W/.

DOOR OPENING

4' - 1"

3' - 1 1/2"

ALIGN

LINE OF HIP

ROOF LINE ABOVE

R.F.

1"

" 10 7/8

"

3' - 0"

3' - 1 1/8

36"HIGH TEMPERED GLASS RAILING C L CEILING SOFFIT LINE FLUSH W/. RAILING

V.I.F LOCATION OF EXTG. COLUMN. REMOVE EXISTING WINDOWS AND REPLACE WITH OPENING

0' - 10 3/8" C L

OPEN TO BELOW

10' - 5 1/8" REQUEST UPDATED DRAWING FROM ARCHITECT PRIOR CONSTRUCTION

R.F.

7' -

COR-TEN METAL PLANTER

7' -

03

/4"

C L

2"

C L

TRIANGULATED CUSTON WINDOW

CONSULTANTS: Jeff Stratton GILSANZ MURRAY STEFICEK LLP Structural Engineers 129 West 27th Street, 5th Floor New York, NY 10001 212-254-0030 212-477-5978 Fax www.gmsllp.com <http://www.gmsllp.com>

PROJECT:

-

/4 13

"

C L

PROPOSED NEW ADDITION FOR: MICHEL AND MARIE EVE BERTY OWNER ADDRESS: 40 Sayres path Wainscott, NY 11975 ARCHITECT:

MB Architecture maziar behrooz,AIA

7A Newtown Lane East Hampton, NY 11937 T: 631-329-2983 F: 631-329-4878 E: regenerate@mbarchitecture.com W: mbarchitecture.com

CONSTRUCTION SET SHEET TITLE:

1st Floor Framing Plan

Date Drawn by Checked by

09.30 FR

4' - 0

C L

1/2"

AM

11' -

7" 14' 1' - 2

C L 1 1/2

"

AME

CONFIRM DIM. W/.

CLIENT

7/8"

90 °

5' - 1

NICHE 90 °

STL.

" 71 °

12' -

" 2 '-6

"

1/4

7 7/8

-5

3' 5

2' -

1/2 "

2' 3

" 8 7/8 6' -

C LINE OF L SOFFIT

WALLS ALIGNED W/.

1ST FLOOR WALLS

//

"

3/4

"

CABINETRY AROUND COLUMN 2' 4

3' -

2'

2 3/4

-5

C L

7/8" 90° 5' - 1 0 1/2 "

1/8

9 1/4 3' -

"

'-4 11

91

/2"

REMOVABLE CORNER TO REPLACE SASH

ISH 9" FIN 0' - XT. OE ET AM

3' -

51

/8"

 

 

 

 

 

PULL SIDE SHADE

 

// ALIG N

/8" 01 8' NICHE (SEE FLOOR PLAN)

0"

"

" 1/4 10

SOUND INSUL.

4' -

2

" '-3

'18

/8" 83

1' 11 5 /8"

4' -

3/4

1/8

0' -

       

   

//

8' -

"

-2 9'

90°

49

-2

" 3/4

3/8 "

/4" 63 E AM FR TO

7' 8

4'

1" '-1 16

" 12

3' -

"

//

3/4"

6" 1/1

"

- 10

'-5 14

3/8

" 7'

.S CT

FR

-5

0 3/8

ME RA OF .T TL /4" E 53 AM 1' FR O ET AM FR

1' -

1'

90°

90°

C L /8" 97

2 3/4

"

90°

1' -

90°

3' -

10

" 3/4

2' -

C L

81

/8"

           

 

 

 



 

       

C L

PITCH STUCCO 1/4"/FT

RAILING @ 36" ABV. FINISH FLOOR TERRACE TBD.

FLOOR GRILL TBD. O SL 1 AT PE

 

6" 5/1 ME 81 RA 1' OF . T /16" TL 5 .S '-0 2 CT ME RA F TO

  

" 7/8

/8" 91 E AM FR TO

1' -

0" '-1 ME 11 RA OF ET AM FR

"



 

  

 

 

.

FT ER

" 5/8

29' - 10 3/4

6" 3/1 ME RA OF ET AM 11

8' -

8 9' -

 

FR

 

8"

   

L.

   

0' -

 

ST

   

CT .

   

" 7/8

10

0' 71 /2" CT . TO ST L.

C L

P /8"

SHOWER GLASS BETWWEN WDW MULLION

 

T1

'-4 13

1' -

O SL

A PE

" 5/8

 

C L

IGN AL

ISH " /16 . FIN 9 1 EX T O ET AM FR

ROOF LINE

6 1' -

C L

IGN AL

FLOOR GRILL PITCH STUCCO 1/4"/FT

/8" T. RF PE

PITCH STUCCO 1/4"/FT

RESIN FLOOR W/.

RUBBER ON 3/4" PITCHED PLYWOOD

PITCH STUCCO 1/4"/FT

FLOOR GRILL

PITCH STUCCO 1/4"/FT

1

2nd Floor Framing Plan 1/4" = 1'-0"

3/4" 4' 2"

1' 6

1' 6

3/4"

C L

1/2"

5' - 9"

ROOF L

SOUND INSUL. IN 61" POCKET DOOR

11 5 /8" 7' -

3' 11 3 /4"

12 A.357

14 5 MIN /8" .

3/4" PLYWOOD WALL

" 3' - 6 5/8 F.T.F

90 90 ° °

5/8"

90 °

1'

1' - 8

C L

SAFE

OW

ER 1ST RIS

90 °

" 7/8"

/8" 78 5

90°

1/2 "

90 1 3/8 ° 1/8" 1' 3' - 10

/8"

//

52 5

2' 2

"

//

9' - 2 1/4"

90°

90°

9' 3

7 3/8

6' 1

1/2 " 4' 0 5/8 " 4' 4 /2" 01 1' 1

/8"

//

01

BEL OPEN TO

90°

3' -

2' - 0"

EQ

10"

8 3/4"

3/8"

C L

1/2"

W/. ELEVATOR " - 3 1/8 6' - 7' 1910 °3/8 " 90 ° //

//

89 °

SOUND INSUL. 6' - 1

/8"

90 ° 5' 3/4" 2' 6- 78/8 "

90°

90 °

6' - 8

35

//

EDGE OF BEAM BELOW CONCRETE FLOOR SAFE TO BE MOUNTED ON CONCRETE FLOOR VERIFY LOCATION WITH ARCH.

0"

EQ

SOUND INSUL.

3' - 4"

EQ

90 ° 90 °

COORDINNATE WALL/DOOR 5/8" PLACEMENT 7' - 5

ELEC. CONCEALED ROLL DOWN SHADE EQ

C L

3' - 3 5/8"

MED. CAB. LOC. TBD

90°

1' -

CHIMNEY FLUE W/.

2" SPACE AROUNDLOCATION TBD

SOUND INSUL.

2' - 3 1/2"

3' - 3 1/2"

SOUND INSUL. IN POCKET DOOR

10 4°

1/8" 0' - 4

CT. TO

/4"

10' -1 11 /8" TO FR AM E

13

2' - 3 1/8"

C L

3' -

LOW WALL

7/8"

//

LOW WALL

C L

C L

SOUND INSUL.

2' - 3"

° 70

6" STEEL COLUMN EXPOSED

8"

8' - 6

C L

ELEC. CONCEALED ROLL DOWN SHADE

5/8"

1' - 0 11' -

//

TO FR

AME

TO FR

1/8"

3/8"

10' -

TO FR

"

2' - 9

NOTE: -ATTACHED TO STUD WALL FOR CISTERN @ ALL WALL MOUNTED TOILET -ALL DIMENSIONS ARE FROM FRAMING

7 1/4

Revision Schedule Revision Number

7 1/8" CT. TO STL.

C L

C L

4' - 9 7/8"

14' - 0 1/4"

ROOF LINE. 5' - 4 3/4"

째

C L

Revision Description

Issued by

PCH Town Of EH PCH

MB/FD MB/FD MB/FD

44 46 51

10.04.09 10.19.09 01.14.10

PCH PCH PCH

FD/MB FD/MB FD/MB

52

01.19.10

PCH

FD/MB

55

02.01.10

PCH/Tracey

FD

Bid Set Permit Set Window And Door Schedule Revision 44 Revision 46 2nd Fl. Framing Plan 2nd Fl.Framing Plan Framing Plan 2nd FL.

//

5' - 6 5/8"

10' - 7"

C L OPEN TO BEDROOM #1 BELOW

ALIGN/CT. WALL W/. W8X13 ON 1ST FL.

7' - 9 3/4"

C L

OPEN TO GALLERY BELOW C L C L

5' - 10 1/2 5' - 8 3/4"

"

C L

C L 3' - 1 5/8"

73

6' - 11 1/4"

C L

Issued to

09.12.08 09.30.08 10.14.08

9' - 11 1/4"

ME

Revision Date

3 4 5

LINE

REQUEST UPDATED DRAWING FROM ARCHITECT PRIOR CONSTRUCTION

CONSULTANTS: Jeff Stratton GILSANZ MURRAY STEFICEK LLP Structural Engineers 129 West 27th Street, 5th Floor New York, NY 10001 212-254-0030 212-477-5978 Fax www.gmsllp.com <http://www.gmsllp.com>

PROJECT: PROPOSED NEW ADDITION FOR: MICHEL AND MARIE EVE BERTY OWNER ADDRESS: 40 Sayres path Wainscott, NY 11975 ARCHITECT:

MB Architecture maziar behrooz,AIA

7A Newtown Lane East Hampton, NY 11937 T: 631-329-2983 F: 631-329-4878 E: regenerate@mbarchitecture.com W: mbarchitecture.com

CONSTRUCTION SET SHEET TITLE:

Date

09.30.08 FRED Maz

Drawn by Checked by

A.103B Scale

1/4" = 1'-0"

9/3/2010 1:09:45 AM

2nd Floor Framing Plan

NOTE: -ATTACH CISTERN -ALL DIM

1' .S CT

T

" 3/4

FR

A FR

9" 0' - X E TO ME

FLOOR GRILL PITCH STUCCO 1/4"/FT

ROOF LINE

L. ST

CT .

0' -

8"

C L

-7 1/2 " OS TL.

C L

PITC

1

2nd Floor 1/4" = 1'-

4' - 0

C L 11' -

7" 14' 1/8"

ROOF LINE. 3/8"

CONFIRM DIM. W/.

CLIENT

73

C L

90 ° "

" 8 7/8 6' -

C LINE OF L SOFFIT

" 3/4

" 3' -

2'

2' 4

7/8" 90° 5' - 1 0 1/2 "

1/8

9 1/4 3' -

"

'11

91

/2"

REMOVABLE CORNER TO REPLACE SASH

H " FINIS .

XT

3' -

51

/8"

 

 

 

 

 

PULL SIDE SHADE

 

// ALIG N

/8" 01 8' NICHE (SEE FLOOR PLAN)

0"

"

" 1/4 10

SOUND INSUL.

4' -

2

" '-3

'18

/8" 83

1' 11 5 /8"

4' -

3/4

1/8

0' -

       

   

//

8' -

"

-2 9'

90°

49

-2

/4" 43

3/8 "

E AM FR TO

7' 8

4'

1" '-1 16

" 12

3' -

"

//

3/4"

6" 1/1

"

- 10

'-5 14

3/8

" 7'

-5

90°

0 3/8

ME RA OF .T TL /4" E 53 AM 1' FR O T ME RA

1'

2 3/4

"

90°

90°

C L /8" 97

3' -

10

" 3/4

2' -

C L

81

/8"

             

C L

   

RAILING @ 36" ABV. FINISH FLOOR TERRACE TBD.

     

  

" 7/8

FLOOR GRILL TBD. "

  

 



 

    

   

PITCH STUCCO 1/4"/FT

O SL

29' - 10 3/4

ME

 

10

1 AT PE

 

/8" 91 E AM FR TO

1' -

0" '-1 ME 11 RA OF ET AM FR

" 5/8

/8" T. RF PE

RESIN FLOOR W/.

RUBBER ON 3/4" PITCHED PLYWOOD

PITCH STUCCO 1/4"/FT

FLOOR GRILL

PITCH STUCCO 1/4"/FT 1' 6

3/4" 4' 2"

6" 3/1 E AM FR TO 11

8 9' -

   

A FR

   

8' -

   

1' -

6" 5/1 ME 81 RA 1' OF . T /16" TL 5 .S '-0 E 2 CT AM FR O T

   

" 7/8

CT .

0

CH STUCCO 1/4"/FT

r Framing Plan -0"

 

'-4 13

.

FT ER

SHOWER GLASS BETWWEN WDW MULLION

 

" 5/8

 

P /8"

ISH " /16 . FIN 9 1 EX T O ET AM FR

T1

IGN AL

O SL

A PE

6 1' -

C L IGN AL

1' 6

3/4"

C L C L

5' - 9"

"

C L

9' - 11 1/4"

10' - 7"

WALLS ALIGNED W/.

1ST FLOOR WALLS

//

1' -

90°

C L

1/2"

CABINETRY AROUND COLUMN

2 3/4

-5

C L

7' - 9 3/4" 10 4°

" 3' - 6 5/8 F.T.F

2' -

1/2 " 3' 5 11 5 /8"

ER 1ST RIS

" " 2 '7 7/8

-5

7' -

2' 3

ROOF LINE

SOUND INSUL. IN 61" POCKET DOOR

3' - 1 5/8"

7 3/8

71 °

90 90 ° °

1/4

"

6 5/8

90 °

1'

" 7/8 1' - 8

/8" 78 5

3' 11 3 /4"

OPEN TO GALLERY BELOW

5' - 10 1/2

OW

C L

12 A.357

14 5 MIN /8" .

9' 3

12' -

90 °

"

90 1 3/8 ° 1/8" 1' 3' - 10

/8"

//

52 5

" 2' 2

C L

SAFE 3/4" PLYWOOD WALL

//

90 °

STL.

1/8" 0' - 4

CT. TO

6' 1

13

/4"

10' -1 11 /8" TO FR AM E

1/2 " 4' 0 5/8 " 4' 4 /2" 01 1' 1

1/2 "

90°

//

//

9' - 2 1/4"

90°

90°

//

/8"

2' - 0"

01

C L

5' - 8 3/4"

BEL OPEN TO

90°

3' -

2' - 3 1/2"

EQ

10"

8 3/4"

C L

3/8"

5' 3/4" 2' 6- 78/8 "

89 °

SOUND INSUL.

1/2"

COORDINNATE WALL/DOOR 5/8" PLACEMENT 7' - 5

W/. ELEVATOR " - 3 1/8 6' - 7' 1910 °3/8 " 90 ° //

0°

90 °

6' - 1

//9

ALIGN/CT. WALL W/. W8X13 ON 1ST FL.

EQ

SOUND INSUL.

3' - 4"

6' - 8

90 ° 90 °

/8"

5' - 6 5/8"

7/8"

MED. CAB. LOC. TBD

ELEC. CONCEALED ROLL DOWN SHADE EQ

C L

EQ

EDGE OF BEAM BELOW CONCRETE FLOOR

35

OPEN TO BEDROOM #1 BELOW

LOW WALL

SOUND INSUL. IN POCKET DOOR

SOUND INSUL.

3' - 3 5/8"

//

CHIMNEY FLUE W/.

2" SPACE AROUNDLOCATION TBD

SAFE TO BE MOUNTED ON CONCRETE FLOOR VERIFY LOCATION WITH ARCH.

3' -

90°

8' - 6

2' - 3 1/8"

C L

0"

C L

SOUND INSUL.

//

LOW WALL

3' - 3 1/2"

90°

1' -

8"

2' - 3"

C L

C L

11' -

ELEC. CONCEALED ROLL DOWN SHADE

5/8"

1' - 0

° 70

6" STEEL COLUMN EXPOSED

°

7/8"

NICHE

C L

4' - 9 7/8"

14' - 0 1/4"

"

AME TO FR 5' - 1

C L

C L

C L

AME TO FR

2' - 9

1 1/2

AME

5' - 4 3/4"

10' -

7 1/8" CT. TO STL.

1/2"

TO FR

"

6' - 11 1/4"

1' - 2

C L

HED TO STUD WALL FOR N @ ALL WALL MOUNTED TOILET MENSIONS ARE FROM FRAMING

7 1/4

ccccc In 1990 while enrolled at the Cornell School....... ingredients, buried in the sheer mass of Architecture,....... wasnâ&#x20AC;&#x2122;t pedantic even though it was conducted....... formality of it was a ruse. More practically, I sought to....... be able to recreate it at will wherever I chose to live........ became personal as it crossed out of Architecture....... of us the sense and non-sense of a house. ccccc....... to distill matter and memory to their nearly pure state....... into abstraction. ccccc At the end, they did. And....... pocket all these years. ccccc Had I succeeded in....... like fairy dust would magically transform any place....... obviousness of anywhere being nowhere eluded me....... way out of the labyrinth by claiming the self-evident....... spatial expression, I described a smaller and smaller,....... carried like the tools of a medieval travelling cobbler....... ccccc This was my Architecture of an instant....... urban or rural; and their cross projections, creating....... and a refuge for memory. ccccc In the intervening....... shown in the preceding pages, found its way back to.......

I had ever left it. Made from nested projections and....... paper-like, as you move and see yourself cross its....... and earth and eventually claims that Architecture,.......

.......of Architecture, I set out to extract the subtle and core .......that constitute our perceptions of home. My goal ........under the auspices of a Master’s thesis project. The ........capture and hold the very essence of a home, only to ........ccccc Very quickly, and undoubtedly, the journey .......and into the myriad dimensions that make for each ........The exegesis required an alchemist’s approach. I had ........-‘nearly’ because anymore and they would only vanish .......I was left with a residue that has settled in my coat .......capturing that essential ingredient, that potion that .......into some place, I would be free to be anywhere. The ........at the time and I convinced myself that I had found a ........truth that home is where the heart is. ccccc As a ........eventually a portable habitat. It would be worn and ........or an astronaut in space -that close to the skin. ........home: projections of images within dark space, ........intersecting horizontal pyramids of domestic imagery ........years, I have built many houses. But this last one, .......the labyrinth -casting a Borgesian doubt over whether .......intersecting triangulated spaces, it folds and unfolds, .......interstices and thresholds. It is made of steel and glass .......built, has the power to extinguish time.

Project Credits Client: Marie-Eve & Michel Berty Project Type: Addition to existing house Project Size: 9500 sf Project Team: Maziar Behrooz, AIA, design principal; Frederic Debackere, drawing & design; Michael Cafiero, book design Consultants: Chaleff & Rogers, mechanical engineering; Gilsanz, Murray, Steficek, structural engineering; George Irwin, green roofs; Pristine Pools; Alain Court, pool tiles Craftspeople: Cy Ross, library shelves & fireplace; Michael Hastalis, bar; Walt Honer, floors Contractor: Joel Bass Interior Design: Tracey Garrett, library & office, Marie-Eve Berty, colors & finishes The author wishes to..............................

Maziar Behrooz, AIA Attended Tulane University School of Architecture, Institute for Architecture & Urban Studies, and Cornell School of Architecture, Graduate Program.