ELLIE
ERICKSEN
interior ARCHITECTURE d e s i g n p o r t fo l i o
INTRO H e l l o ! M y n a m e i s E l l i e E r i c k s e n , a n d I re c e n t l y g r a d u a t e d w i t h a B a c h e l o r o f I n t e r i o r A rc h i t e c t u re a n d D e s i g n , a l o n g w i t h a m i n o r i n A r t , f ro m t h e C I D A - a c c re d i t e d I n t e r i o r A rc h i t e c t u re a n d D e s i g n p ro g r a m a t U t a h S t a t e U n i v e r s i t y. W h i l e I h a v e a l w a y s a p p re c i a t e d b e a u t i f u l a r t , a rc h i t e c t u re , a n d i n t e r i o r s , m y p a s s i o n f o r i n t e r i o r d e s i g n t r u l y i g n i t e d d u r i n g m y f i r s t t r i p t o E u ro p e a t s e v e n t e e n . I w a s c a p t i v a t e d b y t h e u n i q u e n e s s o f E u ro p e a n d e s i g n , w i t h i t s r i c h h i s t o r y, d i v e r s e a rc h i t e c t u r a l s t y l e s , a n d d i s t i n c t a e s t h e t i c s . T h i s e x p e r i e n c e f u e l e d m y d e s i re t o e x p l o re t h e e n d l e s s p o s s i b i l i t i e s o f t h e b u i l t e n v i ro n m e n t a n d i n s p i re d m e t o p u r s u e a c a re e r i n i n t e r i o r a rc h i t e c t u re a n d d e s i g n . A s a d e s i g n e r, m y g o a l i s t o m a s t e r t h e a r t o f c re a t i n g h a r m o n i o u s s p a c e s t h a t s e a m l e s s l y b l e n d o l d a n d n e w e l e m e n t s . I s t r i v e t o d e s i g n i n t e r i o r s t h a t a re b o t h s o p h i s t i c a t e d a n d c o m f o r t a b l e , w h e re m o d e r n a e s t h e t i c s a re t h o u g h t f u l l y l a y e re d w i t h i t e m s t h a t c a r r y h i s t o r y a n d c h a r a c t e r. T h i s c o l l e c t i o n o f p ro j e c t s s p a n s f ro m t h e b e g i n n i n g o f m y s o p h o m o re y e a r i n 2 0 2 0 t o t h e e n d o f m y s e n i o r y e a r i n 2 0 2 4 . T h e s e w o r k s , o f w h i c h I a m m o s t p ro u d , s h o w c a s e m y s t y l i s t i c r a n g e , d e s i g n p ro c e s s , a n d t e c h n i c a l a n d a r t i s t i c a b i l i t i e s , a s w e l l a s m y a t t e n t i o n t o d e t a i l , c o m m i t m e n t t o c re a t i v i t y, a n d d e e p p a s s i o n f o r i n t e r i o r a rc h i t e c t u re a n d d e s i g n . T h a n k y o u f o r t a k i n g t h e t i m e t o l o o k t h ro u g h m y w o r k . I h o p e y o u e n j o y t h e s e p ro j e c t s a s m u c h a s I h a v e e n j o y e d c re a t i n g t h e m .
table of CONTENTS Residential
01
Glass House
02
E r i c k s e n R e s i d e n c e
03
V i l l a Ve n e z i a
04
A r m o n i a
H u d s o n , N e w Yo r k
S a nt a C l a ra , U t a h
S o n o m a , C a l ifo r n i a
Saint George, Utah
Co m m e rc i a l
05
Hawthorne Librar y
06
E l e m e n t We l l n e s s C l i n i c
Philadelphia, Pennsylvania
Los A n ge l e s , C a l i fo r n i a
Patterns
07
T h e We n t s w o r t h C o l l e c t i o n Wa l l c o v e r i n g L i n e
0 1 GLASS HOUSE H u d s o n , N e w Yo r k
N e s t l e d i n t h e d e n s e f o re s t o f u p s t a t e N e w Yo r k , t h e G l a s s H o u s e i s a re s i d e n t i a l re n o v a t i o n p ro j e c t c re a t e d i n c o l l a b o r a t i o n w i t h D r a k e /A n d e r s o n , c o m p l e t e d d u r i n g t h e R e s i d e n t i a l D e s i g n S t u d i o i n 2 0 2 3 . T h e c l i e n t s o f t h i s p ro j e c t re c e n t l y p u rc h a s e d a s i n g l e - s t o r y, U - s h a p e d m i d - c e n t u r y m o d e r n g l a s s h o u s e i n H u d s o n , N e w Yo r k , re m i n i s c e n t o f M i e s v a n d e r R o h e ’ s Fa r n s w o r t h H o u s e a n d P h i l i p J o h n s o n ’ s G l a s s H o u s e . T h i s h o m e f e a t u re s e x p a n s i v e g l a s s w a l l s a n d a f l u i d i n t e r i o r, s e a m l e s s l y i n t e g r a t i n g w i t h i t s n a t u r a l s u r ro u n d i n g s , i n c l u d i n g a v i b r a n t l a w n a n d d e n s e f o re s t . T h e c l i e n t s ’ g o a l w a s t o t r a n s f o r m t h i s re s i d e n c e i n t o t h e i r d re a m w e l l n e s s c i t y e s c a p e , c re a t i n g a t o x i c - f re e , h e a l i n g re t re a t w h e re t h e y c a n f e e l i m m e r s e d i n n a t u re . D r a w i n g i n s p i r a t i o n f ro m t h e s u r ro u n d i n g s c e n e r y, i t w a s i m p o r t a n t t o i n c o r p o r a t e e l e m e n t s t h a t re f l e c t t h e c l i e n t s ’ i n t e re s t s i n y o g a , m e d i t a t i o n , a n d A y u r v e d i c n u t r i t i o n a l c o o k i n g p r a c t i c e s . T h e re m o d e l design embraces a color palette of rich earth tones, complemented by contemporary and m i d - c e n t u r y o r g a n i c s c u l p t u r a l f o r m s , w i t h a b s t r a c t re f e re n c e s t o n a t u re . E m p h a s i z i n g A y u r v e d i c p r a c t i c e v a l u e s , t h e d e s i g n f e a t u re s b a l a n c e d c o l o r s , a m p l e n a t u r a l s u n l i g h t , a n d n e a t n e s s , a l i g n e d w i t h b i o p h i l i c d e s i g n p r i n c i p l e s . T h e d e s i re d l a y o u t f o r t h e h o u s e i n c l u d e s a l i v i n g ro o m , k i t c h e n , d i n i n g a re a w i t h a n a t t a c h e d d e n , b e d ro o m w i t h a t t a c h e d m e d i t a t i o n s p a c e , f l e x g u e s t ro o m w i t h p a r t i t i o n a b i l i t y, a n d a re l a x a t i o n o u t d o o r s p a c e . T h i s re n o v a t i o n p ro j e c t b l e n d s t h e c o u p l e ’ s l i f e s t y l e a n d w e l l n e s s g o a l s w i t h t h e m i d c e n t u r y m o d e r n a e s t h e t i c , c re a t i n g a s e re n e a n d f u n c t i o n a l s a n c t u a r y. P ro g r a m s u s e d : A u t o C A D, R e v i t , E n s c a p e , P h o t o s h o p
I n s p i rat i o n I m a ge s Glass House
02
I n re n o v a t i n g t h e g l a s s h o u s e , t h e g o a l w a s t o p re s e r v e a s m u c h o f t h e e x i s t i n g i n t e r i o r a s p o s s i b l e , f o c u s i n g o n l y o n n e c e s s a r y c h a n g e s t o t h e w a l l s . T h i s a p p ro a c h a l s o i n c l u d e d m a i n t a i n i n g t h e o r i g i n a l w a l n u t c e i l i n g s a n d p o l i s h e d c o n c re t e f l o o r s , e n s u r i n g t h a t t h e n e w d e s i g n c o m p l e m e n t e d t h e s e e l e m e n t s . T h e e x t e r i o r, e s p e c i a l l y t h e i c o n i c g l a s s w a l l s , re m a i n e d u n t o u c h e d . T h e e a s t w i n g o f t h e h o m e f e a t u re s t h e k i t c h e n , d i n i n g n o o k , a n d a n a t t a c h e d o f f i c e s p a c e . T h e w e s t w i n g i s c o n n e c t e d b y a l a r g e l i v i n g ro o m a n d h a l l w a y, l e a d i n g t o t h e f l e x g u e s t ro o m a n d t h e p r i m a r y s u i t e . T h e p r i m a r y s u i t e i n c l u d e s a n a t t a c h e d i n d o o r- o u t d o o r m e d i t a t i o n s p a c e a n d a z e n g a rd e n . T h e h o u s e i s c e n t e re d a ro u n d a n o u t d o o r l i v i n g a re a , e q u i p p e d w i t h
Original Floor Plan provided b y D r a k e /A n d e r s o n
03
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
a 4 0 - f o o t s a l i n e l a p p o o l , s p a , a n d v a r i o u s s e a t i n g a re a s t o e n j o y t h e s u r ro u n d i n g v i e w s . O n e o f t h e b i g g e s t c h a l l e n g e s i n t h e re m o d e l d e s i g n w a s t h e s i z e a n d s h a p e o f t h e k i t c h e n . T h e k i t c h e n w a l l i s p o s i t i o n e d a g a i n s t a s t a i rc a s e l e a d i n g t o t h e b a s e m e n t , w h i c h w a s n o t p a r t o f t h e re n o v a t i o n s c o p e . B e c a u s e o f t h e s t a i rc a s e , t h e k i t c h e n w a l l c o u l d n o t b e e x t e n d e d . A d d i t i o n a l l y, w i d e n i n g t h e k i t c h e n w a s n o t a n o p t i o n , a s c r u c i a l w a l k w a y s f l a n k e d b o t h s i d e s — o n e l e a d i n g t o t h e f ro n t d o o r a n d t h e o t h e r t o t h e d i n i n g n o o k . T h e s e c o n s t r a i n t s l e f t l i t t l e f l e x i b i l i t y i n t h e d e s i g n . T h e re f o re , i t w a s e s s e n t i a l to d e s i g n a s m a l l k i tc h e n s p a c e t h at fe l t s p a c i o u s a n d m e t t h e c l i e n t s ’ Ay u r ve d i c c o o k i n g and storage needs, especially given the significant amount of time they spend in the kitchen.
dining
off ice
kitchen
living room
outdoor patio space
flex space
p r. b a t h
primar y bedroom
meditation space
outdoor shower
F l o o r P l a n c reated in AutoCAD
Glass House
04
05
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
E x te r i o r Re n d e r i n g C reated in Revit & Enscape.
Glass House
06
07
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
Kitchen Rendering
Kitchen & Dining Floor Plan
1 Kitchen South Elevation
T h e g o a l o f t h i s k i t c h e n re m o d e l w a s t o c re a t e a s l e e k , s e a m l e s s design while maximizing storage and enhancing spaciousness. Dark oak wood cabinets and an emerald q u a r t z i t e s l a b re f l e c t t h e n a t u r a l colors outside, while the kitchen i s l a n d p ro v i d e s a m p l e c o u n t e r s p a c e and integrates seamlessly as both a p re p a re a a n d s t o r a g e s o l u t i o n . S u b Z e ro Wo l f a p p l i a n c e s w e re s e l e c t e d fo r t h e i r s p a c e -s av i n g d e s i g n , w i t h an induction cooktop integrated into the countertop, stackable convection and traditional ovens in a c o m p a c t , h a rd w a re - f re e s t y l e , a n d a p a n e l - re a d y c o l u m n f r i d g e b l e n d i n g s e a m l e s s l y w i t h t h e c a b i n e t r y. P u s h to-open cabinets and drawers further minimize h a rd w a re , maintaining a m o d e r n , u n c l u t t e re d l o o k . To e n h a n c e t h e fe e l i n g of s p a c e , ve r t i c a l s t o r a g e w a s m a x i m i z e d w i t h f l o o rt o - c e i l i n g c a b i n e t r y, a d d re s s i n g t h e l a c k o f u p p e r c a b i n e t s p a c e t h ro u g h extensive lower cabinets and drawers. This thoughtful design achieves a sophisticated modern look while maximizing functionality and space.
2 Kitchen North Elevation
Glass House
08
L i v i n g Ro o m Re n d e red i n Revit, Enscape & Photoshop.
Pr i m a r y B ed ro o m Re n d e red in Revit, Enscape & Photoshop.
P r i m a r y B e d ro o m E nt ra n c e Vingette Rendering
“The primary suite cultivates an environment of tranquility and peace, providing a serene retreat for rest and reflection.” On the other side of the bed wall is the designated yoga and meditation space. To e n c o u r a g e re g u l a r u s e , t h i s ro o m i s integrated into the primary suite without a d o o r, o n l y s e p a r a t e d b y a w a l l . T h e m a t e r i a l s w e re t h o u g h t f u l l y c h o s e n t o b e l i g h t , o rg a n i c , c o m fo r t a b l e , a n d s of t , f o s t e r i n g re l a x a t i o n a n d c a l m . E l e m e n t s t h a t re f l e c t t h e c l i e n t s ’ s p i r i t u a l p r a c t i c e s a re o n d i s p l a y t h ro u g h o u t t h e s p a c e .
The primary suite is the centerpiece of the design, intended as the main space f o r re s t a n d m i n d f u l n e s s practices. Positioned at the fa r t h e st e n d of t h e we st w i n g , i t of fe r s m a x i m u m p r i va c y a n d d i s t a n c e f ro m t h e m a i n g a t h e r i n g a re a s . O a k w o o d cove rs m ost s u r face s i n t h i s space, including the ceiling, wa l l s , a n d b u i l t- i n c a b i n et s to the left of the bed, adding a sense of warmth and coziness. A custom bed f r a m e u p h o l s t e re d i n i v o r y b o u c l e f a b r i c i n t ro d u c e s a n organic shape that softens t h e h a rd e d g e s a n d a n g l e s of the walls and columns. Accents of rust orange and d e e p s e a g re e n w e re s e l e c t e d to complement each other and the dark hues of the wood. Opposite the bed, a vibrant orange piece by S t r u t a n Te a g u e a d d s a p o p o f color thatseamlessly blends with the overall palette.
Meditation Space Rendering Glass House
12
T h e p r i m a r y b a t h ro o m i s a n o t h e r e s s e n t i a l s p a c e fo r h e a l i n g a n d re j u v e n a t i o n . T h e o r i g i n a l c l o s e t w a s t r a n s f o r m e d i n t o a n i n f r a re d sauna, and a steam shower was i n s t a l l e d t o p ro m o t e d e t o x i f i c a t i o n a n d s t re s s re l i e f. L i g h t m a t e r i a l s , such as travertine stone and p o rc e l a i n t i l e , w e re c h o s e n t o c re a t e a c l e a n a n d o p e n f e e l w h i l e ensuring durability under steam a n d h i g h t e m p e r a t u re s . C o m p l e t i n g t h e p r i m a r y s u i t e i s a z e n g a rd e n a n d o u t d o o r s h o w e r, s e a m l e s s l y connected to the meditation s p a c e t h ro u g h f u l l y re t r a c t a b l e Nano walls. This intentional design not only blurs the lines between indoor and outdoor living but also encapsulates the e s s e n c e of t h e G l a s s H o u s e —a harmonious blend of n a t u re , t r a n q u i l i t y, a n d m o d e r n e l e g a n c e . s
Primary Bath Rendering
Shower walls & b u i l t- i n bench: 2 cm Calacatta Rosa marble slab by Aria Stone Gallery
I nf ra re d s a u n a by Found Space 12” x 24” matte f i n i s h p o rce l a i n tile in Off White by Daltile
Plumbing f i x t u re s by D o r n b ra c ht SAUNA RENDERING
Va n i t y countertop, sinks & backsplash: Tr a v e r t i n o Navona Honed Tr a v e r t i n e slab by ASG
13
Primar y Bathroom Floor Plan
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
I nf ra re d S a u n a Re n d e r i n g
Outdoor Shower Rendering C reated i n Rev it , Enscape & Photoshop
Glass House
14
02
ERICKSEN RESIDENCE S a n t a C l a ra , U t a h
T h e E r i c k s e n R e s i d e n c e p ro j e c t i s a re s i d e n t i a l k i t c h e n d e s i g n , c o m p l e t e d d u r i n g S e n i o r D e s i g n S t u d i o a n d s u b m i t t e d f o r t h e S u b z e ro Wo l f D e s i g n C o m p e t i t i o n i n 2 0 2 4 . I n s p i r a t i o n f o r t h e k i t c h e n d e s i g n w a s d r a w n f ro m t h e w a r m , c o z y a p p e a l o f E u ro p e a n i n t e r i o r s . F o r t h e c l i e n t s o f t h i s p ro j e c t , t h e k i t c h e n s e r v e s a s t h e h e a r t o f t h e i r h o m e — a p l a c e w h e re t h e y l o v e t o h o s t f r i e n d s a n d f a m i l y, e n g a g e i n h e a l t h y c o o k i n g , a n d b a k e w i t h t h e i r c h i l d re n . T h e y s o u g h t a s p a c e t h at e m b o d i e s t h e i r l i fe s t y l e of g at h e r i n g a n d s l o w l i v i n g . Ke y p r i o r i t i e s i n c l u d e d c re a t i n g a f u n c t i o n a l a n d e f f i c i e n t w o r k s p a c e w i t h a m p l e c o u n t e r s p a c e , a s w e l l a s s u f f i c i e n t c o l d a n d d r y s t o r a g e f o r f o o d a n d c o o k i n g s u p p l i e s . A d d i t i o n a l l y, t h e c l i e n t s e m p h a s i z e d t h e i m p o r t a n c e o f a s e p a r a t e p re p k i t c h e n a n d p a n t r y a re a , d e s i g n a t e d s p e c i f i c a l l y f o r b a k i n g . T h e y f a v o r t r a d i t i o n a l b u i l t - i n c a b i n e t r y, n a t u r a l m a t e r i a l s , v i n t a g e a n d a n t i q u e p i e c e s , a n d a n e u t r a l c o l o r p a l e t t e i n t h e i r a e s t h e t i c p re f e re n c e s . T h e s e g o a l s a re a c h i e v e d t h ro u g h c a re f u l d e s i g n a n d l a y o u t c o n s i d e r a t i o n s . T h e k i t c h e n i s c e n t e re d a ro u n d a l a r g e i s l a n d , p ro v i d i n g e x t e n s i v e c o u n t e r s p a c e a n d s e r v i n g a s a f o c a l p o i n t f o r g a t h e r i n g s . To e n s u re e f f i c i e n t w o r k f l o w, u n i n t e r r u p t e d c o u n t e r s p a c e f l a n k s b o t h s i d e s o f t h e h o o d a n d r a n g e , a l l o w i n g f o r s e a m l e s s f o o d p re p a r a t i o n n e a r t h e c o o k i n g a re a w i t h o u t t h e n e e d to m ove b a c k a n d fo r t h to t h e i s l a n d . A w i n d o w- l i n e d n i c h e to t h e l e f t of t h e i s l a n d s e r ve s a s a d e d i c a t e d s e r v i n g a re a f o r g u e s t s , e q u i p p e d w i t h a l o n g s t re t c h o f c o u n t e r s p a c e a n d a s e c o n d p re p s i n k . T h i s s e t u p e n h a n c e s t h e k i t c h e n ’ s f u n c t i o n a l i t y d u r i n g s o c i a l g a t h e r i n g s a n d m e a l p re p a r a t i o n s . A b u n d a n t c o l d a n d d r y s t o r a g e i s p r i o r i t i z e d w i t h t h e s e l e c t i o n o f a 3 6 ” re f r i g e r a t o r a n d f re e z e r f ro m S u b Z e ro , i n t e g r a t e d i n t o a w a l l o f f l o o r- t o - c e i l i n g c u s t o m c a b i n e t r y. T h e p re p k i t c h e n , l o c a t e d b e h i n d t h e m a i n k i t c h e n a re a , i s e q u i p p e d w i t h i t s o w n i s l a n d , a 2 4 ” S u b Z e ro f r i d g e a n d f re e z e r c o l u m n , Wo l f d o u b l e o v e n s , a n i c e m a k e r, a n d a m p l e b u i l t - i n s t o r a g e a n d p a n t r y s h e l v i n g . T h i s s e t u p e n s u re s t h a t e v e r y t h i n g n e e d e d f o r b a k i n g i s c o n v e n i e n t l y a c c e s s i b l e w i t h i n t h e p re p k i t c h e n , m i n i m i z i n g t h e n e e d t o m o v e b e t w e e n s p a c e s d u r i n g c o o k i n g a n d b a k i n g s e s s i o n s . T h e f i n a l d e s i g n o f t h i s k i t c h e n p ro j e c t e x e m p l i f i e s a h a r m o n i o u s b l e n d o f f u n c t i o n a l i t y a n d e l e g a n t a e s t h e t i c s , re f l e c t i n g t h e w a r m t h a n d h o s p i t a l i t y c e n t r a l t o E u ro p e a n - i n s p i re d i n t e r i o r s P ro g r a m s u s e d : A u t o C A D, R e v i t + Tw i n m o t i o n , P h o t o s h o p .
I n s p i rat i o n I m a ge s Ericksen Residence
16
dbl oven
ice custom island
Process Sketches
pantry
Pre p K itc h e n F l o o r P l a n
b u i l t- i n s to ra ge
f
tr micro. d rawe r
fr tr
d
b u i l t- i n s to ra ge
b u i l t- i n s to ra ge
Main Kitchen Floor Plan
17
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
Re n d e red F l o o r P l a n
Ericksen Residence
18
“There are two things that make a room timeless; a sense of history and a piece of the future.” -Charlotte Moss 19
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
K itc h e n Re n d e red i n Rev it , Tw i n m o t i o n & P h o t o s h o p
T h e k i t c h e n f e a t u re s a h a r m o n i o u s b l e n d o f t w o - t o n e d w o o d e l e m e n t s , c o m b i n i n g r i c h , d a r k w o o d t o n e s w i t h l i g h t e r, n a t u r a l h u e s . T h e c o n t r a s t c re a t e s a s e n s e o f d e p t h , a d d i n g v i s u a l i n t e re s t t o t h e s p a c e . A c re a m y, v e n e t i a n p l a s t e r h o o d o v e r t h e r a n g e a d d s a c l a s s i c t o u c h . T h i s f e a t u re s e r v e s a s a s c u l pt u ra l e l e m e n t , a s we l l a s a fo c a l p o i n t i n t h e k i tc h e n , c o m b i n i n g f u n c t i o n a l i t y w i t h a r t i s t i c c h a r m . A n i m p o r t a n t a s p e c t o f t h e d e s i g n w a s c re a t i n g b u i l t - i n c a b i n e t r y t h a t m i m i c s s t a n d a l o n e f u r n i t u re p i e c e s . T h e o r n a t e l e g s o f t h e c u s t o m i s l a n d , i n t r i c a t e d e t a i l i n g o n d o o r s & d r a w e r s , a n d a c u r a t e d s e l e c t i o n o f a n t i q u e b r a s s h a rd w a re e v o k e t h e f e e l i n g o f c o l l e c t e d f u r n i t u re p i e c e s . Ericksen Residence
20
Window Niche Rendering
Re f r i ge rato r V i ew Rendering 21
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
1. 3. 2. 4. 5. 6.
7.
8.
9.
1. Riverwoods Mill Custom Cabinetry / Dark Oak
2 . D u n n E d w a rd s / S w i s s C o f f e e 3 . Wa t e r w o r k s / E a s t o n Fa u c e t 4 . R o m a n
and Williams Guild / Solna Pendant Light 5. Magnolia / Flint Dining Chair 6. Aria Stone Gallery / 2 cm Statuario Bettogli M a r b l e 7. V i s u a l C o m f o r t / J o n a t h a n S c o n c e 8 . A D M F l o o r i n g / M o d e n a W h i t e O a k 9. S h o p p e A m b e r I n t e r i o r s / B r a s s K n o b
Ericksen Residence
22
0 3 VILLA VENEZIA S o n o m a , C a l ifo r n i a
V i l l a Ve n e z i a i s a re s i d e n t i a l p ro j e c t s i t u a t e d w i t h i n t h e l u s h v i n e y a rd s o f W i n e C o u n t r y, s u r ro u n d e d b y t h e p i c t u re s q u e l a n d s c a p e o f S o n o m a , C a l i f o r n i a , c o m p l e t e d d u r i n g S e n i o r D e s i g n S t u d i o i n 2 0 2 3 . T h e I t a l i a n s t y l e h o m e d r a w s i n s p i r a t i o n f ro m t h e r u s t i c e l e g a n c e a n d s i m p l i c i t y o f v i l l a s l o c a t e d i n t h e n o r t h e r n re g i o n s o f I t a l y. T h i s p ro j e c t i s a s t u d y a n d e x p l o r a t i o n o f I t a l i a n s t y l e a rc h i t e c t u re a n d i n t e r i o r s , a i m i n g t o d e f i n e t h e d i s t i n c t i v e f e a t u re s a n d e l e m e n t s o f t h e s t y l e a n d re f l e c t t h e m a u t h e n t i c a l l y. I n o rd e r t o e x e c u t e t h i s g o a l s u c c e s s f u l l y, re s e a rc h w a s c o n d u c t e d t o g a i n a n u n d e r s t a n d i n g o f t h e h i s t o r y o f I t a l i a n a rc h i t e c t u re a n d c o n s t r u c t i o n , t h e d e s i g n p r i n c i p l e s o f i n t e r i o r s p a c e s , a n d t h e authentic use of materials and textiles. The design began with the floor plan, putting a p a r t i c u l a r e m p h a s i s o n e f f i c i e n t c i rc u l a t i o n , f u n c t i o n a l i t y, a n d o u t d o o r c o n n e c t i o n . T h e m a i n f l o o r i s m a d e u p o f a c e n t r a l e n t r y s p a c e t h a t c o n n e c t s t h e f o r m a l d i n i n g ro o m , k i t c h e n , a n d l i v i n g ro o m t h ro u g h l a r g e s t o n e a rc h w a y s , c re a t i n g a s e a m l e s s , o p e n f l o w b e t w e e n t h e a re a s . A d d i t i o n a l l y, e a c h ro o m f e a t u re s a s e t o f F re n c h d o o r s t h a t o p e n o u t t o c o v e re d p a t i o s p a c e s , h i g h l i g h t i n g t h e h a r m o n y b e t w e e n i n d o o r a n d o u t d o o r l i v i n g a re a s . I n d e s i g n i n g t h e e x t e r i o r o f t h i s q u a i n t , t w o - s t o r y v i l l a , c a re f u l c o n s i d e r a t i o n w a s g i v e n to the placement, size, and style of windows, doors, and balconies. Functional shutters w e re i n c o r p o r a t e d t o e n h a n c e b o t h a e s t h e t i c a p p e a l a n d p r a c t i c a l i t y. Te r r a c o t t a t i l e s w e re a n o b v i o u s c h o i c e f o r t h e ro o f, c o m p l e m e n t e d b y t h e n a t u r a l Tr a n i s t o n e c o v e r i n g the exterior walls. Small details such as oak wood brackets, terracotta gable vents, and c h i m n e y f l u te s a d d t h e f i n i s h i n g to u c h e s to t h e d e s i g n , p e r fe c t i n g t h e l o o k of t i m e l e s s I t a l i a n c h a r m . I t w a s e s s e n t i a l t o re f l e c t e l e m e n t s o f t h e e x t e r i o r i n s i d e , i n c o r p o r a t i n g t h e s a m e n a t u r a l s t o n e t o c o v e r v a r i o u s w a l l s a n d t h e f i re p l a c e , e c h o i n g t h e d a r k o a k w o o d o f the shutters in ceiling planks and decorative beams, and integrating terracotta clay tiles t h ro u g h o u t t h e f l o o r i n g o f t h e h o m e . T h e f o l l o w i n g p a g e s a re s a m p l e s f ro m a c o n s t r u c t i o n document set to demonstrate the complexity of the construction design. P ro g r a m s u s e d : R e v i t
I n s p i rat i o n I m a ge s V i l l a Ve n e z i a
24
2 A300
49' - 2
33' - 0"
D
14' - 0"
1' - 8"
8' - 5"
Align
10' - 0"
1' - 8"
1' - 8"
1' - 8"
2' - 2"
16' - 2"
3' - 0"
3' - 6"
3
3' - 3"
B 2' - 3 3/4"
C
11' - 0 3/4"
5' - 5"
Living Room 3
3' - 3"
46' - 0"
1 2' - 3 3/4"
15' - 8 3/4"
2' - 3 3/8"
4' - 0"
3' - 0"
5' - 6"
36' - 0"
B
8"
C 3' - 2 1/8"
1' - 0"
2' - 4"
1
2
Powder Bath 2
1
2
Entry 1
Di
12' - 0"
12' - 3"
1 A108
2' - 10"
B B
UP
1
10' - 11"
2' - 2"
13' - 6"
33' - 0"
49' - 2
A
1
A103
25
Main Floor Plan 1/4" = 1'-0"
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
1/2" GYP. BOARD 2 A301
1/2" GYP. BOARD
1 1/2" STONE VENEER
2
2
A300
A301
14' - 0"
10' - 0"
Align
8' - 10"
4' - 0"
Guest Room
2
10' - 0"
A
13' - 6"
A300 A
1
8' - 7"
A300
A 11' - 9"
2244 High Grove Lane Sonoma, California 95476
8' - 7"
DATE:
11' - 9"
MARK:
14' - 0"
2"
MARK:
13' - 6"
4' - 4"
8' - 7"
DESCRIPTION:
10' - 11"
5' - 0 1/2"
Villa Venezia
1
1
6a
A
2244 High Grove Lane Sonoma, California 95476
17' - 10"
2' - 0"
19' - 5"
46' - 0" 15' - 5"
36' - 0"
2' - 0"
A
10
8' - 2"
3' - 7"
4' - 0"
"
19' - 5"
15' - 5"
2' - 0"
1' - 6"
3' - 4"
Guest Room
A300
6a
2
2' - 11 3/8"
8' - 6 1/4"17' - 10"
11
Align
DATE:
2
Guest Bath
1
10
11
1 A301
16' - 7"
11
Guest Bath
1
1
A301
Align
11' - 8 7/8"
16' - 7"
1
1
11
11' - 8 7/8"
8' - 2"
Loft
2' - 6"
Loft 6
2' - 11 3/8"
5
10
1 A301
1
3' - 7"
1
5' - 0"
1
1
4' - 4"
2' - 4 3/8"
---
D
8' - 6 1/4"
8' - 3"
W
15' - 5 3/4"
5
1
2' - 6"
5' - 0"
6b
---
1
D
10
Villa Venezia
W
1
2' - 10 1/2"
ining Room
4' - 5 3/4"
2' - 0"
Align
1
6
8' - 10 3/4" 5' - 4 3/4"
6b
7
A
1
2' - 10 1/2"
16' - 7"
2' - 2"
10' - 0"
3' - 4 3/4"
12' - 11 3/4"
1' - 1 1/4"
2' - 6"
15' - 5"
5' - 9"
9
2' - 0"
9b
8' - 2"
DN
2' - 0"
5' - 4 3/4"
3' - 4 3/4"
15' - 7"
7a
3' - 4 3/4"
10' - 10 1/2"
7
9
1
8 5' - 0"
9
2' - 6"
Primary Bath
9b
12' - 11 3/4"
7a
9a
Primary Bath 9
2' - 0"
2' - 6"
2' - 0"
2' - 0"
Align
2' - 0"
9a
Align
8 5' - 0"
4' - 5 3/4"
1
1
10' - 0"
1
2' - 6"
2 3' - 4"
Primary Bedroom 7
B1
2' - 2"
1' - 6"
2' - 2"4' - 0"
10' - 0"
2
1
2' - 0"
B
5' - -2"10 1/2" 10'
8' - 10 3/4"
5' - 5"
3' - 4 3/8"
8
4' - 11"
7
Primary Closet
1
7' - 2"
Primary Bedroom B
14' - 7 7/8"
11' - 0 3/4"
B
2' - 0"
B
3' - 4 3/4"
8' - 10"
1
2' - 4 3/8"
B
8
15' - 0"
3' - 3"
2' - 2"
5' - 2"
Primary Closet 1
B
4
B
4' - 11"
2' - 0"
2' - 0" 2' - 0"
1/2" = 1'-0"
7' - 2"
B
7' - 1"
3' - 6"
4' - 0 1/2"
4
Wall Type 2
1/2" = 1'-0"
7' - 2"
B
3/4" SHEATHING
Wall Type 1
Align 4' - 11"
1/2" = 1'-0"
1 1/2" STONE VENEER
2 A301
8' - 5"
Wall Type 2
1/2" = 1'-0"
1/2" GYP. BOARD
2
Kitchen
1/2" = 1'-0"
Wall Type 1
2' - 0"
Ellie Ericksen elliemericksen@gmail.com (435) 817 - 8008
10' - 0"
A300
7' - 2"
Wall Type 2
1/2" = 1'-0"
2' - 0"
1' - 8"
Wall Type 1
1' - 8"
14' - 0"
3/4" SHEATHING
1 1/2" STONE VENEER
DESCRIPTION:
2"
3
Ellie Ericksen elliemericksen@gmail.com (435) 817 - 8008
3/4" SHEATHING
Project PROJECT Number #: DESIGNED Designer BY:
DRAWN BY:
N
N
N
Author
CHECKED BY:Checker ISSUED Issue Date :
Project PROJECT Number #: DESIGNED Designer BY: DRAWN Author BY:
CHECKED BY:Checker
SecondMFloor a i n F l o o r P l aISSUED n Issue Date : Plan
3
4
4
5
12/14/2023 9:13:08 AM
A104
V i l l a Ve n e z i a 12/14/2023 2 69:13:08 AM
5
Main Floor Plan
S
27 I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o Second Floor Plan
1/4" = 1'-0"
2 A300
4' - 11"
7' - 2"
8' - 10"
B
B
3' - 6"
14' - 7 7/8"
Primary Bedroom 7
1 1
1
2' - 6"
8 5' - 0" 5' - 4 3/4"
10' - 10 1/2"
3' - 4 3/4"
7a 2' - 2"
9 3' - 4 3/4"
3' - 3"
8
2' - 2"
5' - 5"
5' - 2"
Primary Closet
1
B
8' - 10 3/4"
B
2' - 6"
7
1
1
15' - 7"
6b
1' - 1 1/4"
W
2' - 4 3/8"
2' - 10 1/2" DN
1
1
1
D
8' - 6 1/4"
---
Loft
A
6
Guest Bath
1
8' - 3"
11
3' - 7"
4' - 0"
2
2
5' - 0 1/2"
13' - 6"
11' - 9"
4' - 4"
6a
10' - 11"
11
2' - 11 3/8"
5' - 0"
1/2" GYP. BOARD
1 1/2" STONE VENEER
2
1/2" GYP. BOARD
A301
2
2
A300
A301
Wall Type 2
1/2" = 1'-0"
Ellie Ericksen
Wall Type 1
1/2" = 1'-0"
Wall Type 1 1/2" = 1'-0"
1/2" GYP. BOARD
2 A301
2' - 0"
10' - 0"
4' - 11"
B
Wall Type 2 1/2" = 1'-0"
4' - 11"
2' - 0"
10' - 0"
B
2' - 0"
Align
A
13' - 6"
1 A
A300 8' - 7"
13' - 6"
A 11' - 9"
2244 High2244 Grove High Lane Grove Lane Sonoma, California 95476 Sonoma, California 95476
1 A300
8' - 7"
DATE:
8' - 7"5' - 0 1/2"
4' - 4"
A
1 A300
6a
"
Villa Venezia Villa Venezia 16' - 7"
A
10
DESCRIPTION:
10' - 11"
2' - 0"
17' - 10" 2' - 0"
Guest Room
8' - 2"
3' - 7"
4' - 0"
19' - 5"
15' - 5"
19' - 5"
5' - 4 3/4"
2
6a
2
Align
MARK:
11' - 9"
DATE:
2
4' - 0"
1 A301
1 A301
MARK:
8' - 2"
11
11
11
Guest Room 10
11' - 8 7/8"
Guest Bath
1
Align
DESCRIPTION:
11
Guest Bath
1
1 A301
1
16' - 7"
1A 2' - 11 3/8"
8' - 6 1/4"
Loft
11' - 8 7/8"
2' - 0"
2' - 6"
16' - 7"
2' - 6"
Loft 6
1
10
8' - 3"
1
D
10
5' - 0"
1
1 2' - 11 3/8"
W
6
---
2' - 4 3/8"
6b
---
1
8' - 6 1/4"17' - 10"
1
2' - 10 1/2"
Guest Room
1
D 5' - 0"
1 11' - 8 7/8"
A
W
Align
10
3' - 7"
7
1
6b
4' - 4"
2' - 6"
1/2" = 1'-0"
8' - 2"
9
1
2' - 10 1/2"
17' - 10"
DN
1' - 1 1/4"
2' - 6"
9b
12' - 11 3/4" 5' - 4 3/4"
10
3' - 4 3/4"
15' - 7"
7a
3' - 4 3/4"
10' - 10 1/2"
9b
7
9
1
8 5' - 0"
Wall Type 2
9
2' - 6"
Primary Bath
9
15' - 5"
2' - 6"
9a
Primary Bath
10' - 0"
1
1
3' - 4 3/4"
Primary Bedroom
9a
12' - 11 3/4"
7a
2 1' - 6"
2' - 2"
7
1
8' - 10 3/4"
8
4' - 5 3/4"
5' - -2"10 1/2" 10'
Primary Closet
1
8 5' - 0"
1 1/2" STONE VENEER
2' - 0"
Align
1
2' - 6"
3' - 4"
12' - 11 3/4"
1' - 6"
7
9b
10' - 0"
3' - 4 3/4"
9
B
2
1
2' - 0"
15' - 5"
Primary Bedroom B
14' - 7 7/8"
B
4' - 11"
2' - 0"
7' - 2"
Primary Bath
2' - 4 3/8"
8' - 10"
9a
1
19' - 5"
2' - 2"
3/4" SHEATHING
10' - 0"
5' - 2"
3' - 4"
8
8' - 10 3/4"
10' - 0"
1
4' - 5 3/4"
2' - 0"
4'3'--56"3/4"
2
3' - 3" 3' - 4"
1' - 6"
7' - 2"
Primary Closet
7' - 2"
5' - 5"
8' - 10"
B
B
3
Wall Type 1 1/2" = 1'-0"
Align
7' - 2"
B
"
2' - 0"
2' - 0"
4' - 11"
B
3/4" SHEATHING
1 1/2" STONE VENEER
2 A300
7' - 2"
Ellie Ericksen elliemericksen@gmail.com elliemericksen@gmail.com (435) 817 - 8008 (435) 817 - 8008
3/4" SHEATHING
Project PROJECT Number #: DESIGNED Designer BY:
Project DRAWN PROJECT Author Number BY: #: DESIGNED CHECKED BY:Checker Designer BY:
N
N
ISSUED Issue Date : DRAWN
BY:
N
Author
CHECKED BY:Checker ISSUED Issue Date : Second Floor
Upper Floor Plan
Plan
3
4
4
5
12/14/2023 9:13:08 AM
A104
Second Floor Plan
V i l l a Ve n e z i a 12/14/2023 2 89:13:08 AM
5
S
D
C
B
A
29
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
1
2
Ellie Ericksen elliemericksen@gmail.com (435) 817 - 8008 2244 High Grove Lane Sonoma, California 95476
Villa Venezia DESCRIPTION: DATE: MARK:
Project PROJECT Number #: DESIGNED Designer BY:
DRAWN BY:
North Exterior Elevation
Author
CHECKED BY:Checker ISSUED Issue Date :
North elevation V i l l a Ve n e z i a rendering 30 3
4
5
3/24/2024 1:27:31 PM
R02
D
C
B
A
31
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o 1
2
3
Ellie Ericksen elliemericksen@gmail.com (435) 817 - 8008 2244 High Grove Lane Sonoma, California 95476
Villa Venezia DESCRIPTION: DATE: MARK:
Project PROJECT Number #: DESIGNED Designer BY:
DRAWN BY:
We s t E x t e r i o r E l e v a t i o n
Author
CHECKED BY:Checker ISSUED Issue Date :
East elevation rendering
V i l l a Ve n e z i a 4
5
3/24/2024 1:32:16 PM
R001
32
D
C
B
A
33
1
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
2
3
Ellie Ericksen elliemericksen@gmail.com (435) 817 - 8008 2244 High Grove Lane Sonoma, California 95476
Villa Venezia DESCRIPTION: DATE: MARK:
Project PROJECT Number #: DESIGNED Designer BY: DRAWN Author BY:
CHECKED BY:Checker ISSUED Issue Date :
South
S o u t h E x t e r i o r E l eelevation vation
rendering
4
5
3/24/2024 1:04:39 PM
R03 V i l l a Ve n e z i a
34
D
C
B
A
35
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o 1
2
Ellie Ericksen elliemericksen@gmail.com 2244 High Grove Lane
Villa Venezia DESCRIPTION: DATE: MARK:
Project PROJECT Number #: DESIGNED Design BY:
DRAWN BY:
East Exterior Elevation
V i l l a Ve n e z i a 3
4
5
3/24/2024 1:31:55 PM
Author
CHECKED BY:Checker ISSUED Issue Date :
West elevation rendering
36
R000
3 EQ. RISERS @ 7 3/4"
1' - 8 3/8"
1' - 10"
2 EQ. TREADS @ 11" EA.
Stairs Section 1/2" = 1'-0"
2 A108
Villa Venezia
2 A108
3 A108
DATE:
DESCRIPTION:
14 EQ. RISERS @ 11" EA.
MARK:
3 EQ. RISERS @ 7 3/4" MAX
8' - 5 3/4" 1' - 8 3/8"
UP
3' - 2"
3' - 2"
12' - 10"
14 EQ. TREADS @ 11" EA.
3' - 2"
3' - 4"
3' - 3"
A108
Enlarged Stair Plan 1/2" = 1'-0"
3
Enlarged Stair Plan
4
Project PROJECT Number #: 1' - 10" DESIGNED Designer BY: 2 EQ.DRAWN TREADS @ 11" EA. Author BY:
CHECKED BY:Checker ISSUED Issue Date :
1' - 10"
2 EQ. TREADS @ 11" EA.
1
A108
Stairs Section 1/2" = 1'-0"
5
S tStair airs Section Drawings
12/14/2023 5:57:18 PM
A108 2 A108
37
2244 High Grove Lane Sonoma, California 95476
3
A108
3' - 3"
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
3' - 2"
4
A108
Stairs Axon
3 A108
3' - 0"
WROUGHT IRON RAILING (OPENINGS NOT TO EXCEED 4")
Second Floor 110' - 2 1/8"
8' - 5 3/4"
14 EQ. RISERS @ 11" EA.
1' - 8 3/8"
3 EQ. RISERS @ 7 3/4" MAX
T.O. Wall 109' - 0"
Main Floor 100' - 0" T.O. Foundation 100' - 0" 3' - 2"
12' - 11"
2 EQ. TREADS @ 11" EA.
2
A108
14 EQ. TREADS @ 11" EA.
Front Stairs Elevation 1/2" = 1'-0"
Fro nt Sta i r E l evat i o n
2
3
Ericksen Residence
38
CERAMIC CLAY ROOF TILES 1
A201
4
1"
11 3/8"
1"
5
1' - 0" 7 7/8"
2 1/4" 1 1/4"
7 7/8"
DECORATIVE WOOD BRACKETS
8 1/2" 7 7/8"
1' - 0"
11 3/8"
Decorative Wood11 3/8" Bracket Detail
8 1/2"
DECORATIVE WOOD BRACKETS
8 1/2"
3" = 1'-0"
Decorative Wood Bracket Detail Decorative WoodA201 3" = 1'-0" D e c o r a t i v e Wo o d B r a c k e t D e t a i l Bracket Detail
WROUGHT IRON GUARDRAIL
5
5
A201
C
DECORATIVE WOOD BRACKETS 8' - 0"
1"
1"0" 2 1/2"
2 1/4" 1 1/4"
2 1/4" 1 1/4"
A201
OAK LOUVERED SHUTTER PANELS RE: SHUTTER SCHEDULE
OAK LOUVERED SHUTTER PANELS RE: SHUTTER SCHEDULE
1"0"
2 1/2"
D
2 1/2"
D
A201
A201
1"0"
OAK WOOD BRACKET
OAK LOUVERED SHUTTER PANELS RE: SHUTTER SCHEDULE
4
OAK WOOD BRACKET
4" / 1'-0"
D
9' - 4 5/8"
OAK WOOD BRACKET
D
A300 1 A300
4
8' - 0"
D
1 1 A302 A302
3" = 1'-0"
WROUGHT IRON GUARDRAIL
WROUGHT IRON GUARDRAIL
C
C
C
4 1/2"
4 1/2"
4 1/2"
C
2
2
2Section Section 1 1
A201
= 1'-0" A300A300 1/4"1/4" = 1'-0"
South Elevation 1/4" = 1'-0"
2
2"
2
A201
South Elevation
A201
South Elevation 1/4" = 1'-0"
1/4" = 1'-0"
2" 2"
4
A201
B
B
B
4
A201
Decorative Wood Bracket Section 6" = 1'-0" D e c o r a t i v e Wo o d B r a c k e t S e c t i o n Decorative Wood
4 Bracket Section Decorative WoodA201 6" = 1'-0" Bracket Section
W CL
6" = 1'-0"
B B
MECHANICALLY FASTENED)
DE W
MECHANICALLY FASTENED)
6"
5/8" GYPSUM BOARD TYP MECHANICALLY FASTENED)
6"
2x6 DIM. LUMBER (MECHANICALLY FASTENED)5/8" GYPSUM BOARD TYP
6"
6"
6"
3
A201
A201
WRAP EXPOSED SIDES W/ OAK VENEER
Decorative Beam Detail 3" = 1'-0"
I n t e r i o 3r A rDecorative c h i t e c t u r e &Beam D e s i gDetail n Po r t fo l i o 3" = 1'-0"
Section 4 1 1/4" = 1'-0" Section 4 1 A300 1/4" = 1'-0"
A300
A A
O SH RE
3" = 1'-0"
A
A201
6 6 A302 A302
D e Beam c o r a t i Detail v e Wo o d B e a m D e t a i l Decorative 3
39
2x6 DIM. LUMBER (MECHANICALLY FASTENED)
6" WRAP EXPOSED SIDES W/ OAK VENEER
A
A
5/8" GYPSUM BOARD TYP WRAP EXPOSED SIDES W/ OAK VENEER 2x6 DIM. LUMBER (MECHANICALLY FASTENED)
1
1
3
2
2
3
Ellie Ellie Ericksen Ericksen elliemericksen@gmail.com elliemericksen@gmail.com (435) (435) 817 817 --8008 8008
1 A3011 A301
T.O. Chimney T.O. Chimney 130' - 0" 130' - 0" T.O. Roof T.O.- 2 Roof 127' 3/4" 127' - 2 3/4"
1'-0" 1'-0" 4"
4"
1 1/2" 1 1/2"
1 1/2" 1 1/2"
T.O. Lower Roof T.O. Lower Roof 121'- -4"4" 121'
1'-0" 1'-0"
T.O.Second SecondWall Wall T.O. 120'- -771/8" 1/8" 120'
8' - 0" 8' - 0"
9' - 4 5/8"
1'-0" 1'-0"
SecondFloor Floor Second 110'- -221/8" 1/8" 110' T.O.Wall Wall T.O. 109'- -0"0" 109'
Main MainFloor Floor 100' 100'- -0"0" T.O. T.O.Foundation Foundation 100' 100'- -0"0"
Villa Venezia Venezia Villa
2 2 A300 A300
2244 High Grove Lane 2244 High Grove Lane Sonoma, California 95476 Sonoma, California 95476
T.O. T.O.Footing Footing 97' 97'- -0"0"
2 2 A301 A301
T.O. Roof T.O. Roof 127' - 2 3/4" 127' - 2 3/4"
T.O. Lower Roof T.O. Lower 121' Roof - 4" 121' - 4"
DESCRIPTION: DESCRIPTION: MARK: DATE: MARK: DATE:
7' - 0" 7' - 0"
6' - 3 1/8" 6' - 3 1/8"
8' - 4 3/8" 8' - 4 3/8"
9' - 7 1/2" 9' - 7 1/2"
6' - 3 1/8" 6' - 3 1/8"
Second Floor Second 110' - 2 Floor 1/8" 110' - 2 1/8"
6' - 6' 9" - 9"
8' - 2" 8' - 2"
6' - 9" 6' - 9"
6' - 11 1/8" 6' - 11 1/8"
T.O. Wall 109' Wall - 0" T.O. 109' - 0"
8' - 2" 8' - 2"
6' - 11 1/4" 6' - 11 1/4"
8' - 4 3/8" 8' - 4 3/8"
T.O. Second Wall T.O. Second Wall 120' - 7 1/8" 120' - 7 1/8"
Project PROJECT Project #: PROJECT Number Number DESIGNED #: BY:DESIGNED Designer DRAWN Designer BY: Author BY: DRAWN Author BY: CHECKED BY:Checker
Main Floor 100'Floor - 0" Main 100' - 0" T.O. Foundation 100' - 0" T.O. Foundation 100' - 0" T.O. Footing - 0" T.O. 97' Footing 97' - 0"
Checker ISSUED CHECKED BY:Date Issue : ISSUED Issue Date :
Building Sections Sections
V i l l a Ve n eSections zia 40 4
5
4
5
12/14/2023 10:04:02 PM
12/14/2023 10:04:02 PM
A300 A300
CERAMIC CLAY TILES WEATHER INSULATION BARRIER MEMBRANE
D
3/4" SHEATHING 2x6 DOUBLE TOP PLATE PRE-ENGINEERED PRESSURE TREATED TRUSS 12" O.C.
CERAMIC CLAY TILES
4" CLAY TERRACOTTA GABLE VENT TUBE
WEATHER INSULATION BARRIER MEMBRANE
2x4 WOOD FASCIA CLAD W/ ALUMINUM
3/4" SHEATHING
ALUMINUM SOFFIT
2x4 WOOD FASCIA CLAD W/ ALUMINUM
5/8" GYP. BOARD TYP
ALUMINUM SOFFIT 2x6 DOUBLE TOP PLATE
CERAMIC CLAY TILES
PRE-ENGINEERED TRUSS 12" O.C.
WEATHER INSULATION BARRIER MEMBRANE
5/8" GYP. BOARD TYP
C
3/4" SHEATHING
WINDOW SHUTTER PANEL RE: SHUTTER SCHEDULE
PRE-ENGINEERED 2x10 RAFTER 12" O.C.
NATURAL TRANI STONE VENEER
2x6 DOUBLE TOP PLATE
2x4 WOOD FASCIA CLAD W/ ALUMINUM 2x6 DOUBLE TOP PLATE
NATURAL TRANI STONE VENEER
1/4" AIR GAP HOUSE WRAP
1/4" AIR GAP
3/4" SHEATHING
HOUSE WRAP
2x6 STUD WALL 16" O.C.
HSS 10 x 2 x 1/4 RAFTER RE: STRUCT. PRE-ENGINEERED 2x10 RAFTER 12" O.C.
3/4" SHEATHING
R21 INSULATION R21 INSULATION
1/2" GYPSUM BOARD TYP
2x6 STUD WALL 16" O.C.
3/4" SHEATHING
2x6 BOTTOM PLATE
1/2" GYPSUM BOARD TYP
3/4" SHEATHING 2x6 BOTTOM PLATE
RIM JOIST
RIM JOIST
3/4" SHEATHING
2x6 SILL PLATE
2x6 SILL PLATE
RIM JOIST
2x6 DOUBLE TOP PLATE
ALUMINUM SOFFIT ALUMINUM SOFFIT
2x6 SILL PLATE 2x6 DOUBLE TOP PLATE
NATURAL TRANI STONE VENEER
5/8" GYP. BOARD TYP
1/4" AIR GAP HOUSE WRAP 3/4" SHEATHING
B 2x6 STUD WALL 2x6 PRESSURE TREATED SILL PLATE 5/8" ANCHOR BOLT RE: STRUCT.
2x6 PRESSURE TREATED SILL PLATE
2x6 PRESSURE TREATED SILL PLATE
4" CONCRETE SLAB
5/8" ANCHOR BOLT RE: STRUCT.
5/8" ANCHOR BOLT RE: STRUCT.
3" RIGID INSULATION
3/4" SHEATHING
6" GRAVEL
6" GRAVEL
8" CONCRETE FOUNDATION WALL
3" RIGID INSULATION
3/4" SHEATHING
4" CONCRETE SLAB 6" GRAVEL 8" CONCRETE FOUNDATION WALL
4" CONCRETE SLAB
24x10 FOOTING 6" GRAVEL
8" CONCRETE FOUNDATION WALL
EARTH
24x10 FOOTING
24x10 FOOTING 6" GRAVEL
6" GRAVEL
EARTH
EARTH
A
6
A302
41
Section 4 - Callout 1 1/2" = 1'-0"
5
A302
Section 3 - Callout 2
4
1/2" = 1'-0"
A302
Section 3 - Callout 1 1/2" = 1'-0"
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o 1
2
3
3
PRE-ENGINEERED TRUSS 12" O.C.
3/4" SHEATHING PRE-ENGINEERED TRUSS 12" O.C. DECORATIVE WOOD BEAM RE: 3/A201
HEADER RE: STRUCT. WINDOW B RE: WINDOW SCHEDULE
2x4 WOOD FASCIA CLAD W/ ALUMINUM
5/8" ANCHOR BOLT RE: STRUCT. 3/4" SHEATHING 4" CONCRETE SLAB 6" GRAVEL 3" RIGID INSULATION 8" CONCRETE FOUNDATION WALL 24x10 FOOTING 6" GRAVEL EARTH
A109
3/4" SHEATHING
WINDOW SHUTTER PANEL RE: SHUTTER SCHEDULE NATURAL TRANI STONE VENEER 1/4" AIR GAP
HOUSE WRAP
RIM JOIST
Villa Venezia
3 A201
2x6 DOUBLE TOP PLATE
2244 High Grove Lane Sonoma, California 95476
3
I-JOIST 16" O.C.
5/8" GYP. BOARD TYP 2x6 SILL PLATE HEADER RE: STRUCT. NATURAL TRANI STONE VENEER
1/4" AIR GAP HOUSE WRAP 3/4" SHEATHING
2x6 STUD WALL 16" O.C. 1/2" GYPSUM BOARD TYP
3/4" SHEATHING R21 INSULATION 2x6 STUD WALL 16" O.C. 1/2" GYPSUM BOARD TYP
DESCRIPTION:
2x6 PRESSURE TREATED SILL PLATE
3/4" SHEATHING
2x6 SILL PLATE
5/8" GYP. BOARD TYP
1/2" GYPSUM BOARD TYP
2x6 BOTTOM PLATE
I-JOIST 16" O.C.
2x6 SILL PLATE
2x6 STUD WALL 16" O.C.
R21 INSULATION
4' x 8' DOUBLE DOOR RE: DOOR SCHEDULE
RIM JOIST
I-JOIST 16" O.C.
R21 INSULATION
DECORATIVE WOOD BEAM RE: 3/A201
WINDOW SILL
3/4" SHEATHING
RIM JOIST
3/4" SHEATHING
5/8" GYP. BOARD TYP
6' x 8' DOUBLE DOOR RE: DOOR SCHEDULE
2x6 PRESSURE TREATED SILL PLATE 5/8" ANCHOR BOLT RE: STRUCT. 3/4" SHEATHING 4" CONCRETE SLAB 3" RIGID INSULATION
3/4" SHEATHING
4" CONCRETE SLAB 3" RIGID INSULATION
6" GRAVEL
6" GRAVEL
8" CONCRETE FOUNDATION WALL
8" CONCRETE FOUNDATION WALL
24x10 FOOTING
24x10 FOOTING
6" GRAVEL
6" GRAVEL
EARTH
EARTH
DATE:
3/4" SHEATHING
HOUSE WRAP
DECORATIVE WOOD BRACKET RE: 5/A201
MARK:
2x6 BOTTOM PLATE
1/4" AIR GAP
5 A201
ALUMINUM SOFFIT
HEADER RE: STRUCT.
WINDOW SHUTTER PANEL RE: SHUTTER SCHEDULE
NATURAL TRANI STONE VENEER
2x4 WOOD FASCIA CLAD W/ALUMINUM
DECORATIVE WOOD BEAM RE: 3/A201
DECORATIVE WOOD BRACKET RE: 5/A201
WINDOW SHUTTER PANEL RE: SHUTTER SCHEDULE
2x6 DOUBLE TOP PLATE
2x6 DOUBLE TOP PLATE
ALUMINUM SOFFIT
PRE-ENGINEERED TRUSS 12" O.C.
2x4 WOOD FASCIA CLAD W/ ALUMINUM
DECORATIVE WOOD BRACKET RE: 5/A201
2x6 DOUBLE TOP PLATE
3/4" SHEATHING
5/8" GYP. BOARD TYP
ALUMINUM SOFFIT
5/8" GYP. BOARD TYP
2x6 DOUBLE TOP PLATE
WEATHER INSULATION BARRIER MEMBRANE
3/4" SHEATHING
WEATHER INSULATION BARRIER MEMBRANE
DECORATIVE WOOD BEAM
CERAMIC CLAY TILES
WEATHER INSULATION BARRIER MEMBRANE
Ellie Ericksen elliemericksen@gmail.com (435) 817 - 8008
CERAMIC CLAY TILES
CERAMIC CLAY TILES
Project PROJECT Number #: DESIGNED Designer BY: DRAWN Author BY:
3
A302
Section 2 - Callout 2 1/2" = 1'-0"
2
A302
Section 2 - Callout 1 1/2" = 1'-0"
1
A302
CHECKED BY:Checker ISSUED Issue Date :
Section 1 - Callout 1 1/2" = 1'-0"
Wa l l S e c t i o n s Wall Sections
Ericksen Residence 4
5
12/12/2023 5:33:31 PM
42
A302
04
ARMONIA Saint George, Utah
A r m o n i a i s a re s i d e n t i a l p ro j e c t s i t u a t e d i n t h e s e c l u d e d d e s e r t l a n d s c a p e o f S a i n t G e o r g e , U t a h , c o m p l e t e d d u r i n g C o m p u t e r- A i d e d D r a f t i n g a n d D e s i g n S t u d i o a n d p re s e n t e d a t t h e T i n y H o u s e E x h i b i t i n 2 0 2 1 . T h e a rc h i t e c t u r a l d e s i g n o r i g i n a t e d f ro m a n a b s t r a c t i o n o f t h e y i n - y a n g s y m b o l , i n i t i a l l y d r a w i n g f ro m i t s o r g a n i c c u r v e s a n d s of t e d g e s b u t e ve n t u a l l y e vo l v i n g i n to a g e o m e t r i c fo r m w i t h a b r u pt a n g l e s a n d s t r a i g h t l i n e s . T h e f i n a l d e s i g n c o m p r i s e s t h re e re c t a n g l e s : t w o e q u a l l y s i z e d , s p a c e d a p a r t a n d i n t e r s e c t e d b y a l o n g e r, n a r ro w re c t a n g l e . T h e e x t e r i o r e l e v a t i o n s i l h o u e t t e m i r ro r s t h e f l o o r p l a n e x a c t l y. I n s p i re d b y M i e s v a n d e r R o h e ’ s B a rc e l o n a P a v i l i o n , t h i s 1 , 0 0 0 - s q u a re - f o o t re s i d e n c e , c o n s t r u c t e d f ro m r a m m e d e a r t h a n d g l a s s , i s d e s i g n e d t o h a r m o n i z e w i t h i t s s u r ro u n d i n g l a n d s c a p e . T h e n a t u r a l s a n d - h u e d c o l o r s a n d t e x t u re s re f l e c t t h e s a n d y, a i r y t e r r a i n o f S o u t h e r n U t a h , w h i l e t h e g l a s s a d d s a s e a m l e s s b l e n d w i t h t h e s i t e . T h e m a t e r i a l s c re a t e a b e a u t i f u l j u x t a p o s i t i o n : t h e t h i c k , h e a v y r a m m e d e a r t h i s o f f s e t b y t h e l i g h t , w e i g h t l e s s q u a l i t y o f g l a s s a n d n e g a t i v e s p a c e . T h e c o re o f t h e h o u s e , e n c o m p a s s i n g t h e l i v i n g ro o m , k i t c h e n , p r i m a r y b e d ro o m , a n d b a t h ro o m , i s c o n s t r u c t e d f ro m r a m m e d e a r t h a n d c o n n e c t e d b y g l a s s w a l l s e l e v a t e d f o u r f e e t a b o v e t h e g ro u n d . C a n t i l e v e re d p a t i o s e x t e n d f ro m e a c h i n t e r i o r s p a c e , h o v e r i n g o v e r t h e l a v a ro c k t o p ro v i d e a d d i t i o n a l s e a t i n g a n d d i n i n g a re a s f o r e n j o y i n g t h e p l e a s a n t w e a t h e r. F l o o r- t o - c e i l i n g w i n d o w s f l o o d t h e ro o m s w i t h n a t u r a l l i g h t , f r a m i n g s t u n n i n g v i e w s o f t h e re d ro c k c l i f f s a n d d e s e r t b a c k d ro p . T h e i n t e r i o r d e s i g n c o m p l e m e n t s t h e e x t e r i o r, u s i n g l o w - p ro f i l e f u r n i t u re t o a v o i d o b s t r u c t i n g t h e v i e w s , a n d f e a t u re s a m o d e r n a e s t h e t i c w i t h c o o l e r t o n e s t h a t b a l a n c e t h e w a r m t h o f t h e s u r ro u n d i n g c o l o r s . P ro g r a m s u s e d : A u t o C A D, R e v i t + E n s c a p e , P h o t o s h o p
I n s p i rat i o n I m a ge s Armonia
44
Main Floor Plan
Upper Floor Plan
T h e p r i m a r y g o a l a n d c h a l l e n g e o f t h i s p ro j e c t w a s t o m a i n t a i n a f o o t p r i n t u n d e r 1 , 0 0 0 s q u a re f e e t , e xc l u d i n g e x te r i o r s p a c e s . T h e p e r fe c t s y m m e t r y of t h e f l o o r p l a n a n d t h e n e e d to avo i d i n te r i o r w a l l s t o p re s e r v e u n o b s t r u c t e d v i e w s l e d t o t h e d e s i g n o f f o u r re c t a n g u l a r ro o m s m a d e f ro m r a m m e d e a r t h : t h e l i v i n g ro o m , k i t c h e n a n d d i n i n g a re a , p r i m a r y b e d ro o m , a n d p r i m a r y b a t h ro o m . E x c e p t f o r a s i n g l e p a r t i t i o n w a l l i n t h e b a t h ro o m , t h e h o u s e h a s n o i n t e r i o r w a l l s . T h i s a b s e n c e o f i n t e r i o r w a l l s , c o m b i n e d w i t h a s t r u c t u re l a r g e l y c o m p o s e d o f g l a s s , p re s e n t e d t h e c h a l l e n g e o f a r r a n g i n g e v e r y t h i n g a l o n g t h e p e r i m e t e r. T h e u s e o f s p a n d re l g l a s s p ro v e d i n v a l u a b l e , a s i t c o n c e a l e d t h e b a c k s o f k i t c h e n a n d b a t h ro o m c a b i n e t s , a l l o w i n g t h e m t o b e p l a c e d a g a i n s t t h e 45
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
Ma i n F l o o r Fu r n it u re & Fi n i s h P l a n
Up p e r F l o o r Fu r n it u re & Fi n i s h P l a n
windows without disrupting the overall aesthetic. Upper cabinets in the kitchen and a traditional c o l u m n re f r i g e r a t o r w o u l d h a v e n e g a t i v e l y i m p a c t e d t h e d e s i g n . T h e re f o re , i n n o v a t i v e s t o r a g e s o l u t i o n s w e re n e c e s s a r y t o o p t i m i z e t h e e n t i re s p a c e . A n L- s h a p e d l o w e r c a b i n e t s y s t e m w i t h d r a w e r s a n d c a b i n e t s w a s i n s t a l l e d a l o n g t h e e x t e r i o r w i n d o w, c o m p l e m e n t e d b y a n i s l a n d w i t h a d d i t i o n a l l o w e r c a b i n e t s a n d re f r i g e r a t o r d r a w e r s f ro m S u b - Z e ro Wo l f. A d d i t i o n a l l y, a f u l l r a n g e a n d o v e n w e re b u i l t i n t o t h e r a m m e d e a r t h , e f f e c t i v e l y a d d re s s i n g t h e n e e d f o r b o t h c o l d a n d d r y s t o r a g e . D e s p i t e t h e d e s i g n c h a l l e n g e s , t h e re s u l t i s a b e a u t i f u l b a l a n c e o f fo r m a n d f u n c t i o n , a c h i e v i n g p e r fe c t h a r m o n y b e t we e n a e s t h e t i c a p p e a l a n d p ra c t i c a l l i v i n g . s Armonia
46
Floor Plan A b s t ra c t i o n S ke t c h e s
47
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
We s t E l e v a t i o n
North Elevation
East Elevation
South Elevation
Armonia
48
“The materials create a beautiful juxtaposition: the thick, heavy rammed earth is offset by the light, weightless quality of glass and negative space.”
Exterior Rendering C reated i n Rev it & Enscape
Enlarged Exterior Sta
Wa l l S e c t i o n 51
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
Enlarged Main Sta
air
Kitchen Cabinet Elevation
K i t c h e n C a b i n e t D rawe r S e c t i o n
Kitchen Cabinet Section
ir Armonia
52
Kitchen Rendering
South Exterior Rendering 53
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
Stair Detail Rendering Armonia
54
05
H AW T H O R N E L I B R A RY Philadelphia, Pennsylvania
H a w t h o r n e L i b r a r y i s a c o m m e rc i a l re n o v a t i o n p ro j e c t d e s i g n e d t o b l e n d s e a m l e s s l y w i t h the stunning University of Pennsylvania campus, aiming to establish it as the university’s p r i m a r y a c a d e m i c l i b r a r y. C o m p l e t e d d u r i n g S e n i o r D e s i g n S t u d i o i n 2 0 2 3 , t h i s p ro j e c t w a s d e v e l o p e d w i t h t h e a s s i s t a n c e o f H e n r i k s e n B u t l e r D e s i g n G ro u p , w h o p ro v i d e d t h e f l o o r p l a n a s p a r t o f t h e s c o p e o f w o r k . O r i g i n a l l y a 1 2 6 - y e a r- o l d J e w i s h s y n a g o g u e , t h i s h i s t o r i c s t r u c t u re w a s t h o u g h t f u l l y re p u r p o s e d t h ro u g h a d a p t i v e re u s e , t r a n s f o r m i n g i t i n t o a V i c t o r i a n - s t y l e a c a d e m i c l i b r a r y f o r U P e n n s t u d e n t s a n d f a c u l t y. T h e d e s i g n i n t e n t o f H a w t h o r n e L i b r a r y w a s ro o t e d i n p re s e r v i n g t h e b u i l d i n g ’ s o r i g i n a l c h a r a c t e r a n d i n t e g r i t y. A n i m p o r t a n t g o a l o f t h e p ro j e c t w a s t o s a f e g u a rd t h e a rc h i t e c t u r a l h e r i t a g e b y re t a i n i n g i c o n i c e l e m e n t s s u c h a s t h e e x i s t i n g a rc h e s a n d o c t a g o n a l d o m e . M a i n t a i n i n g t h e i n t e g r i t y o f t h e s t r u c t u re e x t e n d e d t o c o n s e r v i n g a s m a n y o r i g i n a l f e a t u re s a s p o s s i b l e , w i t h p a r t i c u l a r e m p h a s i s p l a c e d o n t h e p re s e r v a t i o n o f t h e s t a i n e d g l a s s w i n d o w s . A d d i t i o n a l l y, t h e p ro j e c t a i m e d t o a c c e n t u a t e t h e t i m e l e s s e l e g a n c e o f V i c t o r i a n - e r a c r a f t s m a n s h i p b y i n c o r p o r a t i n g i n t r i c a t e w o o d w o r k t h ro u g h o u t t h e s p a c e . Wa i n s c o t , d e c o r a t i v e d e t a i l m o l d i n g , a n d o r n a t e c ro w n m o l d i n g s a re i n t e g r a t e d t o i n f u s e t h e l i b r a r y w i t h a s e n s e o f opulence. The color palette, characterized by dark, sultry hues, serves to enhance the ambience of nostalgia and sophistication. Rich wood tones, dark leathers, antique lighting f i x t u re s , a n d o r i e n t a l r u g s w i t h i n t r i c a t e p a t t e r n s i n d e e p t o n e s o f b u r g u n d y, v e r m i l i o n , a n d m a g e n t a w e re t h o u g h t f u l l y s e l e c t e d t o e n s u re a n a u t h e n t i c re p re s e n t a t i o n o f V i c t o r i a n - e r a a rc h i t e c t u re a n d d e s i g n . I n e x e c u t i n g t h e s e d e s i g n g o a l s , t h e re s u l t i s a f u l l y t r a n s f o r m e d s p a c e t h a t h o n o r s t h e b u i l d i n g ’ s h i s t o r y w h i l e p ro v i d i n g a s t u n n i n g , f u n c t i o n a l e n v i ro n m e n t f o r u n i v e r s i t y s t u d e n t s t o p e r f o r m a t t h e i r h i g h e s t p o t e n t i a l . P ro g r a m s u s e d : R e v i t + Tw i n m o t i o n , A u t o C A D, P h o t o s h o p
I n s p i rat i o n I m a ge s Hawthorne Librar y
56
Original Floor Plans provided by Henriksen Butler Design Group I B ’ n a i I s r a e l Te m p l e i s a h i s t o r i c f o r m e r J e w i s h c o n g re g a t i o n a n d s y n a g o g u e , l o c a t e d a t 2 4 9 South 400 East in Salt Lake City Utah. The t e m p l e w a s e s t a b l i s h e d i n 1 8 74 b y a g ro u p o f Jewish immigrants who settled in Salt Lake C i t y. T h e s t r u c t u re i s 1 2 6 y e a r s o l d , m a k i n g i t o n e o f t h e o l d e s t J e w i s h c o n g re g a t i o n s in the western United States. The temple’s a rc h i t e c t u re re f l e c t s a b l e n d o f s t y l e s , including Moorish Revival and Victorian i n f l u e n c e s . I t s d e s i g n f e a t u re s i n t r i c a t e d e t a i l s , d o m e s , a n d a rc h e s , c h a r a c t e r i s t i c o f m a n y h i s t o r i c s y n a g o g u e s . I n 1 9 8 7, t h e b u i l d i n g w a s p u rc h a s e d b y H e n r i k s e n B u t l e r D e s i g n G ro u p a n d w a s c o n v e r t e d t o t h e i r m a i n S LC o f f i c e a n d s h o w ro o m . “ H a v i n g b e e n r u n d o w n a n d n e g l e c te d fo r m a n y ye a r s , t h e fo u n d e r s of t h e c o m p a n y k n e w t h i s S a l t L a k e h i s t o r i c g e m w a s i n j e o p a rd y o f b e i n g l o s t f o re v e r. W i t h a l i t t l e d a r i n g , a lot of vision, and tons of tender love and c a re , t h e s y n a g o g u e a n d i t s o r i g i n a l s t a i n e d g l a s s w i n d o w s w e re re s t o re d ,” s a y s S u s a n n a h H o l m b e r g f ro m C i t y H o m e C o l l e c t i v e i n a n i n t e r v i e w w i t h a d e s i g n e r f ro m H B .
57
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
Existing Main Floor Plan
Existing Upper Floor Plan Hawthorne Librar y
58
Proposed Floor Plans Designed and D raw n i n A u to C A D I n re i m a g i n i n g t h e t w o - s t o r y, 1 3 , 2 5 0 - s q u a re - f o o t synagogue, a code analysis was conducted to determine the occupancy classification based on the building’s functions, occupancy load, a n d e g re s s re q u i re m e n t s . A f t e r t h o u g h t f u l l y considering the locations of exits, stairs, and e l e v a t o r s , a s w e l l a s d e t e r m i n i n g re s t ro o m s i z e s , the design of the main study hall began. The goal fo r t h i s g r a n d a n d i m p o r t a n t s p a c e w a s t o m a i n t a i n i t s g r a n d e u r w h i l e e n h a n c i n g f u n c t i o n a l i t y. T h e o r i g i n a l a rc h w a y s a n d s u p p o r t i n g c o l u m n s i n t h e m a i n g a t h e r i n g s p a c e w e re p re s e r v e d , w h i l e a d d i t i o n a l a rc h w a y s a n d c o l u m n s w e re a d d e d t o c re a t e t h e f e e l o f a l o n g , s p a c i o u s g r a n d h a l l w a y. T h e ro w s o f a rc h w a y c o l u m n s n a t u r a l l y c re a t e d s p a c e s f o r l i b r a r y s t a c k s a n d p r i v a t e s t u d y a re a s , m i m i c k i n g t h e t r a d i t i o n a l l a y o u t o f a l i b r a r y. T h e s e s t a c k s a n d s t u d y a re a s l i n e the perimeter of the main study hall, leaving a large central space filled with study tables and c h a i r s . T h i s d e s i g n w a s m i r ro re d o n t h e s e c o n d f l o o r, w i t h a c e n t r a l m e z z a n i n e o v e r l o o k i n g t h e m a i n f l o o r. A s p i r a l s t a i rc a s e w a s a d d e d a t t h e b a c k of t h e m a i n h a l l fo r a e s t h e t i c p u r p o s e s , f u n c t i o n i n g a s a n o n - e g re s s s t a i r w a y t o t h e second level. Beyond the doors integrated into the bookshelves at the south end of the study h a l l , a d d i t i o n a l l i b r a r y s t a c k s a n d s t u d y a re a s , A D A - c o m p l i a n t re s t ro o m s , p r i v a t e m e e t i n g ro o m s f o r s t u d e n t s , p r i n t i n g o f f i c e s , l i b r a r y a rc h i v e s , a n d of f i c e s fo r l i b ra r y s t a f f c a n b e fo u n d . T h i s t h o u g h t f u l d e s i g n e n s u re s t h a t t h e s p a c e i s b ot h f u n c t i o n a l a n d i n s p i r i n g fo r s t u d e n t s .
59
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
Proposed Main Floor Plan
Proposed Upper Floor Plan Hawthorne Librar y
60
Main Study Hall Rendering C reated in Revit & Tw i n m o t i o n
Pr i vate St u d y A rea Re n d e r i n g 63
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
L i b ra r y St a c k s Re n d e r i n g Hawthorne Librar y
64
Study Hall A rc hway Rendering
The library’s main study hall is the centerpiece of the design. Upon entering, visitors a re g re e t e d b y s o a r i n g b a r re l vaulted ceilings that culminate in an i m p re s s i v e octagonal d o m e . T h i s a rc h i t e c t u r a l f e a t u re c re a t e s a s e n s e o f v e r t i c a l i t y and spaciousness, while also s e r v i n g a s a fo c a l p o i n t of t h e d e s i g n . L a r g e w o o d e n s q u a re columns ornamented with intricate detailing and molding punctuate the main study hall, re a c h i n g f ro m f l o o r t o c e i l i n g . The second floor of the library overlooks the main study hall, p ro v i d i n g a n e l e v a t e d v a n t a g e p o i n t f o r s t u d y. C l a s s i c w o o d e n balusters wrap a ro u n d the p e r i m e t e r, a d d i n g a t o u c h o f elegance to the space. The walls o f t h e l i b r a r y a re c l a d i n a r i c h o a k w o o d , i n t ro d u c i n g a s e n s e of warmth while also serving a s a b a c k d ro p f o r t h e l i b r a r y ’ s collections and furnishings. Authentic stained glass windows, re m i n i s c e n t o f t h o s e f o u n d i n Victorian-era buildings, adorn t h e l i b r a r y ’ s i n t e r i o r, i n f u s i n g the study hall with vibrant color and light. The library’s f u r n i s h i n g s a re c r a f t e d f ro m dark oak wood, echoing the rich t o n e s a n d t e x t u re s o f V i c t o r i a n era interiors. Oriental rugs with d e e p h u e s o f re d a n d m a g e n t a decorate the herringbone f l o o r s , a d d i n g wa r m t h , c o m fo r t , and visual contrast. Hawthorne Library not only honors the legacy of the past but also p ro v i d e s a t i m e l e s s a n d i n s p i r i n g e n v i ro n m e n t f o r g e n e r a t i o n s of students to come. s
67
I n te r i o r A rc h i te c t u re & D e s i g n
“At the base of the octagonal dome, a spiral oak wood staircase gracefully ascends to the second floor balcony, its design reminiscent of the rich elegance of Victorian interiors.”
S p i ra l St a i rc a s e Rendering
06
ELEMENT Lo s A n g e l e s , C a l i fo r n i a
E l e m e n t i s a c o m m e rc i a l t e n a n t i m p ro v e m e n t p ro j e c t l o c a t e d i n t h e v i b r a n t c i t y o f L o s A n g e l e s , C a l i f o r n i a , c o m p l e t e d d u r i n g S e n i o r D e s i g n S t u d i o i n 2 0 2 4 . Tr a n s f o r m e d f ro m a n i n d o o r p l a n t n u r s e r y a n d g a rd e n c e n t e r, E l e m e n t H e a l t h & We l l n e s s i s a h o l i s t i c h e a l t h c a re c l i n i c d e d i c a t e d t o re v o l u t i o n i z i n g t h e s t a n d a rd a p p ro a c h t o h e a l t h c a re . R o o t e d i n t h e belief that true wellness encompasses the harmony of the mental, emotional, physical, a n d s p i r i t u a l a s p e c t s o f t h e h u m a n b o d y, E l e m e n t o f f e r s a c o m p re h e n s i v e r a n g e o f n a t u r a l t h e r a p i e s a n d t re a t m e n t s a i m e d t o re s t o re b a l a n c e a n d v i t a l i t y t o a l l f a c e t s o f l i f e . T h e p ro v i d e d s e r v i c e s i n c l u d e i n t r a v e n o u s ( I .V. ) t h e r a p y, a c u p u n c t u re , k e t a m i n e t h e r a p y, e n e r g y w o r k , t h e r a p e u t i c m a s s a g e , s e n s o r y d e p r i v a t i o n t h e r a p y, h o t a n d c o l d e x p o s u re t h e r a p y, m e d i t a t i o n ro o m s , a n d a s u p p l e m e n t s t o re . T h e a p p e a l o f t h e o r i g i n a l b u i l d i n g w a s b a s e d o n i t s s h a p e , s i z e , v e r s a t i l i t y i n a c c o m m o d a t i n g d i f f e re n t f u n c t i o n s , a n d t h e a b u n d a n c e of w i n d o w s t h at a l l o w n at u ra l l i g h t to f l o o d t h e s p a c e . W i t h t h i s fo u n d at i o n , t h e c l i n i c ’ s s p a c e p l a n c a m e t o g e t h e r o r g a n i c a l l y, n a t u r a l l y o r g a n i z i n g s p a c e s a c c o rd i n g t o t h e i r f u n c t i o n s . R o o m s a re c a t e g o r i z e d b a s e d o n t h e i r p r i m a r y u s e s , t a k i n g i n t o a c c o u n t c o n s i d e r a t i o n s o f l i g h t a n d s o u n d . F o r i n s t a n c e , ro o m s w i t h t h e h i g h e s t n e e d f o r n a t u r a l l i g h t — s u c h a s c o n s u l t a t i o n ro o m s , a c u p u n c t u re ro o m s , a n d I .V. t h e r a p y t re a t m e n t ro o m s — a re s i t u a t e d o n t h e f i r s t f l o o r a n d a l o n g t h e b u i l d i n g ’ s p e r i m e t e r. I n c o n t r a s t , s p a c e s re q u i r i n g m i n i m a l n a t u r a l l i g h t a n d a s t ro n g s o u n d b a r r i e r, l i k e s e n s o r y d e p r i v a t i o n t a n k s a n d h o t a n d c o l d e x p o s u re t h e r a p y ro o m s , a re l o c a t e d u p s t a i r s w h e re w i n d o w s a re s p a r s e a n d n o i s e l e v e l s a re l o w. T h e g o a l o f t h i s p ro j e c t i s t o c re a t e a s a f e s p a c e w h e re p e o p l e i n t h e c o m m u n i t y c a n c o m e t o h e a l , p ro v i d e d w i t h a c o m f o r t i n g a n d p e a c e f u l e n v i ro n m e n t . T h e f o l l o w i n g p a g e s a re s a m p l e s f ro m a c o n s t r u c t i o n d o c u m e n t s e t t o d e m o n s t r a t e t h e complexity of the construction design. P ro g r a m s u s e d : A u t o C A D
I n s p i rat i o n I m a ge s Element
70
Column Detail
71
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
Enlarged Stair Plan
First Floor
Element
72
73
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
Second Floor
Element
74
75
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
First Floor Reflected Ceiling Plan
Second Floor Reflected Ceiling Plan Element
76
77
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
F i r st F l o o r Sw i tc h i n g P l a n
S e co n d F l o o r Sw i tc h i n g P l a n Element
78
79
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
First Floor Finish Plan
Second Floor Finish Plan Element
80
Fro nt D e s k Inte r i o r E l evat i o n
Restroom Elevation 1-a
81
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
C a s h Wra p E n l a r g e d P l a n
Restroom Elevation 1-b
C a s h Wra p B a r S e c t i o n
C a s h Wra p C o u n t e r S e c t i o n
Restroom Elevation 1-c
Restroom Elevation 1-d
ADA Mounting Heights Element
82
83
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
First Floor Plumbing Plan
Second Floor Plumbing Plan Element
84
0 7 W E N TSWO RT H Wa l l c o v e r i n g C o l l e c t i o n
T h e We n t s w o r t h C o l l e c t i o n i s a d i s t i n c t i v e l i n e o f w a l l c o v e r i n g s t h a t e n c a p s u l a t e s t r a d i t i o n a l E u ro p e a n e l e g a n c e w i t h a n o d t o B r i t i s h re f i n e m e n t . T h i s c o l l e c t i o n combines elements of classic country club and equestrian themes with high-end a c a d e m i a , i n s p i re d b y i c o n i c A m e r i c a n d e s i g n e r s l i k e R a l p h L a u re n a n d To m m y H i l f i g e r. F e a t u r i n g f o u r u n i q u e p a t t e r n s — p l a i d , s t r i p e s , h o r s e s , a n d r a c q u e t s — t h e collection blends timeless design with a contemporary touch. The plaid pattern, c r a f t e d o n l i n e n c l o t h , i n t ro d u c e s t e x t u re a n d d e p t h , w h i l e t h e h a n d - p a i n t e d s t r i p e s o f f e r a d y n a m i c , a r t i s a n a l q u a l i t y. T h e h o r s e p a t t e r n , w i t h i t s s k e t c h - l i k e i l l u s t r a t i o n s , c a p t u re s t h e g r a c e o f m o v e m e n t , a n d t h e r a c q u e t d e s i g n , i n s p i re d by vintage tennis and badminton equipment, is detailed with intricate strings and h a n d l e s . T h e c o l o r p a l e t t e i s n e u t r a l , a c c e n t e d w i t h s h a d e s o f re d , b l u e , a n d g re e n . A l t h o u g h t h e p a t t e r n s a re s o p h i s t i c a t e d , t h e i r h a n d - d r a w n q u a l i t y a n d i n t e n t i o n a l i m p e r f e c t i o n s a d d a p l a y f u l t o u c h , d r a w i n g f ro m t h e e q u e s t r i a n a e s t h e t i c t o i n f u s e a s e n s e o f m o v e m e n t . T h e d e s i g n s a re c l a s s i c y e t a d a p t a b l e , s e a m l e s s l y i n t e g r a t i n g into both traditional and modern interiors. P ro g r a m s u s e d : I l l u s t r a t o r, P h o t o s h o p
I n s p i rat i o n I m a ge s We n t s w o r t h
86
* v i g n et te i m age so u rced f ro m K i p l i n g Ho u se Inte r i o rs
87
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
P l a i d / C a r t e r Wa l l p a p e r M o c k- u p
C o l l e c t i o n : We n t s w o r t h
Pattern: Plaid
Code: 11041-01
Beckham - Burgundy/Camel
To m m y - N a v y / S a n d
A rc h i e - Fo re st G ree n / Nav y
Lo u i s - S a n d / B a by B l u e
T h e P l a i d w a l l p a p e r d e s i g n c o m b i n e s r i c h c o l o r s l i k e b u r g u n d y, n a v y, a n d f o re s t g re e n w i t h l i g h t e r a c c e n t s o f b a b y b l u e , i v o r y, a n d c a m e l . T h i s h a n d - d r a w n w a l l p a p e r p ro v i d e s a s o p h i s t i c a t e d l o o k , m a k i n g i t w e l l - s u i t e d f o r f o r m a l o f f i c e s p a c e s o r b o y s ’ b e d ro o m s . T h e p a t t e r n ’ s d e t a i l e d c o l o r i n t e r p l a y b r i n g s a c l a s s i c , t i m e l e s s a p p e a l .
T h e We n t s w o r t h C o l l e c t i o n
88
* v i g n e t t e i m a g e s o u r c e d f r o m b u r k e d e c o r. c o m
89
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
H o r s e / J o s i e Wa l l p a p e r M o c k- u p
C o l l e c t i o n : We n t s w o r t h
Pattern: Horse
Code: 1104-01
Annie - Deep Mocha/Camel
Nash - Camel/Navy
Hayes - Ivory/Camel
We l l s - D e n i m / I v o r y
T h e H o r s e w a l l p a p e r d e s i g n f e a t u re s s k e t c h - l i k e o u t l i n e s o f g a l l o p i n g h o r s e s , c a p t u r i n g m o v e m e n t a n d e n e r g y. T h e c o l o r p a l e t t e i n c l u d e s i v o r y, b u r g u n d y, d e e p m o c h a , c a m e l , n a v y, a n d b a b y b l u e , e n h a n c i n g i t s v i s u a l a p p e a l . I d e a l f o r b e d ro o m s o r c o m m u n a l s p a c e s , t h i s w a l l p a p e r a d d s c h a r m a n d a t o u c h o f w h i m s y t o a n y i n t e r i o r.
T h e We n t s w o r t h C o l l e c t i o n
90
* v i g n e t t e i m a g e s o u r c e d f r o m c o v e r e d w a l l p a p e r. c o m
91
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
S t r i p e / S a w y e r Wa l l p a p e r M o c k- u p
C o l l e c t i o n : We n t s w o r t h
Pattern: Stripe
Code: 11043-01
Georgie - Soft Pink/Ivory
Winnie - Olive/Ivory
Sawyer - Baby Blue/Ivory
Finn - Denim/Ivory
T h e St r i p e wa l l p a p e r d e s i g n of fe r s a c h a r m i n g h a n d - p a i n te d l o o k w i t h a p a s t e l p a l e t t e o f s o f t p i n k , o l i v e g re e n , b a b y b l u e , d e n i m , a n d i v o r y. I t s p l a y f u l a e s t h e t i c m a k e s i t a n i d e a l c h o i c e f o r a p o w d e r ro o m o r c h i l d re n ’ s b e d ro o m .
T h e We n t s w o r t h C o l l e c t i o n
92
* v i g n et te i m age so u rced f ro m t h e p at te r n co l l ect i ve .co m
93
I n te r i o r A rc h i te c t u re & D e s i g n Po r t fo l i o
R a c q u e t / M a c k Wa l l p a p e r M o c k- u p
C o l l e c t i o n : We n t s w o r t h
Pattern: Racquet
Code: 11044-01
Henry - Burgundy/Sand
Charlie - Camel/Deep Mocha
Levi - Navy/Ivory
Fra n k i e - I vo r y/ C a m e l
The Racquet wallpaper design pays homage to the elegance of antique t e n n i s a n d b a d m i n t o n r a c q u e t s , e a c h h a n d - d r a w n t o c a p t u re i n t r i c a t e d e t a i l s . T h e a l t e r n a t i n g u p - a n d - d o w n a r r a n g e m e n t o f r a c q u e t s c re a t e s a d y n a m i c , e n g a g i n g p a t t e r n . T h e r i c h c o l o r p a l e t t e o f b u r g u n d y, n a v y, f o re s t g re e n , camel, deep mocha, and ivory adds depth and enhances its timeless appeal. s
T h e We n t s w o r t h C o l l e c t i o n
94
ELLIE
ERICKSEN
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