Pro Landscaper is published 12 times per year by Eljays44 Ltd. The 2026 subscription price is £128. Subscription records are maintained at Eljays44 Ltd, BizSpace, Courtwick Lane, Littlehampton, West Sussex, BN17 7TL, UK. Articles and information contained in this publication are the copyright of Eljays44 Ltd and may not be reproduced in any form without the written permission of the publishers. The publishers cannot accept responsibility for loss of, or damage to, uncommissioned photographs or manuscripts.
Whilst every effort has been made to maintain the integrity of our advertisers, we accept no responsibility for any problem, complaints, or subsequent litigation arising from readers’ responses to advertisements in the magazine. We also wish to emphasise that views expressed by editorial contributors are not necessarily those of the publishers. Reproduction of any part of this magazine is strictly forbidden.
Pro Landscaper is proud to be an Accredited Supplier member of BALI
The Association of
Pro Landscaper is proud to be an associate member of the APL
Welcome
It’s a collaborative effort, the RHS Chelsea Flower Show. The designers create the concepts, and the contractors make them a reality, alongside the nurseries that grow the plants, the volunteers who help with the planting, the manufacturers that come up with new innovations, the consultants and specialists who provide support, and more. Chelsea is a real showcase of what the landscaping industry can achieve, but how many people really know that’s what it does and what it takes to create a Chelsea show garden?
This is an opportunity to put the industry on a global stage, but it’s an opportunity that’s arguably being missed. With hours of BBC coverage and various celebrities endorsing gardens and wandering the show grounds on press day, Chelsea could help to achieve what 'the Clarkson effect' has done for farming, and to show what a career in horticulture could lead to – well, that, and a Netflix show on David Beckham becoming a landscaper to show the breadth of the multiskilled trade.
In recognition of what those who have pursued such a career have achieved, we celebrated the winners of the Pro Landscaper Business Awards at a ceremony in London last month. These companies and individuals are going above and beyond to raise standards and create a professional industry that we should be shouting about, grabbing any opportunity to hand. Discover the winners on page 11, and find out more about those behind this year’s Chelsea from page 59. We hope to see some of you at the show!
The winners have been unveiled, with some new categories introduced to recognise the industry’s outstanding individuals as well as companies
14
Ask the Experts
Chris Wellbelove on how earlier collaboration with a landscape contractor can improve the outcomes
23
Let’s Hear It From: James and Will Gadd Gadd Brothers Trees and Landscapes are preparing for Chelsea as well as the RHS’ first show at Sandringham
31
Modern Country
This ‘superb transformation’ by Raine Garden Design turned a new build’s blank canvas into an harmonious outdoor space
39 Cosy Curves
Refined Landscapes’ multi-purpose zones in this modern, enclosed garden create a space that can be enjoyed year-round
45
Education Valley
What was once Zoe Claymore's All About Plants garden at Chelsea is now seven times the size at Bristol Zoo Project
53 Reel vs Reality
Garden designers and landscapers on managing unrealistic expectations in the age of social media
59
RHS Chelsea Flower Show 2026 preview
An in-depth guide to this year’s gardens, featuring interviews with garden designers and landscapers behind them
89 Ready Steady Show Day
With unpredictable weather threatening show gardens, Chelsea veterans reveal how to stay prepared
ALSO IN THIS ISSUE
18
Step by Step
Building a well-crafted narrative – with strong values underpinning it – is key, advises Phil Jones
19
Pro Landscaper’s 30 Under 30: The Next Generation 2026
The search has begun for this year’s rising stars – those who are going above beyond, aiming high and making waves in the industry
98 A Guiding Hand
Gareth Wilson opens up about being diagnosed with ADHD and how reaching out for help has been gamechanging 89
92
Every Gardener Starts with Curiosity
RHS director general Clare Matterson shares how Chelsea remains a source of inspiration – and this year, it’s inspiring people to bring nature home
95
Not Just for Show
The benefits of being part of the planting teams at Chelsea extend beyond the show ground, says Tabitha Rigden
96
Narrative-led Aesthetic
With so many issues that it has to address, Andrew Duff questions whether garden design has lost its way
CHATSWORTH LAUNCHES NEW LEADERSHIP TRAINING PROGRAMME
HONOURING JOHN SALES
Chatsworth House Trust has announced the launch of a new training programme designed to support horticultural leaders of the future. The John Sales Horticultural Leaders Fellowship (JSHLF) will support a cohort
of up to 10 head gardeners and leading horticultural practitioners each year.
Named after one of the UK’s most respected horticultural leaders who passed away in 2022, John Sales spent nearly
ROUNDUP Industry Updates
CROYDON APPROVES LANDSCAPE-LED PUBLIC REALM TRANSFORMATION
The London Borough of Croydon has granted planning permission for Tapestry Croydon, a new public space within the Fairfield Masterplan. It is set to transform the currently landlocked site into a new, connected part of the town centre, Tapestry Croydon will be landscape-led.
Working in collaboration with Delta Properties, Studio Egret West has led
the architecture and landscape design for the public realm transformation. A new east-west connection via Hazledean Walk will reconnect communities and unlock movement across the new site.
Arnham Gardens will unlock 61 new semi-mature trees and biodiversity net gain.
three decades as head of gardens at the National Trust until his retirement in 1998.
The fellowship curriculum features leadership development, mentoring, skills training, support and guidance to empower individuals from across all sectors of horticulture.
Selected using a competitive application process, the first cohort of fellows will include individuals with strong horticultural experience and the potential to influence at senior levels.
chatsworth.org
FIRST LOOK AT SHOW GARDENS FOR RHS SANDRINGHAM
From celebrating new beginnings to immersing visitors in art and literature, the Show Gardens for the inaugural RHS Sandringham Flower Show have been unveiled.
RHS Sandringham will be the Society’s first show at the royal estate, with several familiar faces exhibiting to mark the occasion.
100 Sweet Summers, designed by Kitti Kovacs and built by Cobham Court Landscaping will be centred around an oak-framed cabin adorned with recycled wine bottles. Kovac’s design tells the story of a retired couple enjoying the simple pleasures in life.
The RNIB Talking Books Garden will be designed by Paul Hervey-Brookes and built by G K Wilson celebrates the 90th anniversary of the RNIB’s free Talking Books; a service which provides thousands of people with sight loss access to a wide range of multi genre titles.
The Thomas Gainsborough Garden is designed by Frederic Whyte and built by D Taylor Landscapes is inspired by the garden at Gainsborough’s House and the artist’s work.
RHS Sandringham Flower Show will take place from 22 – 26 July 2026.
THE OUTDOOR ROOM ACQUIRES
ESSE LANDSCAPES
After a landmark year, The Outdoor Room has acquired Felbridge-based Esse Landscapes. Towards the end of the year, founder David Dodd was approached by Steve Etheridge – owner of Esse Landscapes – to explore a potential acquisition.
Founded by Etheridge in 2003, Esse Landscapes has created over 200 gardens and been honoured with a collection of industry awards over the last two decades.
BLAKEDOWN APPOINTS NEW CONSTRUCTION OPERATIONS MANAGER
Jack Skinner steps into the role of construction operations manager at Blakedown Landscapes.
The appointment comes as part of Blakedown’s continued development of its leadership team.
Skinner’s move into the role will see him continuing to build strong connections and delivering on some of Blakedown’s largest projects.
Skinner will be taking on broader responsibilities for construction operations moving forward.
Commenting on his new role, Skinner comments, "this is an exciting opportunity at a time when we are delivering some fantastic projects."
blakedown.co.uk
It was this stature and the two company’s similarity in values that peaked Dodd’s interest, as he comments:
“I’ve always admired the ethos and culture of Esse Landscapes and many of their company values were the same as The Outdoor Room’s.”
Etheridge’s decision to take a step back led to the initial conversation with Dodd, with the former saying:
“The agreement ensures continuity of employment for the entire Esse team, alongside the opportunity to be part of a larger and increasingly dynamic business.”
Etheridge’s involvement will continue throughout the handover period before formally going into retirement.
PRO LANDSCAPER'S 30
UNDER 30: THE NEXT GENERATION 2026 SEEKS EMERGING VOICES
Now in its 12th year, the Pro Landscaper 30 Under 30: The Next Generation returns on a hunt to celebrate the breadth of emerging voices across the industry.
Another 30 rising stars will be selected, set to follow in the footsteps of our already succeeding classes. From founding companies to climbing the ranks, take a look at what some of them are doing now. Now open to entries, this year's 30 Under 30 Awards will close on 31 July 2026. Winners will be selected and informed in October before being celebrated during a ceremony to take place during this year's FutureScape event at Farnborough International Exhibition & Conference Centre on 13 - 14 October 2026.
SARAH EBERLE: “IN SOME WAYS, BEING NEURODIVERGENT ATTRACTS ME TO CHELSEA”
Decorated designer Sarah Eberle is returning to the RHS Chelsea Flower Show this May after a threeyear hiatus – and she reckons her ADHD is part of the appeal.
FIRST TREESCAPE CURATOR PACKS
A PUNCH WITH THE ROYAL PARKS
As The Royal Parks charity’s first-ever treescape curator, Greg Packman leads the development of thriving, biodiverse and aesthetic treescapes across London’s eight Royal Parks.
INCLUSIVITY AND ACCESSIBILITY AT WALWORTH GARDEN, AND WHY IT WANTS MORE
Built on inclusivity, diversity and accessibility, Walworth Garden is training the next generation of gardeners.
CELEBRATING THIS YEAR’S APL AWARD WINNERS
COMMUNITY Highlights
The Association of Professional Landscapers (APL) celebrated the 2026 APL Award winners during an event on Friday 13 March with over 600 members of the landscaping and garden design industry. Created by the Horticultural Trades Association, this year’s awards were the biggest to date, hosted by garden designer Peter Donegan and APL general manager Phil Tremayne for the second year.
Darren Hawkes, award-winning garden designer, delivered a key-note speech, running through his career from working as an actor to designing gardens at RHS Chelsea Flower Show.
The judging panel evaluated 125 finalists across 22 categories, chaired by Bob Sweet from BBC Gardeners’ World Live.
In total 27 awards were taken home, with Landform Consultants taking home the Supreme Winner title for Berkshire Garden.
Reels
Keep up to date with the @ProLandscaper team over on Instagram!
TAKING ACTION AT BALI NATIONAL LANDSCAPE
CONFERENCE
PRO
LANDSCAPER
TEAM ATTENDS RHS SPRING CONFERENCE
The Pro Landscaper team caught a glimpse of 2026 with the Royal Horticultural Society at this year’s spring conference.
From sneak peaks into the gardens at RHS Chelsea Flower Show and RHS’ mission to bringing wildlife back into our outdoor spaces.
Hearing from the likes of Jamie Butterworth, Nicki Chapman, Sarah Eberle and Frances Tophill, the conference also went into detail about championing women in horticulture.
We also waved goodbye to director of shows, Helena Petit, as James Wren, director of development and corporate partnership steps up to the job.
Take action and stand tall – that was the overriding theme of the 2026 BALI National Landscape Conference, which took place on Thursday 26 March at The Royal Society in London. There are challenges to overcome, from the economic climate to the skills shortage – but the landscaping industry also has a plethora of opportunities that it needs to grab with both hands, from urbanisation to biodiversity net gain. In order to do this, we need to be proactive, be that by showcasing our data-driven value to repositioning horticulture to looking for more robust income streams. Take a look at the full list of our key takeaways from the day.
ONE YEAR OF THE GLASSHOUSE COLLECTIVE
It’s been a whole year since The Glasshouse Collective opened its doors. The collection of high-quality products in Chobham, Surrey, celebrated its anniversary with an open day, where it marked the launch of its new area, The Courtyard, on 17 April. We were also given insights into this year’s RHS Chelsea Flower Show, with Landform Consultant’s Catherine MacDonald and Baz Grainger sharing the plans for their show gardens at this year’s event. The Glasshouse Collective will be exhibiting for the first time at Chelsea, too, with curator Alan Williams designing the Killik Barn to showcase its members and a selection of artisans.
COME WITH US TO THE FUTURESCAPE OPEN DAY!
From venue walkarounds to new connections, big ideas and plenty of collaboration, we took a look around the new venue as FutureScape nears.
PROJECT AWARDS 2025 RECAP...
As Pro Landscaper Project Awards 2026 stands on the horizon, let's take a look back at last year’s success!
PREVIEW THE QUEEN ELIZABETH II GARDEN WITH US
To commemorate the life of Queen Elizabeth II, The Regent’s Park now hosts a new memorial garden bursting with biodiversity.
Boom & Bonheur offers an inspiring range of trees and multistems that brings character and atmosphere to every outdoor space. With a carefully curated assortment that combines quality, diversity, and natural beauty, our nursery helps turn green ideas into living inspiration. Contact us for more information! Boom & Bonheur – because trees give life and bring happiness Boom
2026 winners
Elmtree Landscapes Ltd has been crowned the Supreme Winner of the 2026 Pro Landscaper Business Awards, in association with Paving Superstore.
It’s the third time Elmtree has scooped the ultimate accolade since the awards were launched in 2018. Judges called the company “difficult to beat” with its holistic view to business, and “a worthy winner” whose passion for its clients, team and community shines through.
Eighteen category winners were in the running, all revealed at a ceremony held at Old Billingsgate in London, hosted by former rugby union player James Haskell on Friday 24 April.
There were also two new categories introduced to recognise the individuals who are driving forward the industry and the businesses within it. Landform Consultants' managing director Mark Gregory and the Association of Professional Landscapers’ general manager Phil Tremayne both received the award for Landscaping Champion, whilst N T Killingley’s managing director, Gareth Dillon, picked up the inaugural Business Leader award.
INDUSTRY COLLABORATION: THE GLASSHOUSE COLLECTIVE BY LANDFORM CONSULTANTS IN COLLABORATION WITH
2026 winners
LANDSCAPING CHAMPION
MARK GREGORY
LANDFORM CONSULTANTS LTD
PHIL TREMAYNE
THE ASSOCIATION OF PROFESSIONAL LANDSCAPERS
COMMERCIAL LANDSCAPE COMPANY
ELMTREE LANDSCAPES LTD
GARDEN DESIGNER
LUCY WILLCOX GARDEN DESIGN
BUSINESS INVESTMENT OR ACQUISITION
WRIGHT LANDSCAPES LTD
TRADE NURSERY OF THE YEAR: JAMES COLES & SONS (NURSERIES) LTD
LANDSCAPE
LANDSCAPE COMPANY £1M - £5M TURNOVER: OAK VIEW LANDSCAPES LTD
SUPPLIER AND SERVICE PROVIDER:
EMPLOYER OF THE YEAR: IDVERDE
INVESTMENT OR ACQUISITION:
FOR THE ACQUISITION OF URBAN LANDSCAPES AND ASSOCIATED BUSINESSES
NEW COMPANY (UNDER TWO YEARS OLD)
G TROTT TREE CONSULTANCY LTD
LANDSCAPE ARCHITECTURE STUDIO OVER 10 EMPLOYEES MACFARLANE + ASSOCIATES
TRADE NURSERY OF THE YEAR JAMES COLES & SONS (NURSERIES) LTD
ARBORICULTURE COMPANY
CONNICK TREE CARE
SUPPLIER AND SERVICE PROVIDER KEBUR GARDEN MATERIALS
INDUSTRY COLLABORATION THE GLASSHOUSE COLLECTIVE BY LANDFORM CONSULTANTS IN COLLABORATION WITH INTO THE GARDEN ROOM
GARDEN DESIGN STUDIO THE GARDEN ROOM LIVING & LANDSCAPE STUDIO LTD
LANDSCAPE COMPANY UNDER £1M TURNOVER GFX GROUND EFFECTS
SUSTAINABLE COMPANY OF THE YEAR IDVERDE
DESIGN AND BUILD COMPANY LANDFORM CONSULTANTS LTD
LANDSCAPE COMPANY OVER £5M TURNOVER WRIGHT LANDSCAPES LTD
LANDSCAPE ARCHITECTURE STUDIO 10 OR LESS EMPLOYEES MEI LOCI LANDSCAPE ARCHITECTS
LANDSCAPE COMPANY £1M - £5M TURNOVER OAK VIEW LANDSCAPES LTD
GROUNDS MAINTENANCE COMPANY ELMTREE LANDSCAPES LTD
EMPLOYER OF THE YEAR IDVERDE
BUSINESS LEADER GARETH DILLON NT KILLINGLEY LTD
SUPREME WINNER 2026 ELMTREE LANDSCAPES LTD
ASK THE EXPERTS Chris Wellbelove
Blakedown Landscapes
How can earlier collaboration with a landscape contractor improve outcomes?
From a contractor’s perspective, earlier collaboration improves outcomes because it brings buildability and how the project will be delivered on site into the process before key decisions are fixed.
Once a scheme reaches tender, much of it is already set. Materials are defined, details are drawn and programmes are often assumed. If those decisions have been made without contractor input, they may not have been tested against how the project will actually be built.
This becomes critical on projects that include complex or specialist elements. Features such as water installations, bespoke structures or Contractor’s Design Portion items rely on input from specialists and detailed coordination. If that only happens at tender stage or after award, there is limited time to resolve it properly. That is where risk, delay and rework start to creep in.
those elements can be tested properly, both in terms of how they will be built and sequenced on site.
It also improves the accuracy of pricing and programme. Late involvement means key elements are priced and programmed on assumption rather than certainty. Early involvement replaces those assumptions with a clearer understanding of what is actually required. On specialist elements, even initial design development can take several weeks, so leaving that until postaward can put immediate pressure on programme.
It also helps protect the design intent. Working alongside the design team from an early stage means technical details can be developed in a way that is both buildable and true to the original intent, rather than being adjusted under pressure during construction.
The panel
RACHEL BAILEY
Rachel Bailey runs an award-winning SGLD registered design practice creating immersive, plant-filled gardens that enrich lives, support biodiversity, benefit the environment, and draw on her biology and permaculture expertise.
CHRIS WELLBELOVE
Earlier involvement changes that. It allows the contractor to engage the right specialists early, so key elements are understood before tender rather than explored after award. It also means
Earlier collaboration is not just about better communication. It is about making sure the scheme can be delivered properly before it is locked in.
As managing director of Blakedown Landscapes, an awardwinning landscape and civil engineering specialist, Chris Wellbelove leads the company's strategic direction, centred on quality, collaboration and long-term value.
CLAIRE BELDERBOS
Claire Belderbos runs Belderbos Landscapes with her husband, Ed. The London-based design and build company became employee owned after celebrating its 20-year anniversary last year.
GRILLO PERGOLA
GRILLO PERGOLA
Purpose-designed; colour and size matched to popular Grillo outdoor kitchen configurations.
Purpose-designed; colour and size matched to popular Grillo outdoor kitchen configurations.
Integrated optional LEDs, heaters and Sattler® fabric side screens provide year round comfort.
Integrated optional LEDs, heaters and Sattler® fabric side screens provide year round comfort.
ADDAGRIP
THE ONLY CHOICE
Addagrip are the sensible choice for professionals considering resin paving. With a legacy rooted in innovation and reliability, every project reflects a commitment to quality that stands the test of time. Addagrip. Set in Stone.
Quality
We worked alongside The BBA, developing certification and raising the bar for the industry.
Experience
With over 45 years of experience delivering projects, we know our way around a commercial site.
Sustainability
The only supplier to hold a valid EPD certificate, demonstrating our commitment to sustainability.
To specify Addagrip, find us on NBS Source
Step bySTEP
In a crowded market your business narrative is what sets you apart, says Phil Jones
Last month, I looked at business management for the future and how to build the capacity to thrive. Part of that process is creating a narrative for your company.
A strong business narrative is far more than a marketing exercise. It’s the connective tissue that binds your purpose, your people, and your customers into a coherent story that makes sense of who you are and why you matter.
In a crowded marketplace – where at times there is little to set you apart from competitors, your narrative becomes the differentiator that competitors can’t replicate. It’s the emotional and strategic backbone of your business.
At its core, a business narrative answers three simple questions: Where have we come from? Where are we going? Why does it matter? The power lies not in the complexity of the answers, but in the clarity and conviction with which they’re expressed.
When leaders articulate a narrative that feels authentic and grounded, it becomes a compass for decision‑making and a rallying point for teams. When they don’t, the company can tend to drift, pulled in different directions by competing priorities and inconsistent messaging.
A compelling narrative begins with origin. Not a polished “about us” paragraph, but the real story: the seed that sparked the idea, the gap in the market you couldn’t ignore, the moment you realised you could do things differently.
In my experience, people connect with intent, not perfection. When you articulate the problem, you set out to solve, you invite your audience into a shared understanding of your purpose. This is especially powerful in sectors like landscaping, construction, and consultancy, where trust and credibility are built on experience and practical insight.
Everything you do or say should feel like a chapter from the same book
The next layer is your mission – your forward momentum. A strong narrative doesn’t simply state what you do; it paints a picture of the future you’re working towards. This is where many businesses fall short.
A narrative is only as strong as the values that underpin it. Values are often treated as decorative words on a website, but in a true narrative they act as behavioural anchors. They explain how you operate, how you make decisions, and what you refuse to compromise on. When values are lived rather than stated, they become a powerful filter: the right clients feel drawn to you, and the wrong ones quietly drift away. This alignment saves time, strengthens culture, and increases the quality of your work.
To make your narrative resonate, it
must be told consistently – across proposals, interviews, team meetings, social media, and client conversations. Consistency doesn’t mean repetition; it means alignment. Everything you do or say should feel like a chapter from the same book. When your narrative is embedded deeply enough, your team begins telling it without being prompted. That’s when you know it has become part of the organisation’s identity rather than a marketing exercise. Finally, a strong narrative evolves. Businesses grow, markets shift, and leaders mature. The story you told in year one may not serve you in year five. The most successful companies treat their narrative as a living asset – reviewed, refined, and reinforced as the business develops.
A well‑crafted narrative elevates your business. It gives your work meaning, your team direction, and your customers confidence. When you get it right, everything else – from marketing to recruitment –becomes easier, clearer, and more aligned.
Phil Jones is the founder of Apple Tree Bay Consultancy Ltd and brings long-standing directorlevel experience from the landscaping, grounds management and facilities services sectors. He now works with landscape businesses to strengthen strategic planning, refine operational systems, and support effective implementation.
We’re looking to celebrate the breadth of emerging voices in our industry
Since it launched in 2015, Pro Landscaper’s 30 Under 30: The Next Generation initiative has celebrated 330 winners, with most going onto even bigger and better things since collecting their award. Could you be next?
The rules are simple. You can nominate yourself or a colleague as long as the nominee was aged 30 or under on 1 January 2026 and currently works within the horticulture, arboriculture, garden design or landscape sectors. Entrants must have worked in the industry for at least one year.
Interesting in entering or putting forward a colleague? Contact rachael.forsyth@eljays44.com for more information on how to apply.
Welcome to this regular column, where I share practical, iPad-based digital workflows, tools and drawing techniques to help make your landscaping and design work easier, faster and more efficient, whether you're out on site or back at the desk.
This month, I want to look at a technique that sits right at the heart of accurate site surveying: triangulation. It’s a method many of us learnt early on, using tape measures and a drawing board to fix the position of elements such as trees, fence junctions or awkward asymmetrical boundaries in relation to a known baseline.
The question is how to bring that same level of precision into a digital workflow without losing the clarity and reliability of the traditional approach.
On site, the process is straightforward. Establish a fixed datum line, for example along the edge of a patio or building and take two measurements from known points along that line to the feature you want to locate. Those two distances give you everything you need.
On paper, you would set a compass to each measurement, strike two arcs, and where those arcs intersect, you have your point – this exact process translates directly into Morpholio Trace with almost no adaptation required.
I begin with a simple baseline labelled A to B, representing a fixed edge along the house. From there, I take two measured distances to locate individual trees within the space.
AERIAL VIEW SHOWING TRIANGULATION MEASUREMENTS TAKEN FROM THE FIXED DATUM LINE A–B TO LOCATE TREES WITHIN THE SITE, USING TAPE MEASURES TO ESTABLISH ACCURATE POSITIONS FOR POINTS C AND D.
DRAWING BOARD Digital
Triangulation in Morpholio Trace with John Wood
Using the protractor tool in Morpholio Trace, I replicate the action of a traditional compass by setting its radius precisely to the measurements taken on site. With one arc drawn from point A and another from point B, the intersection of those arcs gives an exact plotted position.
TRIANGULATION TRANSLATED INTO MORPHOLIO TRACE, USING MEASURED RADII TO DRAW INTERSECTING ARCS FROM A AND B, ACCURATELY PLOTTING THE POSITIONS OF POINTS C AND D ON THE DIGITAL DRAWING BOARD.
There is no approximation here. The geometry is doing the work for you, just as it would on a drawing board. The digital environment simply removes the friction. Adjusting radii, repositioning arcs, and refining linework becomes faster and more fluid, while maintaining full accuracy.
What’s important to understand is that this isn’t a new method adapted for digital use. It’s the same tried and tested surveying technique, carried across intact. Morpholio Trace doesn’t replace the logic of triangulation; it simply provides a more efficient surface on which to apply it.
In practice, this becomes particularly valuable when dealing with irregular site conditions. Fence lines that don’t run square,
trees that sit off-axis, or features that resist simple dimensioning can all be located quickly and reliably using this approach. It also provides a clear and communicable method when sharing information with contractors, as the geometry is explicit and verifiable.
Once you become comfortable using the protractor tool in this way, you begin to see it less as a digital convenience and more as a direct equivalent of traditional drawing instruments. That shift in mindset is key. Rather than learning an entirely new system, you are extending an existing skill set into a more flexible and efficient medium.
Triangulation remains one of the most dependable ways to record and communicate spatial information. The fact that it transfers so cleanly into Morpholio Trace makes it an essential part of any iPad-based workflow for garden and landscape designers.
Scan the QR code to see these tips in action! Also check out Create Visual’s YouTube channel @create_ visual_ipad to learn more about Morpholio Trace.
runs Create Visual, a CPD training platform for garden and landscape professionals specialising in iPad-based digital workflows and presentation graphics. Scan the QR code to view a free lesson related to this topic. create-visual.co.uk
John Wood
JOHN WOOD
“CHELSEA IS A COLLECTIVE OF SOME OF THE MOST TALENTED PEOPLE AND CONTRACTORS IN THE INDUSTRY. IT’S NOT ABOUT GADD BROTHERS OR INDIVIDUAL CONTRACTORS; IT’S A JOINT EFFORT
TO PUT ON THE SHOW”
Gadd Brothers Trees and Landscapes are returning to this year’s RHS Chelsea Flower Show in their strongest position yet – and they have taken on arguably the highest profile garden at the first-ever RHS Sandringham Flower Show
The Gadd Brothers team will be returning to RHS Chelsea Flower Show, building The Boodles Garden for garden designer Catherine MacDonald of Landform Consultants, who Will Gadd – who runs the landscaping arm of the business, whilst his brother James heads up the arboriculture side – has worked with for the last 10 years.
When we plan and price projects, we’re not pricing them to be the cheapest or the quickest; we’re pricing to do a thorough job
Will’s first experience at Chelsea was thanks to the WorldSkills competition, which he entered through Suffolk Rural College – formerly Otley College – in 2009. He progressed through to regional and national level, and then onto Canada as part of the UK team. Two years later, Will joined the WorldSkills team building a small garden at the show.
Later in 2016, when Landform Consultants' managing director, Mark Gregory, was pulling together a team of WorldSkills competitors to build Catherine MacDonald’s The Hartley Botanic Garden, Will was selected as part of the team – and he’s been back to Chelsea every year since, first working as a foreman under the Landform Consultants brand and bringing
in other regulars, such as Aaron Jamison from Lawn & Border Landscapes, as part of the team.
The first year Gadd Brothers became the named contractor was in 2023, when the team built the unjudged RHS and Eastern Eye Garden of Unity for designer Manoj Malde, who used the garden to host his wedding on press day. The following year, they were back with Catherine MacDonald to build The Boodles NG200 Garden, which won a Silver-Gilt – but, perhaps more importantly, it also took the Best Construction Award.
“That was the real achievement for us, as a contractor, because it recognised the actual construction of the garden,” says Will. “We assumed, because it didn’t win a gold medal, that we’d lose out on the other awards. So, we were really pleased with that and proud of the team's achievement.”
Last year, they went on to win gold for the Boodles Raindance Garden designed again by Catherine MacDonald, so it’s perhaps no surprise that they have been asked to return by the same designer and sponsor this year. The show garden draws inspiration from iconic buildings such as the Tower of London, which has inspired the layout as well as an unbroken water rill to represent the moat.
Not long after finishing their Chelsea build, they’ll be heading to the site of the brand-new RHS Sandringham Flower Show in July to build The RHS Royal Legacy Garden designed by Catherine MacDonald in collaboration with His Majesty The King. “It’s not medalled, but that doesn’t mean we won’t give it the same attention to detail. It’s going to be a garden that people can walk through and get involved with. It’s about 10m by 20m, so it’s a decent size – it's double the size of the small show gardens category we do at Chelsea.”
Despite it being the inaugural show and a high-profile garden, Will is fairly calm and eager to be back on site for show garden season. He clearly has the ‘Chelsea bug’. “It’s stressful but it’s the best job ever – the unrelenting pressure of a deadline which can’t be moved, the logistical challenges of building show gardens let alone in the centre of the busiest city in the country, but it's so worth it. It's rubbing shoulders with like-minded people, extremely skilled and talented professionals who are all there doing what they love and helping each other. Last year, we had an issue with the water
feature, and Ben from Water Artisans turned up after finishing his gardens and helped us to get it to run properly. Then, on Sunday morning, he brought around bacon rolls. That’s what it’s about.”
“Chelsea is a collective of some of the most talented people and contractors in the industry. It’s not about Gadd Brothers or individual contractors; it’s a joint effort to put on the show,” adds James. “The aim is to deliver not just your project but a show, upholding the highest standards and craftsmanship to present the spectacle that is Chelsea – one of the world's most famous and regarded flower shows.”
So, for as long as Will and his team want to and can build show gardens, they would love to continue. It helps to reinforce customer confidence and bolster enquiries for Gadd Brothers too. “We recognise the doors that working at Chelsea has helped us to open. A Chelsea medal makes you stand out, a recognised standard, a legacy and pride like no other,” says James. “Chelsea is in a class of its own and we couldn’t be prouder of our service to the show and what that has helped us to build. The high-end bespoke market that we are so grateful to have found ourselves in; we wouldn’t be undertaking the amazing projects alongside the designers, staff and clients we do without the credentials Chelsea has awarded us and which our team has proudly achieved.”
Their approach is to build every project to the same standards as a judged garden. “So, when we plan and price projects, we’re not pricing them to be the cheapest or the quickest; we’re pricing to do a thorough job – you are only as good as your last job,” says Will.
“The focus has never been about making money but building something to be proud of and most importantly doing something that we and our team love,” says James. “I’ve always been self-employed, and I believe this is what has always driven me; you won't earn or achieve anything unless you go and do! I was fortunate to work alongside many different companies, often working for multiple companies within the same week – which was a fantastic experience, I learned so much from the many different businesses.
“I don’t think, at that stage, it was ever the plan to run a business together. We are very lucky to get on so well as brothers and share the same passion for high standards and good old hard work.”
Our plan isn’t to be the biggest business; our goal is to be known as the go-to premium company for arboriculture and landscaping work
Both brothers have honed their approach to their respective fields and have built a reputation for the quality of work they provide. They started 17 years ago with nothing more than “a Vauxhall Corsa filled with tools in our dad's garage” and have built a 19-strong team covering East Anglia from their own fouracre site and offices they run today.
The eldest by 18 months, Will was the first to study at Suffolk Rural College, enrolling on a horticulture course, “catering it more to hard landscaping” as that was his passion. Aged 16, James – who now heads up the arboriculture side of the business – was set to follow the same route, but the college then started offering an arboriculture course, and so decided to pursue that instead, which then sparked Will to also complete a one-year Arboriculture course. They both then went out to work for other businesses following finishing college.
So, after around 18 months of taking on weekend and evening work, they set up Gadd Brothers Trees and Landscapes. “We had nothing to lose,” says Will. “We lived with our dad; we didn’t have mortgages to pay – whatever we made was going back into the business. Our mum was our bookkeeper in the early days, and our dad soon allowed his house to be taken over as an office, yard and workshop as well as always being on hand to muck in alongside his own full-time job. Ten years later and we couldn’t be prouder that our dad, Jonathan, joined the team full time and now a fellow director.”
As James says, though, the drive has never been on making money. “We never set out to make a fortune. We just genuinely enjoyed what we were doing and realised that we’re quite good at it and could offer a great service to customers. That was a turning point for us; we thought, ‘We can do this for ourselves.’”
They’ve always offered both arboriculture and landscaping services, with James and Will working together on each job to begin with. “It’s only in the last 10 years, as the work has built up, that we’ve been able to separate them into individual sectors and teams, and
Will and I now rarely go out on site together. But it’s still all under the same business, and both sectors benefit each other. Not only do projects often require both arb and landscaping work, but it also allows for a stronger, better-resourced business.”
Although staff are employed as either arborists or landscapers, occasionally teams cross over on sites. “This not only offers a welcomed break on longer projects but allows teams to develop their knowledge and skills in other areas. It also means that everyone has a greater understanding of the business, challenges and tasks their colleagues are undertaking. Chelsea always offers an opportunity for the whole team to play their part and get involved in the team effort. It’s a great opportunity to give everyone a taste of what we are part of and the wider industry.
first house – for us, that’s the reward, seeing people grow whilst building a career for themselves within the team. It’s challenging to keep ahead and build roles for people to develop into but it’s an important part of offering a career for people and not just a job.”
Now, we are employing people for skillsets we don’t have or even need to have ourselves –that's been a real game changer for us in recent years
That’s what Gadd Brothers is working towards, building on their long-standing professionalism and creating further opportunities for their team. “On the tree work side of things, our main core and passion is domestic arb work. But to futureproof and develop the business, we’re looking to build more on our commercial work, with long-term contracts and commercial projects,” says James.
as project manager, bringing him back into the landscaping industry after a three-year hiatus. “He’s got years of experience that I’m not even sure we fully appreciated at the time. He’s been with us since November and has made a massive difference. My weak link has always been the office side, I knew I had to do it because we wanted to win the job and take on that project; but the projects we’re taking on are getting bigger and bigger – larger in value, timescales and resources. So, we’re ensuring our service and management grows alongside this,” adds Will.
“Our team are so important to us; it’s important that we look after them and that we understand that, to us, it’s our business and our name above the door, but to them, it’s their career, their passion, their chosen path and we have to allow them opportunity to develop that.
“We’ve got guys here who were apprentices with us and are now team leaders, we’ve seen them develop and grow as individuals. Straight out of school, to passing their driving tests, to buying their
“Our plan isn’t to be the biggest business; our goal is to be known as the go-to premium company for arboriculture and landscaping work. We want to be recognised as the leader in our area for our high-standards in customer service, project delivery and attention to detail – all delivered by industry professionals at the top of their game.”
“We spent the first 15 years as a business taking any opportunity that came along, whether it was the right or wrong decision,” says Will. “Now, we’re trying to put the right people in the right places – professional people who are good at what they do.”
The company recently hired Peter Jones
“It was a massive step for us, to take someone on as a manager,” adds James. “We also have our office manager Sara, marketing manager Emily-Rose and Rob who heads up and leads the arb teams. In the early years you’re always looking to recruit to replace your own skills. Now, we are employing people for skillsets we don’t have or even need to have ourselves – that's been a real game changer for us in recent years.”
Continual development and investment over the years and a clear vision for the future means there’s never been a better time for James to continue growing the commercial work for the arb teams, or for Will and his team to continue developing the landscaping side of the business. And whether it’s at Chelsea or closer to home, the goal remains the same: deliver work that stands among the very best.
THE XGT 40V MAX CORDLESS BLOWER COMBINES PROFESSIONALGRADE AIRFLOW WITH LIGHTWEIGHT CONSTRUCTION AND ERGONOMIC DESIGN. MAKING QUICK WORK OF BIG JOBS –AND MAKING YOU FEEL UNSTOPPABLE.
POWERFUL
FREE BL4040F BATTERY with selected XGT tool and battery purchases before 30.09.2026.
DEKS’ DekDrain Vela drainage range is the ideal solution for domestic landscaping projects, combining effective surface water management with a sleek, modern finish that complements any outdoor space.
Fully compliant with BS EN1433, it delivers dependable strength beneath the surface and a choice of stylish grates above, helping you achieve a professional result every time.
DEKDRAIN A15
EDGE – SLOT DRAIN
• Stainless-steel edge
• Comes in both a 84mm and 50mm depth channel.
• 87mm & NEW 20mm Upstands.
• One of the lowest metal slot drains on the market.
• Smarter installation.
DEKDRAIN A15 LINEAR BAR WAVE
• Contemporary and stylish design.
• Heel Guard compliant (6–7mm gap).
• Slip protection as standard.
• Fully inter-connectable.
• No costly corner quads.
Modern COUNTRY
SUPERB TRANSFORMATION
RAINE GARDEN DESIGN
What began as an archetypical new build, blank canvas garden, devoid of functionality and even less personality, has been revitalised into a contemporary oasis that serves as an idyllic backdrop for relaxation, al fresco dining, and social gatherings all year round.
PROJECT DETAILS
Size of project 414m2 Project value
Reflecting the home’s architectural character, the garden is thoughtfully designed in a traditional English country style, enriched with timeless charm, elegance and a hint of modernity.
Several new seating areas have been established throughout the space, offering a variety of views across the garden as well as
opportunities to catch the last of the day’s sun. At the heart of this is the contemporary, sleek outdoor dining set positioned on the main terrace just outside the back door, where cool greys and blacks echo the home’s existing features. These tones introduce a refined, modern edge to an otherwise classical space, drawing the eye and creating a clear focal point for the area.
The same styling carries through to the main relaxation and entertainment zone, where darker accents are softened by the surrounding lighter tones. Green throw cushions adorn the seating, subtly tying the space into the surrounding greenery.
Nestled between the two main seating areas, a newly introduced water rill creates a calming sensory experience with the gentle sound of trickling water. It also enhances the surrounding environment by attracting and supporting local wildlife.
A mature multi-stem acer accompanied with lush underplanting backdrops the water rill to create a statement feature in the centre of the space, working to break up the paving and add a pop of colour.
ABOUT
Raine Garden Design offers a comprehensive garden design consultancy to clients seeking a beautiful and functional outside space. From small courtyards to rambling estates, it offers a range of services across the southeast including garden design, construction management and detailed planting. rainegardendesign.co.uk
PLANTING
• Alchemilla mollis
• Astrantia 'Roma'
• Geranium himalayense 'Gravetye'
• Hakonechloa macra
• Pittosporum tenuifolium 'Golf Ball'
• Rosa Desdemona ('Auskindling'PBR) (HM)
• Salvia × sylvestris 'Mainacht'
Adding privacy was key for the homeowners, though they were reluctant to renew the fencing – instead the team incorporated new hedging in front of all boundary fences to provide an instant evergreen backdrop, encasing the space in lush greenery and adding to the country-esque stylings. Carpinus betula trees were also added to include additional privacy and height to the space.
An abundance of attractive soft planting in a traditionally feminine colourings can be found throughout the space, which work to soften the more modern furnishings.
Mature climbers have been established against the new home to provide an instant impact and sense of longevity, as well as blurring the lines from the home to the garden.
Clean-cut paving has been installed throughout, ensuring safe traversal of the space well into the evening. It’s lighter colourings working to brighten the space and tying the two aesthetics – country and modern – together seamlessly.
The result is a harmonious outdoor space that feels both enduring and fresh, seamlessly bridging classic design with present-day sophistication.
CLIENT FEEDBACK
“We have just finished our garden and wanted to say how happy we were to have employed RGD to do the project from start to finish. We really enjoyed working with Raine. She really put her heart and soul into our project and her attention to detail was incredible. To say we are thrilled with our garden would be an understatement and we could not have achieved the look or the planting without her input."
100 YEARS OF STIHL CELEBRATING 100 YEARS OF STIHL INNOVATION.
ROOTED IN TRADITION. INSPIRED BY INNOVATION.
stihl.co.uk
We're celebrating working in nature with you for 100 years. Since 1926, STIHL has led the way in both petrol and battery technology - helping you tackle every job with confidence. Thank you for being an essential part of our journey.
STIHL RMA 765 V LAWN MOWER (2018)
Our new limestone range is designed for specification, built for site, & supported by dependable supply
London Stone’s new limestone range has been developed around three core principles: beauty, ease and standards. Bringing together a carefully curated collection of materials from Europe, The Middle East and India, the range offers an elegant solution for landscape professionals looking to balance style and practicality.
Azure Antique
£40.00 + VAT m2
Egyptian Blend from £36.00 + VAT m2
£52.00 + VAT m2
Egyptian Acid washed from £49.60 + VAT m2
Egyptian Sawn from £38.80 + VAT m2
£38.40 + VAT m2
Egyptian Antique
£49.60 + VAT m2
£52.00 + VAT m2
+ VAT m2
This is a range designed with installation in mind. Intelligent sizing reduces waste and simplifies handling on site, helping to streamline the build process. With matching pavers and step treads available, designers can ensure a consistent finish across the entire scheme.
Kara Sandblasted
Oro Antique
Kara Flamed
Oro Cathedral
£36.00
Millboard decking and cladding pairs natural beauty with cutting-edge British engineering. Designed for outdoor spaces that are made to be lived in year after year.
Create standout outdoor spaces - order your free samples at millboard.com
PROJECT DETAILS
Build
£100k
CURVES Cosy
A PRIVATE RESIDENCE IN BUCKHURST HILL
REFINED LANDSCAPES
In the affluent town of Buckhurst Hill resides this recently transformed garden. Previously defined by a simple central lawn, bordered planting beds, and awkward geometry, the space has been reimagined to deliver a contemporary yet welcoming sense of functionality and calm. Modernity has been achieved with a primarily grey scale colour scheme, with plush cool shades of grey present throughout – from the seating areas to the hard landscaping. Cosier sand tones have been incorporated in the paving, walls and lighting to brighten up the space and add a touch of warmth.
While functionality was also an important consideration, the garden’s owner also requested the space be filled to the brim with visual interest but remained natural and organic in feeling – as well as a space that felt immersive and well-integrated into the existing landscape.
Curved paddlestone walls draw the eye in the centre of the space as a defining feature, while also working to encompass the new flagstone terrace and carve out the distinct planting zones. The softer curved design not only helps to break up the straight lines of the paving and decking, but also additional depth and character to the contemporary garden.
The newly introduced raised decking boardwalk leads visitors from the terrace to the gym studio, accommodating existing ground levels, while also adding movement and architectural interest and further depth to the space.
Several new seating zones have been established throughout the garden as well – from a main curved piece to a bar style outdoor dining set. The primary seating terrace has been established deeper into the space as a way to shift users from the mindset and experience of simply just “observing” the garden, to feeling truly enveloped in it.
The entertainment zone – which houses the jacuzzi and media wall – is framed with Taxus hedging on two sides, which creates an intimate room-like enclosure within the space.
By establishing distinct zones, each of the areas offers their own function and mood without going against the garden’s natural character – instead providing a stronger sense of flow throughout.
ABOUT
Crafting outdoor spaces into havens of beauty and serenity, Refined Landscapes combines expert design, quality materials and a network of skilled partners. Transforming gardens into inspiring retreats, the company’s passion for detail and client satisfaction drives every project, turning visions into reality. refinedlandscapes.com
The curvature design aids in this too, while also working to overcome the “awkward geometry” of the site – turning it instead into an asset that overcomes the site’s biggest hindrance –the gym studio and garden boundaries not being square to the house.
By introducing flowing and organic forms, the team have been able to dissolve these angular inconsistencies. Working with the natural flow of the space meant unnecessary ground disturbance was kept to a minimum.
Thoughtful lighting placement works to illuminate each of the zones individually – from spotlighting the curved walls, to highlighting planted areas of the garden – creating a space that can be safely enjoyed late into the evening throughout the year.
The planting scheme was designed to add to the immersive nature of the garden, while also adding textural depth and interest – further reinforcing the garden’s organic geometry.
While existing trees and boundary planting were retained to protect the already established biodiversity and provide instant
PLANTING
• Aster × frikartii 'Mönch'
• Echinacea purpurea 'Magnus'
• Helleborus × hybridus 'Pretty Ellen Pink'
• L amium maculatum 'White Nancy'
• Photinia × fraseri 'Red Robin'
• Sambucus nigra f. porphyrophylla 'Eva'
• Viburnum opulus
REFERENCES
Buff sandstone
London Stone londonstone.co.uk
Paddlestone
CED Stone
cedstone.co.uk
Decking frame
British Recycled Plastics britishrecycledplastic.co.uk
Turf
George Davies Turf georgedaviesturf.co.uk
Trees and plants
Rochfords rochfords.net
maturity, new layered planting enhances habitat opportunities and further softens the architectural elements.
Ferns – including Dryopteris, Polystichum and Polypodium –create a lush, layered foundation, particularly in the shadier areas, enhancing the sense of depth and enclosure. While the woodlandstyle underplanting – which includes Brunnera, Epimedium and Hellebores – bring delicate seasonal detail.
The ornamental grasses add both movement and softness to the garden, echoing its flowing forms, and the perennials woven
throughout add vibrant pops of colour – tying the contemporary and cosy stylings together cohesively.
Together, the palette creates a layered, atmospheric landscape that feels abundant yet refined, and allows for continued evolution throughout the months of the year.
From a space that was once a logistical headache but offered potential, to an enclosed, modern area that can now be enjoyed every day, the new design introduces multi-purpose zones and refined opportunities for both activity and relaxation.
On-time delivery.
From quarry to UK warehouse, we manage every step so you’ve got the confidence to specify and build without giving it a second thought. Stone. Porcelain. Decking. Accessories. Because your reputation depends on it. www.global-landscaping.co.uk
Education VALLEY
THE WILDLIFE TRUSTS’ BRITISH RAINFOREST GARDEN
ZOE CLAYMORE GARDEN DESIGN
In 2025, garden designer Zoe Claymore brought a slice of Dart Valley to the grounds of the Royal Hospital Chelsea, London, with her design The Wildlife Trusts’ British Rainforest Garden –marking the designer's debut at RHS Chelsea Flower Show.
Exhibiting in the All About Plants category – and built by Sussex-based company, Frogheath Landscapes – the garden pays homage to temperate rainforests that once covered 20% of Britain. Today, however, remnants of these forests cover less than 1% of our nation. These fragments remain at further risk from pests,
PROJECT DETAILS
Build time 4 weeks
Size of project 300-400m2
Project value Under £100k Awards
The original garden won RHS Silver Gilt medal and The People’s Choice Award for the All About Plants gardens at RHS Chelsea 2025
diseases and invasive species, pesticides and pollution, overgrazing and the effects of climate change.
In an effort to save and restore these precious habitats, The Wildlife Trusts and Aviva have embarked on a 100-year journey to restore thousands of hectares of these woodlands – awareness for which came in the form of Claymore’s show garden.
Immersing visitors in a sensory journey through a collection of ferns, mosses and trees – the garden stood as a love letter to our nation’s rainforests, echoing the geographical elements of Dart Valley, Devon, with Claymore saying: “I’m basically bottling down a valley into a domestic sized space.”
Now, after its time on the mainstage at Chelsea – which saw it take home the People’s Choice Best All About Plants Garden award and a Silver Gilt medal – the garden has found its permanent home at Bristol Zoo Project, in a setting seven times the size of its show ground plot.
It will serve as an educational opportunity for visitors, as well as a long-standing and living reminder of the importance of The Wildlife Trusts and Aviva’s project – working to educate and inspire visitors along the way.
PLANTING
• Acer campestre
• Anemone nemorosa
• Betula pendula
• Cor ylus avellana
• Lonicera periclymenum
• Viburnum opulus
• Galanthus nivalis
• Geum rivale
“Seeing the British Rainforest Garden find a permanent home at Bristol Zoo Project feels incredibly special. This garden was designed to spark wonder and connection, to remind people that rainforests aren’t just faraway places, but part of our own landscape here in Britain. It’s exciting this garden will grow alongside this fantastic 100-year programme to safeguard these rainforests for the future.”
Zoe Claymore, garden designer
Situated in the zoo’s Sanctuary Garden –near the newly opened African Forest habitat – the garden features a canopy of native trees, from Corylus avellana, Acer campestre, and Betula pendula, backdropped by a lush undergrowth of lichen-encrusted trunks, honeysuckle and ivy.
The planting palette was designed to reflect native temperate rainforests while creating an immersive canopy and undergrowth experience.
Originally an empty laid lawn above a listed air raid shelter, the site required planting to be raised to accommodate
the concrete pads beneath. Tree positions and stone were also carefully arranged to minimise weight.
Many of the plants featured at RHS Chelsea have been retained and supplemented with new additions, including Viburnum opulus, Galanthus nivalis and Anemone nemorosa, providing year-round interest, habitat and pollen.
Zoe Claymore is a garden and landscape designer based in southwest London. From her studio, her small team crafts bespoke outdoor places that resonate emotionally with their clients – while staying mindful of environmental responsibility. Named RHS Horticultural Hero 2023 and a triple award-winner at RHS Hampton Court, she draws on personal, cultural, environmental, and artistic inspirations to shape her designs. A regular media contributor and public speaker, Zoe advocates for regenerative, sustainable, and deeply personal landscaping solutions that stand the test of time. zoeclaymore.com
“Our beautiful rainforest garden richly deserves this opportunity to shine again. I can’t think of a better new home for it than this wonderful zoo, where it’ll have a chance to mature and grow and where generations of children will be able to play in it and learn about our natural world.”
Craig Bennett, chief executive of The Wildlife Trusts
garden have also been reused throughout the space wherever possible.
Wheelchair accessibility has been a core consideration with a widened path, as well as additional seating throughout – including a new curved bench that offers visitors a space to stop and relax amongst the garden.
Educational signage has been installed throughout the space as well to teach visitors about the conservation work that goes towards protecting and restoring precious rainforest habitats.
Chief sustainability officer at Aviva, Claudine Blamey, notes that this relocation of will give the
public an opportunity to spend time in a “rare, yet magical” environment, adding: “Thank you to the team at Bristol Zoo Project for bringing a taste of temperate rainforests to Bristol, helping the community get ready for the future by ensuring these threatened habitats are not consigned to the past.”
The garden was relocated to Bristol Zoo Project by Bristol Zoological Society – a conservation and education charity – alongside 30 Aviva volunteers, where it will remain as a reminder of the importance of protecting our natural environments and preserving their ecological value.
Kevock Garden Plants and Design kevockgarden.co.uk Lincolnshire Plants lincsplants.com
New Wood Trees newwoodtrees.co.uk
Rymer Trees and Hedging rymertrees.co.uk
Stone Lane Gardens stonelanegardens.com
Stone Truro Granite trurogranite.co.uk Kenmart kenmartltd.co.uk
Timber Fountain Timber fountaintimber.co.uk
In conversation with...
GLOBAL LANDSCAPING CAROLINE WILDMAN
Caroline Wildman, marketing director at Global Landscaping, talks about the company’s recent rebrand and its plans for the future
Tell us about the rebrand
In the past, we had multiple sub-brands. We spoke with our customers and understood this had caused confusion in the marketplace. So, over the last year, we carried out a strategic brand review and this has led to us designing a new, much clearer structure for the business. The new umbrella brand of Global Landscaping will unify our product portfolio and give clarity to the unique way we operate. Unlike many other garden paving and stone businesses, Global Landscaping keeps sourcing, fabrication, freight and warehousing in-house, providing end-to-end confidence for our customers.
Under the new structure, all products and customer-facing activity will sit within the Global Landscaping brand ecosystem, which will eliminate duplication and create a scalable platform for future growth.
All our product categories, including natural stone, porcelain, decking and accessories, will sit under the Global Landscaping brand, and have a consistent visual identity and naming convention.
What are the key benefits for landscapers?
The business’s vertically integrated supply chain –from sourcing in India to fabrication, packaging, freight, UK warehousing and merchant fulfilment –reduces reliance on third parties and provides consistent quality control at every point. This unique offer is now fundamental to our brand promise: ‘Confidence from Source to Customer’.
It will make it simpler for landscapers to find exactly what they are looking for when they look in our catalogue or visit their local supplier
Our production facilities in Rajasthan use wind and solar power to help reduce our carbon footprint. Any excess energy generated is returned to the local grid. The water used in production is filtered and reused on site. We are committed to safe, fair and responsible working practices for everyone involved. We carry out regular audits across our sites and supply chain to ensure high standards of health and safety, ethical trading and worker welfare are maintained, in line with BSCI/SA8000 principles.
For installers and landscapers, this means access to a broader, intelligently curated range under one brand, with stronger crosscategory solutions, including stone, porcelain, decking and accessories.
We’ve always known (and our customers have told us) that we have a beautiful, high quality range of products; now that we have streamlined our marketing proposition and introduced clearer brand communication, it will make it simpler for landscapers to find exactly what they are looking for when they look in our catalogue or visit their local supplier.
Something we have seen becoming more and more important to our customers is sustainability, and many people are now actively choosing products that are ethically and sustainably sourced. Our landscaping products are backed by a secure supply chain and rigorous quality standards.
And last year, we moved to cardboardless packaging for our Indian porcelain products, to reduce packaging waste. The new minimalist packaging consists of plastic corners that are made from recycled plastic and that are fully recyclable. Each slab is printed with its product name, colour and manufacturing date, making it clearly identifiable and much easier to trace. An added bonus for the landscaper is that the labels can still be read, even in the wet and they don’t have to dispose of lots of soggy cardboard at the end of a project!
We position ourselves as a trusted partner in landscaping materials, not just another supplier.
Tell us about Global Rewards
Global Rewards is our loyalty scheme for landscape contractors, builders and garden designers. When they purchase Global Landscaping products, they can earn points by uploading their invoices to the Global
Rewards website. Their points can be exchanged for a variety of rewards, such as gift cards and holiday vouchers.
Where I think the scheme will become invaluable is getting those installers’ feedback. We’d love to have a panel of installers that we can engage with, for example on product decisions. They are the ones who are going out and speaking to the end users so they can tell us about a product that people would love that nobody's got at the minute.
In the future, we’ve got plans to develop the scheme – maybe include business and marketing support – but at the moment, it is very much in its infancy. However, although the scheme hasn’t been running for that long, we have just welcomed our 1,000th member!
Will the rebrand transition take place straight away?
First of all, it was important to roll out the new branding internally. Everyone in the business was invited to a presentation, where we explained the new structure, why we’ve done it and the important role everyone in the business would play in implementing the changes. At these meetings, we also presented all our warehouse workers with hessian bags containing new branded workwear. The changes were really well received internally, and our teams were excited to go out and tell their customers.
Then we informed all our Global Rewards members and all our merchant partners about the rebrand. They will start to see the new branding on our stone and porcelain ranges when they go to the merchants.
integrate seamlessly into the unified brand framework, avoiding fragmentation and supporting long-term brand equity.
Operating under a clear, confident brand removes complexity...and means we can deliver even greater simplicity and reliability
Over time, they will see the branding change on our range of accessories from Ultimate to Global Installation. This includes all the products needed to produce a perfect finish, but that you don’t necessarily see, including slurry primer, paving joint compound, tile grout, trims and pedestals.
Eventually, all our products – Global Stone; Global Porcelain; Global Decking; Global Rewards; Global Installation – will be instantly recognisable, under the umbrella of Global Landscaping.
How does this futureproof the company for further growth?
The immediate benefit of our new business architecture is that it gives a clear, consistent and logical branding structure to our ranges. It means we can get behind a single brand story, giving our sales teams and customers greater clarity and focus. Operating under a clear, confident brand removes complexity, allows us to focus our investment and means we can deliver even greater simplicity and reliability to our customers, which in turn will help future growth for both us and our customers.
From a future growth perspective, all of our resources, time, energy and budget are going towards growing the equity within this one brand, so we have a much clearer, strategic focus. Future products and acquisitions can
It’s been a busy year for Global Landscaping already. Can you tell us about some of the new product launches?
We recently launched a range of porcelain tiles called Florence. It has an aged and weathered natural stone appearance. The edges have a really nice, tumbled effect and it is available in three colour finishes, Ardere, Straw and Thatch. We’ve also introduced a range of Sandstone Porcelain tiles. It’s proving to be really popular, particularly for contemporary designs, because each of the five colourways has the rich colour variation and textured surface of natural sandstone. It is perfect if you want a lower maintenance, durable and slip-resistant product that won’t weather and fade but has the look and feel of natural stone.
Another thing that could be handy for landscapers is that in our new brochure, we've created a section about how our products can go beyond their original purpose, to show their versatility. For inspiration, we’ve shown how Old Rectory Walling has been reimagined as cobbles to create an authentic, charming pathway. Built-in seating has been constructed out of composite decking. And stone and porcelain tiles have been blended to create new texture and character.
We also provide samples through our website, which our landscapers/installers have found really useful. Rather than lugging full-size tiles around, they can order up to three small samples to show to their potential customers, all presented in a lovely, branded box. When people order samples, we also follow up with them a few months later, to find out if the products were what they expected, if they went on and bought them and if they have any feedback for us. We’ve had a really positive response – people love to be asked for their opinion, and it’s really helpful to us, too.
And we have a few more exciting ideas bubbling under the surface, which we are not quite ready to share yet!
SOLUTIONS that resin-ate
DERBYSHIRE SPECIALIST AGGREGATES
DALTEX BASE
Daltex Base is a specially formulated, SuDS-compliant resin-bound base system for use with BBA Approved Daltex Performance System and designed to create a strong, permeable foundation for resin bound surfaces. A convenient alternative to traditional concrete or tarmac, it provides a durable, stable foundation designed for long-lasting resin-bound installations. Daltex Base comes in a 6.25kg resin with five bags of stone mix to speed up installation. Daltex Base comes with a six-year ’No Crack’ Guarantee.
Installation Tip
Using the capping layer from Daltex really helps to close off the voids left by the MOT, leaving a smooth surface for installing the Daltex Base.
Discover the right SuDScompliant product for residential driveways
ACE RESIN
ACEBOUND UVR RESIN BOUND SURFACING SYSTEM
AceBound UVR is a high-performance, SuDS-compliant resin bound surfacing system. Its fully permeable structure allows water to drain naturally, helping to reduce surface water runoff. The UV-stable resin ensures colour stability, while the system offers excellent durability, low maintenance, and can be installed over existing suitable bases using Ace ResiMesh, which will minimise reflective cracking, or AceBase System, installed directly onto a MOT Type 3, which reduces cost, dig-out, installation time and the requirement for tarmac.
Installation Tip
Ensure granular base is well compacted to reduce movement. Using Ace ResiMesh over existing substrates can reduce risk of reflective cracking and improve long-term performance.
ACERESIN.CO.UK
SURESET
DALTEX BASE
6mm Barley Butter is a warm, golden-toned resin bound aggregate that creates a smooth, seamless finish ideal for driveways, pathways, and patios. Its 6mm size provides a refined, modern look while maintaining excellent durability typically laid at an 18mm depth. SureSet’s UV-stable resin ensures long-lasting colour, and its permeable structure supports effective drainage, making it both practical and visually appealing.
Installation Tip
Ensure the base is clean, dry, and structurally sound before installation. Any moisture or loose debris can compromise adhesion. For best results, mix thoroughly to evenly coat all aggregates with resin, and lay promptly.
SURESET.CO.UK
REALITY Reel vs
I frequently have reservations about what a client shows me something from social media
WORDS: HOLLY CHAPMAN
In a digital world flooded with expectations created by social media, garden designers and landscapers reveal how they are managing unrealistic standards
Social media is part of everyone’s daily lives, as the five billion people across the world using it will tell you. But as it continues to grow, risks may follow. When 43% of UK consumers use social media for search behaviour, the market is ready and waiting. However, apps such as Instagram or TikTok can be a tool for distributing bot or computergenerated photographs and videos that are tangled amongst the real thing.
According to a study undertaken by tech and AI researcher Everypixel Journal, 34 million images are generated using AI every day. Standing at 1.4 million images an hour and 23,333 images every minute, the amount of content flooding the algorithm is growing as 71% of images on social media are now AI-generated. So, who can we trust?
Last year, popular artificial intelligence (AI) giant OpenAI announced that ChatGPT could create free image generation. Sometimes used as a tool to poke fun between friends, AIgenerated images might have a dark side, too. Cardiff-based insurer Admiral recently recorded a 71% rise in fraud during 2025 compared to the previous year, just as AI-software is increasingly used to manipulate evidence, for example.
On top of this, there has been a surge in these deepfake fraud attempts worldwide. Back in 2022, signicat researchers found that 0.01% of
fraud attempts were down to deepfakes. By 2025, the figure rose to 6.5%, but how is this affecting the garden design industry?
Trusting the ‘For You’ page “If people are thinking these AI videos are real, it could get scary,” explains garden designer Rachel Platt. “Not only because they form unrealistic expectations, but these are also then needed to be managed by designers and landscapers.” Platt had conversations with a client about a particular video depicting a sped-up garden build. After noticing certain errors, from plant installations and flowering patterns, Platt quickly realised it wasn’t a real garden.
In response, the Pro Landscaper 30 Under 30: The Next Generation award-winner says she is having to concentrate on open and honest conversation
to communicate the difference between inspiration and unrealistic design in line with the client’s budget.
A tool frequently used across the internet, the ‘AI garden designer’ or ‘AI landscape designer’ is easily accessible, and most importantly, free. From basic questions ranging from planting, style and additional elements, it will generate a garden based off responses.
Often hard to distinguish, garden and landscape designer Rae Wilkinson also finds herself having more conversations with clients about unrealistic social media and AI-generated content. She shares, "I frequently have reservations about what clients show me from social media. Whether it’s paving I wouldn’t recommend using, or it’s not a real image because the garden couldn’t be built that way.”
It presents an unrealistic expectation of what can be achieved within a garden and it’s made me feel very uncomfortable
A “concerning situation,” Wilkinson has found it very difficult to work out what is real before relaying to her clients. In particular, she worries about the growth of AI. “It is so hard to regulate something like this and call it out,” she adds, as it becomes trickier to identify. While the younger generation grows up alongside social media updates and AI imagery, “it's easier for them to spot,” she clarifies. In the design industry, not only does the growth of AI threaten creatives, "it presents an unrealistic expectation of what can be achieved within a garden and it’s made me feel very uncomfortable,” Wilkinson explains.
One time, she adds, “a client has not wanted to pay me for a visual, so they asked AI to put it together.” While this felt a little disheartening, Wilkinson also worries about any incorrect design processes AI can come back with.
“It’s very dangerous when it comes to visual content, not only because it takes work away from creatives, but what about the environmental impacts?” asks Wilkinson.
AI isn’t just diminishing trust across social media, but environmental concerns should also be addressed, argues Wilkinson. Generating a single AI image uses approximately the same amount of energy as fully charging a smartphone. Creating a 30 second AI video can equivalate to around 67 hours of cooking with an electric oven. According to Turbine Creative, a tree would need an entire year to offset any associated carbon footprint for that video.
Elohim Tisserand of Tisserand English Gardens Ltd mentions the power of social media and how it could be used to lower client expectations. “People with a big following could be sharing average gardens that bypass real designers and processes to potential viewers, and clients think that’s the way to do it,” he explains. In turn, Tisserand and his team must clarify budget and garden size with a client before communicating what is realistic.
It’s very dangerous when it comes to visual content, not only because it takes work away from creatives, but what about the environmental impacts?
@tisserandenlighgardens boasts 124k followers on Instagram, a platform Tisserand has built over the last couple of years. “Social media can be used for educating clients,” he says, as he uses his platform to publish project updates.
While he doesn’t address price for client privacy, his videos can be used as realistic expectations. This is not only for clients, he clarifies, but a thriving channel can also lead to collaborations, ambassadorships and brand deals.
A new ambassador for Milwaukee, Tisserand looks forward to working within its growing landscaping sector creating content for the brand.
Chloë Webster, also a 30 Under 30 alumni, finds communication is key to maintaining client expectations when it comes to AIgenerated designs versus bespoke. A designer at Harry Holding Studio, she explains:
“Being transparent about how AI affects our practice could be a good way to let them know that while AI can help with admin, the design work – the most valuable part of our work – is still very much human-led and therefore requires thinking time to be able to weave in our expertise properly.”
All in all, she finalises, “I think it's about
communicating this with the client and letting them know that they're receiving value for their money.”
Wilkinson agrees and guides the client towards the root of inspiration while educating them using her own expertise and life experience to understand what they’re really looking for while keeping it realistic.
The role of a garden designer also encourages human interaction, says Platt. Something AI hasn’t quite mastered – human contact and correspondence is crucial to successful design. “There’s always an element of the need for a human and the human eye,” she explains, but might be used “as a shortcut for the homeowner who want a design but don’t want to pay.”
On the other hand, she understands platforms such as ChatGPT could be utilised for maintenance or planting plans that are easily accessible. “As it refines and learns more, it might be able to do a basic design, but you’ll have to learn how to prompt it correctly. Over time, less people with smaller budgets will come to garden designers.” The growth of AI and AI-generated content brings uncertain futures for a wealth of creative industries.
Overall, social media can be utilised as an inspirational tool used by clients but must be managed in order to establish a realistic outcome. On top of this, as AI-generated content increasingly infiltrates the feed, designers and landscapers must also be ready to spot the errors that clients don’t. Communication stands at the centre of both outcomes in order to manage a client’s expectations that might be riddled with easily accessible content.
Palmstead Nurseries feels honoured to have supplied London's new Queen Elizabeth II Garden
PLANTING A Royal Legacy
Palmstead Nurseries is extremely proud to have worked alongside Blakedown Landscapes, HTA Design LLP and Royal Parks to produce and source a diverse palette of shrubs, herbaceous perennials and meadow species for the Queen Elizabeth II Memorial Garden in The Regent's Park.
We were first approached by Blakedown Landscapes in March 2025 with an opportunity to tender for this prestigious project and in May 2025, Blakedown’s Chris Wellbelove and Jack Skinner came to visit us to discuss the idea of a contract grow and to see how we would approach growing and organising this project.
We were pleased to know that Chris and Jack felt the same, and we were overjoyed when we were awarded the project and the organising could take place.
The plants were grown in an array of pot sizes from 9cm all the way up to 50L.
Palmstead has been at the fore of contract growing for many years and it felt immediately like a natural fit for us
Most of the herbaceous was grown into 9cm pots including seed being used for a few lines such as Dalea purpurea (Purple prairie clover) and Linaria dalmatica (Dalmatian toadflax).
environment to that which they would be planted in.
Team members from Blakedown, HTA Design LLP and Royal Parks came and visited us in August to inspect the progress and to make sure everything was staying on track. We were very pleased with how the visit went and that everything we were doing was in line with the expectations of all those involved.
The first part of the garden was ready for planting in October 2025 and, from then on, deliveries were almost non-stop throughout October, November and December, with a final delivery in January.
how the installation was going and get a first-hand view of how the thousands of plants we grew looked in the planting schemes within the garden.
Even in December, the garden was already beautiful, with its elegant curves and natural pools of water forming a base for what was clearly going to be an inspiring landscape.
Set on 53ha, Palmstead has been at the fore of contract growing for many years and it felt immediately like a natural fit for us.
The grow also brought new challenges as it was also the first time we had undertaken the growing of aquatic plants. This required some abstract thinking to accomplish the right growing environment for Nuphar lutea (Yellow waterlily) and Nymphaea alba (White waterlily) alongside more marginal plants – with the main idea being to cultivate the plants in the closest possible
We were lucky enough for some of the Palmstead team to be able to visit the garden in December to see
We were lucky enough to be invited to the friends and family opening of the garden in April, and we feel privileged to have been part of such an important legacy project – one that will bring joy to countless people and, most importantly, reflects the life of our most important monarch.
SUPPORTING BIODIVERSITY - THE LINDUM WAY
Transform your landscape instantly with our award winning wildflower turf, designed to create a vibrant wildflower meadow or garden area. It features a carefully balanced blend of native wildflowers, herbs, and colourful flowering perennials, all thriving in a moisture-retentive, plastic-free, biodegradable felt. This eco -friendly solution not only enhances the beauty of your outdoor space but also supports local biodiversity. Experience the joy of an instant wildflower area that is both sustainable and visually stunning.
Our Species-Rich Turf is a harmonious blend of wildflowers and grasses, the 80/20 mix is carefully cultivated into a plastic-free, moisture-retentive mat, creating an instant biodiverse haven. This uniqu e turf can be maintained like a traditional lawn with regular mowing, or left to grow naturally to encourage the flourishing of diverse plant species.
For over two decades, Provender Nurseries has transformed inspired designs into extraordinary gardens ... beautifully, reliably, sustainably.
Feature
GARDENS
A mix of returning debut designers and landscapers will be creating three showstopping feature gardens
ABOUT:
James Basson returns to Chelsea after a nine-year absence with the Project Giving Back Garden as the charity reaches its final year of sponsoring gardens. Inspired by the ochre mines of Rousillon in the south of France, the garden parallels the charity’s efforts over the years and that of the regenerative energy of a damaged landscape. Made up majorly of hard landscaping elements, the dusty, orange rock formations are broken up with lush greenery, meant to symbolise that vegetation will one day take over. Intent on bringing the arid, dry landscapes of Provence to Chelsea, Basson teams up with Mark Whyman Landscapes and Kelways in a wave goodbye to Project Giving Back.
The Project Giving Back Garden
A few of the suppliers Kelways, Specialised Metal Fabrications, Guy Valentine
BUILD INNOVATION:
It’s very rewarding to bring this project to life with such a skilled team, whose craftsmanship is central to every stage of the build. These high-pressure environments demand precise coordination and true collaboration, transforming tight, time-constrained sites into refined gardens. We’re especially looking forward to planting the trees against the rock formations as the design comes together, and to ultimately showcasing the unsung heroes’ talents to the public.
Frances Tophill makes her Chelsea debut with a splash designing the RHS and The King’s Foundation Curious Garden. Championed by King Charles III and King’s Foundation Ambassadors Sir David Beckham and Alan Titchmarsh, the garden intends to spark curiosity and inspiration. The Landscaping Consultants construction will be concrete-free with no man-made materials used at all. Planting will be diverse and includes delphiniums as a nod to His Majesty’s role as patron of the Delphinium Society. Gnomes will also make an appearance on the garden as Highgrove’s very own gnome has encouraged the RHS to lift its ban for the second time in the history of the show.
The RHS and The King’s Foundation Curious Garden
BUILD INNOVATION:
Debut Designer
Designer Frances Tophill Contractor
The Landscaping Consultants
Relocation
A college, to be used by young adults
We’ve been using a robotic total station for the past few years, and we’ve noticed that’s been picked up by others at the show this year. But what I’m most excited about is having apprentices from Wilsey and Highgrove joining us. Watching Brian Herbert was such an inspiration when I first went to Chelsea, so having the apprentices on the garden is important because we also want to inspire people.
Designer Imogen Perreau
Contractor
JJH Landscapes
Sponsor Citi
ABOUT:
The RHS x CITI Season of Abundance garden pays homage to the energy and abundance of May. Debut designer Imogen Perreau uses layers of textured planting and raised forms in this immersive installation to evoke the vitality and renewal of this time of year. These have been selected for their peak bloom in May as well as their associations with folklore and traditional medicinal uses. Plants include peonies, hawthorn and common elder. Located in the Great Pavillion, JJH Landscapes will be building the installation, returning to Chelsea after winning a Silver Gilt medal at last year’s show.
RHS x CITI Season of Abundance
Debut Designer
A few of the suppliers
LuxUnique, Form Plants, Primrose Hall peonies
BUILD INNOVATION:
One of the things I’m looking forward to using this year is heritage galvanised steel edging. It’s a different effect that you won’t see anywhere else. It’s supplied by LuxUnique and I’m excited to use it as a oneoff product. Justin Himpson
A few of the suppliers
Hardys Cottage Garden Plants, Jekka McVicar, Jon Wheatley
BOLDProject Giving
James Basson’s first response to returning to Chelsea was to turn it down. His last appearance at the show was in 2017, when he won a Gold and Best in Show for The M&G Garden. Chelsea has since been “completely off my radar,” he admits. But when Mark Fane, a trustee for Project Giving Back (PGB), explained that it would be to mark the grant-making initiative’s final year of funding gardens at Chelsea, he was happy to agree.
On his return this spring, the Provencebased designer joins Mark Whyman Landscapes and Kelways in the creation of the Project Giving Back Garden in celebration of its involvement at Chelsea over the last five years, which has allowed charities such as The Wildlife Trusts, the ADHD Foundation and WaterAid to have a total of 63 gardens since 2022.
Drawing on the energy of PGB and its participation over the years, Basson's garden presents parallels between the charity and that of the regenerative energy in a damaged landscape. His expertise lies in using the natural landscape to create a garden suited to its surroundings. “It’s bold, bright and dramatic,” he says.
Sat on a hilltop in Provence, Southern France, the ochre mines of Roussillon were Basson’s inspiration. For over 20 years, Basson has worked on projects across the Mediterranean and beyond, constantly
WORDS: HOLLY CHAPMAN
James Basson brings a slice of the Provence landscape to Chelsea in celebration of Project Giving Back’s final year
inspired by the natural landscape with a knack for sustainable, ecological and low maintenance gardens. From pigmented red cliff faces, his Chelsea garden intends to centre hard landscaping to convey a simple message: “The ochre mines are slowly eroding. In the long term, the landscape will be all woodland, and the structural, mineral element will have dissolved back into the land.”
To investigate the permanence of our landscapes, Basson uses the garden as a means of creating an understanding that the hard landscaping aspect – which makes up 70% of the garden – will one day disappear, and vegetation will one day take over the bright, coloured rock.
since moving to France, he has developed an “appreciation for very dry, minimal, extraordinary landscapes,” a feature the garden exudes.
What is a garden without irrigation? It looks different. It's not as thick, lush and green. It’s slower and it’s resilient
The designer has learnt how to create gardens that will look good even in the driest periods. “Drought is extending in Britain,” Basson starts, and without the use of irrigation, he hopes to persuade people that irrigation is not necessary in creating a pretty garden. “What is a garden without irrigation? It looks different. It's not as thick, lush and green. It’s slower and it’s resilient.”
Excited to “bring the dust of the South of France to Chelsea,” Basson understands that, while it may not be everyone’s taste, the garden will certainly stand out. In contrast to the green and bright palette of Britain, and
With a different approach to planting and garden design, Basson heads to Chelsea with a suitcase full of experience, and a taste for shaking things up. While not what the flower show is used to, the dry, arid landscapes of Provence are set to heat up the
John Radcliffe Hospital, Oxford – a Parkinson's Centre of Excellence
Show
GARDENS
ABOUT:
For what will be her first judged garden at Chelsea, designer and TV presenter
Arit Anderson is creating a “very special project” for Parkinson’s UK. It’s a garden that will be highly personal for Anderson, as her sister lives with Parkinson’s and her late uncle also had the condition. It’s also going to be a “role reversal” for Anderson. “After years presenting and critiquing other designers’ gardens on BBC coverage, I’ll be the one under the judges’ gaze! It’s daunting, but I’m excited to take on the challenge and to create something meaningful that will make a lasting difference to those affected by Parkinson’s.”
Parkinson’s UK – A Garden for Every Parkinson’s Journey
BUILD INNOVATION:
At Millimetre, we specialise in complex work, using prefabrication to maintain control, accuracy, and quality. For this project, we’ve developed a laminated Accoya system which is a durable, stable timber chosen for its longevity. Components are precision 7-axis milled from digital models and assembled into a sculptural, near monolithic form. It’s a process shaped by material understanding and careful making, work made to matter.
Tokonoma Garden –
Samumaya no Niwa
Designer
Kazuyuki Ishihara and Paul Noritaka Tange
Contractor
Daikanyama Kadan
Sponsor
NIPPON Calmic
ABOUT:
The first to pick up the newly introduced RHS Chelsea Garden of the Year last year, Kazuyuki Ishihara also collected his 14th Gold medal as well as the People’s Choice award for Best Show Garden. He’s back this year with a garden that reimagines the tradition of viewing a landscape from the ‘tokonoma’ – a recessed, slightly elevated alcove that has become rare in Japanese rooms. He's creating a harmonious scene, using stone, moss, water and seasonal plants, the theme for which has been inspired by the Sanumaya drapery store where he’d gather with his family as a child.
A few of the suppliers Majestic Trees, Beaver Plants, Big Plant Nursery, Rhino Rock, Herons Bonsai, Evergreen Exterior Services, Hortus Loci
A few of the suppliers
Claire Austin Plants, Hardys Cottage Garden Plants, Harkness Roses, Hillier Plants & Trees, How Green Nursery, Pheasant Acre Plants and Deepdale Trees.
Karn Sandilands, director of Millimetre, which is making the feature pieces including the carved hand-rill, night shelter and seating
ABOUT:
The Tate Britain Garden
Designer
Tom Stuart-Smith
Contractor
Crocus
Sponsor
Project Giving Back and Clore Duffield Foundation supporting Tate Relocation
The new Clore Garden at Tate Britain
Tom Stuart-Smith OBE is no stranger to Chelsea, having picked up nine Gold medals in the past as well as three Best in Show awards. But this year is the first for Tate, which is looking to showcase the role of museums in providing public spaces. It will be offering a taste of the forthcoming Clore Garden, a new green space – also designed by Stuart-Smith –that is set to open at the Tate Britain in London next year and which the show garden will be incorporated into. At the centre will be the first piece of work Tate acquired by Dame Barbara Hepworth, a limestone sculpture called Bicentric Form – the first time a work of art from the national collection has been exhibited within a garden at Chelsea.
The Children’s Society Garden
ABOUT:
Lady Garden
ABOUT:
Brighton-based landscape architect Patrick Clarke is using reclaimed and recycled materials to reflect the Japanese philosophy of ‘wabi-sabi’, which centres around finding beauty in imperfection. As well as this eco-conscious approach, Clarke has collaborated with young people from The Children’s Society to create a space for them to feel safe and hopeful – an idea that will be put into practice when the garden is relocated to one of the charity’s support centres to become a therapeutic wellbeing space. The plants – which will be planted by Studio Ikram – have been chosen to reflect the three zones of the garden: sunny, transitional and shade.
Foundation ‘Silent No More’ Garden
The first show garden designed for a gynaecological cancer charity, The Lady Garden Foundation ‘Silent No More’ garden is part of a yearlong campaign to help address the devastating impact of the cancer. Through his bold design, Darren Hawkes – who hosts a podcast on therapeutic garden design – aims to raise awareness of and break the stigma around the five gynaecological cancers that claim the lives of 21 women each day in the UK. The garden will be relocated to multiple sites across the Island of Jersey and Cornwall, each chosen for their meaningful connections to those involved in the project and the charity’s mission.
Designer Darren Hawkes
Contractor
Landscape Associates
Sponsor
Lady Garden Foundation
Relocation
Community outdoor space in Jersey
A few of the suppliers Kelways Plants, Deepdale Trees, New Wood Trees
Designer Patrick Clarke
Contractor
Yoreland Design
Sponsor
Project Giving Back supporting The Children's Society
Relocation
One of The Children’s Society’s Youth Support Centres in Leighton Buzzard, Bedfordshire
READ MORE ABOUT THIS GARDEN ON PAGE 68
BUILD INNOVATION:
Inspired by Eduardo Chillida, this concept-led build is an exciting opportunity. The sculptural structures are striking and purposeful, creating intimate spaces for conversation while framing shifting views of the garden. We’re looking forward to installing the bespoke water feature and collaborating with specialist clay renderer Guy Valentine. Richard Curle, Landscape Associates
A few of the suppliers
Kelways Plants, Desert to Jungle, Margheriti Piante
A few of the suppliers
Hortus Loci, Bright Green Fox
Silent No More
cancers through a bold and striking garden design,” says Hawkes.
In 2022, gynaecological cancers accounted for approximately 1.47 million new cases and over 680,000 deaths worldwide. Research from the National Institutes of Health reveals that this number is expected to rise over the next two decades – highlighting the urgent need for effective interventions, widespread awareness, and breaking the stigma.
The Lady Garden Foundation is aiming to achieve exactly that – challenge taboos and break the silence around gynaecological cancers.
This urgent message will be taking centre stage at RHS Chelsea Flower, with the charity’s debut show garden, the Lady Garden Foundation ‘Silent No More’ Garden – designed by Darren Hawkes and built by Landscape Associates – it also marks the first women’s gynaecological charity to have a garden at RHS Chelsea.
When designer Darren Hawkes was first approached by the charity to design the garden, he says its mission resonated with him, not only professionally, but personally.
With half the population at risk of the five cancers that claim the lives of 21 women per day and the UK’s current early diagnosis statistic being well below other nations, the Lady Foundation and Hawkes are taking to the horticultural stage to be #silentnomore.
THE FIVE MAIN TYPES OF GYNAECOLOGICAL CANCER
Womb Cancer (Uterine/Endometrial)
Ovarian Cancer
Cervical Cancer
Vulval Cancer
Vaginal Cancer
For more information, visit ladygardenfoundation.com
As
a
husband, father to two girls, a son and friend to wonderful women in my life, I felt compelled to help the charity raise awareness
“As a husband, father to two girls, a son and friend to wonderful women in my life, I felt compelled to help the charity raise awareness among both men and women, break taboos, and shatter the silence that too often surrounds these
“Many other cancers are talked about in mainstream conversations in the UK and supported with exposure in the press, which helps grow awareness and prevention,” notes Hawkes.“The Lady Garden Foundation want to do the same for gynaecological cancers.”
The garden is designed to “shatter the silence” around these cancers, but as Hawkes says it will also be a “beautiful space that stops people in their tracks,” adding:
“I really want men and women to engage with the subject matter, but in many ways that can only work if the garden attracts people and makes them want to ask questions, so I set out to create a gentle and beguiling space that people would feel drawn to.”
Taking inspiration from Spanish Basque artist, Eduardo Chillida – notably known for his abstract work – Hawkes’ design echoes the
RHS Chelsea garden turning stigma into conversation
WORDS: BETHANY VANN
curvature and encompassing nature of Chillida’s etching Inguru III and his clay sculpture La Casa del
III.
“The etching reminded me of typical textbook drawings of the gynaecological anatomy,” says Hawkes.“These drawings, commonly symmetrical, then led me to look at the impact of cancer and how it distorts this normal, leading to imperfections and oddities that are reflected across the design.”
The garden’s hard landscaping will embody the abstract styling of Chillida’s work, while reflecting the charity’s reputation for being “loud, bold, and fearless”; creating a space that feels protective yet open and strong yet tender.
“The design features are abstract in form; however, looking closely, visitors could interpret subtle references to the female form – these interpretations are the conversation starters.”
A gentle – predominantly pink to echo the charity’s branding – planting palette will be interwoven throughout the space, softening the edges of the abstract structures.
Made up of around 4,000 plants in total, with up to 250 varieties, the planting will shift through various tonal qualities, says Hawkes –beginning with soft, silky greys, pale pinks and light blues, before leading into stronger, bolder tones.
“We’ve chosen some amazing trees from Deepdale for this garden, and it’s seeing those placed within the space that really excites me. I think they’ll do a lot to create the atmosphere we’re after.”
garden’s main structures are formed using a ply skeletal frame finished with lime and clay mortar. As a way to further lower the team’s carbon footprint, Hawkes has commissioned artisans, makers, and suppliers from across the South West of England,“celebrating regional craftsmanship and reducing transportation impact,” shares Hawkes.
All of the garden’s planting has been grown peat-free and the garden is being built without the use of cement, with all retaining walls being constructed using traditional drystone methods.
“All materials require minimal chemical treatments, aligning with our commitment to environmental responsibility and reducing harmful runoff,” says Hawkes.
“In addition, sustainable drainage systems will be integrated into our water features, ensuring efficient water management and ecological sensitivity. Nearly every element of the garden will be reused or repurposed following the show, minimising waste and maximising legacy value.”
I really want men and women to engage with the subject matter, but in many ways that can only work if the garden attracts people and makes them want to ask questions
Working alongside the contracting team at Landscape Associates, Hawkes has selected the garden’s construction materials based on their sustainability, local provenance and potential for re-use. Stone for the paving and walls is being sourced from Trebarwith Rustic Stone Quarry in Cornwall, where the team has been able to personally select materials, while the
Following its debut at RHS Chelsea Flower Show 2026, the Lady Garden Foundation ‘Silent No More’ Garden will be relocated to multiple sites across the Island of Jersey and Cornwall, each chosen for their meaningful connections to those involved in the project and the charity’s mission. On the Island of Jersey, the garden will be distributed across several public locations, including Gigoulande Mill pond and Trinity churchyard, creating a lasting legacy that will officially launch at Government House in November 2026.
All of the plants have been selected with the final locations in mind. Originating from warmer Mediterranean regions, some species may appear less hardy but are well-suited to thrive in the coastal conditions of Jersey and Cornwall.
Hawkes concludes that the garden’s “ultimate success” will be measured by its ability to raise awareness, encourage earlier diagnosis, and reduce lives lost to these cancers.
Project Giving Back supporting The Eden Project Relocation
Eden Project Morecambe
Show
ABOUT:
Ahead of the new Eden Project opening in Morecambe in two years’ time, visitors to Chelsea can get a glimpse of what they might expect with a landscape inspired by Morecambe Bay. It will be the first finished feature of the £100m regeneration and climate education project –where it will become part of the new 1.5-acre community space after the show – and it invites young people to consider a green career, with a solar-powered structure that serves as a classroom. It’s garden designer Harry Holding’s third time at Chelsea, but architect Alex Michaelis will be making his debut this year.
The Eden Project: Bring Me Sunshine Garden GARDENS
Debut Designer
BUILD INNOVATION:
We’re proud to be pushing material innovation, with Landscape Associates producing low-carbon clamcrete, using less than 5% cement and seafood industry byproducts, and hand-pouring it into complex geometric forms. Inspired by Morecambe’s shellfish industry, these pieces create suspended paving above water and vertical cladding creating the boundary. We’re also excited to collaborate with Cake Industries on installing the steel structure. Richard Curle, Landscape Associates
The Campaign to Protect Rural England: On the Edge
BUILD INNOVATION:
We're using sustainable, traditional methods such as stone walling, willow weaving and wood carving. The garden is rooted in these traditional crafts. Mark Britton, The Outdoor Room
The garden is about working with nature rather than against it. Landscapes should evolve, respond to changing conditions, and support life beyond the garden’s boundaries.
Sarah Eberle
ABOUT:
Designer Sarah Eberle
Contractor
The Outdoor Room
Sponsor
Project Giving Back supporting Campaign to Protect Rural England Relocation
A regenerated housing development in urban Sheffield
With longer wetter winters becoming the norm, Chelsea’s most decorated designer, Sarah Eberle, has focused on permeability for her latest garden, with more than 90% of it allowing infiltration. Permeable aggregates for the paths and walling stone will be the only hard landscaping materials used, with individual artisans and British businesses being prioritised for the various elements.“By drawing on traditional materials and crafts, and designing with longterm reuse in mind, it demonstrates how thoughtful design can support resilient places and communities.” Eberle is returning after a four-year hiatus, having retired from show gardens after winning her 20th Gold medal in 2022.
Hortus Loci, The Eden Project, Incredible Vegetables, Edulis
The Killik & Co. 'A Seed In Time' Garden
ABOUT:
Designer Baz Grainger
Contractor
Landform Consultants
Sponsor
Killik & Co
Relocation
A Centre Point project site in Kennington, London
A traditional craft is being celebrated through Killik & Co’s garden, with a building inspired by traditional reed bale construction techniques. For the show, the structure will be rendered with clay and straw by clay work specialist Guy Valentine, and it will capture and channel rainwater to form a central wetland habitat. By showcasing the reed from harvest to building material, the garden aims to celebrate traditional craft while exploring how historic techniques could play a role in future sustainable design. It’s the third year that Killik & Co is working with designer Baz Grainger, who previously worked in the fashion industry for more than 20 years.
Baz Grainger chose an innovative hard landscaping material developed by Schellevis, with cast concrete pavers and steps made from 85% recycled content and less than 2% cement. The remainder is ash, a by-product from the energy industry, creating an eco-cement with low environmental impact. It delivers a sharp, angular finish that is sleek and contemporary, demonstrating that sustainable materials also meet high aesthetic standards. Mark Gregory, Landform Consultants
ABOUT:
Destined for the Breathing Space lung rehabilitation centre in Rotherham, Angus Thompson’s third Chelsea garden is a carefully considered therapeutic space that means a lot to both him and contractor Dan Flynn. Thompson’s wife – whose daughter lives with asthma – is a researcher and therapist in palliative and supportive respiratory care, running breathing therapy groups for Asthma + Lung UK, whilst Flynn lost his mother to lung cancer last year. Thompson has drawn on the Japanese concept of yohaku no bi, or ‘the beauty of empty space’, bringing a modern take to Japanese design principles with the help of Japanese horticulturist Midori
Designer Angus Thompson
Contractor Dan Flynn
Sponsor Project Giving Back
Relocation
The Breathing Space lung rehabilitation centre, Rotherham
Shintani, former head gardener of Tokachi Millennium Forest in Hokkaido. A few of the suppliers
Asthma + Lung UK Breathing Space Garden
Kelways Plants, Solitair Tree Nursery, Deepdale Trees
PREVIEW
I asked them to work on this Chelsea garden with us, and they were over the moon. It’s like going to the FA Cup Final and playing in the game
WORDS: NINA MASON
of Fresh Air A BREATH
Dan Flynn is back building at Chelsea after a four-year breather – with a concept that truly resonates with the award-winning contractor
It’s the start of March, and Dan Flynn is already on site – not the Chelsea showground, but at the Breathing Space lung rehabilitation centre in Rotherham, which is supported by Asthma + Lung UK. It’s here, in one of the UK’s worst-affected areas for lung-related hospital admissions, that the show garden he’s building for this year's Chelsea –the Asthma + Lung UK Breathing Space Garden – is being relocated.
here in about five artic loads and plant everything straight away. We want the whole garden finished – including building a cafe out of repurposing the fence from Chelsea – three weeks after the show.”
“and she knew she was never going to see the garden, but she said, ‘Are you going to build it and win him a gold?’”
By that point, Flynn’s three-year noncompete agreement after selling his company Gardenlink to Frosts Landscape Construction had come to an end. So, he decided to take on the challenge. “Yesterday was quite an emotional day, but it’s that emotion that’s driving me on while I’m staying up here, away from home. My son has come up to help as well, and we’ve got a great team in DJR Landscapes and Lyall Landscapes."
“There’s always a big push and a lot of excitement around Chelsea, and then the relocation comes somewhat second fiddle,” he says. “So, we’re doing all the groundwork, getting the foundations in, and digging the tree pits so that, after Chelsea, we can bring everything
With the help of the Coalfields Regeneration Trust, the rehabilitation centre was set up as a specialist unit for those suffering from conditions such as asthma, COPD and asbestosis from working in the coal mines.
The recalibrated show garden – which will be six times larger than the space at Chelsea – will be replacing an overgrown, slightly neglected garden at the centre, where patients have now started a gardening club. And this garden is likely to be close to their hearts – as it is for Flynn. The day before we speak marks a year since he lost his mum, a non-smoker, to lung cancer.
“Around 18 months ago, I showed her the drawings that Angus [Thompson, the garden’s designer] asked me to take a look at, from a judging viewpoint” – Flynn has been an RHS show garden judge for around a decade –
Another part of Flynn’s reason for returning to Chelsea was the opportunity to bridge the north-south divide. “I’m really fortunate. There are probably around 10 landscaping companies that get the chance to build at Chelsea year in, year out, and they get all that experience and exposure. Trying to get a non-experienced company, and one from up north, to build at Chelsea is very rare. So, I set out to find a landscaping company local to here who could help to build the garden at Rotherham but also come down to Chelsea. I found CGM Landscapes at the RHS Wentworth Woodhouse show last year, who’d just built their first show garden, and I thought they did a fantastic job. So, I asked them to work on this Chelsea garden with us, and they were over the moon. It’s
like going to the FA Cup Final and playing in the game.”
This passion for sharing experiences and expertise is what Flynn is looking to do after the show through his company Insight, acting as a consultant for landscape designers and architects and offering them practical knowledge for their designs.
But the last few years have given Flynn a taste for the good life, and he’s in no rush to head straight back to the grind. He took up sailing during his time off and, in a bid to cut the carbon footprint of Chelsea as well as to enjoy his new-found hobby, Flynn will be sailing his Bavaria 46 Cruiser from Cornwall to St Catherine’s Dock, where he and four other landscapers will live for the duration of the build, cycling to the showground each morning.
Transport isn’t the only way that The Asthma and Lung UK Breathing Space Garden is being environmentally conscious. A net zero concrete designed by Tarmac – which uses a carbon negative additive called ACLA from Low Carbon Materials in which biochar locks in carbon and oyster shell calcium continues to absorb CO2 – will form the central platform that has been engineered by AKT II Structural Engineers. “With this mix, we’re making the concrete carbon neutral, which is an incredible feat.”
Specialist construction company Getjar is casting the concrete slabs off site for the 12m-long terrace, which will be supported by a wall built from sections cut from recycled oxygen cylinders donated by Synergy. The cantilever canopy above will appear as though it is being supported by one post and will be “a real eye catcher,” reckons Flynn.
Perhaps one of the most standout features, though – at least, for its symbolism – is an abstract sculpture resembling a pair of lungs by Oliver Barratt. The plinth supporting it will be clad with resin mixed with coal sourced from the last coal fire power station in the UK, Ratcliffe-on-Soar. Flynn had driven past the station each time he visited his son at Nottingham University, and one day spotted that the huge pile of coal he’d been used to seeing had disappeared. So, he got in touch with them and managed to get the last sweepings before demolition of the building started the following week, which Clearstone is now turning into resin that looks like flat coal.
then you’re just there as a labourer – and a contractor is far more than that.”
“It will then come here and be a key feature of the garden. All the stories and the background of all these elements really resonate with me, because of my mum, and because of my childhood, living nearby, and because we’re creating it for those will be using the hospital as well.”
It’s important for people to invest in the garden and to know their views are valued – and that’s a key part of how a contractor and a designer should work
Flynn appreciates Thompson’s approach of including him in the process too. He built Thompson’s first Chelsea garden in 2009, which won a Gold medal, and Gardenlink continued building high-end domestic gardens for the designer after the show.
“Angus is an incredible designer, and he really pushes the boundaries. It’s really nice to collaborate with a designer who trusts a contractor to bring these elements into the garden and allows them to have a say. Some of the other guys have come up with ideas as well. It’s important for people to invest in the garden and to know their views are valued –and that’s a key part of how a contractor and a designer should work. If you’re just following a drawing and not making any decisions,
He’s looking forward to building just one garden at this year’s Chelsea, though. In his last year with Gardenlink, the company built five, which “almost broke me – it was horrible,” he says. “It was at the time when I was selling the business and there was so much going on. So, going back and focusing on one, enjoying it with an amazing team, will be a lot of fun. If you enjoy the process, you’ll go that extra mile with that extra level of detail –that passion shows.”
Once the garden has been relocated to its permanent home in Rotherham, Flynn will be taking to the waters again, setting sail for Sweden and Norway with his wife for some breathing space of his own – hopefully with a Gold medal in hand.
1 Flynn’s son, Dom, gave up his job to help build two gardens to remember his grandmother
2 Dan Flynn and his mum, Anne, in front of his first Chelsea garden in 2000
3 Carrying out the groundworks on the relocation site ahead of Chelsea
4 Trees being selected at Solitair with Angus Thompson
Small Show
Designer Joe and Laura Carey
Contractor
The Outdoor Room
Sponsor
Addleshaw Goddard
Relocation
Baston House School
Journey Beyond the Tracks: From Adelaide to Perth GARDENS
ABOUT:
London was declared the world’s first
National Park City in 2019. Inspired by this, Addleshaw Goddard: Flourish in the City garden celebrates the hidden green gemstones of London. Designed by Joe and Laura Carey, the garden showcases Joe’s love of the built environment and Laura’s application of colour and texture. Featuring green and blue elements, water features nod to London’s rivers set amongst materials such as Portland stone and copper. Planting uses a palette of violet, pink and lemon yellow alongside resilient grasses and shrubs. Built by The Outdoor Room, the garden uses oyster shell-based concrete and reclaimed stone, striving to minimise carbon impact and promoting eco-friendly construction.
Addleshaw Goddard: Flouish in the City garden
A few of the suppliers Creepers Nursery, Katie’s Garden Plant Centre
BUILD INNOVATION:
Taking inspiration from London as the world’s greenest city. It is full of beautiful architecture-Verdi gris copper, Portland stone seating and water features, and an innovative product called Oystercrete that forms the backdrop. Made from crushed oyster shells collected from London restaurants, it is a sustainable alternative to concrete. Alongside beautiful plants that complement this architecture will be trees known to improve city air quality.
ABOUT:
Designer Max Parker-Smith
Contractor
Hardwood Landscapes
Sponsor
Journey Beyond, South Australian Tourism Commission and Tourism
Australia
Relocation
Plants are being reused in Kensington Gardens, London, and hard landscaping is being relocated to a new garden in Longleat
Just as the Indian Pacific train journey links Adelaide and Perth, a garden structure echoing a train carriage will link both sides of the Journey Beyond the Tracks: From Adelaide to Perth garden. Featuring tiered beds and diverse native plant species one side captures Western Australia’s landscape. The other showcases Adelaide as a National Park City with trees and natural water corridors. Designed by Max Parker-Smith and built by Hardwood Landscapes sustainable materials are woven throughout. Eco-Crete is mixed with recycled aggregate for paving stones, timber elements will be reclaimed or UK-sourced eucalyptus timber, and a zerocarbon metal made entirely from recylced materials using hydropower will add an industrial touch.
A few of the suppliers
Hortus Loci, Eco-Crete
Mark Britton, The Outdoor Room
Trussell’s Together Garden
BUILD INNOVATION:
We bring together steel, stone and water in a way that feels sculptural and adaptable. A finely engineered steel frame holds tessellated stone slabs at varying gradients, forming a bed-like structure that secures each piece without the need for jointing compound. When filled, the surface becomes a reflective pool; at the pull of a lever, the water drains away through the open joints and shifting levels of the stone. The result is a space that transforms from a quiet setting to a gathering space.
Peter Gregory
ABOUT:
A celebration of Historic Royal Palaces, The Boodles Garden is inspired by four of its sites. The garden layout reflects the Tower of London with a continuous rill representing its moat. An asymmetric pavilion is inspired by the Picnic Room in Queen Charlotte’s Cottage, Kew Palace. While light-coloured limestone paving reflects the White Tower and architectural elements of Hampton Court Palace. Paths and paving areas use a recycled, permeable sub-base and grout to allow for SuDs compliant drainage. The garden, designed by Catherine MacDonald, features bold planting. Jewel colours of red and purple, associated with royalty, will be used in a gardenesque style.
Designer Catherine MacDonald
Contractor
Gadd Brothers
Sponsor Boodles Relocation
The garden pavilion and other features will be relocated at one of Historic Royal Palace’s charity partners’ sites. Relocation plans for the plants and trees are in progress and will be announced soon.
The Boodles Garden
ABOUT:
Designer Rob Hardy
Contractor
Peter Gregory Landscapes
Sponsor Project Giving Back supporting Trussell Project Relocation
Strabane Foodbank, part of the Trussell community in Northern Ireland
More than 14 million people are facing hunger across the UK, according to Trussell’s latest research. That’s why the charity is making its Chelsea debut; to highlight the vital role that food banks, such as the ones it provides, are playing in helping those on the lowest income and in bringing together communities. Features such as intersecting paths and a shared seating area showcase this theme of togetherness, with a water feature at the centre which drains to reveal additional seating. The garden, designed by studio Rob Hardy & Co, is purposefully not an edible one, to show how hunger is not a food problem but an income one. It will be the first RHS show garden to be relocated to Northern Ireland, to one of the country’s most deprived areas.
A few of the suppliers
Provender Nurseries, Non-Standard Studio, Water Artisans, Allgreen
BUILD INNOVATION:
A few of the suppliers
Hot Metal Engineering, Torc Pots, Creepers Nursery, LandscapePlus
I'm blown away by the detailing this year. The forms and arcs created by the timber roof pieces over the bespoke steelwork structure are a real highlight. Avoiding the use of cement always provides the opportunity to explore new techniques. We’re looking forward to seeing the paving units in situ especially; they are going to look incredible nestled within the planting.
Pete Jones, Gadd Brothers
We’ll help you select your plants. We’ll source and deliver your order. We offer planting and installation options. We’ll support you with our warranty and our follow-up care.
“Tendercare has been one of our key suppliers for nearly 15 years, providing an exceptional range of over-sized and unique material for many of our projects. Across the nursery the team are knowledgable, friendly and a pleasure to work with.”
- Will Allerton, Director, Allerton Landscape Design
Choose Unilog Pro machine rounded timbers for a diverse range of landscaping projects.
The pine timbers are kiln dried and pressure treated in accordance with BS8417 using Impra wood preservative. Supplied in lengths up to 3600mm with a maximum diameter of 200mm.
Suitable for:
• Earth retention
• Borders
• Walling
• Pathways and steps
• Palisading
• Playground projects
Unilog Pro is supplied with a 15 year or 30 year warranty. Scan the QR code for Unilog Pro Installation Guide.
Wide selection of Instant Hedging: native & ornamental options
Pleached Trees & screening plants
enquiries@wykeham.co.uk
Supplying the trade for over Forty Five Years Proud to be certified
wykehammatureplants.co.uk
Bespoke Steel Landscaping Products
All About
Plants take centre stage in these five gardens
Designer
ABOUT:
Plant Heritage’s first Chelsea garden sits fittingly in the All About Plants category, with 80% dedicated to planting. The charity will use the platform to inspire others to become National Collection holders, with more than 10 from across the UK contributing plants to suit the garden’s woodland edge theme. It's designed by a trio who met at the London College of Garden Design and have since formed the Planting Design Collective. Whilst Will Murray created a Balcony Garden 2022, this will be Sally-Anne Rees and Kate Campbell’s first at the show. Plant Heritage will showcase more National Plant Collections with a Plant Heritage Zone.
Debut Designer
PLANT SPOTLIGHT:
Simon Sutcliffe, director, How Green Nursery
Planting Design Collective
(Sally-Anne Rees, Kate Campbell and William Murray)
Contractor
Crowton Rowarth and Gareth Wilson
Sponsor
Project Giving Back supporting Shanly Foundation Relocation Chester Zoo
PLANTS The Plant Heritage Missing Collector Garden ClearyTimeGottlieb: of Creativity
A few of the suppliers How Green Nursery, New Wood Trees, Collendoorn, The Big Hedge Company, Provender Nurseries, Sienna Hosta, Rotherview Nursery, as well as plants donated by National Collection Holders
Euphorbia x gayeri 'Betten' is a new and unusual Euphorbia that will be incorporated into the planting palette of the sunnier side of the garden. Mid height and more refined in nature than many Euphorbia, it brings a vivid blue green foliage hue to the colour scheme.
Designer
Contractor
Shovel and Spade
Landscaping
Sponsor
Cleary Gottlieb
ABOUT:
After debuting at Chelsea three years ago with a Balcony Garden, Scottish designer Christina Cobb – who is now based in Surrey – is returning with a space that offers a break from screen time, instead providing other ways for people to spend their time. Items such as books, paints and fabrics adorn a glasshouse that visitors can walk through, and a seating area surrounded by colourful planting sits at the end of a winding path made from permeable, UKsourced materials.
ABOUT:
Melanie Hick is shining a spotlight on bats in her first Chelsea garden, using plants that attract the small insects that bats prey on, as well as fun plants that reflect the theme of the garden. Tacca chantrieri, for instance, is being included for its bat-like shape. Artist Tach Pollard has created a sculpture inspired by the flying mammals, and the rear boundary of the garden can be repurposed into bat boxes when it is relocated to Clydach Community Gardens in Swansea – a gardening group that will use it as a tool to continue educating its visitors on wildlife-friendly gardening.
Debut Designer
Designer Melanie Hick
Contractor
Phil Sutton Landscapes
Sponsor
Project Giving Back supporting The Bat Conservation Trust Relocation
Thymus sp. ex Turkey is a fragrant herb selected for its aromatic foliage which releases a continuous scent attractive to bats. Chosen for its tough, low-growing nature, it is ideal for sunny paths, between paving stones, or at the front of borders, where its scent is released when brushing past.
Steve Marshall, head of horticulture, Beth Chatto’s Plants & Gardens
Two years ago at Tatton, Ashleigh Aylett was named RHS Young Designer of the Year during her first collaboration with the Woodland Trust – followed by a Gold medal and Best in Category for her Chelsea Balcony and Container Garden last year. She returns in collaboration with the Woodland Trust, illustrating ancient woodland restoration through a garden that leads visitors from a dark conifer forest to a vibrant, diverse landscape. Ancient woodland indicator species feature throughout, alongside dry-laid stone walls and timber seating made from an ancient oak brought down in a storm.
few of the suppliers
Debut Designer
Designer Ashleigh Aylett Contractor
CJ Landscapes
Sponsor Project giving back supporting The Woodland Trust Relocation
Designer Charlie Chase Contractor
Frogheath Landscapes
Sponsor Project Giving Back supporting YoungMinds Relocation Newham community in London
The Bat Conservation Trust’s Nocturnal Garden Woodland Trust: Forgotten Forests Garden
Hawthorn Primary School in Newcastle upon Tyne
YoungMinds Garden
A few of the suppliers
How Green Nursery, Crug Farm Plants, Zophian Plants, Exchange Erith, Bright Green Fox, Cally Gardens, Special Plants Nursery, Plantbase, Leahurst Nurseries and Gallagher
ABOUT:
This year, Charlie Chase marks his own personal debut – and he’s using the opportunity to highlight a charity that helps children and young people with mental health and wellbeing. In a nod to the YoungMinds' branding and to reference hope, yellow flowering plants are part of a diverse range of planting which reflects the variety of experiences that might lead people to seek help and need a space such as this. After the show, it will become part of a community garden in London, which Chase Gardens will develop alongside youth groups.
A
Hortus Loci, Moss Clerks, Hillier Nurseries and Botanica Plant Nursery
COMMUNITY Creating a
Debut designer Charlie Chase partners with mental health charity after experiencing the power of plants and community
Ten years ago, young gardener Charlie Chase volunteered to help with a garden at RHS Chelsea Flower Show with Studio Bristow. The Fresh Garden triggered his belief that it is not only plants that can transform a space, but that community has an impact, too. Carrying the experience with him, he steps through the gates of Chelsea Flower Show 2026 with his very own garden for the first time.
The founder of Chase Gardens, a small garden design and creative maintenance London-based studio, has partnered with YoungMinds to highlight the crushing pressures affecting young people’s mental
health and the importance of community for the first ever YoungMinds Garden at Chelsea. By giving young people the tools to better their mental health, the charity offers the space and confidence to get their voices heard and halt the mental health crisis amongst this generation.
After navigating grief and struggling with his own mental health,“it was the sense of community and power of plants and people that supported me,” Chase shares. For this reason, the garden centres the relationship between people and the power of gardening.
“My gardening origin story started when my mother was ill, and her final
WORDS: HOLLY CHAPMAN YOUNGMINDS GARDEN BY CHARLIE CHASE, ALL ABOUT PLANTS
RHS Charlie Chase
My gardening origin story started when my mother was ill, and her final act was creating a potted garden. I felt there was a sense of passing the baton down to me
act was creating a potted garden. I felt there was a sense of passing the baton down to me,”
Chase explains,“the journey of gardening helped me chart a course through the mist of grief.” Since then, he hopes to open up the wonders of horticulture to the next generation.
YoungMinds is on a mission to change that.
The charity’s impact works across three key strategies. The first helps young people feel less alone with their mental health, the second maintains a relationship with an adult who can really support them, and the third gives young people a voice and the power to change.
Over the last few months, Chase and his team have been running design and planting workshops for young people, who have had influence over the design of the YoungMinds Garden. He has also chosen to take on six apprentices who have been helping source both the plants and hard landscaping elements for the garden.
“We’re trying to put our money where our mouth is and activate young gardeners alongside doing Chelsea,” he says, unlocking an accessible avenue to
gardening. He made sure there would be no unpaid labour during the build at Chelsea, especially amongst the young gardeners helping him.
Adorned with yellow flowering plants, the colour palette reflects the YoungMinds brand and the hope it represents. Offering a space for young people to thrive, the garden looks to be somewhere a community can grow so that no one feels alone with their mental health. This is also reflected in the habitat wall located at the back of the garden, which invites its own community of insects and wildlife.
Featuring boulders, aggregates and waste stone from Kent-based quarry Gallagher, climate-resilient plants have been selected to grow between the hard landscaping elements to symbolise how young people can thrive and overcome the many pressures affecting their mental health. The boulders are then broken down to become stepping stones through the garden, before getting broken down even further as gravel and a dry planting area.
As hope in the form of giant conifers and yellow flowers emerge through the heavyweighted boulders, the garden exudes strength in adversity.
It seemed fitting that I would partner with a young person’s mental health charity
A dream of his for many years, designing a garden for Chelsea still leaves Chase in awe.“It means the world to me,” he explains, “and I’m filled with an enormous sense of gratitude to anybody helping me with the show garden.”
One in five young people aged 8-25 reported a probable mental health condition in 2023, while almost one third of 17–24-yearolds admit having self-harmed or attempted to self-harm at some point during their lives.
Since introducing this format in 2024, the charity has seen fewer young people needing emergency support and a reduction in the factors contributing to mental health struggles. In fact, 80% of young people said YoungMinds’ guidance helped them feel more hopeful about their situation.
In reflection of his own journey,“it seemed fitting that I would partner with a young person’s mental health charity,” says Chase. With help from the Community Land Trust and People's Empowerment Alliance for Custom House, the YoungMinds garden will lead its legacy in Newham where its forever home will be a community space for all. Once rehomed, the garden will be maintained by local gardeners and community members, with Chase passing the symbolic baton on to them, as his mother did with him before she passed.
The YoungMinds Garden looks to inspire young people, bring them together and create a safe space in a world of neverending pressures.
REFERENCES
1 YoungMinds Impact Report 2023-2024
EXCELLENCE The Foundation of
Derbyshire Specialist
Aggregates explain why the right base is non-negotiable for resin bound success
In the rapidly evolving world of UK landscaping, resin bound surfacing has transitioned from a high-end choice to a staple of residential and commercial design. Its appeal is obvious: a seamless, versatile finish that combines the beauty of natural stone with durability and practicality.
As well as its undeniable kerb appeal, Resin bound has many advantages over other surfacing solutions – it is permeable, needs low maintenance and is suitable for driveways, patios and paths of all sizes and styles of property.
However, as any experienced installer knows, the longevity of a resin project is a question often raised by homeowners and that factor isn’t decided by the decorative top layer alone. It is won or lost in the ground beneath. For this feature, we explore the critical structural integrity of resin installations, the essential distinctions between sub-base and base, and the technical innovations that are setting new industry standards for long-term stability.
A resin bound base must prioritise permeability and be SuDS compliant
One of the most significant advantages of resin bound surfacing is its ability to be fully permeable. In an era of increasing urban flood
risks, SuDS (Sustainable Urban Drainage Systems) compliance is no longer just a "nice to have" – it is often a legal or planning requirement.
A SuDS-compliant installation allows water to soak through the surface and into the ground naturally, reducing the burden on overstretched drainage systems. For a resin bound installation to be truly SuDS compliant, every layer must be permeable.
This requires:
• A permeable resin top coat
• A permeable binder course (such as opengraded macadam or a specialised resin base)
• An MOT Type 3 aggregate sub-base.
For a resin bound installation to be truly SuDS compliant, every layer must be permeable
Understanding the anatomy of a resin bound driveway
To the uninitiated, "base" and "sub-base" are often used interchangeably. In the context of a professional resin bound installation, confusing these layers can lead to catastrophic failure, including cracking and pooling.
1. The Sub-Base: The Strength Provider
The sub-base is the fundamental foundation. Its primary role is to provide structural strength and a level platform for the subsequent layers. To ensure the installation remains stable over time, the sub-base must be correctly specified:
• MOT Type 3: The gold standard for permeable installations. Unlike Type 1, which contains "fines" (dust and small particles) that can clog and prevent drainage, Type 3 is an open-graded aggregate. It allows water to pass through freely, making it the essential choice for eco-friendly, sustainable designs.
• MOT Type 1: While incredibly strong, it is generally non-permeable. It should typically only be used if the system is designed with a specific slope to allow water run-off into dedicated drainage. It is also recommended to use a geotextile terram membrane; this is important to avoid ground movement below the sub-base layer.
PROMOTION
large crews, and strict timing to ensure the material doesn't cool before it's compacted.
In contrast, new style resinbound base systems are:
• Cold-Applied: No need for heavy rollers or hotbox deliveries.
• Mixed On-Site: Installers can mix what they need, reducing waste and allowing for smaller, more intricate residential projects where a macadam lorry might not have access.
By choosing a system like Daltex Base, installers are investing in a future where call-backs are a thing of the past and SuDS compliance is a guaranteed reality
2. The Base (The Binder Course)
The base is the immediate surface that the resin bound system is laid on and bonds with. Also known as the ‘binder course’, this layer acts as the bridge between the structural sub-base and the surface finish.
The role of structural reinforcement mesh
Even with a perfect sub-base, ground movement is an inherent risk. This is where Structural Reinforcement Mesh (SRM) can play a vital role. By embedding a high-tensile mesh within base layers, installers can increase lateral strength, helping to bridge minor fluctuations in the ground and help prevent reflective cracking from reaching the decorative surface. In highstress areas, such as driveway entrances or turning circles, the mesh acts as a stabilising skeleton, locking the base aggregates together.
Evolution of new base for resin bound
As contractors seek faster and more convenient solutions when installing resin bound, a new type of resin bound base system has emerged as an alternative to traditional permeable Macadam and concrete.
This change is being driven by the need for high performance and site efficiency. Traditional hot-lay Macadam requires heavy machinery,
• Faster Turnaround:
The decorative top course can be applied much sooner than traditional concrete, which requires a lengthy 28-day curing period to allow moisture and alkalinity to settle; this is to allow the concrete to achieve a minimum strength of 28N.
Daltex Base is a leading example of this new type of base system – but this system is not merely a substitute for macadam; it has been specifically engineered with resin bound performance and efficiency in mind. Because the system cures quickly, installers can often overlay the final Daltex UVR resin bound surface sooner than with traditional methods, allowing for greater efficiency and more completed projects per week.
Daltex Base uses a 6.25kg non-UV stable polyurethane resin specifically designed for base use. This is mixed with a specific grade of Daltex base aggregate in a five bag mix to deliver a 5% resin-to-stone ratio. This is significantly higher than many standard binder courses and results in superior strength and resistance to cracking.
The Daltex Base system also incorporates two layers of Structural Reinforcement Mesh (SRM), to bridge minor ground movements and prevent the reflective cracking that can plague lesser installations.
The resin bound sector’s focus is clearly shifting from mere aesthetics to high-level performance. "The industry has spent years perfecting the aesthetics of the top course whilst the foundation has relied on materials designed for roads,” says Sam Buckley, group managing director of Daltex and Derbyshire Specialist Aggregates.
“At Daltex, we believe in giving the customer what they need. Many customers will continue to use the tried and tested methods of permeable concrete and macadam with great success. And that’s fine. However, the success of the Daltex Base system clearly demonstrates the demand for a purpose-built solution that delivers permeability, strength and convenience on site.
“As the UK moves towards stricter environmental regulations and homeowners demand higher quality finishes, the choice of base is no longer a hidden detail – it is the hallmark of a professional. By choosing a system like Daltex Base, installers are investing in a future where call-backs are a thing of the past and SuDS compliance is a guaranteed reality.”
As the UK resin bound sector continues to grow, it is clear that the emphasis on technical proficiency is higher than ever. Whether utilising traditional permeable macadam or opting for a high performance integrated system, the goal remains the same: a stable, permeable, and durable base that offers maximum resistance to cracking, delivers structural integrity and ensures a resin bound surface can be enjoyed by its owners for many, many years.
So far, the 2025/26 season has seen seven named storms. Most notably Storm Goretti and Storm Dave made headlines across the country after causing chaos and devastation. As climate concerns grow, the country could expect to see many more unlikely weather patterns.
From wetter and warmer winters and hotter, drier summers, plant nurseries, planting specialists and garden designers are having to alter their preparations for not only commercial and domestic projects but show gardens at events like RHS Chelsea Flower Show.
Ready SteadySHOW DAY
As unpredictable weather patterns threaten show gardens, Chelsea veterans reveal how to stay prepared amid concern
mark the foliage, which could be an issue in the run-up to show day. Instead, Lea will layer lightweight fleece from April beneath tents to protect the plants.
Close monitoring and clear communication within our teams is important to ensure we know what will and won’t be suitable for a show
“You’ve got to have plants in abundance,” argues Lea, especially as he finds there’s a growing concern due to the changing climate. “A lot of the preparation for my plants goes into the year before because they are drought tolerant. Everything is stored in the leaves and the stem, so I've got to concentrate on slow fertilizer and drip feeding them in order to power them up with energy that will launch them into the next season.”
As weather grows more unpredictable, Lewis Normand, sales manager and plantsman at Bernhard Nurseries, anticipates show schedules may change. While Chelsea takes place in May, for example, “early shows are being hit with tremendously changeable weather, while later shows can be too hot for plants to thrive in,” he explains. As climate concerns and pressures accumulate, “growing for shows is a challenge,” says Normand. “There are lots of ways that you can protect plants growing for shows, just as there are techniques for bringing on and holding back plants,” he adds. Artificial light and heat to stimulate quicker growth or holding plants back with refrigeration are common, but Normand says he’s moved away from these.
Storm Goretti wreaked devastation across Cornwall in particular earlier this year. Mark Lea, owner of Townshend-based nursery Primal Plants, felt an impact across his whole business. Now, as he gets back on his feet, he’s pleased to share the nursery has now reopened and is working on several projects.
Growing for shows
From spring shows to working in TV and film, Lea takes extra precautions to shield his plants from extreme weather conditions. Frost, for example, can be a particular issue in April just ahead of spring shows, like Chelsea. Hosting a lot of frost-tender plants, “we have to watch the weather really intensely,” he explains.
Any evening temperature of five degrees or below, Lea and his team will take protection against frost. While the custom-made horticultural fleeces work throughout most of the chillier months, they could also
WORDS: HOLLY CHAPMAN
BURMA SKINCARE INITIATIVE SPIRIT OF PARTNERSHIP GARDEN DESIGNED BY HELEN OLNEY AT RHS CHELSEA FLOWER SHOW 2024, PLANTS SUPPLIED BY BERNHARDS NURSERIES.
Instead, Normand explains, “we protect plants in unheated polytunnels and a little glass. We shade plants that scorch and we move plants between these environments to make them appropriate for the show." However, it must be noted that flowering for shows is not guaranteed. Instead, the relationship between nursery and client must be maintained. He explains:
“Close monitoring and clear communication within our teams is important to ensure we know what will and won’t be suitable for a show.”
Something that Normand advises while working with frequent collaborator and garden designer Paul Hervey-Brookes is: “Have a plan B and C ready for plants in your list. That way, should something fail during the build, you don’t have to think about alternatives, you can ask me to look for your plan B and C plants which are already prepared.”
Across the shows themselves, the use of climate-resilient planting and careful water use are good indicators to the nature of the problem. He adds: “We are having to relearn how to work with the weather to grow plants for shows. It has meant more in the way of plant movement from cooler to hotter spots on the nursery and more-oftenthan-not back again.”
Designing in a changing climate
We are having
to relearn how to work with the weather to grow plants for shows
Garden designer Catherine MacDonald, who is returning to this year’s Chelsea Flower Show to design the Boodles Garden, agrees “climate conditions have become one of the most significant challenges in recent years.” Not just for show gardens, but across the entire horticulture and design industry. In response, she explains:
“As designers, we must be increasingly mindful of how we integrate systems for water capture and storage into our schemes. These challenges will only intensify over time, but they also present opportunities. We need to design in ways that genuinely address climate realities, rather than simply reacting to them.”
Last year, MacDonald’s Boodles Raindance Garden, built by Gadd Brothers Trees and Landscapes, received a Gold medal, which celebrated the 25th anniversary of the Raindance jewellery collection. Last spring was unusually warm and dry with minimal
rainfall, “as a result, some plants were under stress and required significant watering,” she remembers. However, she adds, “we anticipated these conditions and managed them carefully, so I don’t believe it had any impact on judging.”
Similar to Normand, MacDonald advises adaptability if preferred/key species do not flower at the right time. “If you’re not adaptable and haven’t asked your supplier to grow alternative options, that might either flower earlier or later, depending on the weather, then this could affect your floral impact.”
Year on year preparations
Planting specialist Cecilia Sandrini of Plant Based Gardens understands that no spring can be predicted. This year working on her 11th garden at Chelsea, she has spent the last five springs preparing for the biggest RHS show of the year, and each one has been different.
Working with garden designers, such as Ryan McMahon with the Seawilding Garden at Chelsea last year, she has learnt that it is crucial to work with nurseries who can be dynamic and honest. “You can work out what
BURMA SKINCARE
BOODLES RAINDANCE GARDEN DESIGNED BY CATHERINE MACDONALD AT RHS CHELSEA FLOWER SHOW 2025
it is that you can substitute another plant with,” she explains, in the case of an emergency.
We need to design in ways that genuinely address climate realities, rather than simply reacting to them
On top of this, Sandrini says, as relocation plans are required for gardens at Chelsea, planters and growers must plan for its new home as well as show day. “It might be more difficult to talk about future gardens.” Whether it's water or energy, the resources must be there so that the plant can survive a full life.
Working with garden designer Melanie Hick for The Bat Conservation Trust’s Nocturnal Garden at Chelsea, Sandrini expects to select plants just a week before the show, much like she and McMahon did last year. From there, “it’s for the public and the judges to decide whether we and the growers have delivered on that.”
So, then it’s down to the judges and public to see if months of hard work equates to a medal or award. As the climate continues to change, the temperatures warm and extreme weather patterns persist, growers, designers and planting specialists are gradually shifting precautions to ideally celebrate success on show day.
Clare Matterson explores how RHS Chelsea inspires gardeners to bring nature home – and why biodiversity has never mattered more
At the RHS, we recognise that the UK’s 33 million gardeners –professionals and amateurs alike – are among the country’s most important guardians of nature. Taken together, domestic gardens form one of our largest and most connected landscapes, supporting thousands of plant and animal species. In the context of climate change and biodiversity decline, these spaces are no longer peripheral. They are part of the solution.
This understanding sits at the heart of the RHS’s Bringing Nature Home lens. It reflects the belief that when people choose to grow with nature in mind, the impact is cumulative and long lasting. Gardens can act as vital stepping stones between fragmented habitats, and every design decision – from plant palette to soil management – shapes how wildlife can thrive.
RHS Chelsea Flower Show plays an important role in translating this thinking into action. While it is internationally celebrated for horticultural excellence, the show is also a working laboratory of ideas. It demonstrates how strong design, sound craftsmanship and ecological understanding can combine to create gardens that are both beautiful and purposeful. For landscape professionals, RHS Chelsea remains a valuable source of inspiration, innovation and practical insight.
WITH CURIOSITY GardenerEveryStarts
Garden, designed by Frances Tophill in her first Chelsea garden. It celebrates curiosity as the starting point for all gardeners, encouraging people to observe, experiment and learn. With accessible planting ideas and a welcoming structure, it illustrates how even small interventions can support biodiversity while delivering delight.
The garden will be opened by His Majesty The King, joined by Sir David Beckham and Alan Titchmarsh CBE. Together, they underline a shared commitment to education, skills and the long term value of gardening. The intention is simple but ambitious: to inspire millions to take ideas home and apply them in real gardens, benefiting people, places and the planet.
For landscape professionals, RHS Chelsea remains a valuable source of inspiration, innovation and practical insight
Joy also has a role to play in engagement. In a light hearted nod to His Majesty’s tradition of hiding a garden gnome at Highgrove, we are temporarily lifting the long standing ban on gnomes at RHS Chelsea. Whimsy may seem trivial, but joy is often what sparks interest – and interest is where care begins.
by Melanie Hick invites us to consider how gardens function after dark, using planting that supports insects and bats and reminding us that gardens are active ecosystems at all hours. Urban challenges are addressed in The Addleshaw Goddard Flourish in the City Garden by Joe and Laura Carey, inspired by London as a National Park City. Climate resilient planting shows how compact urban spaces can mitigate pollution, improve air quality and support wildlife. Meanwhile, Sarah Eberle’s The Campaign to Protect Rural England Garden: On the Edge focuses on “edgelands” where towns meet countryside, championing native plants often dismissed as weeds but vital to ecosystems. Together, these gardens reinforce a simple message: curiosity leads to understanding, and understanding leads to practice. I look forward to seeing how this year’s show inspires landscapers and gardeners to bring nature home in practical, creative and lasting ways.
CLARE MATTERSON
This year’s show reflects that breadth particularly clearly. Among the gardens is The RHS and The King’s Foundation Curious
Across the show, biodiversity is explored in practical and thought provoking ways. The Bat Conservation Trust’s Nocturnal Garden
She was awarded a CBE for services to public engagement and a Fellowship to the British Science Association for outstanding contributions.
rhs.org.uk
Clare Matterson CBE is director general of the RHS. She was executive director of engagement at the Natural History Museum and spent 17 years with the Welcome Trust.
THE RHS AND THE KING’S FOUNDATION CURIOUS GARDEN DESIGNED BY FRANCES TOPHILL
KING CHARLES MEETING DAVID BECKHAM AT RHS CHELSEA 2025
PROMOTION
AriensCo consolidates processes in new platform Dealers often work with several parallel systems. Different logins, scattered data and a lack of integration make it difficult to access key information and waste time in day-to-day operations. AriensCo has responded to this by developing the ExPort dealer platform. It brings together previously separate systems and provides centralised access to all key AriensCo processes and information.
Previously, sales partners used different platforms; for example, for spare parts orders, marketing materials and training. This created additional work and hindered
the consistent use of digital services. With ExPort, AriensCo now consolidates all systems into a single platform.
Via a central login, all dealers can access account details, orders, invoices, equipment information, as well as warranty and service processes. The platform combines applications such as the ordering and information system, media portal and learning platform into a unified environment. Key tasks such as maintaining contact details, registering machines, and submitting warranty claims and service requests can be handled directly and across all systems.
Centralised and clearly structured working environment
Dealers gain clearly structured access to all relevant information and processes. Queries are reduced, workflows are accelerated, and the day-today workload is noticeably eased. At the same time, this frees up capacity for targeted support with more complex issues.
With ExPort, AriensCo is clearly positioning itself as a customer-focused company. At its heart is a modern service process that simplifies workflows and makes collaboration with sales
partners more efficient. At the same time, the platform lays the foundation for further digital development within the dealer network.
“The biggest hurdle in a dealer’s day-to-day work is not a lack of information, but access to it. Too many systems, too many logins. With ExPort, we bring everything together and create a central, clearly structured working environment for our sales partners,” says Georg-Otto Fuchs, senior vice president R&D, product management & marketing – EMEAA, summarising the benefits of the new dealer platform.
Millboard shares why the right subframe matters
Futureproof
Decking projects
AMillboard deck is designed to look exceptional for years – rich in detail, comfortable underfoot, and built for real-life outdoors. But there’s a part of the build that rarely makes it into the ‘after’ photo, and it’s the part that quietly decides whether the whole project delivers on its promise: the subframe.
We’re seeing a growing number of timber subframes fail early due to rot, long before the decking on the surface ever would. Timber can be tempting on price, familiar in the hand and easy to source at short notice. Yet in the UK’s wet, changeable climate, moisture doesn’t need much of an
invitation. Over time, timber can soften, twist, split and weaken, and when the framework starts to move, the surface follows. Fixings loosen. Levels change. Boards can feel less secure. And the deck that should have been a long-term investment begins to generate awkward conversations and unwanted callbacks.
For installers, designers and landscapers, the risk isn’t just material failure; it’s reputation. A premium deck is only as good as what it’s built on, and customers don’t separate ‘decking’ from ‘subframe’ when problems appear. They remember who installed it.
That’s why choosing the right subframe matters as much as choosing the right board.
Millboard’s Plas-Pro and DuoSpan subframe systems are purpose-made to support Millboard decking for the long term.
Unlike timber, they won’t rot, warp or become a breeding ground for the hidden issues that can shorten a deck’s life. They’re engineered to be consistent, so your finished deck stays true, not just on day one, but season after season.
There’s also a practical advantage: a system designed to work together makes installation straightforward. When the subframe and decking are intentionally matched, the build becomes more predictable. Spans, fixings and components are designed with real-world installation in mind, helping you work efficiently and confidently.
Then there’s the sustainability story, a growing priority for clients and specifiers. Timber subframes that fail early don’t just cost time and money; they create avoidable waste. A purpose-
made, rot-resistant subframe supports the full lifetime value of the deck, reducing the likelihood of multiple replacements over the years. And with recycled plastic content, Plas-Pro and DuoSpan help you deliver a smarter, more considered build from the ground up.
Ultimately, customers want a deck they can enjoy without worry. You want a project that performs as well in years to come as it does at handover. That starts beneath the surface.
If you’d like a quick walkthrough or support specifying your next project, just contact us. We’d be happy to help. millboard.com enquiries@millboard. co.uk
SHOW
Tabitha Rigden shares how being part of the Chelsea planting teams influences her work
I’ve had the privilege of working on four Main Avenue gardens at RHS Chelsea Flower Show over the past five years – each different in style and narrative, but all operating at the same exacting level. The common thread, however, is an intense focus on how planting reads, not just visually, but ecologically and contextually.
Working at pace alongside exceptional designers and planting teams sharpened my understanding of what makes planting truly convincing. There’s no room for vague gestures or decorative fillers; every plant must earn its place. It’s on the ground that you begin to see the difference between planting that simply looks good, and planting that feels right.
That sense of realism is crucial. Judges are looking for planting that feels authentic – the kinds of combinations and relationships you might encounter in nature. It’s not simply about assembling beautiful plants; it’s about understanding the habitat those plants belong to, and how they would naturally coexist.
with marginal species occupying low-lying areas and transitions handled gradually. The effect was visually convincing and ecologically legible – you could read the moisture gradient through the planting. These considerations shape sustainable planting, and Chelsea has a way of amplifying them. Every spacing decision, every association, every layer is scrutinised. The experience has had a lasting influence on my work at Rigden Studio. It reinforces the importance of designing planting grounded in ecology and context – schemes that are visually compelling, resilient, and appropriate to the site.
Working at pace alongside exceptional designers and planting teams sharpened my understanding of
what makes planting
In practice, this means thinking in terms of plant communities rather than individual specimens. It means understanding how species interact, how they layer through the seasons, and how they establish over time. It’s not simply a case of, “Does this plant thrive in sun or shade?” but more, “Where in the world would you expect to encounter this plant?” Understanding the conditions of a place and respecting a plant’s origins allows us to combine species that genuinely belong together.
truly convincing
The planting teams are forced to question this constantly. You must know your plants: their habit, mature size, how they would naturally be spaced, and how they behave over time. Would this grass genuinely thread through a wet meadow? Would that woodland-edge species tolerate full sun? Does the layering and density feel believable for this type of landscape?
In The King’s Trust Garden designed by Joe Perkins in 2025, plants were spaced openly, allowing light and air between them, with self-seeders encouraged to move through the scheme in a way that felt consistent with a rocky, drought-prone landscape. Gaps were as important as the plants themselves, with looseness and chance part of the aesthetic.
In the Yeo Valley Organic Garden designed by Tom Massey and Sarah Mead in 2021, the planting responded directly to hydrology, weaving through wetter ground in a way that felt entirely natural,
Chelsea is widely regarded as the pinnacle of garden design, and in many ways, it is – a global stage where ideas are distilled into their most refined, resolved form. But what it really offers, for those behind the scenes, is something quieter and far more valuable – an intense opportunity to observe, to question, and to refine your understanding of plants.
1 ,2 King's Trust Garden Chelsea 2025 Tabitha Rigden planting for Joe Perkins
3 RES Garden Chelsea 2023 Tabitha Rigden planting for Tom Massey
Tabitha Rigden, director of Buckinghamshire-based Rigden Studio Ltd, designs gardens and landscapes for private and commercial clients. She trained at the London College of Garden Design after her first career conserving Old Master paintings, and has won SGLD awards in 2020, 2021, and 2025, and was named House & Garden Rising Star 2025. rigdenstudio.co.uk
AESTHETIC Narrative Led
Has garden design lost its way?
– asks Andrew Duff
In recent years, garden design has become increasingly preoccupied with meaning. Designers are asked not only to create beautiful places, but to respond to climate change, biodiversity loss, social justice, accessibility, heritage, wellbeing, and political narratives. These are all important concerns, and rightly so.
Yet, there is a growing question within the profession: in trying to solve everything, has garden design begun to forget how to be a garden?
For much of history, the primary aim of garden making was aesthetic. From Persian paradises to Italian Renaissance terraces, from English landscape parks to modernist courtyards, the garden was first and foremost a visual and spatial art.
Proportion, composition, rhythm, texture and light were the designer’s core tools. Meaning existed, certainly, but it was embedded within form rather than used to replace it.
Today, however, many contemporary schemes are led by narrative before design. Project statements speak of rewilding, sustainability targets, social engagement strategies and conceptual frameworks long before they mention beauty, pleasure, or delight.
Planting is justified through ecology, materials through carbon impact, layouts through community use. All of these considerations are valid, but the danger lies in allowing them to dominate the creative process to the point where the visual and emotional quality of the garden becomes secondary.
replace borders, rough planting replaces structure, and informality replaces composition. The result may be environmentally sound, but not always aesthetically convincing.
There is also a growing tendency toward over-intellectualisation. Some projects seem designed more to be explained than to be experienced.
Lengthy concept statements describe memory, identity, politics or trauma, yet the physical space itself can feel awkward, unresolved or visually weak. A garden should not require an essay to be appreciated. Its meaning should be felt through form, not defended through text. This is not an argument against environmental or social responsibility. Nor is it a call to return to past styles.
When aesthetics becomes an afterthought, the garden risks becoming a statement rather than a work of art
There is a noticeable shift in the language of design. Where once we spoke of harmony, balance, elegance or atmosphere, we now speak of resilience, mitigation, inclusivity and messaging.
These are the words of policy and planning rather than of art. When every project must carry a moral or political justification, the simple act of making something visually powerful can feel almost indulgent, even suspect.
A garden should not require an essay to be appreciated
Environmental responsibility is perhaps the strongest driver of this change. Designers are expected to demonstrate ecological value, reduce maintenance inputs, increase biodiversity and respond to climate uncertainty.
These aims are essential, yet they can lead to cautious, worthy, and sometimes visually unresolved landscapes. Meadows
The best historic gardens were never only decorative; they reflected the values of their time just as contemporary landscapes must reflect ours.
But those gardens also understood that beauty is not a luxury. It is the very thing that makes people care about places in the first place.
Perhaps the challenge for garden design today is not to abandon political or environmental thinking, but to rebalance it. A garden can be sustainable and still be composed. It can address climate change and still possess elegance. It can carry meaning without losing clarity.
If garden design has lost its way, it may not be because it cares too much about the world, but because it sometimes forgets that its greatest contribution to the world has always been the creation of places that move us visually, emotionally, and spatially. When aesthetics becomes an afterthought, the garden risks becoming a statement rather than a work of art.
ANDREW
DUFF
An internationally recognised dargen designer, Andre Duff MSGLD has been designing gardens for over 30 years. In addition to running his practice, he is managing director of the world reowned Inchbald School of Design and is Chair of the society of Garden + Landscape Designers, sgld.org.uk
CIS Street Furniture offer a diverse range of street furniture which will complement any location.
As a result of the built environment compaction can inhibit or prevent natural root growth of trees. CIS SUDs compliant resin bound tree grilles are a great way of enhancing the sustainability of your project for future generations. Find out more at our website below.
Tel: 01483 203388 www.cis-streetfurniture.co.uk
A complete sub-structure, paving or decking and terrace planter & seating system for rooftop spaces. Wallbarn’s high performance Class A fire-rated sub-structure and Bespoke Metal Planters’ solutions creates the perfect one-stop shop for hard & soft landscaping projects. Tel: 020 8916 2222 www.wallbarn.com
A Guiding HAND
Gareth Wilson shares how his mentor helped get him back on track
I’ve known Muz for several years, and after recognising that I was struggling to function in business, and in life, I sat down with him and said, “mate, I need your help”. Straight away he started breaking down the problems, and we began working together on solutions.
The things I’ve found most helpful have been building routines into my working day, and knowing when and where to be regimented and when to take breaks and be flexible.
One of the most important things Muz taught me early on in our mentoring sessions was how to say ‘no’ and create space for myself. This, although it may seem small, it has given me more free time, created a better mindset, and allowed me to structure my working life better. My work-life balance has been shocking for too many years, which, in turn, has caused severe burnout.
With RHS Chelsea Flower Show on the horizon, and the show season in general, it’s fair to say my last few months have been hectic. That's not even taking into account my expert witness work, specification writing, Paving Site development and training work.
As many people know, a few years ago I was diagnosed with ADHD. This was a shock to me, but not to anyone who knows me well! Oh, the amusement my family and close circle had, as they just took it as given that I had ADHD – seems I was the last to know.
The multitude of hoops I had to jump through to get diagnosed, and then prescribed medication, were on a par with climbing Snowden barefoot.
Sadly, after all that effort and expense, the medications had little or detrimental effect for me. They work for some, but not for me. If I'm honest, they were putting me in a bad place.
I still have a long way to go, but I’m finding life and work easier and I’m reaping the benefits
All of this affected my ability to function and run a busy portfolio of work. I was finding work incredibly hard, despite having a wonderful executive assistant, Terri Mc Robbie, and a secretary, Sammie Hadfield. That's when I decided to do things differently. First, I tried Cognitive Behaviour Therapy – which I found helpful, and secondly, a life coach – Muzamil Choudhury – which has made the most significant difference to me.
Our regular sessions are invaluable, and I am continually learning about myself. I am concentrating on making just small changes gradually and creating new habits in order to lead to bigger, more positive changes in life.
I still have a long way to go, but I’m finding life and work easier and I’m reaping the benefits. The great thing is, Muz is always in contact and filling my week with positive vibes.
Remember, the landscaping industry is a tough game to be in. Reaching out for help is not only great for business but most importantly, hugely beneficial for your mental health, clarity of thought, work-life balance and productivity.
As I write, I am thinking of a friend no longer here – Martin Hall, who also lived and struggled with ADHD. His family have set up a great initiative – martinsmission.org – which signposts people, especially men, needing some support to well-known networks and organisations. As Martin’s Mission strapline says, ‘it’s not weak to speak’. Take care.
GARETH WILSON
Gareth Wilson is a leading paving installation expert in the UK. He has won 14 RHS Gold medals and five Best in Show & six Best Construction Awards, and he is a member of multiple professional bodies. He provides technical advice to large companies, and he mentors and trains contractors and garden designers in landscape construction and on show garden logistics. He also provides on-site training, expert witness reports and mediation services. He is a B/507 modular paving committee member, BS7533:102 panellist, and an industry awards judge. gkwilsonlandscaping.co.uk paving.site
INTERVIEWS Little
EMILY FULLER
GARDEN DESIGNER, TONY BENGER
What’s one thing that could make the industry better?
One thing that could make the industry better is more realistic representation in mainstream media. Too often, outdoor living and garden design are shown in ways that feel staged or removed from everyday life, giving my clients who are removed from the industry some unrealistic expectations.
If you could work anywhere in the world, where would it be?
I could never fully say goodbye to the UK climate and my favourite plants, but I am so lucky to have spent a lot of time out in Singapore and Malaysia and would love to do more out there.
Why should the industry be pursuing young people?
Earlier on in my career, I was lucky enough to have a voice and had it heard. I was able to introduce ideas and practices into a company that utilise them to this day. We desperately need young people to come in with fresh ideas and voices that improve our industry!
Who has been your biggest inspiration?
My incredibly dedicated and hardworking arboriculturist dad, and his old copy of the RHS encyclopaedia that we would treat like a bedtime story book. I wouldn’t be here without them.
2025 Winners
Pro Landscaper asks quick-fire questions to gain a small insight into the people who make up our industry. To take part, email content@eljays44.com.
CHLOË WEBSTER DESIGNER, HARRY HOLDING STUDIO
What do you hope to see for the industry this year?
The introduction of AI is the biggest change we’re going to see in the coming years, so I’m interested to see how people respond to the opportunities and challenges it presents with creativity and care. I hope we can support each other and consider better ways to prioritise the land and the people we’re working with.
What did you gain from the Pro Landscaper 30 Under 30: The Next Generation Awards?
Aside from the entirely unexpected
SEAN RYAN GARDENING SUPERVISOR, AELTC
What do you hope to see for the industry this year?
There’s been a noticeable shift towards more resilient planting, which is a really encouraging direction for the industry. It will be interesting to see how this develops over the coming year – particularly in terms of plant choices and design approaches.
recognition, I’ve met so many great people as a result of it.
If you could work anywhere in the world, where would it be?
From a botanical perspective, my favourite flora originates from Australia, but I don't think I can handle the scale of insects.
What has been the highlight of your career so far?
Working with an incredible group of young people for our garden at Eden Project Morecambe. We’ve been running creative workshops with them involving visits to some amazing sites in Lancashire.
Would you recommend entering for a Pro Landscaper 30 Under 30: The Next Generation Award? Absolutely! It’s such a valuable opportunity for recognition and a fantastic way to gain exposure and connect with others in the industry.
If you could work anywhere in the world, where would it be?
I’ve worked in Scotland on a few occasions and really love the wide, open landscapes. Having that as a daily working environment would be pretty special.
