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A M E R I C A N PA I N T I N G S M AY 2 1 , 2 0 2 0

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An important note regarding COVID-19 Given how quickly changes need to be made in response to the pandemic, we urge you to visit our website, www.eldreds.com, for the most up-to-date information regarding auction dates, times and bidding options. Thank you, as always, for your patronage. We appreciate each and every one of our clients and we wish you all good health.

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A M E R I C A N PA I N T I N G S Robert C. Eldred Co., Inc. Headquarters 1483 Route 6A P.O. Box 796 East Dennis, MA 02641 (508) 385-3116 fax: (508) 385-7201 MA License #155 Connecticut Office 5 Roosevelt Avenue Mystic, CT 06355 (860) 912-8169

Thursday, May 21, 2020

Terms

A buyer’s premium will be added to the hammer price of all purchases. The buyer’s premium is 25 percent of the final bid price up to and including $500,000, and 10 percent of the final bid price over $500,000. We accept checks, cash, money orders, wire transfers and major credit cards for payment. There is a 2 percent buyer’s premium discount for payment made in full via cash, check, money order or wire transfer within ten (10) days of the invoice date. Credit cards can only be used for up to $5,000 of the invoice total and the card must have a U.S. billing address. Mixed payment methods are not eligible for the buyer’s premium discount. Bidders holding a Massachusetts or out-of-state resale number must provide the certificate or copy thereof when registering to bid or otherwise will be required to pay 6.25% Massachusetts sales tax on purchases. Items picked up in or shipped to Connecticut are subject to 6.35% Connecticut sales tax. Residents of other states may be subject to state and local sales taxes.

info@eldreds.com www.e ldre d s.com

Auction

Beginning at 11 a.m. Eastern Online and absentee bidding available, but floor bidding is not permitted due to COVID-19.

Exhibit

Preview by appointment may be available. Please contact us.

Important notices

Prospective bidders should satisfy themselves by personal inspection as to the condition of each lot. It is the bidder’s responsibility to obtain a condition report, by either visiting our website or contacting us. Although condition reports may be given on request, such reports are statements of opinion only. The absence of a condition report does not imply the property is in good condition. Regardless of whether or not a condition report is given, all property is sold subject to Item 1 of our Conditions of Sale, which provides that all property is sold as is.

Absentee and Telephone Bidding

Please use the bid form found at the back of this catalog, visit our website, or phone 508-385-3116 to make arrangements for absentee and telephone bidding.

Online Bidding

This auction will be held simultaneously online at www.invaluable.com and www.eldreds.com. Prospective bidders must register and be approved prior to bidding.

All dimensions and weights are approximate. Per Federal and international regulations, items made with whale bone, ivory or other protected species will not be shipped internationally without CITES and other necessary permits. Obtaining these permits is the exclusive obligation of the buyer. Items made with these materials and marked with an asterisk (*) may only be purchased by a Massachusetts resident and will not be shipped out of state. Firearms marked with an asterisk (*) will only be delivered to holders of a Federal Firearms Dealer’s License.

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Staff Directory Antiques & Fine Art Specialists

Production & Administrative Staff

Joshua F. Eldred CEO and President Head of American and European Paintings jeldred@eldreds.com

Mary Ann Giddings Eldred Chairwoman of the Board maeldred@eldreds.com Wendy A. Dunford Treasurer wendy@eldreds.com

William Bourne Vice President Head of Americana and Maritime Arts bill@eldreds.com Eric S. Mulak Vice President Head of Sporting Antiques, Folk Art & Collectibles Consignment Manager eric@eldreds.com

Devyn Henry Administrative Assistant dhenry@eldreds.com Kristin Kiley Client Services Manager/Shipping kkiley@eldreds.com

Leah S. Kingman Head of European Decorative Arts lkingman@eldreds.com

Angela R. McParland Executive Assistant amcparland@eldreds.com

Glen Krawczyk Head of Oriental Rugs glen@eldreds.com

Kristyn Mills Head of Photography kmills@eldreds.com

Anne G. Lajoie Head of Asian Arts annie@eldreds.com

Madison Morris Assistant Head of Photography mmorris@eldreds.com Kathleen Morse Auction Coordinator kmorse@eldreds.com

Gregg Dietrich Senior Consultant and Specialist

Tanya Sargent Assistant to the Treasurer tsargent@eldreds.com

John H. Schofield Consultant Susan M. Schofield Consultant Jennifer Lacker Mystic Representative

Cheryl Stewart Head of Marketing Catalog Layout and Design cheryl@eldreds.com

Mary M. Kuhrtz, Barbara H. Cleary and Christine Leofanti Gallery Assistants

Sarah Eldred Taylor Vice President of Human Resources sarah@eldreds.com

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Caleb G. Seaver Shipping cseaver@eldreds.com

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eldredsauction


Featuring Properties From

A Private North Shore Collection The Kelton Collection

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Index of artists Aalund, Suzy Amundsen, C. Hjalmar "Cappy" Arnold, Clara Maxfield Barber, Sam

105, 106 44 149

Fischer, Anton Otto

54, 55

Flagg, Hiram Peabody

70

Foster, John B.

90

Frederico, Frank

100

Baum, Walter Emerson

67

Gay, George Howell

Beal, Helen Higgins

93

Gleason, Joe Duncan

Beatty, Frank

15

Gore, Ken

Bicknell, Evelyn Montague

59

Grant, Gordon Hope

57

Bicknell, Frank Alfred

66

Graves, Michael

99

Bonita, Todd

127

Green, Bernard I.

95

Brandri, George Kennedy

118

Greene, Richard

160

Broe, Vern

56

Greenleaf, Jacob

17

Bruestle, George Matthew

63

Gruppe, Emile Albert

98

5

Guipon, Leon

65

86

Haight, Jenny

42

Hardwick, Melbourne

72

60

Hare, John Cuthbert

16

18, 75, 76

Harrigan, Edward H.

108

Burnell, J. Robert Cherry, Kathryn E. Bard Cirino, Antonio Cook, John Alfred Cook, Otis Pierce, Jr.

36-38

Costigan, John Edward

64

Curtis, Roger William

110

DeHaven, Franklin B.

80

Diehl, Arthur Vidal

6

58

144-146

13 49, 50 150

Harvey, George Wainright

87

Hasbrouck, Dubois Fenelon

68

Hazelton, Mary Brewster (attr.)

69

Hibbard, Aldro Thompson

84, 85

Dohanos, Stevan

132

Hornby, Lester

79

Dunlay, Thomas R.

131

Howes, Jerome

153

Ettinger, Churchill

123

Hunter, Robert Douglas

147

Farr, Ellen Frances Burpee

155

Jewell, Ruth

14

Feeney, Loretta

139

Jones, Jack

159

Feldsberg, Morris A.K.

117

Kingsbury, Edward Reynolds

119

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Index of artists

Klassen, B. Nicole

122

Rimini, Joseph

103, 104

20-27

Ritter, Jo Ann

148

Lasar, Charles Augustus

46

Roark, Robert

151, 152

Lever, Hayley

48

Rosenthal, Abraham

Knowles, Kenneth J.

96

Loiacono, Carole

101

Schantz, Frances Kratz

107

Lowrey, David

129

Sheehan, Dennis

126

Lussier, David

102

Sieg, Nelle C.

156

Malzenski, Charles

128

Situ, W. Jason

121

Manship, John Paul

125

Slade, Caleb Arnold

143

Margulies, Joseph

109

Smith, Geoffrey

124

McGuire, Michael

134-136

Sorver, J.D.

154

Stevens, William Lester

19, 81-83

Miles, Matthew Albert

130

Mitchell, Thomas John

71

Strisik, Paul

Morrell, Wayne Beam

78

Thieme, Anthony

39

34, 35, 111-115

Mosher, David Allen

29-33

Thimgan, David

51

Myers, Mark R.

52, 53

Titus, Earle A.

94

Newcastle, Lena May

158

Tutwiler, Line Stevens Hopkins

Nicholas, T.M.

1-4

Tyler, James Gale

61

Nicolai, Helen

45

Van Nortwick, Chester

92

Ockenga, Aldryth

133

Vincent, Harry Aiken

Packard, Cynthia

137

Walker, Harold E.

Paskell, William Frederick Patterson, Margaret Jordan (attr.) Paxton, William McGregor Perry, John Richard Peterson, Jane Pfeiffer, Heinrich

73, 74 142 43 7 28, 40, 41

Weaver, Jeff Webster, Russ Willett, Christopher G.

6

88, 89 97 8-12 77 140

Wolcott, Harold C.

62

Woodbury, Charles H.

91

138

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A Private North Shore Collection Lots 1-39

8

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T.M. Nicholas Massachusetts, b. 1963

1

1.

“South Portland Light”. Signed lower left “T.M. Nicholas”. Titled on label verso. Oil on canvas, 24” x 30”. Framed 32” x 38”. 3,000/5,000

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A Private North Shore Collection T.M. Nicholas Massachusetts, b. 1963

2

2.

“Harbor Loop, Gloucester”. Signed lower right “T.M. Nicholas”. Titled verso. Oil on canvas, 24” x 30”. Framed 31” x 37”. 5,000/7,000 Exhibited: Rockport Art Association. Awards: Marguerite Pearson Gold Medal, Rockport Art Association.

10

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T.M. Nicholas Massachusetts, b. 1963

3.

“Rochester Valley”. Signed lower left “T.M. Nicholas”. Titled on label verso. Oil on board, 18” x 24”. Framed 25” x 31”. 3,000/5,000

3

4.

“First Snowfall, Essex”. Signed lower right “T.M. Nicholas”. Titled on label verso. Oil on canvas, 20” x 30”. Framed 28” x 38”. 4,000/6,000 Exhibited: Rockport Art Association.

4

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A Private North Shore Collection

5.

J. ROBERT BURNELL America, Contemporary “Hooper Straits Light Chesapeake Bay” (Maryland). Signed lower center “J. Robert Burnell ASMA”. Titled on label verso. Gouache on paper, 18” x 27.75” sight. Framed 25” x 34”. 300/500

6.

LINE STEVENS HOPKINS TUTWILER Indiana, Contemporary “Serenity in Pigeon Cove”. Signed lower left “Line Tutwiler”. Titled verso. Oil on masonite, 18” x 24”. Framed 24” x 30”. 800/1,200

5

6

12

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7

7.

JOHN RICHARD PERRY Maine, Contemporary The U.S.S. Constitution at dock. Signed and dated lower left “John Richard Perry 2006”. Oil on canvas, 24” x 36”. Framed 29” x 41”. 2,000/3,000

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A Private North Shore Collection Jeff Weaver Massachusetts, Contemporary

8

8.

14

Eastern Point Light, Gloucester, Massachusetts. Signed lower left “J Weaver”. Oil on canvas, 24” x 30”. Framed 32” x 38”. 3,000/5,000

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Jeff Weaver Massachusetts, Contemporary

9

10

9.

“The Elwell House”. Signed lower left “J Weaver”. Titled verso. Oil on canvas, 24” x 30”. Framed 32” x 38”. 3,000/5,000

10.

“House on Pleasant Street”. Signed lower right “J. Weaver”. Titled verso. Oil on canvas, 24” x 30”. Framed 31” x 37”. 2,500/3,500

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A Private North Shore Collection Jeff Weaver Massachusetts, Contemporary

11

11.

16

“Boatyard, Boston”. Signed lower left “J. Weaver”. Titled verso. Oil on canvas, 24” x 30”. Framed 32” x 38”. 3,000/5,000

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Jeff Weaver Massachusetts, Contemporary

12

12.

“Sledding Tracks” (Gloucester, Massachusetts). Signed lower left “J Weaver”. Titled verso. Oil on canvas, 24” x 24”. Framed 31” x 31”. 3,000/5,000

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A Private North Shore Collection

13.

GEORGE HOWELL GAY New York/Wisconsin, 1858-1931 “At Grand Manan, Maine”. Signed lower right “Geo. Howell Gay”. Titled on frame plaque. Watercolor on paper, 13.25” x 31.5” sight. Framed 32” x 40”. 500/1,000

13

14.

RUTH JEWELL Massachusetts/Delaware, 1908-1999 “Another Work Day”. Signed lower right “Ruth Jewell”. Titled on label verso. Oil on canvas, 30” x 24”. Framed 39” x 33”. 400/600 Provenance: Rockport Art Association Annual Auction, May 5, 2007, Lot #106.

14

15.

FRANK BEATTY Illinois/Manitoba, 1899-1984 Carnegie Library, Rockport, Massachusetts. Signed and dated lower right “F. Beatty ‘78”. Oil on board, 18” x 24”. Framed 24” x 30”. 300/500

15

18

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John Cuthbert Hare Massachusetts/Florida, 1908-1978

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John Cuthbert Hare was a watercolorist who painted boats, seascapes and harbor scenes. He was primarily associated with New England, especially Cape Cod, Massachusetts, where he spent his summers from 1938 to 1965. However, he also painted in Florida, where he was a member of the St. Augustine Art Association, as well as other locations on the East Coast. It is likely Hare was born in New York City. He studied commercial art in Brooklyn at the Pratt Institute and in Manhattan at the Art Students League. He also worked for Hearst Newspaper Corporation. In 1933 he married, and throughout the next few years he and his wife traveled extensively, camping and painting and exhibiting his work in galleries. About 1938, the Hares, attracted to its rolling farmland, moved to Amherst, Massachusetts. Hare also painted in Gloucester, Massachusetts, and

16.

“Summer Sunlight. Cape Cod”. Possibly Provincetown, Massachusetts. Signed lower right “John Hare”. Titled verso. Oil on canvas, 25” x 30”. Framed 35.5” x 45.5”. 1,500/2,500 Provenance: Rockport Art Association Annual Auction, May 7, 2016, Lot #73 (label verso).

Yarmouth Port, Massachusetts, where he and his wife lived from 1967 to 1977. Hare spent the last years of his life in Palm Beach, Florida. His work is in the collections of the Lowe Art Museum and the Lightner Museum in Florida, and the Smith College of Art in Massachusetts.

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A Private North Shore Collection

17

18

17.

20

JACOB GREENLEAF Massachusetts, 1887-1968 “Rockport Motif No. 1”. Signed lower left “J. Greenleaf ”. Titled on label verso for the Business Men’s Art Club of Boston. Oil on canvas board, 14” x 18”. Framed 22” x 26”. 800/1,200

18.

OTIS PIERCE COOK, JR. Massachusetts, 1900-1980 “Boat Shack”. Signed lower left “Otis Cook”. Titled on label verso. Oil on canvas, 25” x 30”. Framed 33” x 38”. 1,500/2,500 Provenance: Rockport Art Association Annual Auction, May 7, 2011, Lot #6.

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19

19.

WILLIAM LESTER STEVENS Massachusetts, 1888-1969 “Houses with Fence”. Signed lower right “W. Lester Stevens N.A.”. Titled on label verso. Oil on canvas, 20” x 24.5”. Framed 28.5” x 33”. 1,500/2,500 Provenance: Rockport Art Association Annual Auction, May 2, 2015, Lot #3.

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A Private North Shore Collection Kenneth J. Knowles Massachusetts, b. 1968

20.

“‘View of Front Beach’ from King St.” (Rockport, Massachusetts). Signed lower left “Ken Knowles”. Titled, signed and dated 2005 verso. Oil on canvas, 20” x 24”. Framed 27” x 31”. 2,000/3,000

20

21.

“Rockport Harbor”. Signed lower left “Ken Knowles”. Titled, signed and dated 2010 verso. Oil on board, 12” x 16”. Framed 18” x 22”. 1,200/1,800

21

22

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Kenneth J. Knowles Massachusetts, b. 1968

22.

Winter scene of boats in a harbor. Signed lower right “Ken Knowles”. Oil on masonite, 24” x 30”. Framed 31” x 37”. 2,000/3,000

22

23.

“‘Ice Flows in Gloucester Harbor’, Cripple Cove”. Signed lower left “Ken Knowles”. Titled, signed and dated 2006 verso. Oil on masonite, 16” x 20”. Framed 23” x 27”. 1,200/1,800

23

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A Private North Shore Collection Kenneth J. Knowles Massachusetts, b. 1968

24.

Winter street scene. Signed lower left “Ken Knowles”. Oil on board, 24” x 30”. Framed 31” x 37”. 2,000/3,000

24

25.

“‘The Old Mill in Winter’, Wardsboro VT”. Signed lower right “Ken Knowles”. Titled, signed and dated 1999 verso. Oil on canvas, 30” x 36”. Framed 36” x 42”. 4,000/6,000

25

24

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Kenneth J. Knowles Massachusetts, b. 1968

26.

“‘Parade of Sail’, Schooners in Gloucester Harbor”. Signed and dated lower right “Ken Knowles 2008”. Titled, signed and dated verso. Oil on canvas, 30” x 36”. Framed 36” x 42”. 4,000/6,000

26

27.

“‘Waiting for a Passenger’, Boston, MA”. Signed lower left “Ken Knowles”. Titled, signed and dated 2009 verso. Oil on canvas, 40” x 30”. Framed 47” x 37”. 2,500/3,500

27

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25


A Private North Shore Collection Jane Peterson Massachusetts/New York/Kansas/Illinois/France/Italy, 1876-1965

28

28.

26

Two women sitting on a stone bridge. Signed lower right “Jane Peterson”. Gouache, 16.5” x 18.5” sight. Framed 21” x 24.5”. 15,000/25,000

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A Private North Shore Collection Donald Allen Mosher Massachusetts, 1945-2014

29

30

29.

“Rockport from Above”. Signed lower right “Donald Allen Mosher”. Titled on label verso. Oil on canvas, 24” x 36”. Framed 31.5” x 43.5”. 4,000/6,000 Exhibited: North Shore Arts Association (label verso).

28

30.

“Back Cove, New Harbor”. Signed lower left “Donald Allen Mosher”. Titled on frame plaque. Rockport Art Association label verso. Housed in Leszek Mazga frame. Oil on canvas, 30” x 36”. Framed 38” x 44”. 3,000/5,000

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Donald Allen Mosher Massachusetts, 1945-2014

31

31.

Schooner Thomas E. Lannon in Gloucester Harbor. Signed lower left “Donald Allen Mosher”. Oil on canvas, 40” x 32”. Framed 49” x 41”. 7,000/10,000

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A Private North Shore Collection Donald Allen Mosher Massachusetts, 1945-2014

32

32.

30

“The Moat Mountain Range (Cathedral Ledge, New Hampshire)”. Signed lower left “Donald Allen Mosher”. Titled verso and on Rockport Art Association label affixed to reverse. Oil on canvas, 26” x 32”. Framed 35” x 41”. 2,500/3,500

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Donald Allen Mosher Massachusetts, 1945-2014

30

33.

“Early Spring Thaw”. Signed lower right “Donald Allen Mosher”. Titled on frame plaque. Oil on canvas, 30” x 36”. Framed 40” x 46”. 5,000/7,000

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A Private North Shore Collection Paul Strisik Massachusetts, 1918-1998

34

34.

“Bailey Island, Maine”. Signed lower left “P. Strisik”. Titled verso. Oil on canvas, 20” x 30”. Framed 27” x 37”. 2,500/3,500 Exhibited: Rockport Art Association: “Paul Strisik, N.A.: The Artist & His Collection”, October 4-November 14, 2014.

32

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Paul Strisik Massachusetts, 1918-1998

35

35.

Still life of black-eyed Susans in a white vase. Signed lower left “P. Strisik”. A rare subject for the artist. Oil on board, 24” x 20”. Framed 33” x 29”. 1,200/1,800

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A Private North Shore Collection

36.

ANTONIO CIRINO Rhode Island/Italy, 1889-1983 New England fall landscape. Signed lower right “A. Cirino”. Oil on canvas, 20” x 24”. Framed 28” x 32”. 1,000/1,500

37.

ANTONIO CIRINO Rhode Island/Italy, 1889-1983 “Rural Church”. Signed lower right “A. Cirino”. Titled on label verso. Oil on canvas, 25” x 30”. Framed 27.5” x 33”. 2,000/3,000

36

Provenance: Rockport Art Association Auction, May 2, 2015, Lot #167.

37

38.

ANTONIO CIRINO Rhode Island/Italy, 1889-1983 “Stone Bridge, Winter”. Signed lower right “A. Cirino”. Titled on label verso. Oil on canvas, 20” x 24”. Framed 29” x 33”. 1,200/1,800

38

34

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39

39.

ANTHONY THIEME Massachusetts/California, 1888-1954 “Calle Vieja”, Mexico. Signed lower right “A. Thieme”. Titled verso. Oil on canvas, 24” x 30”. Framed 34” x 39”. 3,000/5,000

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35


40

40.

JANE PETERSON Massachusetts/New York/Kansas/Illinois/France/Italy, 1876-1965 “Storm Clouds Over Everglades”. Signed lower right “Jane Peterson”. Watercolor and gouache on paper. 12.25” x 18.25” sight. Framed 18.5” x 24”. 800/1,200 Provenance: Artist’s estate. Finer Things Fine Art, Boston. Private Collection, Massachusetts. Eldred’s, April 4, 2009, Lot #968.

36

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41

41.

JANE PETERSON Massachusetts/New York/Kansas/Illinois/France/Italy, 1876-1965 Floral still life. Signed lower right “Jane Peterson”. Oil on canvas, 20” x 16”. Framed 27” x 23”. 3,000/5,000

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42.

JENNY HAIGHT Connecticut, 19th/20th Century “Woman in Yellow 1882”. Signed lower right “J.E. Haight”. Titled on frame plaque. Oil on canvas, 28” x 12”. Framed 32” x 16.5”. 300/500

42

38

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43.

WILLIAM MCGREGOR PAXTON Massachusetts/Maryland, 1869-1941 “Girl with Crossed Arms”. Artist identified and titled on label verso for Vose Galleries, Boston. Sitter possibly the artist’s wife, Elizabeth. Pencil on paper, 12” x 9”. Framed 17” x 13”. 500/700

44.

CLARA MAXFIELD ARNOLD Rhode Island, 1879-1959 Still life of a bowl of zinnias on a table. Signed and dated lower right “C.M. Maxfield 1929”. Oil on canvas, 24” x 34”. Framed 27” x 37”. 500/1,000

43

44

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45

46

45.

HELEN NICOLAI United States, 20th Century Child seated on a barrel. Signed lower left “Helen Nicolai”. Oil on board, 22.25” x 18”. Framed 25” x 21”. 200/300

46.

CHARLES AUGUSTUS LASAR Pennsylvania/France, 1856-1936 Field workers taking a break. Signed both lower left and right “C. Lasar”. Oil on canvas, 13.75” x 10.5”. Framed 16” x 13”. 300/500

47.

AMERICAN SCHOOL 20th Century Woman sewing by a window. No signature noted. Oil on canvas, 15” x 17”. Framed 22” x 24”. 300/500

47

40

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Hayley Lever New York/Massachusetts/Australia/England, 1876-1958

48

48.

“Signac Bridge in Winter 1932 Passaic New Jersey”. Signed lower right “Hayley Lever”. Titled, signed and dated verso. Oil on academy board, 15.5” x 19.5”. Framed 24” x 26.25”. 3,000/5,000

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41


select items from

The Kelton Collection Lots 49-53

Eldred’s is pleased to announce it will be offering maritime art and artifacts from the Kelton Collection over a series of auctions this year.

42

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49

49.

JOE DUNCAN GLEASON California/New York, 1881-1958 “The Drydock Fairhaven, Mass.”. Signed lower right “Duncan Gleason”. Titled verso. Oil on canvas laid down on plywood, 16.25” x 20.25” sight. Framed 22”x 26”. 4,000/6,000 Provenance: Vallejo Gallery, Newport Beach, California, purchased March 2008.

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43


selections from

T H E K E LT O N C O L L E C T I O N

50

50.

JOE DUNCAN GLEASON California/New York, 1881-1959 “Dreams, Fairhaven, Massachusetts”. Circa 1922. Signed lower right “Duncan Gleason”. Oil on canvas, 29.625” x 24.5” sight. Framed 38” x 33”. 12,000/18,000 Provenance: Edenhurst Gallery, Palm Desert, California, purchased March 2008.

44

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45


selections from

T H E K E LT O N C O L L E C T I O N

51

51.

46

DAVID THIMGAN California, 1955-2003 “Long Days Journey”, Balclutha, 1889. Circa 2015. Signed lower right “D. Thimgan ASMA”. Titled on frame plaque. Oil on canvas, 17.5” x 23.5” sight. Framed 26.25” x 32”. 1,200/1,800

David Thimgan specialized in capturing historic maritime

Provenance: J. Russell Jinishian Gallery, Fairfield, Connecticut, purchased in 2015.

member of the U.S. Naval Institute. He was the recipient of

scenes, particularly the West Coast, the Pacific Ocean, trade on western rivers and Civil War-era navies. A native of Inglewood, California, Thimgan began painting professionally in 1978 and became a member of the American Society of Marine Artists in 1981. He was also a numerous awards and his work is included in important public, private and corporate collections.

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52

53

52.

MARK R. MYERS 53. MARK R. MYERS California/United Kingdom, b. 1945 California/United Kingdom, b. 1945 “The Three Saints towed by the Tlingits into Yakutat Bay”. “We Sailed for the Large Country ...”. Signed lower left Circa 1998. Signed lower left “Mark Myers”. Watercolor on “Mark Myers”. Inscribed verso “We sailed for the Large paper, 13.5” x 19” sight. Framed 24.75” x 29.75”. Country The SV. Gavriil standing towards Cape Prince of 1,500/2,500 Wales - August 21, 1732”, and signed and dated “Mark R. Myers Woolly January 28, 1998”. Watercolor on wove Provenance: paper, sheet size 14.5” x 22.25”. Image size 12.25” x 21.25”. Kirsten Galleries, Seattle, purchased July 1998. Unframed. 600/800 Provenance: Kirsten Galleries, Seattle, purchased July 1998.

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47


Anton Otto Fischer New York/Germany, 1882-1962

54

54.

48

Fans and officials watching a yacht race from an observation platform. Signed lower right “Anton Otto Fischer”. Oil on canvas, 36” x 28”. Framed 43” x 35”. 2,000/3,000

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Anton Otto Fischer New York/Germany, 1882-1962

55

55.

A naval battle. Signed and dated lower right “Anton Otto Fischer 1934”. Oil on canvas, 30” x 24”. Framed 38.5” x 32.5”. 1,200/1,800

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49


56.

VERNON BROE Maine/Illinois, 1930-2011 “Shot, August 19”. Signed lower right “Vern Broe”. Titled verso. Oil on canvas board, 18” x 28”. Framed 22.5” x 32.5”. 1,000/1,500

56

57.

GORDON HOPE GRANT New York/California/United Kingdom, 1875-1962 “The Sugar Barque”. Signed lower right “Gordon Grant”. Titled on gallery label verso. Oil on board, 17.5” x 21”. Framed 22” x 25”. 1,200/1,800 Provenance: Grand Central Art Galleries, Inc., New York City (label verso).

57

58.

SUZY AALUND America, 20th Century “A Pungy and a Ram (Chesapeake Sailing Craft)”, a three-masted schooner and a sailing schooner off a lighthouse. Signed lower right “Suzy Aalund ASMA”. Titled on label verso. Watercolor on paper, 11” x 21.5”. Framed 19.5” x 30”. 300/500

58

50

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59

60

61

59.

EVELYN MONTAGUE BICKNELL New York/Bermuda, 1857-1936 Steamship at sea. Signed lower left “E.M. Bicknell”. Oil on canvas, 12” x 26”. Framed 16” x 30”. 500/1,000

60.

JOHN ALFRED COOK Massachusetts, 1870-1936 “The Harbor”. Signed lower right “J.A. Cook”. Titled on label verso for J.J. Gillespie Company Fine Art Galleries, Pittsburgh, Pennsylvania. Watercolor on paper, 11” x 7.25”. Framed 16.5” x 13”. 200/300

62

61.

JAMES GALE TYLER Connecticut/New York, 1855-1931 “Becalmed”. Signed lower right “James G. Tyler”. Titled on frame plaque. Oil on canvas, 12.5” x 19.5”. Framed 20” x 27”. 600/900

62.

HAROLD C. WOLCOTT New York, 1898-1977 “Swapin Yarns” [sic}. Signed twice lower right “Harold C. Wolcott”. Titled verso. Oil on board, 24” x 29”. Unframed. 300/500

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51


63

64

63.

GEORGE MATTHEW BRUESTLE New York/Connecticut, 1871-1939 Autumnal landscape. Signed faintly lower left “Bruestle”. Oil on board, 8.25” x 10”. Framed 11.5” x 13.5”. 300/500

64.

JOHN EDWARD COSTIGAN Rhode Island/New York, 1888-1972 “Mother and Child -- Autumn Background”. Signed lower left “J.E. Costigan N.A.”. Titled verso. Oil on board, 20” x 16”. Framed 27.5” x 23.5”. 1,500/2,500 Provenance: Linda McAdoo Galleries, New Mexico. Babcock Galleries, New York.

65

52

65.

LEON GUIPON New York/ France, 1872-1910 “Fallsburgh, N.Y. 1896”. Signed lower left “Leon Guipon”. Titled verso. Oil on canvas, 13” x 17.5”. Framed 30” x 26”. 500/800

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66.

FRANK ALFRED BICKNELL Connecticut/Maine, 1866-1943 Pastoral landscape. Signed lower right “Frank A. Bicknell”. Oil on board, 8” x 10”. Framed 9.5” x 11.5”. 1,000/1,500

66

67.

WALTER EMERSON BAUM Pennsylvania, 1884-1956 “Blue Mountain Scene”. Signed lower left “WE Baum”. Titled and dated verso “Blue Mountain Scene Oct [?]”. Oil on canvas, 16” x 20”. Framed 21.25” x 25.25”. 1,200/1,800

67

68.

DUBOIS FENELON HASBROUCK New York, 1860-1934 Clearing skies, winter. Signed lower right “D.F. Hasbrouck - N.Y.”. Oil on canvas, 12” x 20”. Framed 19” x 27”. 1,000/1,500

68

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53


69.

ATTRIBUTED TO MARY BREWSTER HAZELTON Massachusetts, 1868-1953 Impressionist landscape. Unsigned. Notated in pencil verso “Mary B. Hazelton”. Oil on board, 9” x 12”. Framed 12.5” x 15.5”. 300/500

70.

HIRAM PEABODY FLAGG Massachusetts/New York, 1859-1937 “Scene on the River ...”. Signed and dated lower left “H. Peabody Flagg 1919”. Titled verso. Oil on board, 8” x 10”. Framed 12” x 14”. 500/1,000

71.

THOMAS JOHN MITCHELL New York, 1875-1940 “Corbetts Glen”. Signed lower right “Thomas J. Mitchell”. Titled verso. Oil on board, 11.75” x 15.75”. Framed 13” x 17”. 600/900

69

70

71

54

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72

72.

MELBOURNE HAVELOCK HARDWICK Massachusetts/Nova Scotia, 1857-1916 Interior scene with a couple enjoying a meal. Signed lower left “Melbourne H. Hardwick”. Mixed media on board, 18” x 24” sight. Framed 21” x 28”. 400/600

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55


William Frederick Paskell Massachusetts, 1866-1951

73

73.

74.

56

Mountain view, likely New Hampshire. Signed lower left “Wm. Paskell”. Oil on board, 6” x 9”. Framed 8” x 11”. 300/500

A winter stream. Signed lower right “Wm. Paskell”. Oil on board, 6” x 8”. Framed 7.75” x 9.75”. 300/500

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74


Otis Pierce Cook, Jr. Massachusetts, 1900-1980

75

75.

Countryside brook. Signed lower left “Otis Cook”. Oil on canvas, 20” x 24”. Framed 26” x 30.25”. 400/600

76.

New England landscape. Signed lower right “Otis Cook”. Oil on canvas, 20” x 24”. Framed 26” x 30”. 800/1,200

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76

57


77.

RUSS WEBSTER Massachusetts, 1904-1984 Maple sugaring scene. Signed lower left “Russ Webster”. Oil on canvas, 18” x 24”. Framed 26.25” x 32.25”. 500/1,000

78.

WAYNE BEAM MORRELL Massachusetts/New Jersey, 1923-2013 “Essex Woods ... 1978”. Signed lower left “Wayne Morrell”. Titled verso. Oil on board, 12” x 16”. Framed 16.5” x 20.5”. 300/500

79.

LESTER HORNBY Massachusetts, 1882-1956 “Conomo Point, Essex, Mass”. Signed lower right “L.G. Hornby”. Titled verso. Watercolor affixed to reverse. Watercolor on paper, 10.5” x 13.5” sight. Framed 19.5” x 23.75”. 150/250

77

78

79

58

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80

80.

FRANKLIN B. DE HAVEN New York/Pennsylvania/Connecticut/Indiana, 1856-1934 Trees along a river bank. Signed lower left “De Haven A.N.A.” Oil on canvas, 24” x 30”. Framed 33” x 39”. 1,500/2,000

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59


William Lester Stevens Massachusetts, 1888-1969

81.

A winter stream. Signed lower right “W. Lester Stevens N.A.”. Oil on canvas, 20” x 24”. Framed 27” x 31”. 1,500/2,000

82.

A farm in autumn. Signed lower left “W. Lester Stevens N.A.”. Oil on canvas, 20” x 24”. Framed 27” x 31”. 1,500/2,000

83.

Boats at a pier. Signed lower right “W. Lester Stevens”. Oil on board, 16” x 20”. Framed 23” x 27”. 2,000/3,000

81

82

60

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William Lester Stevens Massachusetts, 1888-1969

83

Founder of the Rockport Art Association, William Lester Stevens was born and raised in Rockport, on the North Shore of Massachusetts. He began studying painting as a young child and had exhibited his first piece at the National Academy of Design by age 18. Following four years at the Boston Museum of Fine Arts School, Stevens launched an active painting career, but it was interrupted by a tour of duty in World War I. He didn’t begin exhibiting again until 1921, at which time he and 50 other artists established the Rockport Art Association. Rockport had become a haven for artists, including Childe Hassam, Leon Kroll and Jonas Lie, and the group wanted to make art more accessible to a greater population. Stevens taught in Rockport, as well as Boston University, Princeton and in North Carolina. By 1964 he had won more awards than any other living artist. Because of its growing popularity as a busy tourist spot, Stevens moved away from Rockport in 1934 and moved to western Massachusetts. He painted until nearly the day he died.

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61


Aldro Thompson Hibbard Massachusetts/Vermont, 1886-1972

84

84.

62

“At Wells River N.H.”. Signed lower right “A.T. Hibbard”. Titled verso. Oil on board, 16” x 20”. Framed 21” x 25”. 2,500/3,500

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Aldro Thompson Hibbard Massachusetts/Vermont, 1886-1972

85

85.

“‘Late Light’ Wardsboro Brook”. Signed lower right “A.T. Hibbard”. Titled verso. Oil on board, 18” x 26”. Framed 24” x 33”. 3,000/5,000

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63


86

86.

64

KATHRYN E. BARD CHERRY Missouri/Illinois, 1860-1931 Harbor scene, likely Gloucester, Massachusetts. Signed lower right “Kathryn Cherry”. Oil on board, 18” x 16”. Framed 23” x 21”. 1,500/2,500

87

87.

GEORGE WAINRIGHT HARVEY Massachusetts/Holland, 1855-1930 “Silvery Morning Near Bass Rocks, Cape Ann”. Signed faintly lower left and “George W. Harvey Annisquam Mass”. verso. Titled verso. Oil on board, 10” x 8”. Framed 11” x 9”. 800/1,200

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Harry Aiken Vincent Massachusetts/New York/Illinois, 1864-1931

88

88.

“Rockport”. Unsigned. Noted verso “H.A. Vincent Rockport”. Oil, 12” x 16”. Framed 17” x 21”. 1,500/2,500

89.

Two Venetian views. Both signed lower left “H.A. Vincent”. Pencils on paper, 6.75” x 9.25” sight. Framed 15” x 18”. 500/700

89, two

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65


90

90.

JOHN B. FOSTER Massachusetts, 1865-1930 “Annisquam, Gloucester Mass”. Signed lower left “J.B. Foster”. Titled verso. Watercolor on paper, 9.25” x 13” sight. Framed 16.25” x 20.25”. 300/500

91, two

91.

66

CHARLES H. WOODBURY Massachusetts/Maine, 1864-1940 Two drypoint etchings of whimsical trees, both signed lower left “Charles H. Woodbury”. 1) Marked lower right “CHW”. 7.75” x 9.5” sight. Framed 14” x 15.25”. 2) Numbered 21/100 lower right. 8.75” x 10.75” sight. Framed 17” x 18.75”. 400/600

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92

92.

CHESTER VAN NORTWICK Massachusetts/New Hampshire/Rhode Island, 1881-1944 Wharf scene. Signed lower left “C Van Nortwick”. Oil on academy board, 15” x 19.5”. Framed 19” x 23”. 600/900

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67


93.

HELEN HIGGINS BEAL Massachusetts/New York/Maine, 1891-1965 “Baptist Church, Rockport, Mass.” Signed lower left “Helen Higgins Beal”. Titled on Rockport Art Association label verso. Oil on board, 10” x 14”. Framed 15” x 19”. 400/600

93

94.

EARLE A. TITUS Massachusetts/New Hampshire, 1895-1962 “Cedar Brook in March”. Signed lower left “E. A. Titus”. Titled on label verso. Oil on board, 24” x 32”. Framed 29.25” x 37.5”. 700/1,000

94

95.

BERNARD I. GREEN New York, 1887-1951 Rockport cottage. Signed lower right “Bernard I. Green”. Oil on canvas board, 13” x 16”. Framed 18.25” x 21”. 200/400

95

68

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96

97

96.

ABRAHAM ROSENTHAL New York/Massachusetts, 1886-1963 “Town Landing, Gloucester Mass”. Signed lower right “A. Rosenthal”. Titled verso. Oil on board, 16” x 20”. Framed 22” x 26”. 400/600

97.

HAROLD E. WALKER Ohio, 1890“Fishing Boats”. Signed lower left “H. Walker”. Titled in pencil verso. Oil on board, 12” x 16”. Framed 15.5” x 19.5”. 800/1,200

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69


Emile Albert Gruppe was born in 1896 in Rochester, New York, into a family of artists. His father, a noted landscape painter, moved the family to the Netherlands, where he painted with The Hague School of Art and worked as an art dealer. The Gruppe family returned to the United States in 1913. Like his brothers and sisters, who would become cellists, sculptors and watercolorists, Emile began his art career shortly after his return to the United States. He studied at the National Academy in New York City, the Grande Chaumiere in Paris, and with artists George Bridgeman, Charles Hawthorne, Richard Miller and George Chapman. Gruppe moved to Gloucester, Massachusetts, on Cape Ann, in the early 1930s. There he established the Gloucester School of Painting with his mentor, John Fabian Carlson. He was a well-respected teacher and his school, where students painted mostly en plen air, was well attended. Gruppe painted predominantly in oils and used a palette of rich colors for his graceful brushstrokes and his carefully organized compositions. His early influences were primarily the major Impressionists, including Claude Monet, but toward the middle of his career he began combining Impressionist techniques, most especially the hallmark use of light, with a grittier Realism, often depicting the working harbor scenes of Gloucester. Although he is best known for landscapes, he also painted portraits and other figural pieces. Later on his career, Gruppe established schools in Cambridge and Jeffersonville, Vermont, and he wintered in Naples, Florida. He painted almost every day, even well into his 70s, producing nearly 200 works

98.

70

EMILE ALBERT GRUPPE Massachusetts, 1896-1978 North Shore harbor scene. Signed lower right “Emile A. Gruppe”. Oil on canvas, 20” x 16”. Framed 24” x 19”. 3,000/4,000

each year. Along with Anthony Thieme, Aldro Hibbard, Marguerite Pierson, Antonio Cirino and W.L. Stevens, Gruppe is regarded as one of the most prominent of Rockport artists, and his works are in the collections of major museums across the country. Gruppe died in Gloucester in the fall of 1978.

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71


99

99.

MICHAEL GRAVES Massachusetts, b. 1952 “Gray’s Beach”. Signed lower right “Mike Graves”. Titled verso. Oil on canvas, 9” x 12”. Framed 11.5” x 14.5”. 500/700

100.

FRANK FEDERICO Connecticut, Contemporay “Bass Rocks”. Signed lower left “Federico”. Titled verso. Watercolor on paper, 14.25” x 20”. Framed 23.5” x 29.5”. 200/300

100

101.

CAROLE LOIACONO Massachusetts/Florida, Contemporary “‘Eventide’ (at Cripple Cove)”. Signed lower right “Carole Loiacono”. Titled verso. Oil on canvas, 20” x 24”. Framed 25” x 29”. 300/500

102.

DAVID LUSSIER Connecticut, Contemporary “Low Tide Gloucester July 2007”. Signed lower right “D. Lussier”. Signed, titled and dated verso. Oil on board, 8” x 10”. Framed 11.25” x 13.25”. 600/800

101

102

72

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103.

JOSEPH RIMINI Massachusetts, 1920-2000 “‘Concord St.’ Essex”. Signed lower right “Rimini”. Signed and titled verso. Oil on canvas, 20” x 24”. Framed 26.25” x 30.5”. 300/500

104.

JOSEPH RIMINI Massachusetts, 1920-2000 Boats in a North Shore harbor. Signed lower left “Rimini”. Oil on canvas, 20” x 24”. Framed 26” x 30”. 500/700

103

104 105

105.

C. HJALMAR “CAPPY” AMUNDSEN Maine/New York/Massachusetts, 1911-2001 Boats tied up at a pier. Signed lower left “J.J. Enwright”. (Enwright was a known pseudonym used by Amundsen.) Oil on board, 8” x 10”. Framed 12.25” x 14.25”. 150/250

106.

C. HJALMAR “CAPPY” AMUNDSEN Maine/New York/Massachusetts, 1911-2001 North Shore harbor scene. Signed lower left “Wm. Lawrence”. (Lawrence was a known pseudonym used by Amundsen.) Oil on canvas, 16” x 20”. Framed 20.5” x 24.5”. 500/1,000

106

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73


107.

FRANCES KRATZ SCHANTZ Pennsylvania, 1893-1968 “Gray Day Bass Rocks”. Signed lower left “Schantz”. Titled verso. Watercolor on paper, 6” x 9.25” sight. Framed 18” x 21.5”. 150/250

107

108.

EDWARD H. HARRIGAN Massachusetts, 1910-1987 North Shore harbor scene. Signed lower right “Harrigan”. Oil on masonite, 24” x 30”. Framed 28” x 34”. 300/500

108

74

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109.

JOSEPH MARGULIES New York, 1896-1984 Overlooking a North Shore harbor, likely Rockport or Gloucester, Massachusetts. Unsigned. Estate stamped verso. Oil on canvas, 19.5” x 23.75”. Framed 26” x 30.5”. 800/1,200 Provenance: Private Collection, Maine.

109

110.

ROGER WILLIAM CURTIS Massachusetts, 1910-2000 “Coast of Cape Ann”. Signed lower right “Roger Curtis”. Titled on frame plaque. Oil on masonite, 18” x 36”. Framed 21.5” x 39.5”. 500/1,000

110

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75


Paul Strisik Massachusetts, 1918-1998

111.

“Hobbs Inlet”. Signed lower left “P. Strisik”. Oil on board, 8” x 12”. Framed 13” x 17”. 800/1,200

112.

“Gavin’s Cove”. Signed lower left “P. Strisik”. Titled verso. Oil on canvas, 12” x 20”. Framed 19.25” x 28”. 1,000/1,500

113.

Coverack, Cornwall. Signed lower left “P. Strisik”. Oil on board, 16.25” x 20”. Framed 21.75” x 25.25”. 1,200/2,200

111

112

113

76

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Paul Strisik Massachusetts, 1918-1998

114.

“First Snow, Panasco”. Signed and dated lower right “P. Strisik ©78”. Titled verso. Oil on canvas, 29.5” x 20”. Framed 35” x 25”. 1,400/2,400

114

115.

“Arroyo Seco”, New Mexico, near Taos. Signed and dated lower right “P. Strisik ©79”. Titled verso. Oil on canvas, 16” x 24”. Framed 24” x 32”. 1,200/1,800

115

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77


116.

AMERICAN SCHOOL 20th Century Still life of a copper basin, pottery and a painting. In the style of William M. Chase. Oil on canvas, 29.25” x 34.25”. Unframed. 300/500

117.

MORRIS A.K. FELDSBERG New Jersey/Florida/Russia, 1896“The Symphony in Blue”, possibly Monhegan Island. Signed lower left “M.A.K. Feldsberg”. Oil on canvas, 23.5” x 29.5”. Framed 27.5” x 33.5”. 300/500

116

117

78

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118

118.

GEORGE KENNEDY BRANDRIFF California/New Jersey, 1890-1936 Boats moored in an inlet. Signed lower right “Geo. K. Brandriff”. Oil on masonite, 20” x 24”. Framed 26” x 30”. 2,000/3,000

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79


119

119.

80

EDWARD REYNOLDS KINGSBURY Massachusetts/California, 1855-1940 “A Glimpse of the Pacific”. Signed lower left “Edw. R. Kingsbury”. Titled on label verso. Oil on canvas, 23.5” x 24”. Framed 29.5” x 35”. 600/900

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121 120

120.

AMERICAN SCHOOL 20th Century Santa Fe home with a balcony. Monogrammed lower left “W”. Inscribed in pencil verso “W”. Oil on canvas, 18” x 15”. Framed 24” x 20.5”. 400/600

121.

W. JASON SITU California/China, b. 1949 “Golden Gate Morning, Tucson, AZ”. Signed lower left “W.J. Situ”. Signed and titled on stretcher. Stamped on canvas verso “Arizona Sonora Desert Museum Plein Air 2003”. Oil on canvas, 11” x 14”. Framed 16.5” x 19.5”. 700/1,000

122.

B. NICOLE KLASSEN California, Contemporary “Waiting for the Hatch”. Signed lower left “B. Nicole Klassen 1993”. Signed and titled on stretcher. Oil on canavs, 18” x 24”. Framed 24” x 29”. 800/1,200

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122

81


123.

CHURCHILL ETTINGER Vermont/New Jersey, 1903-1984 “Squidder”. Signed lower right “Churchill Ettinger”. Titled on label verso. Watercolor on paper, 12” x 15” sight. Unframed. 700/1,000

123

124.

GEOFFREY SMITH Massachusetts, Contemporary “El Dorado Polo”. Signed lower right “G. Smith”. Titled and signed verso. Oil on canvas, 10.5” x 16”. Framed 15” x 21”. 600/900

124

125.

JOHN PAUL MANSHIP New York, 1927-2000 “NYC River Walk”. Signed and dated lower right “JPM 16 V 52 NYC”. Titled on label verso. Watercolor and gouache on paper, 14” x 19” sight. Framed 22” x 27”. 150/250

125

82

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126.

DENNIS SHEEHAN New Hampshire/Massachusetts, b. 1950 “Clearing Skys”. Signed and titled verso. Oil on canvas, 9” x 12”. Framed 14” x 17”. 400/600

126

127.

TODD BONITA America, Contemporary “Mourning Light” [sic]. Signed and titled verso. Oil on board, 6” x 8”. Framed 11” x 13”. 450/650

127

128.

CHARLES MALZENSKI Connecticut, Contemporary “Connecticut River Valley -- Northfield, Massachusetts, 2001”. Signed lower left “Malzenski”. Signed, titled and dated verso. Oil on board, 6.5” x 18”. Framed 10” x 22”. 500/700 128

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83


David Lowrey Massachusetts, b. 1945

129

129.

84

Portrait of a robed woman reading. Signed lower right “Lowrey”. Oil on canvas, 36” x 32”. Framed 41” x 37”. 2,000/3,000

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130

130.

MATTHEW ALBERT MILES New York, b. 1924 Flowering landscape. Signed lower right “Miles”. Watercolor on paper, 22” x 30”. Framed 31” x 39”. 400/600

131.

THOMAS R. DUNLAY Massachusetts, b. 1951 Landscape with stream. Signed lower right “Thomas R. Dunlay”. Artist’s Fenway Studios card verso. Oil on canvas, 13” x 10”. Framed 16.5” x 13.5”. 500/700

132 131

132.

STEVAN DOHANOS Connecticut/Ohio, 1907-1994 Dune scene. Signed lower right “Stevan Dohanos”. Watercolor on paper, 19.5” x 24.5” sight. Framed 28” x 33”. 300/500

133.

ALDRYTH OCKENGA Massachusetts, 20th Century City scene in winter. Signed lower right “Aldryth Ockenga”. Oil on canvas, 30” x 24”. Framed 36” x 29”. 500/700

133

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85


Michael McGuire Massachusetts, b. 1953

134.

“Flowers #4”. Monogrammed lower right. Signed, titled and dated 2015 verso. Oil on canvas, 48” x 36”. Framed 50” x 38”. 2,000/3,000

134

86

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Michael McGuire Massachusetts, b. 1953

135.

“City Scene 2”. Monogrammed lower right. Signed, titled and dated 2012 verso. Oil on canvas, 36” x 36”. Framed 38” x 38”. 2,000/3,000

135

136.

“Fish Pier 2”. Monogrammed lower right. Signed, titled and dated 2009 verso. Oil on canvas, 30” x 30”. Framed 32” x 32”. 2,000/3,000

136

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87


137.

CYNTHIA PACKARD Massachusetts/Florida, b. 1957 Still life of fruit and flowers. Signed and dated lower right “Cynthia Packard ‘91”. Oil on canvas, 20” x 24”. Framed 24” x 28.5”. 600/900

137

138.

HEINRICH PFEIFFER Massachusetts/Florida, 1874-1960 Scene of Provincetown, Massachusetts. Signed lower right “Harry Pfeiffer”. Oil on board, 9.5” x 9.5”. Framed 12.75” x 12.75”. 800/1,200

138

88

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139

139.

LORETTA FEENEY Massachusetts, b. 1961 White houses and birch trees. Signed lower left “Feeney”. Oil on canvas, 18” x 26”. Framed 22” x 30”. 700/900

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89


140.

CHRISTOPHER G. WILLETT Pennsylvania, b. 1959 “Provincetown, Mass”. Signed lower right “Christopher Willett”. Titled and signed verso. Oil on masonite, 12” x 16”. Framed 15” x 19”. 500/800

141.

AMERICAN SCHOOL 20th Century “Nantasket Beach”. Inscribed verso “Nantasket Beach by William E. Bertram”. Oil on board, 10” x 13.5”. Framed 15” x 18.5”. 300/500

140

141

90

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142, two

142.

ATTRIBUTED TO MARGARET JORDAN PATTERSON Massachusetts, 1867-1950 Two landscapes: One of a house, likely Provincetown, and the other of a stand of trees. Both unsigned. Oils on board, 13.5” x 10.75”. Framed 15” x 12”. 1,000/1,500

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91


143

143.

92

CALEB ARNOLD SLADE Massachusetts, 1882-1961 Venetian canal. Signed lower left “C.A. Slade”. Oil on board, 14” x 17”. Framed 22” x 26”. 1,500/2,500

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Arthur Vidal Diehl Massachusetts/New York/England, 1870-1929

144.

“Walled City, Twilight”. Signed lower left “Arthur V. Diehl”. Titled on label verso. Oil on board, 20” x 26”. Framed 23.5” x 29.5”. 1,000/1,500 Exhibited: Cahoon Museum of American Art: “Quite a Big Diehl”, June 19-August 5, 2007.

144

145.

Waves crashing against a rocky shore. Signed lower left “Arthur V. Diehl”. Oil on canvas laid down on board, 11.5” x 17.25”. Framed 18” x 24”. 600/900

145

146.

Sunlight over the dunes. Signed lower right “Arthur V. Diehl”. Oil on board, 5.25” x 9”. Framed 11” x 15”. 500/700

146

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93


147

147.

94

ROBERT DOUGLAS HUNTER Massachusetts, 1928-2014 Still life of crockery and a copper pot. Signed and dated lower left “Robert Douglas Hunter ‘83”. Oil on canvas, 26” x 44”. Framed 35” x 52”. 3,000/4,000

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148.

JO ANN RITTER Massachusetts, Contemporary “Brewster Tranquility”. Signed lower left “Joann Ritter”. Signed and titled verso. Oil on board, 9” x 12”. Framed 16.5” x 20.5”. 600/900

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SAM BARBER Massachusetts/Italy, b. 1943 A porch fence, likely Provincetown, Massachusetts. Signed lower left “S. Barber”. Oil on board, 14” x 11”. Framed 18” x 15”. 200/300

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150.

KEN GORE Massachusetts/Illinois, 1911-1990 “Driftwood”. Signed lower right “Ken Gore”. Titled verso. Oil on board, 16” x 20”. Framed 22.5” x 26.5”. 150/250

150

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Robert Roark Massachusetts/New York, b. 1944

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152

151.

Scorton Creek. Signed lower left “Robert Roark”. Titled verso. Oil on canvas, 18” x 23”. Framed 24” x 30”. 1,200/1,800

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“Annisquam Light”. Signed lower left “Robert Roark”. Titled on frame plaque. Oil on canvas, 26” x 34”. Framed 33” x 39.5”. 2,000/3,000

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153

153.

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JEROME HOWES New York/Massachusetts/Vermont, b. 1955 The tug Drusilla M. Cox. Signed lower right “Jerome Howes”. Oil on board, 20” x 30”. Framed 27” x 37”. 700/900

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J.D. SORVER Pennsylvania, 19th/20th Century Chicks and strawberries. Signed lower right “J.D. Sorver”. Oil on canvas board, 7.5” x 9.5”. Framed 14.25” x 16”. 300/500

155.

ELLEN FRANCES BURPEE FARR California/New Hampshire/Italy, 1840-1907 Still life of flowers. Signed lower right “Ellen B. Farr”. Oil on canvas, 15” x 12”. Framed 21” x 17”. 500/1,000

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156

155

156.

NELLE C. SIEG Indiana, 1887-1960 Summer petunias. Signed lower left “Nelle C. Sieg”. Oil on canvas board, 8” x 10”. Framed 14.5” x 16.25”. 200/400

157.

AMERICAN SCHOOL 19th Century “Present for Grandma”. Unsigned. Titled on label verso. Oil on panel, 10” x 8”. Framed 19” x 17”. 300/500

157

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158.

LENA MAY NEWCASTLE New York/Massachusetts, Mid-20th Century Impressionist farm scene. Signed lower right “L. Newcastle”. Oil on canvas, 18” x 21”. Framed 22” x 25”. 250/350

159.

JACK JONES Massachusetts, 1940-2011 Autumnal mountain scene with a white house. Signed lower right “Jack Jones”. Oil on board, 14” x 18”. Framed 21” x 25”. 300/500

160.

RICHARD GREENE America, Contemporary Autumnal landscape. Signed lower right “Richard Greene”. Oil on masonite, 24” x 36”. Framed 28” x 40”. 100/300

158

159

160

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161

161.

AMERICAN SCHOOL 20th Century Dock scene. Signed lower right “D.B. Davis” (signature untraced). Oil on board, 8” x 10”. Framed 10” x 12”. 200/300

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BIDDER INFORMATION

ADVICE TO BIDDERS 1. Carefully read the Conditions of Sale. 2. Pre-sale estimates are provided by the auctioneers for the convenience of our customers. They are not meant to be taken as a guide to the value of an item, but as a guide to its expected selling price. Estimates are prepared well in advance of a sale and are subject to revision. 3. Carefully examine any item that you might consider bidding on for any variation from the catalog description. If you are unfamiliar with auction procedure or terminology, or if you would like clarification of a catalog description, please ask for assistance from our staff. 4. If you wish to leave an Absentee Bid or request a Telephone Bid, please review the Absentee/Telephone Bid Procedure and complete the Bid Form. 5. A buyer’s premium will be added to the hammer price of all property sold, to be paid as part of the purchase price. The buyer’s premium is 25% of the final bid price up to and including $500,000, and 10% of the final bid price over $500,000. 6. Online bidding is available through Eldred’s Live! at www.eldreds.com, powered by Invaluable.com with a 25% buyer’s premium. Prospective bidders must register and be approved prior to placing bids or bidding live online. 7. Eldred’s reserves the right to refuse to issue, or to revoke, bidding credentials, or to reject any bid, if deemed necessary and proper in its sole discretion, for the conduct of the auction process, and to insure fairness to consignors and other bidders.

THE PROPERTY LISTED IN THIS CATALOG WILL BE OFFERED AND SOLD SUBJECT TO THE TERMS AND CONDITIONS LISTED IN THIS CATALOG.

SHIPPING INFORMATION We require prompt payment and removal of your purchases as stated in Paragraph 12 of the Conditions of Sale. If you plan to pick up your purchases, please call ahead and we’ll make every effort to have your items ready. We provide shipping services directly from our gallery for select merchandise including small items, small paintings and rugs. We do not ship glass items or items framed under glass. Our staff can assist with determining if your items qualify for in-house shipping. Shipments from our gallery may take four to six weeks from receipt of payment. You will be charged for the shipping or carrier fees, packing and handling fees, and required insurance. There is a minimum handling charge of $15.00 for all shipments. Depending on the carrier, insurance limits may exist (i.e., Federal Express will only insure up to $500). If we are unable to ship your items we will provide you a list of alternative shipping agents. Upon your approval we will transfer your items to your chosen shipping agent. We require seven to ten business days for your payment to clear our banking system before releasing purchases to your chosen shipping agent. Shipping estimates can be provided only AFTER we receive payment for your invoice.

BIDDING INCREMENTS $0-$49: $5 $50-$199: $10 $200-$499: $25 $500-$999: $50 $1,000-$2,999: $100 $3,000-$4,999: $250 $5,000-$9,999: $500 $10,000-$29,999: $1,000 $30,000-$49,999: $2,500 $50,000-$99,999: $5,000 $100,000 and above: $10,000 Above $300,000 at the auctioneer’s discretion

Please adhere to the above bidding increments. Eldred’s reserves the right to adjust absentee bids to the nearest increment below the bid.

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CONDITIONS OF SALE 1. CORRECTNESS OF DESCRIPTION: Robert C. Eldred Co., Inc. (hereinafter referred to as Eldred’s) has exercised reasonable care to catalog and describe correctly the property to be sold, but neither Eldred’s nor its consignors warrant the correctness of description, attribution, authenticity, or condition of said property. No statements shall be deemed such a warranty or representation or an assumption of liability with respect thereto, but are to be construed as opinions only. Bidders are encouraged to personally examine all property to be sold prior to the beginning of the auction. 2. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered. 3. Eldred’s reserves the right to withdraw any property before the sale. 4. DETERMINATION OF HIGHEST BIDDER: The highest bidder accepted by the auctioneer shall be the buyer. In the event of any dispute between bidders, the auctioneer may determine who is the successful bidder or the auctioneer may re-offer the article in dispute and his decision shall be final. 5. REJECTION OF BIDS: The auctioneer reserves the right to reject any nominal raise or any bid or raise which, in his opinion, is not commensurate with the value of the article being offered. At his discretion, he may also reject any nominal raise or any bid that he may determine as having a detrimental effect on the item in question or the sale as a whole. Eldred’s may refuse to issue bidding privileges to any person not in good credit standing with Eldred’s, or to any person who is deemed by Eldred’s in its sole discretion, to be disruptive of or harmful to established auction practices, either before or after the acceptance of bids or the fall of the hammer. 6. TITLE: Except as herein otherwise provided, title will pass to the highest bidder as determined by the auctioneer, and the property is thereafter at the purchaser’s sole risk and responsibility. 7. PAYMENT: On title passing to the highest bidder acknowledged by the auctioneer, and subject to all the conditions set forth herein, such bidder will thereupon pay the full purchase price. Payment in full is due at the time of sale. Any bills not paid in full within 25 days of the date of the sale will accrue interest at a rate of 1.5% per month. In addition, the purchaser may be subject to one or more of the following actions: a) Any and all legal remedies available to Eldred’s and its consignors by law including without limitation the right to hold the purchaser liable for the total purchase price; b) Immediate cancellation of the sale, with Eldred’s retaining as liquidated damages all payments made by the purchaser; c) Resale of the property at public auction, wherein the original purchaser shall be liable for any deficiency, costs, and Eldred’s commission on both sales. At Eldred’s option, payment will not be deemed to have been made in full until Eldred’s has collected funds represented by checks, or in the case of bank or cashier’s checks, their authenticity has been confirmed. A buyer’s premium will be added to the hammer price to be paid by the buyer as part of the purchase price. 8. ORDER BIDS: Subject to these Conditions of Sale and to such terms and conditions as it may prescribe, but at no charge to the customer, Eldred’s will undertake to execute all order bids submitted to it by a customer who has established credit with said company. Requests for such bidding must be given in writing with such clearness as to leave no room for misunderstanding as to the amount to be bid and must state the catalog number and the name or title of the article to be bid on. Telephone bids must be confirmed in writing or by cable. All bids are kept in strict confidence. In the event of identical bids, the earliest received by Eldred’s will take precedence. Eldred’s shall not be held responsible for errors or failure to execute bids. A deposit of 10% of the total amount bid is required. TELEPHONE BIDS: While the sale is in progress, bidding by telephone may be allowed by the auctioneer at his discretion. A deposit of 10% of the anticipated top bid is required. Eldred’s shall not be held responsible for any failure to properly execute

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such a bid whether it be due to equipment failure, loss of connection, or failure to hear or understand the bidder’s directions. Any advice or opinions provided by Eldred’s or its employees are given strictly as a courtesy and are not a warrant of condition, attribution, authenticity, or description of said property. All bidding by telephone is solely at the risk of the bidder. 9. CONDITION: If for any cause whatsoever any article sold cannot be delivered, or cannot be delivered in as good condition as the same may have been at the time of sale, due to a failure or damage on the company’s part, the sale will be cancelled, and any amount that may have been paid on account of the sale will be returned to the purchaser. EXCEPTION: Eldred’s will not be held responsible for damage to picture frames or lampshades. 10. SALES TAX: All purchases are subject to the Massachusetts sales tax (currently 6.25%) unless the purchaser: A) possesses a Massachusetts sales tax exemption or resale number and registers that number with the company, B) is an out-of-state vendor who meets all the requirements of Massachusetts Department of Revenue GLC 64H 1(5) and Directive 89-10 and registers with the company prior to each purchase, or C) has purchases shipped out of state (with the exception of Connecticut and New York) directly from Eldred’s by a bona fide shipping agent. Connecticut residents picking items up in our Mystic branch or having purchases shipped to their Connecticut address are responsible for CT state sales tax (currently 6.35%). New York residents having purchases shipped to their New York address are responsible for NY state sales tax (currently 4.0%). Due to the 2018 U.S. Supreme Court ruling in South Dakota v. Wayfair, residents of other states may be required to pay their state sales tax on purchases as we meet each state’s nexus requirements. Dealers, museums, etc. can apply for a Massachusetts number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation, 100 Cambridge Street, Boston, MA 02204. 11. RESERVES: Unless advertised as an “Unreserved Auction”, all sales may have items subject to reserve (an agreed upon price between the auctioneer and the consignor, below which the article will not be sold). 12. COLLECTION OF PURCHASES: Delivery or shipping arrangements must be made within seven (7) days from the close of the auction for all purchases. All items must be removed from Eldred’s facilities within fourteen (14) days of the end of the auction. All items remaining after fourteen days may be subject to a $5/per item/perday storage fee. No items will be released unless storage fees are paid in full. Items remaining over thirty (30) days from the close of the auction may be sold for the buyer’s account minus auction and storage fees. 13. PACKING: Purchasers are advised that packing and/or handling by Eldred’s employees is undertaken solely as a courtesy for the convenience of customers. In the case of fragile articles, it will be undertaken at the sole discretion of the company. Handling and packing by Eldred’s is at the risk of the purchaser. SHIPPING: When requested, Eldred’s may arrange shipment of paid purchases. Eldred’s will not be responsible for damage or loss once the item has been received by the shipper. In the case of fragile articles, shipping will be undertaken at the sole discretion of the shipper. Please refer to our Advice to Bidders for details. 14. These Conditions of Sale cannot be altered except in writing by Eldred’s or by public announcement by the auctioneer at the time of the sale. 15. Bidding on any article(s) indicates acceptance of the terms set forth above. 16. These Conditions of Sale and any suits arising thereunder shall be construed and governed by the laws of Massachusetts.

see photos of all lots and view condition reports at www.eldreds.com


ABSENTEE/TELEPHONE BID FORM 1. Clearly print the lot number, the item description and the highest amount you are willing to pay. Please follow our standard bidding increments. 2. Carefully review your bid form for accuracy of lot numbers, phone numbers, shipping information, etc. Although we attempt to confirm descriptions against lot number, bids are posted by lot number. 3. Please submit your bids in a timely manner, to avoid the chance of posting error. We request all bids be received by 3 p.m. the day before the auction. In the event of identical Absentee bids, the earliest received takes precedence. 4. A 10% deposit is required. If you are successful, the amount of your deposit will be applied toward your invoice. If you are not successful, the full amount will be returned promptly to you. 5. A buyer’s premium will be added to the hammer price of each lot, to be paid as part of the purchase price. The buyer’s premium is 25% of the final bid price up to and including $500,000, and 10% of the final bid price over $500,000.

Are you a new bidder with Eldred’s?

Yes:

No:

If so, please also complete our Buyer Pre-Registration form.

6. At the conclusion of the sale you will be notified if you were the successful bidder. All invoices must be paid in full within ten (10) days of the close of the auction. We accept checks, cash, money orders, wire transfers and major credit cards for payment. There is a 2% buyer’s premium discount for payment made in full via cash, check, money order or wire transfer within ten (10) days of the invoice date. Credit cards can only be used for up to $5,000 of the invoice total and the card must have a U.S. billing address. Mixed payment methods are not eligible for the buyer’s premium discount. We reserve the right to hold goods until payment has cleared. 7. All purchases are subject to state and local sales tax unless you possess a Massachusetts or out-of-state sales tax exemption or resale number and register that number with us. The Robert C. Eldred Co., Inc. offers this service as a convenience to its clients and will not be held responsible for errors or failure to execute bids.

SALE TITLE: SALE DATE:

NAME:

Lot #

Item Description

Maximum Bid or “phone” for Telephone Bid

ADDRESS: check if change in address

PHONE: ALTERNATE PHONE: EMAIL: Signature (required): By signing you agree to place the above bids in the auction listed, subject to the Terms and Conditions of Sale put forth by The Robert C. Eldred Co., Inc. All bids are kept in strict confidence.

Date: SHIPPING Do you have a tax resale #? Yes: Will pick up:

No:

Ship to address above:

Or ship to:

25% buyer’s premium will be added to the hammer price. See Item 5 above.

Total 10% Deposit

Have you examined the items listed above?

Yes:

No:

All property must be removed from our facility within 28 days of the close of the auction or be subject to a $5 per item/per day storage fee.

PLEASE SEND FORM AND DEPOSIT TO THE ROBERT C. ELDRED CO., INC. P.O. BOX 796, EAST DENNIS MA 02641 www.eldreds.com Phone: 508-385-3116 Fax: 508-385-7201 see photosinfo@eldreds.com of all lots and view condition reports at www.eldreds.com

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T H E K E LTO N C O L L E C T I O N Eldred’s is pleased to announce it will be offering maritime art and artifacts from the Kelton Collection over a series of auctions this year.

Portrait of a sailmaker by Isaac Heard (United Kingdom, 1804-1869) part of the Marine Sale, August 13-14, 2020.

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Invitation to Consign Now accepting consignments for upcoming auctions. To speak with a specialist, call 508-385-3116 or email info@eldreds.com

The Nantucket Auction I July 17 The Summer Sale I July 30-31 The marine Sale I August 13-14 Contemporary Paintings I August 20 Asian Art Week I September 16-18

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an important

New Hampshire Collection

h

part of the Summer Sale I July 30-31, 2020

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Illustrations Front Cover Lot 31 Index of Artists Lot 11 Page 102 Lot 12 This Page Lot 135

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Profile for Eldred's Auction

Eldred's American Paintings Auction - May 21, 2020  

Featuring a private collection of North Shore art and paintings from the Kelton Collection of Marine Art and Artifacts.

Eldred's American Paintings Auction - May 21, 2020  

Featuring a private collection of North Shore art and paintings from the Kelton Collection of Marine Art and Artifacts.