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PAINTINGS AT A U C T I O N JANUARY 28, 2021

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PAINTINGS at auction Thursday, January 28, 2021 at 1 p.m. Robert C. Eldred Co., Inc. Headquarters 1483 Route 6A P.O. Box 796 East Dennis, MA 02641 (508) 385-3116 fax: (508) 385-7201 MA License #155 Connecticut Office 5 Roosevelt Avenue Mystic, CT 06355 (860) 912-8169

Terms

A buyer’s premium will be added to the hammer price of all purchases. The buyer’s premium is 25 percent of the final bid price up to and including $500,000, and 10 percent of the final bid price over $500,000. We accept checks, cash, money orders, wire transfers and major credit cards for payment. There is a 2 percent buyer’s premium discount for payment made in full via cash, check, money order or wire transfer within ten (10) days of the invoice date. Credit cards can only be used for up to $5,000 of the invoice total and the card must have a U.S. billing address. Mixed payment methods are not eligible for the buyer’s premium discount.

info@eldreds.com www.e ldre d s.com

Auction

Begins at 1 p.m. Eastern at our East Dennis Headquarters. Online, phone and absentee bidding available. In-person bidding to be determined.

Bidders holding a Massachusetts or out-of-state resale number must provide the certificate or copy thereof when registering to bid or otherwise will be required to pay 6.25% Massachusetts sales tax on purchases. Items picked up in or shipped to Connecticut are subject to 6.35% Connecticut sales tax. Residents of other states may be subject to state and local sales taxes.

Important notices

Prospective bidders should satisfy themselves by personal inspection as to the condition of each lot.

Exhibit

Wednesday, January 27, from 10 a.m. to 4:30 p.m., and by appointment.

Absentee and Telephone Bidding

Please use the bid form found at the back of this catalog, visit our website, or phone 508-385-3116 to make arrangements for absentee and telephone bidding.

Regardless of whether or not a condition report is given, all property is sold subject to Item 1 of our Conditions of Sale, which provides that all property is sold as is. All dimensions and weights are approximate.

Online Bidding

This auction will be held simultaneously online at www.invaluable.com and www.eldreds.com. Prospective bidders must register and be approved prior to bidding.

Covid-19 Notice

It is the bidder’s responsibility to obtain a condition report, by either visiting our website or contacting us. Although condition reports may be given on request, such reports are statements of opinion only. The absence of a condition report does not imply the property is in good condition.

As the situation regarding the virus unfolds, we urge you to visit our website, www.eldreds.com, for the most up-to-date information regarding auction dates, times and bidding options.

Per Federal and international regulations, items made with whale bone, ivory or other protected species will not be shipped internationally without CITES and other necessary permits. Obtaining these permits is the exclusive obligation of the buyer. Items made with these materials and marked with an asterisk (*) may only be purchased by a Massachusetts resident and will not be shipped out of state. Firearms marked with an asterisk (*) will only be delivered to holders of a Federal Firearms Dealer’s License.

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Staff Directory Antiques & Fine Art Specialists

Production & Administrative Staff

Joshua F. Eldred CEO and President Head of American and European Paintings jeldred@eldreds.com

Mary Ann Giddings Eldred Chairwoman of the Board maeldred@eldreds.com Wendy A. Dunford Treasurer wendy@eldreds.com

William Bourne Vice President Head of Americana and Maritime Arts bill@eldreds.com Eric S. Mulak Vice President Head of Sporting Antiques, Folk Art & Collectibles Consignment Manager eric@eldreds.com

Devyn Henry Administrative Assistant dhenry@eldreds.com Angela R. McParland Executive Assistant amcparland@eldreds.com

Leah S. Kingman Head of European Decorative Arts lkingman@eldreds.com

Kristyn Mills Head of Photography kmills@eldreds.com

Glen Krawczyk Head of Oriental Rugs glen@eldreds.com

Madison Morris Assistant Head of Photography mmorris@eldreds.com

Anne G. Lajoie Head of Asian Arts annie@eldreds.com

Kathleen Morse Auction Coordinator kmorse@eldreds.com Megan Nichols Shipping Coordinator mnichols@eldreds.com

Gregg Dietrich Senior Consultant and Specialist

Tanya Sargent Assistant to the Treasurer tsargent@eldreds.com

John H. Schofield Consultant Susan M. Schofield Consultant Jennifer Lacker Mystic Representative

Cheryl Stewart Head of Marketing Catalog Layout and Design cheryl@eldreds.com

Mary M. Kuhrtz, Barbara H. Cleary and Christine Leofanti Gallery Assistants

Sarah Eldred Taylor Vice President of Human Resources sarah@eldreds.com

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Caleb G. Seaver Shipping cseaver@eldreds.com

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Properties From

An Important Private Collection, Newport, Rhode Island A Massachusetts Estate A Private North Shore Collection Private Collection, Pennsylvania A Connecticut Collection A Massachusetts Collection The Kelton Collection of Marine Art & Artifacts A Provincetown Estate And Numerous Other Estates and Collections

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Index of artists Addy, Alfred Albright, Henry James (attr.) Arter, J. Charles Austrian, Ben Barton, Georgie Reed Beal, Reynolds Benjamin, Gershon Benton, Thomas Hart Bertoia, Harry Bogdanove, Abraham Jacob Bowers, George Newell Brooks, Henry Howard Brown, George Loring Browne, George Elmer Browne, Margaret Fitzhugh Butler, Howard Russell Caillaux, Rodolphe Califano, John Camassar, Gershon Cardinal, Robert Carlson, John Fabian Carlson, Margaret Goddard Chase, Marion Monks Cherry, Kathryn E. Bard Churchill, William Worcester Cirino, Antonio Clark, Eliot Candee Clonney, James Connaway, Jay Hall Cooper, Ryan Corey, Bernard Corley, Philip Czerepak, Alfred Davies, Arthur Bowen Davis, William R. De Groot, Adriaan De Nagy, Ernest De Voll, Frederick Dearborn, Georgia Demers, Donald W. Dennis, Roger Wilson DiDonna, Porfirio Dolice, Leon Louis Dorrell, Walter Dowd, John Dummer, H. Boylston Dunbar, Harold Earle, Lawrence Carmichael Eaton, Charles Warren

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239 178 45 268 240 55 83 272 97, 98 205-207 249 250 263 27 276 241 76 150 132 9 228-230 231, 232 248 109 247 125 254 215 187 31, 32 164-167 278 85 226 59-61 177 137 213 90 65, 66 133 78 80 77 10 101 28 48 270, 271

Enneking, John Joseph Farndon, Walter Farnham, Alexander Feeney, Loretta Ferguson, Nancy Maybin Fischer, Anton Otto Footer, David A. Foster, Ben Gallagher, Sears Giles, Horace P. Gilmartin, Garry Gleason, Joe Duncan Glintenkamp, Hendrik Goodale, Harvey B. Goodwin, Arthur Clifton Grant, Gordon Hope Graves, Michael Green, Charles Edward (CEL) Greenleaf, Jacob Greenwood, Joseph H. Gregory, Waylande Grillo, John Grow, Lillian Grube, Louis Gruppe, Emile Albert Hagen, John Phillip Hammond, Arthur J. Hardy, Anna Eliza (attr.) Hare, John Cuthbert Harvey, George Wainright Hays, George Arthur Heade, Martin Johnson Henshaw, Glenn Hibbard, Aldro Thompson Hill, John Henry Hoffman, Harry Leslie Holty, Carl Horowitz, Larry Inglis, Paul Irvine, Wilson Johnson, David Jones, Mildred C. Kaelin, Charles Salis Keast, Susette Schultz (attr.) Knowles, Kenneth J. Lechay, Myron Lever, Hayley Lindenmuth, Tod Lobingier, Elizabeth

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266, 267 188, 189 211 40 5 54 287 221 198-200 260 42 172, 173 74 179 220 53 159 236 151 126 72, 73 17-19 130 288 103-106 186 175 238 15 99 212 222, 223 217 122, 123 251 145, 146 275 285, 286 181 176 256 183 119, 136, 273 279 168, 169, 171 121 152-156 14 111


Index of artists Logan, Robert Henry Lovet-Lorski, Boris Maar, Dora Machon, George Macknight, Dodge Maryles, Simie Max, Peter (Finkelstein) McCord, George Herbert McGurl, Joseph McManus, James Mecray, John Meierhans, Joseph Messier, Jan Metcalf, Conger A. Millard, David L. Mitchell, James E. Moran, Peter Mosher, Christine A. Mosher, Donald Allen Murphy, Hermann Dudley Murphy, John Francis Nadeau, Rosalie Naegele, Charles Frederick Newman, Joseph Nicholas, T.M. Ochtman, Leonard Owen, Robert Emmett Packard, Anne Packard, Cynthia Packard, Leslie Page, Edward A. Park IV, H. Gray Parlin, Ronal A. Pearce, William Houghton Pellicone, William Perkins, Harley Manlius Perkins, Parker Poole, Colin Proctor, Howard Ranger, Henry Ward Raser, Pierre Roark, Robert K. Roberts, Grace E. Robjent, Richard Roffo, Sergio Rosebee Rubenstein, Lewis W. Schulenburg, Paul Selby, Joe

201-204 89 95, 96 37 4 29 290 227 64 281, 282 67 91, 92 39 84 23-26 58 242 35 158 233 224, 225 38 280 127-129 100 257 140-144 11 12 13 108 210 160, 161 237 75 81 57 180 219 284 49 36 50 289 34 30 86 33 56

Sexton, Frederick Lester Shattuck, Aaron Draper Slafter, Theodore Sloane, Marian Parkhurst Smillie, James David Sparre, Richard Starkweather, William Steed, Clintel Stein, Helen C. Stevens, William Lester Stoddard, Alice Kent (Pearson) Strisik, Paul Stry, Irene Sturman, Rett Sykes, Annie Sullings Gooding Tankersley, Nancy Thieme, Anthony Tobin, Eric Tomakan, Yasemin Kyrena Van Boskerck, Robert Ward van der Pol, Richard Van Roekens, Paulette Vedder, Elihu Vonnoh, Robert William Vytlacil, Vaclav Walter, Martha Weaver, Jeff Webster, E. Ambrose Webster, Russ Webster, Stokely Weed, Alice Weir, J. Alden Wengenroth, Stow Whiteside, Frank Reed Whorf, John Whyte, Mary Willett, Christopher G. Woodbury, Charles Herbert Woodruff, Amy Rice Woodward, Stanley Wingate Wuerpel, Edmund Wyeth, Jamie Zhang, HongNian

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102 262 259 110 218 44 196, 197 82 93, 94 138, 139 190, 191 162, 163 20-22 209 182 277 112-118 149 6, 7 234 51, 52 214 252, 253 283 68-71 124 208 1 134, 135 46 147, 148 235 120 174 2, 3 41 16 107, 195 43 131, 192-194 255 184, 185 157

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E. Ambrose Webster Massachusetts, 1869-1935 Lot 1

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“Red House, Provincetown”. Signed lower right “E. A. Webster”. Titled on gallery label verso. Oil on canvas, 20” x 24”. Framed 30” x 36”. 25,000/35,000 Provenance: The artist’s estate to his wife, thence by descent to her nephew, Karl Rodgers. Allegra H. Rodgers, the wife of Karl Rodgers. Delorma Rodgers Morton. Private Collection, New York. Babcock Galleries, New York. Exhibited: Provincetown Art Association: “Memorial Exhibition by E. Ambrose Webster”, July 2-30, 1950. Syracuse, N.Y.: “Provincetown Painters, 1890s - 1970s”, April 1- June 26, 1977. Sarah Lawrence College Art Gallery, Bronxville, N.Y.: “Personal Places: American Landscapes, 1905-1930”, February 16-April 24, 1988. Taggart & Jorgensen Gallery, Washington, D.C.: “In the Open Air”, October 6-November 5, 1988. Greenville, S.C.: “Regional American Painting to 1920”, November 6-December 30, 1990. Babcock Galleries, N.Y.: “The Armory Show Years of E. Ambrose Webster”, November 11-December 22, 1995. Hollis Taggart Galleries, N.Y.: “The Color of Modernism - The American Fauves”, April 29-July 26, 1997. Cape Cod Museum of Art, Dennis, Mass.: “A Century of Impressionism on Cape Cod”, July 11-September 19, 1999. Babcock Galleries, N.Y.: “E. Ambrose Webster - Chasing the Sun”, November 13-February 27, 2009.

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After early studies under Edmund Tarbell and Frank Benson in Boston, E. Ambrose Webster spent nearly three years in Europe with Post-Impressionists. Upon his return to the United States in 1900, he had developed his characteristic style that reveled in light and color. Webster’s career spanned 40 years, consistently within the Modernist movement. He traveled and exhibited widely and maintained connections with artists around the globe, from Henry Matisse to Charles Hawthorne and Edward Hopper. “Red House, Provincetown” was described in a 1968 Art News article as “an extraordinary, independent painting”. Here the light is glowing, with a warm and almost palpable intensity, and the interwoven organic forms are contrasted by the stark geometry of the house. It is also distinguished by its extensive provenance and exhibition history; the painting was in the collection of the artist and his wife, and it remained in the family for nearly 80 years.

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E. Ambrose Webster Massachusetts, 1869-1935 Lot 1

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JOHN WHORF Massachusetts, 1903-1959 Equestrian scene. Signed lower right “John Whorf ”. Watercolor on paper, 17.5” x 19” sight. Framed 26.5” x 28”. 3,000/5,000

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JOHN WHORF Massachusetts, 1903-1959 Farm in winter. Signed lower right “John Whorf ”. Watercolor on paper, 14” x 20” sight. Framed 22” x 29”. 1,200/1,800

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DODGE MACKNIGHT Massachusetts/Connecticut/Rhode Island, 1860-1950 Figures on a tree-lined street. Signed lower left “Dodge Macknight”. Watercolor on paper, 14” x 21” sight. Framed 27” x 33”. 1,200/1,800

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Nancy Maybin Ferguson Pennsylvania/Massachusetts, 1872-1967 Lot 5

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“Girls Love Tea Dresses”. Signed “Nancy Maybin Ferguson” and titled verso. Oil on canvas, 25” x 30”. Framed 34.5” x 39.5”. 12,000/18,000

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Yasemin Kyrena Tomakan Connecticut/Massachusetts/Turkey, b. 1958 Lots 6-8

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YASEMIN KYRENA TOMAKAN Connecticut/Massachusetts/Turkey, b. 1958 “Beyond The Creeks, Monomoy, Nantucket”. Signed lower right “Tomakan”. Oil on canvas, 30” x 39”. Framed 36” x 48”. 1,500/2,500

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YASEMIN KYRENA TOMAKAN Connecticut/Massachusetts/Turkey, b. 1958 “Town of Nantucket from Across the Creeks”. Signed lower right “Tomakan”. Oil on canvas, 23.5” x 34.5”. Framed 28.5” x 40”. 1,200/1,800

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YASEMIN KYRENA TOMAKAN America/Turkey, b. 1958 “Fishing Boat, Nantucket”. Signed lower right “Tomakan”. Titled on tag verso. Oil on canvas, 10” x 16”. Framed 17” x 23”. 1,000/1,500

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ROBERT CARDINAL Massachusetts/New York/Canada, b. 1936 New England dusk. Signed lower right “Cardinal”. Oil on canvas, 12” x 24”. Framed 18” x 30”. 2,000/3,000

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JOHN DOWD Massachusetts, b. 1960 Shadows on Commerical Street, Provincetown. Signed lower right “J. Dowd”. Oil on canvas, 30” x 24”. Framed 31.5” x 25.5”. 3,000/4,000

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ANNE PACKARD Massachusetts/New Jersey, b. 1933 Seascape. Signed and dated lower left “A. Packard ‘94”. Oil on canvas, 42.5” x 48”. Framed 45.5” x 51”. 12,000/18,000

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CYNTHIA PACKARD Massachusetts/Florida, b. 1957 “Yellow Field”. Signed lower right “Cynthia Packard”. Oil on canvas, 14” x 9”. Framed 14.5” x 9.5”. 600/900

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LESLIE PACKARD America, Contemporary Floral still life. Signed lower left “Leslie Packard”. Packard Gallery label verso. Housed in a Guido frame. Oil on canvas, 20” x 16”. Framed 26” x 21.5”. 400/600

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TOD LINDENMUTH Massachusetts/Florida, 1885-1976 “Mending Net, Provincetown”. Signed lower left “Tod Lindenmuth”. Titled on label verso. Oil on board, 13.5” x 17”. Unframed. 2,000/3,000

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JOHN CUTHBERT HARE Massachusetts, 1908-1978 Two Provincetown-related works: “Provincetown Waterfront” and “Town Pier, Provincetown”. Both signed lower right “John Hare” and titled on mat. Watercolors on paper, 8” x 7” sight and 7” x 8” sight. Framed 16” x 14”. 500/700

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CHRISTOPHER G. WILLETT Pennsylvania, b. 1959 “Provincetown, Mass”. Signed lower right “Christopher Willett”. Titled verso. Oil on board, 20” x 24”. Framed 25” x 29”. 1,200/1,400 16

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John Grillo Massachusetts, 1917-2014 Lots 17-19

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Bust portrait of a woman. Unsigned. Oil on canvas board, 8” x 10”. Framed 19.5” x 21.5”. 500/700

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Reclining nude. Unsigned. Oil on canvas, 8” x 10”. Framed 19.5” x 21.5”. 500/700

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Portrait of a woman. Signed and dated lower right “Grillo ‘89”. Watercolor on paper, 8.5” x 5.5”. Framed 11” x 8.25”. 250/350

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Irene Stry Massachusetts/New York/Hungary, 1904-1963 Lots 20-22

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Fishing boats at a pier. Signed lower left “Clair”. Oil on canvas board, 12” x 16”. Framed 17” x 21”. 250/350

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Fishing boats at dock. Signed lower left “Clair”. Oil on canvas board, 12” x 16”. Framed 17” x 21”. 250/350

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Two works: Fishing boats at a harbor and seaside houses. Both signed lower left “Clair”. Oils on canvas board, 12” x 16”. Unframed. 300/500

Irene Stry worked in Provincetown and Truro, Massachusetts in the 1930s and 1940s. She often signed her paintings “Clair”.

22, two

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David L. Millard Massachusetts, 1915-2002 Lots 23-26

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“Six Chimneys, P-town”. Signed lower left “Millard”. Titled and dated “7/7/89” verso. Oil on board, 9” x 12”. Framed 17” x 21”. 300/500

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“Beach Houses”. Signed lower right “Millard”. Titled on label verso for Arlene McDaniel Galleries, Simsbury, Connecticut. Oil on board, 10” x 12”. Framed 16” x 18”. 400/600

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“Le Belle Plage, Cannes, Fr.”. Signed lower right “Millard”. Titled verso and dated “9.81”. Oil on canvas, 12” x 18”. Framed 19” x 26”. 400/600

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Still life with wedge of cheese. Signed lower right “Millard”. Oil on board, 9” x 12”. Framed 16” x 19”. 400/600

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GEORGE ELMER BROWNE Massachusetts/Connecticut, 1871-1946 “Marine Nocturne”. Signed lower right “Geo. Elmer Browne N.A.”. Titled on label verso. Oil on canvas, 25” x 30”. Framed 35” x 40”. 3,000/5,000

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HAROLD C. DUNBAR Massachusetts, 1882-1953 Mountain scene with cattle. Signed lower right “H.C. Dunbar”. Oil on board, 20” x 36”. Framed 24” x 39”. 1,200/1,800

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SIMIE MARYLES America, Contemporary “Snow-Covered Night”. Signed lower left “Simie Maryles”. Titled verso. Oil on canvas, 20” x 26”. Framed 25” x 31”. 500/800

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ROSEBEE Massachusetts, 1932-2016 “Attic Playroom”. Signed lower right “Rosebee”. Titled verso. Oil on board, 12” x 16”. Framed 14” x 18”. 300/500

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RYAN COOPER Massachusetts, Contemporary “Outward Bound”. Signed lower right “R. Copper”. Titled verso. Oil on canvas, 11” x 14”. Framed 16.5” x 19.5”. 1,000/1,500

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RYAN COOPER Massachusetts, Contemporary “The Barnstable Bird Watcher”. Signed and dated lower left “R. Cooper ‘07”. Titled verso. Oil on canvas, 14” x 11”. Framed 19.5” x 16.5”. 1,000/1,500

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PAUL SCHULENBURG Massachusetts, Contemporary “Mountain Road”. Signed lower right “Schulenburg”. Titled and signed verso. Oil on board, 12” x 16”. Framed 16” x 19”. 900/1,100

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SERGIO ROFFO Massachusetts/Italy, b. 1953 “Season’s End, Dories”. Signed lower left “Sergio Roffo”. Titled on label verso. Oil on canvas, 24” x 36”. Framed 33” x 45”. 3,000/5,000

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CHRISTINE A. MOSHER Massachusetts, Contemporary “Diana”. Signed lower left “Christine Mosher”. Titled on Rockport Art Association label verso. Oil on canvas, 16” x 16”. Framed 22.5” x 22.5”. 800/1,200

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ROBERT K. ROARK Massachusetts/New York, b. 1944 “Still Life with Decoy”. Signed lower right “Robert Roark”. Titled on gallery label verso. Oil on panel, 24” x 24”. Framed 30.5” x 30.5”. 1,500/2,500

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35

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GEORGE MACHON Cape Cod, Contemporary “Red Beetle 2018”. Signed lower right “G. Machon”. Titled and dated verso. Oil on board, 6” x 8”. Framed 11.5” x 13.5”. 400/600

39.

JAN MESSIER Massachusetts, b. 1949 Path to Ryder Beach, Truro, Massachusetts. Signed lower left “Messier”. Pastel on paper, 9” x 12”. Framed 14” x 17”. 500/700

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ROSALIE NADEAU Massachusetts, Contemporary Still life of peaches. Signed lower right “Nadeau PSA”. Pastel on paper, 9” x 14”. Framed 14” x 19”. 400/600

40.

LORETTA FEENEY Massachusetts, b. 1961 Houses at twilight. Signed and dated lower right “Feeney ‘07”. Oil on canvas, 22” x 28”. Framed 24” x 30”. 400/600

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43

44

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MARY WHYTE South Carolina/Ohio, b. 1953 Two dinghies. Signed lower right “Mary Whyte” and dated 2006. Watercolor on paper, 6” x 11” sight. Framed 14.5” x 19”. 800/1,200

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AMY RICE WOODRUFF Massachusetts, Contemporary Seaside cottages. Signed and dated lower right “Amy Rice Woodruff 93”. Watercolor on paper, 9” x 12” sight. Framed 17” x 19”. 200/300

42.

GARRY GILMARTIN America, 1949-2010 Sunflower seed sack. Signed lower left “G. Gilmartin”. Watercolor on paper, 10” x 6” sight. Framed 17” x 13”. 600/800

44.

RICHARD SPARRE Massachusetts, 1936-2008 Osprey nest. Signed lower right “Richard Sparre”. Tempera on panel, 14” x 16”. Framed 17.5” x 19”. 400/800

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45.

J. CHARLES ARTER New York/Ohio, 1860-1923 A young woman carrying a flower basket along a canal, likely Venice. Signed lower right “J.C. Arter.”. Oil on canvas, 36” x 23”. Framed 42.5” x 29.5”. 2,000/3,000 A native of Ohio, J.C. Arter studied at Académie Julian in Paris under Gustave Boulanger and JulesJoseph Lefebvre. He went on to set up studios across Europe, including one in Venice, where we often painted the locals in outdoor settings.

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46.

STOKELY WEBSTER Connecticut/New York/Illinois, 1912-2001 “Port de St. Tropez”. Signed lower right “Stokely Webster”. Titled on label verso for The Eric Galleries, Inc., New York. Oil on canvas, 24” x 30”. Framed 29” x 35”. 2,500/3,500

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47

47.

AMERICAN SCHOOL Late 19th/Early 20th Century City ruins, possibly Pompeii. Unsigned. Oil on canvas, 8” x 14”. Framed 13.5” x 19.5”. 300/500

48.

LAWRENCE CARMICHAEL EARLE Michigan/New York/New Jersey, 1845-1921 Floral still life. Signed and dated lower right “L.C. Earle ‘76”. Oil on canvas, 12” x 10”. Framed 19” x 17”. 600/800

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49

49.

PIERRE RASER France, 20th Century “Groseilles, vinaigrier & casse-noisette”. Signed lower right “Raser”. Titled verso. Oil on canvas, 13” x 16”. Framed 19.25” x 22.25”. 500/700

50.

GRACE E. ROBERTS America, Late 19th/Early 20th Century Trompe l’oeil of letters and pamphlets on a wall. In the tradition of William Harnett and John Peto. Signed lower right “G.E. Roberts”. Oil on canvas, 18” x 14”. Unframed. 400/600

50

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Richard van der Pol The Netherlands, b. 1936 Lots 51-52

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51.

“The News”. Signed lower right “R. v.d. Pol”. Titled on label verso. Oil on canvas, 39.5” x 31.5”. Framed 52” x 44”. 2,000/4,000 Provenance: De Schildercamer Gallery, Amsterdam, 2001. Private Collection, Cape Cod, Massachusetts.

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Richard van der Pol The Netherlands, b. 1936 Lots 51-52

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52.

“Secret Meeting”. Signed lower right “R. V.D. Pol”. Titled on label verso. Oil on canvas, 30” x 40”. Framed 42” x 52”. 2,000/4,000 Provenance: De Schildercamer Gallery, Amsterdam, 2001. Private Collection, Cape Cod, Massachusetts.

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53.

GORDON HOPE GRANT New York/California/United Kingdom, 1875-1962 Harbor scene with men in a fishing dory. Signed and dated lower right “Gordon Grant 44”. Watercolor on paper, 11.25” x 15.25” sight. Framed 19” x 24”. 800/1,200

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ANTON OTTO FISCHER New York/Germany, 1882-1962 Fans and officials watching a yacht race from an observation platform. Signed lower right “Anton Otto Fischer”. Oil on canvas, 36” x 28”. Framed 43” x 35”. 2,000/3,000

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REYNOLDS BEAL Massachusetts/Rhone Island, 1866/67-1951 Fishing boats in a harbor. Signed lower right “Reynolds Beals”. Oil on board, 24” x 30”. Framed 28” x 33.5”. 4,000/6,000

55

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56.

JOE SELBY Florida, 1893-1960 Portrait of a cabin cruiser. Signed and dated lower right “J Selby 1954”. Oil on canvas board, 13.75” x 23.25” sight. Framed 23” x 33”. 1,500/2,000

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57, two

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PARKER PERKINS Massachusetts,1862-1942 Two marine sketches, one boldly signed “Parker S. Perkins” and the other dated 1910. Housed together in a common frame. Inks on paper, both 8” x 6.75”. Framed 16.25” x 22”. 300/500

JAMES E. MITCHELL New York, 1926-2010 “A Winter’s Gam on Georges Bank”. Signed lower right “Mitchell”. Titled verso. Oil on canvas, 27” x 40”. Framed 32” x 45”. 1,000/2,000

58

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William R. Davis Massachusetts, b. 1952 Lots 59-62

59.

“Sketch of a Cottage on White Pond Harwich, MA”. Signed lower left “William R. Davis”. Titled verso. Oil on panel, 9” x 12”. Framed 13” x 16”. 1,000/1,500

59

60.

“Coastal Shore View”. Signed lower left “W. Davis”. Titled and dated 2017 verso. Oil on board, 6” x 8”. Framed 9.75” x 11.75”. 800/1,200

60

61.

“December Marsh”. Signed lower left “W. Davis”. Titled and dated 2017 verso. Oil on board, 6” x 8”. Framed 9” x 11”. 800/1,200

61

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William R. Davis Massachusetts, b. 1952 Lots 59-62

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62.

“Sunset Rendezvous”. Signed lower left “William R. Davis”. Titled verso. Oil on canvas, 12” x 32”. Framed 18” x 40”. 8,000/12,000 Provenance: Quidley & Co.

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33


63

63.

JOSEPH MCGURL Massachusetts, b. 1958 “The Summer Camp”. Signed lower left “Joseph McGurl”. Inscribed “Wet Art 1994” verso. Oil on board, 16” x 20”. Framed 22” x 26”. 2,000/4,000

64.

JOSEPH MCGURL Massachusetts, b. 1958 “Breakwater at Sunrise, Vineyard Haven.” Signed lower right “Joseph McGurl”. Titled on label verso. Oil on panel, 8” x 10”. Framed 14” x 16”. 2,000/3,000

64 65

65.

DONALD W. DEMERS Maine/Massachusetts, b. 1956 Coastal landscape. Signed lower right “Demers”. Watercolor on paper, 6.5” x 9.5”. Framed 16” x 19.5”. 1,000/1,500

66.

DONALD W. DEMERS Maine/Massachusetts, b. 1956 Dory in a marsh. Signed upper right “Demers”. Dated upper left “06”. Oil on panel, 10” x 8”. Framed 13” x 11”. 2,000/3,000

66

34

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John Mecray Rhode Island/Pennsylvania, 1938-2017 Lot 67

67

John Mecray described this painting as, “Dawn breaks as the stately schooner Coronet heads for land and a safe harbor. The majesty of a radiant dawn eclipses an undulating wind-tossed sea; a sea that shows all the telltale signs of a recently passed storm.” This was the first (and last) in a new series of paintings by John Mecray. Here the environment dominates the scene as the classic vessel is seen in the far distance. It is a striking departure from Mecray’s close-in depictions of yachts and the teeming harbor scenes he is known for.

67.

JOHN MECRAY Rhode Island/Pennsylvania, 1938-2017 “Daybreak”, 1999, depicting the yacht Coronet in the distance after a night of squalls. Signed lower right. Oil on canvas, 24” x 33”. Framed 31” x 40”. 20,000/30,000 Provenance: An Important Private Collection, Newport, Rhode Island.

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35


Vaclav Vytlacil New York/California, 1892-1984 Lots 68-71

68.

Study of fish. Signed and dated upper left “Vaclav Vytlacil 1947”. Mixed media on board, 13.75” x 18”. Unframed. 2,000/3,000

69.

Interior scene with figures. Signed upper center “Vaclav Vytlacil”. Gouache, 11.5” x 8.5” sight. Framed 19.5” x 16.5”. 800/1,200

68

70

69

70.

Boats at a pier, possibly Martha’s Vineyard, Massachusetts. Signed and dated lower right “Vytlacil 1969”. Mixed media on board, 13.75” x 16.5” sight. Framed 20.5” x 23”. 2,000/3,000

71.

Rocks at Monhegan, Maine. Signed and dated lower right “Vytlacil 1956”. Oil and crayon on paper, 21.5” x 27.75” sight. Unframed. 2,500/3,500 71

36

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72

72.

WAYLANDE GREGORY New Jersey/Ohio, 1905-1971 “A Cat Has Nine Lives”. Signed upper right “Waylande Gregory New York”. Mixed media on paper, 31.25” x 35.5”. Framed 37.5” x 41.5”. 800/1,200

73.

WAYLANDE GREGORY New Jersey/Ohio, 1905-1971 A train weaving through a forest. Signed lower center “Waylande Gregory New York”. Mixed media on paper, 32.25” x 31”. Framed 37.5” x 37”. 800/1,200

74.

HENDRIK GLINTENKAMP New York/New Jersey, 1887-1946 House in a snowy landscape. Signed lower right “Glintenkamp”. Oil on canvas, 40” x 48”. Framed 40.5” x 48.5”. 800/1,200

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73

74

37


75

76

77

78

75.

WILLIAM PELLICON Pennsylvania/New York, 1915-2004 “‘Still Life’ Chair, + 3 Lemons in Bowl”. Signed lower left “Wm. Pellicon”. Titled and dated 1983 verso. Acrylic on board, 10.75” x 14”. Unframed. 200/400

77.

WALTER DORRELL Massachusetts/Ohio, b. 1932 Still life of poppies and oyster shells. Signed and dated lower right “Dorrell 04”. Watercolor on paper, 17” x 24” sight. Framed 26.6” x 32.5”. 300/500

76.

RODOLPHE CAILLAUX France, 1904-1990 Still life. Signed lower left “Caillaux”. Also signed and dated verso “Caillaux 1969”. Oil on canvas, 6.25” x 8.75”. Framed 12” x 14”. 300/500

78.

PORFIRIO DIDONNA America, 1942-1986 Abstract. Unsigned. Artist identified on label verso. Watercolor on paper, 18” x 24”. Framed 24” x 30”. 400/600 Provenance: Nielsen Gallery, Boston.

38

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79

80

81

79.

AMERICAN SCHOOL 20th Century Dock worker mending nets. Inscribed “Saltonstall” verso. Possibly the work of Elizabeth Saltonstall (Massachusetts, 1900-1990). Watercolor and gouache on paper, 17.25” x 22.25”. Framed 26” x 30.5”. 500/700

80.

LEON LOUIS DOLICE New York, 1892-1960 Tugboat in New York Harbor. Signed lower right “Dolice”. Pastel on paper, 11.25” x 15.25”. Framed 17.5” x 21.25”. 800/1,200

82

81.

HARLEY MANLIUS PERKINS Massachusetts/Vermont, 1883-1964 City scene, likely Commonwealth Avenue, Boston. Signed lower center “Harley Perkins”. Oil on canvas, 20” x 26”. Unframed. 500/1,000

82.

CLINTEL STEED Utah/Illinois, b. 1977 “Portrait of Dan Smoking, 2007”. Signed “C. Steed” and titled verso. Oil on masonite, 23” x 23”. Framed 27” x 27”. 700/1,000

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39


83

83.

GERSHON BENJAMIN New York/New Jersey/Romania, 1899-1985 “At the Beach VI”, circa 1935. Signed lower right “Gershon Benjamin”. Titled on gallery label verso. Watercolor on paper, 15” x 22” sight. Framed 20” x 27”. 4,000/6,000 Provenance: Gerald Peters Gallery, New York. Exhibited: Drexel University: “Gershon Benjamin Modern Master”, April 27-August 7, 2015. Catalog #31.

40

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84

84.

CONGER A. METCALF Massachusetts/Iowa, 1914-1998 “Annonziata”, a portrait of a woman wearing a hat. Signed lower right “Metcalf ”. Titled verso. Oil on masonite, 16.25” x 12”. Framed 24” x 20”. 800/1,200

85.

ALFRED CZEREPAK Massachusetts, 1928-1986 “Net Menders”. Signed upper right “Czerepak”. Titled verso. Mixed media on paper, 9.5” x 7.5” sight. Framed 14.5” x 13”. 300/500

85

86.

86

LEWIS W. RUBENSTEIN New York, b. 1908 “Drums, Fore River Plant”. Artist identified and titled on label verso. Ink wash and pencil on paper, 12” x 9”. Mounted on backboard. Framed 19.5” x 15”. 300/400

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41


87

87.

BORIS LOVET-LORSKI New York/California/Lithuania, 1894-1973 Untitled abstract. Signed upper right “Lovet-Lorski”. Mixed media on canvas, 3” x 10” sight. Framed 10.25” x 17.5”. 500/700

88.

BORIS LOVET-LORSKI New York/California/Lithuania, 1894-1973 Untitled abstract. Signed faintly lower right. Mixed media on canvas, 3” x 10” sight. Framed 10.25” x 17.5”. 500/700

89.

BORIS LOVET-LORSKI New York/California/Lithuania, 1894-1973 Untitled abstract. Signed upper left “Lovet-Lorski”. Mixed media on canvas, 8” x 13” sight. Framed 15.25” x 20.5”. 500/700

88

89

90.

GEORGIA DEARBORN America, 20th Century Two flower-filled landscapes. Signed lower left “Georgia Dearborn”. One titled verso “Giverny Pathway”. Oils on board, 5” x 7”. Framed 9.5” x 11.5”. 200/300

90, two

42

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Joseph Meierhans New York/Pennsylvania/North Carolina/Switzerland, 1890-1980 Lots 91-92

91.

“Composition”. Signed and titled verso. Oil on board, 22” x 26”. Framed 30” x 34”. 3,000/5,000 Provenance: The Artist’s Gallery, New York.

91

92.

“The Rock Garden”. Signed and dated lower right “Jos. Meierhans 45”. Titled on gallery label verso. Mixed media on paper, 10.5” x 13.5” sight. Framed 18” x 21”. 1,000/1,500 Provenance: Island Weiss Gallery, New York.

92

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43


93.

HELEN C. STEIN New York/Massachusetts, 1896-1964 Landscape with a curving road. Signed lower right “Stein”. Oil on canvas, 22” x 18”. Framed 27” x 23.5”. 500/1,000

94.

HELEN C. STEIN New York/Massachusetts, 1896-1964 Still life with books and sculpture. Signed lower left “Stein”. Oil on board, 16” x 20”. Framed 24” x 28”. 500/1,000

93

94

95

95.

DORA MAAR France, 1907-1997 Still life of fruit. Estate stamped lower right. Mixed media on paper, 7” x 10” sight. Framed 14.5” x 18”. 500/700

96.

DORA MAAR France, 1907-1997 Untitled abstract. Signed and estate stamped lower right. Mixed media on paper, 19.25” x 25” sight. Framed 24” x 30.5”. 800/1,200 Provenance: M.B. Fine Art, New York. 96

44

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97

98

97.

HARRY BERTOIA 98. HARRY BERTOIA Michigan/California/Pennsylvania/Italy, 1915-1978 Michigan/California/Pennsylvania/Italy, 1915-1978 Untitled abstract. Signed in pencil lower right “H.B.”. Untitled absract. Unsigned. Monotype on paper, Monotype on paper, 12” x 38.5”. Framed 18” x 45”. 19.25” x 24”. Framed 25” x 30”. 2,000/3,000 2,000/3,000 Provenance: Provenance: The artist’s estate. The artist’s estate.

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45


99

99.

George Wainwright Harvey, born in East

GEORGE WAINWRIGHT HARVEY Gloucester, Massachusetts, and a longtime Massachusetts, 1855-1930 resident of Annisquam, is considered one of Cape “Winter in Annisquam”. Signed lower left “George W. Ann’s most skillful native painters. He was largely Harvey”. Oil on canvas, 22.5” x 30”. Framed 31.5” x 39”. self-taught, though he studied in Philadelphia 6,000/9,000 with W.H. Weisman and in Holland, where Provenance: McDougall Fine Arts Galleries, Gloucester, Massachusetts. A Massachusetts Estate.

46

he was influenced by the Hague School and Dutch Impressionists. He was married to noted photographer Martha Hale Rogers and the two had adjoining studios.

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100.

T.M. NICHOLAS Massachusetts, b. 1963 West Gloucester marsh scene. Signed lower right “T.M. Nicholas”. Oil on canvas, 30” x 40”. Framed 38” x 48”. 7,000/10,000

100

101.

H. BOYLSTON DUMMER Massachusetts, 1878-1945 Winter in the harbor. Signed lower left “H. Boylston Dummer”. Oil on canvas, 25” x 30”. Framed 34 “x 39”. 2,500/3,500 Provenance: Weiss Auctions, Lynbrook, New York, November 21, 2019, Lot #190. A Massachusetts Estate.

101

102.

FREDERICK LESTER SEXTON Connecticut, 1889-1975 New England winter landscape. Unsigned. Inscribed on upper stretcher bar “Painted by my husband Frederick Lester Sexton - Dorothy J. Sexton”. Oil on canvas, 20” x 28”. Framed 27” x 34.5”. 800/1,200

102

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47


Emile Albert Gruppe Massachusetts, 1896-1978 Lots 103-106

103.

High mountain birches. Signed lower left “Emile A. Gruppe”. Oil on canvas, 30” x 36”. Framed 40” x 46”. 8,000/12,000

103

104.

Frozen harbor, likely Smith’s Cove, Gloucester, Massachusetts. Signed lower right “Emile A. Gruppe”. Oil on canvas, 24” x 30”. Framed 33” x 39”. 12,000/18,000

104

105.

“Fish House”. Signed lower right “Emile A. Gruppe”. Titled on upper stretcher bar. Oil on canvas, 20” x 24”. Framed 26” x 30.5”. 5,000/7,000

105

48

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Emile Albert Gruppe Massachusetts, 1896-1978 Lots 103-106

106

106.

“High Tide, Provincetown”. Signed lower right “Emile A. Gruppe”. Depicts the former Conwell Wharf, Provincetown, Massachusetts, circa 1926. Oil on canvas, 20” x 20”. Framed 27.5” x 27.5”. 15,000/25,000

A rare early work by the artist, who studied in Provincetown with Charles Hawthorne, Richard Miller and George Chapman.

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49


107

108

107.

50

CHARLES HERBERT WOODBURY 108. EDWARD A. PAGE Maine/Massachusetts, 1864-1940 Massachusetts, 1850-1928 “Swampscott Dory”. Signed lower left “Chas. Fishing shacks, North Shore. Signed lower left Herbert Woodbury”. Titled on frame plaque. Oil “E.A. Page”. Oil on canvas, 9” x 12”. Framed on canvas, 9” x 13”. Framed 16” x 20”. 13” x 19”. 3,000/5,000 5,000/7,000 Provenance: Provenance: A Massachusetts Estate. A Massachusetts Estate.

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109.

KATHRYN E. BARD CHERRY Missouri/Illinois, 1860-1931 Gloucester Harbor. Signed lower right. Signed verso “Painted by Kathryn E. Cherry”. Oil on board, 18” x 24”. Framed 23” x 29”. 5,000/7,000 Provenance: Link Auction Galleries, St. Louis, May 11, 2019, Lot #73. A Massachusetts Estate.

109

110.

MARIAN PARKHURST SLOANE Massachusetts, 1876-1954 “August”. Signed lower right “Marian P. Sloane”. Titled verso on Grand Central Art Galleries label. Oil on canvas, 29” x 36”. Framed 34” x 40”. 2,000/3,000

110

111.

ELIZABETH MILLER LOBINGIER Massachusetts/Washington, D.C., 1889-1973 Hilly coastal scene with sailboats and dunes. Signed lower right “Elizabeth M. Lobingier”. Oil on canvas, 30” x 36”. Framed 34” x 40”. 500/700

111

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51


Anthony Thieme Massachusetts/California, 1888-1954 Lots 112-118

112 113

112.

“Docked”. 113. “Gloucester Boat”. Signed lower left “A. Thieme”. Signed lower left “A. Thieme”. Titled verso and on frame plaque. Titled on frame plaque. Oil on canvas, 12” x 16”. Framed 18” x 24”. Housed in a Newcomb-Macklin frame. 4,000/6,000 Oil on canvas, 25” x 30”. Framed 32” x 37”. 5,000/10,000 Provenance: Grand Central Galleries, New York. Provenance: A Massachusetts Estate. Grand Central Galleries, New York. A Massachusetts Estate.

114.

Net menders, Motif #1, Rockport. Signed lower left “A. Thieme”. Oil on canvas, 20” x 24”. Framed 29” x 33”. 4,000/6,000 Provenance: A Massachusetts Estate.

114

52

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Anthony Thieme Massachusetts/California, 1888-1954 Lots 112-118

115

115.

“Blossom Time”. Signed lower left “A. Thieme”. Titled verso. Oil on canvas, 25” x 30”. Framed 29” x 34”. 15,000/25,000 Provenance: DuMouchelles Auction, Detroit, April 17, 2016, Lot #42008. A Massachusetts Estate.

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53


Anthony Thieme Massachusetts/California, 1888-1954 Lots 112-118

116.

“Up Hill Winter”. Signed lower left “A. Thieme”. Titled verso. Oil on canvas, 30” x 36”. Framed 35” x 42”. 7,000/10,000 Provenance: A Massachusetts Estate.

117.

“Fish Shacks”. Signed lower right. Titled on frame plaque. Oil on board, 10” x 12”. Framed 15” x 17”. 3,000/5,000 Provenance: A Massachusetts Estate.

118.

116

“Calle Vieja”, Mexico. Signed lower right “A. Thieme”. Titled verso. Oil on canvas, 24” x 30”. Framed 34” x 39”. 2,500/3,500 Provenance: A Private North Shore Collection.

117 118

54

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119.

CHARLES SALIS KAELIN Ohio/Massachusetts, 1858-1929 “Harbor Scene with Sloops”. Signed lower right “C.S. Kaelin”. Titled on gallery label verso. Oil on board, 11” x 14”. Framed 16.5” x 19.5”. 1,500/2,500 Provenance: Spanierman Gallery, New York.

119

120.

STOW WENGENROTH New York/Massachusetts, 1906-1978 “Approaching Storm”. Signed in pencil lower right “S. Wengenroth”. Lithograph on paper, 11.75” x 9.25” sight. Framed 18.5” x 15.25”. 300/500

120

121.

MYRON LECHAY New York/Louisiana, 1898-1972 “Lugger at Wharf ”. Signed lower left “Myron Lechay”. Titled on label verso. Oil on canvas, 20” x 24”. Framed 22” x 26”. 1,000/1,500

121

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55


Aldro Thompson Hibbard Massachusetts/Vermont, 1886-1972 Lots 122-123

122

122.

“Afternoon - Motif #1 - Rockport”. Signed lower left “A.T. Hibbard”. Titled on frame plaque. Oil on canvas, 24” x 30”. Framed 34” x 40”. 20,000/30,000 Provenance: A Massachusetts Estate.

56

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Aldro Thompson Hibbard Massachusetts/Vermont, 1886-1972 Lots 122-123

123

123.

“Baiting Up”. Signed lower right “A.T. Hibbard”. Titled verso. Oil on board, 15” x 18”. Framed 23” x 26”. 7,000/10,000 Provenance: A Massachusetts Estate.

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57


124.

MARTHA WALTER Massachusetts/Pennsylvania/France, 1875-1976 Still life of a bouquet of summer flowers. Signed lower right “Martha Walter”. Oil on canvas, 19” x 24”. Unframed. 2,000/3,000

124

125.

ANTONIO CIRINO Rhode Island/Italy, 1889-1983 “Rural Church”. Signed lower right “A. Cirino”. Titled on label verso. Oil on canvas, 25” x 30”. Framed 27.5” x 33”. 2,000/3,000 Provenance: Rockport Art Association Auction, May 2, 2015, Lot #167. A Private North Shore Collection.

125

126.

JOSEPH H. GREENWOOD Massachusetts, 1857-1927 “Morning Mist”. Signed lower left “J.H. Greenwood”. Titled verso. Housed in a fine replacement frame. Oil on canvas, 26” x 32”. Framed 35” x 41”. 3,000/5,000

126

58

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127.

JOSEPH NEWMAN New York, 1890-1979 Street scene. Signed lower left “J. Newman”. Oil on canvas, 18” x 24”. Framed 23.5” x 29.5”. 1,500/2,500

127

128.

JOSEPH NEWMAN New York, 1890-1979 Tree-lined street, likely Rockport, Massachusetts. Signed and dated lower left “Joseph Newman 1948”. Oil on canvas, 20” x 26”. Unframed. 1,500/2,500

128

129.

JOSEPH NEWMAN New York, 1890-1979 “Fishing Pier”. Signed lower right “J. Newman”. Titled on label verso. Oil on board, 14” x 18”. Unframed. 600/800

129

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59


130

131

132

60

133

130.

LILLIAN GROW Pennsylvania/Massachusetts, 20th Century Scene of the North Shore, Massachusetts. Signed lower right “Lillian Grow”. Oil on board, 15” x 20”. Framed 18” x 22.5”. 400/600

132.

GERSHON CAMASSAR Connecticut, 1908-1995 Rocky coastline and sailboat. Signed lower left “Camassar”. Housed in a Goodnow frame. Oil on board, 9” x 12”. Framed 15” x 18”. 400/600

131.

STANLEY WINGATE WOODWARD Massachusetts/Maine, 1890-1970 “Cape Ann Surf ”. Signed lower left “Stanley Woodward”. Titled verso. Oil on board, 12” x 16”. Framed 17” x 21”. 800/1,200

133.

ROGER WILSON DENNIS Connecticut, 1902-1996 “East Gloucester, Plum Street”. Signed lower right “Roger W. Dennis”. Titled verso. Oil on canvas, 20” x 24”. Framed 28” x 32”. 500/1,000

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134

135

136

134.

RUSS WEBSTER Massachusetts, 1904-1984 North Shore harbor. Signed lower right “Russ Webster”. Oil on canvas, 20” x 24”. Framed 23.5” x 27.5”. 400/600

135.

RUSS WEBSTER Massachusetts, 1904-1984 Boat at a pier. Signed lower left “Russ Webster”. Oil on canvas, 20” x 24”. Framed 23.5” x 27.5”. 400/600

137

136.

CHARLES SALIS KAELIN Ohio/Massachusetts, 1858-1929 “Rockport Harbor Boats”. Signed lower left “C.S. Kaelin”. Titled on gallery label verso. Pastel on paper, 13.5” x 15.5”. Framed 17.5” x 19.5”. 800/1,200 Provenance: Spanierman Gallery, New York.

137.

ERNEST DE NAGY Maine/New York/New Jersey/Hungary, 1881-1952 Boats at a pier. Signed lower right “Ernest De Nagy”. Oil on board, 15.5” x 18.5”. Framed 19.75” x 22.75”. 500/1,000

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61


William Lester Stevens Massachusetts, 1888-1969 Lots 138-139

138

138.

“Light Under the Bridge”. Signed lower right “W. Lester Stevens N.A.”. Titled on frame plaque. Oil on canvas, 30” x 40”. Framed 40” x 50”. 12,000/18,000 Provenance: A Massachusetts Estate.

62

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William Lester Stevens Massachusetts, 1888-1969 Lots 138-139

139

139.

“Sugar House”. Signed lower right “W. Lester Stevens N.A.”. Titled on frame plaque. Oil on board, 24” x 30”. Framed 32” x 38”. 7,000/9,000 Provenance: A Massachusetts Estate.

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63


Robert Emmett Owen New York/Connecticut/Massachusetts, 1878-1957 Lots 140-144

140

142

64

141

140.

A country road. Signed lower left “R. Emmett Owen”. Oil on canvas, 13” x 16”. Framed 21.5” x 24.5”. 1,000/1,500

141.

Vibrant fall landscape. Signed lower right “R. Emmett Owen”. Oil on board, 14” x 18”. Framed 23” x 27”. 1,000/1,500

142.

“Old House at Long Ridge”. Signed lower right “R. Emmett Owen”. Titled on label verso. Oil on board, 12” x 16”. Framed 19.5” x 24”. 1,000/1,500 Provenance: Randall E. Decoteau Antiques & Fine Art, Warren, Massachusetts.

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Robert Emmett Owen New York/Connecticut/Massachusetts, 1878-1957 Lots 140-144

143.

“New England Waterfall”. Signed lower left “R. Emmett Owen”. Titled on frame plaque. Oil on canvas, 25” x 30”. Framed 33” x 38”. 3,000/5,000 Provenance: Spanierman Gallery, New York. A Massachusetts Estate.

143

144.

Landscape with a cherry blossom tree. Signed lower right “R. Emmett Owen”. Oil on canvas, 30” x 40”. Framed 38” x 48”. 4,000/6,000

144

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65


145.

HARRY LESLIE HOFFMAN Connecticut, 1871-1964 “Skate Fish”. Unsigned. Estate stamped verso. Titled on contemporary note verso. Oil on board, 14” x 16.25”. Unframed. 800/1,200

146.

HARRY LESLIE HOFFMAN Connecticut, 1871-1964 “Bermuda No 9”. Unsigned. Estate stamped verso. Titled on contemporary note verso. Oil on board, 12” x 16”. Unframed. 800/1,200

145

146

147

147.

ALICE WEED Massachusetts, Early 20th Century River landscape with distant mountains. Signed lower left “Alice Weed”. Oil on masonite, 9” x 12”. Framed 12.5” x 15.5”. 200/300

148.

ALICE WEED Massachusetts, 20th Century Winding river with a mountain range in the distance. Signed lower left “Alice Weed”. Oil on masonite, 9” x 12”. Framed 12.5” x 15.5”. 200/300

148

66

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149.

ERIC TOBIN Vermont, Contemporary “Lower Valley Farm Cambridge, VT”. Signed lower right “Eric Tobin”. Titled verso. Oil on canvas, 10” x 12”. Unframed. 200/300 Provenance: A Massachusetts Estate.

149

150.

JOHN CALIFANO Illinois/California/Italy, 1862/64-1946 Woman on a mountain path. Signed lower right “J Califano”. Oil on canvas, 6” x 12.5”. Framed 11.5” x 18”. 500/700

150

151.

JACOB GREENLEAF Massachusetts, 1887-1968 “Mountain Foothills, Waterville, Maine”. Signed lower right “J. Greenleaf ”. Titled verso. Oil on board, 12” x 16”. Framed 19” x 23”. 500/1,000

151

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67


Hayley Lever New York/Massachusetts, 1876-1958 Lots 152-156

152.

“Red House, City Island N.Y. 1946”. Signed lower right “Hayley Lever”. Titled verso. Oil on canvas board, 18” x 24”. Framed 24” x 30”. 6,000/8,000

152

153.

“The Old Hay Rake”. Unsigned. Identified and titled on gallery label verso. Oil on canvas board, 16” x 9.5”. Framed 21.5” x 15”. 2,000/3,000 Provenance: Kennedy Galleries, New York.

153

68

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Hayley Lever New York/Massachusetts, 1876-1958 Lots 152-156

154.

“Sailboat in Drydock”. Unsigned. Identified and titled on gallery label verso. Oil on board, 12” x 16”. Framed 17” x 21”. 2,000/3,000 Provenance: Gump’s, San Francisco.

154

155.

“Dry Docked Boat”. Signed and dated lower left “Hayley Lever 1948”. Titled verso. Oil on canvas, 9.5” x 12”. Framed 14.75” x 17”. 2,000/3,000 Provenance: Mongerson-Wunderlich Galleries, Chicago.

155

156.

Haying scene. Signed lower left “Hayley Lever”. Oil on board, 8” x 10”. Framed 11” x 13”. 400/600

156

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69


157.

HONGNIAN ZHANG New York/China, b. 1947 Nude in the woods. Signed lower right “Zhang”. Oil on canvas, 24” x 36”. Framed 28” x 40”. 1,500/2,500

157

158.

DONALD ALLEN MOSHER Massachusetts, 1945-2014 “Back Cove, New Harbor”. Signed lower left “Donald Allen Mosher”. Titled on frame plaque. Rockport Art Association label verso. Housed in a Leszek Mazga frame. Oil on canvas, 30” x 36”. Framed 38” x 44”. 2,500/3,500 Provenance: A Private North Shore Collection.

158

159.

MICHAEL GRAVES Massachusetts, b. 1952 Trawler at the dock. Signed lower right “Mike Graves”. Oil on canvas, 16” x 20”. Framed 22.5” x 26.5”. 1,500/2,500

159

70

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160

160.

RONAL A. PARLIN Maine, b. 1956 “The Bonney Day”. Signed lower left “Ronal Parlin”. Titled verso. Oil on linen laid down on board, 30” x 40”. Framed 38” x 48”. 3,000/5,000

161.

RONAL A. PARLIN Maine, b. 1956 “Time Out”. Signed lower left “Ronal Parlin”. Titled verso. Oil on linen laid down on board, 24” x 20”. Framed 32” x 28”. 1,500/2,500

161

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71


162

163

162.

72

PAUL STRISIK Massachusetts, 1918-1998 Oak tree, late fall. Signed lower left “P. Strisik”. Oil on canvas, 20” x 30”. Framed 27” x 37”. 2,000/4,000

163.

PAUL STRISIK Massachusetts, 1918-1998 “Morgan’s Cove”. Signed lower right “P. Strisik N.A.”. Titled on label verso. Oil on canvas, 12” x 20”. Framed 20.5” x 28.5”. 2,000/4,000

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164.

BERNARD COREY Massachusetts, 1914-2000 “Breezy Day”. Signed lower right “Bernard Corey”. Titled verso. Housed in a Paul Goodnow frame. Oil on canvas wrapped around board, 10” x 14”. Framed 16.5” x 20.5”. 800/1,200 Provenance: A Massachusetts Estate.

165.

164

BERNARD COREY Massachusetts, 1914-2000 “August in New England”. Signed lower right “Bernard Corey”. Oil on canvas, 10” x 16”. Framed 15.5” x 21.5”. 1,000/1,500 Provenance: Purchased directly from the artist.

165

166

166.

BERNARD COREY Massachusetts, 1914-2000 “Summer Splendor”. Signed lower left “Bernard Corey”. Oil on board, 10” x 14.5”. Framed 15.5” x 19.75”. 1,000/1,500 Provenance: Purchased directly from the artist.

167.

BERNARD COREY Massachusetts, 1914-2000 New England landscape. Unsigned. Oil on masonite, 9” x 12”. Unframed. 300/500 Provenance: The artist’s estate. 167

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73


Kenneth J. Knowles Massachusetts, b. 1968 Lots 168-171

168.

“‘The Old Mill in Winter’, Wardsboro VT”. Signed lower right “Ken Knowles”. Titled, signed and dated 1999 verso. Oil on canvas, 30” x 36”. Framed 36” x 42”. 3,000/5,000 Provenance: A Private North Shore Collection.

168

169.

Winter scene of boats in a harbor. Signed lower right “Ken Knowles”. Oil on masonite, 24” x 30”. Framed 31” x 37”. 1,500/2,500 Provenance: A Private North Shore Collection.

169

74

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Kenneth J. Knowles Massachusetts, b. 1968 Lots 168-171

170.

“‘Fresh Snow on Thawing Harbor’ The Motif #1”, Rockport, Massachusetts. Signed lower left “Ken Knowles”. Titled verso. Oil on canvas, 20” x 24”. Framed 27” x 31”. 1,500/2,500 Provenance: A Private North Shore Collection.

170

171.

“‘Parade of Sail’, Schooners in Gloucester Harbor”. Signed and dated lower right “Ken Knowles 2008”. Titled, signed and dated verso. Oil on canvas, 30” x 36”. Framed 36” x 42”. 3,000/3,000 Provenance: A Private North Shore Collection.

171

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75


Joe Duncan Gleason California/New York, 1881-1959 Lots 172-173

172

172.

“Dreams, Fairhaven, Massachusetts”. Circa 1922. Signed lower right “Duncan Gleason”. Oil on canvas, 29.625” x 24.5” sight. Framed 38” x 33”. 10,000/15,000 Provenance: Edenhurst Gallery, Palm Desert, California, purchased March 2008. The Kelton Collection of Marine Art and Artifacts.

76

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Joe Duncan Gleason California/New York, 1881-1959 Lots 172-173

173

173.

One of the most famous Grand Banks schooners ever built, Elsie was a landmark design from Thomas F. McManus and built by A.D. Story at his Essex, Massachusetts yard in 1910. She was one of the largest and fastest of the Grand Banks schooners and set records as a “High Liner”, the term Gloucester fisherman used for vessels that returned to port with the season’s largest catch of fish.

Grand Banks schooner Elsie. Signed lower right “Duncan Gleason”. Oil on canvas, 20” x 24”. Framed 25” x 29”. 3,000/5,000 Provenance: Vallejo Gallery, Newport Beach, California, September 1997. The Kelton Collection of Marine Art and Artifacts.

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77


174.

FRANK REED WHITESIDE Pennsylvania/Maine, 1866-1929 A horse by a fence. Signed faintly lower left. Estate stamped verso. Oil on canvas, 14.5” x 18”. Unframed. 1,000/1,500

175.

ARTHUR J. HAMMOND Massachusetts/California, 1857-1947 Eleven landscape studies. Most signed or estate stamped. Watercolors and mixed media on paper, the largest 14” x 18”. Unframed. 500/1,000

174

175

78

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176.

WILSON IRVINE Connecticut/Illinois, 1869-1936 “Foothills of Utah”. Signed lower right “Irvine”. Titled on label verso. Double-sided work. Watercolor on paper, 12.75” x 18.5”. Framed 21” x 27”. 300/500

176

177.

ADRIAAN DE GROOT New York/New Jersey, 1870-1942 “Church at ...”. Signed and dated lower right “Adriaan M. De Groot July 19....”. Inscribed lower left “To Olive Church at ...”. Oil on board, 21” x 25.5”. Framed 27.5” x 32.5”. 400/600

177

178.

ATTRIBUTED TO HENRY JAMES ALBRIGHT New York, 1887-1951 Rocky coast, most likely California. Unsigned. Oil on artist board, 11” x 14”. Framed 18” x 21”. 600/800

178

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79


179.

HARVEY B. GOODALE Alaska/Massachusetts, 1900-1980 Pair of portraits of Inuit elders. Both signed lower right “Goodale”. Oils on canvas, 16” x 12”. Framed 20.5” x 16.5”. 400/600

179, two

180.

COLIN POOLE New Mexico/Virginia, Contemporary Winding river. Signed lower right “Colin Poole”. Oil on panel, 10.5” x 16”. Framed 15” x 20”. 400/600

180

80

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181.

PAUL INGLIS America, b. 1963 Two works: “Big Horn Mountains, Wyoming” and “Sandy Beach, Lake Tahoe”. Both signed and titled verso. Oils on masonite, 4.25” x 14” and 4.5” x 7.75”. Framed. 250/350 181, two

182.

ANNIE SULLINGS GOODING SYKES Ohio/Massachusetts, 1855-1931 “Bermuda, 1913”. Unsigned. Titled and artist identified on gallery label verso. Watercolor on paper, 21” x 14.75” sight. Framed 32.5” x 25”. 800/1,200 Provenance: Spanierman Gallery, New York.

182

183.

MILDRED C. JONES Massachusetts, 1899-1992 Caribbean fruit sellers. Signed lower right “Mildred C. Jones”. Oil on canvas board, 8” x 10”. Framed 12” x 14”. 200/400

183

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81


184

186

185

184.

JAMIE WYETH Pennsylvania/Maine/Delaware, b. 1946 “White Leghorns”. Signed in pencil lower right “Jamie Wyeth”. Numbered in pencil lower left 147/150. Etching on paper, plate size 17.75” x 21.5”. Sheet size 26.25” x 30”. Unframed. 500/700

185.

JAMIE WYETH Pennsylvania/Maine/Delaware, b. 1946 “Bee Shadows”. Signed in pencil lower right “Jamie Wyeth”. Numbered in pencil lower left 150/150. Etching on paper, plate size 8.75” x 11.75”. Sheet size 24.75” x 20”. Unframed. 500/700

186.

JOHN PHILLIP HAGEN Minnesota/Martha’s Vineyard, b. 1956 “Old Keeper’s House Monhegan, Maine”. Signed lower left “John Phillip Hagen”. Titled verso. Housed in a Paul Goodnow frame. Oil on canvas, 12” x 16”. Framed 17.5” x 21.5”. 300/500 Provenance: A Massachusetts Estate.

82

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187

187.

JAY HALL CONNAWAY Maine/Arizona/Indiana, 1893-1970 “Meeting the Doctor”. Signed lower right “Connaway”. Oil on board, 16” x 20”. Framed 21” x 25”. 12,000/18,000 Provenance: Gerald Peters Gallery, New York. A Massachusetts Estate. Exhibited: Monhegan Historical & Cultural Museum: “Life on a Remote Fishing Island: 1920-1950”, July 1-September 30, 2007 (label verso).

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83


188

188.

WALTER FARNDON New York, 1876-1964 Autumn landscape with stream. Signed lower left “Walter Farndon NA”. Oil on board, 14” x 18”. Unframed. 1,000/1,500

189.

WALTER FARNDON New York, 1876-1964 “Jamesport Pier”. Signed lower left “W. Farndon”. Titled on label verso. Estate stamped verso. Oil on board, 8” x 10”. Framed 12.5” x 14.5” 800/1,200 Provenance: Vose Galleries, Boston.

189

190

190.

ALICE KENT (PEARSON) STODDARD Connecticut/Pennsylvania, 1883-1976 Rocky coastline. Signed lower left “Alice Kent Stoddard”. Estate stamped verso. Oil on canvas, 20” x 28”. Unframed. 1,500/2,500

191.

ALICE KENT (PEARSON) STODDARD Connecticut/Pennsylvania, 1883-1976 Coastal scene, likely Monhegan Island, Maine. Signed lower right “Alice Kent Stoddard”. Estate stamped verso. Oil on canvas, 25” x 30”. Framed 29.5” x 34.5”. 2,500/3,500

191

84

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Stanley Wingate Woodward Massachusetts/Maine, 1890-1970 Lots 192-194

192

193

192.

“Ogunquit”. Signed verso “Stanley Woodward”. Titled verso. Oil on board, 12” x 16”. Framed 21” x 25”. 500/700 Provenance: The artist’s estate.

193.

River landscape. Unsigned. Identified verso. Oil on board, 16” x 12”. Framed 13” x 19”. 400/600 Provenance: The artist’s estate.

194.

Red barn in the mountains. Signed lower right “Stanley Woodward”. Oil on masonite, 12” x 16”. Framed 17.5” x 21.5”. 400/600 194

Provenance: The artist’s estate.

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85


Charles Herbert Woodbury Maine/Massachusetts, 1864-1940 Lot 195

195

195.

“Evening”. Signed and dated lower left “Charles H. Woodbury 1910”. Titled on label verso for Vose Galleries, Boston. Oil on canvas, 20” x 27”. Framed 27” x 34”. 12,000/15,000

Charles H. Woodbury, born in Lynn, Massachusetts, was first associated with the Lynn Beach Painters. He began exhibiting with the Boston Art Club at age 19, while he was an undergraduate studying mechanical engineering at MIT. Following graduation he traveled and painted along the East Coast, then studied in Paris and Holland. Upon his return from Europe he set up studios in Boston and Ogunquit, Maine. There, in 1928, he helped establish the Ogunquit Art Association and a successful summer art colony. He was sought out as a teacher, though he had little formal training himself. His work is considered masterpieces of coastal composition, known for brisk strokes that convey a sense of movement.

86

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William Starkweather New York/Connecticut/Spain, 1879-1969 Lots 196-197

196.

“At Mystic Connecticut”. Signed lower right “W. Starkweather”. Titled verso. Oil on board, 11” x 14”. Framed 17.5” x 20.5”. 800/1,200

196

197.

“Children in the Studio”. Signed lower right “William Starkweather”. Titled and inscribed verso “Children in the Studio Painted at Eastport, Me. 1922”. Oil on canvas, 20” x 20”. Framed 28” x 28”. 2,000/3,000 Provenance: Spanierman Gallery, New York.

197

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87


Sears Gallagher Massachusetts, 1869-1955 Lots 198-200

198.

“Fog Signal Bell, Manana” (off Monhegan Island, Maine). Signed lower left “Sears Gallagher”. Titled on gallery label verso. Watercolor on paper, 19” x 23” sight. Framed 25” x 29”. 2,000/3,000 Provenance: Spanierman Gallery, New York.

198

199.

“Monhegan Wharf & Fish House”. Signed lower left “Sears Gallagher”. Titled on gallery label verso. Watercolor on paper, 14” x 21.5” sight. Framed 20” x 27”. 2,000/3,000 Provenance: Spanierman Gallery, New York.

199

200.

“Crashing Surf at White Head, Monhegan”. Signed lower left “Sears Gallagher”. Titled on gallery label verso. Watercolor on paper, 13.5” x 19.5” sight. Framed 19” x 25”. 800/1,200 Provenance: Spanierman Gallery, New York.

200

88

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Robert Henry Logan Massachusetts, 1875-1942 Lots 201-204

201

202

203

201.

“Lake in Brittany”. 203. “Fishing Boats in Gloucester”. Signed lower right “Logan”. Titled verso. Signed lower right “R. Logan”. Titled verso. Oil on panel, 6” x 7.25”. Framed 12.75” x 14”. Oil on panel, 7.5” x 9.5”. Framed 14” x 16”. 500/1,000 800/1,200 Exhibited: deCordova Museum, Lincoln, Massachusetts.

202.

204

Exhibited: deCordova Museum, Lincoln, Massachusetts.

“Moroccan Street with Flags”. 204. “European Boat at Port”. Signed lower right “Logan”. Titled verso. Signed lower right “R. Logan”. Titled verso. Oil on panel, 7.25” x 5.75”. Framed 14” x 13”. Oil on panel, 5.75” x 7”. Framed 11” x 12.75”. 500/1,000 500/1,000 Exhibited: deCordova Museum, Lincoln, Massachusetts. Exhibited: deCordova Museum, Lincoln, Massachusetts.

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89


Abraham Jacob Bogdanove New York/Maine/Russian Federation, 1887-1946 Lots 205-207

205.

View of Monhegan. Signed lower right “A.J. Bogdanove”. Oil on board, 12” x 16”. Framed 22” x 26”. 1,500/2,500

205

206.

“Boat Landing, Manana Monhegan Island” (Maine). Signed lower right “A.J. Bogdanove”. Titled on gallery label verso. Oil on board, 12” x 16”. Framed 20” x 24”. 1,500/2,500 Provenance: Spanierman Gallery, New York.

206

207.

“Brisk Sea”. Signed and dated lower right “A.J. Bogdanove 35”. Titled verso. Oil on canvas, 25.25” x 30”. Framed 33.5” x 39.5”. 3,000/5,000

207

90

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208.

JEFF WEAVER Massachusetts, Contemporary “Yellow House”. Signed lower left “J Weaver”. Titled verso. Oil on canvas, 24” x 24”. Framed 31” x 31”. 2,000/3,000

209.

RETT STURMAN Vermont, b. 1946 Yard work. Signed lower right. Oil on canvas, 18” x 40”. Framed 25” x 47”. 1,000/2,000

208

209

210.

211.

H. GRAY PARK IV Rhode Island, Contemporary “New Ocean House”. Signed lower right “H. Gray Park IV”. Titled on frame plaque. Oil on canvas, 36” x 36”. Framed 41” x 41”. 500/1,000

210

ALEXANDER FARNHAM New Jersey, b. 1926 View of Watch Hill Cove, Rhode Island, depicting the Ocean House in the background. Signed lower left “A. Farnham”. Oil on canvas, 18” x 24”. Framed 28” x 33”. 2,500/3,500

211

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91


212

212.

GEORGE ARTHUR HAYS Rhode Island, 1854-1945 Cattle in a meadow. Signed lower right “G.A. Hays”. Oil on canvas, 18” x 26”. Framed 26” x 34”. 800/1,200

213.

FREDERICK USHER DE VOLL Rhode Island, 1873-1941 Street scene with figures. Signed lower left “F. Usher De Voll”. Pastel on paper, 10” x 13” sight. Framed 17” x 19”. 400/600

214.

PAULETTE VAN ROEKENS Pennsylvania, 1896-1988 “Westport, R.I. Restaurant”. Titled upper right and signed “P. van R”. Pencil on paper, 9.25” x 6”. Framed 16” x 13”. 300/500

213

214

92

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215.

JAMES CLONNEY New York, 1812-1867 Interior scene with people dining. Signed lower right “Clonney”. Mixed media on paper, 6” x 9” sight. Framed 14” x 18”. 800/1,200

215

216.

AMERICAN SCHOOL Early 20th Century Study of an oak leaf. Unsigned. Handwritten inscription upper right “Oct 14 ...”, followed by a paragraph. Watercolor on paper, 6.5” x 10”. Framed 14” x 17.5”. 200/300

216

217.

GLENN HENSHAW New York/Indiana/Maryland, 1880-1946 “East Side Doorway N.Y.C.”. Signed lower right “Henshaw N.Y.”. Titled on frame plaque. Pastel on paper, 6.75” x 9” sight. Framed 13” x 15”. 800/1,200

217

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93


218.

JAMES DAVID SMILLIE New York/California, 1833-1909 Portrait of a dog. Signed with monogram and dated “Montrose Oct. 20 ‘68” lower left. Charcoal on paper, 12” x 17” sight. Framed 20” x 25”. 700/1,000

218

219, two

219.

94

HOWARD PROCTOR America, 20th Century Portraits of a setter and a retriever. Both signed and dated lower left “Howard Proctor ‘42”. Mixed medias on paper, 12.5” x 10.25”. Framed 19” x 17”. 300/500

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220.

ARTHUR CLIFTON GOODWIN Massachusetts/New York, 1864-1929 “Snowy Banks on the River”. Signed lower right “A.C. Goodwin”. Titled on gallery label verso. Oil on canvas mounted to board, 34” x 40”. Framed 43” x 49”. 7,000/9,000 Provenance: Richards and Clarke Gallery, Boston.

220

221.

BEN FOSTER Connecticut/New York/Maine, 1852-1926 Autumn road. Signed lower left “Ben Foster”. Housed in a hand-carved Newcomb-Macklin frame. Oil on canvas, 30” x 30”. Framed 40” x 40”. 4,000/6,000

221

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95


Martin Johnson Heade New York/California/Florida, 1819-1904 Lots 222-223

222

223

222.

“Across Passamaquoddy Bay - St. George N.B. July 18...”. Unsigned. Titled in pencil lower right. Double-sided work with a landscape sketch verso. Pencil on paper, 5” x 11” sight. Framed 17” x 20.5”. 1,000/1,500 Provenance: Spanierman Gallery, New York.

96

223.

“Thousand Islands”, circa 1860-62. Unsigned. Titled in pencil lower right. Pencil on paper, 6.25” x 9.5” sight. Framed 13.25” x 17.25”. 700/1,000 Provenance: Spanierman Gallery, New York. Eaton Fine Art, Inc., New York.

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224.

JOHN FRANCIS MURPHY New York/Illinois, 1853-1921 “A Shower”. Signed and dated lower left “J. Francis Murphy 1906”. Titled on gallery label verso. Oil on board, 16” x 22”. Framed 28” x 21.5”. 2,000/3,000 Provenance: The Milch Galleries, New York.

224

225.

JOHN FRANCIS MURPHY New York/Illinois, 1853-1921 “Landscape with Stream”. Signed and dated lower left “J. Francis Murphy 94”. Titled on gallery label verso. Oil on canvas, 8” x 10”. Framed 14” x 16”. 1,000/1,500 Provenance: Spanierman Gallery, New York.

225

226.

ARTHUR BOWEN DAVIES New York/California/Italy, 1862-1928 “Ramapo Mountains”. Unsigned. Inscribed in pencil verso “This was done by Arthur B. Davies. M.D. Davies 1965”. Oil on board, 5.75” x 9.25”. Framed 9” x 13”. 1,500/2,500

226

Provenance: Babcock Galleries, New York.

227.

GEORGE HERBERT MCCORD New York/New Jersey, 1848-1909 Sunset over a rocky coast. Signed lower left “G.H. McCord”. Oil on canvas, 26” x 36”. Framed 35” x 35”. 2,000/3,000 227

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97


John Fabian Carlson New York/Colorado/Sweden, 1875-1945 Lots 228-230

228.

“Farm-yard Lyric”. Signed lower right “John F. Carlson”. Titled verso. Watercolor on paper, 25” x 30”. Framed 33” x 38”. 4,500/6,500 Provenance: A Massachusetts Estate.

228

229.

“Evening Poetry”. Unsigned. Estate stamped verso. Titled verso. Oil on board, 8.25” x 10.25”. Framed 15.75” x 17.5”. 2,000/3,000 Provenance: Babcock Galleries, New York. Vose Galleries, Boston.

229

98

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John Fabian Carlson New York/Colorado/Sweden, 1875-1945 Lots 228-230

230

John F. Carlson lived in Sweden until his family immigrated to the United States when he was a young boy, first living in Brooklyn then moving to Buffalo, New York. His family encouraged his talent and enrolled him in local art classes and then at the Arts Students League in New York City. He became an active member of the Arts & Crafts movement in Woodstock, where he met his wife, the artist Margaret Goddard Carlson (see Lots 231-232). The couple moved to Colorado Springs in 1920, where John was director of the Broadmoor Academy, and also spent time on the North Shore of Massachusetts, where he co-founded a summer school in Gloucester with Emile Gruppe. Carlson is known for tonalist paintings, particularly scenes of nature, where he juxtaposed light and shadow.

230.

“Nocturnal Peace”. Unsigned. Estate stamped verso. Titled on gallery label verso. Oil on canvas, 30” x 40”. Framed 38” x 48”. 20,000/30,000 Provenance: Ashley John Gallery, Florida.

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99


Margaret Goddard Carlson New York/Colorado/New Jersey, 1882-1964 Lots 231-232

232 231

100

231.

The town church. Signed lower right “Margaret G. Carlson”. Oil on canvas board, 16” x 12”. Framed 22” x 18”. 2,500/3,500

232.

Carriage outside an inn. Signed lower right “Margaret G. Carlson”. Oil on canvas, 16” x 20”. Framed 25” x 29”. 2,000/3,000

Margaret Goddard Carlson grew up in Plainfield, New Jersey and attended the Art Students League in New York from 1898 to 1899. Within the next decade she had joined Byrdcliffe, the Arts & Crafts community in Woodstock, New York, where there is some indication she was also working with textiles in addition to painting. There she also met artist John Carlson (see Lots 228-230), who would become her teacher and mentor. The two married in 1913. Although she continued to paint, her career was secondary to that of her husband’s. Stylistically the two have much in common, though Margaret’s brush strokes tend to be smaller and fragmented.

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233.

HERMANN DUDLEY MURPHY Massachusetts, 1867-1945 Still life. Monogrammed signature lower right. Label verso for Louisiana Purchase Exposition, St. Louis, 1904. Oil on canvas, 14” x 10”. Framed 20.5” x 16.5”. 3,000/5,000

233

234.

ROBERT WARD VAN BOSKERCK New York/New Jersey/Europe, 1855-1932 “Fall Landscape”. Signed lower right “R.W. Van Boskerck”. Titled verso. Housed in a Newcomb-Macklin frame. Oil on canvas, 18” x 24”. Framed 24” x 30”. 600/900

234

235.

J. ALDEN WEIR New York/Connecticut, 1852-1919 Autumnal landscape. Signed in pencil lower left “J. Alden Weir”. Mixed media, 10.5” x 9” sight. Framed 16” x 15”. 2,000/3,000

235

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101


236 237

238 239

236.

CHARLES EDWIN LEWIS (CEL) GREEN Massachusetts, 1844-1915 Cows in a pasture, Lynn Beach. Signed lower right “C.E.L. Green”. Oil on canvas, 7” x 10”. Framed 15” x 18”. 800/1,000

237.

WILLIAM HOUGHTON PEARCE Massachusetts, 1864-1935 Landscape with apple blossoms. Signed lower right “W.H.S. Pearce”. Oil on board, 8” x 10”. Framed 14.5” x 16.5”. 200/400

102

238.

ATTRIBUTED TO ANNA ELIZA HARDY Maine/Massachusetts, 1839-1934 Still life of roses. Unsigned. Oil on canvas, 7.25” x 11.25”. Framed 17” x 19”. 300/500

239.

ALFRED ADDY Massachusetts/England, 1866-1930 Waves crashing on the shore. Signed lower left “Alfred Addy”. Oil on board, 13” x 20”. Framed 19” x 26”. 250/350

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241

240

242

243

240.

GEORGIE READ BARTON New York, 1902-1994 “‘Brook Crossing’ South Promfret [sic] VT”. Signed lower right “Georgie Read Barton”. Titled verso. Oil on canvas, 24” x 30”. Framed 29” x 35”. 800/1,200

242.

PETER MORAN Pennsylvania, 1841-1914 Landscape with rolling meadows. Signed in pencil lower right “P. Moran”. Mixed media on paper, 7.5” x 11.75” sight. Framed 16” x 19.5”. 300/500

241.

HOWARD RUSSELL BUTLER New Jersey/California/New York, 1856-1934 “At the Dock”. Signed lower right “H.R. Butler”. Titled on frame plaque. Oil on board, 18” x 22”. Framed 23” x 27”. 500/1,000

243.

DANIEL STRAIN Massachusetts, 1847-1925 Grazing cows. Signed lower left “Daniel Strain”. Oil on canvas, 16” x 22”. Framed 20.5” x 26.5”. 900/1,200

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103


244

244.

BOSTON SCHOOL Early 20th Century Portrait of a lady. Unsigned. Oil on canvas, 24” x 20”. Framed 33” x 28”. 400/600

245.

BOSTON SCHOOL Circa 1900 Portrait of a woman wearing a hat. Unsigned. Dated 1899 verso. Oil on canvas, 20” x 16”. Framed 27” x 23”. 700/1,000

246.

DAVID LOWREY Massachusetts, b. 1945 Portrait of a woman in a diaphanous dress. Unsigned. Housed in a handcarved frame by W.F. Scott. Oil on canvas, 30” x 27”. Framed 36” x 33”. 2,000/3,000

245 246

104

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247.

WILLIAM WORCESTER CHURCHILL Massachusetts/Washington, D.C., 1858-1926 Seated nude. Inscribed in pencil in a later hand verso “William W.W. Churchill”. Oil on canvas, 24” x 20”. Framed 30” x 24”. 1,000/2,000 Provenance: Barridoff Galleries, August 4, 2006, Lot #166. Private Collection, Virginia. Private Collection, Massachusetts. Exhibited: Peninsula Fine Arts Center, Newport News, Virginia: “Portraits from the Boston School”, January 25 to April 20, 2014.

247

248.

MARION MONKS CHASE Massachusetts/Illinois, 1874-1957 “Still Life”. Signed lower right “Marion Chase”. Titled verso. Oil on canvas, 32” x 24”. Framed 36” x 28”. 1,500/2,500

248

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105


249

250

249.

GEORGE NEWELL BOWERS Massachusetts/Connecticut, 1849-1909 Portrait of an old woman knitting. Signed and dated lower left “George N. Bowers 1893”. Oil on canvas laid down on board, 18.25” x 13.25”. Framed 23.25” x 18.25”. 1,500/2,000 Purportedly purchased from a dealer who bought it at the estate sale of David T. Kennedy, mayor of Miami from 1970 to 1973.

250.

HENRY HOWARD BROOKS Massachusetts, 1898-1981 Still life of zinnias and marigolds. Signed lower right “Henry H. Brooks”. Oil on canvas board, 16” x 14”. Framed 20” x 18”. 300/400

251.

JOHN HENRY HILL New York/California, 1839-1922 Two landscape sketches. Unsigned. Pencils on paper, 8” x 10”. Unframed. 500/1,000

251, two

Provenance: Spanierman Gallery, New York.

106

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Elihu Vedder New York/Italy, 1836-1923 Lots 252-253

252 253

252.

“Near the Lake Mount ... Must have been the return of the Rustic Rumpus”. Signed lower left “Vedder”. While relined, the reverse has a copy of the original description and is dated “Aug. 6th 1877”. Oil on canvas, 10.5” x 6”. Framed 19.5” x 14.5”. 3,000/5,000

253.

A building, likely in Italy. Signed lower left. Oil on canvas, 12” x 8”. Framed 19” x 15”. 3,000/5,000 Provenance: Raydon Gallery, New York.

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107


254

255, two

256

108

254.

ELIOT CANDEE CLARK New York/Virginia/Europe, 1883-1980 Autumn landscape. Signed lower right “E. Clark”. Oil on canvas board, 8” x 10”. Unframed. 200/400

255.

EDMUND WEURPEL Missouri, 1866-1958 Two moonlit landscapes. One signed lower left “W” and inscribed verso “To Minnie In memory of a Night on the St. Lawrence Edmund.”. Oils on board, 6.25” x 8” and 7.75” x 5”. Framed 9” x 11” and 10” x 6.75”. 800/1,200

256.

DAVID JOHNSON New York, 1827-1908 “Willow”. Monogramed signature lower left “DJ”. Titled in pencil lower left and right “Willow”. Pencil on paper, 11.5” x 16.5” sight. Matted 19.5” x 24.5”. 700/1,000

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257

Along with fellow artists like J. Alden Weir, Childe Hassam and John Henry Twachtman, Leonard Ochtman was a founder of the Cos Cob Art Colony, a group who gathered in the Cos Cob area of Greenwich, Connecticut. Ochtman was a leading figure in the American Impressionist movement and became one of its most visible, successful and influential figures.

257.

LEONARD OCHTMAN Connecticut, 1854-1934 “Winter Tones 1915”. Signed and dated lower left “Leonard Ochtman 1915”. Oil on canvas, 30” x 40”. Framed 45” x 44”. 10,000/15,000 Provenance: Christie’s, Los Angeles, May 3, 2000, Lot #30.

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109


258.

AMERICAN SCHOOL 19th Century Mountain landscape. Unsigned. Oil on canvas, 8.25” x 16”. Framed 16” x 23.5”. 300/500

259.

THEODORE SLAFTER Massachusetts, 1854-1943 Rural landscape with village. Unsigned. Inscribed on stretcher “Theodore Slafter”. Oil on canvas, 9” x 12”. Framed 16” x 19”. 500/700

260.

HORACE P. GILES New Hampshire/Massachusetts/California/Mississippi, 1850-c. 1930s Looking down toward a coastal village. Signed lower right “H.P. Giles”. Oil on board, 10” x 20”. Framed 15” x 25”. 500/1,000

261.

AMERICAN SCHOOL Late 19th Century Flowers in a meadow. Signed lower right “J. Mac...”. Oil on canvas, 14” x 18”. Framed 18.5” x 22.5”. 500/1,000

258

259

260

261

110

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263

262

262.

AARON DRAPER SHATTUCK Connecticut/New Hampshire, 1832-1928 “Waterfall Cascading Over Rocks, New England”. Signed lower left “A.D. Shattuck”. Titled on gallery label verso. Oil on panel, 12” x 7”. Framed 19” x 13.5”. 2,000/3,000 Provenance: Alexander Gallery, New York.

264

263.

GEORGE LORING BROWN Massachusetts/New Hampshire, 1814-1889 Mountain landscape. Signed lower left “Geo. L. Brown”. Watercolor, 12.5” x 19” sight. Framed 22.5” x 29.5”. 300/500

264.

DAVID CURTIS BAKER New Hampshire/Massachusetts, 1915-1999 “Jackson Farm” (New Hampshire). Signed lower left “David Baker”. Titled verso. Watercolor on paper, 17.5” x 26” sight. Framed 26” x 32.5”. 500/800

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111


265.

ATTRIBUTED TO JOHN JOSEPH ENNEKING Massachusetts/New York/Maine/Ohio, 1841-1916 “Twilight through the Trees”. Unsigned. Titled verso. Oil on canvas, 24” x 30”. Framed 32” x 38”. 2,000/3,000

265

266.

JOHN JOSEPH ENNEKING Massachusetts/New York/Maine/Ohio, 1841-1916 Storm at sunset. Signed lower right “Enneking”. Fenway Art Center label verso. Oil on panel, 14.5” x 19”. Framed 23” x 27”. 4,000/6,000 Exhibited: The Minneapolis Institute of Arts.

266

267.

JOHN JOSEPH ENNEKING Massachusetts/New York/Maine/Ohio, 1841-1916 Winter scene at dusk. Signed and dated lower right “Enneking 89”. Pastel on canvas, 10” x 14”. Framed 15” x 19”. 700/1,000

267

112

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268

268.

BEN AUSTRIAN Pennsylvania/Florida, 1870-1921 “21 Chicks and a Bug”. Signed and dated lower right “Ben Austrian 1908”. Titled on gallery label verso. Oil on canvas, 16” x 20”. Framed 20” x 24”. 6,000/8,000 Provenance: Schillay & Rehs Inc., New York.

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113


269

269.

114

EANGER IRVING COUSE New Mexico/New York/Michigan/France, 1866-1936 Herding sheep at sunset. Signed lower right “E.I. Couse”. Oil on canvas, 12” x 16”. Framed 16” x 20”. 4,000/6,000

While primarily associated with his iconic portraits of Native Americans, Eanger Irving Couse spent his early years in France, where he studied under Adolphe Bouguereau and Robert Fleury at the Academie Julian. Over that time he painted many bucolic scenes of the French countryside.

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270

271

270.

CHARLES WARREN EATON New York/New Jersey/The Netherlands, 1857-1937 Twilight in the forest. Signed lower left “Chas. Warren Eaton”. Watercolor on paper, 17” x 26” sight. Framed 22” x 32”. 1,000/1,500

271.

CHARLES WARREN EATON New York/New Jersey/The Netherlands, 1857-1937 Meadow landscape and distant mountains. Signed lower left “Chas. Warren Eaton”. Oil on canvas, 20” x 24”. Framed 25” x 30”. 3,000/5,000

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115


Thomas Hart Benton Missouri/Massachusetts/Kansas, 1889-1975 Lot 272

272

272.

116

Industrial scene with figures. Signed lower right in pencil “Benton”. Ink and inkwash on paper, 9” x 12”. Framed 19” x 15”. 8,000/10,000

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273.

CHARLES SALIS KAELIN Ohio/Massachusetts, 1858-1929 “Winter Evening”. Signed lower left “CS Kaelin”. Titled on gallery labels verso. Pastel on board, 15.75” x 19.5” sight. Framed 23.5” x 27.5”. 1,000/1,500 Provenance: J.J. Gillespie & Co., Pittsburgh. John E.D. Trask, Inc., New York.

273

275

274

274.

ALLEN TUCKER New York, 1866-1939 Portrait of a seated woman wearing a red dress. Signed lower left “Allen Tucker”. Oil on canvas, 30” x 25”. Framed 34” x 29”. 300/500

275.

CARL HOLTY New York/France, 1900-1973 Untitled abstract. Signed lower right “Holty”. Oil on paper, 18” x 12.25”. Framed 26” x 19”. 300/500

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276

277

276.

MARGARET FITZHUGH BROWNE Massachusetts, 1884-1972 “Back Stage”. Inscribed verso “Back Stage by Margaret Fitzhugh Browne”. Oil on canvas, 20” x 16”. Framed 25.5” x 21.5”. 300/500

277.

NANCY TANKERSLEY America, Contemporary Figures at a bar. Signed lower right “N. Tankersley”. Oil on canvas, 20” x 16”. Framed 27” x 23”. 600/900

278.

PHILIP CORLEY Florida, b. 1944 New York cityscape with snow and flags. Monogrammed lower left. Oil on canvas, 20” x 16”. Framed 25” x 21”. 700/1,000

278

118

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279

279.

ATTRIBUTED TO SUSETTE SCHULTZ KEAST Pennsylvania, 1892-1932 Sailboat moored in a harbor. Unsigned. Oil on board, 11” x 14”. Framed 16.5” x 19.5”. 2,000/3,000 Provenance: Private Collection, Pennsylvania.

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280.

CHARLES FREDERICK NAEGELE Tennessee/Georgia/New York, 1857-1944 Landscape, likely Shinnecock Hills. Signed lower left “Charles Frederick Naegele”. Oil on canvas, 14” x 17”. Framed 19” x 21.5”. 2,000/3,000 Provenance: Private Collection, Cape Cod, Massachusetts. Eldred’s, March 31, 2012, Lot #995. Charles Frederick Naegele studied in New York with William Sartain and William Merritt Chase.

280

281.

JAMES GOODWIN MCMANUS Connecticut, 1882-1958 “Old Lyme 1924”. Signed and dated lower right “James Goodwin McManus 1924”. Titled on frame plaque. Oil on board, 12” x 16”. Framed 17” x 21”. 800/1,200

281

282.

JAMES GOODWIN MCMANUS Connecticut, 1882-1958 “Old Witch Hazel Mills, Sterling City Road, Lyme”. Signed verso “James Goodwin McManus”. Titled and dated July 14, 1938 on frame plaque. Oil on board, 12” x 15”. Framed 15” x 19”. 800/1,200 Provenance: Skinner Inc., Boston, February 3, 2012, Lot #442. Private Collection, Connecticut.

282

120

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283

284

283.

ROBERT WILLIAM VONNOH New York/Connecticut/France, 1858-1933 Landscape with stone wall, likely New England. Signed lower right “Vonnoh”. Oil on canvas, 11” x 14”. Framed 17.25” x 20.25”. 3,000/5,000

284.

HENRY WARD RANGER Connecticut/New York, 1858-1915 Landscape with farmyard. Signed lower left with the artist’s triangular signature. Housed in a Newcomb-Macklin frame. Oil on canvas, 18” x 25.75”. Framed 25” x 32.5”. 2,000/3,000

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285

286

287 289 288

285.

286.

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LARRY HOROWITZ New Jersey/New York/Massachusetts, b. 1956 “Windy Beach”. Signed lower left “L. Horowitz”. Titled on stretcher. Oil on canvas, 20” x 24”. Framed 25.5” x 30”. 700/900

LARRY HOROWITZ New Jersey/New York/Massachusetts, b. 1956 “Great Pond Midday”. Signed lower right “Horowitz”. Titled verso. Oil on canvas, 10” x 8”. Framed 17” x 15”. 500/700

287.

DAVID A. FOOTER Maine, Contemporary A chickadee seated on a branch. Signed and dated lower right “David A. Footer 98”. Oil on board, 5” x 7”. Framed 11.25” x 13.25”. 200/300 Provenance: A Massachusetts Estate.

288.

LOUIS GRUBE New York, 1812-1902 Study of autumn leaves. Signed lower center “Louis Grube 1896 Painted on my 84 birthday.”. Housed in a unique frame simulating tree bark. Watercolor on paper, 9.5” x 7.5” sight. Framed 22.5” x 18”. 400/600

289.

RICHARD ROBJENT America, Contemporary A mallard drake and hen. Signed lower right “Richard Robjent”. Watercolor on paper, 9.5” x 12.75”. Framed 17.5” x 21”. 200/300

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290

290.

PETER (FINKELSTEIN) MAX New York/Germany, b. 1937 “Andy with a Mustache”. Version 6, #4. Signed upper right “Max”. Titled and numbered 70538 verso. Acrylic on canvas, 24” x 20”. Framed 35” x 31”. 6,000/8,000 Provenance: Angela King Gallery, New Orleans. Private Collection, Newport, Rhode Island.

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BIDDER INFORMATION

ADVICE TO BIDDERS 1. Carefully read the Conditions of Sale. 2. Pre-sale estimates are provided by the auctioneers for the convenience of our customers. They are not meant to be taken as a guide to the value of an item, but as a guide to its expected selling price. Estimates are prepared well in advance of a sale and are subject to revision. 3. Carefully examine any item that you might consider bidding on for any variation from the catalog description. If you are unfamiliar with auction procedure or terminology, or if you would like clarification of a catalog description, please ask for assistance from our staff. 4. If you wish to leave an Absentee Bid or request a Telephone Bid, please review the Absentee/Telephone Bid Procedure and complete the Bid Form, or complete and submit it on our website, www.eldreds.com. 5. A buyer’s premium will be added to the hammer price of all property sold, to be paid as part of the purchase price. The buyer’s premium is 25% of the final bid price up to and including $500,000, and 10% of the final bid price over $500,000. 6. Online bidding is available through Eldred’s Live! at www.eldreds.com, powered by Invaluable.com with a 25% buyer’s premium. Prospective bidders must register and be approved prior to placing bids or bidding live online. 7. Eldred’s reserves the right to refuse to issue, or to revoke, bidding credentials, or to reject any bid, if deemed necessary and proper in its sole discretion, for the conduct of the auction process, and to insure fairness to consignors and other bidders.

THE PROPERTY LISTED IN THIS CATALOG WILL BE OFFERED AND SOLD SUBJECT TO THE TERMS AND CONDITIONS LISTED IN THIS CATALOG.

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SHIPPING INFORMATION We require prompt payment and removal of your purchases as stated in Paragraph 12 of the Conditions of Sale. If you plan to pick up your purchases, please call ahead and we’ll make every effort to have your items ready. We provide shipping services directly from our gallery for select merchandise including small items, small paintings and rugs. We do not ship glass items or items framed under glass. Our staff can assist with determining if your items qualify for in-house shipping. Shipments from our gallery may take four to six weeks from receipt of payment. You will be charged for the shipping or carrier fees, packing and handling fees, and required insurance. There is a minimum handling charge of $15.00 for all shipments. Depending on the carrier, insurance limits may exist (i.e., Federal Express will only insure up to $500). If we are unable to ship your items we will provide you a list of alternative shipping agents. Upon your approval we will transfer your items to your chosen shipping agent. We require seven to ten business days for your payment to clear our banking system before releasing purchases to your chosen shipping agent. Shipping estimates can be provided only AFTER we receive payment for your invoice.

BIDDING INCREMENTS $0-$49: $5 $50-$199: $10 $200-$499: $25 $500-$999: $50 $1,000-$2,999: $100 $3,000-$4,999: $250 $5,000-$9,999: $500 $10,000-$29,999: $1,000 $30,000-$49,999: $2,500 $50,000-$99,999: $5,000 $100,000 and above: $10,000 Above $300,000 at the auctioneer’s discretion

Please adhere to the above bidding increments. Eldred’s reserves the right to adjust absentee bids to the nearest increment below the bid.

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CONDITIONS OF SALE 1. CORRECTNESS OF DESCRIPTION: Robert C. Eldred Co., Inc. (hereinafter referred to as Eldred’s) has exercised reasonable care to catalog and describe correctly the property to be sold, but neither Eldred’s nor its consignors warrant the correctness of description, attribution, authenticity, or condition of said property. No statements shall be deemed such a warranty or representation or an assumption of liability with respect thereto, but are to be construed as opinions only. Bidders are encouraged to personally examine all property to be sold prior to the beginning of the auction. 2. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered. 3. Eldred’s reserves the right to withdraw any property before the sale. 4. DETERMINATION OF HIGHEST BIDDER: The highest bidder accepted by the auctioneer shall be the buyer. In the event of any dispute between bidders, the auctioneer may determine who is the successful bidder or the auctioneer may re-offer the article in dispute and his decision shall be final. 5. REJECTION OF BIDS: The auctioneer reserves the right to reject any nominal raise or any bid or raise which, in his opinion, is not commensurate with the value of the article being offered. At his discretion, he may also reject any nominal raise or any bid that he may determine as having a detrimental effect on the item in question or the sale as a whole. Eldred’s may refuse to issue bidding privileges to any person not in good credit standing with Eldred’s, or to any person who is deemed by Eldred’s in its sole discretion, to be disruptive of or harmful to established auction practices, either before or after the acceptance of bids or the fall of the hammer. 6. TITLE: Except as herein otherwise provided, title will pass to the highest bidder as determined by the auctioneer, and the property is thereafter at the purchaser’s sole risk and responsibility. 7. PAYMENT: On title passing to the highest bidder acknowledged by the auctioneer, and subject to all the conditions set forth herein, such bidder will thereupon pay the full purchase price. Payment in full is due at the time of sale. Any bills not paid in full within 25 days of the date of the sale will accrue interest at a rate of 1.5% per month. In addition, the purchaser may be subject to one or more of the following actions: a) Any and all legal remedies available to Eldred’s and its consignors by law including without limitation the right to hold the purchaser liable for the total purchase price; b) Immediate cancellation of the sale, with Eldred’s retaining as liquidated damages all payments made by the purchaser; c) Resale of the property at public auction, wherein the original purchaser shall be liable for any deficiency, costs, and Eldred’s commission on both sales. At Eldred’s option, payment will not be deemed to have been made in full until Eldred’s has collected funds represented by checks, or in the case of bank or cashier’s checks, their authenticity has been confirmed. A buyer’s premium will be added to the hammer price to be paid by the buyer as part of the purchase price. 8. ORDER BIDS: Subject to these Conditions of Sale and to such terms and conditions as it may prescribe, but at no charge to the customer, Eldred’s will undertake to execute all order bids submitted to it by a customer who has established credit with said company. Requests for such bidding must be given in writing with such clearness as to leave no room for misunderstanding as to the amount to be bid and must state the catalog number and the name or title of the article to be bid on. Telephone bids must be confirmed in writing or by cable. All bids are kept in strict confidence. In the event of identical bids, the earliest received by Eldred’s will take precedence. Eldred’s shall not be held responsible for errors or failure to execute bids. A deposit of 10% of the total amount bid is required. TELEPHONE BIDS: While the sale is in progress, bidding by telephone may be allowed by the auctioneer at his discretion. A deposit of 10% of the anticipated top bid is required. Eldred’s shall not be held responsible for any failure to properly execute

such a bid whether it be due to equipment failure, loss of connection, or failure to hear or understand the bidder’s directions. Any advice or opinions provided by Eldred’s or its employees are given strictly as a courtesy and are not a warrant of condition, attribution, authenticity, or description of said property. All bidding by telephone is solely at the risk of the bidder. ONLINE BIDS: Eldred’s shall not be held responsible for any failure to properly execute bids placed online. All online bidding is solely at the risk of the bidder. 9. CONDITION: If for any cause whatsoever any article sold cannot be delivered, or cannot be delivered in as good condition as the same may have been at the time of sale, due to a failure or damage on the company’s part, the sale will be cancelled, and any amount that may have been paid on account of the sale will be returned to the purchaser. EXCEPTION: Eldred’s will not be held responsible for damage to picture frames or lampshades. 10. SALES TAX: All purchases are subject to the Massachusetts sales tax (currently 6.25%) unless the purchaser: A) possesses a Massachusetts sales tax exemption or resale number and registers that number with the company, B) is an out-of-state vendor who meets all the requirements of Massachusetts Department of Revenue GLC 64H 1(5) and Directive 89-10 and registers with the company prior to each purchase, or C) has purchases shipped out of state (with the exception of Connecticut and New York) directly from Eldred’s by a bona fide shipping agent. Connecticut residents picking items up in our Mystic branch or having purchases shipped to their Connecticut address are responsible for CT state sales tax (currently 6.35%). New York residents having purchases shipped to their New York address are responsible for NY state sales tax (currently 4.0%). Due to the 2018 U.S. Supreme Court ruling in South Dakota v. Wayfair, residents of other states may be required to pay their state sales tax on purchases as we meet each state’s nexus requirements. Dealers, museums, etc. can apply for a Massachusetts number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation, 100 Cambridge Street, Boston, MA 02204. 11. RESERVES: Unless advertised as an “Unreserved Auction”, all sales may have items subject to reserve (an agreed upon price between the auctioneer and the consignor, below which the article will not be sold). 12. COLLECTION OF PURCHASES: Delivery or shipping arrangements must be made within seven (7) days from the close of the auction for all purchases. All items must be removed from Eldred’s facilities within fourteen (14) days of the end of the auction. All items remaining after fourteen days may be subject to a $5/per item/perday storage fee. No items will be released unless storage fees are paid in full. Items remaining over thirty (30) days from the close of the auction may be sold for the buyer’s account minus auction and storage fees. 13. PACKING: Purchasers are advised that packing and/or handling by Eldred’s employees is undertaken solely as a courtesy for the convenience of customers. In the case of fragile articles, it will be undertaken at the sole discretion of the company. Handling and packing by Eldred’s is at the risk of the purchaser. SHIPPING: When requested, Eldred’s may arrange shipment of paid purchases. Eldred’s will not be responsible for damage or loss once the item has been received by the shipper. In the case of fragile articles, shipping will be undertaken at the sole discretion of the shipper. Please refer to our Advice to Bidders for details. 14. These Conditions of Sale cannot be altered except in writing by Eldred’s or by public announcement by the auctioneer at the time of the sale. 15. Bidding on any article(s) indicates acceptance of the terms set forth above. 16. These Conditions of Sale and any suits arising thereunder shall be construed and governed by the laws of Massachusetts.

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ABSENTEE/TELEPHONE BID FORM 1. Clearly print the lot number, the item description and the highest amount you are willing to pay. Please follow our standard bidding increments. 2. Carefully review your bid form for accuracy of lot numbers, phone numbers, shipping information, etc. Although we attempt to confirm descriptions against lot number, bids are posted by lot number. 3. Please submit your bids in a timely manner, to avoid the chance of posting error. We request all bids be received by 3 p.m. the day before the auction. In the event of identical Absentee bids, the earliest received takes precedence. 4. A 10% deposit is required. If you are successful, the amount of your deposit will be applied toward your invoice. If you are not successful, the full amount will be returned promptly to you. 5. A buyer’s premium will be added to the hammer price of each lot, to be paid as part of the purchase price. The buyer’s premium is 25% of the final bid price up to and including $500,000, and 10% of the final bid price over $500,000.

Are you a new bidder with Eldred’s?

Yes:

No:

If so, please also complete our Buyer Pre-Registration form.

6. At the conclusion of the sale you will be notified if you were the successful bidder. All invoices must be paid in full within ten (10) days of the close of the auction. We accept checks, cash, money orders, wire transfers and major credit cards for payment. There is a 2% buyer’s premium discount for payment made in full via cash, check, money order or wire transfer within ten (10) days of the invoice date. Credit cards can only be used for up to $5,000 of the invoice total and the card must have a U.S. billing address. Mixed payment methods are not eligible for the buyer’s premium discount. We reserve the right to hold goods until payment has cleared. 7. All purchases are subject to state and local sales tax unless you possess a Massachusetts or out-of-state sales tax exemption or resale number and register that number with us. The Robert C. Eldred Co., Inc. offers this service as a convenience to its clients and will not be held responsible for errors or failure to execute bids.

SALE TITLE: SALE DATE:

NAME:

Lot #

Item Description

Maximum Bid or “phone” for Telephone Bid

ADDRESS: check if change in address

PHONE: ALTERNATE PHONE: EMAIL: Signature (required): By signing you agree to place the above bids in the auction listed, subject to the Terms and Conditions of Sale put forth by The Robert C. Eldred Co., Inc. All bids are kept in strict confidence.

Date: SHIPPING Do you have a tax resale #? Yes: Will pick up:

No:

Ship to address above:

25% buyer’s premium will be added to the hammer price. See Item 5 above.

Or ship to:

Total 10% Deposit

Have you examined the items listed above?

Yes:

All property must be removed from our facility within 28 days of the close of the auction or be subject to a $5 per item/per day storage fee.

PLEASE SEND FORM AND DEPOSIT TO THE ROBERT C. ELDRED CO., INC. P.O. BOX 796, EAST DENNIS MA 02641 www.eldreds.com

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info@eldreds.com

Phone: 508-385-3116

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Fax: 508-385-7201

No:


BIDDER PRE-REGISTRATION Thank you for your interest in bidding in our auction. If you have not been a successful bidder with Eldred’s in the past, please help us establish your bidding credentials by completing this form and selecting one of the options that follow. CLIENT INFORMATION Name:

Phone:

Company:

Alternate Phone:

Address:

Email:

City:

All bidders holding a valid Massachusetts or out-of-state resale number must provide their certificate or a copy thereof when registering. Failure to do so will subject the bidder to paying 6.25% Massachusetts sales tax on purchases.

MA Resale #: State:

ZIP:

FINANCIAL REFERENCES Please select one of the following options: 1. DEPOSIT Submit a deposit representing 10% of the total order, either by mailing a check to the address below or providing a credit card number. We accept Visa, MasterCard, American Express and Discover with domestic billing addresses in amounts up to $5,000.00. 2. LETTER OF CREDIT FROM YOUR BANK Please have your bank fax us at 508-385-7201. Letter must be on bank letterhead. 3. AUCTION HOUSE REFERENCE Complete the information requested below. Advance notice is required for this option as it is often difficult to reach the appropriate contact. You may have to authorize release of information. Please be aware Christie’s and Sotheby’s will not divulge any credit information. Auction House:

Auction House Phone:

Contact:

Account #:

Auction House:

Auction House Phone:

Contact:

Account #:

Auction House:

Auction House Phone:

Contact:

Account #:

SIGNATURE (required):

Date:

Bids will not be accepted without your signature on this form. By signing you agree to place the above bids in the auction listed, subject to the Terms and Conditions of Sale put forth by The Robert C. Eldred Co., Inc.

Please send form and deposit to THE ROBERT C. ELDRED CO., INC. P.O. Box 796, East Dennis MA 02641 www.eldreds.com

info@eldreds.com

Phone: 508-385-3116

Fax: 508-385-7201

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invitation to consign

NOW ACCEPTING CONSIGNMENTS FOR 2021AUCTIONS COMPETITIVE RATES PERSONALIZED SERVICE EXCEPTIONAL PRICES REALIZED 508-385-3116 I consign@eldreds.com

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“Divided Head� by Henry Spence Moore (United Kingdom, 1898-1986), sold for $137,500, June 2020

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Illustrations Cover Lot 106 Inside Cover Lots 68 Page 4-5 Lot 191 This Page Lot 100

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