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OXFORD
UNIVERSITY PRESS
Great Clarendon Street, Oxford, OX2 6DP, United Kingdom
Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries
© Oxford University Press 2019
Index © Helen Snaith 2019
The moral rights of the authors have been asserted
First published in 2019
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above.
You must not circulate this work in any other form and you must impose this same condition on any acquirer
British Library Cataloguing in Publication Data
Data available
978-0-19-843461-0
13579108642
Paper used in the production of this book is a natural, recyclable product made from wood grown in sustainable forests. The manufacturing process conforms to the environmental regulations of the country of origin.
Printed in Great Britain by Bell and Bain Ltd. Glasgow
Acknowledgements
The publisher and authors would like to thank the following for permission to use photographs and other copyright material:
Cover image: Shutterstock; p2: Shutterstock; p8: Ditty_about_summer/ Shutterstock; p10: Dragon Images/Shutterstock; p11 (B): Rawpixel.com/ Shutterstock; p12: Davide Zanchetta/Shutterstock; p13: Rawpixel.com/ Shutterstock; p16: Agsandrew/Shutterstock; p18: U2/Shutterstock; p19: Yumid/Shutterstock; p23: Yayayoyo/Shutterstock; p25 (M): Humberto Blanco/Sylvie Poggio Artists Agency; p25 (B): Ten03/Shutterstock; p28: Humberto Blanco/Sylvie Poggio Artists Agency; p30: The Picture Art Collection/Alamy Stock Photo; p45: Geraint Lewis/Alamy Stock Photo; p46: Eliot Elisofon/The LIFE Picture Collection/Getty Images; p55: Stefano Buttafoco/Shutterstock; p70: Everett Historical/Shutterstock;
p85: Artefact/Alamy Stock Photo; p86: Doom.ko/Shutterstock; p95: Scott McCloud; p96: Primsky/Shutterstock; p97-99: Jim Medway; p100 (B): Angel DiBilio/Shutterstock; p102: Hulton Archive/Getty Images; p104: WENN Ltd/Alamy Stock Photo; p105: Bruce Glikas/FilmMagic/ Getty Images; p108: Gregory, Alex/Cartoon Stock; p109: Jens Goepfert/ Shutterstock; p110 (T): Reinhold Leitner/Shutterstock; p110 (M): Caesart/ Shutterstock; p110 (B): Sophy Ru/Shutterstock; p113 (T): Sklifas Steven/ Alamy Stock Photo; p113 (BL): Ian Dagnall/Alamy Stock Photo; p113 (BR): James Leynse/Corbis/Getty Images; p114: Photothéque Musée des Augustins, photo: Daniel Martin/Wikimedia; p126 (T): Alastair Muir/ Shutterstock; p126 (B): Geraint Lewis/Shutterstock; p127: Norma Film Prod/Kobal/Shutterstock; p128: Jean-Marc ZAORSKI/Gamma Rapho/ Getty Images; p132 (T): Naeblys/Shutterstock; p132 (B): Leonard Zhukovsky/Shutterstock; p133: arjorie Kamys Cotera/Bob Daemmrich Photography/Alamy Stock Photo; p139: Feng Yu/Shutterstock; p140 (T): Everett Collection Inc/Alamy Stock Photo; p140 (B): Stocksnapper/ Shutterstock; p143: CHOATphotographer/Shutterstock; p145: Vitya_M/ Shutterstock; p151 (T): Mycteria/Shutterstock; p151 (B): David Lee/ Shutterstock; p152: Heritage Image Partnership Ltd/Alamy Stock Photo; p153 (T): Simon Annable/Shutterstock; p153 (B): Evan AgostinifInvision/ AP Images; p155: Dario Lo Presti/Shutterstock; p162: Galyna Andrushko/ Shutterstock; p163: CBW/Alamy Stock Photo; p164: Everst/Shutterstock; p170: Ragnar Schmuck/Getty Images; p170: Jiris/fShutterstock; p171: Logoboom/Shutterstock; p175: Lightspring/Shutterstock; p177 (T): Jne Valokuvaus/Shutterstock; p177 (M): Anna Jurkovska/Shutterstock; p177 (B): New Person/Shutterstock; p178: Optimarc/Shutterstock; p179: Frankie’s/{Shutterstock; p180 (T): Mr. Arakelian/Shutterstock; p180 (B): Fotomak/Shutterstock; p181: Alice-photo/Shutterstock; p182: Mihaila Cristian Ionut/Alamy Stock Photo; p183 (T): Tylinek/Shutterstock; p183 (B): Blend Images/Alamy Stock Photo; p184: Triff/Shutterstock; p185: Halfpoint/Shutterstock; p186: Koca Vehbi/Shutterstock; p187 (T): T.Den/Shutterstock; p187 (B): Chrisdorney/Shutterstock; p188 (T): William Perugini/Shutterstock; p188 (B): Paul Rushton/Shutterstock; p189: © Tate, London 2014; p190: Syda Productions/Shutterstock; p191: Tupungato/Shutterstock; p192 (T): GuruXOX/Shutterstock; p192 (M): Gabriele Huller/Shutterstock; p192 (B): TkKurikawa/Shutterstock; p193: William Perugini/Shutterstock; p194 (T): Sander van der Werf] Shutterstock; p194 (B): Sirtravelalot/Shutterstock; p197: 9Gawin/ Shutterstock; p201: Dan Leeth/Alamy Stock Photo; p204: Igor Kisselev/ Shutterstock; p207: Martin Shields/Alamy Stock Photo; p208: Granger Historical Picture Archive/Alamy Stock Photo; p209: Neal Boenzi/ New York Times Co./Getty Images; p211: Eric Isselee/Shutterstock; P212: Africa Studio/Shutterstock; p213: W.C. Williams; photograph byVysotsky/Wikimedia; p216: Steve Vidler/Alamy Stock Photo; p218: Daniel J. RaofShutterstock; p223: Eric Fougere/VIP Images/Corbis via Getty Images); p225: Ben Molyneux/Alamy Stock Photo; p227: Unuchko Veronika/Shutterstock; p231: Kathy deWitt/Alamy Stock Photo; p232 (T): George Konig/Shutterstock; p232 (B): ZUMA Press, Inc./Alamy Stock Photo; p236: 360b/Shutterstock; p237: AF archivef/Alamy Stock Photo; P239: Kubicka/Shutterstock; p240: Liz Kcer/Shutterstock; p243 (T): Melissamn/Shutterstock; p243 (B): Peter Conner/Alamy Stock Photo.
Artwork by Aptara Corp. and OUP.
Continues on page 250.
