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OXFORD
UNIVERSITY PRESS
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Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries © Oxford University Press 2019
Index © Jane Wright 2019
The moral rights of the authors have been asserted
First published in 2019
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You must not circulate this work in any other form and you must impose this same condition on any acquirer
British Library Cataloguing in Publication Data Data available
978-0-19-843452-8
13579108642
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Acknowledgements
The publisher and authors would like to thank the following for permission to use photographs and other copyright material:
Cover: sunsinger/Shutterstock; All other photos © Shutterstock, except: P7(t): Artepics/Alamy Stock Photo; p7(b): Camila Fontenele de Miranda; p9: Pamphlet 13: “The Emotions of London”, Ryan Heuser, Franco Moretti and Eric Steiner (October 2016), Literary Lab, litlab.stanford.edu; p14: Yanming ZhangfAlamy Stock Photo; p16: CARRIE MAE WEEMS/Untitled (Man reading newspaper), 1990 © Carrie Mae Weems. Courtesy of the artist and Jack Shainman Gallery, New York.; p24: Brooke Shields by Howard Schatz from Schatz Images: 25 Years © Howard Schatz and Beverly Ornstein 2016/With permission from Brooke Shields; p30: Granger Historical Picture Archive/ Alamy Stock Photo; p34: Oxford University Press; p36(t): Fray Hortensio Felix Paravicino (1580-1633) 1609 (oil on canvas), Greco, El (Domenico Theotocopuli) (1541-1614)/Museum of Fine Arts, Boston, Massachusetts, USA www.mfa.org; p36(b): Mary Sicard David by Thomas Sully 1813 Wikiart/ Public Domain; p36(r): Woman with a guitar by Popova, Lyubov Sergeyevna (1889-1924)/Regional Museum of Fine and Applied Art, Smolensk/1914/Russia/ Oil on canvas A. Burkatovskif[Fine Art Images/1320/Superstock; p43: Kaitlin Rebesco/Moment/Getty Images; p46: War Relocation Authority photographs: Japanese-American evacuation and resettlement, BANC PIC 7967.014 v,78 C-838-PIC. Courtesy of The Bancroft Library, University of California, Berkeley; P5O0: Terry Lott/Getty Images; p51: dpa picture alliance/Alamy Stock Photo; P54: Richard Ellis/Alamy Stock Photo; p80: David Rumsey Map Collection, www.davidrumsey.com; p82: Ogilvy & Mather, New-York/American Express/ Photographer Christian Stoll; p88: Marvel/Disney/Kobal/Shutterstock; p92: Interscope Records; p94(t, b): Marvel/Disney/Kobal/Shutterstock; p100(tl): Hunters in the Snow (Winter), 1565 (oil on wood), Bruegel, Pieter the Elder (c.1525-69)/Kunsthistorisches Museum, Vienna, Austria/Art Library/Alamy Stock Photo; p100(cl): Spiffy]fiStockphoto; p100(br): Maurice Sendak
Foundation; p112: JANEK SKARZYNSKI/Getty Images; p114: Henry Ford Museum; p115: Advertising Agency: Sancho BBDO, Bogotd, Colombia Creative Directors: Giovanni Martinez, Hugo Corredor, Miguel Rojas Art Directors: Diana Avellaneda, Lina Maria Leal Copywriters: Jonathan Castillo, Nicolas Murillo, Fabio Medina Illustrator: Carlos Ribero Additional Credits: Gold Lion; p116(t): Fir Forest I, 1901. Artist: Klimt, Gustav (1862-1918) Heritage Image Partnership Ltd/Alamy Stock Photo; p116(c): Hassmann, C. (1907) The massacre of the trees/CH monogram. 1907. N.Y.: J. Ottmann Lith. Co., Puck Bldg., April 3. [Photograph]| https:/fjwww.loc.govfitem/2011647191; p116(b): Bhojepore Ruins, India, drawing by Auguste Allonge (1833-1898) from sketch by Rousselet, from The Hindustan, by Louis-Theophile Marie Rousselet (1845-1929)/Veneranda Biblioteca Ambrosiana, Milan, Italy/DEA/BIBLIOTECA AMBROSIANA/Getty Images; p117: Geographer, 1669 (o0il on canvas), Vermeer, Jan (Johannes) (1632-75)/Stadelsches Kunstinstitut, Frankfurt-am-Main, Germany/Heritage Image Partnership Ltd/Alamy Stock Photo; p118: M.C Escher’s “Day and Night” ©2018 The M.C. Escher Company- The Netherlands. All rights reserved. www.mcescher.com; p119: Sean Gallup/Getty Images © ADAGSP, Paris and DACS, London 2018; p121(t): Maesta of Duccio (Maesta del Duomo di Siena), by Duccio di Buoninsegna, 1308/Art Collection 3/ Alamy Stock Photo; p121(b): The Avenue at Middelharnis 1689 by Meindert Hobbema (1638 - 1709) classicpaintings/Alamy Stock Photo; p122: Valley of the Yosemite by Albert Bierstadt 1868/Museum of FIne Arts Boston/Art Collection 3/Alamy Stock Photo; p123: © Victoria and Albert Museum, London; p124: Dynamism of a Car( 1913) by Luigi Russolo/The Picture Art Collection/Alamy Stock Photo; p126(t): Nike GREEN: Creative/Art Director: Adriano Morais Copywriter: Guga Rassoul Retouching: Caué Andrade; p126(b): ROBIN WOOD/ Nlustrator: Illusion, Bangkok; p127(t): A Poison Tree. Songs of Innocence and of Experience by Blake, William (1757-1827)/Metropolitan Museum of Art, New York/ca 1825/A. Burkatovski/Fine Art Images/Superstock; p127(b): Martin Pyper; p137: Sean Gallup/Getty Images; p158: Michael Dodge/Getty Images; p162(t): Roc Nation/Tidal; p162(b): A RODRIGUEZ/BEI/Shutterstock; P170: Sexton, Adam and Pantoja, Tintin. Shakespeare’s Hamlet: The Manga Edition. Hoboken, NJ: Wiley Publishing, Inc. 2008; p171: Rex/Shutterstock; P173: baypixx/Alamy Stock Photo; p185: iStockphoto; p190: worldmapper. org; p194, 199: AF archive/Alamy Stock Photo; p210: Illustration Artist: Guo Jing Xiong, Courtesy of TaoBao and mcgarrybowen China; p229: The Native American captivity of Mrs. Mary Rowlandson during King Philip’s War in 1676. Wood engraving, late 19th century, by Edward Whymper./Granger Historical Picture Archive/Alamy Stock Photo; p231: Helen H. Richardson/Denver Post/Getty Images; p233: Lalo Alcaraz; p237(t): Kevin Mazur/Getty Images; P237(b): NurPhoto/Getty Images; p238(tl, tr, bl, br): Advertising Agency: Moma, Sao Paulo, Brazil Creative Director: Rodolfo Sampaio Art Director: Marco Martins Copywriter: Adriano Matos Illustrator: 6B Studio; p242: National Film Board of Canada; p247: UNESCO p249: Elizabeth Williams/ AP/Shutterstock; p266: American advertisement for Campbells vegetable soup, from american magazine McCall’s, 1943/PVDE/Bridgeman Images; P272: Gabriel Olsen/Getty Images; p275: INTERFOTO/Alamy Stock Photo; P281: Geraint Lewis/{Alamy Stock Photo; p285: Everett Collection Inc/Alamy Stock Photo; p289: AF archive/Alamy Stock Photo; p290: 3Turn Productions; P292: Tree of Codes, Visual Editions Ltd; p294(l): Portrait of Pierre Seriziat (1757-1847) the artist’s brother-in-law, 1795 (oil on panel), David, Jacques Louis (1748-1825)/Louvre, Paris, France; p294(r): Monsieur Seriziat, 19101960 © 2012 Kehinde Wiley. Used by permission.; p301: Geraint Lewis| Alamy Stock Photo; p305(1): Kevin Mazur/TAS/Getty Images for TAS; p305(r): Tracy Barbutes/ZUMA Press, Inc./Alamy Stock Photo; p308(1, c, 1), p309(l, r): Jason Saenzfwww.saenzsigns.com; p312: Heritage Image Partnership Ltd/ Alamy Stock Photo; p316: Historic Collection/Alamy Stock Photo; p317(b): Iain Masterton/Alamy Stock Photo; p318: Bill Chaplis/AP/Shutterstock; p324: Linda Dawn Hammond/Alamy Stock Photo; p326: Triple Self Portrait 1970 by Everett Raymond Kinstler/Collection, National Academy Museum, NYC; P340: famouspeople/Alamy Stock Photo; p342: NIKE; p352: Sight Unseen by Lee Ranaldo and Leah Singer: Photo by Anthony Kiendl; p362: Tessa Bunney/ Getty Images; p372: Advertising Agency: Medina Turgul DDB, Istanbul, Turkey Creative Director: Gokhan Erol Associate Creative Directors: Ozan Can Bozkurt, Erdem Koksal Art Director: Cihan Eryilmaz Copywriter: Levent Onur Ozdogan Photographer: Kerim Ayhan Yanik Postproduction: Moonshot Production; p373: Paul Kane/Getty Images; p386: Courtesy of the artist.
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