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Janson HistoryofArt

andsecular)playarolehereintheexplorationofthevisualcul-

sandamodernrecon-

(Munich);Jean-SimeonChardin The

theBenedictineChurchatRohr.SectionsofthischapterarereorganizedtoaccommodatetheremovalofMarie-LouiseÉlisabeth Vigée-Lebrun,SirThomasGainsboroughandSirJoshua

JoshuaReynolds,ThomasGainsborough,andVigée-Lebrunare entrancetotheSaltworksatArc-et-Senans;aswellastheaddition

B.SusanMaxwell,University

Hattersley-Smith,JuliaRuxton,AmandaRussell,andSimonWalshoversaw

sought-afterportraitistoftheperiod.Copleyeasilyoutstripped

Copleywaslargelyself-taught,learninghistradebylookingat black-and-whiteprintsofpaintingsbytheEuropeanmasters.

(restored)

Inasense,artisaformofpropaganda,foritrepresentsanindividual

Catholicisminsixteenth-centuryItaly,whiletheArchofTitus prowessofthefirst-centuryRomanemperor.Evenlandscape

irreverentlyprovidedone:Sheissexuallyaroused.Withthechildtheage-oldidealofoilpaintingrepresentingthepinnacleofart.

mass-producedreproduction.Artistscanuseanyimaginable

Duchamp

Duchamp

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