Issuu

Edition Patrick Frey

Freelife Cento

Catalog AW 21 / SS 22

250 g/m2

Edition Parick Frey

Terraprint Silk

Catalog AW 21 / SS 22

90 g/m2

New Releases

Polaroids, Cary Loren

288

Monsters in Suits, Nicolas Frey

290

FUTURE MEMORIES, Taiyo Onorato & Nico Krebs

314

Krise der Expertise, Gil Eyal

322

Pathé’O, HAMMER / Morand / Rothenberger

(F) 323

Pathé’O, HAMMER / Morand / Rothenberger

(E) 324

A Few of My Favorites, Armando Alleyne

325

120 bpm, Philipp Mueller

326

Krise der Expertise Expertise, Gil Eyal

(eBook) 327

Heroes and Ghosts, Mathis Gasser

328

Vom Leben einer Unangepassten, Elisabeth Kübler

329

La mia commedia dell’arte, Jacqueline Burckhardt

330

AA Bronson’s House of Shame, AA Bronson

331

Orlando, Klodin Erb

332

Solitudes of Human Places, Jong Won Rhee

333

Lunar Invasion, Francisco Sierra

334

Oh Yeah / Yello 40, Boris Blank, Dieter Meier

335

Eingeweide, Pillen, Feminismus, Elizabeth A. Wilson

336

Eingeweide, Pillen, Feminismus, Elizabeth A. Wilson

(eBook) 337

A Life with Art and Artists, Trix + Robert Haussmann

338

Untitled, 1964–1998, Josef Herzog

339

The Image-Sweep. Paintings 1989–2001, Matthias Groebel

340

WHY OMAHA?, Darius Koehli

341

Magnificent Obsessions Saved My Life, Matthias Brunner

342

NO PONTE, Giuseppe Micciché

343

Die Nudistenfilme des Schweizers Werner Kunz, Matthias Uhlmann

344

Walter Grab (1927–1989). Werkkatalog, Schallberger / Kappeler / Grab

345

Edition Parick Frey

Catalog AW 21 / SS 22

This catalog was printed by the Italian printer Musumeci on leftover paper and dead stock of cancelled jobs. In the wake of COVID-19 and the ensuing supply chain and paper crisis, paper has these days become hard to get and expensive. Paradoxically, at the same time tons of unused paper are destroyed. As the latter is often cheaper than to re-use the paper, due to storing costs.

This Catalog is part of The Waste Paper Project

Lessebo Design Natural

www.wpproject.org

130 g/m2

Polaroids Cary Loren Polaroids by American artist, musician, writer and bookshop keeper Cary Loren interleaves snapshots of his 1970s Detroit entourage with photographs of his elaborately staged collage assemblages of prints, TV stills, magazine covers, stickers, movie posters and other ephemera. The Polaroid medium enables him to manipulate what are seemingly unrelated visual idioms and image carriers in the development process by scratching and pressing the emulsion and combining them into pictures of painterly quality. Loren’s alchemy of works fuses personal with mythological elements, mixing Christian iconography with icons of pop, sci-fi / monster and B-movie culture with the Golden Age of Hollywood as well as aesthetics from trash magazine publications (The National Enquirer, Famous Monsters of Filmland and Screw) into a highly idiosyncratic post-Warholian pop cultism. The Addams Family rubs shoulders with heavenly angels, as does the notions of the grotesque morphing with the beautiful. It’s Loren’s reinterpretation of Dante’s Inferno which is lined with the chaotic backdrop of cupcakes and hearts. Loren ultimately creates ecstatic pictorial altars of memento mori, at once reverentially and irreverently indulging his obsession with pop and trash culture, glamour, transience and death. This artist’s book includes an interview conducted by American artist Cameron Jamie in cemeteries beside the graves of Loren’s idols (including Vampira, Ed Wood Jr, Jane Mansfield), where Loren’s own life story is told against the biographical background of those buried icons of pop culture.

Cary Loren (b. 1955 in Detroit) is an artist, musician and author. He is one of the founders of the legendary noise / rock band Destroy All Monsters along with Mike Kelley, Jim Shaw and Niagara. His works are included in the collections of the Centre Pompidou in Paris and the Museum of Modern Art in New York. As of 1982, he is co-owner of the bookshop Book Beat in Oak Park, Michigan.

ISBN 978-3-906803-88-3

No 288

C A R E Y L O R E N

Edition Patrick No

Cary Cary Loren Loren P P ola ola roids roids

P O L A R O I Frey D XXX S

C A R E Y L O R E N

P O L A R O I D S

Hardcover 108 pages, 52 images 20 × 26 cm | 8 × 10 ¼ in. Design by Cameron Jamie, Teo Schifferli With an interview by Cameron Jamie with Cary Loren CHF 43 | EUR 43

mummy_booze_pola2.jpg mummy_booze_pola2.jpg

Op Medical Print

50 g/m2

Monsters in Suits Nicolas Frey It stares grimly out of its wide-open bloodshot eyes, while the row of tentacles concealing its oral fissure seem to judder voraciously. The membrane covering the next one’s head is so thin you can see its brain bulging out beneath it. Still others have flat reptilian faces or canine heads, trunks, beaks, pointed ears, feelers and / or teeth sticking up through the tops of their heads. Wherever you look you’ll see warts, bristly, pathologically proliferating tufts and mops of hair, staring cyclops’ eyes, droopy ears, impish toothless grins, ginormous eyes with multiple pupils. And in between, details of their sleeves, cufflinks and shirt buttons displaying skulls, as if from a mail-order catalog of horror. Monsters in Suits neatly lines up this whole cabinet of horrors in a series of mock-official busts. The bigshots of politics and business are captured and caricatured here in dark blue ballpoint pen. But these aren’t straightforward portraits of Nestlé’s CEO (“Water is not a human right”), the head of the Ku Klux Klan or the ringleaders of far-right youth groups. They are distorted by the subconscious into grotesque monsters and bogeymen, each fitted out with the trappings of respectability: namely a suit and tie. They’re ready for business — whatever the cost to the welfare of the world. Here, for once, they show their true colors — and their true mugs.

Nicolas Frey (b. 1992, Zürich) is a freelance artist based in Zürich. He studied fine arts at the Zurich University of the Arts ZHdK and at the Lucerne University of Applied Sciences and Arts.

ISBN 978-3-906803-90-6

No 290

Softcover 70 pages, 140 images 17 × 22 cm | 6 ¾ × 8 ¾ in. Design by Teo Schifferli CHF 36 | EUR 36

Arcoprint Edizioni

90 g/m2

FUTURE MEMORIES Taiyo Onorato & Nico Krebs FUTURE is a series of five or six publications by Taiyo Onorato & Nico Krebs to be published by Edition Patrick Frey over the next few years. The various chapters in the series will be published on an ongoing basis, though not according to any content-based planning or timetable. The idea is to make the most of our present-day capabilities to react directly to events or sensibilities and rapidly publish the results. The first installment of the FUTURE series, entitled FUTURE MEMORIES, explores how our conceptions of the future have changed over the past few decades, how that affects our take on the present and our reactions to changes that lie ahead. Re-created by Taiyo Onorato & Nico Krebs for the most part out of archival material, the pictures in this book constitute a material exploration of the fact that every vision or illustration of the future is bound to be a collage of images drawn from the past. Using a combination of large-format analog photography and various digitally controlled laser technologies, the artists have created a visual world that makes sci-fi allusions and takes an associative approach to an emotional world that swings back and forth between the optimism of the artists’ childhood and the dystopianism of the present day and age.

Taiyo Onorato & Nico Krebs (Swiss, both b. 1979) studied photography at the Zurich University of the Arts ZHdK. Since 2003, they work together on photography, film and installation projects. Edition Patrick Frey already published their books The Great Unreal and Continental Drift.

ISBN 978-3-907236-14-7

No 314

FUTURE MEMORIES

EDITION PATRICK FREY N° 314

EDITION EY PATRICK FREY N° 314

FUTURE MEMORIES

UTURE FUTURE MORIES MEMORIES

TAIYO ONORATO & NICO KREBS

RATO TAIYO ONORATO SNICO KREBS

Softcover 72 pages, 80 images 22 × 28 cm | 8 ¼ × 11 ¾ in. Design by Claudio Barandun CHF 43 | EUR 43

Gardamatt Ultra

160 g/m2

EPF Essays No. 01 Die Krise der Expertise Gil Eyal Der Begriff der Expertin hat in politischen Auseinandersetzungen der letzten Zeit einen Wertewandel von der Überhöhung zur Geringschätzung erfahren, die meist von einer Aneinanderreihung unzähliger Beispiele für das Versagen und Fehlverhalten von Fachleuten begleitet wird. In so verschiedenen Zusammenhängen wie dem Brexit, dem Klimawandel oder der Vorsorgeimpfung begegnet man einem spürbaren Misstrauen gegenüber Expert:innen und einer zunehmenden Neigung, ihren Rat in den Wind zu schlagen. Werden wir wirklich Zeugen des «Tod des Experten», oder sind die Klagen über den «Anschlag auf die Wissenschaft» nur eine hysterische Reaktion von Eliten, die sich in ihrem Status bedroht sehen? Die drei bis viermal jährlich erscheinenden Bände der Reihe EPF Essays sind Versuche zur Desorientierung in einer immer übersichtlicher werdenden Welt. Ihre Themen stammen aus Philosophie, Soziologie, Wissenschaftsforschung, Ökonomie, Kulturwissenschaften, Psychoanalyse … whatever works. Herausgegeben und durch ein Vorwort eingeleitet werden sie von Peter Schneider.

Gil Eyal ist Professor für Soziologie an der Columbia University in New York. ISBN 978-3-907236-22-2 ISBN 978-3-907236-27-7 eBook

No 322 No 327

eindruckende wissenschaftliche Werk die zeitgenössischen Debatten über von Expertise und deren Bezug zur völlig neuartige Weise. Eyals leidenStil und seine treffenden Metaphern s Buch zu einer grossartigen Lektüre.»

S, Cardiff University

DIE KRISE DER EXPERTISE

GIL EYAL

des Experten hat in politischen Austzungen der letzten Zeit einen Werteder Überhöhung zur Geringschätzung e meist von einer Aneinanderreihung Beispiele für das Versagen und Fehlon Fachleuten begleitet wird. In so nen Zusammenhängen wie dem Bremawandel oder der Vorsorgeimpfung man einem spürbaren Misstrauen geperten und einer zunehmenden NeiRat in den Wind zu schlagen. Werden h Zeugen des «Tod des Experten», ie Klagen über den «Anschlag auf die ft» nur eine hysterische Reaktion von sich in ihrem Status bedroht sehen?

ält die gegenwärtige Krise des Fachsubstanziell und ernst. Er glaubt auch, her noch nicht angemessen beschrien ist. Sein Versuch, uns eine solche ng an die Hand zu geben, ist Pflichtdiesen schwierigen Zeiten.»

Was erklärt werden muss, ist für den Soziologen Gil Eyal kein einseitiges «Misstrauen gegenüber Experten», sondern ein janusköpfiges Phänomen: das «pushmi-pullyu» einer nie dagewesenen Abhängigkeit der Politik von Wissenschaft und Expertise auf der einen Seite, gepaart mit einer wachsenden Skepsis und Ablehnung gegenüber wissenschaftlichen Forschungsergebnissen und den Meinungen von Fachleuten auf der anderen Seite. Eyal analysiert den gegenwärtigen Verlust des Vertrauens auf Experten als eine weitere Umdrehung der Spirale eines um sich greifenden, immer wieder von neuem aufbrechenden Legitimitätsverlusts. Die «Verwissenschaftlichung der Politik», vor der kritische Stimmen in den 1960er-Jahren warnten, hat im Gegenzug auch eine Politisierung der Wissenschaft mit sich gebracht. Seither verstärken beide Prozesse einander in einer instabilen, krisenanfälligen Wechselwirkung. Dieses Buch ist von besonderem Interesse für alle, die sich mit der politischen Indienstnahme und Infragestellung wissenschaftlicher Erkenntnisse und Expertise beschäftigen.

N, Harvard University

. 01

ISBN 978-3-907236-22-2

GIL EYAL

�

Herausgegeben von PETER SCHNEIDER

GIL EYAL ist Professor für Soziologie an der Columbia University in New York.

Softcover 200 pages 9.2 × 15 cm | 3 ½ × 6 in. Design by Marietta Eugster Studio Text by Gil Eyal Translation by Patricia Claire Kunstenaar CHF 12 | EUR 12

Munken Print White 1.5

150 g/m2

Pathé’O HAMMER (Sereina Rothenberger and David Schatz), Catherine Morand, Flurina Rothenberger Pathé’O, originally from Burkina Faso, is an African fashion icon in every sense of the word. Known for his collections far beyond his chosen home Ivory Coast, the designer’s visionary legacy has been influencing the aesthetic standards and experience of fashion on the African continent for over 30 years and has also led to a recent collaboration with the fashion house Dior. His distinct design aesthetics and cutting-edge approach to sustainability alongside a gift for combining cultural commitment with entrepreneurial creativity have inspired designers of all ages. For long it was common for politicians and showbiz celebrities in West African former French colonies to dress in a Western manner. In this context Pathé’O approached his work with the clear intention to raise appreciation amongst Africans for a local fashion style and industry. In the 80s, Pathé’O became friends with Thomas Sankara, president of Upper Volta, later Burkina Faso, and a proponent of Pan-Africanism. Pathé’O was heavily influenced by Sankara’s decisiveness to promote local pride and cultural heritage and from this point on he solely relied on using locally produced fabrics. His creations became a contemporary tribute to cultural heritage, history and identity. A further prominent encounter Pathé’O experienced was with Nelson Mandela, who was the first African president to choose his vibrant designs and light cotton fabrics over a Western business suit. And he was soon to be followed by other heads of states, as well as stars of the showbiz and sports, and of course Madame et Monsieur Tout-le-Monde. Pathé’O’s fabrics are his trademark and he has a lifelong experience of fusing global fashion trends with a wide range of African textiles and knowledge, hence keeping the local heritage alive and ever evolving. For the first time, this book traces the extraordinary journey of Pathé’O and his brand. The craftsmanship and treasures of his creations provide a better understanding of the spectrum of fashion in West Africa, the mergers of a global present with a rich cultural heritage. The book explores topics ranging from the fashion and textile industry to labor migration, cultural heritage, politics and showbiz, and spans an arc from the past to the present.

ISBN 978-3-907236-23-9 (EN) ISBN 978-3-907236-24-6 (FR)

No 323 No 324

Softcover Approx. 420 pages, approx. 360 images 21 × 28 cm | 8 ¼ × 11 in. Design by HAMMER (Sereina Rothenberger and David Schatz) With an interview by Catherine Morand With texts by Chayet Chiénin, Denise Epote, Anne Grosfilley, Genevieve Hill-Thomas, Saidi Mamadou Ouédraogo, Victoria Rovin With images by Nuits Balnéaires, Ben Idriss Zoungrana, Flurina Rothenberger, Mamadou Saïdi Ouédraogo, Ahmet Zorkot CHF 68 | EUR 68

Lessebo Natural

90 g/m2

A Few of My Favorites Armando Alleyne “I don’t only focus on jazz musicians. I also paint my family or iconic personalities such as Félix Trinidad, Sister Gertrude Morgan, Amadou Diallo and The Notorious B.I.G. who in one rendition is carrying the cross with Etta James as an angel. In a painting collage of Biggie, I placed a Tropicana Juice packaging where a handkerchief would be. With the jazz musicians I’d do the same; I collage cereal and cracker boxes to the subject matter. This reflects my belief that music is fortifying.” — Armando Alleyne A Few of My Favorites is the first book of collected works by New York artist, Armando Alleyne. His painted and collaged renditions of jazz musicians, Afro-Latin singers, boxers, but also family members and acquaintances have a rhythm all-their-own. Parallel to his incessant practice of painting portraits of Black icons, Alleyne allows elements of his lived experience to take form in his work. Series such as Shelter Blues animate his first-hand experiences of homelessness. Another series, Maria’s Song calls on a pantheon of religious symbolism to pay homage to the sister he lost to AIDS. Included are erotic paintings which the artist based on magazine ads and models he staged. Never shying away from the seminal, the sensual or the political, Alleyne’s lifetime of paintings tell a story of how we are subject to our city and how in it we can search for the tools to heal. The artworks are presented alongside a series of snapshots and personal anecdotes that memorialize artworks sold and people who are no longer with us. Armando Alleyne (b. 1959, New York) grew up in Lower Manhattan and lives and works in Brookyn, NY. His work has most recently been included in Refuge, an online group show curated by Nicole Mouriño for 440 Gallery, in July 2020. Throughout the decades, Alleyne’s work has been shown in numerous galleries and institutions in New York. Also he has illustrated publications including Blackheart 2: The Prison Issue — A Journal of Writing and Graphics by Black Gay Men (1984), Black Music, Black Poetry: Blues and Jazz’s Impact on African American Versification (Gordon E. Thompson, 2014), Kwanzaa in the Gay and Lesbian Family (Imani Rashid, 2011) and Saving the World from Self — Or Should I Say Selfishness (Philip Regman, 2010).

ISBN 978-3-907236-25-3

No 325

Armando Alleyne A FEW OF MY FAVORITES Edition Patrick Frey, No. 325

Softcover 244 pages 155 images 24.1 × 29.2 cm | 9 ½ × 11 ½ in. Design by Other Means With a text by Tiona Nekkia McClodden CHF 60 | EUR 60

Gardamatt Klassica

250 g/m2

120 bpm Philipp Mueller 120 bpm is the average number of beats per minute on a techno track. So 120 bpm, the book, raps out some high-density forward-thrusting photo sequences from the years of techno’s meteoric rise in Switzerland to become one of the last great youth movements here, leaving its massive imprint on the nightlife, clubs and ongoing innovation in electronic dance music to this day. Swiss photographer Philipp Mueller covered the dawn of the Swiss techno scene in the early 1990s in his raw shots of Zürich’s first street parades, underground raves, and parties — whether backstage in clubs or in the intimacy of private venues — for various magazines. His photographs are interleaved here with facsimiled clippings from rave magazines and fanzines as well as first-hand accounts from some of the ravers who made the nascent scene.

Philipp Mueller, born in Zürich and currently based in Paris, is a professional portrait photographer of people in sports, music and film. His most illustrious subjects to date include the Pet Shop Boys, Daniel Brühl and Roger Federer. His work appears in L’Uomo Vogue, Vogue Germany, GQ and various other publications.

ISBN 978-3-907236-26-0

No 326

Hardcover 204 pages, 260 images 23 × 32 cm | 8 ¾ × 12 ¼ in. Design by Marietta Eugster Studio With texts by Philipp Anz and Bjørn Schaeffner CHF 52 | EUR 52

Terraprint Silk

90 g/m2

Heroes and Ghosts Mathis Gasser In the middle of each painting stands a lone figure, facing the viewer, eerily still and, in some cases, menacing. The figures are borrowed from various media, ranging from pop culture, including Hollywood blockbusters, pulp horror, science fiction, manga and comics, to esoterica and works of art. Heroes and Ghosts is an ongoing series of figurative oil-on-canvas paintings by Swiss-British artist Mathis Gasser. This anthropological pictorial atlas of fictional characters is peopled by ghostly (anti-) heroes and (anti-)heroines, figures and narratives of the past that abide in our collective memory, continually transformed by contemporary culture — at an ever-increasing pace due to growing demand in the digital realm — and resurfacing in all sorts of different media. Gasser removes these figures from their narrative and media contexts and transfers them to the canvas, where they stand as if frozen in mid-action, though it’s up to the viewer to connect the dots and divine the nature of that action. In the stories in which they debut, these characters often embody the forces of violence, resistance or chaos within the social order, dredging up the suppressed fears and anxieties of contemporary liberal democracies and bringing them to light. They circulate in the creative realm of the now globalized systems that begat them, functioning as a means of cultural management of social tension, civil commotion and revolt.

Mathis Gasser (b. 1984, Zürich) is a London-based artist. His recent solo and group exhibitions include the following venues: Swiss Institute, New York (with Angharad Williams, 2021); Schirn Kunsthalle, Frankfurt (2020); Lady Helen, London; Haus zur Liebe, Schaffhausen, Switzerland (2019); Centre Culturel Suisse, Paris; Cordova, Barcelona; Chewday’s, London; Kunsthaus Glarus, Glarus, Switzerland (2017).

ISBN 978-3-907236-28-4

No 328

MATHIS GASSER HEROES AND GHOSTS EDITION PATRICK FREY Nº 328

Hardcover 200 pages, 170 images 18.4 × 27 cm | 7 ¼ × 10 ½ in. Design by Carmen Tobler Edited by Bleach Books (Luca Beeler, Cédric Eisenring, Carmen Tobler) With texts by Samuel Luterbacher and James Trafford CHF 52 | EUR 52

Lessebo Design Natural

130 g/m2

Vom Leben einer Unangepassten Elisabeth Kübler Born into a bourgeois family in Buchs, Switzerland, in 1931, Elisabeth Kübler was just shy of twenty when she acted on the urge to break away from her conservative milieu: after graduating from a course of teacher training, she went on to study acting at Zürich’s Bühnenstudio, which proved to be one turning point in her life. And after her stint on the stage, Elisabeth and her husband Jörn Kübler toured Switzerland with the Circus Knie for ten years. It all started because she wanted to become a sea lion tamer, she reminisces. The next turning point came in 1969 when, through the good offices of Gustav Zumsteg, the Swiss silk merchant, art collector and proprietor of the restaurant Kronenhalle in Zürich, the couple took charge of the renowned Galerie Maeght in Zürich. Jörn Kübler died in 1975, after which Elisabeth ran the gallery by herself. Her exhibitions would subsequently leave their stamp on Zürich’s cultural life. She retired in 1994, but art remains a vital element of her life. So does cultivating the art of everyday living, including everything from tying bouquets and cooking to fashion and interior design. This book includes essays by various authors from within the Swiss cultural scene, several interviews with Elisabeth Kübler, and a rich trove of photographs and documents drawn from the fascinating life of a maverick, an unconventional woman who jealously guarded her freedom to go her own way. — Susanna Koeberle

ISBN 978-3-907236-29-1

No 329

Hardcover 412 pages, 413 images 17.2 × 26.5 cm | 6 ¼ × 10 ½ in. Design by Studio Krispin Heé (Krispin Heé, Tim Wetter, Jan Kieswetter) With texts by Zsuzsanna Gahse, Elisabeth Grossmann, Elisabeth Joris, Susanna Koeberle, Elisabeth Kübler, Christine Lötscher, Christiane Meyer-Thoss, Anka Schmid, Antje Stahl, Laure Wyss, Barbara Villiger Heilig, Max Wechsler CHF 88 | EUR 88

Op Medical Print

50 g/m2

La mia commedia dell’arte Jacqueline Burckhardt “Art is my oxygen. It is also an inexhaustible horn of plenty, across the ages and disciplines.” Jacqueline Burckhardt approaches art from many different angles: as a former restorer of artworks, as an art historian, as the initiator of the performance art program at the Kunsthaus Zürich, as a co-editor of the art magazine Parkett, as a curator of site-specific art on the Novartis Campus in Basel, as a lecturer at the Accademia di Architettura in Mendrisio, Switzerland, and as the director of the Sommerakademie residency program at the Zentrum Paul Klee. She has also been involved in cultural policymaking, having served as the president of the Swiss Federal Art Commission for nine years. Running through La mia commedia dell’arte is an extended meandering conversation between Burckhardt and curator / art historian Juri Steiner, which reveals Burckhardt’s “inter esse”, her being in between and in the thick of the field of art. As effortless as it appears, the conversation is nonetheless profound and attractively illustrated, evolving into a fascinating account of Burckhardt’s thought and work. Like rhizomes, the subject matter branches out into her many areas of endeavor. It touches on the twofold historicity of works of art, which must be taken into account in art restoration in particular, and which is so masterfully and playfully handled by Giulio Romano, the “stage director of an antiquity brought back to life”, on whom she wrote her dissertation back in the day. The interlocutors consider Herbert Lachmayer’s concept of “aesthetic intelligence” and the metaphysical nature of a work of art. They introduce us to Kairos, the Greek god of the opportune moment, as well as to Renaissance patroness of the arts Isabella d’Este, a botfly and an octopus. Burckhardt has been writing about contemporary art for forty years now. The selected writings included in this book tie into some of the topics broached in the conversation and provide a representative cross-section of her essays. Five textual and visual inserts by Laurie Anderson, Kurt W. Forster, Katharina Fritsch, Herbert Lachmayer and Pipilotti Rist give us a sense of Burckhardt’s ties to these artists and authors.

ISBN 978-3-907236-30-7

No 330

La mia commedia dell’ dell’arte Jacqueline Burckhardt EDITION PATRICK FREY N°330

Softcover 392 pages, approx. 200 images 17 × 23.5 cm | 7 × 10 ½ in. Design by Martina Brassel Edited by Theres Abbt and Mirjam Fischer Cover: Artist work by Herbert Lachmayer and Kai Damian Matthiassen With a conversation between Juri Steiner and Jacqueline Burckhardt, and a selection of Jacqueline Burckhardt’s texts in German CHF 48 | EUR 48

Arcoprint Edizioni

90 g/m2

AA Bronson’s House of Shame AA Bronson A nocturnal secret ritual performed by two naked men in a hotel room in Rotterdam; a woven tent where the artist dressed as a mage encounters visitors to share their traumas; buttplugs adorned with rooster feathers; a collection of queer zines; anal-sprayed tartan paintings; a zen garden of mugwort. A few of the singular artistic gestures AA Bronson committed in the last few years are united in this book. After his General Idea partners, Felix Partz and Jorge Zontal, passed away in 1994, AA Bronson had to learn how to keep on living by himself, inventing a personal identity without his former companions, creating a new community of work, friendship and love. These issues have been at the core of his art in the last 25 years. He has developed a work where collaboration with other artists, especially younger queer artists, and creation of a social bond are central. This book aims to emphasize this social dimension in his work through an overview of a series of exhibitions he made between 2013 and 2018. These are shows that bring together a community of artists; shows where performances and rituals, often invisible, contribute to the creation of a shared experience; a unique blend of art, friendship, collaboration, spirituality and humor. The book is in two-parts. An initial monographic section, which includes an essay and an interview with the artist, brings together the works and the exhibitions. In the second, choral part, friends have been invited to bear witness and write a sort of ‘journal de bord,’ telling the tale of five years of the artist’s community life. AA Bronson is a Canadian artist living in Berlin. The first 25 years of his artistic life were devoted to General Idea, an artist group he formed with Felix Partz and Jorge Zontal. The following 25 years were devoted to a solo career. He has been involved in publishing since the 1960s when he contributed to the creation of a free press. From 1971 to 1989, he published FILE magazine. Along his career, spanning over 50 years, he has published more than 100 books, magazines and zines. He also has directed the artists’ bookstores Art Metropole (Toronto) and Printed Matter, Inc. (New York), and co-founded the NY Art Book Fair and the LA Art Book Fair.

ISBN 978-3-907236-31-4

No 331

Hardcover 288 pages, 220 images 16.5 × 23 cm | 6 ½ × 9 in. Design by Fritz Grögel Edited by Vincent Simon With an essay by Paul Clinton, an interview by Frédéric Bonnet, and texts by Philip Aarons, Defne Ayas, Frédéric Bonnet, Elijah Burger, Paul Clinton, Matthias Herrmann, Richard John Jones, Bradford Kessler, Terence Koh, Sholem Krishtalka, Mark Jan Krayenhoff van de Leur, Gareth Long, Vincent Simon, Chrysanne Stathacos, Scott Treleaven, and Louwrien Wijers in English CHF 52 | EUR 52

Gardamatt Ultra

160 g/m2

Orlando Klodin Erb Klodin Erb’s Orlando series is based on the eponymous novel by Virginia Woolf, in which a poet lives for over five centuries and mysteriously changes sex. So far the series comprises nearly two hundred mostly small painted portraits in a wide range of different styles. The subjects are male, female or of undefined gender. The series is, on the one hand, a study in portrait painting that also explores “the history of art and the time inherent in and associated with it”, as the artist explains. It’s also an investigation of her own identity as a painter, on the other hand. “The sheer quantity of images makes it possible to immerse oneself, even lose oneself, in the faces,” writes Erb, “transforming the viewer into a universal being in a timeless existence.” Paradigms of demarcation and identification are dissolved as a result and reworked into a larger context (I am many, I am you, etc.). Klodin Erb’s artistic exploration of identity was fleshed out during a conversation over dinner in a pavilion by Lake Zürich. The object of this event was to dispense with everyday egos by donning costumes and make-up and, in the experimental setting of a performance-art dinner, tap into a meta-ego in order to discuss the themes of the Orlando series: identity, gender and role models, the construct of time, ageing and the longing for eternal life / youth, humanoids and artificial intelligence, the last human. The transcript of this conversation runs through the book and ties it all together.

Klodin Erb (b. 1963) is a Swiss painter based in Zürich, where she studied fine arts at the Schule für Gestaltung. Her paintings explore identity and self-referentiality through gestural brushwork and abundant allusions to the history of art and design. Alongside her artistic work, she teaches at the Lucerne University of Applied Sciences and Arts.

ISBN 978-3-907236-32-1

No 332

Hardcover 272 pages, 230 images 24.5 × 32 cm | 9 ¾ × 12 ½ in. Design by Katharina Lang With a conversation between the artist and Kathleen Bühler, Jacqueline Burckhardt, Finn Canonica, Gregory Hari, Susanna Koeberle, Nina Kunz, Katarina Lang, Chris Luebkemann, and Romeo Koyote Rosen in German CHF 52 | EUR 52

Munken Print White 1.5

150 g/m2

Solitudes of Human Places Jong Won Rhee A special moment in photographing is the short-lived moment just before shutter release when you are unconsciously moved by something. You try to capture that fleeting moment of emotions flowing through you without fully understanding them. These pictures try to preserve that moment through the medium of photography, and represent my personal interaction with Korea, where they were taken. This unexpected flow of feelings in the instant before releasing the shutter informs my experience with the world and defines who I am as a person. These images of South Korea’s plain and unadorned fringes peer into the depths of human solitude. They imagine people’s unconscious striving to come to terms with their loneliness by facing up to the human condition squarely, steadfastly, serenely. — Jong Won Rhee The human subjects of Jong Won Rhee’s photographs are, for the most part, turning away or turned in upon themselves. In fact, the characteristic blue rooftops, blooming poppies, garish billboards and store signs, the bundled spring onions at a market stall and the lush fields of South Korea all seem more colorful than the people we come across in these scenes of contemporary everyday life there.

Jong Won Rhee (b. 1973, Hong Kong) grew up in South Korea, the US, Italy and Australia. After studying English in Seoul, he went on to study industrial design at Central Saint Martins in London and automotive design at Coventry University. Back in South Korea, he has withdrawn himself from industry and now devotes himself entirely to photography.

ISBN 978-3-907236-33-8

No 333

Edition Patrick Frey No. 333

Hardcover 144 pages, 69 images 29 × 20.2 cm | 11 ½ × 8 in. Design by Adeline Mollard CHF 60 | EUR 60

Lessebo Natural

90 g/m2

Lunar Invasion Francisco Sierra Francisco Sierra worked on a single painting for nine months. It’s about 1.5 m high and 2.5 m wide. It shows three jumbo jets under construction. He spent day after day, from early morning till late at night, standing, sitting or crouching before the canvas. Which testifies to the artist’s patience and perseverance — and how much he believes in his subject. But Sierra also does small and medium-sized paintings. And triptychs. As well as subjects other than jumbos, like magnificent sunsets, delicate tea sets and hypnotic Möbius strips, for example. He paints penis-shaped Christmas trees hung with ornaments. Avocados kissing. Ambiguously steaming piles of excrement. And his formal training as a violinist reverberates in his pictures time and again. Some of his subjects are fantastical, some mundane — though that seemingly mundane content is what makes these pictures peculiarly uncanny. Francisco Sierra addresses the question of what form contemporary figurative painting might take. He faithfully and precisely paints things, reality, but the subjects he picks seldom represent what they seem to at first glance. Sierra is interested in the transformation of apparent clarity into something new and mysterious. He explores the pitfalls of contemporary photographic reproduction and the transformative potential of painting, which involves surrealist and conceptual approaches. Besides their masterful technical proficiency, what Sierra’s works have in common is humor — sometimes grotesque, sometimes in discreet doses, a mere trace element, homeopathic. Lunar Invasion now provides an overview of the wide-ranging œuvre of paintings and sculptures by this Chilean-born Swissbased artist. — Max Küng

Francisco Sierra (b. 1977, Santiago de Chile) emigrated to Switzerland in 1986, where he is currently based in the village of Cotterd in the Canton of Vaud. Sierra is a trained violinist and self-taught visual artist. He is also a member of the performance collective Jetpack Bellerive and, since 2018, an artistic associate at the ETH Zürich.

ISBN 978-3-907236-34-5

No 334

Hardcover 368 pages, 164 images 23.5 × 29 cm cm | 9 ¼ × 11 ½ in. Design by Enjoy Stratford With an interview between Max Küng and Francisco Sierra CHF 68 I EUR 68

Gardamatt Klassica

250 g/m2

Oh Yeah / Yello 40 Boris Blank, Dieter Meier Forty years ago, armed with tape, scissors and a hefty dose of wit, Yello — aka Boris Blank, Dieter Meier and, initially, Carlos Peron — , set out to write their very own chapter of music history. In no time at all they found themselves playing The Roxy club in New York, marveling at the seething sea of bodies dancing themselves into ecstasy to the beat of Yello’s seminal single Bostich. Today, thanks to albums like Solid Pleasure, You Gotta Say Yes To Another Excess and Flag, and singles like Oh, Yeah and The Race, Yello are enshrined amongst the pantheon of electropop pioneers. Blank and Meier recently released their 14th studio album, Point.Yello, proving once again that age is no obstacle to musical daring and adventure. Yello owe their enduring success to a steadfast refusal to follow the rules of the music industry. This book celebrates the days when “sound painter” Blank and word wizard Meier first set out to create their Yello world. So, naturally, it doesn’t stick to the beaten track of glossy pop music biographies either. Meier had already displayed a keen eye for pointedly nonsensical aesthetics as an experimental filmmaker and conceptual artist before delving into music. And Blank, tinkering away in the music studio, was also hip to the power of visual representation. For Oh Yeah / Yello 40, the two artists dug deep into their souvenir boxes to come up with an intriguing haul of Polaroids, posters, letters, fanzine reviews, sketches, pictures of their trip to Cuba—and even the handwritten sheet music to Bostich. Oh Yeah / Yello 40 is more than a scrapbook from the days when we were all young. The book harks back to the gleefully playful zeitgeist of the post-punk era in a city which, as only fools may have forgotten, was the cradle of Dada. — Hanspeter “Düsi” Kuenzler

ISBN 978-3-907236-35-2

No 335

Hardcover 450 pages, 723 images 21 × 29.7 cm | 8 ¼ × 11 ¾ in. Design by Aaron Fabian With texts by Boris Blank, Hanspeter “Düsi” Kuenzler, and Dieter Meier in English and German CHF 58 | EUR 58

Terraprint Silk

90 g/m2

EPF Essays No. 02 Eingeweide, Pillen, Feminismus Elizabeth A. Wilson In Eingeweide, Pillen, Feminismus fordert Elizabeth A. Wilson Feministinnen auf, ihre ablehnende Haltung gegenüber biologischen und pharmazeutischen Daten zu überdenken. Sie stellt die Frage, welches begriffliche und methodische Neuland sich die feministische Theorie erschliessen kann, indem sie sich der Biologie gegenüber weniger instinktiv ablehnend verhält. Wilson nimmt sich Forschungen zu Antidepressiva, Placebos, Übertragung, Fantasie, Essstörungen und Suizidneigungen vor, um zwei Punkte herauszuarbeiten: inwieweit pharmazeutische und biologische Daten der feministischen Theorie nutzen können und welchen unverzichtbaren Stellenwert Aggression in der feministischen Politik hat. Eingeweide, Pillen, Feminismus provoziert die feministische Theoriebildung mit der Behauptung, dass sie wirksamer wäre, wenn sie sich mit biologischen Daten auseinandersetzen und ihr eigenes aggressives Potenzial zulassen könnte. Die drei bis viermal jährlich erscheinenden Bände der Reihe EPF Essays sind Versuche zur Desorientierung in einer immer übersichtlicher werdenden Welt. Ihre Themen stammen aus Philosophie, Soziologie, Wissenschaftsforschung, Ökonomie, Kulturwissenschaften, Psychoanalyse … whatever works. Herausgegeben und durch ein Vorwort eingeleitet werden sie von Peter Schneider.

Elizabeth A. Wilson ist Professorin für Women’s, Gender, and Sexuality Studies an der Emory University, Atlanta, USA. ISBN 978-3-907236-36-9 ISBN 978-3-907236-37-6 eBook

No 336 No 337

Softcover 420 Seiten 9.2 × 15 cm | 3 ½ × 6 in. Design by Marietta Eugster Studio Text by Elizabeth A. Wilson Translation by Herwig Engelmann CHF 12 | EUR 12

Lessebo Design Natural

130 g/m2

Ein Leben mit Kunst und Künstler:innen / A Life with Art and Artists Trix + Robert Haussmann Trix and Robert Haussmann are well known both in Switzerland and internationally for their vast contribution to design and interiors. Living and working together since the ‘60s, symbiotically creating and also sharing wonderful interiors filled with works of art and beautiful objects, one can think of them — and the spaces they inhabit — as an ever-evolving double self-portrait. The Haussmanns have had close ties to the avant-garde of their time, have followed the various trends and artistic currents and have actively participated in the local scenes of Zürich or Bern. Through documenting their numerous exchanges and conversations with artists, dealers and creative kindred spirits, this book is a testimony of their lifelong interest in the visual arts, their active, enthusiastic and witty involvement with the Swiss art scene as well as their rather playful commitment to it. A conversation with Swiss author and curator Dieter Schwarz reveals a number of events and anecdotes that also attest to the couple’s fascinating life with art which they have collected intuitively rather than with a particular strategy in mind throughout their lives and careers. The numerous photographic documents of their unique and somewhat exuberant interiors that span almost five decades and several homes are exemplary both of the distinctive way in which Trix and Robert Haussmann welcome works of art into their everyday lives alongside their furniture — including their own — and their various artefacts as well as of their very personal and playful use of mirrors.

ISBN 978-3-907236-38-3

No 338

Softcover 168 pages, 72 images 14 × 18 cm | 5 ½ × 7 in. Design by Teo Schifferli Edited by Marc Jancou Trix and Robert Haussmann in conversation with Dieter Schwarz in German and English CHF 29 | EUR 29

Op Medical Print

50 g/m2

Untitled, 1964–1998 Josef Herzog Josef Herzog (1939–1998) dated the start of his serious work from 1964, when he first began producing watercolors with surreal, clearly outlined planar configurations and ink drawings with labyrinthine “all-over” cellular structures. He remained faithful to the techniques of drawing and watercolor in all his subsequent work. And while he continually changed subjects and atmosphere, the line remained the signature element of his drawings, a variable constant in his œuvre. Beginning in 1975, his lines broke free from their outlining function to become a means of expression in and of themselves, whether in pencil, oil crayon, pen and ink, or watercolors. Besides a few series that do feature the occasional planar element, Herzog thereafter steadfastly confined himself to exploring the possibilities of purely linear design. The lines differ in character considerably from one series to the next, depending on the format and choice of drawing medium, which take both format and medium on ever-greater importance in the utter absence of identifiable motifs. Josef Herzog’s work has been the subject of a number of reviews since 1971. What’s missing, however, is a currentday look back at his exuberant œuvre. This monograph of his work from the 1970s on serves to accompany the Herzog retrospective, opening in March 2022 at Kunstmuseum Lucerne, and to fill that gap in the literature.

The Swiss artist Josef Herzog (b. 1939, Zug, Switzerland; d. 1998, ibid.) began his studies under Max von Moos at the Lucerne Kunstgewerbeschule in 1961. In 1970 he joined Heiner Kielholz, Max Matter, Markus Müller, Christian Rothacher and Hugo Suter in the Ateliergemeinschaft Ziegelrain, an art studio collective in Aarau. He was based in his native Zug from 1976 until his death.

ISBN 978-3-907236-39-0

No 339

Josef Herzog Untitled 1964-1998 Kunstmuseum Luzern Edition Patrick Frey

Softcover Approx. 300 pages, approx. 250 images 23.5 × 32 cm cm | 9 ¼ × 12 ½ in. Design by Alain Kupper With texts by Fanni Fetzer, Beni Muhl, Linda Schädler, Beat Wismer in English and German CHF 48 | EUR 48

Arcoprint Edizioni

90 g/m2

The Image-Sweep. Paintings 1989–2001 Matthias Groebel Matthias Groebel’s activities in the late ’80s sound more like the plot of a cyberpunk novel than a sober account of a serious artist’s professional practice: he spent those years rummaging around in electronic waste dumps in Münster, Germany, in search of windshield wiper and photocopier motors, bicycle chains and other parts to use in constructing a three-axle painting machine capable of painting according to his specifications. Meanwhile, he was also fiddling with parabolic antennas in order to catch signals from far, far away. Over the next decade, Groebel spent countless nights changing the channels, this time rummaging around for TV stills to paint with the aid of his computer-controlled machine. The upshot is a series of paintings that anticipated technocultural developments and plumbed the collective psychological depths of satellite television and mass media. This book is the first comprehensive exposition of Groebel’s remarkable machine paintings from 1989 to 2001, along with two essays about Groebel’s unusual work.

Matthias Groebel (b. 1958) is a German artist currently based in Cologne. Since 1989, he works with photography, video and digital image processing, using various home-built and modified devices, in particular a computer-controlled painting machine since 1989. Groebel showed and published his work under a pseudonym from 2010 to 2020.

ISBN 978-3-907236-40-6

No 340

MATTHIAS GROEBEL

THE IMAGE-SWEEP. PAINTINGS 1989 –2001

TRICK FREY EDITION NO. PATRICK XXX FREY

NO. XXX

Hardcover 240 pages, 150 images 20 × 30 cm | 8 × 11 ¾ in. Design by Teo Schifferli with Fabian Fretz With texts by Sadie Plant and Andreas Selg in English CHF 48 | EUR 48

Gardamatt Ultra

160 g/m2

WHY OMAHA? Darius Koehli “Mad Dog” Vachon, “Tarzan Tyler”, Masao “Rusher” Kimura — the ring names of the professional wrestlers who grappled for glory in the AWA (American Wrestling Association) were as evocative as they were hair-raising. And their bouts in the ring were spectacular extravaganzas with mass public appeal. It’s the Summer of 1969 and nine-year-old Darius Koehli has just left Zürich for a nine-month sojourn in the US with his father. He suddenly finds himself in a whole new world. And why the heck does it have to be Omaha, Nebraska, of all places? Fortunately, he soon makes friends with Carl, the neighbors’ son. They take him along to the hottest spot in town, the Civic Auditorium, to see some catch wrestling. With his brand-new Kodak Instamatic, Darius begins taking pictures, capturing the ring’s heroes before, during and after their bouts. With a remarkable eye for slapstick and physical comedy, and from a pint-sized 9-year-old’s perspective, he produces hundreds of snapshots of these humongous hulks. The selection featured in this book provides a glimpse of a bygone era in which professional wrestling was just taking off — and blowing away the TV audience. On a visit to Zürich in the summer of 2019, Darius Koehli comes across the photo album he’d put together 50 years ago. Memories from Omaha rise up again, magical names emerge from a distant past, evoking crowded auditoriums and brash, boisterous announcers, rowdy fans cheering and booing the contenders, the sweat and blood of battle-hardened bodies and mysterious masked accomplices, as well as moments of choreographed, sometimes even graceful combats.

Darius Koehli was born in Zürich and studied photography at the Rochester Institute of Technology (upstate New York) and the Ecole Nationale de la Photographie in Arles. For over thirty years Koehli has been based in Barcelona, where he co-founded the Vision Photo Agency in 1992 and has since freelanced as a photographer, picture editor and exhibition curator. Since 2005 he has devoted himself entirely to his artistic projects.

ISBN 978-3-907236-41-3

No 341

WHY OMAHA ? DARIUS KOEHLI

Hardcover Approx. 114 pages, approx. 150 images 21 × 21 cm | 8 ¼ × 8 ¼ in. Design by Edgar Becourt Torz With a text by Darius Koehli in English CHF 52 | EUR 52

Munken Print White 1.5

150 g/m2

Magnificent Obsessions Saved My Life Matthias Brunner

Biographies can be as various as human lives. And yet Magnificent Obsessions Saved My Life really is an outlier, a (auto)biography of a different kind that retraces milestones and turning points in the life of a post-war artist from a dysfunctional family, set against the backdrop of his ’68 generation’s experiences of sexual liberation and his all too personal experience of two deadly pandemics: AIDS and Covid-19. But these biographical and historical elements of the author’s life come to the fore in an ongoing dialogue with Hollywood classics, films d’auteur, contemporary art and literature. For a work of cinematic or visual art amounts to nothing if it tells you nothing about your own life: film and art are always about what was and what could have been. Magnificent Obsessions takes up these existential questions in texts and images, including selections from Brunner’s impressive collection of movie stills and reproductions of his favorite art works. As in movies, people are the focus, the protagonists, of Brunner’s sometimes mordantly blunt and yet affectionate, sometimes almost tender writings. When he loses the love of his life, Swiss art dealer Thomas Ammann, to AIDS, he writes about their shared happiness so as not to be consumed by grief. He remembers the glamorous Elisabeth Bossard (Thema Selection), his lover for many years, and relates anecdotes from a flirtation in Venice with Edmund White, the American writer who became a friend. He recounts his love-hate relationship with Swiss filmmaker Daniel Schmid, replete with intimate glimpses of the late German filmmakers Rainer Werner Fassbinder and Werner Schroeter, their works and the whole scene around them. It was the film curator Brunner who brought the films of his friends John Waters and Andy Warhol to Switzerland early on — bypassing the censors. Brunner knew the light and dark sides of the Dream Factory, but was always ready and willing to succumb yet again to its Imitation of Life, as Douglas Sirk titled one of his great melodramas. Matthias “This” Brunner (b. 1945 in Zürich) ran arthouse cinemas in Zürich for over thirty-five years, curated screenings at Art Basel and Art Basel Miami Beach for over twenty years. He has received numerous awards for his work.

ISBN 978-3-907236-42-0

No 342

MAGNIFICENT OBSESSIONS SAVED MY LIFE MATTHIAS BRUNNER

Softcover Approx. 300 pages, approx. 150 images 24 × 30 cm | 9 ½ × 11 ¾ in. Design by Studio Achermann With a text by Matthias Brunner in English CHF 68 | EUR 68

Lessebo Natural

90 g/m2

NO PONTE Giuseppe Micciché Over summer vacation, when we’d return to our village along with so many other families who’d emigrated abroad, our first taste of home was the arancini we ate on the ferry crossing from the Italian mainland to Sicily. We were welcomed back by the golden statue of the Madonnina, the patron saint of Messina, visible from afar on the other shore. It wasn’t till much later in life that I began taking an interest in the coastline around Messina, which has been of great geopolitical importance since ancient times. The Italian mainland is so close here that whole generations of locals have been obsessed with the idea of building a bridge between the Calabrian and Sicilian shores. This gigantomaniac and highly controversial bridge project was announced by Mussolini during the war and fleshed out by Berlusconi during his term as prime minister. It has been repeatedly thrashed out, planned out … and then ultimately rejected. It would be the world’s longest and tallest suspension bridge — and built on sandy, earthquake-prone ground. To some, this prestigious undertaking would symbolize Sicily’s economic upswing; to others, it hangs like the sword of Damocles over the region and the whole country. I myself was fascinated by that bridge that’s not on any map, so I began photographically documenting the coast in 2006. The result of my long-term project is a portrait of a region at a standstill, waiting in a state of indifferent, frustrated or hopeful anticipation. This photo essay documents the transformation and hesitant attempts to refurbish the (sub)urban coastal stretches, and shows locals in their workaday lives, such as fishermen, whose earnings from swordfish hunting have long since ceased to be enough to live on. NO PONTE seeks to show how something’s absence affects us as much as its presence would. If the bridge is ever built, I won’t include any pictures of it in this series: I’ll take the last shot when they lay the foundation stone. — Giuseppe Micciché Giuseppe Micciché (b. 1971) is an Italian Swiss photographer based in Zürich. Edition Patrick Frey also previously published his photo essay Cento Passi (2014).

ISBN 978-3-907236-43-7

No 343

Hardcover 156 pages, 70 images 29.5 × 27.5 cm | 11½ × 10 ¾ in. Design by Vieceli & Cremers CHF 68 | EUR 68

Gardamatt Klassica

250 g/m2

Die Nudistenfilme des Schweizer Werner Kunz Matthias Uhlmann Starting in the mid-1950s, anyone keen on watching ordinary people in the buff on the silver screen could check out the naturist films of Werner Kunz (1926–2018). This Swiss autodidact’s groundbreaking films featured nudists (especially women) in their customary stomping grounds, engaging in summer sports and games on land and in the water. These productions were the ultimate in (legal) cinematic nudity in those prude days. Banned by censors in some countries as the epitome of indecency, Kunz’s films were shown elsewhere as instructive documentaries about an alternative lifestyle. Naturally, the visual appeal of all those bare bodies remained undiminished by the documentary frame, so over time Kunz’s work pushed the boundaries of what was allowed by the censors. For a whole decade, these films, which Kunz wrote, produced, directed and marketed himself, had a virtual monopoly on cinematic nudity. Special screenings of his works were held pell-mell in large and small multi-purpose venues in Swiss cities and even small towns. By the early 1960s, however, they were also being regularly shown in cinemas — and eventually made quite a splash abroad. After all, what other Swiss film can boast a three-and-a-half-month run at a New York movie theater? In this first in-depth exploration of the forgotten Swiss film pioneer Werner Kunz, Zürich film scholar Matthias Uhlmann recaps the production, marketing and reception of Kunz’s extant œuvre. This thoroughly researched monograph features summaries of the contents and a great many stills from his two dozen nudist films (including four feature-length motion pictures), as well as a rich variety of visual material from the director’s private archive. In interviews conducted by the author, the pioneer of sexual liberation in international film, the “godfather of all that stuff”, tells his own story.

Matthias Uhlmann (b. 1972) is a film scholar and antiquarian bookseller based in Zürich.

ISBN 978-3-907236-44-4

No 344

DIE NUDISTENFILME DES SCHWEIZERS WERNER KUNZ

MATTHIAS UHLMANN EDITION PATRICK FREY Nº 344

Softcover Approx. 270 pages, approx. 300 images 24 × 33 cm | 9 ½ × 13 in. Design by Manu Beffa With a text by Matthias Uhlmann in German CHF 60 | EUR 60

Terraprint Silk

90 g/m2

Walter Grab (1927–1989). Werkkatalog Julia Schallberger, Christoph Kappeler, André Grab (eds.) Walter Grab turned to Surrealism after traveling to Paris in the late 1940s. In 1950, heavily influenced by the visual worlds of Giorgio de Chirico, Salvador Dalí, André Masson and René Magritte, he founded “Phoenix”, a group of German and Austrian artists along with Swiss Surrealists Kurt Seligmann, Otto Tschumi and Ernst Maass. In the wake of the international resurgence of Surrealism, which had been presumed dead and consigned to the annals of art history, Grab soon gained recognition in Switzerland (especially Zürich) and Germany. In 1965 Walter Grab and Meret Oppenheim represented Switzer-land in the Surrealismo e arte fantástica show at the 8th São Paulo Biennial. Grab’s pictorial idiom and idiosyncratic style and technique are unmistakable: his constructive geometric elements are interlocked with figurative and narrative elements to form surreal scenes resembling stage sets. To show life in all its starkest contrasts was the Surrealist credo to which Grab, too, clearly subscribed. He became known as an enfant terrible of the art world, moreover, for his melancholy, irascible and addictive personality. In addition to providing an unprecedented overview of Walter Grab’s œuvre, this catalog also presents a wide range of different angles on his art, including subjective looks at individual works, art history essays and an associative correspondence using the cadavre exquis technique that was so dear to the Surrealists. Julia Schallberger (b. 1986) has been working at the Aargauer Kunsthaus Aarau since 2015. She also works as a freelance curator and author for exhibitions, literary periodicals and publications. Christoph Kappeler (b. 1948) is a psychoanalyst, painter and art collector based in Zürich-Wollishofen since 1972. He is also active as a lecturer and consultant in Switzerland and abroad. André Grab (b. 1952), Walter Grab’s son, took over the bookshop H.U. Zbinden & Co. in 1986. He later worked in film production and distribution and, beginning in the late 1970s, regularly published short stories, columns and features in Swiss newspapers and magazines.

ISBN 978-3-907236-45-1

No 345

ls Zwanzigjähriger chtete ich nach is ins Eldorado der nst, wie ich damals ubte. Dort stiess auf Gemälde von rgio de Chirico, vador Dali, André sson, René gritte usw. Und da schah etwas mit , irgendetwas tat h in mir auf, wie e Türe.

Ich bin ein Kind der Nacht, umgeben von Weichheit und schüchterner, oft aber auch drohender, unsicherer und stumpfer Leere. Donner und Blitz sind an meiner Wiege Paten gestanden und man sagt der Tag habe mich gezeugt.

Walter Grab 1927– 1989

Walter Grab

1927– 1989

Werkkatalog

Auszug aus einem Gedicht von Walter Grab (1952)

Stehen wir vor Kulisse eines abden Revolutionsaters oder vor dem d einer barrikadierLandschaft, in der flehnung, Angst d Sehnsucht eine käre Balance biln? Der Sehnsucht rde ich im nächsten ef folgen, sie führt g von Grabs Welt Kämpfe hin zu ner feinen Zauberlt.

Die oft dunklen oder dunkelblauen Hintergründe werden immer heller und führen in eine Unendlichkeit. Und wo früher ferne Horizonte im Mittelpunkt standen sind es jetzt oft Türen, die nach aussen halb offen sind. […] Es mag sein, dass dieses enorme Schaffen Walter nochmals Kraft gegeben hat.

Julia Schallberger Christoph Kappeler André Grab

rab, 1968

Andre Grab

chsel zwischen Christoph Kappeler und nder

Edition Patrick Frey Nº 335

Julia Schallberger Christoph Kappeler André Grab

Edition Patrick Frey Nº 335

Hardcover 464 pages, 1268 images 24 × 32 cm | 9 ½ × 12 ½ in. Design by Megi Zumstein With texts by Jacqueline Burckhardt, André Grab, Stephan A. Hauser, Christoph Kappeler with Ulrich Kinder, Luc Robert, Francisco Sierra, Julia Schallberger, Dieter Wyss, Stephan Zweifel in German CHF 120 | EUR 120

Lessebo Design Natural

130 g/m2

AM 12 LPI

AM 18 LPI

AM 24 LPI

AM 40 LPI

AM 44 LPI

AM 48 LPI C 60 M 50 Y 50 K100

C 100 K100

K 100

Polaroids, Cary Loren

No 288

AM 32 LPI

AM 36 LPI

AM 54 LPI

AM 60 LPI

Op Medical Print

50 g/m2

K 30

K 15

C4 M4 Y4

Monsters in Suits, Nicolas Frey

No 290

Arcoprint Edizioni

90 g/m2

K 100

C 100 Y 100

M 100 Y 100

C 100 M 100

FUTURE MEMORIES, Taiyo Onorato & Nico Krebs

No 314

Gardamatt Ultra

160 g/m2

La diversité des textiles de Pathéo made in Africa

C K

C Y

M Y K

C M Y K

La diversité des textiles de Pathéo made in Africa

M Y

Pathé’O, HAMMER / Morand / Rothenberger

No 323 No 324

La diversité des textiles de Pathéo made in Africa

Munken Print White 1.5

La diversité des textiles de Pathéo made in Africa

150 g/m2

CMYK

A Few of My Favorites, Armando Alleyne

No 325

CMYK

CMY

Lessebo Natural

90 g/m2

M 100 M 100 Y 100 M 100

120 bpm, Philipp Mueller

No 326

Gardamatt Klassica

250 g/m2

Heroes and Ghosts, Mathis Gasser

No 328

Terraprint Silk

90 g/m2

CMYK

Vom Leben einer Unangepassten, Elisabeth Kübler

No 329

CMYK

Lessebo Design Natural

130 g/m2

La mia commedia dell’arte, Jacqueline Burckhardt

No 330

Op Medical Print

50 g/m2

AA Bronson’s House of Shame, AA Bronson

No 331

Arcoprint Edizioni

90 g/m2

Orlando, Klodin Erb

No 332

Gardamatt Ultra

160 g/m2

Solitudes of Human Places, Jong Won Rhee

No 333

Munken Print White 1.5

150 g/m2

25%

50%

75%

100%

Lunar Invasion, Francisco Sierra

No 334

25%

50%

75%

100%

Lessebo Natural

90 g/m2

Oh Yeah / Yello 40, Boris Blank, Dieter Meier

No 335

Gardamatt Klassica

250 g/m2

45 dpi (AM Halftone)

45 dpi (Hybrid Halftone)

A Life with Art and Artists, Trix + Robert Haussmann

No 338

Terraprint Silk

90 g/m2

Scale 25 % Scale 25 %

Untitled, 1964–1998, Josef Herzog

No 339

Lessebo Design Natural

130 g/m2

Scale 100 %

Scale 40 %

Scale 25 %

Scale 30 %

The Image-Sweep. Paintings 1989–2001, Matthias Groebel

No 340

Op Medical Print

50 g/m2

WHY OMAHA?, Darius Koehli

No 341

Arcoprint Edizioni

90 g/m2

Magnificent Obsessions Saved My Life, Matthias Brunner

No 342

Gardamatt Ultra

160 g/m2

NO PONTE, Giuseppe Micciché

No 343

Munken Print White 1.5

150 g/m2

Die Nudistenfilme des Schweizers Werner Kunz, Werner Kunz

No 344

Lessebo Natural

90 g/m2

204

Das tote Weinen

1951

W-0052

103 Walter Grab (1927–1989). Werkkatalog, challberger / Kappeler / Grab

o NMondmann 345 grüsst Erdenf

frau

Verwehrter Eingang

1983

W-0655

150

Die Alternative

176

1969

W-0287 95

Gardamatt Klassica

151

Meine Geliebte von gestern Nacht

1953

Die vier Grossen

1961

Im Innern

W-0401

1976

Vollendet Unvollendetes

250 g/m2

W-0057

Nächtliche Bedrohung

1951

1962

1977

W-0209

1976

P-10

W-0420

W-0098

W-0201

Leitung nach drüben

Wenn die Nacht stillsteht

Nichts geht fort

1957

W-0158

Schmieren/Kleben Aus dem Archiv der Stadtpolizei Zürich 1976–1989

Philipp Anz, Jules Spinatsch, Viola Zimmermann (Hg)

A—B

A–C

Armando Alleyne A Few of My Favorites ISBN 978-3-907236-25-3 EUR 60 | CHF 60

Stefan Banz A Shot Away Some Flowers ISBN 978-3-905509-28-1 EUR 15 I CHF 15

Marie Angeletti Fabricants Couleurs ISBN 978-3-905929-46-1 EUR 60 | CHF 60

Mihai Barabancea Falling on Blades ISBN 978-3-906803-95-1 EUR 52 | CHF 52

Ian Anüll Aquarelle ISBN 978-3-905509-10-6 EUR 20 | CHF 20

Barbieri / Broger / Klaus / Steffen / Weber (Hg. / eds.) Zentralstrasse ISBN 978-3-905509-19-9 EUR 20 I CHF 20

Anz / Spinatsch / Zimmermann (Hg. / eds.) Schmieren / Kleben Aus dem Archiv KKIII der Stadtpolizei Zürich 1976–1989 ISBN 978-3-906803-61-6 VERGRIFFEN / OUT OF PRINT

Kelly Beeman Window Shopping ISBN 978-3-906803-46-3 EUR 52 | CHF 52

Janina Audick TALENT ISBN 978-3-906803-70-8 EUR 58 | CHF 58

Judith Bernstein Dicks of Death ISBN 978-3-906803-19-7 EUR 83 | CHF 83

Shirin Azari Stories of Little and Big Blossoms ISBN 978-3-906803-80-7 EUR 22 I CHF 22

Monica Beurer Carole – Aus der Norm / Carole – hors norme ISBN 978-3-905509-20-5 EUR 26 I CHF 26

Eric Bachmann Leutschenbach Karambuli ISBN 978-3-905509-35-9 EUR 52 | CHF 52

Fabian Biasio / Margrit Sprecher Die Mitte des Volkes ISBN 978-3-905509-65-6 EUR 24 I CHF 24

Eric Bachmann Casa Verdi ISBN 978-3-906803-25-8 EUR 36 | CHF 36

Fredi Fischli / Niels Olsen (Hg. / eds.) Ashley Bickerton – Susie ISBN 978-3-905929-67-6 EUR 43 I CHF 43

Eric Bachmann Muhammad Ali, Zürich, 26.12.1971 ISBN 978-3-905929-65-2 (DE) ISBN 978-3-905929-64-5 (EN) EUR 78 | CHF 78

Marcel Biefer / Beat Zgraggen Der Beuteträger ISBN 978-3-905509-08-3 EUR 72 | CHF 72

Stefan Banz I Built This Garden For Us ISBN 978-3-905509-23-6 EUR 15 I CHF 15

Marcel Biefer / Beat Zgraggen Prophezeiungen ISBN 978-3-905509-05-2 VERGRIFFEN / OUT OF PRINT

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Jörg Binz Jörg Binz, Zeichner, Maler ISBN 978-3-907236-09-3 EUR 52 | CHF 52

Arno Brandlhuber Legislating Architecture Schweiz ISBN 978-3-906803-14-2 EUR 28 | CHF 28

Beni Bischof Psychobuch ISBN 978-3-905929-49-2 VERGRIFFEN / OUT OF PRINT

AA Bronson AA Bronson’s House of Shame ISBN 978-3-907236-31-4 EUR 52 | CHF 52

Beni Bischof Texte ISBN 978-3-905929-82-9 EUR 16 I CHF 18

Anton Bruhin Dämonen ISBN 978-3-906803-30-2 EUR 52 | CHF 52

Beni Bischof Texte 2 ISBN 978-3-906803-13-5 EUR 16 I CHF 18

Hannes Brunner Maschinenpark Fahrzeuge Orchester ISBN 978-3-905509-06-9 EUR 35 I CHF 35

Beni Bischof Texte 3 ISBN 978-3-906803-67-8 EUR 16 I CHF 18

Gina Bucher Female Chic ISBN 978-3-906803-11-1 (EN) ISBN 978-3-905929-87-4 (DE) EUR 70 I CHF 70

Beni Bischof Texte 4 ISBN 978-3-906803-97-5 EUR 18 | CHF 18

Billy Bühler / Dominique Frey SKUTER ISBN 978-3-906803-31-9 EUR 43 | CHF 43

Boris Blank/Dieter Meier Oh Yeah – Yello 40 ISBN 978-3-907236-35-2 EUR 58 | CHF 58

Manuel Burgener Summary ISBN 978-3-906803-68-5 EUR 48 | CHF 48

Michael Blaser Mittelland ISBN 978-3-905929-30-0 EUR 31 I CHF 31

Claudio Cambon Shipbreak ISBN 978-3-905929-84-3 EUR 52 I CHF 52

Regula Bochsler / Philipp Sarasin (Hg. / eds.) The Rendering Eye ISBN 978-3-905929-54-6 EUR 60 I CHF 60

Nicola Carpi / Martin Schaer I Like Nsima and Fish ISBN 978-3-905929-42-3 EUR 26 I CHF 26

Boschung / Fontana / Mauron / Mollard / Reidy (Hg. / eds.) Bad Bonn Song Book ISBN 978-3-905929-98-0 EUR 70 I CHF 70

Luciano Castelli Self-Portrait 1973 –1986 ISBN 978-3-905929-57-7 EUR 83 I CHF 83

B—C

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Terraprint Silk

90 g/m2

C—D

C–E

Kurt Caviezel Red Light ISBN 978-3-905509-21-2 EUR 34 I CHF 34

Anne-Lise Coste Remember ISBN 978-3-905509-73-1 EUR 29 I CHF 29

Catherine Ceresole Beauty Lies in the Eye ISBN 978-3-905929-43-0 EUR 70 I CHF 70

Anne-Lise Coste Où suis-je ISBN 978-3-905929-63-8 EUR 52 I CHF 52

Teresa Chen Welcome to Polkamotion with Ma and Pa Chen ISBN 978-3-905509-40-3 EUR 17 I CHF 17

Jean-Luc Cramatte Culs de ferme ISBN 978-3-906803-18-0 EUR 70 | CHF 70

Damian Christinger / Museum Rietberg (Hg. / eds.) Das Fremde ist nur in der Fremde fremd ISBN 978-3-905929-55-3 EUR 43 I CHF 43

Bice Curiger / Stefan Zweifel Ausbruch & Rausch Frauen Kunst Punk 1975–1980 ISBN 978-3-907236-05-5 EUR 60 | CHF 60

Daniela Comani Eine glückliche Ehe, Un matrimonio felice, A Happy Marriage ISBN 978-3-905929-52-2 EUR 43 I CHF 43

Mine Dal Everybody’s Atatürk ISBN 978-3-907236-03-1 EUR 68 | CHF 68

Daniela Comani Neuerscheinungen hrsg. von Daniela Comani ISBN 978-3-905509-78-6 EUR 15 I CHF 15

Barbara Davatz As Time Goes By – Portraits 1982 /1988 /1997 ISBN 978-3-905509-25-0 EUR 29 I CHF 29

Daniela Comani Sunsets ISBN 978-3-906803-17-3 EUR 30 | CHF 30

Barbara Davatz As Time Goes By 1982 1988 1997 2014 ISBN 978-3-905929-79-9 EUR 78 I CHF 78

Claudia Comte 40 × 40 ISBN 978-3-906803-27-2 VERGRIFFEN / OUT OF PRINT

Olivier Degorce Fridge Food Soul ISBN 978-3-906803-62-3 EUR 42 | CHF 42

Anne-Lise Coste NON ISBN 978-3-905509-46-5 EUR 72 I CHF 72

Bieke Depoorter I Am About To Call It a Day ISBN 978-3-905929-69-0 VERGRIFFEN / OUT OF PRINT

Anne-Lise Coste Poemabout ISBN 978-3-905509-59-5 EUR 52 I CHF 52

Georg Diez / Christopher Roth What Happened ? (Vol. 1) ISBN 978-3-905929-01-0 VERGRIFFEN / OUT OF PRINT

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Georg Diez / Christopher Roth California über alles (Vol. 2) ISBN 978-3-905929-02-7 EUR 15 I CHF 15

Georg Diez / Christopher Roth 2081 ISBN 978-3-905929-28-7 EUR 22 I CHF 22

Georg Diez / Christopher Roth Mao III (Vol. 3) ISBN 978-3-905929-03-4 EUR 15 I CHF 15

Andreas Dobler Argovian Sun ISBN 978-3-905509-43-4 EUR 72 I CHF 72

Georg Diez / Christopher Roth u² 4u + 8 = 0 (Vol. 4) ISBN 978-3-905929-04-1 EUR 15 I CHF 15

Andreas Dobler ST. ELSEWHERE ISBN 978-3-907236-21-5 EUR 68 | CHF 68

Georg Diez / Christopher Roth Travelogue / Atrocity & Grace (Vol. 5 / 6) ISBN 978-3-905929-05-8 EUR 22 I CHF 22

Philippe Dudouit The Dynamics of Dust ISBN 978-3-906803-92-0 (EN) EUR 58 | CHF 58 ISBN 978-3-906803-98-2 (FR) VERGRIFFEN / OUT OF PRINT

Georg Diez / Christopher Roth I Love My Time (Vol. 7) ISBN 978-3-905929-06-5 EUR 22 I CHF 22

Roger Eberhard Human Territoriality ISBN 978-3-907236-00-0 VERGRIFFEN / OUT OF PRINT

Roger Eberhard

Georg Diez / Christopher Roth Superburg (Vol. 8) ISBN 978-3-905929-08-9 EUR 22 I CHF 22

Fabienne Eggelhöfer / Monica Lutz (Hg. / eds.) Gut Holz. Kegelbahnen in der Schweiz ISBN 978-3-905509-77-9 EUR 18 I CHF 18

Georg Diez / Christopher Roth far from home ISBN 978-3-905929-09-6 EUR 15 I CHF 15

Fabienne Eggelhöfer / Monica Lutz (Hg. / eds.) Die schönsten Tea Rooms der Schweiz ISBN 978-3-905509-54-0 EUR 18 I CHF 18

Georg Diez / Christopher Roth When We Were Good (Vol. 10) ISBN 978-3-905929-10-2 EUR 22 I CHF 22

Fabienne Eggelhöfer / Monica Lutz (Hg. / eds.) Salon Moderne ISBN 978-3-905929-92-8 EUR 30 I CHF 30

Georg Diez / Christopher Roth The Eleventh Circle (Vol. 11) ISBN 978-3-905929-11-9 EUR 22 I CHF 22

Cedric Eisenring Eisenring ISBN 978-3-906803-53-1 EUR 48 | CHF 48

Georg Diez / Christopher Roth The Complete 80*81 Book Collection ISBN 978-3-905929-12-6 VERGRIFFEN / OUT OF PRINT

Marc Elsener Bärte aus dem Jenseits ISBN 978-3-905929-44-7 EUR 43 I CHF 43

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D—E

Human Territoriality

Lessebo Design Natural

130 g/m2

E—G

E–H

Nik Emch / Laurent Goei MINIMETAL 11 MANTRAS ISBN 978-3-906803-09-8 EUR 60 | CHF 60

Peter Fischli / David Weiss Siedlungen, Agglomerationen ISBN 978-3-905509-09-0 VERGRIFFEN / OUT OF PRINT

Charlie Engman MOM ISBN 978-3-907236-04-8 EUR 58 | CHF 58

Corina Flühmann Weststrasse ISBN 978-3-905929-72-0 EUR 60 I CHF 60

Klodin Erb Orlando ISBN 978-3-907236-32-1 EUR 72 | CHF 72

Nicolas Frey Monsters in Suits ISBN 978-3-906803-90-6 EUR 36 | CHF 36

Olivier G. Fatton Coco ISBN 978-3-906803-81-4 EUR 52 I CHF 52

Makoto Fujiwara Stone and Makoto ISBN 978-3-907236-16-1 EUR 52 | CHF 52

Gundi Feyrer 27 dicke Bilder und fliegende Sätze ISBN 978-3-905929-75-1 EUR 43 I CHF 43

FUZI UV TPK Ma Ligne ISBN 978-3-905509-98-4 EUR 43 I CHF 43

Christoph Fischer Teufelskreisel Kreuzstutz ISBN 978-3-905509-76-2 VERGRIFFEN / OUT OF PRINT

GAECHTER+CLAHSEN Fünf Finger Föhn Frisur ISBN 978-3-906803-83-8 EUR 60 I CHF 60

Robert A. Fischer Ich / Buchstabendrescher etc. ISBN 978-3-905509-95-3 EUR 26 I CHF 26

Marcel Gähler Bleistift auf Papier / Pencil on Paper ISBN 978-3-905509-51-9 VERGRIFFEN / OUT OF PRINT

Peter Fischli / David Weiss Airports ISBN 978-3-905509-04-5 VERGRIFFEN / OUT OF PRINT

Marcel Gähler Nie ist die Nacht so dunkel wie in der Kindheit ISBN 978-3-905929-24-9 EUR 43 I CHF 43

Peter Fischli / David Weiss Bilder, Ansichten ISBN 978-3-905509-07-6 VERGRIFFEN / OUT OF PRINT

Athene Galiciadis An Acrylic Glass Pyramid and Three Pendulums attached to a Triangle on a Table ISBN 978-3-906803-60-9 EUR 46 | CHF 46

Peter Fischli / David Weiss Photographs ISBN 978-3-905509-03-8 VERGRIFFEN / OUT OF PRINT

Mathis Gasser Heroes and Ghosts ISBN 978-3-907236-28-4 EUR 52 | CHF 52

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Tatjana Gerhard Herzklopfen ISBN 978-3-905509-31-1 EUR 9 I CHF 9

Michael Günzburger Plots ISBN 978-3-905929-32-4 EUR 70 I CHF 70

Mark Thomas Gibson Early Retirement ISBN 978-3-906803-43-2 EUR 60 | CHF 60

Patrick Graf Episoden aus dem Ypsilon’schen Zeitalter ISBN 978-3-905509-81-6 EUR 35 I CHF 35

Ingo Giezendanner GRR8: Zürich ISBN 978-3-905509-42-7 VERGRIFFEN / OUT OF PRINT

Lurker Grand Die Not hat ein Ende ISBN 978-3-905929-77-5 EUR 70 I CHF 70

H.R. Giger 5 – Poltergeist II: Drawings 1983–1985 ISBN 978-3-907236-20-8 EUR 98 | CHF 98

Lurker Grand (Hg. / ed.) Hot Love – Swiss Punk & Wave 1976 – 1980 ISBN 978-3-905509-62-5 (D / F) ISBN 978-3-905509-68-7 (D / E) VERGRIFFEN / OUT OF PRINT

H.R. Giger Alien Diaries / Alien Tagebücher ISBN 978-3-905929-45-4 EUR 110 I CHF 110

Lurker Grand / André Tschan (Hg. / eds.) heute und danach ISBN 978-3-905929-21-8 VERGRIFFEN / OUT OF PRINT

Gauri Gill Balika Mela ISBN 978-3-905929-16-4 EUR 60 I CHF 60

Michael Günzburger, Lukas Bärfuss Contact ISBN 978-3-906803-59-3 EUR 48 | CHF 48

Grob / Ledermann / Pente / Remondino / Rösli (Hg. / eds.) Wohlgroth ISBN 978-3-905509-12-0 VERGRIFFEN / OUT OF PRINT

Jürg Halter / huber.huber Hoffentlich verliebe ich mich nicht in dich ISBN 978-3-905929-68-3 VERGRIFFEN / OUT OF PRINT

Gabriela Gründler Stars of Suburbia ISBN 978-3-905509-34-2 EUR 18 I CHF 18

Dieter Hall / Konstantinos Kavafis So unverwandt betrachtet ISBN 978-3-905509-17-5 VERGRIFFEN / OUT OF PRINT

Gabriela Gründler My Things ISBN 978-3-905509-69-4 EUR 18 I CHF 18

Christoph Hänsli Mortadella ISBN 978-3-905509-71-7 EUR 72 I CHF 72

Martin Guggisberg Miss ISBN 978-3-905929-20-1 EUR 47 I CHF 47

Fredi Fischli / Niels Olsen (Hg. / eds.) Trix + Robert Haussmann ISBN 978-3-905929-27-0 EUR 36 I CHF 36

G—H

101

www.editionpatrickfrey.com

Op Medical Print

50 g/m2

Die geheime Gästekartei des Grand Hotel Waldhaus in Vulpera

Lois Hechenblaikner · Andrea Kühbacher · Rolf Zollinger (Hg.) Mit einer Novelle von Martin Suter 391

H—J

H–K

Edition Patrick Frey

Ramin Haerizadeh / Rokni Haerizadeh / Hesam Rahmanian Her Majesty ? ISBN 978-3-906803-00-5 EUR 180 I CHF 180

Hodel / Schumacher / Clavadetscher Luftbad ISBN 978-3-906803-78-4 EUR 52 | CHF 52

Alex Hanimann Etwas fehlt ISBN 978-3-906803-84-5 EUR 83 I CHF 83

Felix Stephan Huber / Philip Pocock Black Sea Diary ISBN 978-3-905509-11-3 VERGRIFFEN / OUT OF PRINT

Alex Hanimann Trapped ISBN 978-3-906803-33-3 EUR 60 | CHF 60

huber.huber Universen ISBN 978-3-905929-14-0 VERGRIFFEN / OUT OF PRINT

Lois Hechenblaikner, Andrea Kühbacher, Rolf Zollinger (Hg. / eds.) Keine Ostergrüsse mehr ! ISBN 978-3-907236-19-2 EUR 52 | CHF 52

huber.huber Widersprüchliche Bewegungsreize ISBN 978-3-907236-02-4 EUR 68 | CHF 68

Roswitha Hecke Irene ISBN 978-3-905509-96-0 EUR 52 I CHF 52

Marcel Jäggi, Charlotte Malterre-Barthes Some Haunted Spaces in Singapore ISBN 978-3-906803-71-5 EUR 52 | CHF 52

Barbara Heé Waters ISBN 978-3-906803-23-4 EUR 60 | CHF 60

Cameron Jamie Front Lawn Funerals and Cemeteries ISBN 978-3-905929-74-4 EUR 70 I CHF 70

Sebastian Heeb Zulu Romeo Hotel ISBN 978-3-905929-36-2 EUR 17 I CHF 17

Aaron Flint Jamison Cascades ISBN 978-3-905929-94-2 EUR 70 I CHF 70

Andrea Heller Die Wurzeln sind die Bäume der Kartoffeln ISBN 978-3-905929-19-5 EUR 47 I CHF 47

Rudolph Jula Conquest ISBN 978-3-905509-02-1 EUR 17 I CHF 17

Olivia Heussler Der Traum von Solentiname / The Dream of Solentiname ISBN 978-3-905509-79-3 EUR 34 I CHF 34

Rudolph Jula Giulios Schlaf ISBN 978-3-905509-18-2 EUR 19 I CHF 19

Olivia Heussler Zürich, Sommer 1980 ISBN 978-3-905509-89-2 EUR 60 I CHF 60

Rudolph Jula Slow Travelling – Auf dem Weg nach Damaskus ISBN 978-3-905929-17-1 EUR 34 | CHF 34 www.editionpatrickfrey.com

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Ch r istoph K appeler

Jurczok 1001 Spoken Beats ISBN 978-3-906803-58-6 EUR 42 | CHF 42

Karen Kilimnik Kirschgarten ISBN 978-3-905509-60-1 EUR 135 I CHF 135

Adi Kaplan / Shahar Carmel The Diary of Lev Afor ISBN 978-3-905929-61-4 EUR 22 I CHF 22

Karen Kilimnik Paintings ISBN 978-3-905509-33-5 EUR 135 I CHF 135

Christoph Kappeler Josef Maria Schröder ISBN 978-3-906803-37-1 EUR 43 | CHF 43

Karen Kilimnik Photographs ISBN 978-3-905929-58-4 EUR 60 I CHF 60

Christoph Kappeler Sammlung ISBN 978-3-906803-72-2 EUR 58 | CHF 58

Monika Kiss Horváth Bar ISBN 978-3-905509-27-4 EUR 34 I CHF 34

KCBR LIVE LIFE LIKE ISBN 978-3-905929-39-3 VERGRIFFEN / OUT OF PRINT

Kleenex / LiliPUT Das Tagebuch der Gitarristin Marlene Marder ISBN 3-907500-05-9 VERGRIFFEN / OUT OF PRINT

Georg Keller Georg Keller x Manor ISBN 978-3-906803-26-5 (EN) ISBN 978-3-906803-24-1 (DE) EUR 52 | CHF 52

Emil Michael Klein Paintings ISBN 978-3-906803-42-5 EUR 48 | CHF 48

Pierre Keller My Colorful Life ISBN 978-3-906803-55-5 EUR 90 | CHF 90

Thomas Krempke Das Flüstern der Dinge ISBN 978-3-906803-35-7 EUR 60 | CHF 60

Roman Keller / Barbara Wiskemann (Hg. / eds.) EXPOMAT ISBN 978-3-905509-41-0 EUR 29 I CHF 29

Thomas Krempke The Whispering of Things ISBN 978-3-906803-85-2 EUR 60 I CHF 60

Thomas Kern A Drug Free Land ISBN 978-3-905509-90-8 EUR 26 I CHF 26

Elisabeth Kübler Vom Leben einer Unangepassten ISBN 978-3-907236-29-1 EUR 78 | CHF 78

Karen Kilimnik Drawings ISBN 978-3-905509-16-8 EUR 70 I CHF 70

David Küenzi Zustandsaufnahme ISBN 978-3-905929-35-5 EUR 70 I CHF 70

Sam m lung 7

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J— K

103

Arcoprint Edizioni

90 g/m2

K—M

K–M

Max Küng Einfälle kennen keine Tageszeit ISBN 978-3-905509-55-7 EUR 22 I CHF 22

Jesús León Vida ISBN 978-3-906803-74-6 EUR 52 | CHF 52

Max Küng Buch Nº 2 ISBN 978-3-905509-67-0 EUR 22 I CHF 22

Lily’s Stomach Supply (Hg. / ed.) I Grew up on the Back of a Water Ox ISBN 978-3-905509-87-8 EUR 26 I CHF 26

Max Küng Pensive Racing Drivers ISBN 978-3-905929-37-9 EUR 43 I CHF 43

Christian Lutz Citizens ISBN 978-3-907236-12-3 EUR 52 | CHF 52

Gerold Kunz / Hilar Stadler (Hg. / eds.) Waldhütten ISBN 978-3-905509-38-0 EUR 43 I CHF 43

Christian Lutz The Pearl River ISBN 978-3-906803-89-0 EUR 52 I CHF 52

A.C. Kupper Revolutionäre Mittelklasse ISBN 978-3-905509-92-2 EUR 30 I CHF 30

Lutz & Guggisberg Loch im Spiegel ISBN 978-3-905929-15-7 EUR 52 I CHF 52

Christian Lanz Strahlende Lider ISBN 978-3-905509-48-9 EUR 22 I CHF 22

PierLuigi Macor Bowie, Texas ISBN 978-3-906803-57-9 EUR 60 | CHF 60

Shane Lavalette Still (Noon) ISBN 978-3-906803-65-4 EUR 78 | CHF 78

PierLuigi Macor Zukunft ISBN 978-3-905509-85-4 EUR 60 I CHF 60

William Leavitt THE PARTICLES ISBN 978-3-905929-60-7 EUR 15 I CHF 15

Manon Feathers (EN) ISBN 978-3-907236-10-9 EUR 38 | CHF 38

Pierre Leguillon, Barbara Fédier (Hg. / eds.) Oracles – Artists’ Calling Cards ISBN 978-3-906803-16-6 VERGRIFFEN / OUT OF PRINT

Manon Federn (DE) ISBN 978-3-906803-96-8 EUR 38 | CHF 38

Pierre Leguillon The Museum of Mistakes ISBN 978-3-906803-94-4 EUR 58 | CHF 58

Christian Marclay Index ISBN 978-3-907236-08-6 EUR 68 | CHF 68

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Elmar Mauch Die Bewohner ISBN 978-3-905509-86-1 EUR 39 I CHF 39

Anna Meyer Fernwärme ISBN 978-3-905509-14-4 EUR 43 I CHF 43

Clemens Marschall / Klaus Pichler Golden days before they end ISBN 978-3-906803-06-7 (EN) ISBN 978-3-906803-05-0 (DE) EUR 52 | CHF 52

Susanne Meyer Are you kidding ISBN 978-3-905929-62-1 EUR 43 I CHF 43

Fabian Marti Bilder 2005 – 2016 ISBN 978-3-905929-99-7 EUR 60 | CHF 60

Giuseppe Micciché Cento Passi ISBN 978-3-905929-59-1 EUR 52 I CHF 52

Dieter Maurer / Claudia Riboni Wie die Bilder zu den Häusern finden und das Haus ins Bild kommt ISBN 978-3-905929-38-6 EUR 26 I CHF 26

Veronika Minder (Hg. / ed.) Art Decor ISBN 978-3-906803-50-0 EUR 60 | CHF 60

Jean-Pierre Maurer / Robert Müller Morgan Is Sad Today ISBN 978-3-905929-78-2 EUR 43 I CHF 43

Beatrice Minger « Hier sass er » ISBN 978-3-906803-69-2 EUR 48 | CHF 48

«Hier sass er.»

Beatrice Minger

Pietro Mattioli 1977 ISBN 978-3-905509-56-4 EUR 52 I CHF 52

Dan Mitchell Pocket Guide: Dan Mitchell Posters ISBN 978-3-907236-17-8 EUR 60 | CHF 60

Anoushka Matus The Light on Your Face Warms My Heart ISBN 978-3-905509-50-2 EUR 52 I CHF 52

Monster Chetwynd The Supreme Deluxe Essential Monster Chetwynd Handbook ISBN 978-3-906803-82-1 EUR 78 I CHF 78

Lisa Meier Funeral Fashion in Ghana ISBN 978-3-905929-34-8 EUR 70 I CHF 70

Basile Mookherjee Fully Fueled ISBN 978-3-906803-15-9 EUR 36 | CHF 36

Dawn Mellor The Conspirators ISBN 978-3-905509-91-5 EUR 30 I CHF 30

Gustav Mesmer Ikarus vom Laufental genannt ISBN 978-3-906803-73-9 EUR 83 | CHF 83 Edition Patrick Frey

Mimi von Moos Die Verwandte. Aus dem fotografischen Nachlass der Anne-Marie von Wolff ISBN 978-3-906803-91-3 EUR 58 | CHF 58 Morphing Systems / KLINIK (Hg. / eds.) Morphing ISBN 978-3-905509-30-4 EUR 34 I CHF 34

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105

DAN MITCHELL POSTERS FLYERS

Gardamatt Ultra

160 g/m2

I made a sculpture of a motorcycle, which was a nice motorcycle but in the biker world it’s nothing special. Vincent said he could paint motorcycles so I thought it would be interesting for him to customize a real one. It actually also ended up being in a real motorcycle show as well so it brought my two worlds together. I’ve had motorcycles forever but before it was always a separate world now everything is mixed up. – Olivier Mosset

Olivier Mosset WHEELS ISBN 978-3-906803-54-8 EUR 60 I CHF 60

Taiyo Onorato / Nico Krebs Continental Drift ISBN 978-3-906803-20-3 EUR 78 | CHF 78

Marianne Mueller STAIRS ETC ISBN 978-3-905929-66-9 EUR 60 I CHF 60

Taiyo Onorato & Nico Krebs FUTURE MEMORIES ISBN 978-3-907236-14-7 EUR 43 | CHF 43

Marianne Mueller The Proper Ornaments ISBN 978-3-905509-72-4 EUR 34 I CHF 34

Taiyo Onorato / Nico Krebs The Great Unreal ISBN 978-3-905929-83-6 EUR 62 I CHF 62

Philipp Mueller 120 bpm ISBN 978-3-907236-26-0 EUR 52 | CHF 52

Oliver Perrottet TAXI ISBN 978-3-905509-99-1 EUR 43 I CHF 43

Thomas Müllenbach ORIGINALE ISBN 978-3-905929-90-4 EUR 52 I CHF 52

Walter Pfeiffer Cherchez la femme ! ISBN 978-3-905509-66-3 EUR 70 I CHF 70

Musée Jenisch Stéphan Landry: Tout va bien ISBN 978-3-906803-44-9 EUR 52 | CHF 52

Walter Pfeiffer Das Auge, die Gedanken, unentwegt wandernd ISBN 3-907500-04-0 EUR 625 I CHF 625

Jon Naiman Familiar Territory ISBN 978-3-905929-26-3 EUR 30 I CHF 30

Walter Pfeiffer Bildrausch. Drawings 1966–2018 ISBN 978-3-906803-49-4 EUR 78 | CHF 78

Bob Nickas 69 / 96 ISBN 978-3-905929-96-6 EUR 43 I CHF 43

Walter Pfeiffer Scrapbooks 1969 –1985 ISBN 978-3-905929-25-6 VERGRIFFEN / OUT OF PRINT

Giorgio di Noto The Iceberg ISBN 978-3-906803-39-5 EUR 70 | CHF 70

Walter Pfeiffer Welcome Aboard ISBN 978-3-905509-32-8 VERGRIFFEN / OUT OF PRINT

Albert Oehlen In der Wohnung ISBN 978-3-905929-95-9 VERGRIFFEN / OUT OF PRINT

Elodie Pong Paradise Paradoxe ISBN 978-3-906803-01-2 (EN) ISBN 978-3-906803-12-8 (DE) EUR 52 | CHF 52

WHEELS

M–P

M–S

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Prill Vieceli Cremers Money ISBN 978-3-905929-91-1 EUR 60 I CHF 60

Jong Won Rhee Solitudes of Human Places ISBN 978-3-907236-33-8 EUR 60 | CHF 60

Jussi Puikkonen On Vacation ISBN 978-3-905509-75-5 EUR 44 I CHF 44

Luciano Rigolini AS 15-16 ISBN 978-3-906803-63-0 EUR 42 | CHF 42

Peter Radelfinger Falsche Fährten ISBN 978-3-905929-80-5 EUR 70 I CHF 70

Luciano Rigolini Private / Used ISBN 978-3-905929-47-8 EUR 60 I CHF 60

Peter Radelfinger So wohl als ob ISBN 978-3-906803-08-1 VERGRIFFEN / OUT OF PRINT

Luciano Rigolini MASK ISBN 978-3-905929-81-2 EUR 60 I CHF 60

Laurence Rasti There Are No Homosexuals in Iran ISBN 978-3-906803-38-8 EUR 52 | CHF 52

Maya Rochat Crystal Clear ISBN 978-3-905929-56-0 EUR 36 I CHF 36

Peter Regli Reality Hacking 256 – 001 ISBN 978-3-905509-70-0 EUR 22 I CHF 22

Flurina Rothenberger I Don’t Know Where I’m Going, but I’m on the Way ISBN 978-3-905509-53-3 EUR 18 I CHF 18

Benedikt Reichenbach (Hg./ed.) Pasolini’s Bodies and Places. ISBN 978-3-906803-41-8 EUR 78 | CHF 78

Flurina Rothenberger I love to dress like I am coming from somewhere and I have a place to go ISBN 978-3-905929-73-7 EUR 43 I CHF 43

Alan Reid Warm Equations ISBN 978-3-906803-04-3 EUR 52 I CHF 52

Hansjörg Sahli RHONE GLETSCHER ISBN 978-3-906803-75-3 EUR 42 | CHF 42

David Renggli 25% Painting ISBN 978-3-905929-41-6 EUR 78 I CHF 78

Holger Salach Alles kann, nichts muss ISBN 978-3-905509-61-8 EUR 24 I CHF 24

Marcia Resnick Re-Visions ISBN 978-3-906803-93-7 EUR 52 | CHF 52

Merja Salo Carscapes ISBN 978-3-905929-13-3 EUR 22 I CHF 22

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107

Munken Print White 1.5

150 g/m2

S–T

Carolina E. Santo / Véronique Hoegger Buchs ISBN 978-3-905929-22-5 EUR 22 I CHF 22

Aldo Schmid Notebooks 2005–2018 ISBN 978-3-906803-87-6 EUR 125 I CHF 125

Rico Scagliola / Michael Meier Neue Menschen ISBN 978-3-905509-97-7 EUR 70 I CHF 70

Hannes Schmid Rockstars ISBN 978-3-905509-84-7 EUR 67 I CHF 67

Rico Scagliola / Michael Meier Years Later ISBN 978-3-906803-40-1 EUR 60 | CHF 60

Iwan Schumacher 1972 – At Home and on the Way ISBN 978-3-906803-22-7 EUR 43 | CHF 43

Rosa Schamal, Peter Schneider, Manuel Süess Altar ISBN 978-3-906803-64-7 EUR 40 | CHF 40

Christian Schwager My Lovely Bosnia ISBN 978-3-905509-63-2 EUR 29 I CHF 29

Luca Schenardi An Vogelhäusern mangelt es jedoch nicht ISBN 978-3-905929-23-2 EUR 60 I CHF 60

Christian Schwager Falsche Chalets ISBN 978-3-905509-49-6 VERGRIFFEN / OUT OF PRINT

Luca Schenardi Meyer spricht von Gratiskaffee ISBN 978-3-906803-32-6 EUR 36 | CHF 36

Jean-Frédéric Schnyder Zugerstrasse / Baarerstrasse 1999 – 2000 ISBN 978-3-905509-39-7 EUR 58 I CHF 58

Klaudia Schifferle 152 Paperdolls ISBN 978-3-906803-66-1 EUR 52 | CHF 52

Michele Sibiloni Fuck it ISBN 978-3-905929-97-3 EUR 43 | CHF 43

Klaudia Schifferle Allüren ISBN 3-907500-02-4 EUR 53 I CHF 53

Michele Sibiloni Nsenene ISBN 978-3-907236-13-0 EUR 52 | CHF 52

Klaudia Schifferle Eingeblaut ISBN 978-3-905509-80-9 EUR 22 I CHF 22

Francisco Sierra Lunar Invasion ISBN 978-3-907236-34-5 EUR 52 | CHF 52

Hans-Ulrich Schlumpf Armand Schulthess. Rekonstruktion eines Universums ISBN 978-3-905509-93-9 EUR 143 I CHF 143

Francisca Silva 25 Memoranden ISBN 978-3-906803-45-6 EUR 36 | CHF 36

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Hilar Stadler, Martin Stollenwerk (Hg. / eds.) Gasoline and Magic ISBN 978-3-905929-88-1 EUR 60 I CHF 60

Billy Sullivan Still, Looking. Works 1969 –2016 ISBN 978-3-906803-03-6 EUR 70 | CHF 70

Urs Stahel, Miriam Wiesel Walter Keller, Beruf: Verleger ISBN 978-3-906803-36-4 EUR 52 | CHF 52

Olivier Suter Children ISBN 978-3-906803-99-9 EUR 52 | CHF 52

Mats Staub Meine Grosseltern / My Grandparents ISBN 978-3-905509-94-6 EUR 43 I CHF 43

Olivier Suter (Hg. / ed.) Jean Tinguely. Torpedo Institut ISBN 978-3-905929-85-0 (DE) EUR 60 I CHF 60

Roth Stauffenberg Based on a True Story ISBN 978-3-905509-74-8 EUR 39 I CHF 39

Paweł Szypulski Greetings from Auschwitz ISBN 978-3-905929-89-8 EUR 34 I CHF 34

Barbara Stauss (Hg. / ed.) Foto: Niklaus Stauss ISBN 978-3-906803-56-2 EUR 70 | CHF 70

Keiichi Tanaami NO MORE WAR ISBN 978-3-905929-40-9 EUR 36 I CHF 36

Bruno Steiger Der Billardtisch ISBN 978-3-905509-37-3 EUR 26 I CHF 26

Keiichi Tanaami & Oliver Payne Perfect Cherry Blossom ISBN 978-3-906803-28-9 VERGRIFFEN / OUT OF PRINT

Erik Steinbrecher Gras ISBN 978-3-905509-44-1 EUR 18 I CHF 18

Philipp Tingler Hübsche Versuche ISBN 978-3-905509-26-7 EUR 17 I CHF 17

Erik Steinbrecher Mondfotografie ISBN 978-3-905929-51-5 EUR 27 I CHF 27

Philipp Tingler Ich bin ein Profi ISBN 978-3-905509-45-8 VERGRIFFEN / OUT OF PRINT

Anna Stüdeli Primal ISBN 978-3-907236-15-4 EUR 52 | CHF 52

Alfio Tommasini Via Lactea ISBN 978-3-907236-01-7 EUR 52 | CHF 52

Geholten Stühle The Stools Walk the Earth ISBN 978-3-905509-36-6 EUR 24 I CHF 24

Andreas Tschersich peripher ISBN 978-3-906803-07-4 EUR 60 | CHF 60

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109

CHILDREN

Lessebo Natural

90 g/m2

Piotr Uklański Pornalikes ISBN 978-3-906803-77-7 EUR 52 | CHF 52

David Weiss Die Wandlungen ISBN 978-3-905929-70-6 EUR 88 I CHF 88

Piotr Uklański The Nazis ISBN 978-3-905509-22-9 VERGRIFFEN / OUT OF PRINT

Yana Wernicke und Jonas Feige Zenker ISBN 978-3-907236-18-5 EUR 68 | CHF 68

Piotr Uklański Real Nazis ISBN 978-3-906803-52-4 EUR 52 | CHF 52

Andro Wekua That Would Have Been Wonderful ISBN 978-3-905509-58-8 EUR 52 I CHF 52

Veli & Amos This is not a commercial. Billboard/Billding ISBN 978-3-907236-07-9 EUR 52 | CHF 52

Cécile Wick KopfFall ISBN 978-3-905509-13-7 EUR 27 I CHF 27

Mélanie Veuillet Tools of Disobedience ISBN 978-3-906803-29-6 VERGRIFFEN / OUT OF PRINT

Cécile Wick America ISBN 978-3-905509-24-3 EUR 29 I CHF 29

Marie-Isabel Vogel / Alain Rappaport (Hg. / eds.) Maximilian Stejskal – Folklig idrott ISBN 978-3-906803-02-9 EUR 52 | CHF 52

Tania und David Willen, Jörg Scheller (Hg. / eds.) Appetite for the Magnificent ISBN 978-3-906803-48-7 (EN) ISBN 978-3-906803-47-0 (DE) EUR 43 | CHF 43

Claudio Walser / Philipp Funk (Hg. / eds.) Tage Buch ISBN 978-3-905509-29-8 VERGRIFFEN / OUT OF PRINT

Jean Willi Steingesichter ISBN 978-3-906803-34-0 EUR 43 | CHF 43

Lukas Wassmann W ISBN 978-3-906803-76-0 EUR 52 | CHF 52

Giorgio Wolfensberger Foto Povera Urs Stahel (Hg. / ed.) ISBN 978-3-906803-79-1 CHF 58 | EUR 58

Weinberg & Co (Hg. / ed.) Haussmann für Weinberg ISBN 978-3-905929-71-3 EUR 43 I CHF 43

Giorgio Wolfensberger (Hg. / ed.) Suzanne Perrottet – Bewegungen / Movements ISBN 978-3-905929-50-8 EUR 78 I CHF 78

David Weiss Nine Books 1973 –1979 ISBN 978-3-905929-48-5 EUR 350 I CHF 350

Susi Wyss Guess Who Is the Happiest Girl in Town ISBN 978-3-906803-51-7 EUR 52 | CHF 52 Edition Patrick Frey

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Anicka Yi, Jordan Lord, Lise Soskolne, Carissa Rodriguez (Hg. / eds.) The Politics of Friendship ISBN 978-3-905929-53-9 EUR 22 I CHF 22

EPF ESSAYS Elizabeth A. Wilson Eingeweide, Pillen, Feminismus ISBN 978-3-907236-36-9 ISBN 978-3-907236-37-6 eBook EUR 12 | CHF 12

EPF ESSAYS — Die drei- bis viermal jährlich erscheinenden Bände der Reihe EPF Essays sind Versuche zur Desorientierung in einer immer übersichtlicher werdenden Welt. Ihr Publikum empfindet es nicht als Zumutung, etwas zu erfahren, dass es nicht immer schon ahnte. Ihre Form ermöglicht den verbindlichen Flirt zwischen theoretischer Schärfe und essayistischer Leichtigkeit. Ihre Themen sind beliebig, aber exemplarisch. Sie bilden Knoten in einem Netz, das aus den Fäden Philosophie, Soziologie, Wissenschaftsforschung, Ökonomie, Kulturwissenschaft, Psychoanalyse, Kunst, Politik gewoben ist. Diese Aufzählung ist nicht abschliessend. Ihr Programm ist streng adisziplinär und folgt den launischen Interessen respektive interessierten Launen des Herausgebers Peter Schneider. Autorinnen und Autoren sind eingeladen, diesen Launen und Interessen neuen Stoff zu liefern.

Der Begriff des Experten hat in politischen Auseinandersetzungen der letzten Zeit einen Wertewandel von der Überhöhung zur Geringschätzung erfahren, die meist von einer Aneinanderreihung unzähliger Beispiele für das Versagen und Fehlverhalten von Fachleuten begleitet wird. In so verschiedenen Zusammenhängen wie dem Brexit, dem Klimawandel oder der Vorsorgeimpfung begegnet man einem spürbaren Misstrauen gegenüber Experten und einer zunehmenden Neigung, ihren Rat in den Wind zu schlagen. Werden wir wirklich Zeugen des «Tod des Experten», oder sind die Klagen über den «Anschlag auf die Wissenschaft» nur eine hysterische Reaktion von Eliten, die sich in ihrem Status bedroht sehen? «Dieses beeindruckende wissenschaftliche Werk untersucht die zeitgenössischen Debatten über das Wesen von Expertise und deren Bezug zur Politik auf völlig neuartige Weise. Eyals leidenschaftlicher Stil und seine treffenden Metaphern machen das Buch zu einer grossartigen Lektüre.» Harry Collins — Cardiff University «Gil Eyal hält die gegenwärtige Krise des Fachwissens für substanziell und ernst. Er glaubt auch, dass sie bisher noch nicht angemessen beschrieben worden ist. Sein Versuch, uns eine solche Beschreibung an die Hand zu geben, ist Pflichtlektüre in diesen schwierigen Zeiten.» steven sHapin — Harvard University EPF ESSAYS No 1

ISBN 978-3-906011-205

DIE KRISE DER EXPERTISE

GIL EYAL

Andreas Züst Bekannte Bekannte ISBN 978-3-905509-01-4 EUR 135 I CHF 135

DIE KRISE DER EXPERTISE

Nicole Zachmann Fish of Hope ISBN 978-3-905509-88-5 EUR 30 I CHF 30

GIL EYAL

Was erklärt werden muss, ist für den Soziologen Gil Eyal kein einseitiges «Misstrauen gegenüber Experten», sondern ein janusköpfiges Phänomen: das «pushmi-pullyu» einer nie dagewesenen Abhängigkeit der Politik von Wissenschaft und Expertise auf der einen Seite gepaart mit einer wachsenden Skepsis und Ablehnung gegenüber wissenschaftlichen Forschungsergebnissen und den Meinungen von Fachleuten auf der anderen Seite. Eyal analysiert den gegenwärtigen Verlust des Vertrauens auf Experten als eine weitere Umdrehung der Spirale eines um sich greifenden, immer wieder von neuem aufbrechenden Legitimitätsverlusts. Die «Verwissenschaftlichung der Politik», vor der kritische Stimmen in den 1960er-Jahren warnten, hat im Gegenzug auch eine Politisierung der Wissenschaft mit sich gebracht. Seither verstärken beide Prozesse einander in einer instabilen, krisenanfälligen Wechselwirkung. Dieses Buch ist von besonderem Interesse für alle, die sich mit der politischen Indienstnahme und Infragestellung wissenschaftlicher Erkenntnisse und Expertise beschäftigen.

Gil Eyal Die Krise der Expertise ISBN 978-3-907236-22-2 EUR 12 | CHF 12

Gil eyal ist Professor für Soziologie an der Columbia University in New York.

Andreas Züst Bekannte Bekannte 2 ISBN 978-3-905509-15-1 EUR 135 I CHF 135

Andreas Züst Fluoreszierende Nebelmeere. Fluorescent Seas of Fog ISBN 978-3-905509-64-9 EUR 24 I CHF 24 Andreas Züst Himmel ISBN 978-3-905929-00-3 EUR 135 I CHF 135

Andreas Züst Menschen, Tiere, Abenteuer Mara Züst (Hg. / ed.) ISBN 978-3-905929-93-5 EUR 52 I CHF 52 Andreas Züst Pursuit of Wonders Mara Züst (Hg. / ed.) ISBN 978-3-907236-06-2 EUR 60 | CHF 60 Andreas Züst Roundabouts / Kreisel (DE) ISBN 978-3-905509-47-2 EUR 43 I CHF 43

Andreas Züst Roundabouts (EN) ISBN 978-3-905509-52-6 EUR 22 I CHF 22

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W—Z

111

Gardamatt Klassica

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Index of papers

Grammage

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130 g/m2

Op Medical Print

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Arcoprint Edizioni

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Gardamatt Ultra

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Munken Print White 1.5

150 g/m2

Lessebo Design Natural

90 g/m2

Gardamatt Klassica

250 g/m2

Freelife Cento

250 g/m2

113

Terraprint Silk

90 g/m2

115

Lessebo Design Natural

130 g/m2

117

Op Medical Print

50 g/m2

119

Arcoprint Edizioni

90 g/m2

121

Gardamatt Ultra

160 g/m2

123

Munken Print White 1.5

150 g/m2

125

Lessebo Natural

90 g/m2

Edition Patrick Frey

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Edition Patrick Frey

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127

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Catalog AW 21 / SS 22

Colophon

Concept

Marietta Eugster, David Keshavjee,

Andreas Koller

Design

Marietta Eugster and Maximage

Assistance

Julie Neuhaus

Coordination

Gloria Wismer

Translation

Eric Rosenkrantz

Typeface

Theinhardt Regular

Printed and bound by

Musumeci S. p. A., Aosta (IT)

Thanks to

Michele Abrigo, Virginia Ursi

THE WASTE PAPER PROJECT was founded in 2018 amid growing concerns about the ecological efficiency of today’s printing, publishing, fashion and arts industries. WPP collaborates with producers, institutions, and companies to envision the potential of local waste materials, and to directly re-use and upcycle waste and dead stock.  WPP aims to create something new by reflecting circular phenomena through interaction and experimentation with production and supply chain processes.

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