Svend Hvidfelt Nielsen: Toxcatic (2007)

Svend Hvidfelt Nielsen Toxcatic (2007) for violin and double bass Dur. c. 9′

For Helge Slaatto and Frank Reinecke

SCORE

T/ (+45) 3313 5445 · E/ sales@edition-s.dk · W/ www.edition-s.dk

Composed with support from the Danish Arts Foundation With support from Koda’s Cultural Funds.

Projektet er støttet af Kodas kulturelle midler

Edition·S publications are supported by the Danish Arts Foundation / Edition·S udgivelser er støttet af Statens Kunstfond

Svend Hvidfelt Nielsen Toxcatic (2007) for violin and double bass Dur. c. 9′

NOTE The working title for Toxcatic was originally “Toccata”, wich gradually became “Toccatic”. Then the word “Toxic” came to mind, and after that I can't seem to let go of “Toxcatic”. A meaningless word, functioning as a focus for this manic music. It does so for me at least.

Svend Hvidtfelt Nielsen May 2007

Toxcatic

3

Movement for Violin and Double-bass

I

Molto Marcato, poco danzante q = ca. 100

                       

ff use open string(s) whenever possible!

   ff

 

  

 

Svend Hvidtfelt Nielsen 19/5/007



                     

   

 

   

 

 

use open string(s) whenever possible!

                                                                           8

                                                                              10

                                                                                                                                12

                                                                                               1 18                                                                                                             15

                                                                                             21

                                                                             24

    

 

  

3       

4

27

s.p.e.

ord

                                      



  



ord        s.p.e.                 2 30                                                               p                                      p

                                33



 

                       

       

   36

                



ord.

          mf

     



 





   



               p

 p

              

                            

 

s.p.

5

38

ff



s.p.

   

s.p.

p



ord.

  



 

p subito

  

 

ord.







          

   

 

 

p subito

                                         ff                             40

ff

3

ff

                                                 p subito                           42

                 44

    



p subito



  

    



  mf



      

         mf

     

       

    

5

46



 

   

 

 

    

             

 

 

 

            

4 48                               f

      f

  

   

      

                       

    51



 

                                          gliss.                                 

5 6                                            

s.p. IV

54







gliss.

  



(Contrary gliss. with the thumb)

                  57

5

ff



                  

 

III

p s.p.

 

p sub.

    

   



                          

                                                     

        

                



              

ff

59



s.p.                                         ord. pp                                                                   61

ord.

III IV

  

6

65

6

II

III

                              s.p.

IV III IV III            s.                glis   pp subito 

ff

      71



(sempre gliss. on D-string)

     



pp

   78



      

 



 

       pp



7





               

s.p.

ord.

ff

   









(sempre gliss. on E-string)

         pp

   

   

 



pp

      ord.



     s.p. ord. ord. pp                    ff

                                                   83



 



s.p.

   

     





     

                                                                      ord.                        (ff)

85

8 marcato 88              



ff

       

       marcato sempre

  

      

         

              

3                                                                                 

91

    94

 

       

  

          

 

(quasi gliss.)

    3

                

7

9 97                         3

    

   

                                      

                  100



102

                   

                      

      

  

  

105



 



                                

         

         

 

          

  108

      

   



                               

 

    

10              

      

 





5

 

 

                 

                    

5

5

       5 3 ff (sounding 1 octave lower) 5  5                                                                         7 3               

IV

111







pp







                                              

   114













11         

                  



           



pp ( not necessarily a recognizable pitch)



 



       

   

8

(IV

121

      III

IV)





IV





     

 









   

  

                             

12

                                                     shift to strings II/III when convenient (if needed)

129

           I

135

II

II



 

             II  142

mf

  

14

 







149



mf

I

 







sfz (pp) s.p.





       mf









   160

  

 

 

(II. string pp)





III

 

(s.p.)



f



pp



pp

pp

 



pp

f



 ord.     ff

     

       

15                              



3

      



 

  

 

    ff 16 

   

   





  

mf

ff



mf







3

pp

  

 

(s.p.)



III IV



p

 

     

   

    





 

 

p

      

 

      

pp





                  5      

pp





pp

p



mf

3 3                   154      





mp

                   

3



   

13                 

s.p.

               pp

mf





  169





  

  p



 

  

177





  185





     

 



  

 



  







 

  



p

       

Highest sound possible

fff











  

   



                                      204



     

 

 

  





 



     

p



 

  

 

          

 

Tempo Primo q = ca. 100

     

  

 

    20  

9

pp



  

     



   I    II  

 

                   suono reale         

19  193              p    III   suono reale           

ff

 



ff

Very slow - Quasi senza tempo (q = ca. 50) suono reale

 199    



mf

     

 



mf

5

 

 

     

  



 



 

 



slide the finger up the string to create random harmonics









pp

mf

5

18  



  

 

ord.







         



17

 

 







Molto furioso e brutale

                     (fff)               

fff

                      

   

     

                                                       

     



         Fine

206

  

                                    

Nebbegårdsbakken 29/05/007