Steingrimur Rohloff: The Sinus Experience (2007)

Steingrimur Rohloff

The Sinus Experience (2007) for 7 instruments

Dur. 12’

Written for the CAPUT Ensemble

SCORE

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Steingrimur Rohloff

The Sinus Experience (2007)

for 7 instruments

Dur. 12’

REMARKS

- The accidentals are valid for one bar and only for the octave they are written in.

- The 4/4-measures throughout big parts of the piece serve orientation only and don’t indicate a special accent on the first or other beats.

INSTRUMENTATION

Flute

Clarinet

Guitar

Piano

Percussion:

Vibraphone

Logdrum

4 gongs

Marimba

4 crotales

Grande cassa

Tam tam

Violin

Violoncello

The score is written in C

The Sinus Experience

for the CAPUT Ensemble

PICCOLLO

ll very short staccati (regardless the different note values) Flute

mp very short staccati (regardless the different note values)

(2) (adjust dynamics)

., the dynamics of the harmonics and the fact that often only a noise sound will emerge in the whole picture is considered- play rather energetic and noisy than trying to let emerge the pitch

The Sinus Experience

10 The Sinus Experience

with fingers on the strings (without changing the pitch too much)

guerro-effect - slide with a pencil or thin wooden stick along the white keys

The Sinus Experience 17

The Sinus Experience

20 The Sinus Experience

! The Sinus Experience .J=BO

22 The Sinus Experience

The Sinus Experience 23

bisbigliando

VIBRA

24 The Sinus Experience

The Sinus Experience

The Sinus Experience

The Sinus Experience

The Sinus Experience

42 The Sinus Experience

(a bit faster)

The Sinus Experience

The Sinus Experience

the dynamics of the harmonics and the fact that often only a noise sound will emerge in the whole picture is considered - play rather energetic and noisy than trying to let emerge the pitch

grace noes very short and on the beat

grace noes very short and on the beat

The Sinus Experience

The Sinus Experience

The 1 Sinus Experience

t. ..... through the instrument - no n the breathing should be nei

The Sinus Experience

through the instrument - no fuitch the breathing should be nei er foreground nor background: only just audible