Skip to main content

Timothy Baxter: Song of Songs

Page 1

Timothy Baxter Song of Songs (1979) Cantata for mixed choir, soloists & chamber ensemble Dur. 22′

Written for the Harrow Philharmonic Choir

SCORE


T/ (+45) 3313 5445 · E/ sales@edition-s.dk · W/ www.edition-s.dk

Edition·S publications are supported by the Danish Arts Foundation / Edition·S udgivelser er støttet af Statens Kunstfond


Timothy Baxter Song of Songs (1979) Cantata for mixed choir, soloists & chamber ensemble Dur. 22′

PREFACE My dramatic cantata Song of Songs was written in 1979 for the Harrow Philharmonic Choir, who gave the first performance in 1979. The words were selected from the new English Bible 1975 depicting a Middle Eastern wedding with solo parts for soprano (bride) and baritone (bridegroom). The wedding guests are sung by the choir. The chamber ensemble consists of piano, harp, and percussion. T.B.


Cantata Song of Songs Part 1 Timothy Baxter

New English Bible

q = 60 block

      1

Percussion Player 1

  

TD

3

 

SD

  

  

    



p

6

SD

  

    

5

SC

                             

castanets

pp

4

   

SD

 p maracas

Player 2

 SC       

 

p

   Glockenspiel

2

to glock

   

mar.

  

tamb.

2

p

  shake

   

block

7

Perc. 1 1

 

 

Vib.

  

9



p

10

 



 

 

p

  

 

 

 

  

hit f

11

snare drum

    





 



8

Tam-tam

mp

Glock.

 

p

   tambourine

to vibr.



 p



 

Copyright ©1979

  

 

p


2

  q = 82    Vivace

12

f

Glock.





f

14



  

Hp.

13



 

 













p

 



plaqué



Vivace

  6    6    6   6                                                            

Pno.

q = 82

f

                   

  

3

   3

3

   3

                 

  15

Perc. 1

Glock.



Vib.



Hp.

16

 











   

 









 

 f

 

 



          gliss



                           3

3

3

 

f

p

3

f

p

6  6  6  6                                        

Pno.



p



p

  

f

3

2

  



3

f



3

 



1

18 SC

         

3

f

17

6

 3

6

6

6

          3

3

3

pp

          p

3

3

gliss.



   



    




3

Steadily 19

S. Solo

Perc. 1

Glock.

 

 

 

   

   

     

21

22

 

 

q = 72

23

 3   3   

24

    

will sing the song of all songs

to

Sol - o - mon

 

 

 

 

fp

Pno.

Vivace

f

I

f

Xyl.

BRIDE

q = 72 20

p

                                 

 

f

              

Steadily 25

S. Solo

Glock.

Xyl.

Pno.







 

Hp.



26 BRIDE



   f















freely



 

 

27

f

 

  I

will

28

  

3

sing

f

29

    

the

song

     of

 

  



 

 

f

 6   6   6   6                    

  

3

  

   3

3

  

  3



all


4

30

S. Solo

songs

Glock.

Xyl.

Hp.

Pno.

         

   

31

 3

to

So



-

-

-

-

 

-

      3





 

33 Vivace

lo- mon

-

32

 

















 

  f

   f

    

 

6

 

    





6



3



 

     

6



 





3

3

    

6



 

 





3

34

S. Solo

 

mp

 

that

he

may

35

co -

 

3

ver

me

with

kis

  -

 

ses

 



 

S.1

Glock.



3

3

Pno.

gliss

        

 

pp

 3





 3





 3

 

 



 

  (E)

  

 



3

p

3

Hp.

 

           



   

gliss.

 

  

 

 


5

A Gently moving 37 q = 92     

Chorus I

36

S. Solo

S.1

S.

39

tutti

S.2

Ah...

  pp      

 

    

Ah...

A.2

S.1     pp                      

Ah....

A.

38



Ah...

Ah...

Ah...



 



Ah.....

40



  



 

41



Ah...

Ah.....

 

 



 

 



 

 

Ah....

 

BRIDE

 

Ah...



42

Ah....

pp S1



Ah...

espress.

        pp

T.



Ah...

T.2

  pp       



   pp    

 



 

 



 

Ah.....

pp

B.2

       

Ah...





Ah...





Ah...

Ah...

 

     

                 

Ah...

Ah....

Ah.....



 

 

 







Ah.....

Ah...

Ah.....

Ah.....

B.



Ah.....

Ah.....

Ah...



 

   

Ah.....



 

  



  



 

   



 

  

Ah...



  

Ah...



 

  

 

  

 

Ah.....

Ah...

Ah...

(arpegg.)

Ah...

Ah.....

Ah...

(pl.)

 

 

 

  

  



Hp.

 

mp

G

   

 

G

   

   


6

 

43

S. Solo

S.

  

           44

mf

Your love

45

is more fra - grant than wine

      

  

46

fra -

    grant

is the



scent

S1

Ah

A.

   

        p

pp



  

 

Ah....

 

  pp tutti     

   



p







Ah...

mai- dens

love

you

S.1 mp

    

the mai- dens

 

mp

Ah....

Ah

p

mp

 





 

Ah....

div.

p





Ah

espress.

tutti

       Ah....

mp

 

 

 

Ah....





Ah...

p

tutti



      

 

Ah....

 

Ah....

B.2

div.

 

div.



Ah....

   

   



pp

B.



48

Ah

Ah....

Ah....

T.2

the

Ah....

T.

and for this

mp



Ah....

     

  

Ah

Ah....

A.2

pp

of your per - fume

tutti

Ah....

S.2

   

47

pp



Ah....

 





Ah....

 

 



 

Ah....



Ah....

  Ah.

Ah....



 

p

-

p

-



 

Ah.



mp

tutti

-

  

and for

-

this

  

the mai- dens

  

 

   



 

 

  



Hp.

mp


7

A tempo 49

S. Solo

S.

poco rit.................

 

A.

A.2

 

    



51

tutti

you

         pp

Ah...

 pp

Ah...



Ah...

 

  





BRIDE

52

mf agitato

   

            53

Take me with you

   

love

S.2

 

50



 



Ah...

and we will run to - geth- er

Ah...

  

Ah....

Ah....



T.

             Ah... Ah...



T.2

     Ah...



B.

  

love

  pp

Ah...

  you

pp    

div.

 

     

 



Ah....



Ah....





Glock.

Vib.

Hp.

Pno.





Ah....



 



tutti

Ah...













 Ah...



Ah...





Ah...

 







Ah....

Ah....





 

 





Ah....

Ah....

Ah....

B.2

Ah...





Ah...



bring me in- to your cham - ber, O

Ah...

pp

rit.             

Meno mosso







 

54





  





to glock

 

  



to vibe

 

 

pp  

Ah....

poco rit.................



Ah....



Ah....

p

Ah....



Ah....

 

 

 

 



   

  

   

  

  





A tempo









Meno mosso

rit.

 


8

A tempo

S. Solo



   

q = 92

55

56

57

58

King

T.

Glock.

Vib.

  mf     Let

 

us

re - joice





p



non vibrato

    

Pno.



and

be

glad

for

you;

let



us

praise

your

love

 



 



 

   

   

  

   

   

 

p

 

A tempo

 

 



more

than

wine,

  

   

  

  



 

f

 

   

   

 

    

  

   

 

    

p

     

  f    59

S.

Let

A.

 f   

Let

T.

B.

     Let   f  

Let

     

Hp.

f

Pno.

 

us

re - joice

us

re - joice

us

re - joice

us

re - joice

      

  

  

and

be

60



glad

for

you;



and

be

glad

for

you;



and

be

glad

for

you;

let



and

be

glad

for

you;

     

 

 

 

 

 

 

 

let

     

let

61

us



praise

your

love

more

than



62 f



love

more

than

wine,

and



love

more

than

wine,



mf

let

your

love

more

than

wine,



us

praise

your



us

praise

your



us

praise

   

    

ca -

your

ca -

and

your

your

f

 

 

mf

ca -

mf

  

    

  

 

 

 

mf

 

 

 

 

ca -

mf

f

  

mf

your

wine,

f

f


9

Accel. poco a poco

    63

S.

tutti

res

A.

tutti    

res

T.

T.2

B.

Hp.

  tutti     res

-

ses,

your

ses,

tutti

res

your

ca

ca



-

-

 ca

res

res

 -

-

 -

res

-

ses,

your





ses,

ca

-

f

your

ses,

65

f

ca

f

div.

your

ca

-

res

ses

res

-

ses,

 

 marc.







your

ca

 

 -

res



 -

ses,

 









più f.

-

 -

res

-

f

your

ca

 

-

-

-

-

 -

-

res





 

ses

 

ses



 -

 -





T.2

Accel. poco a poco



res

    

ses,

-

your

-

64

   

Pno.

  

ses

 

 -

-

 

-

 

ses

 





 











 

 


rall. molto

67             66

S.

div.

tutti

more than an - y

S.2

   



            div.

A.

more than a - ny

A.2

T.

T.2

B.

   



 tutti            more than an - y

more than any -

68



ff





10

Tempo primo

 

70 rit.

69

  

71 p

song.

72



Ah....

  

ff

  

Ah....

song.

ff

    

song.



  

Ah....

Ah....

ff

  

  

Ah....

song.

      

Ah....



 

  p      



   p     

Ah....



p

sim.

Ah....

Ah....

Ah Ah

Ah....

f



song

    

Ah....

Ah....

ff

               more than an - y        div.  

f

Faster

Ah

Ah

 

            

sim. p                  

 

Ah Ah

Ah....

Ah....

Ah....

 

ff

Ah....

   

song.

   

   

Ah...

Ah...

     p

Ah Ah

Ah...

 

sim.



 

Ah... Ah...

B.2

    







ff



song.



f





Ah

Ah...

 

 



 

Ah

  



p

Ah...

   

 



 



   

       



   



Hp.



rall. molto



 



 





 ff

Faster





   

 

ff

   

rit.

p

Tempo primo

Pno.

 8ve basso con ff

  

col 8bass



   


11

 

73

S. Solo

S.

74

        mp

  

Ah...

S.2



A.



p

   Ah.... pp

       Ah....







  pp

Ah...





 

 

 

Ah....



T.

B.

B.2

Hp.

  

 



Ah....













 









Ah....



Ah....

 

Ah....

Ah...

pp

   pp

(hum)

   pp

(hum)

pp

  

(hum)

82

       

daugh - ters of

Je - ru - sa - lem

     

mf

a

lit - tle dark

 





    mp p B  

83

   I

may

 



3

    

be

be - cause I

am



Ah

pp

















pp (hum)

(hum) pp



p

     



(hum)

   

I am dark but love - ly,

(hum)

Ah...



Ah....

      

    

p

tutti pp

       

Pno.

Ah....

   

   

  

B   

80

  

A.

  

79

81

S.

BRIDE



  

78

Tam-tam

 

S. Solo



Ah....

Ah....

Ah....

77

 

Ah....

Ah....

 

Ah...

pp      Ah.

 

76

       

 

Pno.

Ah....

p



    

  

Ah....

Ah.

B.2

   

sim.



pp

B.

  tutti   

Ah.

T.

75

(hum) pp

   

arp.

     

p

  

repeat ad lib

p

 

    p

rit...

        3

3


12

Scherzando

   

84

S. Solo

Perc. 1

Xyl.

 

scorched

  

My moth- ers' sons

SC

p

   

p



gliss.

Xyl.

             

Hp.

Pno.

Glock.

Xyl.

vine - yards;



  

3

  

    

  

own

  



 

    

   

 

             

    

  

   

  



 

  

     

  

 



   

f

   

pick- ing lice

as I sit here



 

 

  

f



f

a - mong your com- pan - ions' herds.

   



  

 

ff



 



 

97           

96

that I may not be left

    





ff

         

          

where you rest them at mid - day,

91

 h = 63               

       

f

Tell me,mytrue love, where you mind your

Scherzando

      

with xylo

  



           

vine- yard.

    



90 f h = 63

  

Piú lento

89



  

f

   

 

so I did not watch o - ver my

95 93    94          

Pno.

          

   

Hp.



3

           

flocks,

Bar. Solo

     

 

                



f

   

Scherzando

86

were dis - pleased with me,

mf

88

 

q = 92                      

92

S. Solo

to look af - ter the

 

(B)

ppp

3

   

pp

pp

           pp

  

p

they sent me

Glock.



gliss.

87

S. Solo

 

Pno.

85 f            

by thesun

Hp.

  

q = 92



BRIDEGROOM

 

  

 

 







                    cresc.                            

         

 

   


100     

13

     99      

98

Bar. Solo

f

If you your- self do not know,

Glock.

Xyl.

Hp.

Pno.





 

 

  

 

  



     



 

107

Bar. Solo

A.

T.

Perc. 1

   

  

Hp.

Pno.

  



 

fol - low,

 

    

 

   

(pl)

      











110

    

   

   



111

   

and mind your

 

   

      

kids

  

 113 

 114 

go

the



112

mf

Go

fol - low,

fol - low,

115

  

tracks of the sheep

mp          

               

   mp        

               

block

     p

 

block

set with beads of

set with beads of

sil- ver

      

 

C  



 

     



 

     

 



  





 



mp

sil- ver

mp

p

  106 

  



go fol- low, the tracks of the sheep



dolce

105

go

We will make you brai - ded plaits of gold

104   

C109  

103 

wo - men,

We will make you brai - ded plaits of gold

 

   

 108

by the shep- herds' huts.

   

 

      

    

of

102

mp

ff

 

est

mf

f

   

 

       

fair-



ff

ff

O

    

101

 



        



   

  

  


dolce

 117       

116

Bar. Solo

118

  

and mind your kids

A.

Perc. 1

Glock.

Vib.

Hp.

119

by the shep - herds'

120

121

    mf

huts.

I would com

               set with beads of sil - ver

 

sil - ver

       p



    

 

p

   

Pno.

h = 65

    mp            set with beads of

T.

14

Poco più mosso

 p





 

  

   

   

 



mf

sim.

 

 

mf





Poco più mosso h = 65



       

 



6

6

mf

p

6

 

6

6

  

p

              6     6  

6

   6

6

122

Bar. Solo

  

123

pare you, my dear - est,

Glock.







Vib.

Hp.

  

6



6

125

  

mp

Your cheeks are



6

     

126

love- ly

be - tween

  

 

  



6

mp

plai - ted tres - ses,

 

  

your neck

 



   

 

  

128

     

       



      

127

 

mf

6 6 6 6                                         6



 6

 

 

 

 

iot hor - ses.



 

mp

 

  

         

Pno.

 

124

to Pha -raoh's char -

    

  

 

 



 



più f

più


15

Bar. Solo

   129        

D

130

131

  

with its jew - elled chains.

A.

   

T.

    

    

B.

Glock.

Vib.

Pno.

  

  



    

 

f

 

132

   



    

134

135

ded plaits of gold

 

mp

T.

f

 

 

 



        mf

 



 

    

          

mf

       

ded plaits of gold

   

tamb.

   mf

      

     

 

  

          

 

  

ded plaits of gold

   

will make you brai -

We will make you brai -

 

with beads of

           

    

     

            

sil - ver.

 

     

D        

set with beads of

  tamb   

    

f

We



136

set

ff

  f                            

   

133

        

 

We will make you brai -

 

h = 63

B.





Hp.

Steadily

 mf

  

  

     

  


     

f

137

S.

We

A.

  

16

   will make

138

       you brai -

  

sil - ver

T.

B.

Perc. 1

          

will make you brai







  

set

with

beads

of

sil - ver

mf



 



   

with

beads

of

sil - ver

 

set

   

 

 

  

         

 

 

           mf

-

 

141

142

143

ded plaits of gold

set

with beads

      

of

mf

cowbell

mf

  



         with beads of

mf

 

f

We

set

sil - ver

set

  

sil- ver

      



with beads of



sil - ver

block

  

mf

sfz

        

         140

with beads of sil - ver

   

   

 

set

 

 

Pno.

We

     

 

mf

 

Hp.

ded plaits of gold

 

 

139

  

 

                                     f

 

 

f

sfz

            


17

Slower

rall. 144

S. Solo

S.

f    

T.

B.

f

    We f    

We

Perc. 1

146

  



BD

will

make you brai

  will

will



       

make you brai

     

set

with beads of

p

     

 

     

p

 

set

with beads of

with beads of

ded plaits of gold

block

      

 

      

 

     

 

sil - ver

sil - ver

sil - ver

 

 



 

 





près de la table

  

  

         

p

SC p

   

 

  





   





  

p

Slower

rall.



  

mp

my spike- nard gives

f

Slower

3      

 

   

 

ded plaits of gold

ff

 

rall. 151

 

150

set

         

will

ded plaits of gold

make you brai

 

ded plaits of gold

         

make you brai



f

Hp.

A tempo

149

p

       

ped. Cymb.

 

Vib.

E mp147 148           

Whilethe king re - clines on his couch

We

A.

145

    

E

A tempo

      

p

p

 Slower      rall.     

Pno.

f

 

  



    

p



 

          


18 152

S. Solo

Bar. Solo

 

153

   

forth its scent

               154

155

my be - lov- ed is for me a

156

bunchof myrrh

157

p

 

   

158

as he lies on my breast

How beau - ti- ful you are



How

S.

T.

B.

Xyl.

Vib.

Hp.

Pno.

 

 

 

 

my dear - est

O



Ah





 

 

 





         p

beau - ti- ful you are

  

3

  

3



 

  

 

 

 

f

p

  

   

      pp

             3

3



   ff

  



 

O my

  

(hum)



p

         

 

(hum)

p



 

  

A.

 

p

S.

        

  mf

mf 159

how

  



mp

      

  


19

A little faster h = 52

F  

160

S. Solo

161

   

love,

Bar. Solo

    

 

Vib.

 

 



     



      so

Glock.

Vib.

   

   

 

  

be - lov - ed



p

 

3

a - mong the trees

  

164

a - mong

 



of

 

   

  

  

boys

mp

 

to

       

mp

 

   

 

     

 

 

  

       

 sit



               

 

 3

in



its

sha - dow

 



   

      



  

dim.

mf

 

                 

                        



mp     

 

  

       

sim.

165



the wood,

   

        

 

  

     

     

  

     

     mp F hp.h = 52           

my

         

Pno.

is

          

Hp.

tree

A little faster

163

S. Solo



p    



  

   

 

162

p

    

Pno.

  

a - pri - cot

p

  

an

    

Hp.

like

3

 

   

 

beau -ti- ful,

Perc. 1

  

mf

mf

    

  




20

   

166

S. Solo

Glock.

Vib.

   

  

S. Solo

S.

T.

B.

Glock.

Vib.

    

   

            

 

 

 

was sweet

to

  

  

      

p

   

 

 



 

              

   

He took me in

GUESTS

-

  

to the wine -

             

    

  

172

 

  

     

A.



Ah....





Ah....

  

         

  

and gave me lov - ing

glan

A.

-

ces.

A.



Ah....

dim.

pp

p



Ah....



Ah....

dim.

          





    

p

 



 



 



  

          

     

pp

174

gar- den





  

        

173

pp



                                

Pno.

 

169

my taste.

p

         

Hp.

   

    

           

fruit

 

171 mp

Ah....

 

its

 

168

mp

      

170

  

   

   



and

  

  

Pno.

was my de - light,

  

   

Hp.

    

167

              



Ah....

p

               

   

               

               


21 175

S. Solo

S.

A.

T.

B.

    



S. Solo

S.

A.

T.

B.

Perc. 1

Vib.



  

p

p

Ah...



 



Ah...

 p

   



Ah....



Ah...

  

  

  

          

  

   

 

pp

  

His left

   

  arm

 3    

182



 

           

was

un - der my head his right

      

   

183

 

 

 

mf

Ah...

mf

 

Ah...

184

185

 

me.

round

arm was

   

 

      

SC pp

sim.

                    mf



mf

 

     



   



sim.

Ah...

  

  

                   

Ah

p

 







 



 

mf

   

I wasfaint with love.

 

for

pp

  

Pno.

180

          



  

Hp.

179

he re- vived me with a - pri - cots

  

 

 

Ah...

 

rai- sins

 178

Ah...

         

181

 

  

Ah...

                 

Pno.

177

 

He re - freshed me with

  

  

Ah...

   

mf

  

  

Hp.

176

        

    

    

 

    

 

mf



  



mp



 

 



p


Tempo primo

G rall.

         

  

  

  

sim.

186

S. Solo

Bar. Solo

S.



187

Ah..

22

q = 92

f 188

A.

  

B.

Hp.

192



 

f

 

RECIT

p

mf S.               sim.

pp

Ah...



sim.

      

 

 





Ah...

f

tutti

 

Ah...

      

  p  

Ah....

T.

Ah...

191

I charge you

S1                     

  

190

Ah...

Ah....

S.2

189

Ah...



Ah...

     

    

 

  

Ah...

 



sim.

pp

 

 













  

  

  



Ah...



Ah...

Ah...

p

 



Ah...

p

   

    

   



sim.

sim.

Ah...



pp

Ah...

     

        

193

Bar. Solo

daugh- ters

of

Je - ru - sa - lem,

 

mf

by

the

    

194

spi - rits

  

and

the





195

      

god

es - ses

of

   the

field:

 

Bar. Solo

mp

do

Vib.



             

196

  

not

rouse her,

197



         do

not

dis turb

to vibe

      

198

my love

un

199

-

 til

  

she

200

is

  read -

Attacca

  



   



y.

p


23

Part 2 Vivace q = 120

201

Pedal cymbal

Pedal Cymbal

 

 

Side Drum

202

203

 

204

205

f

Side drum

SD

  

Tenor drum/Bass drum

shot

f

Tenor drum,Bass drum

TD

207



q = 60

   

208

Slowly

rim

    

Vivace

206

snare

   

  

    

mp

mf

sf

BD

Vib.

    

motor on

 

p

Slowly

f

  

q = 60

           

q = 120

           

Pno.

209

            

           

    

vibraphone

 

  

Vivace                             

                             

210

211



Perc.

Pedal cymbal

Side drum

212

1

 

snare drum

f TD

Tenor drum/Bass drum

Xyl.

Hp.

f



to xylo

2

 

214

215

  

ped.cymb.

f

BD

 

sfz

         

to tam-tam

216

1

                  

 

s.

tam-tam f

f

 glis

 

217

 



  

       

pf.

         

Pno.



213

 

  

    Cymb.                       

martellato

B.D.

        





 

         

 

                  

                           


24

218

S. Solo

Xyl.

 

 



 

Pno.

 

   

 

Xyl.

       

Hp.



   

p

225



pp

      

226

  

    





mp

          



 

          

     

3 228 227         

 

lea -

229

  3       

mp 231

230

ping o - ver the hills.

My be - lov-ed is like a ga

 

    

mp



p

   

 

8



p

 8

to triangle

8



 

               

  

p

                  

legg.                        p

           

   

   

    

                                    

                             

 

             

3

be - lov - ed!

223

  

             col  8                       

Pno.

222

p

ff

  

bound- ing o -ver the moun -tains,

   



sfz

comes,

Glock.

 



gliss.

mf        

  

Perc.

BRIDE 221 mf

   

     gliss.

224

S. Solo

to glock

           

220

Hark! my

  

Hp.

219

Perc.

Glock.



 


25 233

zelle

Perc.

Side drum

Hp.

or

a wild

 

234

young

235

(drums)

 

p

TD BD

    

Tenor drum/Bass drum



p

242

   

Hp.

  

  

  

  

  

 



 

 



 

  

 

243

244

    



 

p

 

f        con passione

     

246

My be - lov- ed

block

 

245

         

mp

mf

an -

          

  

247

swered

 

he said to

 

me:

snares

 

     

 

  

 

 

tamb.

p

p

                

   

  mf

 

 

to xylo

 

 

p

  

. gliss

mp

                                                                 mf

 

248       

p

   

BD

 

      

  

Pno.

glan

                                  

     

 

pee - ping in at the win - dows,

T

cing through the lat - tice.

Side drum

240

                       

legg.                                  

Perc.

3            

239

mf

241

S. Solo

  

 

                           

Pno.

B maracas

238     

più f 237

There he stands out - side our wall,

TD no snares

236

          



goat:

Tenor drum/Bass drum



    

 

232

S. Solo



più f

                                    

hp. gliss



   


26

H

249

 

S. Solo

    



 



250

Rise

up

   ff

S.



Rise

up

ff

 

A.

up



ff

   Rise

B.

  



Rise

B.2

up

  

 

ff

up

Rise

ped.C

 

Pedal cymbal

 

f

f

Xyl.

Hp.

dar

   

my



dar

   

my

 



 





my



  





ling,



ling,



  



- ling,

 



      

f

  

 

f



      

    

 

 

  

 -

   

my

fair

    

my

fair

dim.

-

dim.

est,

dim.

-

-

dim.

 

and

and

est,

and

est,

and

 

 



 



    



 

to vibe

 

and

est,

-

256

and come a - way

est,

     fair

-

    fair

255

est,



         

254



f

 

f

  

  f 



  



  

H                                           

Pno.

fair

my

 

- ling,

   

my

  

fair

my

  

-

    253

my

ling,

-

dar

 



ling,

-

dar

my

       

-

   

  

dar

  

252

   

f

f

 



BD

 

Tenor drum/Bass drum

   

      

  

Side drum

dar

my

 

up

ff

my

 



Rise

T.

    251

f                      







              





   

  



 

              

mp

                     

                 



                 


27 257

 

S. Solo

S.

  



come

a

263





 



p

way

For now the win- ter is

past



- way.

  

a



   come

 

 



  



 



  

espress.

 



 

- way

p

- way.

p

a

- way.

a

a

come

Perc.



p



- way.



SC p

    

vibrato

 





 





   p

 

         p 



      



    

            

to glock.

p

Pno.

       

mp

 

a

come

Hp.

261

T.

Vib.



262



 

p

come

Glock.

-

260

A.

B.2

259 p

  

come

B.

258







solo          







 

 

 

mp

 









 

       

glock

 

harp

 

 

 

 

 


28

 

264

mp         

 

Glock.

Vib.

Hp.









  



  



  

270

      T.

   





  

 

  

mf

            



ing



 



274

      

and the

tur - tle -dove's coo - ing

    

    

273

willbe heard in our land,

espress.

  

  

 

when the green figs

    



willbe

heard in our land,



       



    

 







 

 

 



 

  

  



 

  

 

  



mp

 



  

    

 



 



 



 

will



  

 

 

          

272

p

 

 





p



 coo -

   

271

and the tur - tle -dove's

più forte

 



 

solo





mp

birds will sing,





 



 

 

 

 

 

 



Pno.



T.

p



 









S. Solo

TD

269

The time is com - ing, when the

The rains are o - ver and gone

 

coun - try - side.

The rains are o - ver and gone

Pno.

A.

Hp.

       



Vib.

       

S. mp

  

f



Glock.

the flowers ap - pear in the

  

Tenor drum/Bass drum

      

268



A.

267

mf



S.

266



S. Solo

265

arpegg.

mp

  

nat.






29

I 275

S. Solo

     

ri- pen on the fig

S.

T.

B.

   

  

Xyl.

Vib.

277

279

 

tree.

     

p

ri- pen

278

ff      

S/A

on the fig tree.

Rise

  

 

  

  

  

 

and the vines give forth their

ff



div.

fra - grance.

 

   



mf





 



 





mf

Rise

my dar

   

 

BD

f

f

  



-

  

ling;

my

 -

 

ling;

my

 -

 

ling;

my

   

  

 





  

up,

f



my dar

282

  

up,

ped.C   

p

nat

my dar

    

 

          

B. mf

   

up,

ff

281

     

Rise

280

   

Side drum

Glock.

S.

276

  





 

Hp. f

 

arp.

   



 

 

Hp.

   mf





   

Pno.

       





 

  

   

     

 

  



 

           

          

  

             

        

  

I    

s. glis

mf



  



f


30

Un poco meno mosso 283

S. Solo

Bar. Solo

284

mf      285

and come a - way

 

286 

       

287

288

289



290

come

a

-

 

291

p

292



way

mf              

My dove that hides in holes in the cliffs

S.

   

fair

 

T.

B.

fair

 -



 

come

est

and





mp

est

and

come

espress. mf

  

 



come

mp

p

a

 a



 

 

   

 

a



-

p

a

-

 -







 



way



p

a

way.

 

way



susp. cymb.

 

 

 





p

    

vibrato

mp











 arp.  



dim.



         



 



 

- way.

way

 

-

p

come

  

mp



p

come

mp

Pno.

 

mp

dim.

f

Hp.



come

Side drum

Vib.

-

Perc.

Xyl.

come

 

and



come

fair

B.2



A.

est

-

 

mp

dim.









        











  

   

 

 

 







  

  

  





  



    

mp

  

 

    

      

baritone

     

     

hides

in holes

(baritone)

   

  



  

in the cliffs

  

mf


31

    294          

293

Bar. Solo

or incran- nies

Hp.

Pno.

   

 

 

in

the high led - ges.

      

    

   

 

S.

A.

T.

B.

    

    

    

      

Hp.

Pno.

Vivace

S.

    A

  

      sf



    

face

is

p

    

f

    love - ly



J Vivace             sfz

 

          

  

302

    

 



wirebrush

      

301

303

spoil

Catch for us the jack - als, the lit- tle jack - als,

rall.

for

      

    

voice is plea sant

your

our vine - yards,



 

  

your

 xylo

    

our vine - yards,

T. mf               

Catch for us the

jack - als, the lit- tle

B. mf             

Catch for us the

SD

       SD wire brush

jack - als, the lit- tle

    

    

 

    

 

     sf

    



hp.



  





 

305

près de la table

     



 

 

 

 

that spoil

304

                         

       

        

colla voce         p         

mf

Catch for us the jack - als, the lit- tle jack - als, that

SD





                     

  

 

  

mf





p



300

   

to xylo

Chorus 2

q = 168

   



   

299

face is love - ly.

        

Side drum

Xyl.

       rall.

   

for your voice is pleas- ant your

 

legato

a piacere



 

 

       

297

hear your voice

   

  

296

Letmesee your face, letme

plaqué

J Bar. Solo

   

    

298

295





             

 

  



  

f

hp.

             

 

  

  

              mp     sfz

  

 


32

  306

S.

T.

B.

    

Perc.

Pedal cymbal

     that

spoil

308

vine - yards.

309 S.

 

 

                    

     B.   our vine - yards.

Catch for us the jack - als, the lit- tle jack -als

spoil



our

     that

spoil

vine- yards







    

    



mf

S.C sec hard stick

mf

 

SD

TD hard stick                

 



  



                          



               

 

                       



 p

sf

         

hard stick

   

our



   

mf

 

  

mp



vine - yards

Tenor drum/Bass drum

313

 

cowbell   

that

              

to susp. cymb.

312

mf

 



311

Catch for us the jack - als, the lit- tle jack -als,

310

mf

 

Side drum

Hp.



             jack - als, that spoil our

jack - als,

Xyl.

307

   

 

 

                              

Pno.



  



    

sfz

    

               

cresc.

  

 

      


33

  314

S.

A.

T.

 



sf

B.

that

mf          

       



 

the lit- tle jack - als,

  tamb   

mf

mf

  

sf

    

 

   

 

322

our

vine - yards.

    vine - yards.  

323

 



vine - yards,

our

vine - yards,

 

our

vine - yards,



that







spoil

più f

that

spoil

our

 our

               

     

320

that

   

        

   

   

    

               

  

324

325

              f

Catch for us the jack - als,

the lit-tle jack - als

f

       

Catch for us the jack - als,

p

 

   

 

   

the lit-tle jack - als

 that

 that

Catch for us the jack - als,

f      Catch for us the jack - als,

the lit-tle jack- als

the lit-tle

      

sf

our

 



spoil...

spoil...

sf

          

the lit-tle jack- als,



     

the lit-tle



                      sfz

                                   

jack - als

that

vine -yards,



 our

 that

vine - yards,

   spoil

 that

                

 

    

 

   

      

       

   

 

jack- als, the lit-tle jack-als, the lit -tle jack -als, that

    

   

     

  

327

                 

f



 

                     

                  

sf

 

326

f

rim shot                      

 

Pno.



f

Hp.

SD wire brush

    

our

     



spoil

spoil



  

    

that

spoil

 

                cresc.poco a poco                                                    sf f                                          cresc. -

Side drum

Xyl.

that

the lit- tle jack - als,

vine - yards.

T.

jack - als,



    

the lit - tle

      

p

  

spoil

A.

Catch for us the jack - als,

319

       

Catch for us the jack -als,

321

S.

Catch for us the jack - als,

Pno.

318                317

mf

mf

 

Hp.

316

       

Side drum

Xyl.

315

  

  

                               

 

 

 

    


34

S.

328     

    

spoil

A.

T.

B.

    

    

 

        our

when the

vine - yards,

when the

   

                 



 

 

chorus

  f

s. glis

vines

are in

   

  









 

flower,

334

dim.

  



flower,

when the vines

flower,

are in

dim.

  

 are in

dim.

  



when the vines



flower,

are in

dim.

  



when the vines

  

mp

 

mp

are in

    p

 

   

mf

                       f



when the vines

  

333

mf

mp

sfz

     

ff

mf



TD

are in

  

vines

f



SD no snares

are in

vines

  



 

 

are in

  

vines

  

our vine - yards,

spoil

   

when the

        

spoil

our vine - yards,

spoil



  

Pno.

spoil

   

when the

        

spoil

our vine - yards,

    

Hp.

 

332

  

Tenor drum/Bass drum

Xyl.

spoil

spoil

spoil

Side drum

330  331        

spoil

spoil

      spoil

   

329



    

           

 



   




35

K 335

Bar. Solo

S.

336

B.

  

 

   the

the

  

the

vines

 

Pno.

flower

in

flower

in

p

p

flower

rim

  



  

  



       

with one jewel of your



Hp.

3



 

  

  

  

  

   

(play)

p

        

A little faster

        

f appass. 348

  appass.   347h= 63

How beau - ti

    



     

 

ff

ff

  

sf

      



mp



hp.

    

        

neck - lace,



K

sim.

345

with one of your eyes

           

    

p

     

p

        

      

3    346    

344 3   

hp.

pp

  







  you have

 

 

 341 3    342

p

 

    





 flower

      

mf

in p

        

Hp.

340

sto - len, it my bride,

Xyl.

343

Glock.

339

pp

p

in

    

  

Bar. Solo

  

vines

mf

Pno.

  

  

vines

mf

p

Hp.

  

flower,

Tenor drum/Bass drum

the vines mf

   flower,

Side drum

338

You have sto - len my heart, O my sis - ter,

mf

flower,

T.

  

flower,

A.

337

- ful





 





       ff    

 

you are, my



 

 


36 350          

351    

349

Bar. Solo

dear - est,

Glock.

Xyl.

Hp.







 

   



       

     

your

  

     

353

hair like a flock of goats

        

 





  

 

  

 

 

 

 

   

 

Your

 







   

 





mp



355

stream- ing down MountGil - e -ad.

p

  

 

   

354

p

mp

 

  

your eyes are like doves,



    

  

Pno.

O howbeau - ti - ful.

352

356

Bar. Solo

  lips

Glock.

Hp.

 

      

  Hp. 

   



are like a scar - let thread your par - ted lips

  

Pno.

357 358             

  

 

 

 



 

    p

po-me - gra -nate cut

  

     

like a

3       

359

  

 

  





  

    

o - pen.

360 361      362           

Your neck is likea tower of

 

 

  

 



i- vor- y,



your two

f

  

 ff       

 

 

             


37

Steadily

       

363

Bar. Solo

q = 102

rall.

364

365

breasts like twin fawns of a ga - zelle.

Glock.

Vib.

Hp.

Pno.



 

mf

  

 

Vib.

  

    

   

Hp.

371

     sweet - er

    

Pno.

      

Bar. Solo

Perc.

Glock.

syr - up, and



Hp.

p

         

Pno.

   





   

    

 

 your



 375   

lips

drop sweet - ness like the

mf

 

 

and your

dress

has the

381





382

     

  scent

p

     

 

              cresc.

       

     

sf

sf

 

 

  

sf

 

 

  

  of

 

383

sf

  

 

  

  

  

   

384

        

Le- ba non

 

  

hon- ey- comb

   



susp.C soft stick

  

      

  

           

mp

376

  

       

  



  

  

380

  

374

           

      sim.

373

   

  

 

un - der your tongue,

 

  

379

 

   

     

 

  

fumes

  

  

-

p

are

per

   



milk

your



spi - ces,

wine,

  

 372

369

sim.

    

  

una corda

   378

             

           

377

368

fra - grant than

Steadily

   

is more

   

        

love

367

q = 102

rall.

than a - ny

   

Your

  

  

p

    

 

nat.     

mp

 

f

     

 

 



370

Bar. Solo

mp 366

  

  

  

 

   

 

 


Faster 385

Bar. Solo

386

mp

387

My

Vib.

   

solo

   

Hp.

   



mp

  

  

  

  

    

   

    

   

 

  

  



   393   394   395        

391

392

 

 

  

 

38



390

gar - den close - locked,

  

sf

Faster



 

is a

  

   

Pno.

p

     389

sis - ter, my bride,

 

mp

   388  

your two cheeks an

 

pom- e - gran - ates,

 

 

 

 

 

 

   

mp

    

or- chard of

 

     

or - chard, an

 

  

        

 

  

     

 

 



    

p

  

 

396

Bar. Solo

 

spike- nard and

    

Hp.

mf

  mf

   

saf - fron,

  

  

mf

Pno.

398      

397

       

sweet - cane and

401

  402     

cin- na - mon,

mf

myrrh and

  

   

mf



400

  

mf

       

399

        

 

     



 

  

a - loes

and

the

pre - cious spi - ces.

   

  

    

   

   

f

all

404 

   

  

403



 



   







  


L

405

S. Solo

Bar. Solo

 

 

    f 406

BRIDE

407

A - wake

Glock.



tamb     

  

 

 

L

 

Pno.

  

Bar. Solo

 

Xyl.

gar - den,

mf

 

   

-

my gar

-

 

           f

     

 

 

mp

    

418



f

 

 



  

that its per - fume

  

mf 420

 

Allargando

 

     

mp

 

 

419

mf

  

  

mp

  

421

that its per - fume may pour forth,

may pour

    



 

forth,

that

I may

come





 

 

       

       

     

susp.C

soft stick f

.

 

mf



   

 

 

  

              

 

           

 to my

 

mf

 



f

that my be



mf

    

lis s

f

mp

  g 

    

     

f

 

sfzp

blow u - pon my



 

mf

   

mp

  417

wind;



blowu - pon my

 



.

south

   

tamb

den,

l is s

416

den,

 

 

Pno.

p

my gar

g    

Hp.

415

gar - den,

Glock.

     

  

f

  

Perc.

 

sfzp

414

S. Solo

 

mp

and come



413



s.

      

 

  

412

south wind;

gli s

Hp.



Allargando

 

411

and come

north wind,

mp

Xyl.



A - wake

Perc.

410   

409

north wind,

  

408

gliss .

39

     


40

      

   

422

S. Solo

423

lov- ed

Bar. Solo

 

may come

424

rit.



425

to his gar -den,



 

 

that its

per -fume

may pour



Glock.

Xyl.

Hp.





  

  

428

S. Solo

Bar. Solo





gar

- den,

  I

Perc.

Pedal cymbal

Tenor drum/Bass drum

Glock.

Xyl.

gar - den

may come to my

my

 

gar - den

 

my

SC

gar - den

my

 

gar - den

 

 

 

       

 

 

gar

432

  



 

. gliss

 

434

-

-

435

  -

   

den.

    



 

     



my gar

    

  433  

 

that

den.

436

mp

 

  

my

be -

mp



 

my

be -



lov -

ped.C

BD

   

 

       

 

   

       

  

glis s.

s s. gli

glis s

s. glis

.

ff

  

ff

 

 

 

mf

  

 

 

mp

  



mp



     

    

   

   

         

    

        

       

f



 

mf

s.

  

lov-



is gl



forth,

s.



 

     



pour

s gli

. gliss

f

. iss gl

  

lis s.

clashed



 

  g

 

my gar - den



f

       

  

 

lov- ed may come to his

 

431





my

430

. iss gl

Pno.

   

429

     

 gli   ss.

Hp.

 

con ped.

    







 

f   

      

fume may

 

f

        

-

f

  

my be

      

427



 

  

-

that



that its per

          

Pno.

forth,

  

gar - den,



   



426

sf


41 437

S. Solo

438

  



  

 

ed.

Bar. Solo

ed.

Perc.

Hp.

Pno.

 



 

prés de la table

mf

           

Moderato h. = 50

    

  

 

 

M

Hp.

Pno.



  

  

  

nat.

   

  

nat.

  

     448  my sis - ter and bride,

    

449

and have



    454        I have drunk



plucked my myrrh with my

  

    

   

arp.

mf



pf.

 

f

      

 



 

and my milk.

 

455 q = 120

 





  

arp.

     



 

Eat

   

456

      

  

  

f

     

eat - en my ho- ney and my



   

 

    hp.

  

457

   

mf

mf

 

     

   

458

eat



friends and drink

          

          

   

accel.

 

I have

     

        

451

friends and drink,

f

 





    

        





spi - ces;

 

 

   

  

450       

Allegro

  

    

poco agitato



my wine

   

     

 

  

     

     

  

mp

      

  



dim. p.d.l.t.

   



   

 

453

sy - rup,

 

447

             



p

 

 



p

        

   

gar - den,

  

452

Bar. Solo

M 446 

I have come to my

h. = 50

444

 soft sticks

                   

      

       

p

p

443

dim.

susp.C

442

 

Pno.

 

441

    

Hp.

440

 

445

Bar. Solo

439

      



  

    

piú f

      




42

Allargando

S.

A.

T.

B.

 

 

 

dru

-

-

nk with

mp

N q = 92 462 





out

 

daugh - ters of Je

mp

and wel- come King So- lo- mon on his

3          

mf

  

- ru - sa - lem



3           

464

love.



463

and wel- come King So- lo- mon on his

T.

3          

mp

and wel- come King So- lo- mon on his

 

-

   

461

Steadily

Come

Pno.

un - til you are

 

Tenor drum/Bass drum

Hp.

460  3    

459

Bar. Solo

rall.

mp

 

Come

SC soft sticks

  

 



       

f

  

mf

- ru - sa - lem

    

  

 3   

and wel- come King So- lo- mon on his

N q = 92     

Steadily

 

 

  

   

 















marcato

          3

p



un -til you are



daugh -ters of Je

  

colla voce

colla voce 3

TD BD

 

Allargando

 

out

 

mp

f

 



p

     




43

S.

465       

mf

      

mf

wed - ding day.

A.

wed - ding day.

T.

B.

466

 

Come

out daugh - ters of Je

  

    

Come

out

daugh- ters of Je

         wed - ding day,       

467

    

-

-

 

ru - sa - lem.

   

Side drum

Xyl.

Hp.

Pno.



mf   3             

 

f

wel- come

  

and wel -come

  

  of Je

daugh -ters

mf             

3

SD no snares

    

   

  

   

susp.Cymb. hard stick

f

 

 

  

 

 

 

mp

      

  

  

mf

 

f

     Come out



 



and

and wel -come King So- lo- mon on his day of joy,

f

      

and wel -come King So- lo- mon on his day of joy,

Tenor drum/Bass drum

470

ru - sa - lem.

wed - ding day,

Pedal cymbal

469

Come out



468

   

 

 

     

 

 

       

  









 

 

 

  



mp

    mf



  

 

 



  



     

  

   f

  mf    

  



 




44

S.

471       

So - lo - mon,

A.

        

T.2

B.

          ru - sa - lem,    

   

O daugh - ters,

mf

So - lo - mon,

T.

mf 472     

      O daugh - ters,

.

mf

    

and wel- come

cymb.

SD

Side drum

BD

Hp.

Pno.





Je

   

and wel - come

473

 

-

ru - sa - lem.

-

   

and wel - come

ru - sa - lem.



  f

So - lo - mon.

BD







 

   

 











f

O daugh -ters

 BD

 f

 

tamtam

f



   

 

and wel - come

Je - ru - sa - lem

tam-tam

of



f



                     

O daugh - ters

snare

  

 

and wel - come

         

 

   

Je - ru - sa - lem

daugh - ters

out



       of

  

Come





  

to tam-tam

div.

and wel - come

 

Come out

  

   

 

O daugh - ters, daugh - ters

f

So - lo - mon.

out

2

 

 

476

daugh - ters

   

 

Come

  

475

Come out f

   

 

Xyl.

daugh - ters of

and wel- come

Je

   

    

daugh - ters of

mf

Perc.

Tenor drum/Bass drum

   

474 f

    



 



  

  



 



  

f

     



 

  



  

    

   

 

f


45

S.

accel.

      

       

477

478

So - lo- mon

A.

So - lo- mon

So - lo- mon

T.

T.2

B.

   

So - lo- mon



Je - ru - sa - lem

 

Allargando 481

 

So - lo- mon

on his

    

    

 

So - lo - mon

So - lo- mon

So - lo- mom

    

 div.       So - lo - mon,

ff

on his

wed

wed



So - lo- mon

on his

wed

    

ff

So - lo- mon

     unis

So - lo- mon

    on his

ff   on his

-



ff

    

483

484    

div. ff 482

So - lo - mon

So - lo- mom

O wel- come

    

480

ding

 -

ding

 -



ding



wed

-

ding

   wed

-

ding



485

day

 



 

f



f



of his



day

of his



 

day

of his









day

 

day

of his

 

of his

 

Side drum

   

Pno.

and wel- come

   

   

        

  

Pedal cymbal

Hp.

So - lo- mon



    

    

         So - lo- mon

of

B.2

   

479

  

 

  

 



 

 f BD

f

 

 



hit     

  

  

   

 

 

 

 

 

  

 



     



Allargando

  

      

   

tamb.

  

 

f

     f



ss. gli

ff

 

 



         

   


46 490

S. Solo

BRIDE mf

487           

     

486

My

S.

be - lov- ed

     

   488

is mine, and I

p

489

491 492 O mp              

am his.

493

cool and the sha - dows are dis - pers - ing,

While the day is



turn











my be

joy.

A.

    

p

joy.

T.

B.

      joy.

p

   

joy.

B.2

p

    

joy.

Perc.

S.cymb.

 

mp

 

Hp.

mp

  

       

Pno.

mf

  

 

494

S. Solo

Perc.

Slower

 

lov - ed

and

  

Pno.



  

  

 

show

 



 

 

  





498

rit.

499



mf

 

a young wild

  

 

 

 

 

 

 

 

 

500

 

goat

maracas

  

  



 

 



   

p



  

 

sf

  

 

Slightly slower

   







  



  

or

 

 

 

  

ga - zelle





 

p

497

 



 

 

     

dim.



p

a

  

O  

 

 

 

  

your- self

dim.

496

  

    

Hp.

  

495

mf

 

 



dim.

  


47

P        

501

S. Solo

on the hills where

Hp.

rit.

susp.cymb.









504

slowly

505

p

cast.

pp





tam-tam

pp

 motor on

 

  

507

   

  

 

 

 



p

p

slowly

     

      

pp



una corda

 

 

 

   

 

P   

506

cin - na - mon grows.

 

Pno.

   

Perc.

Vib.

503 poco

502

 

 

pp



 

Dec'78-Feb'79


Turn static files into dynamic content formats.

Create a flipbook
Timothy Baxter: Song of Songs by Edition·S – music¬sound¬art - Issuu