Matias Vestergård: TO LØPPENTHIN-SANGE (2018)

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Matias Vestergård TO LØPPENTHIN-SANGE (2018)

Two Løppenthin Songs for mezzo-soprano, clarinet, cello and percussion

Dur. 13′

Written for FIGURA ENSEMBLE

Text: Lea Marie Løppenthin

SCORE

T/ (+45) 3313 5445 · E/ sales@edition-s.dk · W/ www.edition-s.dk

Skrevet 2018 med støtte fra Edition Borup-Jørgensen Written 2018 with support from Edition Borup-Jørgensen

Edition·S publications are supported by the Danish Arts Foundation / Edition·S udgivelser er støttet af Statens Kunstfond

Matias Vestergård

TO LØPPENTHIN-SANGE (2018)

Two Løppenthin-Songs

for mezzo-soprano, clarinet, cello and percussion

Dur. 13′

INSTRUMENTATION

Voice (Mezzo) Soprano (or other female voice type that can sing with natural transparency between F3 and F5).

Bass Clarinet in Bb (doubling Clarinet in Bb)

Demonstrations of extended techniques can be found on heatherroche.net, chapters about dyads and spectral multiphonics.

Percussion

Glockenspiel, 4 bongos, frame drum, newspaper, cowbell

The cowbell should sound as harmonious as possible, and preferably suit the pitches played by contrabass behind the bridge.

Cello

L e a M a r i e L ø p p e n t hi n f r a S a m l i n g e n " M a r t s e r be d s t "

S C O R E I N R E L E VA N T T R A N S P O S I T I O N S

TO L Ø P P E N T H I N - S A N G E

1 . V I N D

S o p r a n o

S l o w a n d r a t h e r n e u t r a l ( q = 4 0 )

pp s e m pre , s o t t o v o c e , l e ga t i s s i m o

B a s s c l a r i n e t i n B b

Vi n d

e n - be v æ - g e r - f a br i k - k e n s - d a m p s å d e t l i g n e r - e n hø j t i d -

In t h e c l a r i n e t pa r t , mp a l w a ys m e a n s t h e l o u d e s t po s s i b l e d yn a m i c w h e re i t i s po s s i b l e t o pl a y b o t h n o t e s o f t h e d ya d s

M a

P e rc u s s i o n

Vi o l o n c e l l o

° ¢ ° ¢

T h e o t h e r m u s i c i a n s s h o u l d a d ju s t t h e i r d yn a m i c s t o t h i s mp . ppp p s i m . ppp mp mp mp p pppp n æs t e n u h ør b a r t ppp s e m pre s i m . 4 4 4 4 4 4 4 4 & A l w a ys w i t h n a t u r a l c a d e n c e

t e m p o p r i m o ( q = 4 0 )

n

s t i r fi n g e r t i p s o n s k i n o

ppp po c o r u b a t o ppp s i m . pp pp pp ppp d o l c i s s i m o

S o p r a n o

N o c t u r n e . h a l f a w a k e , s h a p e l e s s , a l i t t l e d r a g g i n g . ( q = 4 4 )

B a s s c l a r i n e t i n B b

2 . S Ø V N &

S t a c c a t o i n s o p r a n o p a r t - a s s ho r t a s p o s s i bl e . . . . . . . . . . . . . . . - - - -3

D e r pp e r n o - g e n d e r v å g n e r - o p m i d t o m n a t t e n - u d e n - g r u n d D e s e r D re i p gro s c h - e n - o - pe r -

P e rc u s s i o n

B A S S C L A R I N E T i n B b ∑3

a l w a ys a b i t a i r y o pp o o pp o pp

3 w hi s p e r : 3 3

Vi o l o n c e l l o

° ¢ ° ¢

f r a m e d r u m d r a g g e d w i t h s u p e r ba l l m a l l e tw hi s p e r 3

I f t he bo w e d t a i l p i e c e ha s a p i t c h t ha t bl e n d s w e l l w i t h t he re s t o f t he e n s e m bl e , t he ha l f - c i rc l e n o t e he a d s c a n be p l a ye d o n t he t a i l p i e c e .

I f n o t , t hi s B b s ho u l d be s u bs t i t u t e d , p l a ye d o n I V m o l t o s u l t a s t o

D re i gro s c h - e n - o - pe r4 4 4 4 4 4 4 4 &

D re i gro s c h - e n - o - pe ro ppp v e r y s o ft D re i gro s c h - e n - o - pe r -

.

l .

P e rc u s s i o n i s t a n d ba s s i s t re p e a t t he p re v i o u s s e v e n ba r s , m o re a n d m o re r u ba

r i n e t .

s i n g o n i n ha l a t i o n . s i n g o n e x ha l a t i o n ( o rd . ) i n ha l e . . s i n g o n i n ha l a t i o n e x ha l e .

e rc . Vc . pp m a n f å r, m a n f å r

p s e m pl i c e s e m pre t i l , l ys t t i l a t ho l d e , - a t ,

l ys t

p a l w a ys b e l l - l i k e s e m pre s i m .

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