Niels Rønsholdt: Gaze for Gaze

Niels Rønsholdt Gaze for Gaze (2017) Blik for Blik performance opera for ensemble, actors, and singers Dur. c. 75′

Commissioned by SCENATET Dedicated to Anna Berit and SCENATET

SCORE

T/ (+45) 3313 5445 · E/ sales@edition-s.dk · W/ www.edition-s.dk

Edition·S publications are supported by the Danish Arts Foundation / Edition·S udgivelser er støttet af Statens Kunstfond

8 musicians also singing choir, performing and handling objects and light
 
 Bass clarinet (female)
 Trombone (male)
 Percussion (male)
 Piano (male)
 Guitar (also electric guitar)
 Violin (female)
 Viola
 Cello (female)

Niels Rønsholdt Gaze for Gaze (2017) Blik for Blik performance opera for ensemble, actors, and singers

2 singers: ‘Man’ & ‘Woman’

Dur. c. 75′

2 extras, male and female AUDIENCE

PERFORMANCE NOTES ENSEMBLE AND CAST 8 musicians also singing choir, performing and handling objects and light Bass clarinet (female) Trombone (male) Percussion (male) Piano (male) Guitar (also electric guitar) Violin (female) Viola Cello (female) 2 singers: ‘Man’ & ‘Woman’ 2 extras, male and female AUDIENCE The audience is placed in a circle of 50 chairs and speak during the first act. See ‘Positioning’ page.

The audience is placed in a circle of 50 chairs and speak during the first act. See ‘Positioning’ page CLARINET & TROMBONE
 CLARINET & TROMBONE 
 Players of clarinet and trombone are placed in the circle together with the audience in the Players clarinet and placed in on thechair circlenr.together with the audience first act.ofClarinetist on trombone chair nr. 13,are trombonist 1. See ‘Positioning’ page. Inin the first act. Clarinetist ongo chair nr. ensemble 13, trombonist on chair nr. 1. See ‘Positioning’ page. In second act they 
 second act they to the place. go 
 to the ensemble place. Trombone: Shift between same note in two different positions (‘same note Trombone: Shift between same note in two different positions (‘same note glissando’) glissando’)
 Bass Clarinet: Shift between same note in two different fingerings. Bass Clarinet: Shift between same note in two different fingerings

STRINGSSTRINGS Square noteheads: Square noteheads: damp the damp strings theas strings muchas asmuch possible as possible

Big, slow Big, vibrato slow vibrato

Circle noteheads: Rub the strings audibleasasaudible possible Circle noteheads: Rub theasstrings as possible

Violin, 1stViolin, act: Place hand gently ongently the shoulder of the of the 1st act: Place hand on the shoulder audienceaudience member on the given chair. Thechair. line written the in the member on the given The lineinwritten

High pressure High pressure bowing bowing

Place a ruler Place (15-20 a ruler cm) (15-20 in between cm) in between three strings threesostrings that it so is that it is interlocked interlocked with 2 strings with 2above strings and above 1 string andbelow. 1 string Then below. pluck Then pluck

Place a ruler (15-20 cm) in between threesostrings Place a ruler (15-20 cm) in between three strings that it so is that it is interlocked with 2above strings above andbelow. 1 string below. interlocked with 2 strings and 1 string Then pullThen pull out forcefully the ruler forcefully with friction as muchsound friction out the ruler and with and as much assound as Place thePlace ruler flat the on ruler a flat flat surface on a flatfx. surface the notestand fx. the notestand and flick and flick

GUITAR GUITAR Electric guitar Electric with guitar volume withpedal. volume Strike pedal. theStrike the chord inaudibly chord inaudibly and fade and in from fadezero. in from Make zero. Make Rub the string Rub the as string quicklyasasquickly possible as with possible two with two

Glass slide guiro on the frets e string Glass slide guiro on below the frets below(I)e string (I)

Hit all strings thewith palmthe of right Hit allwith strings palm hand. of right hand.

Circle noteheads: Glass slide Circle noteheads: Glass slide

Big, slow Big, vibrato glass slide) slow(with vibrato (with glass slide)

Put a 5-10Put cma piece of epiece stringof(VI) around 5-10 cm e string (VI)the around the e string (VI). Pull outwards and slide and it slide it e string (VI). Pull outwards Place a credit or the likeoron the finger board Placecard a credit card the like on the finger board between between the two notated tremolo the twostrings notatedand strings andbetween tremolo between Hit the strings Hit thewith strings a pencil, with drum a pencil, stick drum or the stick like. or the like.

Move /the ‘throw’ the bowthrough quicklythe through air so ait sound makes a sound Move / ‘throw’ bow quickly air sothe it makes

thewith strings withcard a credit card Swipe theSwipe strings a credit or the likeor the like and let the chord If the noteheads are and let the chord ring. If thering. noteheads are black diamonds: swipe where notated. black diamonds: swipe where notated.

PIANO PIANO PIANO

ALL:
 ALL:
 ALL:
 OBJECTS OBJECTS OBJECTS

VIBRAPHONE VIBRAPHONE VIBRAPHONE GRANGRAN CASSA GRAN CASSA CASSA ANVIL ANVIL ANVIL SNARE DRUM SNARE SNARE DRUM DRUM TOM TOM TOM LOG DRUM LOG LOGDRUM DRUM WOODBLOCK
 WOODBLOCK
 WOODBLOCK
 TAM TAM TAM THUNDERSHEET
 THUNDERSHEET
 THUNDERSHEET
 MELODICA
 MELODICA
 MELODICA
 SLAPSTICK
 SLAPSTICK
 SLAPSTICK
 HORSEWHIP (dressage, min. min. HORSEWHIP HORSEWHIP (dressage, (dressage, min. 1’20m)
 1’20m)
 1’20m)
 BAG WITH GLASS
 BAG BAGWITH WITH GLASS
 GLASS
 FIRECRACKERS
 FIRECRACKERS
 FIRECRACKERS
 RULER
 RULER
 RULER
 SUPERBALL
 SUPERBALL
 SUPERBALL
 TUBULAR BELLBELL HAMMER
 TUBULAR TUBULAR BELLHAMMER
 HAMMER
 4 X AIR BURST STAGE 44XXAIR AIRBURST BURSTSTAGE STAGE FIREWORKS
 FIREWORKS
 FIREWORKS
 DOGSTOPPER (firework pistol)pistol) DOGSTOPPER DOGSTOPPER (firework (firework pistol) EUR PALLET EUR EURPALLET PALLET

1st Act: 1st 1st
 Act: Act:
 
 
 
 
 ORGAN 
 ORGAN ORGAN 
 
 
 
 
 TreadTread organ or folding harmonium or theoror like. Treadorgan organ ororfolding folding harmonium harmonium the thelike. like. If a single hand solution is chosen, then you IfIfaasingle singlehand handsolution solution isischosen, chosen, then thenyou you are free tofree re-arrange the chords, though are are free totore-arrange re-arrange the thechords, chords, though though keep keep the same bass and approximate keep the thesame samenotes bass bassnotes notes and andapproximate approximate register for each chord.
 register register for foreach eachchord.
 chord.
 
 
 
 2nd Act:
 2nd 2ndAct:
 Act:
 
 
 
 PIANO PIANO PIANO

All musicians handle objects. Read Read the score (second All Allmusicians musicians handle handle objects. objects. Read the thescore score(second (second act) carefully in order to have enough of each object act) act)carefully carefully ininorder order totohave haveenough enough ofofeach eachobject object and toand lay it out practically.
 andtotolay layititout outpractically.
 practically.
 
 
 
 SLAPSTICKS SLAPSTICKS SLAPSTICKS PEBBLES PEBBLES PEBBLES

JERRY CAN CAN (with some sand insand it toinin stabilize)
 JERRY JERRY CAN(with (withsome somesand itittotostabilize)
 stabilize)
 TIN CAN/BOX (large,(large, with some sand insand it toininitittoto TIN TINCAN/BOX CAN/BOX (large, with withsome somesand

PERCUSSION PERCUSSION PERCUSSION

Please note that diamond flageolet Please Please note notethe that that the thediamond diamond flageolet flageolet note indicates that the whip is in the note noteindicates indicatesthat thatthe thewhip whipisisininthe the air, creating air sound only. Normal air, air,creating creating air airsound sound only. only.Normal Normal notehead indicates a stroke on theon notehead notehead indicates indicates aastroke stroke onthe the floor, floor, table or theoror like. This for allfor floor,table table the the like. like.goes This Thisgoes goes forall all horsehorse whips in the score. horsewhips whipsininthe thescore. score.

A credit card or similar hard plastic AAcredit credit card card ororsimilar similar hard hardplastic plastic across the keys. One each hand across across the thekeys. keys.for One One for foreach eachhand hand

FIRECRACKERS FIRECRACKERS FIRECRACKERS DOGSTOPPERS (firework pistol)
pistol)
 DOGSTOPPERS DOGSTOPPERS (firework (firework pistol)
 STICKS FOR BREAKING (pencils/chopsticks, STICKS STICKS FOR FORBREAKING BREAKING (pencils/chopsticks, (pencils/chopsticks, branches)
 branches)
 branches)
 GLASS BEADS GLASS GLASS BEADS BEADS WOODLOGS WOODLOGS WOODLOGS

stabilize)
 stabilize)
 stabilize)
 CARDBOARD BOX (small, hard)hard) CARDBOARD CARDBOARD BOX BOX(small, (small, hard) HARDBACK BOOKS (heavy) HARDBACK HARDBACK BOOKS BOOKS (heavy) (heavy) BALLOONS (plus (plus needle, for popping) BALLOONS BALLOONS (plusneedle, needle, for forpopping) popping) BAGSBAGS WITHWITH CHINA BAGS WITH CHINA CHINA BAGSBAGS WITHWITH GLASS
 BAGS WITH GLASS
 GLASS

POSITIONING

PLACED IN A CIRCLE OF 50 CHAIRS:
 
 46 AUDIENCE MEMBERS
 2 MUSICIANS (CLAR, TRBN) AND 2 EXTRAS

1
 (trombonist)

Each chair in the circle has a number. The audience receives individual cards showing which chair to sit on and containing 2-3 sentences that they should read aloud when they are touched on the shoulder by either the violinist or the percussionist. The organ and cello are placed in the middle of the circle on a revolving stage. The four musicians join the ensemble in second act.

GUITAR VIOLA

Organ

38 (male extra)

Second act also:

Cello

TROMBONE BASS CLARINET VIOLIN
 PIANO
 PERCUSSION CELLO

2 SINGERS

violinist

percussionist

(female extra)
 26

(clarinetist) 13

OVERTURE In a foyer or the like next to the performance space the audience has gathered. The pianist enters. Pianist: “Good evening, ladies and gentlemen. Music is a dark world of meaningless abstraction. Of memory and longing. That’s why I prefer the stage to music. The stage is much more like the real world. The stage is language and body. There is action and reaction. Even so, what goes on on the stage isn’t real either. The stage is pure imagination, pure fiction, pure possibility. Much like the things in life you didn’t do. The kiss you chose not to accept will forever remain a fantasy. The child you chose to abort will remain unreal. The city you chose not to move to will remain unknown to you. The man or woman you chose to leave, the parent you would have been; the person you would have been in that city, with that man or woman, if you had accepted that kiss; if you had dropped everything to take that job: all these things could all have been real, but they are not. Like the stage they are fiction. Like everything you are about to see, they aren’t real.” Violinist and percussionist (extremely precise and detailed unisono including pauses, small mistakes and noises (uh, breathing, coughing etc.): “As in love, as always, there are certain rules that you must obey. Please listen carefully. In a moment you will receive a card with a number of phrases on. When you feel a hand on your shoulder, read the first phrase aloud to the other members of the audience. The next time you feel a hand on your shoulder, read aloud the next phrase on your card. And so on and so forth. Hand on shoulder - read a phrase. Hand on shoulder, read the next phrase. And so on and so forth. You might feel uncomfortable about it. It might feel awkward. But why not read aloud with pride? They are just words, none of this is real. Like so many things, the words could have been real, but they are not.” The audience are then guided into the performance space. They are - one by one - given an envelope containing their individual card and on which the number of the chair they are to sit on is written. The chairs in the circle in the performance space are clearly marked with numbers as well.

Act 1 Open Eye

Score

GAZE FOR GAZE ACT I OPEN EYE

SCENE 1 q = 52

Percussion

4 ã 4

∑

∑

Guitar

˙

Ó

∑

"YOU LOOK AWAY"

˙˙ ˙

U

˙˙ ˙

ww w

U

˙˙ ˙

˙˙ ˙

ww w

ww

˙˙

˙˙

ww

˙˙

˙˙

ww

?4 4 & 44

π

Acoustic Guitar

U ˙ ˙

w w w #w

˙

˙

˙ ˙

˙ ˙

26

˙

Ó

∑

"YOU SEEM LONELY"

ww w

U

˙˙ ˙

˙˙ ˙

ww

˙˙

˙˙

∑

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

Violin

44

∑

Ó

38

˙

∑

. ≥ }·· # · œ ≤ 3 · # }· ? 44 · · # · · · n# ·· }· ‰ · ·# ··· · c.l.

U

"YOU ARE SILENT"

∑ ord.

∑

∑

Sf

π

1

∑

∑

√ ≥ b · }·· ≤· · # # ·œ · ·œ · ·œ · .. b · # }· œ œ œ · }· œ Œ #· 6:4 > π Sf

££

col legno

U

˙

Ó

III

ord.

∑

∑

molto

∑

∑

Ó

∑

∑

££ ≥ }·· # · œ . ≤ 3 · # }· # · } ‰ ·· ·· # # ·· ·· ·· n ·· · c.l.

ord.

˙

∏

Sf

π

∑

∑ Ÿ~~~~~ · œ · ..

col legno tratto

sul pont.

∑

U

9

"I WANT YOU TO BE SILENT"

∑ sul pont.

∑

∑

"WHY DON'T YOU LOOK AT ME"

∑

sul pont.

∏

∑

∑

∑

Cello

∑

Niels Rønsholdt

∑

ã 44

B 44

∑

U

∑

Light [Circle)

Viola

13

? 44 www

Organ

Piano

∑

U

flaut.

∑

3:2

–– –– ·· œœ -- p f damp

∑

12 Perc.

ã ?

12

Pno.

? 12

∑ œœœ b œœœ b ˙˙˙ œœ b œœ b ˙˙ œ œ ˙ ∑

Vln.

∑

∑

www ww w

35

∑

U

˙˙ ˙

˙˙ ˙

ww

˙˙

˙˙

∑

∑ · #· œ. ≥ } ≤ 3 · ·· # · #} · ‰ ·· ·· # # ·· ·· ·· n ·· }

∑

∏

ª

22 Perc.

ã

∑

5

22

˙˙ ∑

· #· œ. ≥ } ≤ 3 · }· ? · · # · · · n# ·· # }·· ‰ · ·# ··· · c.l.

∏

Sf

˙˙ ∑

ord.

sul pont.

Vc.

˙˙ ˙

˙˙

π

££

∑

U ˙

˙

˙ ˙

w #w

˙ ˙

˙ ˙

∑

√ ≥ · b · }· ≤· · # # ·œ · ·œ · ·œ · .. b · # }· œ œ œ · }· œ Œ #· 6 > π Sf

18

43

∑

Ó.

30

œ 43 U˙

"I AM GOING TO RUN"

Sf

√ ≤· # · · · · .. ·œ # œ ·œ œ ·œ œ Œ 43 œ 6 > π III

ord.

ww

˙˙

˙˙

∑ ≥ }·· # · œ . ≤ 3 · · # · #} · ‰ # · · n ·· ·· # · ·· · ·· } ord.

Ó

Π44

˙

"I WANT TO TALK AWAY THE SILENCE"

∑

∑

flaut.

∑

44 –– –– ·· œœ - - p f 3:2

damp

w w

U ˙

˙

˙ ˙

w #w

˙ ˙

˙ ˙

U

Ó

24

Ó.

œ ˙

"WHY DON'T YOU FEEL MY SOFT SKIN UNDER YOUR PALM"

√ ≥ · b · }· ≤· · # # ·œ · ·œ · ·œ · .. b · # }· œ œ œ · }· œ Œ #· 6 > π Sf col legno

III

ord.

sul pont.

∑

∑

œœœ b œœœ b ˙˙˙

www

b œœ b ˙˙ .. œ ˙.

œœœ b œœœ b ˙˙˙

www

∑

∑

∑

molto

b œœ b ˙˙ .. œ ˙.

∑ Ÿ~~~~~ · œ · ..

££

π

Sf

U

∑

∑

∑ &

∑

13

ª

U

˙

Ó

"WHO WAS SHE?"

w

˙

˙

ww

˙˙

˙˙

≤ ≥· . ·· · . ··

∑ .. ·· · · ·

∑

col legno tratto

col legno tratto

sul pont.

molto

˙˙ ˙

15

∑

Ó

˙˙

∏

44

˙

"YOU CRY WHEN YOU THINK I AM NOT LOOKING"

sul pont.

∑

U U ˙

c.l.

U 34 ˙˙ œœ 44 b œœ b ˙˙ .. œ ˙. 43 ˙˙ œœ 44 b œœ b ˙˙ .. œ ˙.

w #w

44

ww w

Ó

molto

ww

≥ b · }·· b · # }· · }· #·

˙

"I AM GOING TO FORGET HER GAZE"

III

ord.

U

sul pont.

∑

col legno

∑

w w

col legno

Ó

U ˙

ww

Vln.

˙

∑

∑

π

"I HATE YOU BECAUSE YOU DON'T COME TO ME WHEN I CRY"

? www ?

U

∑

∑ ££

ord.

Sf

22

Pno.

Ó

ww w

sul pont.

?

˙

"I HATE YOU BECAUSE OF YOUR FAMILY"

c.l.

Vc.

U

∑

∑

∑

ƒ p

III

œ œ œ 6

––––––––––––‰ I-II

damp

∑

?

42

32 Perc.

ã

∑

∑

? ww

U ˙

˙

˙ ˙

? w #w

˙ ˙

˙ ˙

U

Ó

32

Pno.

∑

32 Vln.

Ó.

27

œ

˙

U 2 ˙˙˙ 4

2 4

ww

√ ≥ · b · }· ≤· · # # ·œ · ·œ · ·œ · .. · œ œ œ ? b ·· # } Œ }· œ #· 6 > π Sf

≥ ≤ 3 · #· # · · n · ·# ··· · · · · ·

sul pont.

Vc.

∑

∏

molto

ª 39 Perc.

ã

Pno.

? 47

39 Vln.

40

œ

Sf

U

˙

U

˙˙ ˙

˙˙

˙˙

˙

Ó

U

"I HATE YOU BECAUSE OF YOUR ARROGANCE"

ww

U ˙

˙

˙˙

w #w

˙ ˙

˙ ˙

∑ √ ≥ b · }·· ≤· · # # ·œ · ·œ · ·œ · .. b · # }· œ œ œ · }· Œ œ #· 6 > π Sf col legno

III

ord.

?

4 ww 4 4 4

∑

≤· . · ≥· . · . · · · · – – – – – – 44 · . ·· œ œ œ – – – – – –‰

∑

∑

molto

ƒ

p

42

˙˙

˙

∑

≥ }·· # · œ . ≤ 3 · # }· # · ·· ·· # # ·· ·· ·· n ·· }· ord.

π

£££

‰ 42

44

˙˙

U

"YOU NEVER TOUCH ME"

44

££ ≥ }·· # · œ . ≤ 3 · · # · #} ‰ # · · n · · # · · · · }· · · · · c.l.

∑

col legno tratto flaut.

∑

Ÿ~~~~~~~ · œ · ..

44 –– –– ·· œœ p - f 3:2

damp

U

˙

"I WANT YOU TO STAY"

∑

∑ ord.

sul pont.

Ó

44 b œœ b ˙˙ .. œ ˙. 44 b œœ b ˙˙ .. œ ˙.

ww

THAT WOMAN YOU SECRETLY KISSED IN THE SNOW: WHO WAS SHE?"

50

∑

ww w

Ó

damp

42 ˙

2

∑

Sf

˙˙

?

6

U 24 ˙˙˙

ww

∏

˙

I-II

42

sul pont.

∑

˙

U

13

∑

III

ww w

c.l.

sul pont.

Vc.

4 w 4

∑

∑

∑

col legno tratto

‰ 42

Ó

∑

∑

£££

π

4 4

"I AM GOING TO KEEP RUNNING UNTIL I FORGET HER"

? ˙˙˙

39

Ó.

∑

· #· œ. }· # }· }· ord.

c.l.

sul pont.

&

˙˙

2 4

∑

III

ord.

2 4 ˙

"YOU DON'T SEEM TO ADMIRE ME"

ww w

"I AM GOING TO FORGET HER SOFT SKIN UNDER MY PALM"

col legno

U

∏

Sf

π

∑

∑

42

b œœ b ˙˙ .. œ ˙.

œœœ b œœœ b ˙˙˙

œœœ b œœœ b ˙˙˙

b œœ b ˙˙ .. œ ˙.

œœœ b œœœ b ˙˙˙

œœœ b œœœ b ˙˙˙

ª

∑

42 ˙˙ ˙ 42

44 44 44

˙˙˙

∑

∑

∑

42

∑

44

∑

∑

∑

42

∑

44

SCENE 2

4 ã 4

49 Perc.

∑

∑

ww ?4 w 4

49

Pno.

? 4 ww 4 w

∑

w b ww

ww w

w b ww

ww w

∑

∑

ww w

˙˙ ˙

U

ww

˙˙

˙˙

˙˙ ˙

Glass slide Glass slide

¿ ..

b· b b b ··· ·‰ ÷ . ·

fret guiro

4 &4

49 Gtr.

ã 44 œJ ‰

49 Vln.

¿ ·· b bb ··· ·

Circle lights OUT

49 Light

S

Œ

Ó

∑

∑

≥· .. 4 B 4 · ..

· ≤ b· · · ·

f

·· .... b · · .. b ·· S

¿

‚‚ A b ‚‚

‰

∑ Circle lights ON

œ ‰ J

∑

≥ ≤ · ? 44 · . · · . ··

S

·

∑

· · · b· œ œ œ · b · · · · · · · · · · œ œ œ œ œ œ ®‰ · · · · · · · 6 6 π IV

b· b·

p

6

ƒ

p

..

··

££

IV

· · ·

pont.

– – – – – – b œ ... œ œ œ – – – – – – ‰ œ ... œ ... F 6 III

∑

III

col legno tratto

Vc.

Œ

.

¿

V VI

audible gliss./rub left hand

∑

Œ

Ó

∑ 38

44 col legno

Vla.

fret guiro

Right hand palm beat on strings

I-II

damp

≤·

·

p

3

tasto (ord.)

bœ RÔ

≥ · .. ‰ · .. f

≤

· b· · ·· S

Ÿ~~~~ — ≥ ≤ · · .. ‰ ·. · · ·. · ƒ p col legno tratto

6

·

"YOU DON'T FUCK ME THE RIGHT WAY"

· · · · · · · œ œ œ œ œ œ ®‰

p

˙

III

IV

b· b·

Ó

∑

U

∑

∑

££ · #· œ. ≥ }· ·· · · · ≤ 3 · #} ·· –––– –– –– –– –– ‰ # · } ‰ # · · n · · · · œ œ œ · ·# ··· · c.l.

ord.

sul pont.

III

I-II

damp

6

∏

Sf

π

∑

Perc.

ã ?

54

Pno.

? 54

b œœ b ˙˙ .. œ ˙.

flaut.

3:2

13

˙

"I WANT YOU TO SIT IN MY CHAIR FOREVER

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

∑

œœœ b œœœ b ˙˙˙

∑

Ÿ~~~~~~ · œ · ..

∑

œœœ b œœœ b ˙˙˙

b œœ b ˙˙ .. œ ˙.

∑

col legno tratto

?

Ó

∑

Vln.

Vc.

U

3

54

Perc.

ã

∑

∑

U

˙

ww

˙˙ ˙

˙˙ ∑

˙˙ ∑

· #· £ œ. £ ≥ } · ≤ 3 · · ? · · # · · · n# ·· # } }· ‰ · ·# ··· · c.l.

∏

Sf

31

∑ ££

ord.

π

U

˙

ww

∑

˙˙

w #w

˙ ˙

˙ ˙

Ó.

19

œ

U

˙

√ ≥ b · }·· ≤· · # # ·œ · ·œ · ·œ · .. b · # }· œ œ œ · }· œ Œ #· 6:4 > π Sf col legno

&

∑

molto

∑

U ˙

˙

˙ ˙

w #w

˙ ˙

˙ ˙

U

Ó

25

œ

˙

"WHY DON'T YOU SLIDE YOUR HAND DOWN MY DRESS?"

√ ≥ · b · }· ≤· · # · · · · · · .. b · # }· œ # œ œ œ œ œ · }· œ Œ #· 6:4 > π Sf III

ord.

sul pont.

∑

damp

∑

molto

29

U

˙

Ó

ww ∑ ≤ .· ≥ . ·· . · · · · ·· . · – – – – – – · œ œ œ – – – – – –‰

˙

˙

˙˙

˙˙ ∑

damp

6

?

ww

ª

42 ∑

44

U 24 ˙˙

44

U 42 ˙

44

42 ˙˙

w #w 13

Ó.

œ

44

"INSTEAD I REMAINED SILENT"

col legno tratto

I-II

∑

"I WANT TO BE ALONE"

U

w

ƒ p

∑

w w

col legno

√ ≥ b · }·· ≤· · # # ·œ · ·œ · ·œ · .. b · # }· œ œ œ · }· œ Œ #· 6:4 > π Sf col legno

III

sul pont.

∑

Ó.

6

Ó

III

ord.

?

∑

∑

˙

˙˙

I-II

∑ U ˙

˙˙

≤ .· ≥ . ·· . · · · · ·· . · – – – – – – · œ œ œ – – – – – –‰

ƒ p

ww

˙

col legno tratto

III

∑

˙

∑

"I HATE YOU BECAUSE YOU REMIND ME OF MY FATHER"

Ó

U

Ó

π

Sf

&

˙

"I WOULD HAVE SCREAMED AT YOU HOW MUCH I HATED THE WAY YOU TOUCHED HER"

w

"WHY DON'T YOU SQUEEZE YOUR HAND INTO MY CLOTHES"

ord.

sul pont.

Vc.

˙˙

Ó

˙˙

Vln.

˙˙

∏

U ˙

63

ww

"YOU DON'T SEEM TO LIKE MY FAMILY"

? www ?

˙˙ ˙

. ≥ }·· # · œ ≤ 3 · · # ·· # } · ‰ # · · n ·· ·· # · ·· · · }

∑

63

Pno.

˙˙ ˙

sul pont.

21

63

U

c.l.

–– –– ·· œœ - p f

∑

ww w

∑

damp

ª

∑

U

III

ord.

sul pont.

∑

molto

42 ∑

44

4 ã 4

71 Perc.

? 44

71

Pno.

? 44 71

Vln.

44

U

Ó

˙

37

∑

2 4 ∑

∑

"I AM GOING TO FORGET HER"

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

œœœ b œœœ b ˙˙˙

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

œœœ b œœœ b ˙˙˙

∑

∑

42 ˙˙ ˙ 42

4 4 &

˙˙˙

∑

Vc.

? 44

3:2

– –f

Ÿ~~~~~ · œ · ..

– ·· œ –- œ p

81 Perc.

ã

∑

∑

4

42 ∑

≤ ≥· . ·· 44 · . ··

∑

81

˙ ˙

ww

˙˙ ˙˙ ∑

Vln.

∑

. ≥ }·· · œ ≤ 3 · } ? · · # · · · n# ·· # }·· ‰ · ·# ··· · c.l.

ord.

sul pont.

Vc.

∏

˙ Ó

U ˙˙ ˙˙

? www ?

U

Sf

13

∑ .. ·· · · ·

π

III

œ œ œ

ƒ p

˙

˙ ˙

˙ ˙

U

˙

––––––––––––‰ I-II

U ˙ ˙

w #w

˙ ˙ ˙ ˙

damp

Ó. ≥ b· b· · #·

6

· }· #} }··

col legno

∑

Sf

∑

Sf

13

œ ˙ Ó

√ ≤· # · · · · .. ·œ # œ ·œ œ ·œ œ œ Œ 6:4 > π sul pont.

molto

∑

˙ ˙

˙ ˙

√ ≤· # · · · · .. ·œ # œ ·œ œ ·œ œ œ Œ 6:4 > π

∑

&

≤ ≥· . ·· · . ··

sul pont.

˙ Ó

∑

∑

˙ ˙

w

˙˙ ˙˙

ww

∑

w w

?

.. ·· · · · III

œ œ œ

ƒ p

˙

˙

˙ ˙

˙ ˙

U

˙

?

Ó

"INSTEAD I WENT ON LOOKING"

––––––––––––‰ I-II

ª

∑

ww w

U ˙˙ ˙˙

www

˙˙˙ ˙˙˙

˙ ˙

49

∑

damp

6

∑

Ó.

∑

13

∑

molto

U

U

w

col legno tratto

∑ &

w ww

U

œ ˙ Ó

∑

"WHEN DID YOU FEEL ALIVE?"

≤ .· ≥ . ·· . · · · · ·· . · · œ œ œ – – – – – – – – – – – –‰ col legno tratto

III

ord.

∑

˙

III

ord.

U

U

∑

∑

"I WOULD HAVE HIT HER CHEST SO HARD THAT MY HAND WENT THROUGH HER SKIN, HER FLESH, HER BONES"

ww

˙

∑

≥ b · }·· b · # }· · }· #·

˙ ˙& w

"I AM GOING TO FORGET WHAT SHE ASKED ME TO DO"

£

w #w

Ó

∑

Ó

U ˙ ˙

w w

col legno

∑

ww

?

U

œ ˙

"WHY DON'T YOU FEEL THE WAY YOUR HAND MEETS THE SOFT HAIRS?"

"I WOULD HAVE POKED MY EYES OUT TO FORGET THE SIGHT OF YOUR MOUTH ON HER SKIN"

6

∑

"YOU DON'T SEEM TO LOVE ME"

81

Pno.

44 ww

˙

col legno tratto

damp

ª

U

44

Ó.

∑

44 w

42 ∑

col legno tratto flaut.

∑

45

III

ƒ p

I-II

damp

6

∑

∑

≥ ·

·

Sf

#·

#·

}·· £££ n œ œ .. œ

≤ p

6

3

≤ .· ≥ . ·· . · · · · ·· . · · œ œ œ – – – – – – – – – – – –‰ col legno tratto

Œ

∑

III

ƒ p

I-II

damp

6

13

Perc.

U

ã ˙

91

Ó

∑

"INSTEAD I TURNED AWAY"

Pno.

U

˙

˙

? ˙˙

˙˙

91

&

?

∑

Vln.

Ó.

∑

ww w

U ˙

˙˙

˙˙ ˙

ww

˙˙

˙˙

41

91

∑

. ≥ }·· # · œ ≤ 3 · # }· #· ·· ·· # # ·· ·· ·· n ·· }·

£££

ord.

c.l.

U

˙

Vc.

∑

∏

ª 100 Perc.

ã

Sf

8

∑

ww w

Ó

ww

100

∑

Vln.

˙˙ ˙

˙˙

˙˙

∏

Sf

&

π

∑

}··

≤ p

6

n œ œ .. œ

£££££

3

U

∑

13

≤ .· ≥ . ·· . · · · · ·· . · – – – – – – · œ œ œ – – – – – –‰ I-II

damp

6

˙˙ ˙

˙˙ ˙

Œ

&

Ó

"I WOULD HAVE FUCKED HER CHEST WITH MY BARE ARM"

U

w ww

˙

˙

w

˙˙

˙˙

ww

∑

≤ . · ≥ . ·· . · · · · ·. · ––––––––––––‰ · · œ œ œ

˙

˙˙

˙˙

˙

ƒ

?

p

∑

∑ U

∑

∑

∑

∑

13

I-II

10

U

˙

∑

œœœ b œœœ b ˙˙˙

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

œœ b œœ b ˙˙ œ œ ˙

∑

∑ Ÿ~~~~~~ · œ · ..

∑

3:2

–– –– ·· œœ - - p f damp

˙˙

˙˙

U

˙

?

Ó

"INSTAED I LEFT THE ROOM WITHOUT A WORD"

∑

&

13

ª

U

˙

Ó

"INSTEAD I WAS THE ONE LEFT IN DARKNESS"

U

w ww

∑

∑ ≤ .· ≥ . ·· . · · · · ·· . · – – – – – – · œ œ œ – – – – – –‰

˙

˙

˙˙

˙˙

∑

col legno tratto

col legno tratto flaut.

∑

"I WANT TO LEAVE AND NEVER COME BACK"

b œœ b ˙˙ .. œ ˙.

"I WOULD HAVE ENJOYED HOW THE LIGHT FADED FROM HER EYES"

˙

damp

b œœ b ˙˙ .. œ ˙.

Ó

˙

6

Ó

∑

˙

U

III

∑

∑

ww

ƒ p

˙˙˙

˙

col legno tratto

w

III

˙˙

∑

∑

∑

col legno tratto

ord.

sul pont.

Vc.

Sf

∑

££ ≥ }·· # · œ . ≤ 3 · } ? · · # · · · n# ·· # }·· ‰ · ·# ··· · c.l.

˙˙

·

·

Ó

U ˙

? www ?

˙

∑

#·

#·

Ó

U ˙

∑ ≥

"YOU ARE SECRETIVE"

100

Pno.

U

π

˙

U

13

"WHEN OUR BODIES WERE SOFTLY MOVING TO THE MUSIC"

"I HATE YOU BECAUSE OF YOUR WEAKNESS"

‰

U

œ

www

sul pont.

?

17

∑

∑

III

ƒ p

I-II

damp

6

∑

SCENE 3 109 Perc.

ã

∑

∑

ww & bw

>˜ ˜ b b b ˜˜˜ ˜

>˜ ˜˜ ˜˜ ˜

Glass slide Right hand palm beat on strings

Gtr.

& ÷

109 Light

ã

Circle lights OUT

œ J

‰

Œ

∑

Vln.

b· B · ·· ·· · ·· · ·· · · π

pont.

Vc.

? b œœ ... ... œ ... F

b· œ œ

6

tasto

bœ RÔ

˜˜ ˜˜ ˜ >˜

≤·

(ord.)

p

· 3

·

œ

3

˜˜ ˜˜ ˜ >˜

>˜ ˜˜ ˜˜ ˜

V VI

col legno tratto flaut.

‰

‚‚ A b ‚‚ f

Ÿ~~~~~~~~ —

÷

‰

flaut.

damp

pont.

˙˙

˙˙ ˙

www

˙˙˙

˙˙˙

6

∑ Circle lights ON

∑

œ J

∑

Ó.

££££ £

b· ······· ·· ·· · ·

Ÿ~~~~~~~~~~~ · 3:2 œ · .. b œœ ... ... –– –– ·· œœ ... œ p - F f col legno tratto

U ˙

·· · J ‰ p

IV

π

ww w

££

∑

· ·· œ ·· œ ·· œ · œ œ œ œ œ p

∑

Glass slide

audible gliss./rub left hand

∑

£££££

IV

6

3

no stroke!

Ó

109

Vla.

˜˜ b bb ˜˜˜ >f˜

Œ

109

?

b www

w b ww

? b www

∑

b ww w

b www

109

Pno.

∑

b· œ œ œ

6

tasto

bœ RÔ

≤·

·

(ord.)

p

3

·

‰

Œ

∑ Ó 14

∑ œ

U

˙

Ó

"WHEN DID YOU LOVE ME THE MOST"

‰

Ÿ~~~~~~~~ —

‰

∑

≥ ·

·

Sf

#·

#·

}··

≤ p

6

3

∑

n œ œ .. œ

£££££

Œ

∑

Ó.

114 Perc.

ã

12

U

œ

˙

? ww ? w #w

114

∑

Vln.

≥ b· ? b ·· #·

col legno

Vc.

ª

Sf

Perc.

· }· ≤· · # # ·œ · ·œ · ·œ œ œ œ # }· }· œ 6:4 > π III

ord.

sul pont.

ã

∑

? www ?

ww

122

∑

Vln.

≥ }·· # · œ . ≤ 3 · } ? · · # · · · n# ·· # }·· ‰ · ·# ··· · c.l.

ord.

sul pont.

Vc.

∏

˙

˙ ˙

∑

∑

∑

˙ ˙

˙ ˙

Sf

b œœ œ

b ˙˙˙ ...

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ œ

b ˙˙˙ ...

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

∑

√ · ..

col legno tratto flaut.

Œ

3:2

∑

π

20

Ó

∑

˙

∑

"I WANT YOU TO LET ME FEED YOU, NURSE YOU, WASH YOU"

Ÿ~~~~~~~~~ · œ · ..

– – ·· œ –- –- œ p f

∑

∑

∑

U

˙

Ó

39

Ó.

U ˙

˙˙

˙˙ ˙

˙˙

˙˙

U

œ ˙

w #w

∑

∑

∑

√ ≥ b · }·· ≤· · # # ·œ · ·œ · ·œ · .. b · # }· œ œ œ · }· œ Œ #· 6:4 > π Sf

££

col legno

Ó

≥

∑

U ˙

˙

˙˙

˙ ˙

˙ ˙

∑

·

III

U ˙

˙˙

˙˙ ˙

ww w

˙˙ ˙

˙˙ ˙

U

Ó

26

#·

#·

}· ·

≤ p

6

œ

nœ œ œ. œ £££££

3

˙˙

˙˙ ˙

ww

˙˙

˙˙

∑

34

. ≥ }·· # · œ ≤ 3 · # }· #· ‰ ·· ·· # # ·· ·· ·· n ·· }· ord.

sul pont.

∑

∑

U ˙

c.l.

sul pont.

molto

·

Sf

∑

ww w

∑

ord.

ww w

˙

"WHEN THE RYTHM HAD US MOVING IN TIME, LIKE TWO SWANS ON THE SAME LAKE"

Œ

∑ ª

"YOUR MEMORY WILL CAPTURE THIS MOMENT OF TIME, LIKE A CAMERA

ww

∑

Ó.

∑

damp

"YOU ARE NOT TENDER"

122

Pno.

U ˙

molto

45

122

∑

"I AM GOING TO FORGET HOW DEEPLY I FELL INTO HER EYES"

114

Pno.

Ó

∏

Sf

π

££

U

˙

U

ww b ww 38

Ó

∑

"I HATE YOU BECAUSE OF YOUR FRIENDS"

— —Ÿ~~~

≤· · · ≥ · · · · J b œœ .. œ . 6 œ col legno

∑

∑

(ord.)

II

f p3

‰

∑

˙˙

˙˙

# ww

˙˙

˙˙

N ww

˙

Ó

U

∑

"HE STANDS UP"

∑

≤

· · ·· } · . } · œ .. # œ & æ æ b}·· Œ #· · π ∏ >> π f ££ flaut.

26

Perc.

U

ã ˙

131

Ó

∑

"SHE LOOKS AT HIM AS HE GETS UP FROM THE CHAIR"

Pno.

U

? ˙˙

˙˙

? ˙˙

˙˙

131

131 Vln.

∑

43

∑

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

∑

Ó

˙

29

∑

∑

"I WANT YOU TO FORGET ABOUT HER"

Ÿ~~~~~~ · œ · ..

∑

44

3 4 b œœ b ˙˙ œ ˙ 43

4 4

43

∑

44

∑

≤· · · ≥ · · · · 44 b œœ .. œ J . 6 œ

b œœ b ˙˙ œ ˙

Vc.

&

∑

?

3:2

· –– –– · œœ - - p f

∑

43

∑

142 Perc.

ã

?

142

Pno.

∑

≤

˙

Ó

U

∑

· · }·· · . · ? œ .. # œ & æ æ b}}·· Œ #· · π ∏ >> π f £ £ flaut.

U

∑

"SHE THINKS HE MIGHT BE INTERESTING"

? N ww

Vln.

Vc.

26

# ww

142

˙

Ó

∑

U

44 b w w ∑

II

˙˙

# ww

˙˙

˙˙

N ww

‰

˙˙

˙˙

ww

˙˙

˙˙

b ww ∑

∑

˙

Ó

∑ ≤££

(ord.)

— —Ÿ~~~~

II

f p3

‰

˙˙

˙˙

# ww

˙˙

˙˙

N ww

∑

∑

∑

≤

· · }·· · . } · œ .. # œ & æ æ b}·· Œ #· · π ∏ >> π f £ £ flaut.

flaut.

˙˙

ww

˙˙

˙˙

b ww

˙

ww

˙˙

˙˙

b ww

U

˙

∑

∑

∑ (ord.)

II

f p3

(ord.)

— —Ÿ~~~~ ‰

II

f p3

— —Ÿ~~~~ ‰

˙˙

# ww

˙˙

˙˙

N ww

˙

Ó

˙˙

˙˙

U

˙

Ó

"HE CHANGES HIS MIND"

∑

∑

"HE STANDS UP AGAIN"

∑

˙˙

∑

˙˙

U

˙˙

ª

∑

≤· · · ≥ · · · · J b œœ .. œ . 6 œ col legno

38

≤· · · ≥ · · · · J b œœ .. œ . 6 œ col legno

?

∑ U

Ó

38

Ó ∑

˙˙

U

"SHE IS DISSAPPOINTED THAT HE SITS DOWN"

?

˙˙

∑

˙˙

U

26

∑

"SHE HOPES HE WILL COME TO HER"

∑ U

∑

26

· · }·· . · } · œ .. # œ & æ æ b}·· Œ #· · ∏ >> f π π

∑

"HE THINKS POORLY OF HIMSELF"

≤· · · ≥ · · · · J b œœ .. œ . 6 œ col legno

U U

∑ ?

38

∑ U

∑

— —Ÿ~~~~

(ord.)

˙˙

f p3

damp

ª

U

"HE WANTS TO GO TO HER"

ww

col legno

col legno tratto flaut.

∑

38

≤

· · }·· · . } · œ .. # œ & æ æ b}·· Œ #· · π ∏ >> π f £ £ flaut.

?

26

Perc.

U

ã ˙

151

Ó

Pno.

U

? ˙˙

˙˙

ww

?˙ ˙

˙˙

b ww

151

Vc.

?

∑

160

≤· · · ≥ · · · · J b œœ .. œ 6 œ.

# ww

˙˙

˙˙

N ww

ã

∑

38

∑ ≤

˙

œ .. # œ & #· · π >> π f

160

∑

Vln.

— —Ÿ~~~~

≤· · · ≥ · · · · ? b œœ .. œ J 6 œ. (ord.)

II

f p3

‰

∑

˙˙

˙˙

# ww

˙˙

˙˙

N ww

˙˙

˙˙

ww

˙˙

˙˙

b ww

˙

Ó

U

"SHE THINKS HE LACKS COURAGE"

· · }·· }· æ æ b}· Œ ∏

∑

?

∑ U

∑

— —Ÿ~~~~~

(ord.)

˙˙

# ww

˙˙

˙˙

N ww

˙

Ó

"HE DECIDES NOT TO DO IT. IT IS TOO DANGEROUS"

‰

II

∑

˙˙

U

38

≤· · · ≥ · · · · J b œœ .. œ 6 œ. col legno

≤

∑ ≤

· · ·· } · . · œ .. # œ & æ æ b}}·· Œ ∏ #· · >> π π f ££

flaut.

26

∑

˙˙

˙˙

ww

˙˙

˙˙

b ww

U

˙

?

U

Ó

"SHE LOOSES ANY INTEREST IN HIM AS HE STANDS THERE, WRACKED WITH DOUBT"

∑

∑

∑

38

— —Ÿ~~~~

≤· · · ≥ · · · · J b œœ .. œ 6 œ. col legno

(ord.)

II

f p3

‰

∑

˙˙

˙˙

# ww

˙˙

˙˙

N ww

˙

Ó

U

≤

U

˙

flaut.

?

˙˙

˙˙

?

ª

∑

˙˙

ww

˙˙

˙˙

N ww

∑

˙˙

∑

˙˙

∑

˙˙

· · }·· }· æ æ b}· Œ ∏

Ó

U

· · ·· } · . · œ .. # œ & æ æ b}}·· Œ #· · π ∏ >> π f ££

Ó

∑

∑

"SHE WANTED TO GET UP AND GO TO HIM, BUT NOW SHE DOESN'T CARE"

∑

˙

"SHE WATCHES HIM STAND UP AGAIN"

U

38

"HE THINKS LIFE IS TOO SHORT NOT TO DO IT. WHAT IS THE WORST THAT COULD HAPPEN"

∑

stand still

U

∑ ·. ·

œ .. # œ & #· · π >> π f

∑

26

U

£££ flaut.

f p3

∑ U

∑ ∑

26

∑

26

Ó

U

·. ·

£££ flaut.

∑

"HE DECIDES TO DO IT"

? bw w

col legno

U

∑ U

∑

‰

II

? ww

Vc.

˙˙

— —Ÿ~~~~~

(ord.)

160

Pno.

˙˙

f p3

ª

Perc.

∑

"HE WALKS A FEW STEPS"

∑ col legno

Ó

U

∑

Vln.

˙

∑

"SHE THINKS HE IS WEAK"

151

U

38

∑

stand still

∑

∑

˙˙

˙˙

ww

˙˙

˙˙

N ww

U

˙

Ó

"HE IS AFRAID SHE WILL REJECT HIM"

∑

∑ ∑

171 Perc.

ã

∑

U

˙

26

"SHE WATCHES HIM WALK TOWARDS HER"

U

? # ww

171

Pno.

Gtr.

Ó

? w w

∑

ww

˙˙

˙˙

∑

∑

∑

∑

∑

∑

b ww

ww b www ˜

∑

U

? ˙˙

180

Vln.

?˙ ˙

˙˙

180

∑

180

∑

&

˙˙

ww b www ˜

Ÿ~~~~~ — — J

U

38

˙

"HE FEARS WHAT A REJECTION WOULD DO TO HIM"

∑

26

≤

£££

œ .. # œ

∑ ˙˙ ˙˙˙

˙

Ó

"HE FEELS HIS HEART POUNDING"

U

U

b ww

j œœ ‰ Œ œœœ

Ó ∑

flaut.

· .&

˙˙

˙˙

˙˙

˙˙

∑ ∑

·

π

·

æ

π

∑ œœ ‰ Œ J j œœ ‰ Œ

ww b www ˜

∑

Œ

∑

B

∑ Ó Ó

∑

∑

U

38

∑

˙˙ ˙˙˙

˙˙ ˙˙˙

˙

Ó

U

j œœ ‰ Œ œœœ

Ó

∑

U

Ó

˙

∑

"HE FEELSSTRENGHT RUSH THROUGH HIM, HE IS PROUD OF HIMSELF AS HE WALKS TOWARDS HER

‰

∑

∑ ª

26

U

Ó

"SHE DECIDES TO HUMILIATE HIM IN A WAY THAT WILL STAY WITH HIM FOR THE REST OF HIS LIFE. SOMETHING THAT WILL DESTROY HIS TRUST IN HIMSELF, IN WOMEN AND IN LOVE"

shift to acoustic

j œœ ‰ Œ Ó œœ œ

˙˙ ˙˙ ˙

3

U

b ww

"HE TELLS HIMSELF THAT SHE WILL LIKE HIM, THAT SHE WILL BE NICE TO HIM. THAT THE LOOK SHE IS GIVING HIM MEANS THAT SHE WANTS HIM TO APPROACH HER"

p

˙

ww

∑

J

II

f

38

Ÿ~~~~~ — —

(ord.)

≥ ≤· · · · · · · b œœ .. œ œ. 6 col legno

· }· }· b}·

˙˙ ˙˙ ˙

start walking clockwise in the tempo of revolving stage Actors speak without being touched

∑ · æ

U

ww b www ˜

sub.

Ó

˙

˙ ˙˙ ˙

∑

"SHE DECIDES TO REJECT HIM BY HUMILIATION"

ww

˙˙ ˙˙˙

U

˙ ˙˙ ˙

Ó

‰

∑

∑

Ó

U

U

#w w N ww ˜

˙˙ ˙˙ ˙

molto

∑ Ó

∑

38

p3

∑

œœ ‰ Œ J j œœ ‰ Œ

(ord.)

II

f

"SHE GAZES INTO HIS EYES. SHE HOPES HE UNDERSTANDS HOW LITTLE SHE WANTS HIM TO APPROACH HER"

Gtr.

˙˙ ˙˙ ˙

≥ ≤· · · · · · · b œœ .. œ œ. 6

Ó

U

Electric Guitar

∑

ã ˙

∑

∑

∑

U

∑

∑

∑

180

∑

∑

171

∑

"SHE REALLY HATES HIM, AT THIS MOMENT SHE HATES HIM"

∑

∑

B

Ó

∑

∑

&

˙

26

˙˙

ª

Pno.

∑

start walking clockwise in the tempo of revolving stage Actors speak without being touched

˙˙

col legno

Perc.

∑

171

Vln.

Vla.

∑

U

26

˙˙

˙˙

ww

˙˙

˙˙

ww

∑ ∑

∑

∑ U

∑ ∑

∑

˙˙

˙˙

ww

˙˙

˙˙

ww

∑ ∑

∑

w

38

"HE SMILES AND SAYS: HALLO"

SCENE 4

192 Perc.

ã

∑

∑ # ww

ww

# # www

? w w

# # ww

ww

# ww

Acoustic Guitar

b b ‚‚‚ æ ‚ .. & # œ #}œœ }œœ b ‚ RÔ ® ‚‚‚ ...... b ‚‚ π S

192 Gtr.

VI

V

192

Œ

IV

3

ã

œ J

Circle lights OUT

‰ Œ

192

≤ · · B

Vc.

?

≤

·

col legno

·. ·.

ß

.. # ·· Œ

col legno

·

π

b· 6

·

b· · · · · · ····· · }· @ æ ·

bÓ·

Sf

ord.

ord.

Sf

π

¿

¿ ¿ ·

f

·· ·· n · ®≈ ‰ RÔ

3

III

II

I

(glass slide gliss)

V

damp

∑

∑

∑

∑

III

≤· ·

F

ord.

sul pont.

·

≥ ·

·

Sf

#·

#·

}··

p

6

£££

6

6

≤

œ .. œ

3

n œ œ .. œ

££££

Œ

Œ

≤ · ·

flaut.

≤

·

.. # ··

ß ·

π

6

w #w

˙ ˙

˙ ˙

∑

∑

‰Œ

Ó

∑ ∑

Œ

∑

∑

Œ

√ ≥ b · }·· ≤· · # # ·œ · ·œ · ·œ · .. b · # }· œ œ œ · }· œ Œ #· 6:4 > π Sf

vertical bow trem.

b· · · · · · ····· · }· @ æ ·

Sf

˙˙

∑

col legno

bÓ·

˙

œ J

·. ·.

·

Ó

U ˙

Circle lights ON

col legno

b·

U

œ ˙

ww

Œ

IV

3

∑

28

"WHY DON'T YOU FELL THE MOIST WARMTH ENVELOP YOUR FINGERS?"

b b ‚‚‚ æ ‚ .. # œ #}œœ }œœ b b ‚‚ RÔ ® ‚‚‚ ...... ‚ π S VI

∑

sul pont.

Œ

Œ

≥ b · }·· ≤· # · · · · · · b · # }· n ·œ # œ ·œ œ ·œ œ # ·œ œ n n ·œ œ # ·œ œ · }· Œ #· 6:4 6:4 col legno

vertical bow trem.

j ˜ ˜ b˜ ˜ ˜ ˜

Ÿ~~~~~~~~~~~~~~~~~ · ≥ · ≤ b · }· · · # # ·œ · n · . .. b · # }· n œ œ · }· Œ œ #· > 3 Sf π col legno

flaut.

Vla.

b b ··· > Z

¿ · RÔ æ

Ó

∑

Vln.

Glass slide

fret guiro

damp

Light

˜˜ ˜˜ ¿ ˜ # ˜˜ ˜˜ ® ˜˜ ˜ S S Glass slide

Ó.

∑

? # ww

192

Pno.

∑

col legno

III

ord.

sul pont.

molto

∑

198 Perc.

ã

∑

?

198

Pno.

?

Vln.

?

≥ ·

·

Sf

#·

#·

U ˙

˙˙

˙˙˙

www

˙˙˙

˙˙˙

43

}· ·

≤ p

ª

6

ã

? ?

Vln.

Vc.

≥ ·

·

Sf

#·

#·

Œ

∑

˙˙ ˙

ww

˙˙

˙˙

∑

∑

www

˙˙

˙˙˙

www

˙˙˙

˙˙˙

U

Ó

7

}··

≤ 6

3

œ

˙

"WHEN THE DANCE MADE YOU LOSE CONTROL"

n œ œ .. œ

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

∑

∑

Œ

∑

3:2

∑ U

˙

˙˙ ˙

ww

˙˙

˙˙

∑

∏

Sf

π

∑

∑

∑

∑

ww ∑

13

≤ .· ≥· . ·· . · · · · – – – – – – · . ·· œ œ œ – – – – – –‰ I-II

ƒ p

˙

˙˙

w #w

˙ ˙

˙ ˙

√ ≥ b · }·· ≤· · # · · · · · · .. b · # }· œ # œ œ œ œ œ · }· œ Œ #· 6:4 > π Sf

∑

III

ord.

∑ U

III

‰

Ó

U ˙

∑

∑

w

col legno tratto

££

˙

sul pont.

∑ &

U

∑

molto

Ó

˙˙

œ

ww

col legno

– – ·· œ –- –- œ p f

U ˙

≥ }·· # · œ . ≤ 3 · # }· # · ·· ·· # # ·· ·· ·· n ·· }·

"I WANT TO KEEP THE LIGHTS ON"

Ÿ~~~~~~ · œ · ..

"YOU ARE COLD"

ord.

˙

28

"I AM GOING TO FORGET THAT SENSATION"

damp

34

sul pont.

££££

flaut.

ww w

c.l.

Ó

∑

48

Ó.

∑

b œœ b ˙˙ .. œ ˙.

col legno tratto

π

Sf

∑

b œœ b ˙˙ .. œ ˙.

££

ord.

∑

b œœ b ˙˙ .. œ ˙.

∑

≥ }·· # · œ . ≤ 3 · # }· # · }· ‰ ·· ·· # # ·· ·· ·· n ··

∑ U ˙

p

˙˙

sul pont.

£££

3

∑

"I HATE YOU BECAUSE YOU LOOK AT ME THAT WAY"

c.l.

n œ œ .. œ

Ó

U ˙

Ó

"WHEN WERE YOU HAPPY?"

Ó.

208

?

˙

∑

208

Pno.

œ

U

˙

ww w

∏

208 Perc.

∑

www

Ó.

198

Vc.

∑

U

23

damp

6

∑

˙

˙

˙˙

˙˙

U

˙

?

˙

Ó

"I HATE YOU BECAUSE OF WHOU YOU ARE"

U ˙

˙˙

˙˙ ˙

ww

˙˙

˙˙

∑

≥ }·· # · œ . ≤ 3 · #} #· · ·· ·· # # ·· ·· ·· n ·· }· c.l.

ord.

sul pont.

∑

U

ww w

Ó

"INSTEAD I LEFT THE ROOM WITHOUT A WORD

38

ª

∏

Sf

π

∑

£££

‰

∑

216 Perc.

ã

∑

?

216

Pno.

?

?

≥ ·

·

Sf

#·

226 Perc.

ã

U ˙

˙˙

˙˙˙

www

˙˙˙

˙˙˙

U

Ó

p

œ

22

}··

≤ #·

ª

6

˙

n œ œ .. œ

3

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

∑

∑

Ó

∑ 3:2

∑

˙

25

"I WANT TO FORGET YOU"

Ÿ~~~~~~ · œ · ..

· –– –– · œœ - - p f

∑

∑ &

20

œ

U

˙

Ó

"I AM GOING TO FLEE FROM HER DRESS AND HER SOFT SKIN

? w #w 226

∑

Vln.

U ˙

˙

˙˙

˙ ˙

˙ ˙

change direction

∑

∑

√ ≥ · b · }· ≤· · # # ·œ · ·œ · ·œ · .. · œ œ œ ? b ·· # } }· œ Œ #· 6:4 > π Sf sul pont.

molto

∑

≥

˙˙

˙˙˙

www

˙˙˙

˙˙˙

·

·

Sf

#·

}··

p

6

3

˙

˙

˙˙

˙˙

?

ƒ p

U

˙

&

≥

∑

·

U

˙

www

U ˙

˙˙

˙˙˙

www

˙˙˙

˙˙˙

U

Ó

w w

Ó

∑

≤ . · · . · · · · ·

#·

p

˙

˙ ˙

˙ ˙

}·· 6

n œ œ .. œ

Œ

∑

≥. ·. ·

?

··

ƒ p

œ œ œ 6

––––––––––––‰ I-II

damp

∑

≥ ·

·

Sf

n œ œ .. œ

Œ

∑ ª

#·

∑

www

U ˙

˙˙

˙˙˙

www

˙˙˙

˙˙˙

U

Ó

46

Ó.

∑

III

"WHEN I FELT THE WARM SMELL OF YOUR BREATH ON MY FACE"

3

col legno tratto

£££

˙

∑

"INSTEAD I TURNED AROUND AND LEFT SILENTLY"

˙

œ

32

≤ #·

Ó

U

w

·

Sf

damp

6

13

∑

Ó.

∑

I-II

∑

U ˙

≤ #·

ww

III

"WHEN DID YOU FEEL LOVED?"

III

ord.

U

≤ .· · ≥· . · . · · · · ––––––––––––‰ · . ·· œ œ œ

∑

www

œ

∑

"I WOULD HAVE WATCHED HER EYES TURN DARK"

w

∑

37

Ó

col legno tratto

∑

Ó.

˙

∑

damp

? ww

Vc.

∑

b œœ b ˙˙ .. œ ˙.

flaut.

Œ

∑

b œœ b ˙˙ .. œ ˙.

col legno tratto

Ó.

col legno

∑

b œœ b ˙˙ .. œ ˙.

"WHEN WAS I WHO YOU WANTED ME TO BE?"

226

Pno.

∑

www

Ó.

216 Vln.

Vc.

∑

U

13

}··

≤ #· p

6

3

œ

˙

"WHEN YOU MOVED YOUR LEGS AS IF WE WERE YOUNG"

n œ œ .. œ £££

Œ

∑

234 Perc.

ã

21

Ó.

U œ 42 ˙

22

44 Ó

? #˙

˙

Pno.

? ˙˙ #˙

˙˙ ˙

Gtr.

Light

Vc.

42 ˙˙˙

Ó.

44 ˙˙ 44 # ˙˙

U œ 42 ˙

44

25

Ó.

∑

"LET'S THROW OURSELVES IN EACH OTHER'S NAKED ARMS"

˙˙

#˙

˙

˙˙

˙ # ˙˙

˙˙ ˙

˙ 42 42 ˙˙˙

U œ 42 ˙

44

∑

"LET'S FORGET EVERYTHING"

44 ˙˙ 44 # ˙˙

˙˙

#˙

˙

˙˙

˙ # ˙˙

˙˙ ˙

˙ 42

44

42 ˙˙˙

44

˙˙

˙˙

# ˙˙

˙˙

234

∑

42 ∑

44

∑

∑

42 ∑

44

∑

∑

42 ∑

44

∑

234

ã

∑

42 ∑

44

∑

∑

42 ∑

44

∑

∑

42 ∑

44

∑

234

∑

42 ∑

44

∑

∑

42 ∑

44 Ó

∑

42 ∑

44

∑

∑

42 ∑

44

&

Vln.

Vla.

˙ 42

˙

23

"WE CAN ONLY STAY OUT HERE IN THE SNOW"

"LET'S GO INSIDE"

234

U

B

?

≤

·

col legno

·

π

b· 6

·

vertical bow trem.

b· · · · · · ····· · 2 bÓ· }· @ æ Œ 4 ∑ ·

Sf

col legno vertical bow trem.

b· · · · ·. . 4 · · · · æ· Ó 4

≤

·

col legno

·

π

b· 6

·

vertical bow trem.

b· · · · · · ····· · 2 bÓ· }· @ æ Œ 4 ∑ ·

Sf

24

U

˙

"WE CAN ONLY STAY FULLY DRESSED"

∑

col legno vertical bow trem.

b· · · · ·. . 4 · · · · æ· Ó 4

≤

·

∑

42 ∑

44

∑

42 ∑

44

·

π

b· 6

Ó

Sf

˙

"WE CAN ONLY DREAM OF BEING CLOSER"

∑

vertical bow trem.

b· · · · · · ····· · 2 bÓ· }· @ æ Œ 4 ∑ ·

U

col legno

col legno

·

26

4 4

·

·

b·

·

vertical bow trem.

b· · · · ·. · · · · ·. æ Ó

243 Perc.

ã

27

Ó.

œ

U 42 ˙

44

∑

∑

∑

∑

"LET'S ENJOY THE SWEET TASTE OF SKIN AND BREATH"

? #˙

˙

? ˙˙ #˙

˙˙ ˙

243

Pno.

˙ 42 42 ˙˙˙

44 44

˙˙

˙˙

ww

ww

# # ww

# ˙˙

˙˙

ww

#w

# ww

&

243 Light

ã

243 Vln.

Vla.

Vc.

B

?

42 ∑

44

∑

42 ∑

44

∑

42 ∑

44

∑

243 Gtr.

∑ ≤

·

42 ∑

·

π

b· 6

Sf

44

f

·· ··

3

III

II

Ó

(glass slide gliss)

28

Ó

U

˙

≤· ·

∑

·

·

b·

vertical bow trem.

b· · · · ·. · · · · ·. æ Ó

b b ‚‚‚ æ 3 n · ®≈ ‰ # œ œ œ b ‚ ÔR ® ‚‚‚‚ ........ RÔ #}œ }œ b ‚‚ π S VI

V

damp

∑

≥ ·

·

Sf

#·

#·

}··

≤ p

6

œ .. œ

£££

6

6

3

Œ

∑ ·

F

fret guiro

IV

∑

"WE CAN ONLY STAY OUT HERE IN THE DARK NIGHT"

·

I

Circle lights OUT

col legno

42 ∑

¿ ¿ ·

œ ‰ Œ J

∑

vertical bow trem.

b· · · · · · Ób · }·· · · · @· æ· Œ ·

˜ b ˜˜ ˜ ˜ ˜

∑

44

col legno

·

¿ j

˜˜ ˜˜ ¿ ˜ # ˜˜ ˜˜ ® ˜˜ ˜ S S Glass slide

Glass slide

n œ œ .. œ

Œ

££££

Œ

≤ · ·

flaut.

≤

·

·. ·.

·

π

b· 6

·

ß

.. # ·· Œ

vertical bow trem.

b· · · · · · Ób · }·· · · · @· æ· ·

Sf

Œ

∑ ∑

col legno

col legno

b b ··· > Z

¿ · RÔ æ

Ÿ~~~~~~~~~~~~~~~~~~ · ≥ · ≤ b · }· · · # # ·œ · n · . .. b · # }· n œ œ · }· Œ œ #· > 3 Sf π ≥ b · }·· ≤· · # # ·œ · ·œ · ·œ # · ·œ n · ·œ · ·œ b · # }· n œ œ œ œ n œ #œ · }· Œ #· 6:4 6:4 col legno

ord.

col legno

ord.

III

ord.

sul pont.

Œ

Sf

π

sul pont.

SCENE 5 249 Perc.

ã

∑

?

249

Pno.

?

∑

∑

∑

ww

www

U ˙

˙˙

˙˙˙

ww

www

˙˙˙

˙˙˙

4

U

˙

Ó

∑

"I HATE YOU BECAUSE YOU ARE AN ANIMAL"

ww w

U ˙

˙˙

˙˙ ˙

ww

˙˙

˙˙

∑

w

˙

U ˙

ww

˙˙

˙˙

Glass slide

¿

fret guiro

j ˜ b ˜˜ ˜ ˜ ˜ >

249 Gtr.

&

¿

f

¿ ·

··

3

III

II

(glass slide gliss)

249 Light

ã

Vc.

?

Circle lights ON

œ ‰ Œ J

≥ ·

·

Sf

·

≤ · p ≤· ·

6

F6

3

33

·

œ .. œ

£££

Œ

œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

U

˙

Ó

∑

walk counterclockwise towards no. 11

∑

Ó

Œ

Œ

without being touched on the shoulder, without reading

∑

≥ ·

·

Sf

#·

#·

}··

≤ p

6

3

∑

∑

∑

. ≥ }·· # · œ ≤ 3 · # }· #· ·· ·· # # ·· ·· ·· n ·· }· c.l.

n œ œ .. œ

ord.

sul pont.

£££

Œ

Ó

U 1

˙

"WE DANCE, WE KISS, WE MAKE LOVE"

"WHEN WE DANCED"

}·· £££££ œ œ .. # œ Œ

6

Ó

Ó.

∑

Vln.

B

∑

∑

249

Vla.

I

·· n · ®≈ ‰ RÔ

∑

∏

Sf

π

££

∑

∑

} b}·· · · · · ·· · ·· · · · }· · b · · · · · · · · ·· · ·· · · · · Œ ··· ··· col legno gliss. loudly on all 4 strings

‰

∑

f

p

∑

Ó.

256 Perc.

ã

49

œ

˙

Ó

U ˙

˙

˙˙

w

˙ ˙

˙ ˙

ww

"WHY DON'T YOU DO IT NOW?"

? ww

256

Pno.

U

? w #w

43

∑

∑

Vln.

√ ≥ b · }·· ≤· · # # ·œ · ·œ · ·œ · .. œ œ œ ? b ·· # } }·· Œ œ #· 6:4 > π Sf col legno

∑

Ó.

∑

}· b}· }· · b · · · · · · · ··· ··· col legno gliss. loudly on all 4 strings

sul pont.

Vc.

ª

Perc.

ã 44

43

∑

Pno.

? 44 w w 262

Vln.

44 Ó .

43 ˙˙ 11

U œ 43 ˙ Œ 44

"WE HOLD EACH OTHER'S HANDS"

} b}·· · · · · · · · · ·· ·· ·· ·· · · ? 44 }· · b · · · · · · · · · · · Œ 43 · ·· ··· f

p

∑

· ·

· · · · · · · · · · ·· · ·· · ·· Œ p

U œ 43 ˙ Œ 44

"WE SCREAM, WE CRY, WE SMILE"

43 ˙˙ ∑

3 U˙

Œ

4

w

43

44 w w simile

44 Ó .

œ 1

3 4

∑

43

}· b}· 4 }· · b · · · · · · · 4 ··· ··· f

∑

∑

∑

44 Ó .

˜. ˜˜ . 3 . ˜. Œ 4

∑

} b}·· · · · · · · · · ·· ·· ·· ·· · · 44 }· · b · · · · · · · · · · · Œ · ·· ···

shake bow in the air back and forth (32nds) making a sound

1

œ

· ·

· ·

· · · · · · · · · · ·· · ·· · ·· Œ

∑

∑

stand still

44

Œ

43 ˙˙

Œ

44

U 43 ˙

Œ

44

∑

Ó.

w

w

w

w

ww

ww

ww

ww

ww

w

∑

stand still

∑

∑

∑

4 4

∑

ª

w

"WE GAZE INTO EACH OTHERS EYES FOR WHAT SEEMS LIKE AN ETERNITY"

p

U˙

3 4

p

∑

U œ 42 ˙

44

U 24 ˙

44

42 ∑

44

˜. ˜˜ . 2 . ˜. Œ 4 ∑

44

17

"WE DANCE, WE CHEAT, WE SMILE"

42 ˙˙ ∑

44

gliss. loudly on all 4 strings

col legno gliss. loudly on all 4 strings

f

44

∑

"WE FIGHT, WE PROMISE WE LIE"

col legno gliss. loudly on all 4 strings

Π44 ww

gliss. loudly on all 4 strings

b ˜˜ .. 44 ˜ . ˜. ¿. æ

Œ

44

43

∑

U 34 ˙ Œ 44 w

Π44 ww

col legno gliss. loudly on all 4 strings

Vc.

44 Ó .

∑

31

U 34 ˙ Œ 44 w

? 44 w

262

· ·

f

molto

262

œ 1

"WE ABORT, WE CHEAT, WE LAUGH"

III

ord.

Œ

43 ˙˙ simile

256

˙U

43

44

∑

∑

∑

b ˜˜ .. ˜. ˜. ¿. æ

shake bow in the air back and forth (32nds) making a sound

4 ã 4

273 Perc.

∑

? 44 w

273

Pno.

?4 w 4 w 273

Vln.

44 Ó .

2 4 ∑

4 Ó. 4

U 24 ˙

44 w

2 4 ˙˙ 3

U œ 42 ˙

9

"WE LEAVE, WE FUCK, WE LOOK AWAY"

44

U 24 ˙

2 4 ˙˙

42 ∑

∑

Vc.

ª

Perc.

shake bow in the air back and forth (32nds) making a sound

44 ¿æ.

∑

44

42 ˙

˙˙

44

42

42 ∑

∑

≥ ≤ 3 · ? 44 · · # · · · n# ·· · ·# ··· · c.l.

∏

2 4 ˙˙

44 Ó .

47

4 4

44 www

U 24 ˙˙˙

44 w

ww

˙˙

Sf

∑

4 4

U œ 42 ˙

44

√ ≥ · b · }· ≤· · # # ·œ · ·œ · ·œ · .. · œ œ œ 44 b ·· # } 2 }· œ Œ 4 ∑ #· 6:4 > π Sf

2

2 4

42 ∑

∑

44

opposite direction

∏

. · # · œ~~~~~~ }· # }·· } ‰ 42 ∑ ord.

π

m.v.

42 ∑

∑

44 w

42

44 w w 44 Ó .

U ˙

42 ˙˙ 29

U œ 42 ˙

"WE DANCE, WE LEAVE, WE HURT"

} b}·· · · · · · · · · ·· ·· ·· ·· · · 44 }· · b · · · · · · · · · · · Œ · ·· ··· p

π

Sf

44 Ó .

50

œ 42 U˙ U

44 w

37

44 w w 44

42 ∑

44 Ó .

42 ˙˙ ∑

opposite direction

42 ∑

b ˜˜ .. 44 ˜ . ˜. ¿. æ

˜. ˜˜ . 2 . ˜. Œ 4 ∑

shake bow in the air back and forth (32nds) making a sound

≥ b · }·· 44 b ·· # } }·· #· Sf

U œ 42 ˙

44

} b}·· · · · · · · · · ·· ·· ·· ·· · · } 44 · · b · · · · · · · · · · · Œ · ·· ···

4 4

col legno gliss. loudly on all 4 strings

p

f

∑

44 w #w

col legno

44

"WE PROMISE, WE MAKE LOVE, WE LIE"

∑

44 ww

U 24 ˙

2 4 ˙˙

44 Ó .

44

˙ 42

4 4

4 w 4 w

"WE LAUGH, WE STAY

gliss. loudly on all 4 strings

col legno gliss. loudly on all 4 strings

f

ord.

c.l.

sul pont.

2 4 ∑

∑

"YOU DON'T KISS ME THE WAY I TELL YOU TO"

££ · #· œ. ≥ }· ≤ 3 · #} # · 44 · · # · · · n · }·· ‰ 42 ∑ · ·# ··· ·

III

ord.

"I HATE YOU BECAUSE YOU MAKE ME LONELY"

ww

sul pont.

Vc.

U

U ˙˙ 42 ˙

283 Vln.

Œ 42 ∑

? 44 www ? 44

U 24 ˙˙

U

2 4 ˙

molto

283

Pno.

4 4

sul pont.

shake bow in the air back and forth (32nds) making a sound

ã 44

4 w 4 #w

col legno

˜. ˜˜ . 2 . ˜. Œ 4 ∑

283

44 ww

2 4 ∑

"I AM GOING TO RUN"

gliss. loudly on all 4 strings

b ˜˜ .. ? 44 ˜ . ˜. ¿. æ

∑

"WE COME BACK, WE FIGHT"

4 w 4 w

U œ 42 ˙

4 4

38

œ

ww

w

w w

ww

U

w

√ ≤· # · · · · .. ·œ # œ ·œ œ ·œ œ œ Œ 6:4 > π sul pont.

molto

œ 42 U˙

44

U 24 ˙

44

42 ∑

44

˜. ˜˜ . 2 . ˜. Œ 4 ∑

44

1

"WE HOLD EACH OTHER'S HANDS

42 ˙˙

44

gliss. loudly on all 4 strings

III

ord.

ª

∑

"I AM GOING TO RUN INTO THE DEEP FOREST LIKE A MOUSE BEING CHASED BY AN OWL"

44

without being touched on the shoulder, without reading

Ó.

U

42 ∑

∑

b ˜˜ .. ˜. ˜. ¿. æ

shake bow in the air back and forth (32nds) making a sound

4 ã 4

293 Perc.

2 4

∑

? 44 w

˙ 42

293

Pno.

∑

?4 w 4 w

4 4

2 4

∑

44 w

2 4 ˙˙

∑

˙ 42

4 w 4 w

4 4

∑

44 w

2 4 ˙˙

www

4 w 4 w

The four actors/extras take the hands of their neighbours, maybe it will spread to the entire circle, maybe not. When darkness comes, they let go of the hands

& 44

∑

42

ã 44 44

293 Gtr.

293 Light

293 Vln.

Vla.

B 44

∑

42

∑

42

∑

44

∑

42

∑

44

∑

¿ ..

44

∑

44

∑

42

∑

44

∑

∑

42

∑

44

∑

42

∑

∑

44

∑

Vc.

? 44

¿æ.

Œ

42

∑

∑

b www

b˜ b b b ˜˜˜ ˜˜ ‰ .

¿ ˜˜ b bb ˜˜˜ ˜

S Circle lights OUT

œ J

‰

44 ¿æ.

Œ

42

∑

44 ¿æ.

Œ

Right hand palm beat on strings

Œ

÷

Ó

∑

∑ ≥· .. · ..

∑

f

≥

· ≤ b· · · · ≤ ··

col legno tratto

shake bow in the air back and forth (32nds) making a sound

∑

Glass slide

44

42

∑

fret guiro

∑

∑

∑

Œ

·· . · . · p ƒ

S ..

·

∑

IV

b· b·

·

p

6

··

œ

· · ·

·

· · œ œ œ

·

III

œ

·

œ

·

®‰

I-II

damp

6

π

pont.

– – – – – – œ œ œ – – – – – –‰ III

b· ····· ··· ··· · · IV

b œœ ... ... œ ... F

6

b· œ œ

£££££

6

≤·

tasto (ord.)

bœ RÔ

p

· 3

·

œ

‰

Ÿ~~~~~~~ —

‰

SCENE 6 300 Perc.

ã

?

300

Pno.

∑

∑

Glass slide

¿ ..

b˜ b b b ˜˜˜ ˜‰ . ˜

fret guiro

Gtr.

&

S

¿ ˜˜ b bb ˜˜˜ ˜

Spoken: "I DON'T

NEED YOU"

U

˙

Ó ww

U

˙

Ó

"I DON'T NEED ANYONE"

∑

"I DON'T CARE ABOUT YOU"

ww

b ww

·· ·‰ J p

‚‚ A b ‚‚ ÷ f

∑ Circle lights ON

∑

46

∑

∑

∑

∑

∑

46

∑

46

∑

∑

46

∑

∑

46

∑

∑

∑

∑

∑

≥ ≤ · ? ·. · · . ·· ƒ p

col legno tratto

..

··

p

III

· · ·

··· ···· ·· ·· · · IV

π

6

pont.

– – – – – – – – – – – – ‰ b œœ ... ... œ œ œ œ ... 6 F III

££££

I-II

damp

b·

b· œ œ œ

6

≤·

·

tasto (ord.)

œ RÔ

p

3

·

‰

Ÿ~~~~ —

Ó

∑

∑

6

6 4

∑

∑

S

ww

∑

∑

b· b·

ww

46

∑

∑

· · · · · · · œ œ œ œ œ œ ®‰

ww

6 4

Glass slide

∑ IV

ww

££

audible gliss./rub left hand

300

·

∑

U

œ ‰ Œ J

≥· .. · ≤ · b· B · .. · ·

∑

ww

∑

f

Vc.

˙

∑

∑

Vln.

Vla.

U

b ww

V VI

∑

ã

300 Light

Ó

ww b ww w

ww

? ww

300

∑

}· }· }· }· b}· · }· b · b }· · U ‰ }· ≈ Ó }· p sul tasto flaut.

}· }· b}· · b · b }· U }· Œ Ó }· flaut. estremo

π

˜ ˜ b˜ ˜ b˜ b˜ U ˜Œ Ó ˜ bow off the strings

U

Spoken: "I AM PREGNANT"

— —Ÿ~~ ≤· · · · · · · ≥ J b œœ .. œ ‰ 6 œ. col legno

Ó

˙

(ord.)

II

f p3

6 ã 4

308 Perc.

∑

? 46 Ó

}· }· b}· · · ? 46 b · b } }· }· p

ª 318 Perc.

Ó

? 46 b ww ..

ã

}· }· }· · U ≈∑

}· }· b}· · b · b }· U }· Œ ∑ }· flaut. estremo

˙˙

? w w

˙˙

˙˙

∑

Vln.

(ord.)

II

f p3

Spoken:

— —Ÿ~~~~

≤· · · ≥ · · · · ? b œœ .. œ J 6 œ. col legno

Vc.

U

‰

Ó

˙

"I AM NOT GOING TO KEEP IT"

∑

Ó

Ó.

10

œ

œ #˙.

œ #˙.

œ #˙.

3 bÓ· b ˜˜ 44 œ ˜ · ˜ Sf

arco sul pont.

no bow!

∑

U

w

46 Ó

}· }· b}· · · 64 b · b } }· }· p

sul tasto flaut.

π

44

Œ Ó

}· }· }· · U ≈∑

}· }· b}· · b · b }· }· }·

∑

Ó

∑

p

˙

6

œ #˙.

œ #˙.

œ #˙.

3 bÓ· b ˜˜ 44 œ ˜ · ˜

col legno

Sf

no bow!

44 # # œœ N # ˙˙ ..

# # œœ N # ˙˙ ..

# # œœ N # ˙˙ ..

œ #˙.

œ #˙.

œ #˙.

}· }· }· · U ≈Ó

#}˜˜ } }˜ £ £ £ £ #œ œ œ arco sul pont.

π

∑ Œ Ó

∑ ∑

44

Ó

∑

42 ∑

#}˜˜ } }˜ £££££ #œ œ œ

3 b ·Ó b ˜˜ 44 œ ˜ · ˜ Sf

arco sul pont.

π

no bow!

50

œ 42 U˙

"BUT YOU SAID YOU NEEDED ME"

42 ∑

∑

U 42 ˙˙

N b ww

}· }· b}· · b · b }· }· }· p

∑

sul tasto flaut.

}· }· }· · U ≈Ó

42 ∑

˙

˙

Ó

Œ Ó

∑ ª

44

∑

∑

w 44 b w

˙˙

˙˙

ww

˙˙

˙˙

44 44

∑

U Spoken:

— —Ÿ~~~~ ≤· · · · · · · ≥ 44 b œœ .. œ J ‰ 6 œ. col legno

42 ∑

15

"IT IS AS IF I HAVE NO FACE"

col legno

"IT IS AS IF YOU STAND RIGHT IN FRONT OF ME IN THE DARK"

#œ # œ N # ˙˙ ..

∑

42 ∑

Ó.

w

#œ # œ N # ˙˙ ..

44

4 4

U 42 ˙˙

N b ww

#œ 44 # œ N # ˙˙ .. 44

∑

∑

sul tasto flaut.

"I DON'T THINK YOU UNDERSTAND"

46 b ww .. 46

#}˜˜ } }˜ £££££ #œ œ œ

2U 4 ˙

"BUT YOU SAID YOU LOVED ME"

# # œœ N # ˙˙ ..

46

˙˙

˙

# # œœ N # ˙˙ ..

col legno

π

w ? bw

˙

5

44 # # œœ N # ˙˙ .. 44

∑

Ó

∑

"IT IS AS IF YOU HAVE DISAPPEARED"

"I DON'T NEED ANYONE BUT ME"

∑

318

U

ww ..

318

Pno.

4 4

w

"I DON'T MISS YOU WHEN YOU ARE NOT HERE"

sul tasto flaut.

Vc.

U

w

308

Pno.

∑

Ó

˙

"IT WOULD CHANGE EVERYTHING, JUST LIKE YOU SAID"

(ord.)

II

f p3

∑

328 Perc.

ã

Ó

∑

#œ ? # œ N # ˙˙ .. ?

œ #˙.

328

b Ó· ˜ ? œ b ˜˜ · ˜ Sf

col legno

3

Vc.

no bow!

ª 338 Perc.

ã

#œ # œ N # ˙˙ ..

œ #˙.

œ #˙.

∑ #}˜˜ } }˜ £££££ #œ œ œ arco sul pont.

π ∑

w ? bw

338

Pno.

? w w ∑

Vln.

(ord.)

II

Vc.

Œ Ó

4 4

U ˙ 24 ˙

44 Ó

f p3

2 4 ˙

}· }· b}· · b · b }· }· }· p

‰ 42 ∑

U

˙

}· }· }· · U ≈Ó

}· }· b}· · · 44 b · b } }· }· p

w 44 b w

U ˙

˙

˙˙

#œ # œ N # ˙˙ ..

#œ # œ N # ˙˙ ..

#œ # œ N # ˙˙ ..

w w

˙ ˙

˙ ˙

œ #˙.

œ #˙.

œ #˙.

˙

Ó

∑

∑

Œ Ó

∑

}· }· }· · U ≈Ó

4 4

42 ∑

∑

U

∑

Spoken:

— —Ÿ~~~~~ ≤· · · · · · · ≥ 44 b œœ .. œ J ‰ 6 œ. col legno

Ó

∑

II

19

˙

˙

Ó

# # œœ N # ˙˙ ..

# # œœ N # ˙˙ ..

b ww

œ #˙.

œ #˙.

œ #˙.

ww

∑

∑

bÓ· b ˜˜ œ ˜ · ˜

col legno

3

Sf

∑

no bow!

#}˜˜ } }˜ £££££ #œ œ œ arco sul pont.

π

∑

∑

#}˜˜ } £££££ }˜ #œ œ œ

b Ó· b ˜˜ œ ˜ · ˜ 3

arco sul pont.

π

no bow!

4 4

U ˙ 24 ˙

44 # # œœ N # ˙˙ ..

# # œœ N # ˙˙ ..

œ #˙.

œ #˙.

∑

∑

U

2 4 ˙

44 4 4

IT REMOVED"

bÓ· b ˜˜ œ ˜ · ˜

col legno

44

Ó

∑

Spoken: "I ALREADY HAD

— —Ÿ~~~~ ≤· · · · · · · ≥ J b œœ .. œ ‰ 42 ∑ 6 œ. f p3

Ó

ª

(ord.)

II

˙

2 4 ∑

42 ˙˙ ∑

col legno

Œ Ó

∑

Sf

˙

29

"IT IS AS IF I HAVE NO HEART"

col legno

∑

# # œœ N # ˙˙ ..

Ó

∑

"I THOUGHT YOU WOULD AGREE"

(ord.)

"IT IS AS IF THE ONE I LOVED HAS GONE"

"I DON'T THINK YOU LISTEN"

sul tasto flaut.

44

∑

f p3

∑

NOW ANYWAY"

42 ∑

2 4 ∑

∑

44 b ww 4 4

4 4

U 42 ˙˙

N b ww

∑

Spoken: "IT IS TOO LATE

— —Ÿ~~~~

∑

∑

2 4 ∑

2U 4 ˙

"BUT YOU SAID YOU COULDN'T MAKE IT WITHOUT ME"

sul tasto flaut.

U

≤· · · ≥ · · · · ? b œœ .. œ J 6 œ. col legno

˙

35

∑

42 ˙˙

338

Ó

#œ # œ N # ˙˙ ..

∑

Vln.

w

"IT IS AS IF YOU ARE RIGHT NEXT TO ME, AND I STILL CAN'T SEE YOU"

328

Pno.

˙

40

3

Sf

no bow!

12

˙ "IT IS AS IF THE PAST NEVER HAPPENED"

#}˜˜ } }˜ £££££ #œ œ œ arco sul pont.

π

Œ Ó

˙

348 Perc.

ã

Ó

Ó

13

? # # œœ N # ˙˙ .. ?

œ #˙.

348

∑

Vln.

Vc.

?

∑

ª 359 Perc.

ã

∑

42 ∑

44 # # œœ N # ˙˙ ..

# # œœ N # ˙˙ ..

œ #˙.

œ #˙.

∑

}· }· b}· · b · b }· }· }· p

sul tasto flaut.

}· }· }· · U ≈Ó

44

∑

3 bÓ· b ˜˜ 44 œ ˜ · ˜

col legno

42 ∑

Ó

∑

44

42 ∑

Sf

˙

15

˙

Ó

∑

"IT IS AS IF MY HANDS BELONG TO SOMEONE ELSE"

# # œœ N # ˙˙ ..

b ww

œ #˙.

ww

∑

∑

#}˜ }˜ }˜ £££££ #œ œ œ Œ Ó

∑

π

2 4 ∑

4 4

U ˙ 24 ˙

44 Ó

42 ˙˙

U

44

— —Ÿ~~~ ≤· · · · · · · ≥ J b œœ .. œ ‰ 42 ∑ 6 œ.

Spoken: "I HAD EVERY

}· }· b}· · · 44 b · b } }· }· p

RIGHT TO DO IT

(ord.)

II

f p3

˙

Ó

Ó

45

"I FEEL ALL NUMB"

˙

˙

Ó

Ó

∑

"I FEEL LAIKE A SHADOW STRUCK BY THE LIGHT"

48

# # œœ N # ˙˙ ..

# # œœ N # ˙˙ ..

# # œœ N # ˙˙ ..

# # œœ N # ˙˙ ..

# # œœ N # ˙˙ ..

b ˙˙

˙˙

# # œœ N # ˙˙ ..

? ˙ ˙

˙˙

œ #˙.

œ #˙.

œ #˙.

œ #˙.

œ #˙.

˙˙

˙˙

œ #˙.

Vln.

˙

Spoken:"IT WASN'T

Ó

∑

YOURS ANYWAY"

b ·Ó b ˜˜ œ ˜ · ˜

col legno

?

∑

3

Sf

no bow!

#}˜˜ } }˜ £££££ #œ œ œ arco sul pont.

π

∑

∑

∑ b Ó· . b · œ. œ Œ Ó ·. ·

∑

col legno

Œ

Ó

∑

Sf

∑

Ó

U

Ÿ~~~~ —.

˙

˙

˙

"IT WAS SOMEONE ELSE'S"

‰Ó

bÓ· .

col legno

∑

œ . b ·œ Œ Ó ·. ·

Sf

∑ b ww

Ó

Spoken: "I DON'T LIKE IT WHEN I LOVE SOMEBODY"

ww ∑

sul tasto flaut.

˙

∑

U

ww ∑

}· }· }· · U ≈Ó

∑

— —Ÿ~~~ ≤· · · · · · · ≥ J b œœ .. œ ‰ 6 œ. col legno

∑

(ord.)

II

f p3

2 U 4 ˙

4 4

U ˙ 42 N ˙

44 Ó

2 4

4 4

"IT IS AS IF YOUR EYES ARE DEAD"

˙˙

U

∑

44 b ww

42 ˙

∑

col legno

arco sul pont.

no bow!

˙

42

Ó

∑

˙ ? ˙

359

Vc.

4 4

U 42 ˙˙

N b ww

∑

359

Pno.

2U 4 ˙

"BUT YOU SAID NO-ONE UNDERSTOOD BETTER THAN ME"

348

Pno.

˙

42 ˙

∑

U 42 ∑

∑ Spoken:

ª

U

˙

∑

"I DON'T CARE ABOUT YOU"

44 b ww

ww ∑

}· }· }· }· b}· · }· · · ≈ UÓ 44 b · b } }· }· p sul tasto flaut.

∑

∑ ∑

SCENE 7 370 Perc.

ã

∑

∑

∑

∑

? ww

b ww

b ww

ww

b www

? ww

ww

b ww

b ww

b www

370

Pno.

∑

∑ ww w ww

Glass slide

S

fret guiro

¿ .. & ≠.

370 Gtr.

Glass slide

¿

>˜ ˜ ˜˜ b bb ˜˜˜ b ˜ b b ˜˜ ˜ >f˜

Œ

≠.

Ó

Right hand palm beat on strings

Œ

3

Œ

÷

no stroke!

370 Light

ã

Circle lights OUT

œ ‰ J

Œ

370

Ó

∑

∑

Vln.

∑

}· }· }· · } b}· b }· b}·· U B b · }· b · ≈ Ó }·

£££££

sul tasto flaut.

Vla.

p

}· }· b}· · · ? b · b} }· }·

sul tasto flaut.

Vc.

p

>˜ ˜˜ ˜˜ ˜

Glass slide

}· }· }· · U ≈Ó

b· ··· ·· · ·· · ·· · · IV

π

6

pont.

b œœ ... ... œ ... F

b· œ œ œ

6

≤·

tasto (ord.)

bœ RÔ

p

· 3

·

˜˜ ˜˜ ˜ >˜

Ÿ~~~~~ —

‰

˜˜ ˜˜ ˜ >˜

fret guiro

‚‚ A b ‚‚ f

∑

∑ ··

œœ

b· ········· ·· · · IV

π

6

Ÿ~~~~~~~~ · 3:2 œ · .. b œ œ ... ... – – ·· œ –- –- œ p œ ... F f col legno tratto

damp

÷

∑

·· œ ·· œ ·· œ œ œ œ p f flaut.

·· · ‰ J p

££

audible gliss./rub left hand

∑

col legno tratto flaut.

‰

>˜ ˜˜ ˜˜ ˜

3

V VI

pont.

£££££

b· œ œ œ

6

≤·

·

tasto (ord.)

bœ RÔ

p

3

·

¿ .. ≠.

¿

Œ

≠.

Ó

∑

Œ

∑

∑

∑

∑

}· }· }· · b}· b }·· b} } U ‰ b · }· b ·· ≈ Ó }· sul tasto flaut.

Ÿ~~~~~ —

p

}· }· b}· · b · b }· ‰ }· }·

sul tasto flaut.

p

}· }· }· · U ≈Ó

∑

≥ ≤ 3 · # ·· # · · n ·· ·· # · ·· · · c.l.

sul pont.

∏

Sf

· #· œ. }· # }·· } ‰ ord.

π

£££

U

46

ã ˙

Ó

U

˙˙ ˙

376 Perc.

∑

"YOU ARE SILENT"

? ˙˙˙

376

Pno.

?

˙˙

376

U

w

&

w w

˙˙ ∑

Vln.

∑

∑

13

≤ .· ≥· . ·· . · · · · ––––––––––––‰ · . ·· œ œ œ col legno tratto

∑

˙

˙

˙ ˙

˙ ˙

˙

Ó

U

?

∑

ª 385 Perc.

ã

385

Pno.

&

? ww ∑

Vln.

III

Vc.

13

≤ .· ≥ . ·· . · · · · – – – – – – ? ·· . ·· œ œ œ – – – – – –‰ col legno tratto

ƒ p

I-II

damp

6

˙˙ ˙

ww

˙˙

˙˙

∑

∑

˙

˙

˙˙

˙˙

U

˙

?

ord.

39

∑

√ ≥ · b · }· ≤· · # # ·œ · ·œ · ·œ · .. b · # }· œ œ œ · }· œ Œ #· 6:4 > π Sf col legno

U

˙

molto

˙

˙˙

w #w

˙ ˙

˙ ˙

˙

Ó

8

√ ≥ b · }·· ≤· · # # ·œ · ·œ · ·œ · .. b · # }· œ œ œ · }· Œ œ #· 6:4 > π Sf III

ord.

U

∑

U ˙

˙

˙˙

˙ ˙

˙ ˙

∑

∑

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

∑

Ó

˙

21

∑ Ÿ~~~~~~ · œ · ..

∑

"I WANT TO FORGET YOU"

col legno tratto flaut.

∑

3:2

–– –– ·· œœ - - p f damp

∑

∑

˙

Ó

"YOU CRY WHEN YOU THINK I'M NOT LOOKING"

U

˙˙ ˙

˙˙ ˙

ww

˙˙

˙˙

∑

∑

££ · # · œ. ≥ }· ≤ 3 · # }· #· ‰ ·· ·· # # ·· ·· ·· n ·· }· c.l.

&

ord.

sul pont.

∑

∏

Sf

∑

w ww

∑

π

ª 32

∑

U

ww w

"YOU WILLL NEVER FORGET THIS SENSATION"

sul pont.

Ó

sul pont.

∑

U ˙

molto

III

ord.

∑

ww

col legno

"I AM GOING TO FORGET THAT GAZE"

w #w

∑

∑

££

π

ww

Ó

"I WAS THE ONE LEFT IN DARKNESS"

∑

. ≥ }·· # · œ ≤ 3 · # }· #· ‰ ·· ·· # # ·· ·· ·· n ·· }· Sf

∑

"I HATE YOU BECAUSE OF YOUR FAMILY"

˙˙ ˙

c.l.

30

Ó

U

∑

w

˙

ww w

∏

damp

U

385

∑

6

∑

U

sul pont.

I-II

ƒ p

?

"I LEFT THE ROOM WITHOUT A WORD"

III

Vc.

41

U

42 ˙

44

42

44

U

"I WANT TO FORGET YOU"

˙

˙ 42 ˙ ∑

42 ∑

≤ .· ≥ . ·· . · · · · ·· . · – – – – – – 2 · œ œ œ – – – – – –‰ 4 ∑

44 44

col legno tratto

III

ƒ p

I-II

damp

6

44

4 ã 4

∑

∑

∑

∑

V 44

∑

∑

∑

∑

394 Perc.

Man

? 44

394

Pno.

? 44

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

w

36

U

2 4 ˙

4 4

∑

∑

∑

∑

42 ∑

44

∑

∑

∑

∑

"I WANT TO FORGET YOU"

42

w w

U

˙

˙ 42 ˙

∑

œ J

Ó ..

I

44 b œœ b ˙˙ .. œ ˙. 44 b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

www

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

www

∑

ww w Glass slide

& 44

∑

394 Gtr.

4 ã 4

394 Light

394 Vln.

Vla.

∑

44

B 44

? 44

Ó

3:2

Ÿ~~~~~~ · œ · ..

–– –– ·· œœ - - p f damp

∑

"I WANT TO FORGET YOU"

∑

42 ∑

44

∑

2 4 ∑

4 4

∑

42 ∑

44

∑

∑ ˙

34

∑

flaut.

∑

∑

∑

col legno tratto

Vc.

∑

∑

∑

42 ∑

≤ .· ≥ . ·· . · · · · ·. · ––––––––––––‰ 2 ∑ · · 4 œ œ œ

∑ ∑

44

∑

∑

ƒ p

I-II

damp

6

Ó

flaut.

∑ Ÿ~~~~~~ · œ · ..

44 –– –– ·· œœ - - p f 3:2

damp

˙

43

∑

∑

∑

∑

∑

∑

"I WANT TO FORGET YOU"

∑ col legno tratto

∑

∑

∑

col legno tratto

III

∑

∑

∑

j ˜ b ˜˜ ˜ ˜ ˜

¿ ¿ ·

f

·· ··

3

III

II

I

(glass slide gliss)

Circle lights OUT

œ ‰ Œ J

n · ®≈ ‰ RÔ

Ó

Ó.

≤· ·

∑

∑

¿

F

≥ ·

·

Sf

#·

#·

· }·· 6

œ .. œ

£££

6

6

≤ p

œ

1

3

n œ œ .. œ

££££

Œ

Œ

404 Perc.

Man

ã

∑

V

∑

œ Œ œ œ œ œ 3 Œ œ3˙ 4

hoped

?

404

Pno.

3 4

? www

she would nev - er

∑

for - get

43

˙. 43 ˙˙ ..

∑

4 4

∑

44

∑

44

∑

I hoped

w

w

44 ww Glass slide

Gtr.

&

404 Light

ã

∑

43

∑

44

∑

3 4

∑

4 4

43 ˙ .

44

43

≥· .. 44 · ..

w

404 Vln.

"HE HOPED SHE WOULD NEVER WANT TO FORGET, BUT SHE WILL"

Vla.

B

∑

∑

b˜ b b b ˜˜˜ ˜‰ . ˜

¿ ˜˜ b bb ˜˜˜ ˜

S

f

≥

· ≤ b· · · · ≤ ··

col legno tratto

Vc.

?

∑

43

∑

she would need

44 · . · . ·· ƒ p

S ..

·

6

··

p

III

˙

w 44 b w

2 4

∑

4 4

∑

∑

42

∑

44

III

· · ·

œ œ œ

∑

–––– –– –– –– –– ‰ damp

∑

42

∑

42

∑

∑

2 4

∑

∑

42

∑

42

∑

42

£££ £

44 · · · · · · · · · · · · · b · 6 6 π 44 b œœ ... ... œ ... F

42

∑

Œ

IV

pont.

42

ww

Right hand palm beat on strings

∑

I had the

ww

44 w w

∑

2 4

œ œ ‰œœ œ 2 J J J 4

She hoped

44 ÷

I-II

SHE HOPED HE HAD THE COURAGE, BUT HE DOESN'T"

∑

∑

42

26

me

˙ 42 ˙

∑

w

∑

42

· · · · · · · œ œ œ œ œ œ ®‰

6

4 4

∑

IV

b· b·

-

42

w w w

¿ ..

∑

œ œ ‰ œ œ3 œ 2 œ œ 4 J 4 4

fret guiro

404

2 4

≤·

tasto (ord.)

bœ RÔ

p

b· œ œ œ

· 3

·

‰

Ÿ~~~~ —

‰

2 ã 4 ˙

4 4

411 Perc.

Man

w

13

∑

œ V 42 œ J ‰ 44

SHE HOPED HE WOULD STAY, BUT HE LEFT

∑

cour - age

˙ ? 42 ˙

411

Pno.

? 42 ˙ ˙

#œ 3 ˙

œ œ œ

She hoped

I would stay

44 www

ww w

ww

ww

44

Ó. œ J

œ

Gtr.

& 42

∑

44

2 ã 4

∑

4 4

42

∑

44

∑

≤ 44 · ·

411 Light

411 Vln.

rub as quickly as possible back and forth on the string with two fingers from right hand

z

Á .. Sf

ø

‰

Vc.

B 42

? 42

∑

π

∑

≥ }·· # · 3 3 3 3 · # }· 44 · # · · · · · · · · · · · n# ·· }· ·# · · · · · · · · · · · ·

·

∏

II

∑

∑

œ.

· ·

‰

∑

≥ }·· # · · · 3 # ·· # } }· #· · · · Sf c.l.

Sf

ord.

£££££££

π

ord.

p

Œ

Œ

œ

œ

I

hoped

œ ‰ œ œ œ œ ‰ œ œ3 œ œ œ ‰ J J I

would do

what she want

ww

ww

ww

w #w

w w

w w

˜˜ ˜˜ ˜˜

Glass slide

+ · # œ· J

∑

c.l.

sul pont.

Vla.

Á

w

"HE HOPED HE WOULD DO WHAT SHE WANTED HIM TO, BUT HE COULDN'T

III

411

w

38

‰ ·

J ‰

b b ··· > Z

≥ b· b· · #·

· }· ≤· # }·· }

≥ b· b· · #·

· }· ≤· # }·· }

col legno

∑

Sf

col legno

∑

# ˜˜˜ ˜˜ ˜ S

Sf

¿

fret guiro

®

¿· RÔ æ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

S

Œ

Ÿ~~~~~~~~~~~~~~~~~~~ · n · . .. # · · · n œ# œ œ Œ œ > 3 π III

ord.

ord.

ord.

n ·œ# # ·œ ·œ ·œ ·œ ·œ # ·œ ·œn n ·œ ·œ # ·œ ·œ Œ sul pont.

π

6:4

sul pont.

6:4

-

ed

417 Perc.

Man

ã

#œ J

V Ó ..

She

∑

œ ‰ œ œ œ œ œ J 3

hoped

w

w

? w w

w w

?

417

Pno.

∑

it would - n't be

2 4

∑

4 4

œ œ ‰ 4 Ó .. 42 J 4

#œ J

like this

42

U ˙

44

42 ˙˙

2 4 ˙

Œ ˙.

∑

I

#w

œ # œ œ œ ‰ ‰ œ3 œ 2 # œ œ J 4

Spoken:

"HE WANTED IT TO BE DIFFERENT"

want - ed it

diff' - rent

42

w

44 ww #w

to be

∑

44

∑

44 b œœ b ˙˙ .. œ ˙. 44

˙

42 ˙˙˙

ww w

4 4

b œœ b ˙˙ .. œ ˙.

Glass slide fret guiro

¿ .. & ≠.

417 Gtr.

Light

¿Œ

≠.

417

ã

∑

417

∑

Vln.

col legno

Vla.

Ó

B ˙

˙

f

Œ

Spoken:

∑

42

∑

2 4

w

∑

œ

œ

Œ

damp

p

∑

∑

42

∑

∑

∑

2 4

∑

42 ˙

44

∑

∑

42

∑

42

≤ · 44 ·

"SHE HOPED IT WOULDN'T BE LIKE THIS, BUT IT IS"

∑

Œ

IV

flaut.

}· · · · b}· · · · · · · · · · ·· · ·· · ? }· · b · · · · · · · · · · · Œ ··· ··· f

V

4 4

∑

∑

col legno gliss. loudly on all 4 strings

Vc.

b b ‚‚‚ ‚æ 3 .. 44 # œ #}œœ }œœ b b ‚‚ ÔR ® ‚‚‚ ...... ‚ π S VI

42

∑

≤

44 · · π

col legno

·. ·.

col legno

b· 6

·

ß

>˜3 b ˜˜ 44 b ˜˜˜ b b ˜˜ b b ˜˜ ˜ >f˜

.. # ·· Œ

4 4

b· · · · · · Ób · }·· · · · @· æ · ·

no stroke!

˜˜ ˜˜ ˜ >˜

44

˜˜ ˜˜ ˜ >˜

>˜ ˜˜ ˜˜ ˜

∑ ∑

∑

42

∑

44

· ·· œ ·· œ ·· œ · œ œ œ œ œ p f col legno tratto

Œ

3

col legno tratto flaut.

vertical bow trem.

Sf

>˜ ˜˜ ˜˜ ˜

Glass slide

∑

42

∑

44

flaut.

3:2

Ÿ~~~~~~~~~ · œ · ..

–– –– ·· œœ p - f damp

SCENE 8 424 Perc.

Man

ã

V Ó ?

424

Pno.

∑

?

Light

œ J

She want - ed

œ ‰ Œ J

œ œ œ

it

to not be

bœ œ J

∑

∑

∑

‰ Ó

∑

∑

b œœ œ

b ˙˙˙ ...

b œœ b ˙˙ .. œ ˙.

www

b œœ b ˙˙ .. œ ˙.

b œœ œ

b ˙˙˙ ...

b œœ b ˙˙ .. œ ˙.

www

∑

&

∑

∑

∑

ã

∑

∑

∑

∑

424

∑

∑

∑

∑

∑

? Ó

Spoken:

Vc.

˙

∑ w

"SHE WANTED IT TO NOT BE LIKE THIS"

∑

7

U

˙

Ó

"I WANT TO FORGET YOU"

∑

∑ ˙

∑

Ó

U

+ · # œ· J

rub as quickly as possible back and forth on the string with two fingers from right hand

z

ø

œ J

‰

Circle lights ON

Á .. Sf Œ

Ó

≥ }··# · ≤ 3 · · # ·· # } # · · n ·· . # · ·· · · }· .

∑

Sf

shake bow in the air back and forth (32nds) making a sound

¿æ.

‰

Á π

∑

∏

∑

˙˙

ord.

sul pont.

B

Ó ∑

ww

c.l.

Vla.

˙

"I WANT YOU TO FORGET ABOUT HER"

∑

424

Vln.

U

∑

∑

∑

∑

∑

like this

b œœ b ˙˙ .. œ ˙.

424 Gtr.

bœ œ J

∑

2

˙˙

U wwww

U wwwww

ww

# ww w

ww w

# wwww

∑

∑

∑

∑

∑

∑

∑

∑

∑

£££££

‰

U ww

∑

∑

œ.

U w

50

U

˙

Ó

"I WANT TO FORGET YOU"

∑

44

U

˙

Ó

"I WANT TO FORGET YOU"

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

π Œ

434 Perc.

Man

ã

∑

V

∑

14

wwww ˜˜ ˜˜ ˜˜

Ó

∑

∑

w ? wwww ?

˙

"I WANT TO RUN"

434

Pno.

U

19

U

˙

U ww

ww w

ww w

∑

"I WANT TO LOOK AWAY"

∑

U wwww

Ó ∑

U w U

ww

24

U

˙

Ó

Ó

∑

"I WANT TO LEAVE YOU"

27

U

˙

"I WANT TO FORGET YOU"

∑

∑

∑

∑

∑

∑

∑

∑

U

ww

ww

U

U

ww

ww

Glass slide

434 Gtr.

& b· b ·· > Z

434 Light

ã

# ˜˜˜ ˜˜ ˜ S

®

¿

Vln.

≥ b· b· B # ··

Vla.

Sf

Vc.

?

· }· ≤· # }·· }

shake bow in the air back and forth (32nds) making a sound

¿æ.

ord.

¿ · RÔ æ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

S

434

col legno

V VI

fret guiro

sul pont.

·œ # # ·œ ·œ ·œ ·œ ·œ

π

6:4

molto

III

œ >

Œ

√ · ..

Œ

Œ

∑

∑

35

U

˙

Ó

"I WANT TO LIE

∑

∑

∑ ∑

∑

29

U

˙

Ó

"I WANT TO SCREAM"

∑

∑

∑ ∑

∑

audible gliss./rub left hand

‚‚ .. A b ‚‚ .. Œ

Ó ∑

Ó

23

∑ ∑

U

˙

"I WANT TO FORGET YOU"

shake bow in the air back and forth (32nds) making a sound

¿æ.

shake bow in the air back and forth (32nds) making a sound

¿æ.

∑

Œ

∑

Œ

∑

Act 2 Closed Eye

Score

GAZE FOR GAZE ACT II CLOSED EYE INTRO q = 52

Trombone

?4 Π4

Choir

& 44 Œ

Niels Rønsholdt

˙.

Œ

˙.

Œ

large, slow vibrato

p

[B.C]

? 44 b www

b ww w

b www

b ww w

Organ

Piano

Guitar

guitar

? 44 & 44

4 œ 4 J

‰ Œ

Circle lights OUT

˙.

p

Œ

˙

2 ˙ 4

4 ˙ 4

Œ

42 ˙

44 ˙

Œ

˙˙ 42 ˙

44 b www

42 ˙˙ ˙

∑

∑

Ó

∑

œ

˙

˙

˙

œ

˙

˙

˙

Œ

˙˙ ˙

b ˙˙˙

˙˙˙

b ˙˙ ˙

˙˙˙

b ˙˙ ˙

˙˙ ˙

b ˙˙˙

p

44 b www

42

∑

2 4

∑

44 4 4

∑

∑

∑

∑

Violin

∑

42

∑

∑

col legno

Viola

· · · 4 æ B 4 ·. æ

· }· }· b}·

F

≥ }·· · 3 · · # ·· # } # · · n . ·· . # · ·· · · }· c.l.

sul pont.

Cello

? 44 Œ

≤ ‰ ·j ·

∏

Sf

ord.

·

££££££

π

Œ

‰

flaut.

∑

44 –– f

3:2

damp

–– -

Ÿ~~~~~~~~~~~~~~~~~~ · œ · ..

·· œ œ p

ord.

sul pont.

II

c.l.

II

(ord.)

Œ

≥ ·

·

Sf —

#·

#·

}·· ££ œ 6

col legno

3

b· · ‰ ·. ·. @J F

‰

Ÿ~~~ — J Œ

bœ

∑

≤ p

p

Œ

÷

b· · · · · · ····· · @æ

Ó

√ ≤· · · ≥ ·. · ≥ · · · · b · }·· ≤· # · # # ·œ · ·œ · ·œ · }· 2 # œ œ œ 4 J ‰ b œœ .. œ · }· 4 4 œ #· 6 œ. > Sf f p3 col legno

Œ

∑

col legno tratto

6 ≥ ≤· . ·· · · ·– – – – – – 2 . · ‰ · .. · 4 · · œ œ œ – – – – – – ƒ

Ó

44

bœ

Ah

Right hand palm beat on strings

col legno vertical bow trem.

& 44

Œ

&‰ ‰

·.

Œ

·

·. æ

≤

·

·

π

·Œ ·

b·

·

col legno

≥ · ≤ · }· · · # # }· · }· #·

Sf

b· · · · · · ····· · > b · }· @ æ · vertical bow trem.

h.p.

Sf

6

· }· }· b}·

£££££

‰ ‰

s.p. flaut.

œ· œ· p

‰

7 Tbn.

Choir

7

œ

˙

& ˙

˙

œ

˙

˙ ? ˙˙

˙ b ˙˙

œœ œ

b ˙˙˙ ...

˙˙ ˙

b ˙˙ ˙

b ˙˙ ˙

œœ œ

b ˙˙˙ ...

˙˙˙

b ˙˙ ˙

˙˙˙ Glass slide

Gtr.

&

Œ

Œ

Œ

Œ b˙.

Œ

Ó

2 4 4 ∑ 4

∑

∑

∑

∑

2 4

∑

4 4

œ Œ

Ó

42 ∑ 44

∑

∑

∑

∑

42

∑

44

ww w

˙˙ 24 ˙

44

∑

∑

∑

∑

42

∑

44

ww w

2 4 ˙˙ ˙

4 4 ww w

[B.C]

¿ ..

b˜ b b b ˜˜˜ ˜‰ . ˜

fret guiro

7

œ

˙

?

Pno.

b˙.

? ˙

¿ ˜˜ b bb ˜˜˜ ˜

S

F ¿.

V VI

audible gliss./rub left hand

‚‚ A b ‚‚ Œ f

glass slide guiro against frets below high e string

Ó

Kr ¿ ®≈ Ó

Œ Á p

¿ . Kr ¿

... ÁR F Ô

ww w

ww w

F ¿ . Kr ¿ . Kr ®≈ Ó ¿ ¿ ®≈ Ó 42 ∑ 44 Œ Á ... ÁR F Ô

®≈ Ó

Œ

2 4 ˙˙ ˙

ww w

F ¿.

rK Á ... Á Œ

Á.

Kr ¿ ®≈ Ó

42

4 4

.. b Á

44

[see foreword]

ord. sul pont.

7 Vln.

· ·œ · ·œ · ·œ & œ œ œ Œ π

Vla.

Œ

6:4

molto

≤· · · ≥ · · · · b œœ .. œ œ. 6 col legno

B Œ

(ord.)

II

col legno

f

col legno tratto

vertical bow trem.

p3

b· · · · · ····· @ —

b· · æ

3:2

– –-

damp

sul pont.

≤ ≥ . ·· ·· . · ·

· ‰ n ·J

·· œ ·· œ Œ œ œ p ·‰ ·

F

.. ·· · · ·

col legno tratto

}· · · · b}· · · · · · · · · · ·· · ·· · ?} · · · · · · · b · · · · · · ‰ ‰ & · ·· · ·· f

flaut.

b· · b· · · · ≈ œœ b œ œ œ œŒ π

gliss. loudly on all 4 strings

Vc.

· · ‰ æJ –– f

p

Œ

ƒ p

III

œ œ œ Œ 6

shake bow in the air back and forth (32nds) making a sound

Ó

shake bow in the air back and forth (32nds) making a sound

Œ

¿æ.

gliss. loudly on all 4 strings

˜ b ˜ .. ˜. ˜. ¿. æ

˜. ˜˜ . . ˜.

Œ 42 ∑ 44

¿æ.

Œ

shake bow in the air back and forth (32nds) making a sound

Œ 42 ∑ 44

¿æ. ˜ b ˜ .. ˜. ˜. ¿. æ

˜. ˜˜ . . ˜.

Œ

¿æ.

Œ

¿æ.

˜ b ˜ .. Œ 42 ∑ 44 ˜˜ .. ¿. æ

˜. ˜˜ . . ˜.

Œ

Œ

¿æ.

Œ

¿æ. ˜ b ˜ .. ˜. ˜. ¿. æ

˜. ˜˜ . . ˜.

¿æ. f ¿æ. f

Œ

Œ

Π42

∑

4 4

Π42

∑

4 4

}· · · · b}· · · · · ···· · }· · b · · · · · · · · ·· · ·· · · · · Œ 2 4 · ·· ···

∑

44

¿æ.

¿æ. col legno gliss. loudly on all 4 strings

Œ

¿æ. f

Œ

f

p

SCENE 1

& 44

Ó

17 B. Cl.

w p

w

b· ?4 w 4 p

Sing top note

17 Tbn.

· w

Ó

˙ p

Œ

w

·˙

·w

Œ

˙ p

w

œ

p

˙. p

Œ

˙.

b· . ˙.

·. ˙.

b˙. p

w

p

Œ

w p

& 44 b w p

Perc.

Arco. Use the full bow, then let ring

w

˙

j · ‰Œ Ó S

∑

4 V4

∑

œ œœ œ œ J

& 44

∑

4 ã 4

17

Horse Whip

Ó

j · ‰Œ S

Œ

∑

Horse whip Flageolet note: hit in the air only (with as much sound as possible) Normal note: hit floor/table

Man

Choir

4 &4

17 Gtr.

Vla.

∑

you?

I

∑

did

-

n't see

you

bœ. œ œ

Ó

∑

·. ˙.

Œ

∑

∑

∑

w p

œ

b˙.

˙.

Œ

∑

∑

∑

∑

j ·‰Œ Ó S

Œ

j · ‰Ó S

Ó

j · ‰ S

∑

j · ‰Ó S

∑

∑

Ó.

p

œ

∑

p

p

œ œ b˙

œ 3

Why

∑

∑

b· . ˙.

·w

be - fore

∑

∑

are you si - lent?

∑

Œ

Œ

Œ œ b œ œJ œ

œ J

ev' - ry - one else

∑

speaks

∑

Œ

œ‰Œ Ó J Ó

Œ

∑

j –––> 4 b œ &4 œ ‰Œ Ó bœ ß j –––> B 44 b b œœœ ‰ Œ Ó ß bœ ?4 œ ‰Œ Ó 4 bœ J ß

∑

∑

∑

÷ Ó J‰Œ F

∑

÷ Ó J‰Œ F

∑

÷ Ó ‰Œ J F

∑

∑

∑

j –––> bœ ‰ Ó b œœ ß

∑

Œ

∑

j –––> Œ b b œœœ ‰ Ó ß

∑

bœ œ bœ ‰ Ó J ß

Œ

–––>

∑

∑

÷ J‰Œ Ó F

∑

÷ J‰Œ Ó F

∑

÷ ‰Œ Ó J F

∑

Œ

÷ J‰Ó F

Œ

÷ J‰Ó F

Œ

÷ ‰Ó J F

Ó.

∑ 3 j j3 bœ œ œ bœ œ bœ œ œ

We on

–––>

Vc.

are

. Œ œ œ œ b œ œ œJ ‰ Œ

Œ

Electric Guitar w. volume ped.

17 Vln.

3

Who

Ó

j · ‰Ó S

˙.

Œ

Œ

Vibraphone

17

˙. p

-

ly speak

w p

b· w p bw p

j · ‰ Œ Ó S

œ

œ bœ œ œ bœ œ

The

light will go up a - gain,

3

∑

∑

in the dark

œœ œ

b˙. b b ˙˙ ..

∑

Œ

∑

÷ J ‰ Œ Ó F

Ó

j Œ b œœ ‰ Nœ ß

÷ J‰Ó F

∑

Œ

÷ J‰Ó F

∑

÷ J ‰ Œ Ó F

Ó

j Œ b œœ ‰ Nœ ß

∑

Œ

÷ ‰Ó J F

∑

÷ ‰ Œ Ó J F

Ó

Œ b œœ Nœ ˜

j > œ Œ bœ ‰ Nœ ß

ww w

–––

Ó

–––>

–––>

˜

w ww

∑

&Ó

30 B. Cl.

?Ó

30 Tbn.

30

Perc.

Man

Choir

&˙ ã Ó

30

V Ó & ?

30

Pno.

Gtr.

?

Vla.

Vc.

∑

∑

∑

∑

Ó

Œ

∑

∑

∑

∑

∑

Ó

b˙ p j · ‰ Œ S

˙.

Œ

∑

∑

∑

∑

∑

Ó

j · ‰ S

∑

p

œ bœ œ œ

then you should speak.

Ó

Œ

œ ‰ Œ œ bœ œ J J

It's the rule

∑

j ·‰Œ Ó S

∑

3

∑

Ó

Œ

∑

‰ j bœ œ We

bœ

Ó

can't,

j · ‰ Ó S

Ó

œ bœ œ œ

Ó

∑

œ

the

bœ

light

3

Œ ∑

swal - lows our words,

j · ‰ S

œ bœ œ

∑ ∑

-

‰

∑

œ bœ Œ œ œ œ dow

œ. p b· . ‰ œ. p

bœ. p j‰ Œ ‰ j Œ · · S S

3

like a sha

hit by the

œ

sun.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑ bœ b b œœ ‰ Œ J ß –––>

B Ó

j bœ b b œœ ‰ Œ ß

?Ó

j bœ b b œœ ‰ Œ ß

–––>

–––>

Œ b b œœ Nœ ˜

ww w

∑

Ó

Ó

∑

j Œ b b œœ ‰ Nœ ß

–––>

bœ Œ b N œœ ‰ J ß

–––>

bw b b ww ˜

∑

œ b˙. œœ b ˙ . b˙. ˜

˙˙ .. ˙. ∑

÷ J‰Œ Ó F

÷ Œ J ‰ Ó F

∑

÷ J‰Œ Ó F

Œ

÷ J ‰ Ó F

∑

÷ ‰Œ Ó J F

Œ

÷ ‰ Ó J F

∑

∑ Ó

Ó

bœ b b œœ ˜

w ww ∑

j Œ b b œœ ‰ bœ ß

–––>

bœ Œ b b œœ ‰ J ß

–––>

∑

∑

b b b ˙˙˙ ˜

∑

4 4

∑

∑

∑

· 2 ˙ 4

4 4

∑

∑

∑

2 4 ˙

4 4

∑

∑

∑

∑

44

∑

2 4

∑

4 4

∑

∑

∑

∑

∑

∑

42 2 4 j œœœ œœ .. Nœ. ˜

∑

44

∑

44 b œœœ b ˙˙˙ ...

∑

42 ˙˙ ˙ 2 4

÷ j J ‰ Œ ‰ b b œœ Œ Nœ F ß

–––>

÷ b b œœ J ‰ Œ ‰ Nœ Œ J F ß

–––>

∑

4 œ‰Œ 4 J

Ó

bœ Œ b œ ‰ Nœ J ß

Ó

bœ Œ b b œœ ‰ J ß

–––>

∑

÷ bœ ‰ Œ ‰b œ Œ Nœ J J F ß

–––>

˙

actors/extras:

4 4 b œœ ˙ .. œ b ˙˙ . 44

∑

Ó

Organ

Ó

Circle lights ON

∑

"IT IS AS IF YOU HAVE DISAPPEARED"

b œœ b ˙˙ .. œ ˙.

œœ b œœ b ˙˙ œ œ ˙

b œœ b ˙˙ .. œ ˙.

œœœ b œœœ b ˙˙˙

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

col legno tratto

42

flaut.

∑

3:2 3:2 44 –– –– –– –– –– –– - - - - - f damp

col legno tratto flaut.

2 4

∑

· 4 · · ·· · 4 ·œ· œ œ œ œ œ œ œ p col legno tratto

–––>

U

42

42

Œ Ó

∑

Ó

2 4 ˙

‰

∑

30

&Ó

∑

·˙ . .

∑

&

Œ

b b ·˙

30

30 Vln.

˙.

˙ p

42

flaut.

∑

Ÿ~~~~~~~~ · œ · ..

44 · –– –– · œœ p - f 3:2

damp

&

∑

∑

∑

∑

∑

∑

3 4

∑

42

?

∑

∑

∑

∑

∑

∑

43

∑

42

∑

∑

∑

∑

∑

∑

43

∑

42 B. Cl.

Tbn.

&

Perc.

42

ã

Choir

U

˙

∑

? www ?

42 Gtr.

ww

&

42

∑ ∑

· œ. }· # }·· } J

≤ 42 · & · ..

∏

≤ B · ·

sul pont.

Vla.

∏

˙

∑

∑

∑

˙˙

˙˙ ˙

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

œœœ b œœœ b ˙˙˙

ww

˙˙

˙˙

b œœ b ˙˙ .. œ ˙.

b œœ b ˙˙ .. œ ˙.

œœœ b œœœ b ˙˙˙

w #w

∑

∑

∑

∑

∑

col legno tratto

∑

3:2

3:2

– – – – – – –- –- –- –- –- –f

∑

≥ }·· # · œ . · · 3 # ·· # } }· · #· · · · · c.l.

Sf

£££

ord.

π

‰

≥ }·· # · · · 3 3 3 3 · } ? · # · · · · · · · · · · · n# ·· # }·· J ‰ ·# ··········· · Sf

col legno tratto flaut.

∑

ord.

p

· · · œœ · œœ p col legno tratto flaut.

∑

3:2

··

43

U ˙

œœ

43 ˙˙

œ œ

43 ˙

Ÿ~~~~~~~~ · œ · ..

44 ·j ‰ Œ Ó S Horse Whip

∑

∑

∑

∑

∑

j · ‰Œ Ó S

∑

44

∑

∑

∑

44

∑

∑

∑

∑

∑

∑

44

∑

∑

43

∑

44 œ ‰ Œ Ó J

∑

4 œj ‰ Œ Ó 4 œ œ ß

j œœ ‰ Œ Ó œ ß

j –––> 44 œœ ‰ Œ Ó œ ß

j –––> œ ‰Œ Ó œ œ ß

44 œœ ‰ Œ Ó œ J ß

œœ ‰ Œ Ó œ J ß

∑

≥ b · #}·· ≤· · · #· } }· # ·

Ÿ~~~~~~~~~~~~~~~ · ..

Œ

3 4

Œ

43

≥ · b· } ≤ b · # }·· · n ·œ # # ·œ ·œ ·œ ·œ ·œ # ·œ ·œ n n ·œ ·œ # ·œ ·œ · }· Œ #· 6:4 6:4

43

√ ≥ b · }·· ≤· · # # ·œ · ·œ · ·œ · .. b · # }· n œ œ œ · }· œ #· 6:4 > π Sf

∑

col legno

Sf

π

Circle lights OUT

–––>

ww w ˜

∑ –––>

ww w

are you here?

∑ ∑

∑

∑

ord.

sul pont.

∑

3

III

ord.

ord.

œ. ‰ œ bœ œ

why

43

col legno

∑

44

∑

col legno

∑

w p

∑

∑

Sf

∑

Melodica

∑

sul pont.

œœ

44 Œ

molto

–– –– ·· œœ p - f damp

œœ

··

U 43 ˙

w p 44 w p

"I WANT TO REMEMBER YOU"

∑

U ˙

∑

œ

∑

flaut.

‰

Ó.

"IT IS AS IF YOU ARE RIGHT HERE NEXT TO ME AND I STILL CAN'T SEE YOU

damp

c.l.

Vc.

£££

ord.

sul pont.

Vln.

∑

∑

42

Pno.

U

Ó

"IT IS AS IF YOU STAND RIGHT IN FRONT OF ME IN THE DARK

∑

&

Ó

4 4

SCENE 2

sul pont.

∑

–––>

–––>

∑

&

∑

∑

∑

∑

∑

∑

∑

?

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

52 B. Cl.

52 Tbn.

52

&

Perc.

52

ã

Man

Choir

bw & w bw ˜ 52

Why

˙ ˙˙ ∑

bœ B b œœ ‰ Œ Ó J ß bœ ? b œœ ‰ Œ Ó J ß –––>

Vc.

∑

j · ‰ Œ S

∑

Œ œ œ œ bœ

˙˙ ˙ ˜

˙˙ . . ˙.

∑

Ó

Ó

Ó

w p bw p

Ó.

∑

j œœ œ ß

œœ œ J ß œ œ œ J ß

∑ –––>

‰Œ Ó

–––>

‰Œ Ó

–––>

‰Œ Ó

-

bœ b œœ ˜

j3 œ bœ Œ Œ œ.bœ œ œ. ing

One of

j · ‰Œ Ó S

bœ

Œ

bœ œ bœ ‰ J ß

Œ

bœ b œœ ‰ J ß

of us

∑

j ‰ b b œœ Œ Ó bœ ß

j bœ bœ ‰ Œ bœ ß

–––>

∑

bœ ‰ b b œœ Œ Ó J ß

bœ bœ ‰ Œ bœ J ß

–––>

∑

bœ ‰ b b œœ Œ Ó J ß

∑

–––>

–––>

–––>

–––>

One

bw bw b b ww ˜

∑

Œ

us

j bœ œ bœ œ œ ‰ ‰ œ œ œ

œ b œ ˙ .. œœ b b œœ ˙˙ . ˜

w ww

j –––> bœ ‰ œ bœ ß

Œ Ó

–––>

in

bœ bœ ‰ Œ bœ J ß

‰Ó

bw p

bw p

p

bœ am

œ ‰ Œ œ b œJ J I?

3

Who are

j · ‰ Œ Ó S

œ b œ œ ‰ ‰ œJ œ œ J J J 3

3

you

∑

I came with

∑

j · ‰Œ Ó S

œ œ œ bœ ‰ Œ J J

∑

∑

Ó

Ó

bœ Œ b œœ ‰ Ó J ß

Ó

bœ Œ b œœ ‰ Ó J ß

–––>

–––>

∑

∑

∑

∑

j bœ ‰ Œ Ó b b œœ ß –––>

j –––> bœ ‰ Œ Ó b b œœ ß

j –––> bœ ‰ Œ Ó œ bœ ß bœ œ bœ ‰ Œ Ó J ß –––>

bœ b œœ ‰ Œ Ó J ß –––>

∑

∑

∑

∑ ∑

∑

∑

bœ œ bœ œ œ œ œ

3 j œ ‰ Œ œ bœ œ

the oth - ers

∑

–––>

∑

Ó

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