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Niels Rosing-Schow Extraction (1985) for oboe, violin, horn, percussion, piano Dur. c. 13â€²

Commissioned by The Royal Academy of Music, Copenhagen

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Edition·S publications are supported by the Danish Arts Foundation / Edition·S udgivelser er støttet af Statens Kunstfond

Niels Rosing-Schow Extraction (1985) for oboe, violin, horn, percussion, piano Dur. c. 13′

NOTES The french horn is written in F using the modern notation in the bass-clef (sounding a fifth below) The violin player needs two different mutes, an ordinary mute and a special mute, a so-called ‘Tonwolf’ or ‘hotel-mute’, producing an extremely damping effect. The pianist has to play celesta in the very last part of the piece. If a celesta is not available, this part (bar 223 – 248) is to be played on the piano, but sounding one octave above. The percussion includes: Large tam-tam 3 tuned gongs 4 suspended cymbals 1. small 2. medium 3. large 4. chinese cymbal Tubular bells Vibrafone Glockenspiel Crotales

EXTRACTION for Oboe, Horn , Violin, Piano and Percu ssion = 52

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