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Ylva Lund Bergner Euphorbia (2010) Euphorbia Palustris for flute, clarinet, percussion, zither/grand piano/ electric guitar, violin, cello & electronics Dur. 9-11′

SCORE


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Ylva Lund Bergner Euphorbia (2010) Euphorbia Palustris for flute, clarinet, percussion, zither/grand piano/ electric guitar, violin, cello & electronics Dur. 9-11′

NOTES The name of the piece, Euphorbia, relates to the flower Euphorbia Palustris. It is one of 66 deadly poisonous plants in Denmark. It is beautiful and very common. In the piece I wanted to transform the effect the poison would have one a human if someone ate it. Euphorbia is written with three possible setups: í Flute, clarinet, percussion, zither, violin, cello & electronics í Flute, clarinet, percussion, grand piano (prepared), violin, cello & electronics í Flute, clarinet, percussion, electric guitar, violin, cello & electronics The piece has been awarded a prize by the Danish Art Council, and a recording with the Curious Chamber Players, conducted by Rei Munakata, is available on dB Productions. Euphorbia is a part of my flower series Flora. Other pieces in the series are LoveendL, Aq-V-le, Myosotis & Sigh, R. Tilia!.


INSTRUMENTS Flute (alt. Piccolo & Alto) Clarinet (alt. Bass Clarinet in Bb) Percussion: Non-pitch: Tamtam, Suspended Cymbal [high pitched noise] & Bass Drum [w pedal] Pitch: Crotales [ eb3, eb4, f#4, g4 ] & Vibraphone [w pedal & engine] Different: Lamp [heavy office lamp, metal w powerful sound on the shade & spring steels]

Zither/Grand Piano/Electric Guitar This part can be played on a chord zither [Alt 1], Grand Piano [Alt 2] or Electric Guitar [Alt 3]. Alt 1:

Zither (Swedish chord zither) Tuning of the zither (w: written, s: sound; c1 is the middle c): 1: [9 tones] W: f3 f3 f2 g1 f1 f1 g f# f S: f2 f2 f1 g f f G F# F 2: [10 tones] W: d4 d3 S: d3 d2

d3 d2

d3 d2

d2 d1

d2 d1

d2 d1

d1 d

d1 d

3: [9 tones] W: c4 c3 S: c3 c2

c3 c2

ab 2 ab 1

ab 2 ab 1

ab 1 ab

ab 1 ab

ab 1 ab

d D

4: [9 tones] W: f#3 c3 S: f#2 c2

c2 c1

c2 c1

c2 c1

e2 e1

e1 e

e1 e

e E

5: [9 tones] W: a3 eb 3 S: a2 eb 2 Section 1 –––––––––––––––––> Section 7

6: [9 tones] W: g3 f3 S:

g2

eb 3 eb 2 d#3

eb 2 eb 1 c3

eb 2 eb 1

f1 f

f1 f

ab 2

g2

eb 1

b

f1 f

c1 c

d1

c

f2

d#2

c2

a1

g1

eb

d

C

f3 f2

d#3 d#2

c3 c2

c2 c1

ab1 ab

g1 g

eb1 eb

d D

f2 f1

e2 e1

c#2 c#1

c2 c1

b1 b

a#1 a#

b B

f F

[alternative]: W: S:

g3 g2

7: [9 tones] W: S:

f#3 f#2

Alt 2:

Grand Piano [only played inside] Alt 3:

Electric Guitar [played in lap steel style] Tuning [c1 is middle c]:

b

e1

c1 f

e A

&

Violin Cello Electronics (Live or Pre-recorded sound)

C

b

(Result with capotasto: e 2 c2 f1 e1 a & c)

d D


EQUIPMENT Instruments: - Percussion player uses bows, mallets and sticks - Zither/Grand Piano/Electric Guitar player uses bike rubber [inner tube of bike tire], stick & e-bows - Violin and Cello player use metal mute Notice that in the clarinet part, the multiphonics can be variations on the written multiphonics since clarinets are so different from each other. Find the best solution with as many similar tones and dynamics to the notation as possible. Electronics: - 2 Microphones for the the whole ensemble - Computer (with ProTools and/or Max/MSP) - Mixer & 2-4 speakers (2 for normal stereo, 4 for cross-stereo & more volume in the front than in the back) - Sampler/MIDI keyboard (for the pre-recorded soundfiles version) - MIDI controller (for the live-electronic version)

–––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– FORMATION ON STAGE


œœ .. p

9 8

D

œœ ..

œœ ..

œœ ..

œœ ..

EXPLANATIONS General information. Grades of the accidentals.

e = 100-104

! bœ œ œ .

W I N D I N S T34 RUMENT

œ ¬ J

P E R C U S S I O N35

œ"

¬ ¬ Air ® without J accent. Breath tone with accent. p f

o

>œ n j Whistle tones. œ Play on99 J . ‰ !Unspecified. ‰ Œ spectra. F

Œ.

Half air / half tone

œ Œ. œ J Œ

Œ.

!

123

T

Œ.

! !o ‰ Œ . — F> !‰ ! !

!

œ Bœ . N· .

œ " mœ · · ·· ·

¿

œ œ.

3:2

p

‰ m œ œŒ . œ .

œœ .. P

P p

qn

÷ Flutter ÷ . tongue. ÷.

œœ ..

¿

let go on· the ·. bridge · ·.

p

!

Œ

#

œp ‰ Œ . œœ S Bœ

œ œ.

"

Bœ œ œ œ. Fast vibrato

œ œ Bœ. N·. |

Œ.

Π!

bœ . P

œ ¬1 J $

Œ

Touch the lampshade [sounds like sand-paper]. Hit the lamp-shade with a knuckle.

j Œ Œ. ~> qn Bow on the edge of the lampshade. A vague, f warm and dark sound. !

œ 125 .

!

‚.

œ. œœ .. œ. P

‰ ‰ ¿ œ¿ ¿

!

j œ œœ S

÷.

P

!

œ

œ œ.

œ

Drum œ Bass Œ Œ Œ. j J Turning motion while striking the tamtam or p ‰cymbal Œ . gently. œ > f ! œœ œœ Œ. Œ.

Turn œ the œ light-bulb in the lamp. A schrieking ‰. sound. œ œ

÷ ÷ ÷.

œœ .. # #

œœ ..|

œœ ..

Play with a stick between the two steel parts that holds the lampshade. !

¿

!

Multiphonic. Fingerings. The number 3rd, 5th, 7th # or 9th harmonic # refers which harmonic on this 4:3 4:3 œ · nœ m· œ · nœ m· œ · nœ m· œ · nœ m· œ · nœ ·fingering · œ m · nyou œ m · should ·reach. · ·| · · · · · · · · · · · · · · · · · · · · · ·

qn

œBœ œ.

>

¬

÷.

j Œ ¬

let go on the bridge Glissando with the hand, preferable the nailside, on the vibraphone while damping with the other hand.

œ.

‚.

j ¬ Ï

Damp

œ. œœ .. œ.

œœ .. p

j b¬ ¬

If no tool is indicated, just grip the steel springs of the lamp and let go. With mallet, just hit.

œœ .

p

÷÷ ÷÷

3:2

#

œ.

œ. œœ .. œ.

˜ œœ œœ Noœœ .. tone. Keyclicks. . ‰ Only clicks. m œ œ œ.

Slap tongue.

! ‰ Œ.

gliss

œ

‰ Œ.

#

œ.

œœ ..

œœ ..

^

qn

!

œ.

÷.

p

p

Suspended Cymbal (bow)

F >œ

II

o

¬

" b œ œ124

‚ ‚ Played ‚ . like a ‚trumpet ‚ ‚ . o J in mouth piece. > ! p

! œ ! ‰ ‰. F>

Œ

Bass Drum

 .Π.

Vibrato. Follow the Crotales intensity curve. (bow)

Whistle Tone

F

Start E-bow 2

œ

Œ

!

36

.!

Bisbigliando.

œœ .. ! >~~

Œ.

Vibr.

œ! p

Jet whistle. Sharp. Special technique.

Œ

finorm.

Whistle tones. Specified tones.

Œ.

œœ ..

!

œ m· œ · œ · œ · œ · · · · · · · · · · · 3:2

œœ ..

!

Multiphonic. Fingerings. Tremolo between two different multiphonics.

finorm. œœ ..

p

œœ ..


!

" "

p

!

STRINGS

finorm.

"

Vc.

œœ .. ! · . P·· I

II

qn

˙

· III · b · · J IVb œ EA 3:2

œ

F

p

"

··

let go Damp onthe thestrings bridge

&

œœ ..

Arp.

(bow)

o

·· ··· ···

"

norm. speed

j œ " f œœ C S Rubatom ·

" "

Play behind the bridge. The string is defined by a notated open string.

6 8 !

·œ .. U·œ 3:2 m· · I 3:2 3:2 II· · e = 84 II· · ·· j II j at theIII nut ® Play on the strings 31 · · · ·· b · · . · · III · · III IV toneb is peg. Each defined by œ· · œ œ . J IV IV a notated open string. F P . !p . A.Fl. & mezzo legno , stop Play on a string U tratto at the stop legno 3:2 (BB œœ ) battuto ! j .nutpeg. # While doing that,3:2do j œ nœ œ ! œ B ˙ B B œœ ˙˙ œœ . ! BB œœ .. ® a left hand pizz on the same . [© P © F © Sff F S string ffÍ but behind the bridge. I

# # harmonic. that Play a high . and Cl. in B b has& a clear, screaming piercing sound, that is similar to the sound played with a bike rubber on a string in the zither/grand piano/guitar part.

!

..

˙.

Crotales

"

~~

f

œ.

! & and motion of. the Tempo bow, while it moves towards Perc. the bridge. Damp the strings ,ä but release the damping" over ^ ^ the ^ ^ " ^ Audible G. pressure during this .gesture. J fingerboard D-string only . & Hard pressure on the string harmonics. (high up) f but have a diminuendo at the same time. This is possible because the tempo is slowing down at the. same ! &The sound will. start time. being grouchy and end up being more like ’small peas’.

œ œ.

qn

Vln.

œ ( ) œ œ !

Tempo of the bow and at the ! same time the pressure." B œ œ

&

..

&

..

Legno battuto. Let the qn wood part of the bow ’jump’ on the string.

Vc.

EA

..

,

Œ

"

Play on the tailpiece. Do a glissando away from the instrument body.

3 16

I · · · ! . Nœ œ œ

·œ

· ·

j œ

!

!

·.

A natural harmonic. The ’black’32note III · . p $ tone. $ is the sounding II

!

B œ œstrings œ. B œrhythm n œ ®œabove œ n œ ®œœ n . the . n œ œwith! the ‰ on

arco norm.

Let the wood part on the bow ’jump’ when you do a glissando. $ p F ;p]$

œ

œ

#

F p etc...® œ

> ÷

Vibrato. Follow the curves, Ïintensity. describing the

‰ ƒ

nœ o

Play the dynamics like it were played backwards.

!"

"

! The bow starts in a normal position. Then you move it high up on the fingerboard while playing an open G-string. When the high position on the fingerboard is reached, let the ! bow also touch the d-string. Place a finger on the d-string below the bow. Now the bow is on the ”wrong” side of the hand. Slide back from, and towards, the bridge and play the! harmonic spectra. The line above, shows the motion of the hand on the string.

(œœ) (œœ) p

(œœ) (œœ)

(œœ) (œœ

Stop the bow very sudden. Also œ n œ! œj" called œ. stifle. B "œ . J J F Sff F S p ffÍ stop

Œ

high speed

"

Suspended Cymbal (bow)

!

" · · . .. Œ .Play arpeggio on natural· harmonics. Œ

F

14

$

"

.

œœ

œ

œ œ œ œœœœ œ œ œ œ

Playã a hard pressure on the fourth string and touch at the same time the instrument body, creating a noise.

norm.

p

stop

!


ZITHER/GRAND PIANO/ ELECTRIC GUITAR There are different settings on the e-bow. Normal setting is the one to the left. The setting to the right reveals the high harmonics. Damp the strings [usually you have to play first and then damp the string]. Put a nail against the string, to create a ’buzzing’ sound. Drag the bike rubber against a string on the instrument to create a screaming, piercing but still clear tone. Unspecified tone. The bike rubber is the inner tube from a bikes tire. Drag bike rubber against strings on the instrument to create a screaming, piercing but still clear tone. Specified tones. Do a hard pizzicato where the string slaps back to the fingerboard. Drop a stick [ chopstick or pen ] on the string and let it jump to create a tremolo.

ELECTRONICS

Extract from the score to show what it looks like when a soundfile should start. The first soundfile starts the whole piece.

The same as the extract example above but from the part instead. It looks different. Compact picture Extract from the part. The soundfile is played until the next soundfile starts. In those soundfiles that are in fact short, there is added some silence so that it does not loop or makes it more complicated to play precise. Either press the key on the sampler or just let the computer run.

The same extract as the one above but from the score instead of the part. This shows when to start the file in relation to the cello.


More about the electronics: The electronics in this piece can either be played live with a Max/MSP-patch or playing soundfiles, using a sampler or a computer with ProTools or other flexible program. The effects used in the patch are: Feedback, Reverb, Harmonizer and EQ. When it is played live, nothing is prepared or used as a back-up. Everything is a consequence of what the musicians are playing and how the electronics react. Someone has to control the slides in the patch so that it goes well with the music. It should enhance the music on stage. In the more safe version, only pre-recorded soundfiles are played. There are 26 soundfiles and it is indicated when to press play. The sound level has to be set during rehearsals so that it matches the acoustic sound. It should melt together. Since this isn't related to what the musicians actually are playing (like in the live-electronic version) the sound level has to be set carefully. Choose what version you prefer and read more about it here below:

Soundfiles

Sampler

Playing device (ProTools or other)

Upload the soundfiles to the sampler and assign the files to a key each. To make it easier, you could mark each key with the soundfile number.

Import all the soundfiles to an audio program and bookmark each one to make it easier to switch between.

Live-electronics (Max/MSP)

Playing device (Max/MSP or other)

Helpful equipment (MIDI controller or other)

Use the patch for Euphorbia that is called Play Machine. You can also choose to play the piece with external effects but that might be harder to control

You can either choose to control everything from the computer or through an external midi controller.

The electronics in Euphorbia is made in Max/MSP. It can also be done with external effects (EQ, Reverb, Harmonizer and Feedback/Distorsion) controlled by a mixer, or similar. All the electronics is improvised and live. It is reacting on the instruments so you have to be careful and react quickly if there is a peak in the volume. If that happens, the electronics could be hard to control. In the box with instructions to play the soundfile, there are also instructions for the live-electronic; in this case: Reverb & Harmonizer. Play freely but with the intention to enhance the character of the music the musicians are playing. It is a possible to either play a soundfile or a live sound through the effects in the patch. You can also record what you are playing in 3 different ways: 1. Mix of the soundfile or live sound & the electronics (effects) in stereo 2. All electronics (effects) separated into 4 channels (Reverb, Feedback, EQ & Harmonizer) 3. Soundfile / Live sound & electronics in 4 channels (1-2: Sound source & 3-4: Electronics)


© = ca. 69

[Euphorbia Palustris]

Alto Flute

&

Clarinet in B b

&

> ÷

Composer: Ylva Lund Bergner

∑ > ÷

Tamtam (bow) Tamtam

ã

Percussion

Susp. Cymbal Lampshade

(touch)

Spring steels Lamp effect

Vibraphone/Crotales

&

p

‰ Ó

Ó

Ó.

Grand Piano /Zither

&

Violin

Cello

(bow)

˙.

œ F

˙.

˙

o

5 (E-bow & Bike rubber)

˙

(normal setting)

˙.

˙. p

˙

˙

(bow) 15

&

˙

?

START:

Soundfile 1 (1'35; with extra silence) Reverb & Harmonizer

Crotales

b˙ .

15 (bow)

&

5

Elctr.

˙.

&

///////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

Ó

Gr. Pno. /Ztr.

Crotales

let the nail buzz against the string

Start E-bow

Tamtam (bow)

Perc

‰ Œ

‰ Œ

Bike rubber (glide on string) / Mallet (play on strings)

Electronics

5

P

Vibraphone

[Vibraphone always with controlled pedal]

&

Tamtam

˙

o

(E-bow)

& ˙.

Œ

Vibraphone

œ ‰ &˙ o f

(bow)

œ ‰ P

˙

> ÷

F

Suspended Cymbal (bow)

Œ

÷ ‰ Œ > f

Stop E-bow

˙

˙.

˙

œ

œ

œ

˙

˙

Tamtam (bow)

Œ

Start E-bow

œ

f

> ÷

Œ

˙

//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

1


a

Suspended Cymbal

9

Perc

> ÷

(bow)

Œ

ã

P

Ó

ΠCrotales 15

&

˙.

(bow)

œ ‰ Œ F

o

Vibraphone

&

(bow)

Œ

œ œ

œ

o

œ P

Ó

Œ

o

Glide with the rubber along the string to create a screaming but still clear tone.

5 Gr. Pno. /Ztr.

Ó

(E-bow)

& ˙. p

˙.

˙

˙.

˙

‰ œ œ

˙

&

Stop E-bow

œ

> ^

no spec tone

ƒ

˙

//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

Elctr.

b > ÷

Tamtam (bow)

F Ó

Vibraphone (bow) Trem.

13

Perc

& ˙. p

5 Gr. Pno. /Ztr.

˙

(E-bow)

ã

Tamtam (Scrape w. backside of the mallet)

Ó

2

3

‰ Œ

Œ

bœ ˙

(bow)

&‰

Bike rubber

Œ

˙

˙

>

÷ ‰

f œ ‰ Œ P

Crotales 15

Œ

ƒ

Start E-bow

œ

(bow)

˙

o

œ F

˙. p

œ

‰ Œ

˙

œ œ ˙

> ÷

p

Ó

Drop the stick on the string and let it jump to create a multiple attack.

! ‰ Œ >œ . .  .  .  ‰ Œ J ƒ F 3:2 ˙ >^

Ó

&

˙

Vibraphone

>^

> ÷ P

c Ó

Suspended Cymbal (Scrape w. backside of the mallet)

Ó

1 Mallet

Lampshade Tamtam (touch) (bow)

>

|

‰ ÷ Ó Vibraphone

Ó

&

Mallet/Stick

>œ . .  .  .  Œ J ‰ Œ

Crotales

(bow)

œ o

2

Bike rubber

˙

œ p

3:2

˙

> ÷

‰ ¿ ¿# ‰

F

!3:2 > !r >œ . >œ . r > r >œ . r >r ^ # Œ Œ Œ ‰ ‰ ‰Œ b œ   œ .  ‰ . & R R R RR f œ .  .  .  .  P 5 (E-bow) ƒ> & ˙. ˙ ˙. Mallet /Stick

Elctr.

(bow)

Tamtam (Scrape w. backside of the mallet)

//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

17

Gr. Pno. /Ztr.

Suspended Cymbal

o

&

& ˙.

Elctr.

Perc

˙

P

#

œ . .  .  .  f> ˙.

#

&

˙

Bike rubber

‰ œ

‰ . &# b œ œ 15

(bow)

o

>^

F

œ.

ƒ œ#Œ

f Œ

œ.

œ

F

&

//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

2

Bass Drum


A 22

A. Fl.

Cl. in B b

&

&

e = ca. 62

Œ.

bœ œ . J

Œ

œ.

œ.

˙.

bœ .

ƒ

o

œ

f

o

b˙.

œ

œ.

# Œ.

œ ¬ J

¬.

¿.

j ¿ Œ

Œ.

Œ.

Œ

F

Air

Lampshade (touch)

Spring steels

Perc

Gr. Pno. /Ztr.

Vln.

&

& 5

&

&

Crotales

Bass Drum

Bike rubber

‰.

(E-bow)

œ.

15

&

o

>^ ƒ

Always play without vibrato if nothing else is indicated.

Œ.

bœ .

(bow)

j Œ œ ß>

œ œ J P

œ

œ J f

œ

‰ ~ J

|

¿ Œ

ƒ

ß

Œ.

bœ J

œ

o

œ J P

‰ œ.

œ.

œ.

Œ.

! B· ‰ Bœ

·œ

Beware the quartertones.

·œ J ƒ

œ.

œ.

œ.

œ.

œ.

·œ ..

·œ

Œ.

!. BB ·œ .

·œ

·œ J f

Espressivo norm. speed

Vc.

Elctr.

?

fi ˙˙ .. Ï

slow speed

œœ

norm. speed

Œ.

Œ.

fi œœ ƒ

slow speed

œœ ..

j œœ Œ

Œ.

Soundfile 2 (10''; +sil) ////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// Soundfile 3 (7''; +sil) ////////// ////////////////////////////////////////////////////////////////////////////////////////////////// START: Reverb & Harmonizer Reverb & Feedback START:

3


A. Fl.

bœ & ‰

Cl. in B b

& ¬#

œ.

25

Air

¬

Air

F

©.

rit.

œ.

¬.

B

¬.

bœ œ

Air

p

©.

©.

¬. P

œ J

norm.

norm.

¬ J

P

a tempo

¬#Œ p

©. ]

© j ¬ b¬

¬. f

œ

Air

¬. p

¬

Œ.

‰.

norm.

Œ.

œ œ.

nœ œ

Ø

œ

Lampshade (touch)

Perc

|

j Œ ¿ ¿. ã ‰ ~ ‰ Œ. Spring P steels ƒ Crotales

œ & J

15 (bow)

Œ

|

#‰

bœ œ

‰.

Œ œ

p

#¿ ~ Jp ƒ ‰

¿ Œ.

|

‰ bœ

‰.

¿ ¿ ~ ‰ f

œ J P

¿ ‰. Œ

¿ ~ J ƒ

5 (E-bow)

Gr. Pno. /Ztr.

Vln.

& œ.

&

(!) ·œ

œ.

œ.

! B· ‰ ‰ Bœ

·œ

F

·œ J

œ.

œ.

BB ·œ

·œ ·œ J J P

·œ J

Vc.

Elctr.

? ‰

fi œœ f

slow speed

œœ ..

norm. speed

#‰

Œ

fi j œœ F

slow speed

let go

œœ

·œ

f

œ.

œ.

œ.

BB ·œ ..

·œ ..

·œ ..

ƒ

gliss

on the bridge

norm. norm. speed

Stop E-bow

œ.

·œ

&

Vibraphone

norm. speed

‰.

œœ œœ P

slow speed

. œœ ‰

œœ p

Œ.

Œ.

Beware the quartertones.

&

B· ‰ Bœ o

4 (4''; +sil) /////////////////////////////////////////////// Soundfile 5 (7''; +sil) ////////////////////////////////////////////////////////////////// Soundfile 6 (10''; +sil) ///////////////////////////////// //////////////////////////////////////////////////////////////// Soundfile Reverb & EQ Reverb & EQ Reverb & EQ START:

START:

4

START:


Rubato

C ∑

28

A. Fl.

&

[ ©.

Cl. in B b

©.

accel.

©.

©.

;] nœ n œ                                                œ œ œœ œ # & o # h

e = 84

..

[ ©.

©. ©. ] œ n œœ                        œœ œ p

..

[© Nœ œ

Suspended Cymbal (bow)

5

& œ.

Bike rubber

.. # .. ‰ .

Beware the quartertones. Important with intonation. This melody is also played by other instruments.

(!) Vln.

œ.

j œ Œ

bb ·œ & J Œ Œ. qn

B œ" Œ J

Strong character

˙

œ . ,n œ" œj œ. B $œ . stop

stop

j œ

#

F Sff F S ffÍ

qn

œ.

œ.

^.

.. #

^

B œ" œ œ

qn

stop

j œ

,"

nœ J

stop

j œ

‰.

f

#

j Œ ~> ƒ

Ï

∑ ? ..

Bass Drum

j Œ œ > ƒ

6

j œ Œ ƒ> 5

slap

œ.

F Sff F S p

B $œ . J ffÍ

&

Start E-bow 1

∑ ..

f

œ.

÷ ‰ ..

ä cluster ^ ‰ ƒ

F ^^ ^

P

Spring steels

‰ ÷

‰.

bœ .

o

..

& Gr. Pno. /Ztr.

Œ

rit.

;]   nœ ® ..

%

©. ©. ] b œ                ‰# #Œ % o

(Soft mallets)

Perc

© ©                   

Vibraphone

©. ©. ] & # b œ                              # # qn

∑ .. norm.

F

.. Œ [ ©.

non rubato

[3 times] in all

‰.

..

œ.

Espressivo

finorm.

norm. speed

Vc.

&

·œ ..

ƒ

·œ .. BB ·œ ·œ J

·˙

·œ ..

·œ

·œ ..

·œ Œ Œ. J

..

o

START:

Soundfile 7 (6''; +sil)

Elctr.

////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

5

..

Reverb, Feedback & EQ

∑ ? ..

œœ .. P

////////////////////////////////////////////// START: Soundfile 8 (9''; +sil) Reverb & EQ

START:

Soundfile 9 (6''; +sil) Reverb & EQ

10 (17''; +sil) /////////////////////// Soundfile ///////////////////////////////////////////////////////////////////////////////////// Reverb, Feedback & EQ START:


D 34

A. Fl.

Cl. in B b

&

&

e = 100-104

œ J

Œ.

¬

Air

o

bœ œ œ . ¬® J norm.

¬

œ

p

f

n>œ ‰ J ‰ F j œ

j b¬ ¬

Œ

j ¬ Ï

Air

Œ.

j Œ ¬

Œ.

bœ .

œ J

P

Œ.

bœ œ

norm.

¬

 ¨

Air

#

o

Spring steels

Perc

Gr. Pno. /Ztr.

&

&

Œ.

Œ. œœ .. 4

Start E-bow 2

Vln.

bœ œ &#

Œ.

(bow)

œ.

œ.

œ J p

o

5

&

Crotales

15

j Π~> f

> ^

Bike rubber

?

‰ œœ .. p

œœ ..

œœ ..

Vc.

Elctr.

?

œœ ..

œœ

Œ.

Œ.

œ F

Bike rubber

&

œœ ..

finorm. norm. speed

|

Œ.

Clear tone

‰ œœ ..

15

&

> ^ P

Behind bridge

I

j œ Œ > f œœ ..

slow speed

let go on the bridge

j Œ œ > f

slap

œœ ..

&

&

Bass Drum

6

p

p œœ ..

Œ

pos. norm.

œœ .. P

slow speed

let go on the bridge

œœ ..

Clear tone

j œ œœ F

11 (2''; +sil) //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// Soundfile Feedback & EQ START:

6


37

A. Fl.

Cl. in B b

&

œ.

&

œ¬¬ Air

F

Crotales

&

¬.

¬

bœ .

œ.

œ J p

o

j Air œ ¬ p

bœ f

¬ Ï

qn

15 (bow)

Perc

norm.

Œ

#‰

¬

Œ.

#

norm.

bœ .

œ.

œ

œ J

P

Muta in Bass Clarinet in Bb

Œ.

Œ.

Œ.

œ

Œ

œ

j bœ p

norm.

Spring steels

Suspended Cymbal

j Œ ~> Ï

(bow)

Bass Drum

& j Œ œ > Ï

j œ Œ > Ï

Œ.

Œ.

Vibraphone

Œ.

(bow)

Œ.

Œ.

Œ

!trem.~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ [Engine] œ œ. œ œ#‰ ‰ o p

Bass Drum

Œ

j œ > F

Gr. Pno. /Ztr.

Vln.

& œœ ..

œœ ..

œœ ..

œœ ..

Œ j E-bows œœ œœ

Œ.

finorm. norm. speed

Vc.

Elctr.

? œ J

|

Œ

Œ.

Œ.

pos. norm.

œœ f

œœ ..

œœ ..

œ

ƒ

œœ ..

slap

j œœ Œ

Stop

Play a high harmonic that has a clear, screaming and piercing sound, that is similar to the sound played with a bike rubber on a string in the piano part.

Œ.

&

j œ > F 6

slap

5 4

>j ÷

F

6

?

#

slow speed

let go on the bridge

j œ œœ ƒ

œœ ..

?

finorm. norm. speed

Clear tone

œ.

Œ.

|

Œ

pos. norm.

j œœ p

12 (1''; +sil) //// Soundfile 13 (48''; +sil) ///////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// ////////////////////////////////////////////////////////////////////////////////// Soundfile Reverb & EQ Reverb, Harmonizer & EQ START:

START:

7


E A. Fl.

œ.

‰ bœ

& Œ.

40

o

B. Cl. in B b

&

j ¬ ¬. %

j Œ ¬

Air

œ

œ.

œ#Œ

P

Œ.

œ.

‰ bœ

p

Air

norm.

bœ . F

norm.

œ¬¬ #

¬

Œ.

Perc

& Œ.

>j ÷ Œ

!trem.~~~~~~~~~~~~~~~~~~~ œ œœ .. œœ # Œ ‰ bœ

ƒ

Bass Drum

jŒ œ > ƒ

F

o

Œ.

Œ.

Œ.

Œ.

^

Bike rubber

&

Gr. Pno. /Ztr.

Vln.

?

Œ.

& Œ.

‰ œ ‰ Œ. ƒ

slap

Vc.

Elctr.

?

œœ ..

6

‰ œ ‰ Œ. > ƒ

Œ.

Œ.

finorm.

norm. speed

œ.

Clear tone

jœ œœ P

Air

bœ œ ¬ ¬ P #

‰ j ‰ Œ. ~> f ‰

qn

‰ B œ .. ¬ ¬ #

Bœ ¬ J f

Air

norm.

Air

p

qn

œ > f

Œ

(bow)

j Œ. ~~ > f

>j ÷ Œ

p

‰ Œ.

&

Œ.

bœ .

Suspended Cymbal

Spring steels

ƒ

¬ p

# Œ

œ. P

^

6

‰ œ ‰ Œ. > f

slap

ƒ

‰ ∑

Clear tone

slow speed

let go on the bridge

œ.

bœ o

Suspended Cymbal (bow)

œ œ#‰ ‰

œ

œ# |

pos. norm.

œœ .. F

Behind bridge II

‰ œ

œ.

qn

œ. P

slow speed

let go on the bridge

jœ œœ f

œ.

fi

norm. speed

Clear tone

œ.

| pos.

norm.

‰ œ œ P norm.

œ. Œ.

œ. œ ‰ III

œœ . .

slow speed

let go on the bridge

j œœ Œ

on the bridge

Œ

j j œœz œœz Œ f

j œœz Œ p

//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

8


F 44

A. Fl.

B. Cl. in B b

&

U

accel.

œ.

bend

¬. p

¬ F

&

#

##

ã

œ

œ

bœ . ®

#

p

qn

Perc

Muta in Piccolo

U

G

e = 112

˙ o

bœ J

3:2

slap tongue

n— > S

U

© = 66-69

Œ

o

Spring steels

##

‰ Vibraphone Bass Drum

œ œ m œ œ b œ n œ œœ œbœ œ

fi ‰

(Soft mallets nr 11)

œ P>

^U # ƒ

p

3:2

5:4

~> p Bass Drum

œ p>

Œ

(bow)

no specific tone

Bike rubber

&

7 Gr. Pno. /Ztr.

?

Bike rubber

&

specific tone

# mœ œœ #

norm. speed

Vln.

&

œœ . .

œœ

j œœ Œ |

œœ

Vc.

?

norm. speed

f

pos. norm.

[;

legno batt.

#

; ; ;] .œ .  .  .  .  .  .  .  .  .  .  .  . p

fi

#

œ >œ f

legno batt.

[;

b œ. . . 

qn

Behind bridge

|

œU #

œ.

f

qn

Elctr.

œ U#

Play a high harmonic that has a clear, screaming and piercing sound, that is similar to the sound played with a bike rubber on a string in the piano part.

f

slow speed

Put on a metal mute If there isn't enough time: do it in the fermata in bar 46, or bar 75.

U

#

slow speed

œœ p

norm. speed

œœ ..

#

legno batt. pos. norm.

fi

arco norm.

| slow speed

œœ # œœ > f p

norm. speed

œœ ..

#&

//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

9


˙

49

Picc. Fl.

Bisb.

B. Cl. in B b

&

˙

œ

p

˙

b˙ tremolo

# œ.

o

#

œ

H

; ; ;] # # n¬ ÿ ÿ ÿ ÿ ÿÿ ÿ ÿ ¬ ¬ ¬.

Air

[;

slap tongue

#

P

n— > f

(bow)

bœ .

Perc

Gr. Pno. /Ztr.

& #

œ

œ.

p

#

Muta in Clarinet in Bb

(bow)

~> f

÷

÷

÷

F

qn

œ

œ

œ.

˙

÷

#

# Œ

#

&

; ; ; ; b œ. .  .  .  .  . . . .  .  .  .  .

(legno batt.)

Vln.

œ

Œ

Suspended Cymbal

Spring steels

Vibraphone

#

o

tremolo

˙

Bisb.

œ.

˙

œ

&

p

;] .  .

! norm. B · . # ‰ B œ.

·œ

BB ·œ

·œ

p

·œ

·œ

B œ"

œ

qn

F

," nœ

stop

stop

j œ

j œ

#

¯œ

Sff F S p

Behind bridge

pos. norm.

Vc.

Elctr.

& ‰ BB œ·

œ·

œ· p

œ· ..

legno batt.

#? ‰

fi

| slow

norm. speed

arco speed norm.

œœ # œœ > f P

œœ

arco norm.

fi ® # œ # œ œ. œ œ œ. > f p ƒ

flautando

œ.

legno batt. pos. norm.

|

#

Œ

flautando

œ.

F

®

14 (36''; +sil) //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// ///////////////////////////////////////////////////////////////////////////////////////////////////////////////////// Soundfile Reverb & EQ START:

10


œ. # Œ †

Picc. Fl.

I

55

œ. #

˙

œ

o

Cl. in B b

‰.

&

norm.

Bœ œ

‰.

f

o

j œ

œ.

œ

œ

‰.

Œ

‰ Œ

F

‰ mœ

˙

œ

‰ Œ

P

#

œ.

œ #

Ó

Light-bulb

Spring steels

|

‰ œ. œ

Vibraphone (bow)

Perc

& #

œ

#

œœ J

3:2

Bass Drum

œ > f

Vibraphone

‰ Œ

Œ

˙

œ.

œ

(bow)

#

œ > P

& 6 Gr. Pno. /Ztr.

Vln.

&

&

B $œ ffÍ

?

œ 3:2 œ J

œ

œ.

#

Œ

©]

fi

legno batt.

|

œœ                        .. .. .. .. . F

6

œ ‰ Œ > F

slap

Ó

‰ œ > P

slap

#‰ ‰ #

fi

©]

let go

œœ                     . . . . . . . . P

#

#

^

f

^

Vc.

Elctr.

fi

arco norm. slow speed

? # # œœ œœ œœ > p f

| norm. speed

Œ

‰œ‰

flautando

f

3:2

mezzo legno tratto

fi

| slow speed

norm. speed

œœ # œœ œœ ƒ p

‰.

. ‰ œ ®‰ . fl.

p

fi

slow speed

œœ # œœ .. P f

norm. speed

‰. |

œœ

Œ

µmmmµm F Ó

Œ

Œ

^

fi let go norm. ‰ œ     ‰ Œ œ. .  .  .  p

Behind bridge

pos. norm. legno batt.

‰ œ.

#

o

3:2

Bike rubber

~> p

fi

‰ œ# œ

^

ƒ

‰.

Œ

III IV

# œœ . œœ . o

slow speed

œ œœ ‰ F

œ ‰.

f

Œ

&

//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

11


60

Picc. Fl.

Cl. in B b

&

Perc

Gr. Pno. /Ztr.

&

&

J

w

Ó

w

w

#

Vc.

Elctr.

3:2

˙ #

œ

‰ Œ

5 4 Move E-bows

w] [bw

œ

&

Vln.

Œ

3:2

& ˙˙ p

& Ó

œœ

Œ

gliss

˙˙

3:2

I II

œœ

. œœ ‰ o

III

# ·. #

·

Vibr.

# œœ .. o

&

œ

II

· ·

© ... ] ·

© · · F

· ·

#

I

m· ·

no vibrato

3:2

ww

˙˙ F

˙˙

gliss

˙˙

3:2

˙˙ P

/////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

12


#‰

† œ.

62

Picc. Fl.

Cl. in B b

3:2

˙

˙

˙

#

& ∑

Ó

Beware the quartertones. Important with intonation. This melody is also played by other instruments.

#

œ

B œ.

œ

œ 3:2 ‰ Œ

Ó

˙

œ Bœ œ

p

qn

> j œ

,

> j œ>

#

F SF S

n œ. B œ´

˙

ffÍ

Lampshade (bow)

#œœ

Perc

Gr. Pno. /Ztr.

Vln.

& ‰

œ

3:2

œ

#

œ

3:2

Ó

&

· ·

©] · ·

&

Ó

Œ

˙

3:2

w

#

· I m · [ ·© ·

f

& ww qn

Elctr.

p

&

©]

·

P

norm.

·

®

lœ . œ o

œ œ

œ

#

p

over the fingerboard (high up)

B œ BB ·œ ·œ norm.

gliss

F

·œ >·œ ·œ ·œ ®

very near the bridge

˙˙ P

˙˙

œœ œœ œœ .. qn

II

3:2

3:2

3:2

·˙

P

o

over the fingerboard (high up)

norm.

Vc.

œ#

˙˙

˙˙

œœ œœ œœ .. p

˙˙

˙˙

œœ # b œ· œ· o

/////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

13


K 64

Picc. Fl.

† ∑

œ œ

˙

w

w

Vibr.

p

o

soft

Cl. in B b

˙

&

œ

‰.

Œ

Ó

Œ

[flutter tongue]

œ

w

z

z

o

Lampshade (bow)

Perc

&

w

œ

#

# œ.

˙

3:2

œ

z

z

p

œ ‰.

œ

Œ

p

œ ‰ Ó

Crotales

(bows)

Ó

Œ

15

&

‰ . bœ œ Œ # œ.

‰.

3:2

bœ œ œ œ # qn

˙˙

Vln.

&

norm.

· & ·˙ I

Elctr.

legno norm.

F

3:2

f

norm.

legno

P

p

·· œ

·· . œ ..

‰.

II

#

·

··

ä· ˙

·· #

3:2

·œ .. Btratto œœ

·œ

mezzo legno

%

· ·

œ IIIB œœ f

o

œœ

I

·

3:2

œ œ

œ

&

·· ˙

ä BB ·œ ..

·œ ..

p

3:2

œ œ

& Vc.

ä ä ä tratto ä· ä· ä· tratto ä BB ·œ ·œ ·œ ·œ œ œ œ ·œ ·œ # # # ‰ # ‰ ‰ ‰

jeté

œ œ p

p

Start E-bow 2 4

·œ ..

b˙ . ˙.

p ww

(high harmonic setting)

·œ

qn

Ó

Start E-bow 1 5

&

z

3:2

|

(high harmonic setting)

Gr. Pno. /Ztr.

œ. œ w ® norm.

œ œ

· · p

· ·· . . > P

œœ

··

·· ·· ··

15 (54''; +sil) //////////////////////////////////////////////////////////////////////////////////////////////////////////////// //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// Soundfile Reverb, Feedback & EQ START:

14


œ

66

Picc. Fl.

Cl. in B b

œ

œœ ˙

®

w

&

œ.

# Œ

Muta in Flauto

#

o

˙

L

˙

˙

b˙ tremolo

p

œ.

˙

œ J

bend

œ

bend

( µ œ .)

tremolo

Bœ œ œ

® ˜œ

p

Light-bulb (turn)

Crotales (bow)

œ & œ ‰. 15

œ

˙

˙

#

o

5 4

Gr. Pno. /Ztr.

Vln.

w & w

&

Elctr.

œ

œ

# ‰

Stop E-bow

œœ bœ . œ

5th harm

F

Suspended Cymbal (bow)

‰.

µ â P

÷ ÷ qn

œœ

˙˙

Stop E-bow

œœ ..

˙˙

& ·. ·. F

œ

ww

F &

Vc.

œ

µœ œ œ œ œ œ œ

mœ œ

BB œœ œœ

œ œ

œœ

3:2

m· · · ·

· · #

œœ ..

norm.

· ·

· · · · · · p p

over the fingerboard (high up)

œœ œœ

˙˙

œ œ

œœ

··

3:2

3:2

arco norm.

œœ

P œœ

œ œ

#

p

P

œœ ..

œœ

· · ·· ·· ·· ·· .. ·· · · 3:2

œœ

I II

# #

&

··

··

B œ. B œ.

œ œ

p

œœœ

I Arp. II norm. III speed

··· ···

~~

Perc

&

3rd harm

qn

Œ

Ó

f

If this is too difficult, play the harmonics: I: e3 , II: a2, III: d2 [c1 is middle-c)

//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

15


Bœ œ µœ œ . & ‰ (b œ)(œ)

68

Picc. Fl.

œ (œœ)

5th harm

Cl. in B b

&

˙. ˙. ˙.

œ (œœ)

œ mœ œ œ œ (œœ) B(œ) (œ) J 3:2

F

p

ƒ

œ ˜œ œ J

f

ƒ

˜ œœ œ µ ˙ µ˙

œ mœ œ 3:2

œ (œ)œ

3:2

µ œœ µ œ œ

7th harm 5th

œ œ œ

œ ˙ (œœ) (m ˙)µ˙

œ (œ)œ

Ï

7th 5th 9th

œ œ ˜˙ tremolo

3:2

œœœ

œ

œ

Ï

Perc

÷.

ã

÷

÷

F

j ÷ ÷

fi ‰ Œ

|

norm.

P

œœœ

¬. # Œ

¬

F

9th

œ œ B˙

M Air

m mn˙˙˙B ˙

[Stick] 3:2

œ. œ

Bisb.

œ & œ ‰. Œ

&

Vln.

&

Ó

˙. m ·.

[h

.

··· .. .

high speed

Vc.

Elctr.

&

If this is too difficult, play the harmonics: I: e3 , II: a2, III: d2 [c1 is middle-c)

&

œ ·

÷

÷÷

f

ƒ

%

F ©]

··· f

|

[h

.

·· ..

œ œ œ

Light-bulb

÷÷ ..

|

µ âp

‰ Vibraphone (bows)

#

œ. œ

˙. P

m œœ

œ

œ B œ· œ· · J 3:2

œœ

|

!m œ

‰.

#

o

Gr. Pno. /Ztr.

3:2

qn

Ó

&

5 4

‰ µœ ˙

œ· m ··3:2 ƒ

œ œ

m œœ

··

·· · . · m ·. ·

Ï

© ··

© ] 3:2 ·· ˙˙

ƒ

œ

œœ

f

œœ F

·h ·

œœ

II

‰. Œ

N ·h

·©

qn

P

Œ

?

On the tail piece

‰.

[ ©]

œœ #

////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

16


Rubato 72

Picc. Fl.

&

˙

Muta in Piccolo

œ ‰ Œ

˙ #

U

Œ

Œ

N †

© = 63-66

Intensivo non rubato

∑ œ bend ‰ bœj J Œ

Œ

# m œj

Œ

œ bend

P

Ó

3:2

Cl. in B b

&

œ                      #

 

Vibraphone Perc

&

(bows)

m ˙˙

œœ p

œœ œ .

œ

#‰ Œ

Œ

‰.

Œ

Œ

U

Œ

U

specific tone

Ó

F

Œ

cluster

&

Ó

U

Bike 1 rubber

Gr. Pno. /Ztr.

Imitate the sound of a mute. A muffled tone.

nm œœœ œœœ .. P

œ P

fi ‰ Œ

5

[first pizz, then damp]

pizz

#

œ > p

bend

‰.

1

Ó

Œ

œ â P

fi Œ

2

‰.

œ â p

near the bridge

Vln.

Vc.

Elctr.

&

?

·

[h

¿

‰.

On the tail piece

Put on a metal mute

Œ

Ó

If there isn't enough time: do it in the fermata in bar 73.

©. ]

¿.

P

#

j

¿

œ.

¿ ¿.

gliss down

œ œ œ. F f

¿

F

©]

gliss down

¿

U

U

¿.

Ó

Œ

near the bridge

#

œ

IV

‰.

œ mœ p

 

gliss

m( œœ ) III   ( )# Œ

.

(m œ ) n>œ -œ -œ .. ¿ ¿ o F

3:2 gliss

r œ

P

qn

over the fingerboard

On string and instrument body

gliss

p

III IV

˙ II m ˙

near the bridge

over the fingerboard

#

Ó

Œ

/ œ ‰. m œ I II II III

gliss

p

//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

17


œ bend † #œj Œ F

76

Picc. Fl.

Cl. in B b

Ó

Π#

j œ

F

œ bend j #œ ‰.

& Œ

œ

3:2 bend

3:2

Air

P

Π#

no air tone

¬¬

j bœ

f

bœ .

bend

Ó

¬ f

œ.

bend

j œ

f

‰œ

# œ

3:2

#‰

ã

fi & Ó

Œ

Vc.

Elctr.

?  

#

Behind the bridge

Soundfile 16 (16''; +sil) Reverb & EQ

soft

#

‰ Œ

©]

Spring steels

|

# ~ ~> œ                    P f

#

œ . nœ œ

3:2 œNœ œ J # #

œœ

‰.

Ó

Play with normal tone

œ

œ nœ œ J

÷

÷

3:2

#

m3:2œ œ J #

Tamtam [Stick]

÷÷

÷

p

qn

gliss

  ( (mm œœ ) œ      )œ

gliss

F

f

m(m( œœ ))

on the bridge

norm.

3:2

near the bridge

F

3:2 bœ bœ # œ . œ œ bœ J p % p f

œ ‰

©

©

F

( œœ ) I œ   ( ) œ . œ . | II œ       # œ. œ. # # near the bridge

START: Reverb &

3:2

| I

f

f

pos. norm.

œ 3:2œ œ . IImm œœ #‰ &   mœ ‰ gliss

gliss

œ

O Rubato

6

p

Play on a string over the at the nutpeg fingerboard

Vln.

œ œ œ

p

œ œ fi m3:2œ bœ œ œ œ ‰m œ ‰ # ‰ ‰ ‰ Œ

2

Gr. Pno. /Ztr.

œ

p

6 7

œ

qn

Tremolo between metal parts on lamp.

Perc

œ

3:2

P

over the fingerboard

gliss

&

Behind bridge

I II

Œ œœ J 3:2

œœ

qn

Play on strings at the nutpeg

  m œ œ  m œ ‰ œ

qn

|

œœ œœ . œœ . # Œ . .

œœ œœ .. œœ P

!

mœ œ

œœ

œœ

œœ

!

œ œœ

œ

II I III IV III II I IV IV III j m · m· · 3:2 · . II ·· ·j · · · · j3:2 3:2 j · · # · · · ·· b · · . · · · b ·· ·· · bœ œ · b œ œ. 3:2 qn F P

Beware the quartertones. Important with intonation. This melody is also played by other instruments.

œœ ‰| . # B œ" . pos. norm.

œœ œœ

II III

I

norm.

F

III

œ œœ b œœ œ

˙

œ

, " stopj n œ œ # œ. B ˙$

stop

j œ

F Sff F S

3:2

B B œœ ˙˙

mezzo legno

III tratto IV

ffÍ

3:2

œœ .. #

P

17 (30''; +sil) //////////////////// //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// Soundfile Reverb & EQ START:

18


¬ . U¬

Air

81

Picc. Fl.

Cl. in B b

®

P

P norm.

˙

œ

®

#

œ

#

o

œ œ Uœ

&

non rubato

©

œ. œ

#

Œ

3rd

5th

Perc

ã

Œ ˙.

Crotales

15

œ

(bow)

&

Gr. Pno. /Ztr.

#

o

&

Vln.

!m œ

Vc.

Elctr.

·œ . U·œ . ®

p

U

(BB œœ) ? B B œœ .. ® legno battuto

gliss

F

N ·œ ·œ ·œ #.

I

©

·œ

#

Q œ.

bœ .

p

˙.

©]

œ                            p

,

>j œ

œ œ œ p

o

©

œ. tremolo

n œ. œ œ # ‰.

#

œ

II

· ·

p#

œœ

b œœ

b œœ

Œ

® .‰ Œ ~. >~ P

Œ

‰ ® .Œ ~. >~ f

Crotales

& ‰.

Œ

œ

IV

IV

Œ

>^

>^

p

F

# # ‰.

œœ

·. · . b ·· ·· bœ œ

œ

œ· n· . · #

˙· p

·n· .

qn

·. · ·. · · ·. · # P III

Play like it is played backwards

p F p #F #

Bike rubber

œœ

IV

III

qn

etc...

#

œ.

F SF S p

qn

F

gliss

‰. Œ

let ring

qn

II

Œ

!m œ

!m œ

œ

P

œ œ

œ

·· · ·

P

‰. mœ

o

Œ

m· · ·. I · · ·. p

(bow)

15

!m œ

>j œ

Spring steels

|

IV

#

bœ .

This melody is also played by other instruments but this time it is without quartertones.

| IV ‰ . B œ œ . n œ œ # œ. B œ n>œ®œ. œ n>œ®œ. œ n>œ®œ B œ n>œ®œ B œ n>œ®œ B œ n>œ®œ B œ n>œ®œ B œ n>œ®œ B œ ‰ & m œ

arco norm.

© = 88

tremolo

qn

#

œ

&

#

&

&

©

F

˙

3rd

|

®

© © ] Bisb. © [© # # œ                        # ‰ b œ qn

©] © µœ       Bœ œ œ         Bœ œ # ‰ . nœ œ # ˜œ œ œ œ œ         ˜œ œ œ qn P

U

÷. ÷

œ.

œ

qn

Tamtam [Stick]

accel.

qn

gliss

l.r.

p

?

qn

18 (16''; +sil) ///////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// Soundfile Reverb, Harmonizer & EQ START:

19


† œ.

88

Picc. Fl.

œ.

# #

œ

˙ F

qn

Cl. in B b

n ˙´

&

œ

œ

ffÍ

# #z nœ

z

z

÷

‰ œ

œ

15 (bow)

Gr. Pno. /Ztr.

&

#

œ.

˙

..

..

..

..

..

o

Lampshade (bow)

÷ ÷ . ‰

Œ

P

œ ‰. P

z

z

œ œ F

÷.

qn

&

..

zz

œ.

œ

Suspended Cymbal (bow)

Perc

‰.

Ad lib

[Min. x 3]

3:2 [flutter tongue]

qn

Crotales

R

|

# œ.

œ.

#

F

..

.. ..

II III

Vln.

Vc.

· & ·

? œ

F

Elctr.

IV

· b ·· ·· ·III ·· ·· · bœ œ œ œ œ # p P

High harmonic

‰.

Behind the bridge

II

· ·

· ·. ·

norm. speed

œœ œœ

qn

·.

F

I

·· · .

·· ··

qn

slow speed

œœ

F

œœ ..

·. p

high speed

œ œ.

œœ œœ

æ

#

œ æ p

# ‰

norm.

fi

pizz

arco

œ. œ .. œ. œ. œ. œ. œ œ œ. œ. œ. œ. œ # # .. .œ œ . œ. œ. . . œ jeté . œ œ. . . p # F> fi

5:4

7:4

arco

6:4

|

œ@ œ # . # ‰ œ. œ. œ. œ. œ œ œ. œ. œ. œ. œ ® .. œœ . œ œ . œ. œ. . . œ. . > jeté F # 3:2

|

pizz

3:2

3:2

///////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

20


Bisbigliando

92

Picc. Fl.

Cl. in B b

† Œ

soft

©

© ©]                      # Œ

p

&

Audible keyclicks

Œ

#

norm.

˜œ

3rd

Perc

Gr. Pno. /Ztr.

Vln.

ã

œ

fi | ˙. & ƒ

fi

Elctr.

(bow)

|

             #

‰.

œ ‰.

œœ

P

3rd

#

µœ œ œmœ. o

Œ

Keyclicks

p

#

¿

©

¿

qn

œ

©]

©

Tremolo between metal parts on lamp.

Tremolo between metal parts on lamp.

Œ

             p

‰.

œ

©

qn

       P

©]

                     #

&

Play on a string at the nutpeg

;] ? œœ            #Œ . . . .. P mezzo legno battuto

Vc.

©]

©

5th

Œ

norm.

F

#

qn

Tremolo between metal parts on lamp.

[© ©] b ¬             #‰

©] © µœ       Bœ œ œ         Bœ œ ® Œ œ œ œ œ         ˜œ œ œ ©

Œ

Breath

[;

˙.

˙.

|

Œ

START:

Soundfile 19 (23''; +sil)

Reverb, Feedback, Harmonizer & EQ

legno batt.

Œ

œ

fi œœ .

©

©

œ ‰.

œ

|

©]

Play on a string at the nutpeg

f

3:2

Œ

Behind the bridge

µ µ ·œ ·œ .. Œ J % 3:2

|

                                      ‰ Œ . . .. . . . . . . . . . P

˙ . œ. Œ pizz J Œ

&

·œ J

///////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

21


97

Picc. Fl.

Cl. in B b

œ

Air

#

‰.

Audible keyclicks

#

µ¬

µ¬

©

S

;. ] Half air/       Half tone           œœ. œ œ

©

#

F

o

©]

&     ¿# Œ       ¿ P

µœ .

Air

#

¬.

¬

Œ

Œ

#

qn

µœ.

œ.

œ œ.

œ œ.

œ

#

F

qn

¬ norm. œ

P

o

#

œ.

œ œ œ p

norm.

œ

œ

œ3:2 œ

‰ ‰

p

qn

o

Light-bulb

Perc

Œ

ã

Glissando on vibraphone with hand. Nail side can be used to have more dynamic. Damp with arm.

Vibraphone

&

Gr. Pno. /Ztr.

glide on surface

gliss

¿

p

#

>

œ

#

Œ

>

3:2

œ

Œ

‰.

˙ . œ. & Œ J Œ pizz 3:2

f

. #œ # pizz

|

œœ ‰ Œ œœ p

pos. norm.

‰.

II

·œ

3:2

·˙

·œ

gliss

·œ

  ..

·œ ..

F

qn

‰.

®‰ Œ

Elctr.

&

·œ glissmm ·˙

3:2

P

·œ ·œ µµ ·œ gliss

·œ

·œ µµ ·œ .. #

·œ ·œ ..

gliss

·œ p

Œ

·œ ..

? ‰.

High harmonic

œ

F

pizz

arco II III

# ‰ œ > ƒ

B‰

œ ˙ œ ˙

3:2

qn

.. ·œ ·œ ÿÿ gliss F

slow speed

over the fingerboard

‰.

I

! ·œ ·œ qn

norm. speed

Vc.

µµm m mµm m m qn P

&

Play on strings at the nutpeg

Vln.

Œ ‰

(touch)

fi œ œ. ® #. | |

|

(hit with a knuckle)

near the bridge

œ >œ œ œ œ œ J 3:2 F

norm.

œ IV œ œ J œ 3:2 p

20 (13''; +sil) /////////////////////////////////////////////////////////////////////////////////////////////////////////// /////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// Soundfile Reverb, Harmonizer & EQ START:

22


102

Picc. Fl.

Cl. in B b

qn

œ.

œ

&

p

p

qn

˙ @ #

œbendœ .

bœ œ

‰.

œ µœ . @

µœ œ

‰.

T

[flutter tongue]

p

œ . @ ‰

œ

œ

#

‰.

# µœ . @

œ @

Ó

Muta in Bass Clarinet in Bb

œ U ‰ @

œ @ #

o

Ó

Lightbulb

Perc

Gr. Pno. /Ztr.

#‰ µm

ã

&

&

·œ ..

&

œ

· · m·

÷

p

Œ

Spring steels

‰.

Œ

^

Bike rubber

Œ

^

# #

^

Tamtam

(Soft mallet)

~~ > p

^

‰ Œ

Ó

¯ ÷ U ‰

p

5:4

# #‰ P ^ ^ ^ # # ‰ ‰

p

œ œ

·II · . ·.

p œ

&œ œ

œ

·

II I IV III

B œœ · œœ · P

Elctr.

÷

∑ ∑

5:4

B

Vc.

÷

qn

&

(!) Vln.

÷

Tamtam (bow)

|

U

·

#

3:2

œ œ

· II · · J 3:2

œ œ

œœ

3:2

· ·

· · · · ·. · · ·. IV #

III

B

œœ

· · · J ·

3:2

· ·

œ œ

· ·· ·

·

·

& œœ

· ·

·

m · ·· · · · · ·· · ·· ·

p œ

· p

· ·

‰.

!m ·

·

·

·

6:4

qn

œ œœ œœ œ œ

·

·· · · · · · ·· ·· ·· · · 6:4

· ·

‰.

qn

·

·

·

· · ·

#

·· · · · ·· · U ‰ ·· ·

·· · · · · · ·· · · ·· · · #

6:4

Remove mute

[; ] U ‰ ‰ ‰

6:4

21 (17''; +sil) //////////////////////////////////////////////////////////////////////////// ////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// Soundfile Harmonizer START:

23


106

Picc. Fl.

B. Cl. in B b

Muta in Alto Flute

& Ó

Ó

#

&

Vibr.

œ.

œ.

˙

o

œ œ.

œœ %

œ œ. #

œ

Lampshade (touch)

Perc

fi Œ

ã

¿>

¿

#

#

¿.

¿

|

¿ >

¿

#

¿

ΠVibraphone (bows)

#

œ.

œ œ. %

qn

Gr. Pno. /Ztr.

Vln.

&

&

! m·

·

%

Vc.

B Œ

· · ·

· · ·

6:4

· · ·

· · ·

6:4

?

6:4

· · · 6:4

· · ·

· · ·

· ·

‰.

œ˙

5:4

·

5:4

5:4

3:2

3:2

· · · · · · · · · · · · · · · · · · · · · · ·

·

6:4

On the tail piece

qn

Elctr.

· · ·

· · ·

3:2

·

·

· · >

#

· >

#

· >

3:2

œœœœ p

œ œ œ œ œ œ œ œ œ œ œ œ œ. # #

œ

qn

œ œ. %

22 (44''; +sil) /////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// ////////////////////////////////////////////////////////////////////////////////////// Soundfile Reverb, Harmonizer & EQ START:

24


U 109

A. Fl.

&

Œ

‰.

Œ

norm.

œ

o

B. Cl. in B b

&

œ.

œ.

œ. #

œ.

œ˙

Gr. Pno. /Ztr.

Vln.

&

œ m œœ .. œœ .. #

j Œ œ

&

&

j œ

3:2

‰ Œ ·(%)

Œ.

Remove mute

15

‰ Œ.

Elctr.

?

œ.

‚ ‚.

P

qn

Œ.

Œ

œ.

œ.

œ.

œ.

Œ.

Bike rubber

p

o

‚ p

‚ ‚ ‚ ‚‚‚ m ‚ m ‚

Œ

‚ J

m‚

P

5:4

j µœ

œ

o

#‰

^ J

qn

j œ bend P

, qn

j mœ F

µœ J >

^

qn

Œ.

^ J Œ. F

Œ

III

j µœ qn

Audible G. D-string only harmonics.

Vc.

‚.

o

(bow)

&‰

‚ J o

œ

Crotales

Vibraphone

Perc

œ

œ. p

qn

‰ Œ

Whistle Tones

IV

norm.

mezzo legno tratto

# ˜œ . o

œ.

j œ ˜ œœ p III

œœ œ .

over the fingerboard (high up)

· œ œ . œ (œœ ) # qn II

The bow is in normal position. Move it to molto sul tasto while playing G (open string). When the bow is molto sul tasto you let it touch also the D-string.

Place your finger below the bow. Slide back from and towards the bridge (ponticello) and play the harmonic spectra.

·· ·· ·· ·· ( œœ)(œœ) (œœ)(œœ) (œœ)(œœ) (œœ)(œœ) p

· ( œœ) # Œ

Œ.

pos. norm.

///////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

25


V 114

A. Fl.

B. Cl. in B b

&

‚.

‚.

‚.

#‰ ‰ #

#

& j œ œ

ã

œ

6

j & b œœ Œ P

Gr. Pno. /Ztr.

œ

# Œ.

‰ ¬

©

©

©                        p

qn

qn

Œ.

Muta in Clarinet in Bb

>¿ >¿ >¿   ‰ .

œ

œ.

œ

#

qn

©

|

|

Œ.

&

bend

Breath Audible keyclicks

Œ

j µœ

Tremolo between metal parts on lamp.

p

pizz

‚ J Œ

(bow)

# >¿ ¿> ¿> >¿

Œ

‚.

p

j œ

Lampshade (touch)

Perc

‚.

o

®# m œ œ. µ œ œ. > P S ffÍ

bend

‚.

œ

|

                   #

©]

^ J

Bike rubber

Œ.

‰ . bœ œ œ .

Œ

o

5

Start E-bow

(normal setting)

Vln.

& œ.

? # ˜œ . III

Vc.

IV

. gliss

#

œ .

# P

Elctr.

gliss

˜ œ˜ œœ œ œ œ . p

µœ

gliss

j j µœ œ œ

#

µœ œ . µœ

.

j œ ˜œ

F

III

gliss

µœ ˜œ #

œ.

3:2

IV

˜ œ œ œ ˜ œ œ œœ œ œœ p P P gliss

IV

gliss

j œ µ œœ œ µ œ p 3:2

µœ œ

gliss

µœ œ

F

.

gliss

µœ œ . µœ œ #

/////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

26


;] ¬ #Œ

119

A. Fl.

Cl. in B b

&

&

œ.

Œ.

Œ.

,

Œ.

3:2

®® j œ bend µ œ m œ œ œ œ. µ œ .   > bend > P S P F

œœ

œ.

bend

Œ.

Œ

#. Œ.

Œ

j œ > F T

slap tongue

j — > F

o

W Œ.

‰.

norm.

Œ

˜œ œ

#

norm.

œœ

˙.

œ J p m˙. p

tremolo o

Spring steels

Perc

Œ.

ã

Œ.

j ~~ > F

Œ

Bass Drum

Bike rubber

Gr. Pno. /Ztr.

Vln.

Vc.

Elctr.

& 5

&

&

?

^ œ.

(E-bow)

^ J Œ. P œ.

p

˜œ .

gliss

6

Œ.

Œ

œ.

œ.

j µ œ œ ˜ œ   gliss   µ œ #

pizz

3:2

7

> œœ J p

j Œ b œœ > P œ.

œ ˜ œ µ œœ œ .

gliss

gliss

œ.

œ.

œ.

œ

j II µ œ . µœ œ œ .

œ.

œ.

P

qn

gliss

P

gliss

µœ œ

œ.

gliss

˜ œ œ µ œ µ œœ œ ˜ œ gliss #

b œ>œ J ‰ P

gliss

j µœ p

5 7

6

Œ.

3:2

œ.

œ > F

Œ.

III

µœ œ

j

j µœ œ µœ gliss

III

F

#

gliss

j œ œ >p

Œ œ.

nœ œ œœ

µœ

œ J

#

II

µ œ gliss œ J P

23 (9''; +sil) /////////////////////////////////////////////////////////////// //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// Soundfile Reverb, Harmonizer & EQ START:

27


122

A. Fl.

Cl. in B b

Perc

&

&

œ

œ. #

œœ

qn

˜˙. ( p)

mœ.

Œ.

#‰

œ. œ.

œ J

tremolo

Œ.

6 7

Gr. Pno. /Ztr.

Vln.

& Œ. 5

&

&

œ

? œ n œœ .. ( P)

Elctr.

!> m œœ

F œ.

œ.

(E-bow)

gliss

Vc.

pizz

œ J

I

œ œ&

‰.

‚ ‚

‚.

‚.

‚ J

p

o

œœ .. œ. ˜œ œ œ. p qn

µ ˜ œœ œœ mœ œ

Œ

#

— > F

Bass Drum

#

‰.

norm.

Suspended Cymbal

Spring steels

#

Œ.

#‰

÷.

(bow)

#‰

~ >~ F

#

÷

÷.

qn

#‰

œ F>

#

µœ . œ. œ. 5th

7th

slap tongue

÷.

÷ ÷

p

#

÷ ÷

7

> ‰ m œœ

œ . gliss B œ œ œ. œœ p

œ

Whistle Tone

#œ #‰ > F

Œ.

ã

T

œ J

Stop E-bow

œ

œ.

œ œ J

œ

œIIB œ . N· .

#

j I N œ gliss B œ . œ œ œ. p

œ.

œ ·

#‰

Œ.

mœ · -· · ·

gliss

· ·. · ·.

· ·

qn

p

p

3:2

Vibr.

œœ œ

œ.

œ Bœ œ.

œ

#

qn

gliss · œ m· nœ m· œ · nœ m· œ · nœ · · · · · · · · · · · · 4:3

œ J p

œ.

Fast vibrato

Bœ œ

œ J

œ

P

24 (13''; +sil) /////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// Soundfile /////////////////////////////////////////////////////////////////////////////////////////////////////////////////// Reverb, Harmonizer & Feedback START:

28


‚.

125

A. Fl.

&

œ. œ. & œ.

Œ.

# ‰

p œ. œ. œ. P

5th

Cl. in B b

X

‚.

œ. œ. œ.

Œ.

#‰

#

Œ.

Œ

Air

m¬.

¬. F

¬

o

T

¬

#œ > F ‰.

slap tongue

#

#

norm.

— > F

Air

©.

©

¬.

¬ P

mœ.

œ

¬

bend

œ.

œ

P

T

‰.

‰.

œ > f slap tongue

— > F

Spring steels

Perc

Gr. Pno. /Ztr.

÷.

ã

÷.

÷ ÷

P

#

÷.

gliss m· œ · nœ m· œ · nœ m· œ · nœ · · · · · · · · · · · ·

&

Œ

# Bass Drum

#

( p)

&

œ Bœ. N·. |

œ m· œ · œ · œ · œ · · · · · · · · · · · gliss

p

m· ·

arco norm.

gliss

3:2

4:3

qn

Elctr.

#‰

~ >~ F

Œ.

Œ.

j ~>~ F

Œ

Bass Drum

œ > F

j œ > F

&

Fast vibrato

Vc.

÷.

p

gliss

Vln.

÷.

3:2

œ · · · J J p

·. ·.

mezzo legno tratto

·. ·.

m· œ · œ · œ · œ · · . · · · · · · · · · ·. gliss

3:2

legno battuto

##

[ ©. m >· .ÿ .ÿ .ÿ .ÿ .ÿ · ÿ ÿ ÿ ÿ ÿ

F On the tail piece

·. ·. ® >œ qn F

[ ©.

©. #‰

m ·. .ÿ .ÿ .ÿ .ÿ ·ÿ ÿ ÿ ÿ P

©. . . . m · · · ÿ ÿ. ÿ. ÿ. ÿ. fl. # · #·#· ÿ ÿ ÿ ÿ ÿ #

pos. norm.

legno battuto

f F

3:2

©. ]

·. .ÿ .ÿ ·ÿ ÿ

Œ

f

©. ] .· .ÿ .ÿ .ÿ .ÿ ·ÿ ÿ ÿ ÿ #

On the arco tail norm. piece

p

œ > F

25 (3''; +sil) //////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// Soundfile ////////////////////////////////////////////////////// Reverb, Harmonizer, Feedback & EQ START:

29


Y

accel. 128

A. Fl.

&

[last time only]

‚ ‚.

Whistle Tones

#

‚ ‚ ‚ ‚.

& Œ.

mœ œ. J

Œ

P

o

..

Ad lib

‚ m‚. #

[Min. x 3]

F

o

norm.

Cl. in B b

.. Œ

Muta in Piccolo

©. = 69[© = 100-104]

mœ.

œ.

#

F

  mœ.

bend

qn

m m œœœ B œ

‚ ‚ b‚ J p

‚ ‚.

#‰

qn

5th

µœ Bœ ‰ ‰ # ‰ #B˜ œœ ‰ Bœ n— > > z F P f slap tongue

# ..

mœ œ

,

#

9th

[flutter tongue]

norm.

o

p

>¿ #Œ ß

Jet whistle

j ¿gliss

slap tongue

..

— > P

Lampshade (bow)

.. ΠPerc

Crotales

& Œ.

Œ

(bow)

15

j

& bœ o

œ œ.

|

œ œ. J

œ.

œ.

F

# .. p

Œ.

#‰ # Œ ~ > P Bass Drum # ‰. œ > P

..

Œ. Crotales (bow)

bœ œ o

‰. p

Lightbulb

µ> F

..

Bike rubber

Gr. Pno. /Ztr.

..

&

..

j v

> ^

f

Glide up against the peg box

œ. & #

Play on a string at the nutpeg

œ œ.

arco norm.

Vln.

Behind the bridge

Vc.

Elctr.

&

œ.

. ®œ œ œ qn

START:

Soundfile 26 (7''; +sil)

Reverb, Harmonizer, Feedback & EQ

œ.

f

œ. F

.. œ

.. œ .

,

>œ œ . J F

,

œ.

, >. œ

œ

P

, > œ J F

,

[thin, sharp timbre]

P

>œ œ . J p

œ.

, >. œ #

œ.

œ qn

|

œ #Œ

..

, > œ . J . F

S

|

norm. press.

œ #Œ light press.

///////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

30

Ylva Lund Bergner – Euphorbia  
Ylva Lund Bergner – Euphorbia  

Ylva Lund Bergner Euphorbia (2010) for flute, clarinet, percussion, zither/grand piano/electric guitar, violin, cello & electronics Dur. 9-1...

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