Jexper Holmen: Eocæn (2015)

Jexper Holmen EocÌn (2015) for barytone and piano Dur. 10′

Written for Jakob Bloch Jespersen and Christian Westergaard

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Edition·S publications are supported by the Danish Arts Foundation / Edition·S udgivelser er støttet af Statens Kunstfond

Jexper Holmen Eocæn (2015) for barytone and piano Dur. 10′

PERFORMANCE NOTES

OPFØRELSESNOTER

The work consists of five songs to be performed attacca.

Værket består af fem sange, der spilles attacca.

Accents og sfz > = subtle accent > sƒz = clear/obvious accent >> sƒƒz = powerful accent >>> sƒƒƒz = extreme accent (only occurs once) Accents on notes with a tie or a slur from the previous note, should be sung with abdominal pressure.

Accenter og sfz > = diskret betoning > sƒz = tydelig betoning >> sƒƒz = voldsom betoning >>> sƒƒƒz = ekstrem betoning (forekommer kun en gang) Accenter på toner, der er bundet over fra den forrige tone, skal synges som et mavetryk.

Trills Trills are notated ”tr”. In parenthesis is marked which note to trill to. The trill applies to entire value of the note.

Triller Triller er noteret med ”tr”. Der står i parentes, hvilken tone man skal trille til. Trillen gælder hele den node, den står over.

Piano notation Sustain pedal: Change pedals only where it is notated specifically.

Damper pedal: At the beginning of each song is marked either UNA CORDA SEMPRE or TUTTE LE CORDE SEMPRE, regarding use of the damper pedal; it applies to the whole song.

Split stems are used only to make room for all the notes in a chord. The notes should be played simultaniously.

Notation i klaveret Sustainpedal: Der skal kun skiftes pedal, hvor det specifikt er noteret.

Dæmperpedal: I begyndelsen af hver sang er noteret med hhv. UNA CORDA SEMPRE og TUTTE LE CORDE SEMPRE om dæmperpedalen skal bruges; og det gælder for hele den pågældende sang.

Delte nodehalse er udelukkende for at få plads til alle noder i en akkord. Tonerne skal spilles samtidig.

The singing voice The amount of vibrato should depend how much the sound of the piano reverberates.

The more the piano reverberates, the more vibrato should be used.

Parts of songs III and IV should be sung in falsetto. Those parts are notated in treble clef.

Sangstemmen Syng med vibrato gradueret efter, hvor meget klaveret runger. Jo mere klaveret runger, des større vibrato.

I sang nr. III og IV går stemmen op i falsetlejet. Falset er noteret i g-nøglen.

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