Concerto for a Movie Loop

Christian Winther Christensen Concerto for a Movie Loop (2012) for video & chamber orchestra Dur. 7’

SCORE

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= Make the accent with as much sound as possible.

Used when you play with particuæar techniques = Make the accent with as much sound as possible.

Used when you play particuæar = Make the accent withwith as much sound techniques as possible.

Used when you play with particuæar techniques

Christian Winther Christensen Concerto for a Movie Loop (2012) for video & chamber orchestra Dur. 7’

PLAYING TECHNIQUES The score is transposed

PLAYING TECHNIQUES "f" = as loud as possible. Is used with techniques where not very much sound is generated.

PLAYING TECHNIQUES The score is transposed

PLAYING TECHNIQUES The score"pis "

transposed

= with avoidtechniques sound completely, where even though sound from the f = as loud as possible. Is used action itself cannot always be avoided. notloud veryasmuch soundIsisused generated. possible. with techniques where "f" ==as as loud as possible.

Is used with techniques where not very much sound is generated. not very much sound is generated. " p " = avoid sound completely, even though sound from the action itself cannot always be avoided.

Winds = avoid sound completely, even though sound from the p " " " "

itself cannot always be avoided.

Winds = action avoid sound completely, even though sound from the

action itself cannot always Air. be Useavoided. the notated fingering in order to obtain the right frequency.

–

Winds Winds

Air. Use the notated fingering in order to obtain the right frequency.

Air. Use the notated fingering in order to obtain the right frequency.

Air. Use the notated fingering in order to obtain the right frequency.

–

– –

–

A glissando air.in As the previous example the fingering A glissando withwith air. As thein previous example use the use fingering to obtain the right frequency. to obtain the right frequency.

A glissando with air. As in the previous example use the fingering to glissando obtain thewith rightair. frequency.

Woodwinds A As in the previous example use the fingering Woodwinds to obtain the right frequency.

j

Woodwinds Woodwinds

‹

Noise the notated Noise fromfrom the notated key. key.

Noise from the notated key.

Noise from the notated key.

+

[whistle Tongue pizzicato. [whistle only]only] Tongue pizzicato.

œ

[whistle only] Tongue pizzicato. [whistle only] Tongue pizzicato.

Y

[whistly Cover the entire mouthpiece with [whistle only]only] Cover the entire mouthpiece with the lips.the lips.

[whistly only] Cover the entire mouthpiece with the lips. [whistly only] Cover the entire mouthpiece with the lips.

+

[whistly Tongue-ram [whistle only]only] Tongue-ram (pizz.)(pizz.)

Y.

[whistly only] Tongue-ram (pizz.) [whistly only] Tongue-ram (pizz.)

# –æ

– J

[whistle only] A weak flutter-tongue simultaneously with a

[whistle only] A glissando. weak flutter-tongue simultaneously downwards Articulate this strongly.with a downwards glissando. Articulate this strongly.

[whistle only] A weak flutter-tongue simultaneously with a downwards glissando.

Articulate thissimultaneously strongly. [whistle only] A weak flutter-tongue with a ~~~~~ downwards Articulate this strongly. œ . (uglissando. ) [whistle only] Bisbigliando [whistle only] Bisbigliando [whistle only] Bisbigliando [whistle only] Bisbigliando

‡.

[only clarinet and bassoon] Slap-tongue.

[only clarinet and bassoon] Slap-tongue.

‹

‹

Key-noise.

As many keys as possible.

Key-noise.

As many keys as possible.

1) with the right hand,hand, 2) with2)the leftthe hand.

1) with the right with left hand.

‹

j b‹

Make a glissando onlykey-noise. with key-noise.

Make a glissando only with

Brass

Brass

!

˜.

˜.

Hit with the hand on theonmouthpiece.

Hit with the hand the mouthpiece.

M

Make the same hit ashitinas theinprevious example, only this timethis with the with mouth.

Make the same the previous example, only time the mouth.

ThisThis will not be nearly as strong but can be articulated better. will not be nearly as strong but can be articulated better.

‹ ‹ ‹

[only horn]horn] MakeMake a noisy changechange between the F horn the and Bb horn. [only a noisy between the and F horn the Bb horn.

˜.

˜.

F

close

B

F

open

– –

[only[only for horn] CloseClose the horn hand to hand open horn. for horn] thewith hornyour with your to open horn. [only[only for trumpet] CloseClose the harmon to opentoharmon. for trumpet] the harmon open harmon.

TheThe arrow is theislevel the two modes. arrow the between level between the two modes.

II

Timpani & Percussions

Timpani & Percussions

O &= =

j

œ œ J

p

!

" "

–

–

– –

– –

R

First note (with the graphic tuning fork) : Enable the Tuning fork.

FirstSecond note (with graphic tuning fork): Set Enable Tuning notethe (with the glissando): the the tuning forkfork. on the timpani Second note (with the glissando): Set the tuning fork on the timpani and make a glissando with the pedal. and make a glissando with the pedal.

Scratch softly on the drumhead.

Scratch softly on the drumhead.

Rub on the instrument with a soft stick.

RubMake on thea instrument with without a soft stick. regular sound without too many deflections. regular sound too Make manyadeflections.

Strings

Strings j

œ œ J

>

˘

‹ ‹

A short quick glissando the bridge thatisthere is only for the bow.

A short and and quick glissando close close to theto bridge that there only place forplace the bow.

At the same time with bow pressure.

The result is without sound, only a short noise.

At the same time with bow pressure. The result is without sound, only a short noise.

Hammer on. 1)on.

Hold on the on fingerboard after theafter action.

Hammer 1) fingers Hold fingers the fingerboard the action.

2) Move fingers from from the fingerboard during during the action.

2) Move fingers the fingerboard the action.

j ‹

Hammer on glissando Hammer on glissando. ‹

J

Ÿ~~~ # ·œ ~~~~~~ j ·

bœ

æ

"·

·‚

Tremolo between artificial harmonics and normal harmonics.

Tremolo between artificial harmonics and normal harmonics.

At the timetime makemake a bowa tremolo as fastas asfast possible.

At same the same bow tremolo as possible.

TheThe sound should be ugly sound should be and uglynoisy. and noisy.

R

Damp the strings with the the bow. left hand a micro second before stopping the bow. second beforelightly stopping

‡

‡ R

Make a glissando with the bow). bow).

Make a glissando withleft thehand left (without hand (without Refrain fromfrom a hard on theon first Refrain a attack hard attack thenote. first note.

Make the sounds with the fingernails.

Make the sounds with the fingernails.

#

po

Damp the strings lightly with the left hand a micro

III

œ.

J

col legno

Strike the string the back-side theor in the cases where a pencil is used, Strike the string with with the back-side of the of bow bow or in the cases where a pencil is used, with the side of the pencil. The pitch is very important. with the side of the pencil. The pitch is very important.

col legno

.$ J

LikeLike the previous example but without a pitch.a pitch. the previous example but without

– Bow onbridge. the bridge.

Bow on the

1) Bow fromfrom sul ponticello to sul tasto. j 1) Bow sul ponticello to sul tasto. Ó Ó 2) Bow from sul tasto to sul ponticello.

2) Bow from sul tasto to sul ponticello. Ó Ó J

TheThe stroke should be exactly perpendicular (not skew). stroke should be exactly perpendicular (not skew).

"""""""""""""""""""

# # ·œ

the previous example buta with LikeLike the previous example but with pitch.a pitch.

˜

Swing the bow thesoair so it willaproduces Swing the bow in theinair it produces sound. a sound.

J

IV

INSTRUMENTATION 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in C Timpani Percussion 1 Percussion 2 Violin I Violin II Viola Violoncello Double Bass

THE SCORE IS TRANSPOSED

Concerto Andante q = 72 Flute

3 &4

!

!

Oboe

3 &4

!

!

3 &4

!

!

? 43

!

!

? 43

!

!

Horn in F

& 43

!

!

Trumpet in C

3 &4

!

!

Timpani

?3 4

!

!

Clarinet in B b

Bassoon

Percussion 1

Percussion 2

Piano

3 ã 4 ã 43 3 &4

?3 4 œ. œ. f

Violin I

& 43

Violin II

& 43

Viola

B 43

Cello

? 43

Double Bass

?3 4

!

! ! ! !

3 8

! !

œ.

38 ‰

58 II# œ f

œ.

38 ‰

‰ –– PJ

58 # œ #œ f 5 #œ 8 #œ f

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38

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5 # Ͼ 8 f 5 8

!

58

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5 ‰ #œ 8 F # œ œ# œ 5 # œ œ# œ ‰ 8

!

non div.

58

!

non div.

58

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non div.

!

!

œœ ..

6

!

3 8

+ 3 œj ‰ Œ 4 fl F 3 !

4

3 8

f

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5 #œ 8# œ f 58 I œ

!

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f 5 # œœ 8 f

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Christian Winther Christensen

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6

Waterfall

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43

Œ

a2

j

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43

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43

!

3 8

!

3 4

!

3 8

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3 4

!

soft stick

j –

3 œ. " œ 8 R æJ # 38 ~~~~ œ ‰ J # 3 8

‰ 43 œ. " ‰ Œ R Birds œ~~~ 43 !

J

Triangle

3 4

tempo 40

3 8

tempo -40

38

!

38 3 8 r 3 ‡. œ " 8 ‡. ‡. "f " non div. r œ " 38 ‡‡ .. ‡. "f "

non div.

58 # œ f 5 #œ 8 f

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Wood Block

a2

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Wood Block

3 4 œ. œ. f

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43

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3 4

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‡ ‡ 43 ‡ " ‰ Œ R ‡ 3 ‡‡ " ‰ Œ 4 R

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6

Fl.

Ob.

Cl. (B b)

Bsn.

& &

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&

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?

!

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&

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Tpt. (C)

&

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6

6

Timp.

85

f 58 # œœ f 5 8 # # œœ f 85 œ

38 ‰

‰

85 # œ f

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85 # œ #œ f 5 8 ## œœ f

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f

85 # Ͼ f 85

ã

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6

Vln. I

Vln. II

Vla.

Vc.

D.B.

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Perc. 2

?

38

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Pno.

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ã

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38

3 8

Perc. 1

6

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# œœ

85

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@ 85 # œœ f 58 œ@ #œ f 5 8 #œ f 5 8 #œ f

6

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38

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soft stick

38 œ. " R # 38 ~~~~ œ J # 38

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‰

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38

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‡ 3 ‡‡ " ‰ Œ 4 R

non div.

‡ 3 ‡‡ " ‰ Œ 4 R

r œ " 38 ‡‡ .. ‡. "f "

non div.

2

38 # ‡. ‡. # 38 ‡. ‡. #

‰

3 4

3 4 ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡.

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!

3 4

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3 r" ‰ 8 ‹

43

3 8

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38 r " ‰ ‹

43

Wood Block

43 œ . œ. f

# Y. p

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tempo -40

‰ ‹ J "f " ‰ n ‹j "f "

43

II

38

œ~~~~ 43 J

Birds

tempo 40

38

.

43 œR " ‰ Œ

38

a2

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j –

A

Œ

43

– J P

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œ

+ j 43 œ ‰ Œ fl F Œ 43 Œ

a2

38 œ . æ %

43

Bass drum

38

43

tempo 0,25

38

43

!

-$ – ‰ J P -$ – ‰ J P -$ – ‰ J P

& 38 -– J

Œ

3 8

Œ

3 8

& 38 -– J & 38 -– J

‰

‰

43

‰

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43

‰

‰

43

! Ÿ~~~~~~~~~~~~~~~~

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œ

3 4 3 4

äj 3 &4 Y ‰ Œ P 3 (II)r " ‰ Œ &4 Y I

Œ

11

Fl.

Ob.

Cl. (B b)

Bsn.

& 43 Œ

Hn. (F)

Tpt. (C)

? 43

!

3 &4

!

3 &4

!

? 43

!

3 ã 4

!

11

Timp.

Perc. 1

Perc. 2

ã 43

& 43

11

Pno.

Œ Œ

3 &4

?3 4 œ. œ. f

Vln. I

43 Œ

Vln. II

43 Œ

Vla.

43 Œ

11

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8 #œ. œ # p+ 9 Œ. ‰ . r‰ Œ .

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3 &4 Œ

11

äj 3 " ‰ ‰ r 4 Y ‰ Œ . #Y Y P p 3 r" ‰ Œ r" ‰ ‰ 4 Y Y. Y

98 Π.

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98

98 Π.

!

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Vc.

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!

D.B.

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98

& 98 –- ‰ ‰ Œ .

J & 98 –- ‰ ‰ Œ .

J

98

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3 4

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43

!

98

3 4

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3 4

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43 Œ

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43

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J

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J p

o

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tempo 0,25

9 8 -$ – ‰ J P -$ – ‰ J P -$ – ‰ J P

j #œ . œ % I

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r" ‰ ‰ ‰. ‹

98 Π.

!

43 Œ

3

r" ‰ ‰ Œ. ‹

98 #‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. p I 9 Œ. ‰ Œ.

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8

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43 Œ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

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& 98 –- ‰ ‰ Œ .

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3 4 Œ

43

Œ.

tempo 0,25

9 8 -–$ ‰ J P -–$ ‰ J P -–$ ‰ J P

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J p

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9 œ.

8 æ %

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43 Œ

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&

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! #‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡.

&

!

&

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&

!

15

?

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ã

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15

Hn. (F)

Tpt. (C)

Timp.

Perc. 1

Perc. 2

!

ã œ. æ

œ. æ

r"‰ ‰ Y

" 43 3 4

Pno.

3 4

!

&

Vln. II

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&

Vla.

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15

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Vc.

D.B.

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P # œœ ..

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f

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B F B

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42

Œ

a2

j #œ ‰ Œ

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43 # œ œ œ œ œ # œ œ Œ œ f œ œ #œ œ 34 #œ œ œ Œ #œ f

j –

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43 # ˙ f 3 4 #˙ f 34 ## ˙˙

tempo 0,25

?

f ˙

f ˙ 34 # ˙ f 3 4 # # ˙˙ f 3 ‰ #œ.

4 #œ. ‡‡ ‡‡ ‡‡ ‡‡ ‡‡ ‡‡ ‡‡ ‡‡ . . . . . . . . f

15

&

#˙

2 4

!

2 4

accel. 1 til 10

#œ. #œ.

2 4

rall. 10 til -0.6

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42

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j #· # œ j #œ

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2 4 42

Fl.

& 24

!

38 ‰

Ob.

2 &4

!

3 8

19

Cl. (B b)

Bsn.

2 &4 Π2 &4

Tpt. (C)

!

Perc. 1

Perc. 2

43

38

j œ %

2 4 ˙

2 &4

!

3 8

!

2 4

!

3 4

? 24

!

38

!

43

!

42 # ˙æ # 42 !

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2 4

!

!

42

ã 24

& 24 ? 24

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B 24

Vc.

? 24 Œ ? 24 Œ

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3 8

!

38 38

!

& 24 & 24

38

!

2 ã 4

Vln. II

D.B.

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Œ

!

19

Vln. I

42

& 24 ‹R " ‰

19

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!

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F

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43

!

‰

38

a2

2 4

2 ˙ 4 (II)

Œ

19

Timp.

(I)

!

42

!

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R 8 % 3‰ 8

‰.

42

sul A sul D

!

38 j – "f " 38 ‰

! ‰

solo

sul D sul A

– "f "

Ÿ~~~~ 38 j œ· (œ ) #

j –

–

j –

38

j –

solo

42

!

!

42

!

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42

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Ÿ~~~~~ j ‰ ·œ (œ ) #

5

!

3 8 3 8 3 8

!

38

#˙. #˙. f ˙. ˙. f

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38

!

3 8

#˙. f

!

38

˙

f

Π! !

non div.

@ 43 # # ˙˙ .. f tutti non div.

34 # ˙ . #˙. @ f tutti 43 # ˙ . f

&

#˙. f

œ. " ‰ Œ R Triangle P o ‰ . +œ œ œ. " ‰ Œ R P Triangle

!

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43

43

38

!

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34 # ˙ . @ f

?

!

!

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f " #œ f

non div.

! !

j –

" #œ

43

42

– J

3 4

accel. 0 til -0.8

42

!

43

rall. -1 til 0

42

!

38

# # ˙˙ ..

f 3 # # ˙˙ ..

4 f 3 œ 4 P 3 4 œ P 43 # # ˙˙ ..

? 24 r " ‰ – 19

Hn. (F)

+ + " œ r " R œ I

(I) (II)

!

tempo 0

!

Œ Œ

38 3 8 38 38

!

38

!

38

!

38

!

38

!

38

& 38

24

Fl.

Ob.

Cl. (B b)

Bsn.

3 &8 3 &8

Tpt. (C)

43

!

(II)

!

3 &8

!

?3 8

!

& 38

24

Hn. (F)

!

!

3 &8

3 &8 ? 38 æ œ. %

Perc. 1

Perc. 2

ã 38 ã 38 3 &8

24

Pno.

?3 8

3 4 3 4

P #˙.

P ˙. #˙.

P ˙.

!

3 4

Vla.

B 38

!

Vc.

?3 8

!

D.B.

? 38

!

!

4 Π4

3 8 3 8 3 8

!

!

43 Œ

!

3 8

38

!

3 &8

!

˙. ˙.

P #˙. #˙.

P

!

Vln. II

44 ‰

3 8

43 ˙ .

P 43

!

!

!

!

Vln. I

38

!

3 4 #˙.

P 3 4 ˙˙ ..

P

3 4

accel. 0 til -2

!

!

P

!

& 38

24

3 4

˙.

43

24

Timp.

(I)

3 4 ˙.

34 # ˙ . @ P 3 4 # ˙˙@..

P 3 ˙ 4 ˙ @ P 3 4 ˙.

P 43 ˙ .

P

! !

4 4

4 ‰ 4

4 Ó 4

#q

j Y %

r Y " ‰ ‰

r – " Œ % –J

Œ

Œ

43

bY Y " ‰ J R % !

Œ

3 4

r " ‰ ‹ "f " fl r " ‰ ‹ "f " fl !

Œ

3 4

?

a2

‰

Œ

43

j ˜ "f " fl

‰

Œ

3 4

& == q

I

Œ

3 4 3 4

!

4 4

!

44 Ó

!

3 8

!

4 Ó 4

!

38

!

43

38

!

44 œ œj ‰ Œ Ó J # Birds Cowbell 44 Œ œ " œ~~~~ Ó # Waterfall Triangle 44 Œ œ œ " " œ~~ Ó R # 4 4

3 4

œ. " ‰ Œ !

R Triangle P o Œ ‰ . +œ œ œ. " ‰ Œ R P Triangle

!

!

& ==

Œ Œ

38

!

M

j ˜ "f " fl a2

3 8

!

!

38

!

44 Ó

!

3 8

!

4 Ó 4

!

3 8

!

4 Ó 4

!

3 8

!

4 4

!

!

38

!

44

!

stop

!

3 8

6

!

4 4

M

!

3 4

43 43 3 4

¬

43

¬

3 4

P P P

3 4 3 4 43

C

& 43 Œ

29

Fl.

Ob.

Cl. (B b)

Bsn.

3 œ &4 œ P 3 &4 œ P & 43 œ P œ ? 43 œ P

Œ

œ. œ.

a2

‰

– J " " j f œ œ. œ œ.

œ.

j #œ œ .

œ.

j #œ œ .

œœ ..

# œœ œœ ..

J

' "

Tpt. (C)

Timp.

?3 Π4

Perc.

‰

ã 43 & 43 ? 43

j œ

œ œ P

œ. œ.

"

!

"

a2

Œ

‰

Œ

‰.

!

& ¥ ==

bœ R #

œ J

'

j nœ œ . nœ œ .

"

‰

D.B.

?3 Π4

Œ

‰

!

4 4

!

38

!

44

Œ

!

3 8

!

4 4

!

!

!

!

38

44

#Ÿ·œ ~~~~~~~~~~~~~~~~~~~~~~ j b œ· " æ æ " ‰ 38 æ æ R R Ï sul A

!

!

j #œ

3 8

Œ

F

44

!

Œ ‰

!

44

Œ

j #· # œ

38

44

!

43 –R " ‰

" & # ·r ' # œ % sul D # > ‹ R " p

!

j œ %

38

Vla.

Œ

B

!

4 4

!

!

Œ

F

4 4

!

!

Œ

Œ

‹‹‹ ‹ " ‰ Œ R 3 "f " B

I + + " œ r " 44 R œ

œ 3 œ.

R 8 % 38 ‰ ‰

‰.

Œ

r " –

!

Œ

Œ

3 8

‰

43 –R " ‰

Vc.

! Œ

Œ

Vln. II

? 43 Œ

Œ

f

3 – 4 R " ‰

Œ

38 ‰

–

Vln. I

29

!

!

!

29

Pno.

' J "p"

– J "f "

a2

Œ

" "

?3 j ‰ Œ Œ 4 ˜ fl + harmon (only 1. trumpet) Œ & 43 j ‰ Œ ˜ fl

29

‰

"

29

Hn. (F)

j ' –j ‰

‰

&

38

sul D

! !

Œ

Œ

Œ

Œ

7

Œ Œ

Œ Œ

‰

– "f "

j –

sul D sul A

–

j –

44 4 4

38 j –j – j ‰ – J – "f " solo Ÿ~~~ 38 ‰ B j ‰ œ· œ #

44

!

44

3 8

!

4 4

Ÿ~~~ j 38 œ· œ #

?

solo

!

44

& 44 Œ

#– æ P

33

Fl.

Ob.

Cl. (B b)

Bsn.

4 &4

r 4 œ &4 œ "‰ Œ

Hn. (F)

4 Ó 4

4 &4 Œ

Perc. 1

?4 4

4 ã 4 Œ

open

– I "f "

33

ã 44 Œ

!

11 16

!

!

!

11 16

!

!

Ó

!

11 16

!

!

Ó

!

11 Π16

Ó

!

r" ‰ –

II

?

1. trumpet with harmon

Timp.

j –

? 44 ‹ " ‰ Œ ‹ "f " 33

Tpt. (C)

D

%¬

r" ‰ Œ – #

Ó

œ " œ~~~ Ó p Waterfall œ œ " " ~~ œÓ R p

Cowbell

Birds

!

!

11 16

!

!

!

!

!

!

!

!

11 16

!

!

Œ

11 16

!

!

·

11 ·r‚ " ‰ Œ 16 fo

11 16

!

!

!

?4 4

11 16

!

!

Vln. I

4 &4

!

Vln. II

4 4

Vla.

B 44

4 &4

33

Pno.

33

Vc.

?4 4 4 4

D.B.

?4 4

Q & ==

sul D

$ · p

!

Ó

!

tutti

! !

$ &· p

Ó

!

?

‹ J p

r ·‚ " ‰ f o

· sul D

j ‹ p

tutti

Q & ==

‰

Œ

Ó

#œ œ œ

Œ

œ œ œ

p ‰

p

# œ œ œJ ‰ ‰ p gliss.

Œ

11 16 Œ

11 b œæ 16 b œ f 11 16 b œ æ f 11 16 b œ æ f

div.

‰

gliss.

Œ

!

11 16

Perc. 2

Œ

Œ

œ œ œJ ‰ p 8

Œ

‰.

œ œ F $j Œ œ. œ.

P $ Œ œ.

J P $ Œ œ.

J P

" & # œj F I

11 16

!

Triangle

!

r "" œ

bœ

!

- harmon (only 1. trumpet)

close

!

Œ

11 16

r "" Œ bœ œ F

! r"‰ Œ bœ b œæ bœ f bœ æ f bœ æ f

œ

$j Œ œ. œ.

P $ Œ œ.

J P $ Œ œ.

J P

œ

Ÿ~~~ œ (u)

bisbigliando

&

!

!

!

!

43 Œ

&

!

!

!

!

3 4

&

!

!

!

!

&

!

!

!

Œ

bœ

r "" Œ œ

37

Fl.

Ob.

Cl. (B b)

Bsn.

? Œ

bœ

37

Hn. (F)

Tpt. (C)

Timp.

Perc. 1 Perc. 2

Pno.

& #˙

Vln. II

Vla.

Vc.

j œœ .

J.

˙˙

" œj F

Œ

˙˙

" -j œ . b œ b ˙˙ J F

Ó ˙

43

!

85

43

!

85

43

!

85

j œœ .

J.

1. trumpet without harmon I

?

!

!

!

!

ã

!

!

!

!

3 4

37

!

!

!

!

!

!

!

!

3 4

!

&

?

&

!

&

!

B r" ‰ Œ bœ ? b œæ bœ f ? bœ æ f

Œ Œ

II

!

!

! ! œ œ

$j œ. œ.

P $ œ.

J P

r" ‰ Œ bœ b œæ bœ f bœ æ f

Œ Œ

œ œ

$j œ. œ.

P $ œ.

J P

b œæ bœ f bœ æ f

œ œ

$j œ. œ.

P $ œ.

J P

ΠΠ9

r" ‰ Œ bœ b œæ bœ f bœ æ f

Œ Œ

œ œ

$j œ. œ.

P $ œ.

J P

!

5 8

Πpizz. dolce

3 4 Œ

!

5 8 85

!

3 4 Œ

5 8

! !

3 4

!

! r" ‰ Œ bœ

43

!

!

85

5 8

j œœ .

J.

43

37

ã

Œ

j œœ .

J.

˙˙

bœ

!

5 8

3 4

&

a2

D.B.

j œ .œ II J -

bœ

r "" Œ œ

85

" " r ‡.

P r " " œ I

!

37

Vln. I

r "" Œ œ

Œ

3 4

Œ Ø (II) Ÿ~~~~ bisbigliando œ (u ) Œ Œ Ø (a 2) j – Œ Œ – P r" ‰ Œ Œ ‡.

(I)

œ

#

Ÿ~~ # ·œ

5 8

‰ . æ 85 R Ï 5 Œ 8

3 4 b œr " ‰ Œ

Œ

43 Œ

5 8 ‚ ·. · Fo col legno œ. ‰ . R 85 p

43 Œ

solo

$ · # Œ

5 8

Fl.

& 58

!

!

!

43

!

Ob.

5 &8

!

!

!

3 4

!

42

Cl. (B b)

Bsn.

5 &8

!

!

!

3 4 Œ

5 &8

!

!

!

3 4 Œ

?5 8

!

!

!

3 4 Œ

5 & 8 Œ.

?

& 58 Π.

?

42

Hn. (F)

Tpt. (C)

Perc.

!

? 58

!

ã 58 & 58

42

Pno.

Vln. I

?5 8

3

–. –. –. "f " 3

–. –. –. "f "

Vln. II

Vla.

B 58

!

!

43

!

!

!

!

!

!

43

Vc.

?5 8

!

? 5 ‹j ‰ ‰ Œ 8 "f "

˙ % Œ

‰ ‰ 3

(I)

!

Ÿ. ~~~~~~~~~~~~~ ~~·j # ·œ ~~ . arco

æ Ï

æ

! ! !

bœ

!

3 4

sul A sul D

!

3 4 Œ

‰

!

43 Œ

Œ

!

3 4 Πsul D sul A

3 4 ‰

!

10

solo

j – "f "

– J

4 4

38

44

solo

j –

‰

44 44

!

44

38

!

44

3 8

!

3 8

!

38

!

44

Œ

3 8

!

4 4

Œ

3 8

!

Œ j –

4 4

!

3 8

Ÿ~~~~ j ‰ ·œ œ #

j –

3 8 j ‰ ‰ –. p 38 j ‰ ‰ –.

38 !

j 38 j ‰ ‰ ‡. ‡. #

!

j – "f "

4 4 4 4

38

Œ

4 4

!

3 r" ‰ ‰ 8 œ

!

!

Ÿ~~ # ·œ .. ~~~~~~~~~~~~~~~~~~~~~~~~ ·j bœ 3 ‰ æ æ 4 æJ Ï

44

3 œ"‰ ‰ 8 R

%

II

43

!

!

Œ

3

!

!

œ

I

3 3 3 3 –. –. –. 4 –. b –. – b – – – b – . . . . . –. b –.

3 3 34 j ‰ j ‰ ‰ Œ Œ. Œ ‰. ‰. j –.

–. –. –.

–. p # –. a2 3 Œ. ! j‰ ‰ Œ 43 b –. –. –. b –. "f "

Œ.

j ‰ ‰ Œ –.

!

~~~~~~~~~~~~~~~~ ~~ j 42 . b œ· 5æ æ &8

5 &8

D.B.

II

& 58 42

Timp.

I

38 –. # 3 8 a2

– J

j –

‰

Ÿ~~~~ j ·œ œ ‰ #

4 4

!

4 4 &

?

4 4

4 4

˙ ˙

E

& 44 r " ‰ Œ –

47

Fl.

˙˙ 4 &4 # dolce 4 ˙ &4 ˙ # dolce ? 44 ˙˙ #

dolce

Ob.

Cl. (B b)

Bsn.

Tpt. (C)

Perc. 1

Perc. 2

!

˙˙

Ó

!

Ó

!

# ˙˙

Ó

!

Ó

!

Ó

!

!

42

Ó

!

2 4

Ó

!

42 42

4 &4

!

!

!

!

!

!

2 4

? 44

!

!

!

!

!

!

42

!

!

!

!

!

!

!

!

!

!

!

42

!

!

!

!

!

!

!

!

!

!

!

!

42

4 ã 4

ã 44 œJ ‰ Œ % Bass drum

& 44 ?4 4

Ó

4 &4 w #

j œ œ.

dolce

4 &4 w #

j œ œ.

?4 4 w #

j œ œ.

B 44 w #

dolce

? 44 œj ‰ Œ #

Ó

w

œ ˙

˙

˙

j œ œ.

dolce

pizz. dolce

D.B.

Ó

!

tutti

Vc.

˙ #˙

42

!

tutti

Vla.

# # ˙˙

!

!

dolce

Vln. II

# # # ˙˙

Ó

!

47

Vln. I

Ó

˙˙

!

!

47

Pno.

!

!

47

Timp.

!

? 44

47

Hn. (F)

Ó

dolce

!

˙

3

2 4

2 4

˙

œ œ.

J

˙

œ œ J

œ 2 J 4

˙

j œ œ

œ 42 J œ 2 J 4

w

3

œ #˙

˙

#˙

j œ œ.

˙

w

3

œ ˙

˙

˙

j œ œ.

˙

œ œ J

˙

w

œ #˙

˙

#˙

œ J

œ.

˙

œ œ #œ 2 J J 4

#œ ‰ Œ J

Ó

3

j‰ Œ œ

Ó

!

11

!

42

& 24

Fl.

Ob.

Cl. (B b)

Bsn.

˙˙

Tpt. (C)

˙ & 24 ˙

43

!

& 24 # ˙˙

43

!

? 24 ˙˙

43

!

Œ # œ ‹ fl > "f " F a2 j 11 16 ‹ ‹ ‰ Œ P J 11 Œ 16 #‡ "f " ‹ > Ffl a2 11 16 ‹j ‰ Œ

? 24

!

43

!

11 Π16

!

2 &4

!

3 4

!

11 16 Œ

!

?2 4

!

3 4

!

11 16

53

Timp.

Perc. 1

Perc. 2

ã 24 Œ ã 24 Œ & 24

53

Pno.

? 24

Wood Block soft stick

! !

43

!

43

Vln. I

2 ˙ &4

3 4

Vln. II

& 24 ˙

43

Vc.

?2 ˙ 4

3 4

? 24 j ‰ Œ #œ

$ 34 ¬ .

!

sul D

sul D

(the next 4 bars)

arco

P

11 Π16

‰.

Œ

‹ #‡ > Ffl "f " j ‹ ‰ Œ

j ‰. b˜ "f " fl a2

Œ

‰

Œ

‰

o + " " œ œœ œ ‰ " Œ R

Œ Œ

Bass drum

äœ J p

"

3

Œ

11 16 b œœ Ø

11 œ. #˘‹ 16 F col legno 11 œ. #˘‹ 16 F col legno

11 – ‰ 16 R "f "

+

‰.

‰.

Œ # œ ‹ > Ffl "f " j ‹ ‰ Œ

‰.

Œ

‰.

‹ J

j ‰. b˜ fl

Œ

‰

Œ

‰

o + " " œœœ œ ‰ " Œ R

äœ J

Œ

‰.

b‹ J

j ‰. b˜ fl

!

‰.

‹ #‡ > Ffl "f " j ‹ ‰ Œ

‰.

b‹ J

j ‰. b˜ fl "f "

Triangle

11 16

‹ J

a2

!

11 Π16

‰.

‰.

Œ # œ ‹ > Ffl "f " j ‹ ‰ Œ

‰.

"

3

Œ

j ‰. b˜ fl j ‰. b˜ fl !

!

!

!

!

!

J.

'

'

'.

J

'

'

'.

J

.

J

'

'

'.

J

'

'

'.

J

Ÿ~~~ ·œ (œ ) ‰ ‰ .

J arco

Ÿ~~~ ·œ (œ ) ‰ ‰ .

J arco

‰.

" Π12

o " " œœœ

äœ J

Œ

!

div.

(the next 4 bars)

!

‰.

11 16 œœ Ø

!

Vla.

‰

+

div.

!

3 4

‰

11 16

!

B 24 ˙

11 16

P b ‹J

‰ œ " 43 œ " ‰ Œ Œ R R # ~~~~~~~~~~~ ‰ œ 43 œ " ‰ Œ Œ J R #

53

D.B.

+

!

53

Hn. (F)

F

43

53

Ÿ~~ .œ #˘‹ ·œ ( œ ) ‰ ‰ .

J

col legno

arco

Ÿ~~ .œ #˘‹ ·œ ( œ ) ‰ ‰ .

J

col legno

arco

!

Ÿ~~ .œ #˘‹ ·œ ( œ ) ‰ ‰ .

J

col legno

arco

Ÿ~~ .œ #˘‹ ·œ ( œ ) ‰ ‰ .

J

col legno

arco

!

"

3

+

Fl.

Ob.

Cl. (B b)

Bsn.

Tpt. (C)

Perc. 1

Perc. 2

Vln. II

D.B.

85

‰ Œ

Ó

!

43

!

!

85

‰ Œ

Ó

!

43

!

!

85

‰ Œ

Ó

!

43

!

!

85

!

!

3 4

!

!

j ‰. b˜ fl

4 4

!

!

3 4

!

!

5 8

!

44

!

!

43

!

!

85

!

!

!

!

5 8

!

!

5 8

‰.

Œ

‰.

‰

j ‰. b˜ fl

4 4

‹ >" "f ? j ‹

#‡ Ffl ‰

b‹ J

?Œ &Œ

‰

? + ã œR ‰

" Œ

㠌

+ harmon (only 2. tp.)

o 4 + " " œœœ 4 œ " ‰ Œ R

äœ J

Œ

"

3

?

4 4

!

&'

'

'.

J

&'

'

'.

J

B œ.

#˘‹

? œ.

#˘‹

Ÿ~~~ ·œ ( œ ) ‰ J arco

Ÿ~~~ ·œ ( œ ) ‰ J arco

!

Wood-Blok 4 œo+ " ‰ Œ 4 R P

4 œ"‰ Œ 4 R

!

&

col legno

Vc.

!

Œ

col legno

Vla.

!

&

58

Vln. I

43

‰.

58

Pno.

!

Œ

58

Timp.

Ó

‰.

‹ J

G

‰ Œ

Œ

&

58

Hn. (F)

44 j ‹ > "f " 44 j ‹ > "f " 44 j ‹ > "f " 44 j b‹ > "f "

‹ # flœ > "f " F j ‹ ‰ &

58

!

Ó

!

3 4

Ó

!

3 4

r b œ 44 œ " ‰ Œ R

5 8

5 8

!

3 4 œ. œ. f

#œ. #œ.

Ó

!

43

!

!

85

Ó

!

43

!

!

85

!

r œ 44 œ " ‰ Œ R

3 4

Ó

&

5 8

#˙. #˙.

‰.

4 4

!

!

3 4

!

!

5 8

‰.

44

!

!

43

!

!

85

!

3 4

!

!

5 8

?

col legno

.

4 'J ‰ Œ 4 F

Ó 13

# œœ

œœ ..

f 5 # œœ &8 f

œœ ..

& 58

63

Fl.

Ob.

Cl. (B b)

Bsn.

5 & 8 # # œœ f ? 58 œ

5 & 8 #œ #œ f I & 58 # œ

Hn. (F)

Tpt. (C)

Timpani

? 5 # œæ 8 f 5 ã 8

Timp.

Perc. 1

Perc. 2

!

ã 58

!

5 &8 ‰

63

Pno.

?5 8

#œ

#œ

#œ #œ œ œ# œ 6

#œ 5 œ &8 @ f non div. @ & 58 # œœ f non div.

63

Vln. I

Vln. II

B 58 # œœ@ f ? 5 #œ 8 f

non div.

Vla.

Vc.

? 58 # œ f

arco

D.B.

6

‰

4 Ó 4

œ. œ.

œ. œ. @

– PJ

– J P

j –

j –

!

?

38

!

3 8

!

38

‰

3 8

4 4

‰Œ Ó

close

44 Ó

!

3 8

tempo -40

r " ‰ ‹

Œ

7 8

Ó

‰.

–

78

Ó

r Œ ‹ b‹

r "‰ Œ b˜ fl

Ó

7 8

Ó

78

œ æ %

‰ Œ

close

b– – # "f "

‹ J

j –

!

!

!

Œ

Ó

œ æ

‹ J

J

!

Bass drum

4 4

tempo 40

Ó

open

b– – # "f "

44

!

38

open

7 8

r " ‰ Œ ‹ ‹ "f " J r Œ ‰. ‹ b‹ "f " J – jŒ – #

f

‹ J

I

44

Œ

Œ

4 r "‰ Œ Ó 4 b˜ Pfl

M

78

Ó

a2

44 Ó

Œ

Ó

– ‰ ‹ – J p "f " r ‰ ‹ "

Œ

" "

44 Ó

‰

2. trumpet with harmon II

R" ‰ ‰

Œ

‰

– ‰ ‹ – J p "f " a2 r ‰ ‹ "

4 Ó 4

!

3 8

#œ

œ # œ# œ œ# œ

!

38 ‰

œ. >

63

3 8

œ.

œ.

f

44 Ó

38 ‰

œ.

63

!

3 8

œœ ..

f ?5 # œ 8 f

38

I

Œ

78

7 8 Œ

78 78 7 8

!

!

4 4

!

!

7 8

3 8

!

4 4

!

!

7 8

œ@. œ.

38

!

44

!

!

78

œ@. œ.

3 8

!

4 4

!

!

7 8

œ.

3 8

!

7 8

œ.

38

!

78

non div.

‡. ‡ .. ‡ "f "

‡‡ .. ‡. "f "

non div.

‡ 4 ‡‡ " ‰ Œ Ó 4 R ‡ 44 ‡‡ " ‰ Œ Ó R 14

& 78 Ó

67

Fl.

Ob.

Cl. (B b)

Bsn.

& 78

7 &8 Ó 7 &8 Ó ? 78 Ó ?7 Ó 8 ?7 r "‰ Œ 8 b˜ fl close open 7 ‰ Œ &8 b– – # "f "

67

Hn. (F)

Tpt. (C)

‰ 44

!

44

!

‰

‰ 44

Perc. 1

‰.

Perc. 2

7 ã 8 Ó & 78

67

Pno.

?7 8

Vln. I

& 78

Vln. II

& 78

Vla.

B 78

Vc.

?7 8

67

D.B.

? 78 ? 78

‹ J

–

Œ. ! œ æ

‹

!

! ! ! ! ! ! ! !

!

‰ 44 4 4

!

!

44

!

2 4

42

– % ! !

4 r" ‰ 4 – 44 r " ‰ ‡. # 4 4

2 4

!

4 4

2 4

!

44

– "‰ R f II + r" ‰ Y fl F !

2 4 Œ

!

r ‰ 44 ‹ b‹ J

42 – p 42 Œ

!

‰ 44

j –

Œ.

?7 8 7 ã 8

r ‹ j"

r ‹ " ‰

67

Timp.

H

– ‰ ‹ – J p "f " !

(I)

4 4

! Œ

Ó

Œ

Ó ! !

4 4

!

2 4

!

4 4

!

4 4

!

2 4

!

4 4

!

‰ 44

!

2 4

!

4 4

!

4 4

44

$ 44 · p

sul D

44 Ó

sul D

44 Ó

4 ‹J ‰ 4 p gliss.

44 # œ œ œ p gliss. # 44 ‰ œ œ p

Œ

!

2 4

! ·

!

42

!

4 4

Q & ==

2 4

!

r ·‚ " ‰ Œ f o Q & $ == · · p j ‹ ‰ Œ p Ó

42

!

24 ·r‚ " ‰ Œ fo j 24 ‰ · Œ · #J

(harm. gliss.)

2 j 4 · ·‰ Œ J # 24 !

Œ œœ œ Œ p œ œ œ J ‰ ‰ œ J ‰ 42 p 15

!

(harm. gliss.)

4 4

!

44

!

4 4

!

Q & ==

$ 44 · p

·

44 Ó 44 Ó

4 ‹J 4 p

‰

Œ

r ·‚ " ‰ Œ f o Q & $ == · · p j ‹ ‰ Œ p Ó

44 # œ œ œ Œ œ œ œ Œ p p gliss.

44 ‰ # œ œ œJ ‰ ‰ œ œ œJ ‰ p p gliss.

!

71

Fl.

Ob.

Cl. (B b)

Bsn.

&

Tpt. (C)

Perc. 1 Perc. 2

&

!

Ó

?

!

Ó

?

!

Ó

?

!

&

!

r"‰ Œ b˜ fl

?

!

ã ã

Vln. I

Vln. II

Vla.

Vc.

b– #

–

? $ & · p

·

r & ·‚ " ‰ fo

Œ

B Ó

? ‹J

Œ

Œ

Ó

? #œ œ œ p

Œ

œ œ œ p

? ‰ # œ œ œJ ‰ ‰ p

2 4

‹ J

r " ‰ – "f "

Œ

2 4

! !

Œ

2 4 2 4 42 2 4

open

2 4

2 –$ 4 # 2 –$ 4 # 2 4

Ó ! Ó

r "" œ

bœ f

r "" œ

bœ f

I

11 16

!

!

!

!

11 16 11 16 11 16

!

11 16

!

– – !

2 4

!

!

!

œ œ œJ ‰ p

42

!

2 4

!

j œ .œ II J F

! !

11 16

!

Œ

16

&

- harmon (only 2. tp.)

42

!

‰ Œ

!

!

!

‹ J

11 16

r 42 ‹ " ‰

!

Ó

œ æ %

r ·‚ " ‰ Œ fo

Œ

‹ J

11 16

11 16 # ˙ F

!

r ·‚ " ‰ Œ f o Q & $ == · · p j ‹ ‰ Œ

!

2 4

–

!

Ó

11 16

11 16 Œ

r Œ ‹ b‹ "f " J jŒ

!

‰

gliss.

‹ J

‹ f 2 ‰ 4

" "

– ‰ Œ – pJ r ‹ " Œ

!

!

Q & ==

Œ

42

11 16 Œ

#

close

Œ

I

!

–

!

gliss.

D.B.

f r ‹ " ‰ ‹ "f " J ‰.

" "

M

!

&

71

Ó

!

71

Pno.

– ‰ ‹ – J "f " p r ‰ ‹ "

!

71

Timp.

Ó

&

71

Hn. (F)

I

!

11 – 16 J ‰ Œ "f " 11 – 16 J ‰ Œ "f " 11 16 Œ

11 æ 16 bb œœ f 11 b œ 16 æ f 11 16 b œ æ f

div.

Œ

‰. ‰.

œ œ F j Œ œ. œ.

P $ Œ œ.

J P $ Œ œ.

J P

Ÿ~~~~ œ (u)

bisbigliando

&

!

!

!

43 Œ

&

!

!

!

3 4 Œ

Ob.

&

!

!

Cl. (B b)

&

!

!

75

Fl.

Bsn.

? Œ

r "" Œ œ

bœ

j œœ .

J.

75

Hn. (F)

& ˙ ˙ & Œ

" j œII F

Œ

2. trumpet without harmon

Tpt. (C)

Timp.

Perc. 1 Perc. 2

Pno.

Vln. II

Vla.

Vc.

D.B.

Œ ˙

Œ r "" Œ œ

bœ

Œ

I

j œœ .

J.

" -j bœ œ.

J F

Œ bœ

j œœ .

J.

˙˙

j œ. œ.

J

b˙ ˙

!

75

!

!

!

!

!

!

3 4

!

B j ‰ Œ bœ ? b œæ bœ f ? bœ æ f

Œ Œ

! œ œ

$ j œ. œ.

P $ œ.

J P

j Œ bœ b œæ bœ f bœ æ f

‰ Œ Œ

œ œ

$ j œ. œ.

P $ œ.

J P

j Œ bœ b œæ bœ f bœ æ f

‰ Œ Œ 17

5 8

Πpizz. dolce

3 4 Œ

$ j œ. œ.

P $ œ.

J P

!

5 8

!

3 4 Œ

r j œ œ

!

5 8 85

!

3 4

!

!

5 8

!

&

85

!

3 4 43

!

!

3 4

!

!

5 8

!

!

!

!

5 8

!

&

85

!

ã

?

!

3 4

!

&

5 8

!

! !

!

85 Π.

! !

Œ

85

43

? ã

(a 2)

– P I " " r 43 r " ‰ Œ ‡. ‡.

P ! r " " 43 œ

75

75

Vln. I

˙˙

!

43

Œ Ø Ÿ~~~~~ bisbigliando œ (u ) Œ Ø j – Œ Œ

?

a2

–. –. –. "f "

! ! ! !

# Ÿ·œ ~~~~~~~~~~~~~~~~~~~~~ ·j . bœ 5 . ‰ æ 8æ æ R Ï Œ

5 8

!

3 4 b œj ‰ Œ

Œ

5 8

!

3 4 Œ

5 !

8 · . ·‚ Fo col legno œ. ‰ . R 85 ‹j ‰ ‰ Œ p "f "

43 Œ

œ #

solo

$ · # Œ

3

!

!

!

!

&

!

!

!

!

&

!

!

!

!

&

!

!

!

!

!

!

!

!

80

Fl.

&

Ob.

Cl. (B b)

Bsn.

?

? j ‰ ‰ Œ –.

80

Hn. (F)

Tpt. (C)

Timp.

Perc. 1

Perc. 2

Pno.

Vln. I

Vln. II

Vla.

Vc.

D.B.

Œ.

3

–. –. –.

3 ? j ‰ ‰ Œ Œ.

–. –. –.

–.

3 . Œ & j‰ ‰ Œ b –. –. –. b –. "f "

Œ.

!

!

!

!

ã

!

!

!

!

80

!

!

!

!

!

!

!

!

&

?

!

!

Ÿ # ·œ ..~~~~~~~~~~~~~~ ·j 80 bœ ! ! æ æ & arco Ï Ÿ # ·œ ..~~~~~~~~~~~~~~~~ j #Ÿ·œ ..~~~~~~~~~~~~~~ j b œ· b œ· ! æ æ æ & æ Ï Ï B

? ?

! ! !

! ! !

3 4

2 4

!

43 Œ

œ

Œ

3 4 Œ

%

II

˙ % Œ

43 Œ

42

I

2 4

‰ ‰ 3

(I)

j 42 ‡. #

3

?

!

42

!

3 3 3 34 –. –. –.

–. b –. –. b –. – – b – – b – . . . . .

3 3 3 j ‰ . . j& j‰ ‰ Œ Œ. Œ ‰ ‰ 4 –.

–. –. –.

–. p # –.

3 3 Œ. ! j‰ ‰ Œ 4 b –. –. –. b –.

j‰ ‰ Œ –.

80

ã

43

!

3 4

!

3 4

!

43

! ! !

!

3 4 Œ

!

3 4 Œ

!

3 4 ‰

!

18

2 4 2 4 2 4

!

Ÿ~~ # ·œ .. ~~~~~~~~~~~~~~~~~~~~~~~~ ·j bœ 3 ‰ æ æ 4 æJ Ï

sul D sul A

43 ‰

Πsul A sul D

‰ Œ

‰

solo

j – "f "

– J

2 4

Πj Р"f "

j –

solo

Ÿ~~~~ j ‰ ·œ œ #

j –

j –

2 4

42

!

3 4

2 4

2 4

!

3 4

42

‰

– J

j –

‰

Ÿ~~~~ j ·œ œ ‰ #

&

2 4 2 4

Œ

2 4

Œ

42

& 24

!

85

Fl.

Ob.

Cl. (B b)

Bsn.

2 &4

r 2 œ &4 œ " ‰ Œ

Tpt. (C)

Perc. 1

Perc. 2

Vla.

Vc.

D.B.

" "

!

2 ã 4 ã 24

? 24 2 &4

!

4 4

!

2 &4

sul E

!

4 Ó 4

! Ÿ~~~~~~~~~~~~~~ ˙o œ

Ø solo Ÿ~~~~~~~~~~~~~~ 2 &4 · ˙œ b! Q Ø & == Ÿ~~~~~~~~~~~~~~ 2 B 4 b· !˙ œ Ø Ÿ~~~~~~~~~~~~~~ ?2 4 · ˙ œ Ø 24

!

‹ f b>‹ > ‰ –. j ‰ – b ‹ "f " >

F

B

44 Ó

F

B

‚

4 ‚‚ ‰ 4 ‚ # 4 r" ‰ 4 ‹ # 44 r " ‰ ‹# tutti

4 r" ‰ 4 ‹ # tutti

F

B

‹" ‰

Ó

–.j ‰ –

‹ >

Ó –.j Ó –

Waterfall

Waterfall

r" ‰ –. –. –. –. –. –. –. –. –. p

Œ Œ Œ Œ

!

!

!

Ó

‡ ‡ ‰ ‡‡ J j ‡ ‡ ‡ ‡ ‡‰ ‡ ‡ ‡ J "f "

j ‡ ‡ ‡ ‡

‰

‡ ‡ ‡ ‡ J

. . . . # œ. œ œ. œ œ. œ œ. œ

&

#

$$$$$$$$$$$$$$$$$$$$$$

#· · ‰ # œJ œ #

Ó !

19

Ó Ó !

!

‰. ‰. ‰.

Œ

o " " œ œœ

Triangle

Œ

Bass drum

!

11 16

äœ " 3 J p

!

tutti div.

! col legno

‰.

‰ j ‰. b˜ fl "f " ! ‰ j ‰. b˜ fl "f "

11 16

!

j ‡ ‡ ‡ ‡

‰.

!

11 16

~~~~~~~~~~~~~~~~~~ 11 Œ ˙ œ " ‰ Œ 16 R Triangle + 11 Œ Ó œ œ œ œ œ œ œ " 16

!

j ‡ ‡ ‡ ‡

11 16 Π11 Π16

Œ

!

~~œ ‰ ~~œ ‰ # ~~ ‰ œ ‰ ~~œ #

‡ ‡ ‡ ‡ J "f " ‰

?

!

F

!

44

44

‹

–

" "

4 Ó 4 B

‹" ‰ –.j ‰

4 4

85

Vln. II

f

‹

?2 4

solo

Vln. I

f 44 Ó

" "

Ó

‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ J J J J J J J J

4 ‹ ‹ ‹ ‹ ‹‹ ‹‹Ó 4 "f " 44 !

85

Pno.

f 4 ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹Ó 4 " "

?2 j ‰ Œ 4 p –. ! & 24 a2

11 16

‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ J J J J J J J J

4 Ó 4

85

Timp.

44 ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ Ó

?2 4 j ‰ Œ ‡. ?2 !

4 85

Hn. (F)

!

+ ! Œ # œ ‹ >" Ffl "f 11 ‹j ‰ Œ ‹ ‹ ‹ ‹ ‹ ‹ ‹ " 16 ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ "f " J J J J J J J PJ 11 Œ ‹ ‹ ‹ ‹ ‹ ‹ ‹ " 16 ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ # fl‡ "f " J J J J J J J "f " > F 11 j ‰ Œ " 16 ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ b‹ ‹ ‹ ‹ ‹ ‹ ‹ b‹ "f " J J J J J J J P J 11 j Œ ‰ " 16 ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ b‹ "f " b ‹J ‹J ‹J ‹J ‹J ‹J ‹J P J J

11 16 œœ Ø tutti div.

11 16 b œœ Ø

J. .

J

(the next 8 bars) ˘‹ Ÿ~ # ·œ (œ ) ‰ ‰ . .

11 B 16 œ J F col legno arco sul D Ÿ~ (the next 8 bars) 11 œ. #˘‹ ·œ ( œ ) ‰ ‰ .

16 J F col legno .' ? 11 J Œ ‰ ‰.

16 F

sul D

col legno

arco

+ #œ fl F ‰

89

Fl.

Ob.

Cl. (B b)

Bsn.

&

‹ > "f " j ‹ & &

‹ > "f " ? j ‹

‹ J

#‡ Ffl ‰

b‹ J

?Œ

89

Hn. (F)

Tpt. (C)

&Œ

Œ

‰.

Œ

‰.

Œ

‰.

Œ

‰.

j ‰. b˜ fl ‰ j ‰. b˜ fl

?

Perc. 1

Perc. 2

+ ã œR ‰ ã Œ

! " Œ

&

?

‹ J

#‡ Ffl ‰

b‹ J

Œ Œ

o + " " œ œœ œ ‰ R

äœ J

Œ

89

Pno.

‹ > "f " j ‹

‰

89

Timp.

‹ >" " f j ‹

+ #œ fl F ‰

"

3

Œ

Œ

‰.

Œ

‰.

Œ

‰.

Œ

‰.

‹ > "f " j ‹ ‹ > "f " j ‹

j ‰. b˜ fl ‰ j ‰. b˜ fl ‰

! " Œ

‹ J

#‡ Ffl ‰

b‹ J

Œ Œ

o + " " œ œœ œ ‰ R

äœ J

Œ

+ #œ fl F ‰

"

3

Œ

Œ

‰.

Œ

‰.

Œ

‰.

Œ

‰.

‹ > "f " j ‹ ‹ > "f " j ‹

j ‰. b˜ fl ‰ j ‰. b˜ fl ‰

! " Œ

‹ J

#‡ Ffl ‰

b‹ J

Œ Œ

o + " " œ œœ œ ‰ R

äœ J

Œ

+ #œ fl F ‰

"

3

Œ

Œ

‰.

Œ

‰.

Œ

‰.

Œ

‰.

j ‰. b˜ fl ‰ j ‰. b˜ fl ‰

! " Œ

o " " œ œœ

äœ J

Œ

!

!

!

!

!

!

!

!

Vln. I

&'

'

'.

J

'

'

'.

J

'

'

'.

J

'

'

'.

J

Vln. II

&'

'

'.

J

'

'

'

'

'

˘ œ. # ‹

˘ œ. # ‹

arco

'.

J

'

arco

'.

J

‰.

˘ œ. # ‹

col legno

Ÿ~~~ ·œ (œ ) ‰ J

'.

J

‰.

col legno

89

˘ B œ. # ‹ col legno

Vla.

? œ. #˘‹ col legno

Vc.

D.B.

?

Ÿ~~~ ·œ (œ ) ‰ J arco

Ÿ~~~ ·œ (œ ) ‰ J arco

!

‰. ‰.

col legno

˘ œ. # ‹

col legno

Ÿ~~~ ·œ ( œ ) ‰ J Ÿ~~~ ·œ ( œ ) ‰ J arco

‰.

col legno

‰.

col legno

˘ œ. # ‹

!

Ÿ~~~ ·œ ( œ ) ‰ J Ÿ~~~ ·œ ( œ ) ‰ J arco

!

20

˘ œ. # ‹

arco

Ÿ~~~ ·œ (œ ) ‰ J arco

!

‰. ‰.

"

3

+ & ‹ # flœ > "f " F j ‹ ‰ &

Œ

‰.

Œ

‰.

Œ

‰.

Œ

‰.

?Œ

‰

&Œ

j ‰. b˜ fl

‰ j ‰. b˜ fl

93

Fl.

Ob.

Cl. (B b)

Bsn.

‹ J

&

‹ # fl‡ > "f " F ? j ‰ ‹ b‹ J

93

Hn. (F)

Tpt. (C)

?

93

Timp.

Perc. 1

Perc. 2

+ ã œR ‰

" Œ

㠌 &

?

Vln. II

D.B.

‰.

Œ

‰.

Œ

‰.

Œ

‰

Œ

j ‰. b˜ fl

‰ j ‰. b˜ fl

‹ J

‹ # fl‡ > "f " F j ‰ ‹ b‹ J

"

3

" Œ

Œ

Œ

‰.

Œ

‰.

Œ

‰

43

!

Œ

‰

j ‰. b˜ fl

3 4

!

!

43

!

‹ # fl‡ > "f " F j ‰ ‹ b‹ J

o + " " œœœ œ ‰ R

äœ J

"

Œ

" Œ

j ‰. b˜ fl

+ harmon

Œ

!

Ÿ~~~ ·œ ( œ ) ‰ J arco

!

‰.

‰ Œ

Œ

‰ Œ

Œ

‰ Œ

Œ

"

3

Wood-Blok 3 œo+ " ‰ Œ 4 R P

43

r œœ 3 4 R"‰ Œ

'.

J

'

'

'.

J

'

'

'.

J

r b œœ 43 R " ‰ Œ

‰.

col legno

˘ œ. # ‹

Ÿ~~~ ·œ ( œ ) ‰ J

‰.

3 4

!

˘ œ. # ‹

Ÿ~~~ ·œ ( œ ) ‰ J

‰.

3 4

!

œ.

Ÿ~~~ ·œ ( œ ) ‰ J

#˘‹

Ÿ~~~ ·œ ( œ ) ‰ J

col legno

œ.

arco

arco

col legno

‰.

!

arco

arco

!

21

Œ

!

'

#˘‹

Œ

!

'

‰.

Ÿ~~~ ·œ ( œ ) ‰ J arco

Œ

3 4

'.

J

'

‰ Œ

+ o " " œ œ œ 43 œ " ‰ Œ R

äœ J

!

col legno

?

‰.

!

'

#˘‹

Œ

!

'.

J

? œ.

‰.

‹ J

3

43 j ‹ > "f " 43 j ‹ > "f " 3 4 j ‹ > "f " 43 j b‹ > "f "

Œ

!

'

B œ.

+ ‹ # flœ > F "f " j ‹ ‰

!

&' #˘‹

!

Œ

'

col legno

Vc.

Œ

&'

col legno

Vla.

‰.

'.

J

93

Vln. I

Œ

o + " " œœœ œ ‰ R

äœ J

Œ

93

Pno.

!

+ ‹ # flœ > F "f " j ‹ ‰

.

3 'J 4 F

Œ Œ

col legno

‰ Œ

Œ

&

!

24

&

!

24 Œ

&

!

24

&

!

24

!

?

!

2 Π4

‰

?

!

24

&

!

97

?

!

ã

!

2 4

!

97

!

24

!

97

Fl.

Ob.

Cl. (B b)

Bsn.

97

Hn. (F)

Tpt. (C)

Timp.

Perc.

Pno.

&

?

K

43

! j ‹ ‰ ‹ p J

43

œ

p

43 œœ p 43 # œ œ p 3 4

!

j ‹ b‹ "f " J

œ #œ œ

˙

!

œ œ

œœ œœ "

œœ # # œœ œœ .. œœ ˙˙ .. a2

œœ ‹ # œœ œœ .... œ ˙ !

!

85 Π5 8

‰

j –j ‰ #– # p I

!

43 3 4

!

!

24

!

43

!

2 4

!

3 4

!

!

3 4

!

!

5 8

!

3 – 4 J Øp 3 4

43

!

!

!

43

85

43

!

!

!

24

! !

÷

3 4

!

!

Vln. II

&

!

2 4

!

÷

3 4

!

!

Vla.

B

!

2 4

!

÷

3 4

!

!

?

!

2 4

!

÷

3 4

!

!

!

43

!

r 85 r " ‰ Œ . Œ Œ ‰.

– – "f " # with harmon open close 5 Œ Œ ‰. r 8 r " ‰ Œ.

– – "f " #

2 4

D.B.

85

2 4

!

3 4

close

open

!

?

œ œ

"

‰ " Y Y " 43 R R P !

43

43

&

Vc.

85 Π85

!

Vln. I

97

"

$ ¬

arco

!

# 22

5 8 Œ

85

43

!

43

‰ Œ.

3 4

‰ Œ.

3 4

>˜ Œ .

J "f " 5 8 ‰ >˜J Œ . "f "

3 4

5 8 >˜J "f " 5 8 >˜J "f " 5 8 ‰

– –

‰ ‰

43

3 4

& 5 – – – 3 8 R " ‰ ‰ " R R " 4 P "f "

& 43

!

42

& 43

!

42 Œ

3 &4

!

2 4

102

Fl.

Ob.

Cl. (B b)

Bsn.

& 43 ?3 4

Tpt. (C)

Timp.

Perc.

j ‹ p

!

? 43

!

42

!

& 43

!

42 2 4–

? 3 ¬.

4 ã 43

!

42

3 &4

!

2 4

102

‹ J

‰

!

2 4Œ

102

43

!

!

102

Hn. (F)

!

42

L

‰

j ‹ b‹ "f " J

43

bœ I

p

3 4 b b œœ p I 43 œ bœ II p 3 4

œ œ œ

˙

œ œ

!

"

!

œœ œœ œœ œœ # œœ œœ !

œœ œœ "

b ˙˙ a2

˙

!

œ œ

"

58 Π58

" Y Y " 43 R R P !

43

5 8

!

58 Œ

43

!

Œ

Œ

‰.

r 58 r " ‰ – – "f " # open close 5 r 8 r" ‰ – – "f " #

!

43

!

Œ

Œ

‰.

– " ‰ R

3 4

!

!

5 Π8

!

43

!

!

58

!

!

3 4

!

!

5 8

!

close

open

2 4

!

3 4

!

!

5 8

Vln. I

÷ 43

!

2 4

!

3 4

!

!

Vln. II

÷ 43

!

2 4

!

3 4

!

!

5 >˜ 8 J "f "

Vla.

÷ 43

!

42

!

43

!

!

Vc.

÷ 43

!

2 4

!

3 4

!

!

D.B.

3 4

!

2 4

!

3 4

$ ¬

arco

!

# 23

5 >˜ 8 J "f " 58 ‰ 5 ‰ 8 –

–

3 4 j j‰ #– – # p I

!

!

102

‰

5 8

?3 4

Pno.

‰

43 3 4

Œ.

43

Œ.

43

‰

" –.

J Øp

3 4 43 3 4

!

3 4

‰

Œ.

3 4

‰

Œ.

3 4

>˜ Œ .

J "f "

43

>˜ Œ .

J "f "

5 – 8 R " ‰ "f "

‰

3 4 & – – 3 " R R " 4 P

& 43

!

24

& 43

!

24 Œ

3 &4

!

2 4

107

Fl.

Ob.

Cl. (B b)

Bsn.

3 &4

Tpt. (C)

Perc.

!

! !

!

Œ

‰

j # – –j # p

Œ Œ

43

! Œ

!

j ‹ p !

!

‹ J

43

‰

3 4 3 4

!

‰

?3 4

!

2 4

!

!

!

!

24

!

!

!

!

43

2 – 4

– " ‰ R

!

!

!

3 4

!

!

!

!

3 4

!

!

!

!

43

!

!

!

3 4

& 43

!

? 3 ¬.

4 3 ã 4

!

2 4

& 43

!

24

?3 4

!

2 4

!

Vln. I

÷ 43

!

24

!

Vln. II

÷ 43

!

2 4

!

Vla.

÷ 43

!

2 4

Vc.

÷ 43

!

2 4

107

D.B.

‰

" Y Y " ‰ R R P + Y " ‰ R P

2 Π4

107

Pno.

‹ J

‰

!

107

Timp.

2 4

j ‹ p

Œ

?3 4 107

Hn. (F)

!

!

43

!

24 Œ

j ‹ "f "

!

b‹ J

!

Œ

‰

j ‹ "f "

b‹ J

3 4 3 4

>˜ J "f "

‰

Œ

!

!

43

‰

Œ

!

!

3 4

!

‰

Œ

!

!

3 4

!

‰

>˜ J "f "

Œ

!

!

3 4

!

43

$ –

arco

#

>˜ J "f "

–

>˜ J "f "

– " ‰ R "f "

‰ 24

& " –R –R " ‰ P

Œ

M

bœ 3 &4 p

(I)

112

Fl.

Ob.

Cl. (B b)

Bsn.

& 43

& 43 b b œœ p I 3 & 4 bœ bœ II p ?3 4 ? 43

Tpt. (C)

Perc.

! œœ œœ .. œ œœ .. œ !

˙ 42

7 œ 16

42

7 16

!

85 Œ

!

œ œ

"

85

œœ

b˙ 42 b ˙

7 œœ 16

œœ œœ "

85

œœ

42 ˙

7 16 œ

"

85

a2

2 4

!

!

!

& 43

!

42

!

? 43

!

42

!

112

Timp.

œ

42

112

Hn. (F)

œ œ.

7 16

œ œ !

j ‰ ‹ p

!

24 Œ

j ‹ ‰

!

24

!

!

24

!

2 Π4

‰

(II)

5 8 Œ.

‰

‹ J

‰

j ‹ "f "

b‹ J

‹ J

7 ‰ ‰ " " r 85 r " ‰ 16 – – "f " #

Œ.

24

!

- harmon

Œ.

24

!

7 16

!

24

!

open

close

7 ‰ ‰ " " r 85 r " ‰ 16 – – "f " # open

!

close

85

3 ã 4

!

2 4

!

7 16

!

5 8

!

2 4

!

& 43

!

42

!

7 16

!

85

!

24

!

112

?3 4

!

2 4

!

7 16

!

5 8

Vln. I

÷ 43

!

2 4

!

7 16

!

Vln. II

÷ 43

!

2 4

!

7 16

5 8 >˜J "f "

!

Vla.

÷ 43

!

2 4

!

7 16

!

5 8 ‰

Vc.

÷ 43

!

2 4

!

7 16

!

5 8 ‰

D.B.

43

!

42

!

7 16

!

85

Pno.

24

!

112

25

5 8 >˜J "f "

!

2 4

‰

Œ.

2 >˜ 4J

‰

Œ

‰

Œ.

2 >˜ 4J

‰

Œ

>˜ J "f "

Œ.

2 ‰ 4

>˜ J

Œ

Œ.

2 ‰ 4

>˜ J

Œ

!

24

>˜ J "f "

!

!

j ‹ b‹

J

!

117

&

&Œ

j ‹ ‰

Ob.

&

!

Cl. (B b)

&

!

?Œ

‰

?

!

Fl.

Bsn.

117

Hn. (F)

Tpt. (C)

Timp.

Perc. 1

Perc. 2

Pno.

Vln. II

Vla.

Vc.

D.B.

‹ J

!

j Œ ‹ b‹

‰

J

!

!

ã

!

117

÷ >˜ J ÷ >˜ J ÷ ‰ ÷ ‰

Œ.

! œœ J

œœ ..

œœ J

85 r " ‰ b˜ "f " fl M 5 r " ‰ 8 b˜ fl "f "

!

# œœ .. #

42 2 4

! !

42 ˙˙

4 Ó 4

44 Ó

Œ.

42

!

44 Œ

Œ.

2 4

!

4 Π4

!

42

!

44 Œ

!

85

!

42

!

44

!

!

5 8

!

2 4

!

4 4

!

!

Œ

‰

ΠΠΠ!

5 8

!

>˜ J >˜ J ‰ ‰

Œ

85

‰

Œ

85

Œ

5 8

Œ

85

>˜ J >˜ J

!

!

r j 58 " b œ œ bœ œ

‰

?

col legno

.

58 b>‹ ‰ "f " p sul A

2 4

œ. œ.

!

42 ˙ ˙

4 Ó 4

!

!

44 Ó

!

42

!

44 Ó

!

2 4

!

4 Ó 4

!

42

!

44 Ó

Œ.

26

42

!

44 Ó

38

ƒ ˙˙

3 8

ƒ ˙

38

˙ ƒ ‰&œ œ f œ ‰ œ 3

œ ˙ œ ˙

38

œ ˙ œ ˙

3 8

‰ œ œ æ˙ 3 f ƒ

38

f 3

!

Œ

38

‰ . +œ œ 38 P

Triangle

3 8

!

44 w w

42

3 8

ƒ b ˙˙

4 Ó 4 !

38

ƒ ˙

44 Ó

2 4 # ˙˙ 42

˙

44 Ó

85

‰

>˜ J

bœ 85 " b œR p I 5 8 " n œœ R II p 85

– J

M

!

!

>˜ J

J

without harmon

?

?

j ‹ b‹

!

117

&

‹ J

!

&

117

Vln. I

j ‹ ‰

!

ã

85 Y – . .

F p 5 8

! Œ

+

N

38 ˙ b & ˙ æ arco ƒ non div. æ & b˙ ˙ arco ƒ arco non div.

non div.

&

˙æ b˙ ƒ

?

arco

˙ ƒ

arco

˙ ƒ

38 38 3 8 38 38

& 38 3 &8

122

Fl.

Ob.

Cl. (B b)

Bsn.

& 38

Tpt. (C)

3 &8

2 4

Perc. 2

‰

!

5 8 Œ

‰

3 &8

!

2 4

!

3 &8

!

2 4

!

? 38

!

42

!

? 38

3 . ã 8 œR " ‰ Po .

3 ã 8 œR " ‰ 3 &8

85

!

!

!

Triangle

Perc. 1

42

!

85 Œ

2 4 r " ‰ Œ ‡. # !

42

122

Timp.

! !

122

Hn. (F)

!

42

2 4

‰

2 4

122

stop

85

!

5 8

Vln. I

& 38

!

42

!

÷

Vln. II

3 &8

!

2 4

!

÷

Vla.

3 &8

!

2 4

!

÷

Vc.

? 38

!

42

!

÷

D.B.

? 38

!

o ˙ n 42 ! p

&

85 >˜J "f " 5 8 >˜J "f " 5 8 ‰ 85 ‰

" "

‹ J

j ‰ # – –J # p

42

!

2 4Œ

‰.

42 ‰ .

II

f

2 4

" "

‹ J

42

!

2 4

!

‰

Œ.

2 4

!

‰ – J Øp

‰

‰

! !

42 –R

2 4

42 >˜J

Œ.

‰

Œ.

>˜ J "f " >˜ J "f "

Œ.

2 4Œ

Œ.

42 Œ

27

!

2 4

‰

‰

Œ

® – – – 42 – ® " ‰ ‰ ®– – – RÔ Bongo scratsch # ®– – – – ®" ‰ 42 ‰ RÔ #

Bongo scratsch

!

‚ 58 ·R " ‰ fo

" ‰

‹ J

!

Œ.

‰

r ‹

r ‹ Œ

‰

5 8

tempo -1

sul A

M

!

!

122

2 4

5 8 j ˜.

P M 5 8 j ˜.

P 5 8 Œ

?3 8

Pno.

!

85 Œ

!

42

‰

‰

85 ?

f

!

5 8 Œ

I

" Y Y " R R P I r ‰ " ‹ I

2 4 >˜J

& " –R –R " P

42

!

‰

Œ

‰

Œ >˜ J >˜ J !

‰ ‰

!

126

Fl.

Ob.

Cl. (B b)

Bsn.

&

‹ J

Tpt. (C)

Timp.

Perc. 1

Perc. 2

?

!

!

?

!

!

?

!

!

&

!

!

?

!

!

ã – ®" ‰ RÔ ã ‰

Vln. II

÷ >˜ J

®– – – – ® " ‰ RÔ ‰

!

? ÷ >˜ J

‰

® – – – – ®" ‰ RÔ

&

126

Vln. I

‹ J

!

126

Pno.

r ‹ Œ

‰.

!

126

Œ

‰

Œ

a2

+3 Y. b Y. Y. "f "

Œ

!

3

3 Y. Y Y Y 85 . . .

‹ " ‰ ‹ "f " –. j ‰ – b‹ > "f " –. ‰ b‹ > "f "

œo +œ " œo +œ " p Birds ~ ‰ œ. " R p

‹ > j‰ –

–. j ‰ –

‹ >

–.

j –

42

5 8

!

2 4

5 8

!

2 4

œo +œ " œo +œ " 85 Œ

‰

!

42 42

Bongo

®– – – # ~~~~~~~~~~~~~~~~~~~~~~~~~ ~ œ~. " œ. " 85 œ œ œ " R

!

‰

‰

85

!

85

!

scratsch

2 4 42 42 42 42

!

‰

Œ

!

85

!

42

‰

Œ

!

5 8

!

2 4

÷ Œ

>˜ J

‰

Œ

>˜ J

‰

!

&

Vc.

÷ Œ

>˜ J

‰

Œ

>˜ J

‰

!

?

!

!

5 8

Vla.

D.B.

85

‰

85 r " ‰ Œ .

– f ‰ 85 –. –. –. –. –. –. –. –. p

! !

!

r " ‹ 42 ‹ "f " J 2 4

5 8 ‹ " ‰ ‹

42

!

5 8 Œ

!

!

>˜ J

Y. Y .

‹ J

Triangle

!

>˜ J

3

bp

®– – – – ®" ‰ RÔ

! ‰

r ‹

‰.

&

126

Hn. (F)

‹ J

r ‹ Œ

& ‰.

!

r ‹ Œ

‰.

&Œ

O

!

!

28

. œ. œ. œ. œ. œ. œ. œ. # œ 5 ‰ 8 # $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$ # · · 58 ‰ # œJ œ ‰ # j soloœ œ 5 8 Œ ‰ ‰ &R " # col legno

÷

2 4

÷

42 2 4

& 24

!

2 &4 Œ

‰.

130

Fl.

Ob.

Cl. (B b)

Bsn.

& 24

Tpt. (C)

Perc. 1

Perc. 2

Pno.

Vln. II

Vla.

Vc.

D.B.

J

r ‹ Œ

‰.

‹ J

r ‹ ‰

38 ‰ .

!

38

!

!

3 8

!

?2 4

!

!

3 8

!

?2 4

!

!

3 8

!

& 24

!

!

38

!

? 24

!

!

38

‰ ® – – – – ®" ‰ ‰ ®– – – ã 24 – ®" ‰ RÔ RÔ Bongo 2 ‰ ® scratsch – – ®" ‰ ‰ ® – – – – ®" ‰ ã 4 – – RÔ RÔ # 130 ! ! & 24 ? 24

÷ 24 >˜ J "f " ÷ 24 >˜ J "f " ÷ 24 Œ ÷ 24 Œ & 24

! ‰

Œ

‰

Œ >˜ J "f " >˜ J "f " !

! >˜ J

‰ ‰

>˜ J Œ Œ

‰

Œ

‰

Œ

3 8 38

‰

>˜ J

‰

44

‹ J

3

3

3

! !

44 ‹ " ‰ ‹ " ‰ Ó ‹ ‹ "f " 4 –. j ‰ –. j ‰ Ó 4 – – b‹ ‹ > > "f " 4 ‰ –. j ‰ – . jÓ 4 – – b‹ ‹ > > "f " 4 4

r" ‰ – f

bp 44 Ó

!

44 Ó

!

44

Œ

–. –. –. –. –. –. –. –. p

j œ ˙@ % Triangle 44 œo +œ " œo +œ " œo +œ " œo +œ " Ó ‰ – ®" ‰ RÔ p ~~~~~~~~~~~~~~~~~~~~~ Birds ~ ~. ~ – – 4 . . ‰ ® – – ®" 4 ‰ œ " œ " œ " ˙ R RÔ p

38

!

38 >˜ J

>˜ J

!

38

4 4

!

!

130

Vln. I

‹ J

r ‹ 38 ‹

‰.

44 Y b Y Y Y Y Y Y Y3 Y Ó . . . . . . . . . "f "

!

?2 4

130

Timp.

r ‹ Œ

!

130

Hn. (F)

!

r ‹ Œ ‹ "f " J

& 24 ‰ .

38

+

3 >˜ 8J 38 ‰ 3‰ 8

!

44

!

‰

‰

‰

4 4

!

‰

>˜ J

44 Ó

&

>˜ J

4 Ó 4

!

29

44

‰

‰

38

!

&

44

!

# œ. œ. œ. œ. œ. œ. œ. œ.

col legno

#

$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$

#· · ?‰ # œ œ J #

Fl.

Ob.

Cl. (B b)

&

& ‹ "f "

& ‹ "f " & ‰ ?

a2

Bsn.

?

134

Hn. (F)

Tpt. (C)

‹ J ‹ J

Perc. 1

Perc. 2

‹ J

‹ J

‹ J

‹ J

‹ J

‹ J

‹ ‹ ‹ Ó

j n ‡. ‡. ‡. ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ "f " J J J J –. j ‰ Œ Ó –

b‹ > "f "

P

2 4 24 24

24 ‰

?

!

24

~~~ ã œR " ‰ Œ

?

!

2 4 2 4

!

&

2 4

!

j # –. –. "f " j # –. –. "f " !

2 4

Ó

!

$ $ ‰ j # # œ-· œ-·

Vln. I

& Ó

Vln. II

Vla.

Vc.

÷

! !

& ?

! j œ

D.B.

&

œ & R "‰ Œ #

Ó

2 4

58 58 58

5 8

–. –. –. –.

# –.

–.

–. –. –. –. ‰

!

‰

Bongo

! !

!

‰

24

!

5 8

œ bœ œ œ œ œ œ œ Ø j j non div. j ‡ ‡ j ‡ ‡ ‡ 2 ‡‡ 5 ‡‡ ‡‰ ‡ ‰ ‡ 4 ‡ 8 ‡ ‡ ‡ ‡ ‡ ‡ ‡ J "f " j ‡ ‡ ‡j ‡ ‡ non div. ‡ ‡ ‡ ‡ ‡ ‡ 5 ‰ 24 ‰ ‡ ‡‰ ‡ ‡ 8 ‡ J J "f " j œœ 24 R " ‰ Œ 58 Œ

j ‡ ‡ ‡ ‡

‰ ‡ ‡ ‡ ‡ J

j ‡ ‡ ‡ ‡

‰ ‰

!

24

!

2 4

!

2 4 ÷

! ‡ ‡ ‡ ‡ J

24

® – – – 24 – ®" ‰ ‰ ®– – – RÔ Bongo # 2 ‰ ®scratsch – – ®" ‰ 4 – – RÔ # scratsch

Œ.

tutti

÷ j ‡ ‡ ‡ ‡

‰ ‡ ‡ ‡ ‡ J ‰

j ‡ ‡ ‡ ‡

!

24

!

5 r " ‰ 8 ‹ fl

f

" "

" "

‹ J

‹ J

‰

‰

f

r ‹ Œ

24

‰

r ‹

‰.

2 ‰.

4

‰

–.

!

2 Π4

‰

# –.

5 8

30

24

!

5 Π8

!

! arco

–.

P

5 ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ 8 ‹ ‹ ‹ ‹ ‹ ‹ ‹ "f " J J J J J J J 5 ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ 8 ‹ ‹ ‹ ‹ ‹ ‹ ‹ "f " J J J J J J J 58 ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ "f " J J J J J J J 58 ‹ b‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ "f " J J J J J J J

5 8

!

$ 2 4 œ-·

# –.

58

!

solo violin

134

– J

‰

!

!

!

‰

!

&

ã

– J

j æ–

!

24 ‰

!

134

Pno.

2 4

‹ ‹ ‹ Ó

134

Timp.

j æ 24 # –

!

134

2 >˜ 4J "f " 2 >˜ 4J "f "

! ‰

Œ

‰

Œ

‰

÷

2 Π4

>˜ J "f "

‰

‰

÷

24 Œ

>˜ J "f "

‰

j œ

œ R "

24

!

&

!

&Œ

‰.

138

Fl.

Ob.

Cl. (B b) Bsn.

‹ J

&

?

Tpt. (C)

Perc. 1

Perc. 2

‹ J

r ‹ Œ

‰.

‹ J

!

r ‹ Œ

‰.

‹ J

r ‹ Œ

‰.

‹ J

!

r ‹ Œ

‰.

‹ J

!

?

!

!

!

!

&

!

!

!

!

?

!

!

!

!

ã – ®" ‰ RÔ

‰

ã ‰

®– – – – ®" ‰ RÔ

&

?

‰

‰

®– – – – ®" ‰ RÔ

®– – – – ®" ‰ RÔ

‰

‰

®– – – – ®" ‰ RÔ

®– – – – ®" ‰ RÔ

‰

‰

®– – –

®– – – – ®" ‰ RÔ

!

!

!

!

!

!

!

!

Vln. I

÷ >˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

Vln. II

÷ >˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

Vla.

÷ Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

Vc.

÷ Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

&

!

138

D.B.

!

!

31

‹ J

! !

®– – – – ®" ‰ RÔ

r ‹

‰.

!

138

Pno.

r ‹ Œ

‰.

!

!

138

Timp.

‹ J

!

!

138

Hn. (F)

r ‹ Œ

r ‹ Œ

& ‰.

!

!

&

!

&Œ

‰.

142

Fl.

Ob.

Cl. (B b)

Bsn.

Tpt. (C)

Perc. 1

Perc. 2

‹ J

r ‹ Œ

‰.

‹ J

r ‹ Œ

‰.

‹ J

!

!

r ‹ Œ

‰.

‹ J

r ‹ Œ

‰.

‹ J

!

!

r ‹ Œ

‰.

!

!

!

!

!

!

?

!

!

!

!

!

&

!

!

!

!

!

?

!

!

!

!

!

ã ‰

‰

® – – – – ®" ‰ RÔ

® – – – – ®" ‰ RÔ

&

?

‰

‰

® – – – – ®" ‰ RÔ

® – – – – ®" ‰ RÔ

‰

‰

® – – – – ®" ‰ RÔ

® – – – – ®" ‰ RÔ

‰

‰

® – – – – ®" ‰ RÔ

® – – – – ®" ‰ RÔ

‰

‰

®– – –

® – – – – ®" ‰ RÔ

!

!

!

!

!

!

!

!

!

!

Vln. I

÷ >˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

Vln. II

÷ >˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

Vla.

÷ Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

Vc.

÷ Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

&

!

142

D.B.

!

!

32

!

‹ J

‹ J

!

ã – ®" ‰ RÔ

r ‹

‰.

?

142

Pno.

‹ J

r ‹ Œ

‰.

!

r ‹ Œ

‰.

!

&

142

Timp.

‹ J

‹ J

142

Hn. (F)

r ‹ Œ

r ‹ Œ

& ‰.

!

!

&

!

&Œ

‰.

r ‹ Œ

r ‹ Œ

‰.

147

Fl.

Ob.

Cl. (B b)

Bsn.

& ‰.

‹ J

Tpt. (C)

Perc. 1

Perc. 2

r ‹ Œ

‰.

‹ J

‹ J

‰.

r ‹ Œ

r ‹ Œ

‰.

‹ J

‹ J

r ‹ Œ ‹ J

r ‹ ‰

38

!

11 16

‹ J

11 16

!

?

!

!

!

!

3 8

!

11 16

&

!

!

!

!

3 8

!

11 16

‰ ®– – – ã – ®" ‰ RÔ – – ã ‰ ® – – ®" ‰ RÔ &

?

!

!

!

38 ‰ .

!

!

!

11 16

!

!

?

!

‹ J

r ‹ 38

‰.

11 16

!

!

?

147

Pno.

r ‹ Œ

38

!

!

147

Timp.

‰.

!

&

147

Hn. (F)

‹ J

!

38

!

11 16

!

3‰ 8

scratch on the timpani

38

11 16

3 8

®– – – p – ®" ‰ ‰ RÔ !

3 8

!

11 16

‰ ®– – – – ®" ‰ RÔ ‰ ® – – – – ®" ‰ RÔ

‰ ®– – – – ®" ‰ RÔ ‰ ® – – – – ®" ‰ RÔ

‰ ®– – – – ®" ‰ RÔ ‰ ® – – – – ®" ‰ RÔ

!

!

!

!

!

!

!

!

38

‰

11 16 11 16

11 16

!

Vln. I

÷ >˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

38 >˜ J

‰

‰

&

11 16

Vln. II

÷ >˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

>˜ J

‰

Œ

3 >˜ 8J

‰

‰

&

11 16

Vla.

÷ Œ

‰

3‰ 8

B

11 16

Vc.

÷ Œ

‰

3‰ 8

‰ >˜ J

?

11 16

147

D.B.

&

>˜ J >˜ J

!

‰

Œ

‰

Œ

>˜ J >˜ J

‰

Œ

‰

Œ

>˜ J >˜ J

!

!

33

‰

Œ

‰

Œ

>˜ J >˜ J

!

3 8

‰ >˜ J !

11 16

Q

11 & 16

152

Fl.

Ob.

Cl. (B b)

Bsn.

11 & 16

+ Œ # œ ‹ > Ffl "f "

11 & 16 11 & 16 ? 11 16

Tpt. (C)

‹ # fl‡ > F "f "

? 16 11 Π11 Π& 16

Perc. 1

Perc. 2

11 ã 16 Œ 11 Œ ã 16 11 & 16

152

Pno.

? 11 16

! ‰ j ‰. b˜ fl "f " ! ‰ j ‰. b˜ fl "f " !

Vla.

Vc.

D.B.

col legno

‰

‰.

‰.

b‹ J

j ‰. b˜ fl

‰ j ‰. b˜ fl

Œ

!

‰

Œ

‰

äœ J

3

" Œ

‰.

äœ J

3

" Œ

äœ " J

Œ

!

!

J.

'

'

'.

J

'

'

'.

J

'

.

J

'

'

'.

J

'

'

'.

J

'

Ÿ~~ .œ # ˘‹ ·œ (œ ) ‰ ‰ .

J

col legno

arco

Ÿ~~ .œ #˘‹ ·œ ( œ ) ‰ ‰ .

J arco

Ÿ~~ .œ #˘‹ ·œ ( œ ) ‰ ‰ .

J

col legno

!

arco

!

34

'

œo+ " ‰ Œ R P

Wood-Blok

r œœ R"‰ Œ

r b œœ " ‰ Œ R

'.

J

arco

arco

!

‰.

‰. ‰.

!

Ÿ~~ .œ #˘‹ ·œ ( œ ) ‰ ‰ .

J

col legno

‰.

!

Ÿ~~ .œ #˘‹ ·œ (œ ) ‰ ‰ .

J

col legno

‰.

!

'.

J

'

‰.

!

3

!

col legno

j ‰ Œ b˜ fl

o + " " œ œœ œ " ‰ Œ R

!

Ÿ~~ .œ # ˘‹ ·œ (œ ) ‰ ‰ .

J

‰.

!

!

arco

j ‰ Œ b˜ fl

j ‰. b˜ fl

!

col legno

‰.

j ‰. b˜ fl

!

arco

j ‰ Œ ‹ > "f " j ‰ Œ b‹ "f " fl

‰.

!

‰.

o + " " œœœ œ ‰ " Œ R

Œ

‰.

‰.

#‡ Ffl ‰ Œ

Œ

j ‰ Œ ‹ > "f " œ "‰ Œ R

œ.

J

Œ

! o + " " œœœ œ ‰ " Œ R

‰.

b‹ J

‰ j ‰. b˜ fl

Œ

j ‰. b˜ fl

‰.

‹ > "f " j ‹

‰.

‰ œJ œ # Œ ‹ # fl‡ > "f " F j ‹ ‰ Œ

‰.

œ.

J

+ Œ # œ ‹ fl > "f " F ‰ # œJ œ p œ "‰ Œ R

!

˘‹ ·Ÿ~~ # .

11 œ (œ ) ‰ ‰ .

B 16 œ J F sul D arco (the next col legno Ÿ~~ 4 bars) ˘ . ? 16 11 œ # ‹ ·œ (œ ) ‰ ‰ .

J F 11 ! & 16 (the next 4 bars)

Œ

o + " " œœœ œ ‰ " Œ R Bass drum %3 äœ " Œ Œ Œ J p Œ

arco div.

11 & 16 b œœ Ø sul D

‰

œ.

J ‰.

Triangle

arco div.

Vln. II

!

‹ # fl‡ > "f " F j ‹ ‰ Œ b‹ PJ Œ

+ Œ # œ ‹ > Ffl "f " œ "‰ Œ R

‰.

Œ

‰.

11 & 16 œœ Ø

152

Vln. I

‰.

Œ

? 16 11 –Kr ®" ‰ Œ

152

Timp.

! !

152

Hn. (F)

‰.

+ Œ # œ ‹ > Ffl "f " ‰ #œ œ J %

col legno

tutti

!

.'

J ‰ Œ F

‰.