Chromatische Weltmusik [ohne fremde Elemente] (2013)

Christian Winther Christensen Chromatische Weltmusik (2013) [ohne fremde Elemente] for solo cello, solo accordion & symphony orchestra Dur. 25′

SCORE

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Edition·S publications are supported by the Danish Arts Council Music Committee / Edition·S udgivelser er støttet af Kunstrådets Musikudvalg

Christian Winther Christensen Chromatische Weltmusik (2013) [ohne fremde Elemente] for solo cello, solo accordion & symphony orchestra Dur. 25′

= Make the accent with as much sound as possible. Usedas when you play with particuæar techniques = Make the accent with as much sound possible. Used when you play with particuæar techniques

INDEX I . . . . . . . . . . p. 2 II . . . . . . . . . . p. 24 III . . . . . . . . . . p. 45 IV . . . . . . . . . . p. 61 V . . . . . . . . . . p. 82 The VI . . . . . . . . . . p. 105

PLAYING TECHNIQUES PLAYING TECHNIQUES The score is transposed score is transposed

f

= as loud as possible. Is used with techniques where nottechniques very muchwhere sound is generated. "f" = as loud PLAYING TECHNIQUES as possible. Is used with not very much sound is" pgenerated. " = avoid sound where completely, even though from the “" pf "” = as loud as possible. Is used with techniques not very much soundsound is generated. action itself cannot always be avoided. = avoid sound completely, even though sound from the always bethough avoided. “ p ” =action avoiditself soundcannot completely, even sound from the action itself cannot always be avoided. = a sign for mute a signfor formute mute = =a sign " "

Winds

Winds

Air. Use the notated fingering in order to obtain the right frequency. – Cover the mouthpiece withthe thelips. lips. Cover theentire entire mouthpiece with Air. Use the notated fingering[flute] in[flute] order to obtain the right frequency. Air. Use the notated fingering in order to obtain the right frequency.

[flute] Cover the entire mouthpiece with the lips.

–

–

A glissandowith withair. air. As As in use thethe fingering A glissando inthe theprevious previousexample example use fingering to obtain the right frequency. to obtain the right frequency. – with air. As in the previous example use the fingering A glissando to obtain the right frequency.

Woodwinds

j Noise from‹the notated key. +

œ pizzicato. [flute] Tongue

WOODWINDS Woodwinds

Noise Noisefrom fromthe thenotated notated key. key.

[flute] Tongue [flute] Tonguepizzicato. pizzicato

[clarinet &‡bassoon] Slap tone

[clarinet tone [clarinet&&bassoon] bassoon] Slap Slap tone

+

[flute] Tongue-ram (pizz.)

‡

[clarinet & bassoon] Slap tone

+

–.

[flute] Tongue-ram (pizz.) [flute] Tongue-ram (pizz.)

# –æ

[flute] A weak flutter-tongue simultaneously with a [flute] Aglissando. weak flutter-tongue downwards Articulatesimultaneously this strongly.

– J

~~~~~ œ . (u)

[whistle only] Bisbigliando [whistle only] Bisbigliando

I

‡.

[only[only clarinet andand bassoon] Slap-tongue. clarinet bassoon] Slap-tongue.

œ

Multiphonic. Multiphonic.

‹

j ‹

MakeMake a glissando onlyonly with key-noise. a glissando with key-noise.

BRASS

Brass

˜.

Hit with hand mouthpiece. Hit with the the hand on on thethe mouthpiece.

˜.

M

Make the same hit as in the previous example, only this time

˜.

Makewith thethe same hit as in the previous example, only this time with the mouth. mouth. This will not be nearly as strong but can be articulated better.

˜.

This will not be nearly as strong but can be articulated better.

� � � F

–

B

F

horn] Make a noisy change betweenthe theFFhorn hornand and the the Bb Bb horn. [only[only horn] Make a noisy change between horn.

o

–

horn] Close hornwith withyour your hand hand to open [only[only for for horn] Close thethe horn open horn. horn. [only[only for for trumpet] Close thethe harmon trumpet] Close harmontotoopen openharmon. harmon. The The arrow is the level between the two modes. arrow is the level between the two modes.

Timpani Percussions TIMPANI & & PERCUSSION O &= =

� J "p "

œ !

–

–

j œ

and make a glissando with the pedal.

j –

–

–

First note the graphic tuning fork) : Enable First(with note (with the graphic tuning fork) : Enablethe theTuning Tuningfork. fork. Second note (with the glissando): Set the tuning fork on the timpani Second note (withwith the the glissando): and make a glissando pedal. Set the tuning fork on the timpani

–

Make Make a glissando with with the pedal without playing ononthe a glissando the pedal without playing theskin skinwith withsticks. sticks.

Scratch on theon instrument. Scratch the instrument.

PIANO

Piano –

– R

Rub on theoninstrument withwith a soft stick. Rub the instrument a soft stick. Make Make a regular sound without too many deflections. a regular sound without too many deflections.

·

Silent Silent note. note. PressPress the key without sounds. thedown key down without sounds.

‚

InsideInside piano:piano: MuteMute the string withwith youyou finger. the string finger.

". J

Pizzicato. Pizzicato.

pizz.

"""" """"

–

j –

on a guitar, but the use pads the pads of your fingertip. Play asPlay on as a guitar, but use of your fingertip. Play on theonstrings that are on the Play the strings thatused are used on keyboard. the keyboard.

Rub the glass acrossacross the strings in in the middle register of Rub the glass the strings the middle register of the piano. the piano.

III

STRINGS

Strings

>‹ J

Hammer on.on. Hammer

œ J

LeftLeft hand pizz. hand pizz.

j – – – –

– – – – ‡ R

‡

Bow pressure.

Bow pressure.

Make a glissando withthe theleft lefthand hand(without (without bow). bow). Make a glissando with Refrain from a hard attack Refrain from a hard attackononthe thefirst firstnote. note. Make the sounds with the fingernails. Make the sounds with the fingernails.

œ. J

col legno

Strike string with back-sideofofthe the Strike thethe string with thetheback-side or the in the cases where a pencilisisused, used, bowbow or in cases where a pencil withwith thethe sideside of of thethe pencil. important. pencil.The Thepitch pitchis is very important.

œ

¯œ J

Bow pressure.

Bow pressure.

œ¯ J

·#

·‚ R $ po >‹ J

A very short bow pressure. sound, only a short noise. A very short bow pressure.The Theresult resultisis without without sound, only a short noise.

Damp thethe strings lightly microsecond secondafter afterthe the Damp strings lightlywith withthe theleft left hand hand aa micro bow resign the string. Accelerate the tempo in the bow before the action. bow resign the string. Accelerate the tempo in the bow before the action.

Hammer on.on. Hammer

IV

#·

·‚ R po

$

Damp Damp the strings lightlylightly withwith the the left left hand a micro second after the the strings hand a micro second after the bow resign the string. Accelerate the tempo in the bow before the action. bow resign the string. Accelerate the tempo in the bow before the action.

–

�

� J

œ œ J

‹ J

Bow the bridge. Bow on theon bridge.

�

j �

1) Bow1)from to sul tasto. Bow sul fromponticello sul ponticello to sul tasto. 2) Bow2)from sul tasto to sul ponticello. Bow from sul tasto to sul ponticello. The stroke shouldshould be exactly perpendicular (not(not skew). The stroke be exactly perpendicular skew).

littlethe likeprevious the previous example with A littleAlike example butbut with a pitchaand without a controlled arc. pitch and without a controlled arc.

Knock Knock on theon side theofinstrument. theofside the instrument.

V

INSTRUMENTATION 3 Flutes (1st flute doubling picc. & 3rd flute doubling alto flute) 2 Oboes Cor Anglais 3 Clarinets in Bb (3rd doubling Bass Clarinet in Bb) 2 Bassoons Contra Bassoon 4 Horns in F (double horns) 3 Trumpets in C (1st doubling Trumpet in D) 3 Trombones Tuba 1 Timpani (with a chromatic pedal) 2 Percussionists: Percussion 1: Woodblock A wooden board Bass Drum Triangle in D Vibraphone Glockenspiel Crotales two bows, a set of knitting needles and some different sticks Percussion 2: Woodblock A wooden board Bass Drum Vibraphone Glockenspiel two bows, a set of knitting needles and some different sticks 1 Keyboard Player (Grand Piano & Organ with a setzer system) Accordion solo Cello solo STRINGS

The score is transposed

I q = 120

Flute 1 2

Alto Flute 3 in G

3 & 16 3 & 16 3 & 16

43

"

43

"

3 4

"

Clarinet 1 in B b 2

Bass Clarinet 3 in B b 1 Bassoon 2 3

1 2 Horn in F 3 4

Trumpet 1 in C 2 3

3 & 16 3 & 16 ? 16 3

Tuba

Percussion 1 2

Violin

Double Bass

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HARMON MUTE

1 Trombone 2 3

3 8

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42

38

"

j –

3 8 – $ Ÿ~~~~~~~~~~~ 3 8 #œ

bMœ Mœ R % 42 R % ‰ œq q ‰ ‰ 42 J

bMœ R % R % ‰ œq Jq ‰ ‰

38

"

"

Mœ

Mœ 3 R % ‰ Œ 8 œq # œ. œ. . #œ œ. 3 J q ‰ 8

-· - -· - -· · · · R % 42 R % ‰

"

44

Mœ R % 44

bMœ R % R % ‰ œq Jq ‰ ‰

‰

44

3 · 8

· R %

· 3 R % ‰ 8

‰

"

2 4

"

3 8

"

"

4 4

‰

"

42

"

38

"

"

44

‰

"

2 4

"

3 8

"

"

4 4

‰

"

44

‰

"

44

sul G

$

38 ·R % ‰ · 3 R % ‰ 8 38 38

·

"

"

"

" 5

?

?

42 ‹j >p >‹ 42 J p

‰ ‰

‡ "f " ‡

f

" "

· R %

44

3 · 8

j ‡ j ‡

col legno o 38 œJ. ‰ p col o legno œ. 38 J ‰ p

· R % 44

·

& 44

"

"

"

43

4 &4

"

"

"

3 4 Œ

27 Fl. 1 2 A.Fl. 3 [G] 1 Ob. 2 3 1 Cl. [B b] 2

B.Cl. 3 [B b] 1 Bsn. 2 3

1 Hn. 2 [F] 3 4 Tpt. 1 [C] 2 3

1

Tb. 2

3

4 &4 j ˜. ‰ Œ

& 44 & 44

j ˜. ‰ Œ

& 44 ?4 4 ? 44

27

Pno.

Ó "

?4 4

"

?4 4

"

4 4

–. –. –. –. –. –. –. –. –. –. –. –. –. –. –. –. f

" "

÷ 44

"

& 44

"

œ R%‰ Œ

?4 4

Vln.

Vcl.

D.B.

"

"

Ó

j ‰ Œ –.

Ó

"

r %‰ Œ –.

Ó

Ó

Ó Ó

!M b œ Mœ M ‰ bœ ‰ J‰ 3 $ !3 œ qœ q œq ‰ J q‰ q ‰ q 3

3

o o œ. œ. & '

3

o œ.

43 Œ

Ó

3 4

"

f –. . 3 4 "f " –. . 3 4 "f " – . 3 . 4 " "

" " r %‰ Œ –.

j ‹. ‰ Œ

Ó "

dolce

Ó

¬ $ Ÿ~~~~ Ÿ~~~ Ÿ~~~~ Ÿ~~~~~ ·· œ œ bœ œ ·

Ó

43 Œ

"

[B b Horn]

f

" "

b –. b –. b –. –.

.b –. .b –. .b –.

Œ

Œ

44 44

43

"

43

"

– 4 –. –. –. . 4 44 Œ Œ – – –. . "f " –. . 44 Œ Œ – – –. . "f " –. . 44 Œ Œ – – –. –. . . – 4 Œ 4 –. –. –. . Œ

44

"

43

4 4

"

3 4

44

"

43 Œ

"

43 Œ

"

3 4

Œ

[B b Horn]

Œ – b – b – b –. . . . "f " Œ b –. b –. b –. –.

–. . .b –.

44 44 4 4

Œ

Œ

Œ

Œ

4 4

Œ

Œ

4 4

4 4

"

3 4

Œ

Œ

4 4

"

3 4

4 4

"

3 4

"

4 4

44

"

43

"

44

44

"

43

"

44

44

"

43

"

44

44

"

43

"

44

4 ‰ Œ 4 j ˜ "f " fl

" "

43

" Œ

F !M .. œ 34

"

3 4 Œ

4 4

"

Œ

3 4

3 4

"

3 4

"

44

"

Œ

!M .. œ 34

"

4 4

4 4

44 – b –. b –. b –. . "f " 4 Œ 4

Œ

j 43 ·· ‰ Œ ·

"

43

J

J

"

–. . .b –. 3 4

Ó

4 4

"

b– –. . . .

‚. – .. – .. 3 –– .... 4

4 4

"

col legno

B

*

F

j –

?– – –

4 4

j œ bœ

"

"

43 J ‰ Œ

Œ

44

"

43

"

44

div.

˙ ˙

j œ œ

"

"

43 J ‰ Œ

Œ

44

"

43

"

44

TUTTI

˙ ˙

j œ bœ

"

"

43 J ‰ Œ

Œ

44

"

43

"

44

"

"

Œ

4 4

"

3 4

"

4 4

"

44

& 44 # # ˙˙ Ø B 44 # ˙ # ˙ Ø div. ? 4 # # ˙˙ 4 Ø div.

Vla.

"

– –. –. –. . "f " 34 Œ Œ – – . – . "f " –. . Œ 43 Œ – – . – . "f " –. . Œ 43 Œ – – – . "f " – . . . 3 – Œ 4 – –. –. . Œ . "f "

"

˙ ˙

TUTTI

2

Ó

Œ

"

44

& 44 # # ˙˙ Ø

27 div. 1

"

j –

Ó

TUTTI

Ó

r%‰ Œ Ó –. +o+o+o+o+o+o+ j ˙ œ Ó Ø +o+o+o+o+o+o+ j ˙ Œ #œ Œ Ø +o+o+o+o+o+o+o+ j b ˙ Ó œ Ø r%‰ Œ Ó –.

"

3 4

"

"

–. –. –. –. –. –. –. –. –. –. –. –. –. –. –. –. "f " ?4 " 4

col legno

S.Vcl.

j ‰ Œ –.

"

bMœ 27 & 44 R % ‰ Œ œq q & 44 J ‰ Œ

Acc.

j ‰ Œ ˜.

& 44

27 Perc. 1 2

j ˜. ‰ Œ

Ó

–. –. –. –. –. –. –. b –. "f "

?4 4

Tuba

"

"

"

? 44

˙˙ "

j œ œ

"

put the sordin of

put the sordin of

put the sordin of

3 4 J ‰ Œ

put the sordin of

mute the strings until bar 59

arco

( & ( & –- ‰ –- ‰ –- ‰ –- ‰ 43 J J J J P 6

"

& ( & ( 44 –- ‰ -– ‰ –- ‰ –- ‰ 43 J J J J

& 44

33 Fl. 1 2

A.Fl. 3 [G] 1 Ob. 2 3 Cl. 1 [B b] 2 B.Cl. 3 [B b]

1 Bsn. 2 3

4 &4

"

& 44

"

& 44 4 &4

Hn. [F] 3 4

?4 4

"

& 44

"

1 Tb. 2 3

4 &4

"

? 44 j ‰ Œ ˜ fl

Œ

–– Œ –. –. . .

Œ

3 8

– – 38 –. –. . . 38 Œ

Œ –. – –. –. . – – Œ Œ –. –. . .

3 8 3 8

"

3 4 Œ

Œ

Œ

3 8

"

Œ

Œ

b –. b –. b –. –.

43 Œ

b –. b –. b –. –. Œ

3 4

Œ

43

–. . . b –.

b –. b –. b –. –. Œ

Œ –. . . b –.

"

b –. b –. b –. –. b –. b –. b –. –. Œ

Œ

38

Œ

43 Œ

"

Œ

– –. –. –. .

3 4

"

Œ –. – –. –. . 3 – Œ 4 – –. –. . Œ .

– –. –. –. .

"

43 Œ

"

3 4 Œ

"

" Œ – –. –. –. .

3 4 Œ 43 Œ

"

–. –. # –. # –.

38

"

43 Œ

3 8

"

3 4

Œ

"

38

"

43

Œ

Œ

–. . . b –.

44

"

4 4

"

4 4

"

4 4

Œ –. – –. –. . 3 – Œ 4 – –. –. . Œ .

–. –. # –. # –. Œ

b –. b –. b –. –.

Œ

Œ

"

44

Œ b –. b –. b –. –. Œ

"

44

"

4 4

"

"

44 j ‰ Œ ˜ "f " fl

Ó

43

"

"

38

"

43

"

44

"

÷ 44

"

3 4

"

"

3 8

"

3 4

"

4 4

"

& 44

"

43

"

"

38

"

43

"

44

"

& 44

"

!M .. œ 34

44

"

& 44

"

44

"

44

"

? 44

S.Vcl.

"

43

"

"

33

Acc.

"

38

Œ

43 Œ

Ó

"

Œ

3 4 Œ

?

"

44

33 Perc. 1 2

Pno.

43 Œ

"

Tpt. 1 [C] 2 3

Tuba

43 Œ

" "

? 44

3 4

"

?4 4 33

1 2

43

"

C q = 132 == & + q 44 Œ j # –. ‰ Ó p 4 #– Œ Ó 4 æ –j ' 4 " – – 4 –. –. . .

"

!M .. œ 34 43

J

J

"

B

"

38

"

"

38

"

!M .. œ 34 F !M .. œ 34

"

œ. – .. – .. 34 –– ....

œ. – .. – .. – .. – ..

*

?

j – – – –

38

B

J

J

*

F

?

j – – – –

mute the strings until bar 59

1

& 44

"

43

"

"

38

"

43

"

2

4 &4

"

3 4

"

"

3 8

"

3 4

"

( ( & & 44 –- ‰ -– ‰ –- ‰ –- ‰ J J J J P 4 " 4

Vla.

B 44

"

3 4

"

"

3 8

"

3 4

"

4 4

"

Vcl.

? 44

"

43

"

"

38

"

43

"

44

"

43

"

"

38

"

43

"

44

"

33

Vl.

D.B.

( ( & & 44 –- ‰ –- ‰ –- ‰ –- ‰ J J J J

7

39

42

Fl. 1 2

&

"

"

A.Fl. 3 [G]

&

"

"

1 Ob. 2 3

&

"

"

Cl. 1 [B b] 2

&

"

"

42 ¬ F 2 4

B.Cl. 3 [B b]

&

"

"

2 4

?

"

"

1 2

?

"

"

3 4

?

"

"

Tpt. 1 [C] 2 3

&

"

"

42

"

1 Tb. 2 3

?

"

"

2 4

?

"

"

39

"

÷ &

1 Bsn. 2 3

Tuba

S.Vcl.

"

"

4 4

"

"

"

4 4

"

"

2 4

"

4 4

"

2 4

"

4 4

Vl. 2

Vcl.

D.B.

"

24

44

"

2 4

"

42

"

"

2 4

"

"

2 4

4 4

"

2 4

"

"

44

"

"

24

"

44

"

42

"

4 4

"

"

2 4

"

4 4

"

2 4

42

"

44

"

"

24

"

44

"

42

"

2 4

"

4 4

"

"

2 4

"

4 4

"

2 4

"

"

2 4

"

4 4

"

"

2 4

"

4 4

"

2 4

"

"

42

"

44

"

"

24

"

44

"

42

&

"

"

42

"

44

"

"

24

"

44

"

42

&

"

"

2 4

"

4 4

"

"

2 4

"

4 4

"

2 4

?

"

"

2 4

"

4 4

"

"

2 4

"

4 4

"

2 4

‰

4 4

"

2 4

‰

44

"

42

‰

44

"

42

‰

(( & & 4 –– –- ‰ –2 4 J ‰ J ‰ J J ‰ 4 P

42

"

(((((& & & & & –– –– –– –– 2 –– J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ 4 J ‰ J ‰ F mute the strings until bar 63 (& 2 – " " & 4 J ‰ –J ‰ F mute the strings ( & 24 –- ‰ –- ‰ J J F mute the strings until bar 59 (& 2 – – 4 J ‰ J ‰ F (& 2 –– 4 J ‰ J ‰ F until bar 59

Vla.

Ó

4 4

"

42

"

4 4

"

39 1

44 – % ‰ Œ R

2 4

44

"

"

39

Acc.

4 4

"

24

4 r%‰ Œ 4 –

Perc. 1 2

Pno.

"

q = 76

2 4 ¬ F 2 4 ¬ F 2 " 4

39 Hn. [F]

44

"

2 4

"

q = 104

B

"

"

?

"

"

"

"

44

4 4 44 ( & 44 –- ‰ –J J P 4 4 4 4

24

"

44

"

(-–& 2 – " " 4 J ‰ J F ( & 24 -– ‰ –" " J J F ((((-& -& -–& -–& – – – – – 2 ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ 4 J ‰ –J F (& 2 -– – " " 4 J ‰ J F (& 2 -– – " " 4 J ‰ J F 8

4 r%‰ Œ 4 –

‰

4 4

"

"

Ó

2 4

Ó

2 4

42

2 4

& 42

"

2 &4

"

46 Fl. 1 2

A.Fl. 3 [G]

1 Ob. 2 3 Cl. 1 [B b] 2

B.Cl. 3 [B b]

1 Bsn. 2 3

Hn. [F]

44

"

38

"

43

"

4 4

"

3 8

"

3 4

"

& 42

"

44

"

38

"

43 Œ

2 &4

"

4 4

"

3 8

"

3 4 Œ

2 &4

"

4 4

"

3 8

"

38

"

38

"

? 42 ? 42

44 r % ‰ Œ –

b¬ F

46 1 2

q = 104

"

44

Ó "

3 4 Œ

Œ –– f –. . .

" "

D q = 132 == & bq + 44 Œ j‰ Ó n –. p 4 #– Œ Ó 4 æ –j ' 4 " –– 4 –. –. . . "f " 4 Œ " 4 –.

"

42

43 Œ

44

"

24

"

44

"

42

b –. b –. b –. –. "f "

3 8

"

3 4 Œ

1 Tb. 2 3

? 42

"

44

"

38

"

43

?2 4

"

4 4

"

3 8

"

b– –. . . . "f " 3 4

Œ

2 4

"

4 4

"

3 8

"

3 4

4 4

"

3 8

"

2 &4

"

4 4

"

3 8

"

46 1 Vl. 2

Vla.

Vcl.

D.B.

& 2 –4 J ‰ F & 2 –4 J ‰ F -& 42 –J ‰ F & 2 –4 J ‰ F & 2 –4 J ‰ F

" (– J ‰ (– J ‰ (– ‰ J (– J ‰ (– J ‰

"

2 4

"

4 4

"

2 4

4 4 b –. b –. b –. –. "f " 44 Œ

"

2 4

"

4 4

"

2 4

"

24

"

44

"

42

2 4

"

4 4

"

2 4

2 4

"

4 4

"

2 4

4 ‰ Œ 4 j b˜ "f " fl 4 4

3 4 !M .. œ 3 4 F !M .. œ 3 4

J

J

œ. – .. – .. 3 –– .... 4

3 8

"

4 4

"

3 8

"

3 4

4 4

"

3 8

"

3 4

"

44

"

38

"

43

4 4

"

3 8

"

3 4

B

& 3 –3 8J ‰ ‰ 4

?

*

F

"

24

4 4

"

4 4 4 4

4 4

"

j – – – –

& 4 -– 4 J ‰ P

"

Ó

"

44

"

"

(– J ‰ Œ

4 4

Œ

"

4 4

& 4 –4 J ‰ Œ P

Œ

"

43

"

"

?2 4

S.Vcl.

3 8

"

2 &4

46

Acc.

4 4

2 4

44

"

"

"

"

4 4

2 &4

4 4

24

"

Pno.

42

"

2 &4

"

Ó

44

Tpt. 1 [C] 2 3

38

44 – % ‰ Œ R

2 4

b –. b –. b –. –. "f " Œ

"

2 4

"

3 4 Œ

44

"

4 4

"

"

"

4 4

"

3 8

÷ 42

24 ¬ F 2 4

42

2 4

"

46

"

"

"

4 4

Perc. 1 2

2 4

44

4 4

"

Tuba

"

Œ –. – – "f " – . . . Œ 43 – –. –. –. Œ . "f "

?2 4

3 4

24

q = 104

"

44

2 4

"

"

2 4

"

2 4

(– J ‰

& –J ‰

4 4

"

"

44

"

"

4 4

"

"

4 4

"

9

2 4

"

(& – 2 –J ‰ 4 J F & 2 –4 J F & 24 –J F & 2 –4 J F & 2 –4 J F

"

42

4 4

"

2 4

"

4 4

"

2 4

"

4 4

"

2 4

4 4

"

2 4

4 4

"

2 4

4 4

"

2 4

4 4

"

2 4

"

(– ‰ J ‰ (– ‰ J ‰ (‰ –J ‰ (– ‰ J ‰ (– ‰ J ‰

4 4

"

2 4

( ( & & 44 –- ‰ –- ‰ -– ‰ –- ‰ 42 J J J J P

2 &4

53 Fl. 1 2

A.Fl. 3 [G] 1 Ob. 2 3 Cl. 1 [B b] 2

B.Cl. 3 [B b]

1 Bsn. 2 3

2 &4 & 24

2 &4 ¬ F 2 &4 ¬ F

Hn. [F]

4 4

"

4 4

"

44

"

q = 104

7 8

"

7 8

"

Ó

7 8

"

Ó

7 8

"

7 r%Œ 8 –

Ó

"

78

"

4 r%‰ Œ 4 – 4 r%‰ Œ 4 –

3 4

"

3 4

4 #– 4 æ ' Œ 43 Œ –. –. 44 – –. . "f " 3 Œ 4 Œ 4 4 –. –. – –. . "f " 3 4 Œ 4 Œ 4 – – . – . –. . "f " 3 – 4 Œ 4 – –. –. . Œ 4 . "f "

"

4 Ó 4

?2 4

"

4 4

"

7 8

"

3 4 Œ

?2 4

"

4 4

"

7 8

"

3 4 Œ

b –. b –. b –. –. "f "

Tpt. 1 [C] 2 3

2 &4

"

4 4

"

7 8

"

3 4 Œ

b –. b –. b –. –. "f " Œ

1 Tb. 2 3

?2 4

"

4 4

"

7 8

"

3 4

Œ

? 24

"

44

"

78

"

43

24

"

44

"

78

"

43

"

2 &4

"

4 4

"

7 8

"

3 4

"

3 4

Tuba

53 Perc. 1 2

Pno.

÷ 24

4 4

"

7 8

"

2 &4

"

4 4

"

7 8

"

53 1 Vl. 2

Vla.

Vcl.

D.B.

4 4

"

(& 2 –– 4 J ‰ J F ( & 24 –- ‰ –J J F ( & 24 –- ‰ –J J F (& 2 –– 4 J ‰ J F ( & 24 –- ‰ –J J F

‰ ‰ ‰ ‰ ‰

"

& –J F & 44 Ó –J F & 44 Ó –J F (&& 4 – – –4 J ‰ J ‰ J P F & 44 Ó –J F 4 Ó 4

(– ‰ J ‰ (‰ –J ‰ (‰ –J ‰ (– ‰ J ‰ (‰ –J ‰

–. . . b –. "f "

3 4

"

"

?2 4

S.Vcl.

7 8

"

2 &4

53

Acc.

4 4

"

"

3 4

"

78

"

43

"

78

"

43

7 8

" (РΠJ

"

6 4

"

24 ¬ F 2 4

"

2 4

"

6 4

"

2 4

"

6 4

"

46

6 4

Œ

4 4

"

2 4

"

6 4

4 4

b –. b –. b –. –. "f " 4 Œ 4 44 j ‰ Œ ˜ "f " fl

*

?

2 4

"

6 4

"

2 4

"

6 4

24

"

46

Ó

44

"

24

"

46

4 4

"

2 4

"

6 4

4 4

j – – – –

"

"

2 4

6 4

"

4 4

"

2 4

"

6 4

4 4

"

2 4

"

6 4

4 4

"

2 4

"

6 4

((& & 4 –– –– 4 J ‰ J ‰ J ‰ J ‰ P 44

"

"

44

"

3 4

"

4 4

"

43

"

44

"

10

6 4

"

J

F

"

2 4

J

7 8

B

2 4

6 4

"

"

!M .. œ 3 4 F !M .. œ 3 4

"

–

2 4

4 4

"

œ. – .. – .. 3 – .. 4 – ..

& ==

+ q j ‰ Ó –. p Œ Ó j

Œ

"

7 8

& 78 –- ‰ Œ J P

4 Π4

"

"

b¬ F

q = 132

"

?2 4 53

1 2

q = 76

(& 2 –– 4 J ‰ J F ( & 24 –- ‰ –J J F ( & 24 –- ‰ –J J F (& 2 –– 4 J ‰ J F ( & 24 –- ‰ –J J F

‰

6 4

‰

46

‰

46

‰

6 4

‰

46

Fl. 1 2

A.Fl. 3 [G] 1 Ob. 2 3 Cl. 1 [B b] 2

B.Cl. 3 [B b] 1 Bsn. 2 3

Hn. [F] 3 4

Tpt. 1 [C] 2 3 1 Tb. 2 3

Tuba

"

6 &4

"

4 4

"

..

"

..

"

?6 4

"

4 4

"

..

"

..

"

?6 4

"

4 4

"

..

"

..

"

"

..

"

..

"

"

..

"

..

"

"

..

"

..

"

& 46

"

& 46 –R % ‰ Œ

Ó

? 46

44 4 4

"

?6 4

4 4

"

Ó

..

"

Ó

..

"

..

"

..

"

..

"

..

"

"

..

"

..

"

Ó

oboe 3 switch to cor anglais

o

j 3 #– 8 –. "f " j 38 #– –. "f " j 38 – –. "f " 38 j – –. "f " 3 8 j ‰ ‰ ‡ p. j 3 – 8 –. "f "

3 4

3 8

3 4

38 3 8 3 8

"

&

"

&

43 43 43 3 4 3 4

43 3 4

"

3 4

"

? 46

"

44

"

..

"

..

"

38

"

43

6 4

"

4 4

"

..

"

..

"

3 8

"

3 4

Perc. 1 2

÷ 46

6 & 4 R %‰ Œ "f " & 46 R % ‰ Œ

59

4 4

"

6 &4

Acc.

Ó

"

6 &4

59

Pno.

x 40

& 46

"

59 1 2

q = 172

+ 4 j ‰ Œ 4 #– . & p == q 44 æ Œ #– o p 44 ¬ p 44

6 &4

59

4 4

"

Ó

Ó

Ó

Ó

"

..

"

4 %‰ Œ 4 R 44 % ‰ Œ R

3 8

3 4

"

..

..

"

..

"

3 8 °

Ó

..

"

..

"

3 8

"

3 4

Ó

..

"

..

"

38

"

43

"

" "

*

3 4

?6 4

"

4 4

"

..

"

..

"

3 8

"

3 4

1

6 4

"

4 4

"

..

"

..

"

3 8

"

3 4

2

46

"

38

"

43

Vla.

6 4

"

Vcl.

6 4

D.B.

6 4

S.Vcl.

59

Vl.

& 44 –- ‰ J P

(& – ‰ –- ‰ J J

(– ‰ J

& .. –- ‰ J

(– ‰ J

& –- ‰ J

(& – ‰ .. –- ‰ J J

(– ‰ J

& –- ‰ J

(– ‰ J

4 4

"

..

"

..

"

3 8

"

3 4

"

4 4

"

..

"

..

"

3 8

"

3 4

"

4 4

"

..

"

..

"

3 8

"

3 4

11

E 3 &4

64 Fl. 1 2 A.Fl. 3 [G] 1 Ob. 2 3 Cl. 1 [B b] 2

B.Cl. 3 [B b] 1 Bsn. 2 3

3 &4

Hn. [F] 3 4

Tpt. 1 [C] 2 3 1

Tb. 2

3

Tuba

"

3 &4

"

? 43

"

3 &4

Pno.

43

*

" "

*

j œ j œ j œ

"

3 8

"

38

"

3 4

"

3 8

"

43

"

38

"

" "

"

3 4

38

"

43

3 8

38

3 *. 8

3 4 Œ 3 4 Œ ‰

"

3 8

"

b˙ b ˙ ..

j ‰ b˜ fl+ 3 4 b˙.

"

3 j ‰ 8˜ fl

b˙ b ˙ ..

3 j 4 b˜ ‰ fl 43 3 4

j ‰ ˜ fl + b˙

Œ j œ j œ

+ bœ

Œ Œ

j œ

Œ

3 4

"

–. f

–. f –. "f "

"

3 8

"

"

38

"

"

"

"

"

"

"

"

3 8 3 8 3 8

3 j ‰ 8˜ fl

3 8 .

‰

j ‰ ˜ fl

"

3 8

"

"

4 Π4

4 Ó 4 44 Ó

j –

4 Π4

Œ

44 Œ

?

4 4

[B b Horn] [F Horn]

?

4 4

b b ––"f "

b b ––"f " 44 Œ

# ––-

–– -

# ––-

˜.

+ 4 4 b¬.

˜.

4 Π4

+ ¬

4 j ‰ 4 b˜ fl

j ‰ ˜ fl

4 Œ 4 ‰

–– -

4 Ó 4

Œ

3 8

"

"

4 Ó 4

Œ

?3 4

"

3 8

"

3 4

"

3 8

"

"

4 Ó 4

Œ

1

3 4

2

3 4

" "

3 8

Vla.

43

Vcl.

43 3 4

"

3 4

"

3 4

"

38

"

38

"

3 8

3 8

"

"

"

3 8

"

3 8

"

43

"

38

"

"

"

43

"

38

"

"

"

3 4

3 8

" 12

" "

"

4 Ó 4

"

" "

"

4 4 œ . p 4 4 œ . p

!

œ.

!

œ.

col legno

&

& Q ==

B

Œ

U Œ

U Œ

U

j –

44 · Ø sul C

col legno

4 œ. ! 4 p

U Œ

U Œ

U Œ

U Œ

U Œ

U Œ

U Œ

U Œ

!

U

!

œ. !

Œ

!

U U U

Œ . œ

Œ

‚ Œ fo

·.

·

. œ

Œ

œ. !

44 Ó ?

U

Œ

Œ

col legno

&

U

j –

"

3 4

Œ

U

j ‰ ˜ fl

3 4

"

U

+o+o+o+o+ U Œ j – –

"

3 8

Œ

Œ

˜ fl

3 8

"

U

U

Œ

4 4

"

Œ

j –

Œ

44 Ó

U

Œ

j ‰ j ‰ ‡ #‡ fl fl P j ‰ j ‰ ‡ ‡ fl fl P

[B b Horn] [F Horn]

" .

4 Π4

j –

j –

3 8

38

"

j –

–. "f " " "

3 4

"

"

only I & II

j #–

–. "f "

"

3 8

3 8

"

"

"

"

3 8

"

j #–

–. "f "

38

3 8

3 8

"

3 8

"

3 4

"

43

3 8

D.B.

3 4

"

3 8

"

"

64

Vl.

3 4

"

& ==

3 &4 3 &4

S.Vcl.

˙˙ .. Ø

– ÷ 43 $ 3 &4 64

Acc.

PRACTICE MUTE

3 PRACTICE MUTE & 4 ˙. ˙. Ø  & 43 j ‰ j ‰ Œ b˜ ˜ fl "f " fl+ ?3 . 4 b˙ Ø ?3 Œ 4 b˙ Ø ?3 Œ Œ 4 bœ Ø  ?3 j ‰ Œ Œ 4 b˜ fl "f "

64 Perc. 1 2

3 8

"

38

64 1 2

3 8

"

3 &4 & 43

3 8

"

& ==

+ q + q j ‰ j ‰ – #– P fl+ fl+ j ‰ j ‰ – #– fl fl P Œ

Œ

!

U Œ

F

e = 144

4 &8

70 1

!

..

!

x 10 ..

!

4 4

2

& 48

!

..

!

..

!

44

!

A.Fl. 3 [G]

4 &8

!

..

!

..

!

!

!

..

!

..

4 4

!

!

!

..

!

4 &8

..

!

..

!

!

!

!

..

!

& 48

..

..

!

..

!

..

!

!

..

!

..

Fl.

Ob. 1 2

E.Hn. 3 [F]

Cl. 1 [B b] 2 B.Cl. 3 [B b] 1 Bn. 2 3

4 &8 4 &8 4 &8

& 48

70 1 2 Hn. [F] 3 4 Tpt. 1 [C] 2 3 1 Tbn. 2 3 Tuba

4 &8

Perc. 2

Piano

44

!

!

I

Ó

Ó

4 4 ¬ # 44

Ó

Ó

[B b Horn] III

!

!

..

!

..

!

!

..

!

..

!

?4 8

!

..

!

..

!

4 4

÷ 48

!

..

!

..

!

44

& 48

!

..

!

..

!

..

!

..

?4 8

÷ 48

4 &8 ?4 8

..

!

œ œ

f

œ

œ

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œ

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œ œ

œ

œ

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œ œ

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f

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·

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p

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.

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!

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IV

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48

!

48

!

4 8 48 4 8

!

M

p ˜. ˜. ˜.

4 8

! R%‰ Œ

48

Ó

!

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48

!

4 4

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V

T

V



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V

T

V

T

2

!

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!

..

!

Vla.

B 48

!

..

!

..

!

Vcl.

4 8

!

..

!

..

!

4 4

!

!

D.B.

?4 8

!

..

!

..

!

4 4

!

!

!

& ==

13

V

T

V

R R

col legno

arco

Œ Ó !

$ – ‰ J P

4 8

Ó

&

%‰ Œ

Ó

&

4 8

&

4 8

!

arco

arco

4 8

!

%‰ Œ

‹. ‹. ‹. ‹. ‹. ‹. ‹. ‹.

4 &8

Vl.

..

4 8

!

1

!

4 8

!

!

4 &8

..

4 8

!

Ó

· · · · · · · · on the strings .. " " " " " " " " .. " " " " " " " " 44 ‰ ‹. ‹. ‹. ‹. ‹. ‹. ‹. · · · · · · · · # p

!

4 8

4Ø . 4 œJ ‰ Œ # 44

$ +œ 4 · Ó 4 ‹ œ. J ‰ Œ # $ col legno arco · +œ 4 Ó 4 J ‰ Œ ‹ œ. # 44 !

70

¬ ‰

!

4 8

!

II

!

!

!

j‰ Œ # # ‡. !

[F Horn]

48

!

!

[F Horn]

!

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!

4 4

!

œ.

..

?

Œ

4 8

!

Ó

‰ œ œ%‰ Œ J R Ø

!

44 ¬ #

..

70

S.Vcl.

!

!

?4 8

Acc.

4 4

..

& 48

Œ

4 4

?

˙æ Ø

!

4 Ó 4

!

70 1

4 4

[B b Horn]

+ + + j b –. ‰ –. ‰ –. ‰ Œ p + + ‰ ‰ Ó b –. –. p

!

& – J ‰ Œ P

Ó

¬ P ¬ P

4 8

!

4 8 48 4 8

!

4 8

4 &8

4 4

!

4 8

4 4 & 8 –. –. –. –. – – b – – Œ 4 . . . . P 4 –. –. – – & 48 Œ . . –. –. b –. –. 4 P 44 ! & 48

!

4 8 ¬ "f " 48 ¬ "f " 48

76 Fl. 1 2 A.Fl. 3 [G]

1 Ob. 2

E.Hn. 3 [F]

1 Cl. [B b]

2

B.Cl. 3 [B b] 1 Bn. 2 3

Hn. [F]

1 2

3 4 Tpt. 1 [C] 2 3 1 Tbn. 2 3 Tuba

!

4 &8

& 48

!

4 &8

!

4 &8

& 48 76

!

?4 8

44

! !

? 48

!

? 48

Perc. 2

÷ 48

GLOCKENSPIEL

!

& 48

!

? 48

Pno.

!

&

4 4

!

44

!

& 48 j #·

Sul G

S.Vcl.

76 1 Vl. 2

4 8 48

44

· % · · ·- · -· ® % 44 ·r % ‰ Œ - - RÔ R . col legno

!

4 Ó 4

!

44 Ó

4 ¬ 8

4 ¬ 4

Vcl.

4 ¬ 8

4 ¬ 4

?4 8

R

!

4 4

%‰ Œ

Ó

Q & ==

$ &· Q # & == $ & · #

!

· ·

!

!

!

!

!

!

!

!

Œ

!

!

!

!

4 8

!

!

!

48

!

!

!

!

!

!

!

!

!

!

!

?

48

?

48

Œ

!

! !

œ

p

arco

œ

·

p

œ

"

"

œ

·

œ œ

·

œ

"

"

!

œ

·

4 r% ‰ 8 ·‚ f o

œ œ

·

œ

"

"

Œ

48 r % ‰ ·‚ f o

œ

·

œ œ

·

œ

"

"

œ

·

œ œ

·

œ

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œ

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œ œ

·

œ

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œ

·

!

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·

œ

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"

œ

·

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·

œ

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"

œ

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œ œ

·

œ

"

"

œ

·

œ œ

·

œ

"

"

44

!

4 4

!

[B b Horn]

!

44 ¬ # [B b Horn] III 4 4 ¬ # 4 4

Ó

I

Ó !

44

!

44

!

4 4 # 44

!

44

!

44 œ œ

·

œ

"

"

œ

·

œ œ

·

œ

"

œ

!

4 ‰ 4 # 44 ‰ " " " " " " " V

"

·

T

V

T

!

4 4

·$

#

+œ

col legno

‹ œ.

V

J ‰ Œ ·$

!

!

4 – 8 R % ‰

Œ

!

!

4 4

!

4 – 8 R % ‰

Œ

!

!

4 4

!

!

!

4 4

!

14

T

44 ‰ ‹. ‹. ‹. ‹. ‹. ‹. ‹. #

Œ

!

V



44 Ó

4 8

‰ œ J Ø

!

44

œ

·

Œ

4 4

!

! !

44 Ó

!

! !

44

!

!

4 8

%‰ Œ

!

!

48 R

!

4 4

!

!

48

!

!

!

4 ! 8 +œ œo œo +œ œo œo +œ œo œo +œ œo œo +œ œo +œ œo +œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 44 48 œR % ‰ Ø !

!

4 4

!

Œ

4 4 44

!

‰

48

!

Vla.

D.B.

‰

4 8

!

M bMœ œ bMœ 76 4 4 R%‰ Œ &8 R % R % Œ 4 . . 'œ q œ q #œ œ . œ. q # œ 44 J q ‰ Œ ‰ & 48 J ‰

Acc.

!

48

!

44

!

!

with mouthpiece

!

!

48

4 8 j # ‡. p 4 8 j # ‡. p 48

!

4 4

!

÷ 48

!

4 4 44

4 &8

!

4 4

!

? 48

!

!

!

4 8

!

44

!

76 1

4 4

!

!

G 4 4

#

+œ

col legno

‹ œ.

+ & b– ‰ p. + & ‰ b– p. & ˙æ Ø &

82 1 Fl. 2 A.Fl. 3 [G] 1 Ob. 2

E.Hn. 3 [F] Cl. 1 [B b] 2 B.Cl. 3 [B b]

1 Bn. 2

K.Bn. 3

!

&

!

&

!

& œR % ‰ Œ & Œ

Œ

? ?

[F Horn]

1 2

3 4

? Ó

[F Horn]

Tpt. 1 [C] 2 3 1 Tbn. 2 3 Tuba

Ó

!

Ó

!

¬

a2

!

?

!

? Ó

Ó

Œ

Ó

‰

Ó

Ó

Ó

Ó

Ó

¬

82 1 Perc. 2

÷

&

!

?

!

!

&

Pno.

Ó

" " " " " " " "

Acc.

T

V

T

V

42

!

2 4

! !

T

V

T

V

p

?

œ œ

œ

V



82 1 Vl. 2

& Ó

Œ

& J ‰ Œ

Ó

¬

2

?

!

!

!

4 –– –. –. – – – Œ 8 . . –. –. – – b – Œ . . . –. b –. –. –. . . . P 4 Œ –. –. – – Œ –. –. – – 8 . . –. –. b –. –. . . –. –. b –. –. P 48 ! !

!

4 8

! ! !

48

!

!

!

!

44

!

48

!

!

4 4

!

4 8

!

!

!

!

!

!

4 4

4 8

!

4 4

!

4 8

!

48

!

!

!

4 8

!

!

42

!

44

!

48

!

!

WOODBLOCK

42

!

44

!

48

!

!

!

42

!

44

!

48

!

!

2 4

2 4 j

œ

œ œ

4 4

!

2 4

‰÷ #

j

V

V

T

V

42

Ó

!

42 Œ

!

!

2 4

!

!

!

!

!

Sul E

Sul D Sul A

2 4 p 2 4

$ ‰ –J

o œ. ‰ Œ J

col legno

#

!

4 %‰ Œ 4R 44 % ‰ Œ R 4 4

& 44 – ‰ Œ J 44

Ó Ó ! Ó !

44 ¬ P

4¬ 4 P 4 4

4 r 4 %‰ Œ 15

! Ó

!

4 8

!

4 4

!

4 8

!

4 4

2 4 ‰ # j " 2 ‰ ‰ 4 ‰ " " "  

œ‰

! ‰ Œ

!

!

4 4

!

Vcl.

D.B.

& – J P

48

44

42

!

1

arco

!

4 4

¬

!

Vla.

?

$ – ‰ J P

arco

44

4 8

!

44

· · ‹. ‹. ‹. ‹. ‹. ‹. ‹. ‹. ? " " ‰ ‹. ‡ " " ‰ ‹. ‡ 42 ‰ ‹. ‹. ‹. J · ‡ · ‡ J J p #

S.Vcl.

!

!

œ‰

j ‰ " ‰

!

44

!

IV

Œ

&

!

4 8

4 4

II

!

82

42

!

4 4

!

2 4

!

M

!

4 4 4 4

‰ œ 42 œ % ‰ Œ J R Ø 2 4 r%‰ Œ œ œ Ø 2 4 œr % ‰ Œ œ. Ø

Œ

‰ p ˜. ˜. ˜.

2 4

2 4

!

a2

&

42

!

!

? Ó

!

!

j‰ Œ # # ‡. !

?

!

+ 2 j ‰ Œ 4 œ p +. 2 4 œj ‰ Œ p +. j 42 œ. ‰ Œ p 2 ! 4

!

!

82 Hn. [F]

+ + j ‰ –. –. ‰ Œ + ‰ – Ó .

4 8

bMœ 4 R % & 8 ' œ q 4 Jq & 8 &

4 8 j #· 48 48

!

!

Mœ

!

R % Œ ‰

‰

!

bMœ R % # œ. œ. œ q # œ. œ. J q

· % ·- · ·- · -· ® % - - RÔ R

j ·

‰

‰

!

!

4 ¬ 8

¬

# œ.

œ. . # œ œ.

· % ·- · ·- · -· ® % - - RÔ R !

¬

4 8

R % Œ

!

48 ¬

4 8

Mœ

!

!

!

!

!

&

!

3 16

!

2 4

!

H 4 4

&

!

3 16

!

2 4

!

4 4

88 1 Fl. 2 A.Fl. 3 [G] 1 Ob. 2 E.Hn. 3 [F] Cl. 1 [B b] 2 B.Cl. 3 [B b]

1 Bn. 2

K.Bn. 3

& –. –. –. –. – – b – – Œ P .. .. –. –. – – &Œ . . – – b– – P . . . . ! & &

!

?

!

?

1 2

3 4

?

!

Tpt. 1 [C] 2 3

&

!

?

!

÷

!

& ?

!

1 Tbn. 2 3 Tuba

1 Perc. 2

Pno.

÷

& j ·

S.Vcl.

88

Vl.

R % Œ ‰

‰

?

!

2 4

!

42

!

!

42 2 4

! !

2 4 ?

42

!

p

œ œ

œ

œ

œ œ

œ

œ

œ œ

œ

œ

œ œ

œ

œ

! !

3 16

! !

3 16

!

!

Ó

! ! ! Ó

Ó

[F Horn]

Ó

!

!

Ó

!

!

T

V

T

V

V

T

V

! !

M

p ˜. ˜. ˜.

! !

Ó

!

T

V

T

V

&

p

?

œ œ

œ

œ‰

j ‰ " ‰

œ

V



p

42

!

2 4

!

4 4

!

!

!

2 4

!

4 4

!

!

!

&

16

œ œ

œ‰

j ‰ " ‰

Œ Ó !

$ – ‰ J P

arco

arco

& – ‰ Œ J P

! Ó !

j

V



· · ‹. ‹. ‹. ‹. ‹. ‹. ‹. ‹. ? " " ‰ ‹. ‡ " " ‰ ‹. ‡ · ‡ · J

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I Fl. 1 2

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1 Ob. 2

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K.Bn. 3

Hn. [F]

1 2

3 4 Tpt. 1 [C] 2 3 1 Tbn. 2 3 Tuba

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100

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100

Perc.

3 16

until bar 113

mute the strings until bar 113

!

Mœ

R % Œ ‰

‰

3 16 3 16 3 16 3 16 3 16 3 16 3 16 3 16

3 16 3 16

# œ.

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bMœ Mœ 4 R % R % Œ 8 œ q 48 J q ‰

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48

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38 3 8 3 8 38 3 8 3 8 38 3 8 3 8 38

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bMœ 4 R%‰ Œ 4 œ q # œ. œ. . . #œ œ 4 Jq ‰ Œ 4

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38

!

col legno -· - -· - -· ·. · · · R % RÔ ® % 44 R % ‰ Œ

4 8

!

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3 8

!

38

38

¬

3 – %% 16 R

48 ¬

44 ¬

¬

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¬

3 – 16 R % %

4 ¬ 8

4 ¬ 4

¬

3 8

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3 16

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4 4

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3 &8

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& 38

!

106 Fl. 1 2 A.Fl. 3 [G]

1 Ob. 2

E.Hn. 3 [F]

Cl. 1 [B b] 2 B.Cl. 3 [B b] Bn. 1 2

K.Bn. 3

& 38 3 &8

!

3 &8

!

& 38 3 &8 ? 38 ?3 8 ?3 8

106 Hn. [F]

1 2 3 4

Tpt. 1 [C] 2 3 1 Tbn. 2 3 Tuba

? 38 3 &8 ?3 8 ? 38 +œ 3 œ &8 +œ œ 3 &8

106 1 Perc. 2

3 &8 & 38

Pno.

3 &8

106

Acc.

Vl. 2

! ! ! ! ! ! ! !

!

48 – – – 38 . . . –. –. – b – – Œ . . . P 4 Œ 3 –. –. – – 8 – – b – . . . . . –. 8 P 48 38 !

!

48

4 8

!

48

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38 3 8 3 8

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48

38

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4 8

3 8

!

4 8

3 8

!

48

38

!

4 8 48

4 j 8 · #

38

!

48 4 8

! ! ! ! ! ! ! ! ! !

44

44 – – – . . . –. –. P 4 –– 4 . . –. –. – . P 44

4 4

‰

œ.

œ q œ. .œ œ. 3 J q ‰ ‰ 8

-· - -· - -· · · · R % RÔ ® % ! !

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4 4

38 3 8

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4 Π4

4 ‰ 4

44 ¬

Vcl.

3 –. 8

38 – % ‰ ‰ R

4 ¬ 8

3 – 8 R %‰ ‰

4 ¬ 4

D.B.

!

3 8

!

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4 4

48 ¬

4 8

·. ®% R % ‰

col legno

44

38 – .

!

bMœ R %‰ # œ. œ. œ q # œ. œ. J q ‰

-· - -· - -· · · arco

U Œ

24 Œ 2 Œ 4 2 Œ 4 24 Œ

U Œ U Œ U Œ U Œ U Œ U Œ U Œ U Œ U Œ

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4 4 44

U Œ

2 Π4

24 Œ

2 Π4

!

U Œ U Œ

2 Π4

!

U Œ

2 Π4

24 Œ

!

4 4

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44

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44

38

38

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4 4

!

3 8

!

4 4

Œ

Mœ bMœ 4 R % R % Œ 8

arco

!

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4 Π4

!

‰

!

4 4

3 8

!

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3 8

!

?3 8

3 8

3 8

!

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38

!

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106 1

!

3 8

!

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3 &8

S.Vcl.

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4 8

!

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2 Π4

U Œ U Œ

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2 Π4

Ó

2 Π4

U Œ

24 Œ

U Œ

2 4 Œ

U Œ

U 24 – % ‰ Œ R U 2 – 4 R %‰ Œ

4 4

! 19

2 Π4

U Œ

+ 3 r% ‰ 4 #– + 43 r % ‰ #– 43

Œ

Œ

Œ

Œ

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3 4

!

3 4 43 3 4

43 3 4

3 2 32 3 2 3 2 32

!

3 2 3 2

!

32

!

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!

32

!

3 2

!

3 4

!

3 4

!

43

!

3 4

3 2

!

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32

!

3 4 43

3 2

!

!

3 4

32

!

3 4 43

32

!

3 4 43

3 2

!

3 2 &

3 2 32 3 2

. 43 ¬

32

3 ¬. 4

3 2

3 4

!

3 2

3 &2

112 Fl. 1 2 A.Fl. 3 [G] 1 Ob. 2

E.Hn. 3 [F] Cl. 1 [B b] 2 B.Cl. 3 [B b] Bn. 1 2

K.Bn. 3

!

& 32

& 32 –. –. –. –. ‰ Œ P 3 & 2 –. –. –. –. ‰ Œ P 3 &2

Ó Ó

3 &2

Hn. [F]

3 4 Tpt. 1 [C] 2 3 1 Tbn. 2 3 Tuba

Perc. 2

?3 2

!

48

! !

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!

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4 8

!

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4 8

!

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48 4 8

!

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4 8

!

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& 32

!

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!

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4 8

!

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3 &2

Ó

Ó

Ó

Ó

3 %‰Œ 2 R

4 8

!

48

!

Ó

Ó

&

Ó

Ó

?

Ó

Ó

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1

3 2

!

Sul E

!

Sul E

2

3 2

& &

Ó

Ó

Sul C

Vla.

32 – % ‰ Œ R

Ó

Ó

Sul C

Vcl.

3 – 2 R %‰Œ

?3 2

!

B

?

Sul E

4 8 p 48

!

!

48

! +œ œ R %‰Œ +œ œ R %‰Œ

!

4 8

!

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48

!

?3 2

112

D.B.

!

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32 % ‰ Œ R · arco · 3 · ‰Œ &2 ·

Vl.

!

?3 2

112

S.Vcl.

!

4 8

!

& 32

Acc.

!

48

!

3 &2

Pno.

Ó

!

? 32

112 1

Ó

!

3 &2

!

48

!

112 1 2

!

J 4 8

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œ œ

œ

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œ œ

!

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œ œ

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œ

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œ

œ

· · · · · · · · · · · · · · · · · · · · · · · · 4 " " " " " " " " " " " " " " " " " " " " " " " " 8 ·" ·" ·" ·" ·" ·" ·" ·" ·" ·" ·" ·" ·" ·" ·" ·" ·" ·" ·" ·" ·" ·" ·" ·" p col legno 4 œ. ‰ 8 J P

col legno 4 œ. ‰ 8 J P Q & & == 48 · # &q == 4 & 8 · # col o legno 4 œ. ‰ 8 J P

Œ Œ · · Œ

>‹ J ‰ "f " >‹ J ‰ "f "

Œ

!

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Œ

!

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r · % ‰

Œ

!

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r · % ‰

Œ

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>‹ J "f "

20

&

!

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2

&

4 4

A.Fl. 3 [G]

&

!

4 4

!

119 1 Fl.

Ob. 1 2

&

! !

&

!

Cl. 1 [B b] 2

&

B.Cl. 3 [B b]

&

!

?

E.Hn. 3 [F]

1 Bn. 2

K.Bn. 3

? ?

!

44

!

!

44

!

!

3 4

?

!

Tpt. 1 [C] 2 3

&

!

?

!

119

!

Tuba

1 Perc. 2

Pno.

& &

!

&

!

[B b Horn]

&

œ œ

œ

œ

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œ

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œ

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· · · · ? "" "" "" "" · · · ·

S.Vcl.

&

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&

!

119 1 Vl. 2

Vcl.

1 D.B. 2

Ó

Ó

Ó

Ó

[F Horn]

Ó

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p ˜. ˜. ˜.

V

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44 ‰ ‹. ‹. ‹. ‹. # col legno + $ arco · œ 4 4 ‹ œ J . # $ arco · 44 Ó

!

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44

!

4 4

!

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4 4

!

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V

T

V

V

T

V

T

V

T

V

œ œ

œ‰

œ

j " ‰ ‰ V



!

‰ Œ

!

œ

œ œ

œ‰

j " ‰ ‰

!

‰

j

# ‰ " " " " " " "

V

V



T

V

T

V

T

V



‰ ‹. ‹. ‹. ‹. ‹. ‹. ‹. #

‡ J

"

" " " " " " "

‹.

‹. ‹. ‹. ‹. ‹. ‹. ‹.

T

V

T

V

T

!

!

!

Ó

!

!

!

!

!

!

!

! ! 21

!

!

j

o œ ‰ Œ J

(col legno)

p

arco

#

‹ >p ‹ >p

Ó

r

o+ œ– œ .

Œ

!

!

!

Ø o+ Œ œ œ. ' +¬

!

#

Ó

‹ œ.

Ó

!

J ‰ Œ

& – J P

!

!

Œ

arco

Ó

!

Ó

+ œ

!

!

‰ Œ

col legno

Ó

!

!

· · ‹. ‹. ‹. ‹. ‹. ‹. ‹. ‹. ? " " ‰ ‹. ‡ " " ‰ ‹. ‡ · ‡· J p $ – ‰ J P

!

!

‰

Ó

Ó

!

‹. ‹. ‹.

arco

% r %‰ Œ # œ. œ. œ. œ. œ. œ. œ. # œ. Ø Ó

!

WOODBLOCK

Ó

!

!

!

p " " " " " " " "? T

¬ ¬

!

&

!

Ó

r%‰ Œ œ

IV

Œ

!

44 ‰ # 4 ‰ " " " " " " " 4 

œ %‰ Œ R

!

WOODBLOCK

4# 4

œ R %‰ Œ

II

!

¬

!

œ. Ø

!

a2

!

r – %‰ Œ "f "

¬ p !

Ó

œ ‰ J Ø œ Ø

Œ

¬

‰

Ó

!

!

!

!

r – %‰ Œ P –J

Ó

!

a2

Ó

Ó

Ó

!

!

4 4

?

!

j‰ Œ # # ‡.

[F Horn]

# !

B

Vla.

!

!

!

4 4 œ

Œ

!

!

!

4 4

œ

Œ

+ j œ ‰ Œ + j‰ Œ œ + j œ ‰ Œ

!

Ó

!

4 4

œ œ

I

44

4 4

‰ œ œ%‰ Œ J R Ø

!

44 ¬ # [B b Horn] III 4 4 ¬ # 4 4

÷

Œ

!

44

!

119

?

4 4

!

&

Acc.

44 Ó

!

1 2

?

!

4 4

?

1 Tbn. 2 3

!

4 4

!

119 Hn. [F]

4 4

!

+ + + j b –. ‰ –. ‰ –. ‰ Œ p + + ‰ ‰ Ó b –. –. p Ó ˙æ Ø !

%‰ Œ

j – –

– j $ – – – – – · ‹ > j j $ – –– –– – – – · ‹ > ! !

V

T

V

j – –

– & – – – · j – –

& – –– – ·

– – – –

j

j

125 Fl. 1 2

&

!

A.Fl. 3 [G]

&

!

Ob. 1 2

E.Hn. 3 [F] Cl. 1 [B b] 2 B.Cl. 3 [B b]

Bn. 1 2

K.Bn. 3

Hn. [F]

j &‹ ‰ Œ b‹ "f " J j &‰ ‹ Œ b‹ "f " J j &Œ ‹ ‰ ‹ "f " J ‰ ‹j &Œ "f " ?Ó

Ó

Œ

!

!

Ó

Œ

Ó

!

!

!

Ó

!

!

!

Ó

!

Ó ‹ J

Ó –. –. –. –. –. –. –. –. ' r% ‰ Œ ¬ ‡. # p

?Ó

f

j –

!

Ó

–. –. –. –. –. –. –. –.

r% ‰ Œ –.

" "

3

‰ ˜j ˜ ˜ ˜ ˜ ˜ ˜ ˜j ‰ fl fl fl fl fl fl fl "f " fl ‰ r% ‰ œ. œ œ ' P !

Œ

!

Ó

r% ‰ Œ ‡. p

Ó

p

Ó

!

2 –. 4 + > 2 j 4 –. ‹

‰

2 4 ˙ # 2 4 2 4

2 4 j p fl‡ 2 4

Œ

!

‰

2 4

!

!

3 4

?

!

!

!

!

&

!

!

!

!

!

?

!

Œ

!

!

?

!

Œ

!

!

2 4

÷

!

!

2 4 42

!

‰ Œ

!

2 4

!

‰ Œ

!

3

Tuba

?

!

125 1 Perc. 2

Pno.

÷ &

!

&

!

125

Acc.

Œ

‰

Œ

‰? œ

Œ

S.Vcl.

125 1 Vl. 2

&

p

œ

! Ó

#

Ó

Ó B j ‰ Œ ‹ > ? j ‰ Œ ‹ > ?

"

V



· ‰ ? "" Ó · p

Ó

Π!

œÓ

œ

–

‹. #

! ‰ . (R p

% ‚R ‰ Œ œJ ‰ Œ

‰ Œ

Ó

J j " " " " ‰ Œ T

V

T

Ÿ~~~~~~~~~~~~~~~~~~~ ·œ · · œ œj‰ œ œj‰ J ‰ Œ J J & # Ø Ÿ~~~~~~~~~~~~~~~~~~~ ˙ œ Sul E œ œj‰ œ œ J ‰ Œ ‰ J J & # Ø

?

$ b·

#

Sul E

( )

( )

!

j œ

Ó

!

Ó

Ó

!

Ó

!

œ. J œ

‰ Œ

& œ

p

Ó

V

‹. ‹. ‹. ‹. ‰ Œ J

‚ J

œ

?

·

œ

‰ Œ

·‚ % ‹. ‹. ‹.

fo

#

2 4

!

42

!

2 4

T

V

T

V

T

V



!

2 4 ‰

!

!

2 4 ‰

‰ Œ

!

2 4 ‰

‰ Œ

!

42

22

j – – – – j – – – –

!

SOLO

SOLO

SOLO

42

2 4 2 4 2 4 2 4 2 4 42 2 4

!

3 8

!

42 2 4

!

2 4 42 2 4

˘ ˘ 3 œ œ ‰ 2 8 4

j œ œ Ø j œ œ Ø œ œ J Ø !

2 4

2 4

3 ‚. 8

œ

!

mute with your hand

38

38

œ œ

+

3 8 œ. F 3 8 I

œ

œ œ

œ

38

œ œ

œ

3 8

œ œ œ œ ‹. ‹. ‹. ‹. ‹. ‹. ‹. ‰ ? 42 " " " " 38 "œ "œ "œ "œ p

!

– – – – "f " J – – – – "f " J !

œ

!

3 8

!

œ

!

3 8

!

œ

3 8

38

!

2 4

‰ & 42 œ œ p # " " " " " " " ‰? 2 œ 4 V

&

42

!

3 8

HORN 1 WITHOUT PRACTICE MUTE

2 4

3 8 3 8

Œ

!

! +

3 8

!

!

o Ó #– +r œ %‰ Œ Ó œ p + r%‰ œ œ .. œ œ p >'  Œ ‰ j j ‰ ˜. ˜. "f "

b œ .. 3 œ 2 8 4 Ø 38 œ . 42 Ø 3 r%‰ ‰ 2 8 œ 4

!

?

Tbn.

D.B.

!

+

1 2

1 2

Vcl.

!

+3 œ p >‹ b +œ ‰

125

Tpt. 1 [C] 2 3

Vla.

K

! ! !

42 2 4 42

3 r%‰ ‰ 2 8 œ 4 P 3 r%‰ ‰ 2 8 œ 4 P 3 œ %‰ ‰ 2 8 R 4 P 38 ! 42 38

!

42

Fl. 1 2

A.Fl. 3 [G]

Ob. 1 2 E.Hn. 3 [F]

Cl. 1 [B b] 2 B.Cl. 3 [B b] Bn. 1 2

K.Bn. 3

131

2 &4

!

& 42

!

2 &4

!

2 &4

!

?2 4

!

& 42

!

& 42 ?2 4

!

2 &4

!

Hn. [F]

3 4 Tpt. 1 [C] 2 3 1 Tbn. 2 3 Tuba

?2 4 & 42 ?2 4

Perc. 2

!

!

Œ

Ó

!

Ó

4 4

!

Ó

!

Ó

4 4

!

2 &4

!

‰ Ó

#œ

#œ

#œ #œ

œ œ

œ

œ œ

œ

œ œ

œ

œ

4 Œ 4 44 Œ

#œ œ œ œ ? 2 " " "" "" "" 4 Œ 4 #œ 4 œ œ œ

Œ

1

2 &4

#

V

‰ Ó

Ó

Vl. 2

Vla.

& 42 B 42 ? 2 # œ. 4 #

col legno

Vcl.

? 42 # œ. #

col legno

D.B.

!

44 Ó

!

4 4

œ.

œ.

œ.

œ.

œ.

œ.

V

T

V

‰& p J

‹. ‹. ‹. ‹. ‹. ? ‡

44 # œ. ‰ Œ J F

! !

Œ

Sul E

# ·$

p TUTTI $ Sul E # · Œ p

!

Ó Ó

j

‡ J

#œ

#œ

#œ #œ

"

#œ

‰ Œ

Œ

!

!



)# Q

œ

arco

‡ J

œ

""

œ

œ

‰

j " ‰ ‰ ?œ

Ó

Sul A

Œ

arco Sul A

Œ

$·

p $· p

!

œ

œ

‰

j " ‰ ‰

·‚ R % ‰ Œ fo ·‚ R % ‰ Œ f o

! Ó Ó

j

V

œ ‡ ‰ ‹. ‡ œ " " ‰ ‹. ‡ J 

! 23

œ

j

!

TUTTI

! ! œ. ‰ Œ J



‡ J

¬ ¬ ¬ ¬ "f " ¬ ¬ ¬ ¬ "f " ¬ ¬ ¬ ¬ "f " ¬ ¬ ¬ ¬ "f " ¬ ¬ ¬¬ f

" "

Ó

r %‰ Œ

Ó

!

!

!

!

!

!

!

!

!

V

Ó

Ó

!

!

V

. "#œ ‰ œ œ œ œ ‹ ‡ . . . .

Ó

!

!

Ó

p j " ‰? œ œ

col legno

& ·‚ == R % ‰ Œ f o )# Q & ·‚ == R % ‰ Œ fo

!

!

j

!

!

!

Œ

Ó

!

Ó

‰ Œ

Ó

!

Œ

– "f "

Ó

!

!

!



4 # œ. ‰ Œ 4 J F

!

j –

¬ p

Ó

!

Œ

Ó

T

!

Œ

" " " " "?

4 Ó 4

!

Ó

Ó

Ó

Œ

TUTTI

131

‰ Œ

j ˜. "f " 

+ j –. ‰ Œ p Œ –æ p

j ‰ Œ Ó ˜ ˜ # ˜ ˜ ˜ ˜ fl˜ #fl˜ fl˜ fl fl fl fl fl fl ! r %‰ Œ Ó ‹ > ! r %‰ Œ Ó b‹ > ! r %‰ Œ Ó b‹ >

!

r œ %‰ œ

!

r %‰ Œ b‹ > r %‰ Œ b‹ >

!

!

!

˘ ˘ 44 # œ œ Œ

!

r œ %‰

!

4 #‚. 4

œ

r %‰ b‹ "f " > Œ r %‰ b‹ "f " > Œ r %‰ "f " ‹ > Œ r %‰ "f " ‹ > Œ r %‰ b‹ "f " > Œ r %‰ b‹ "f " >

#˙. Ø ˙. #˙. Ø

&

!

4 Ó 4

œ

Œ

II

!

4 4

!

Ó

!

4 4

2 &4

S.Vcl.

!

4 4

!

÷ 42

? 42

‰ Ó

44

÷ 42

131

Acc.

!

Ó

!

!

& 42

Pno.

!

!

+ 4 4 #œ. F 4 4

131 1

!

4 4

!

?2 4

‰ Ó

44

!

131 1 2

œ .. # 4 œ 4 Ø 44 # œ . Ø 4 4 #¬. # 44

!

j – – – –

!

j – – – –

!

j – – – – j – – – – j – – – –

! ! !

& 68

137 Fl. 1 2

A.Fl. 3 [G] 1 Ob. 2 3 Cl. 1 [B b] 2 3 Bn. 1 2

C.Bn. 3

qd = 52

6 &8 6 &8 & 68 ?6 8 ?6 8

Hn. [F] 3 4 Tpt. 1 [C] 2 3 1 Tb. 2 3 Tuba

? 68

!

!

!

..

!

!

!

!

!

..

!

!

!

!

!

..

!

!

!

!

!

..

!

!

!

!

!

!

!

!

!

!

!

!

!

!

!

!

!

!

!

!

!

!

!

!

..

WITHOUT PRACTICE MUTE

4 8 48

? 68

!

..

!

!

!

!

!

..

!

!

!

!

!

!

!

!

48

!

!

!

!

4 8

?6 8

!

ã 68

..

!

..

!

..

!

6 8

..

6 8 J #

..

" 6 ! 8 J P

?6 8 J " p"

WITHOUT PRACTICE MUTE WITHOUT HARMON MUTE

( HARMON MUTE )

..

!

!

J #

.. !

!

‰ ‰ Œ.

Œ.

Œ

! $ j !J ! !

.. .

!

!

&j

. %

". !J "f "

arco

j !

‰

j ‹ #‹ -‹ %

Œ. ‡ ‡ ‡ "f "

-‹ #‹ ‹ J %

Œ

‡ ‡ ‡

j ‡ ‡ ‡

f

" "

j

Œ.

. J Œ

$. !J ‰

J .

‰

Œ.

j

?j

. %

. J

j ‡ ‡ ‡

& ‰ ‰ Œ. J J " p"

!

!

!

!

!

!

!

!

!

3

3

3

3

r' –. p r' –. p

6 Œ. 8

U

Œ.

U

Œ. Œ.

J #

6 Œ. 8 68 Œ .

U

6 Œ. 8

Œ.

U

Œ.

U

6 Œ. 8 68 Œ .

U

6 Œ. 8

!

U

!

U

Œ.

68 Π.

!

!

!

!

!

!

68 Π.

!

!

6 Œ. 8

!

‰ Œ

‰

J J

Œ. Œ.

U U

Œ.

68 Π.

Œ.

U

Œ.

U

6 Œ. 8

!

Œ.

68 Œ . 6 Œ. 8

!

!

‰

U

!

r' –. –. –. –. –. –. –. –. p ! 3

4 ! .. 8 """"""""""""""""""""" ' P 3 . . # ‹. 4 ‹ # ‹ ‹. ‹. # ‹. ‹. ‹ ‹ R ' 8 ‹. . . 3 3 "f "

!

‰

!

48 Œ

‰

6 &8

!

..

Vla.

B 68

SORDIN

!

..

!

!

!

!

SORDIN

Vcl.

? 68

!

..

!

!

!

? 68

SORDIN

..

!

!

!

!

!

–. 4 –. 8 –. –. P –. 4 –. 8 –. –. P –. 4 –– .. 8 –. P 48 Œ

SORDIN

!

Œ.

U

6U 8 Œ.

Œ.

Œ. Œ.

.. 68 .. 68 .. 68 .. 68 .. 68 .. 68 .. 68 .. 68 .. 68 .. 68 .. 68 .. 68 .. 68 .. 68 .. 68 .. 68

!

6U 8 Œ.

!

6U 8 Œ.

Œ.

.. 68

!

6 Œ. 8

U

Œ.

.. 68

!

6 Œ. 8

Œ.

.. 68

!

6 Œ. 8

Œ.

.. 68

Œ

68 Π.

Œ.

.. 68

Œ

68 Π.

Œ.

.. 68

‰ ‰

. 6 J . 8

col legno

!

!

U

Follow the strings you are playing with in the left hand

..

!

!

3

4 8

J

!

–. –. –. –. –. –. –.

48

4 J 8 # ‰ 48

!

–. –. –. –. –. –. –. –. –. %

48

Œ

6 &8

!

3

4 3 8 –– .. % 48 3 –. –. % 4 8

!

SORDIN

137

D.B.

4 8

..

Sul D Sul G col legno

2

48

!

Acc.

Vl.

4 8

& 68

137

1

4 8

..

?6 8

S.Vcl.

WITH MOUTHPIECE

48

!

?6 8

6 &8

Pno.

!

..

& 68

Perc. 1 2

!

!

137 Timp.

..

( WITHOUT MOUTHPIECE )

68 Π.

1.

!

!

137 1 2

II

!

!

!

!

24

– – – ' – R – – – ' – R – – – – ' R – – – – –– ' ‰ – – J p– R – –– –– – ' ‰ J –R p

U U U U

2.

6 & 8 œœ .. Øp & 68 œ . Øp 6 &8

Œ.

145 Fl. 1 2

A.Fl. 3 [G] 1 Ob. 2 3 1 2 Cl. [B b] 3

Bn. 1 2

C.Bn. 3

6 & 8 Œ. 6 & 8 Œ. ?6 8

Hn. [F]

3 4 1 2 Tpt. [C] 3

1 Tb. 2 3 Tuba

Œ.

œœ ..

Œ.

#œ.

!

!

?6 8

!

!

!

? 68 & 68

!

!

œ.

Œ.

Œ.

œœ

!

Œ.

#œ.

!

‰ ‰

#œ !

Œ.

‰ ‰ !

!

r ' ‡. #

!

+ Œ. ‰ ‰ œ œ # HARMON MUTE + . Œ ‰ ‰ œ # ! HARMON MUTE

o œœ o

!

!

!

!

!

‰ ‰ Œ.

!

!

‰ ‰ Œ.

!

!

‰ ‰ Œ.

!

!

‰ ‰ Œ.

!

!

!

!

!

!

!

!

!

!

!

!

!

!

!

!

!

!

+ œœ

!

!

!

!

6 &8

!

!

!

?6 8

! !

!

!

6 ã 8

!

!

!

!

!

!

!

? 68

!

!

!

!

!

!

!

?6 8

? 68

!

!

6 8 J ‰ ‰ J ‰ ‰ 6 8

!

!

!

!

J

‰ ‰

!

J !

!

‰ ‰

J

‰ ‰

3

+

œ œ

!

!

J !

3

!

‰ ‰

J

Œ.

‰ ‰

‰ ‰

J

‰ ‰

!

J Œ

J

‰ ‰ Œ . ?J %

!

1

!

!

Œ.

‰ ‰

2

6 &8

!

!

!

Œ.

‰ ‰

B 68

!

!

!

Œ.

Vcl.

!

!

!

Œ.

D.B.

?6 8

!

!

!

Œ.

3

œ œ Ø

col legno

3

œ

3

&j

. % ‰ Œ

Œ.

. J Πj .

#j J . J

J #

" !J ! P

col legno

Œ

!

J " p"

‰ ‰ Œ. $ j J! ! !

.

œ R ' ‰ ‰ Œ.

!

!

œ

œ R ' ‰ ‰ Œ.

!

!

r œ ' ‰ ‰ Œ.

!

!

!

!

!

!

3 ‰ ‰ ' ' ‹r œr ' ‰ ‰ Œ . % .

col legno

3 ‰ ‰ ' ' ‹r œr ' ‰ ‰ Œ . . %

col legno

25

j

!

œ

œ Ø arco o o Sul G œ œ ‰ ‰ œ Ø

!

!

J

!

col legno

!

?6 8

!

!

& 68

145

Vl.

j ‹ > "f " j ‹ > "f " j ‹ > "f " j b‹ > "f "

!

!

Acc.

Vla.

Œ.

œœ ..

? 68

145

S.Vcl.

#œ. Øp

Œ.

!

!

& 68

Pno.

œœ .. Øp

!

Œ.

œœ ..

Œ.

œ.

!

145 Perc. 1 2

!

Œ.

œ.

Œ.

œœ ..

!

145 1 2

Œ.

Œ.

œœ ..

A

j !

‰

j ‹ #‹ -‹ %

&

!

!

!

!

!

5 8 Œ.

&

!

!

!

!

&

!

!

85 Œ

1 2

&

!

!

!

!

!

3

&

!

!

!

!

!

!

!

!

!

!

152 Fl. 1 2

A.Fl. 3 [G] 1 Ob. 2 3

Cl. [B b]

Bn. 1 2 C.Bn. 3

? ?

!

!

!

!

!

!

?

!

!

!

!

!

3 4

?

!

!

!

!

!

152 Hn. [F]

Tpt. 1 [C] 2 3 1 Tb. 2 3 Tuba

&

? ?

Perc. 1 2

ã

?

Pno.

152

Acc.

1

Vla.

Vcl.

D.B.

85 5 8

WITHOUT HAMMON MUTE

‰ 3

3

3

3

3

3

3

3

3

–. –. –. –. –. –. –. –. –. % –. –. –. –. –. –. –. –. –. %

!

!

!

!

!

5 8

!

!

!

!

!

!

5 8

!

!

!

!

!

!

!

!

J

Œ

J ". !J

Œ

-‹ ‡ #‹ ‡ ‹ ‡ J % "f "

j ‡ ‡ ‡

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