Page 1

Simon Steen-Andersen Chambered Music (2007) for 12 instruments and sampler Dur. 11’

Written for Ensemble Modern in 2006-07

SCORE


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Edition·S publications are supported by the Danish Arts Council Music Committee / Edition·S udgivelser er støttet af Kunstrådets


Instrumentation: Flute (without mouthpiece and extension) Clarinet in Bb Piccolo trumpet in Bb (with a �Yamaha Silent Brass� practice mute) Horn in F Trombone (off-stage with live video-feed of the conductor) Percussion 1: Vibraphone, long guiro, thin needle, piece of sandpaper, small piece of paper, large piece of cardboard, suitcase/briefcase (with old fashioned locks), 2 different slim jam glasses, soundproof box with removable cover containing 3 metronomes (making clicks, not beeps), soft plectrum and a straw. Percussion 2: Large bass drum, piece of sandpaper, A4 sheet of normal paper, small piece of normal paper, large piece of cardboard, unpitched metallic object, pitched metal instrument (sounding F# 1,5 oct. above middle C), 1 crotali (F# 1,5 oct. above middle C, sounding 2 octaves higher), 2 different slim jam glasses, soundproof box with removable cover containing 1 metronome producing a tuning tone, thin/light stick and an extremely soft bass drum stick. Keyboard/sampler (5 octaves) Violin 1 (with a metal practice mute) Violin 2 (with a metal practice mute) Viola (with a metal practice mute) Cello (with a metal practice mute) Double bass (with a heavy practice mute)

The samples trigged by the keyboard are played through a large speaker on stage and a small speaker placed inside a closed piano also on stage.

Score notated in the relevant transpositions


Staging: Off-stage, ”locked up” Trb. Screen showing cond.

Percussion 1

ide s n i p. ano s ud d pi o L se cl o

Percussion 2

Keyb./samper

Cl. Trp.

rn Ho

Vl.2

Conductor

Audience

Db.

Camera sending cond. Image to trb. screen

Vlc.

Vl.1

Fl .

Vl a.

Loudsp.


Notation and performance: Concerning all instruments: Dynamics: Resulting / mutual dynamics are written without parenthesis, action dynamics are written in parenthesis and indicate the effort or the amount of energy to put into the action although the resulting sound is either much softer or louder. Crescendo and diminuendo should be performed very ”exponential” (late, exploding crescendo (”zoom”) and early, ”reverberating” diminuendo (”reverse zoom”)). The piece is extremely soft. If played in a very large or noisy hall general amplification might be considered, although it will destroy certain spatial ideas.

Tenuto+legato possibile: All notes are to be held steadily their complete value making a virtual legato (no gap) to the following instrument playing on the next beat. When a sound is not tied to a ”point” it should be ended – where possible – with a cut right on the following beat: winds with tounge stop, strings by damping with left hand, etc.

Staccato is always as short /dry as possible no matter the note length. Tremolo is always as dense as possible and unmeasured. n: niente or ”quasi niente”. Glissandos shoud start immediately and be distributed evenly.


Flute: Preparation: The piece is played without mouthpiece and extension. ”Pan flute”: The flute is mainly played ”like a pan flute”. The flute is held ”up side down”, so that one Can blow into the key holes in an optimal angle between key and hole (lips 1-2 cm. from instrument). The notated ”tone” indicates the key/hole – the low D being the rightmost hole and the high C (fundamental) being the leftmost. (When doing a glissando the head should keep still and the flute moved from side to side.) Signs: air sound / blow. In combination with a trill: blow while trilling the single key. Above the system: blow into the tube (from the left end). Up-bow: breath in. (single) key sound (no air) or if notated above the system: hit the left tube end with the palm of the hand. whistle tone by blowing on the tube edge – below the system indicates the right end, above indicates the left end.

Clarinet: Dynamics: playing the ”normal” tones and scales in ppp should always have the sub-tone sound where the scales are not really heard as tones but more as some kind of directional mumble … Signs: air sound. A dotted arrow between a squared and a regular notehead indicates a gradual transition between noise and pitch. Up-bow: breath in. Tremolo: hyperventilation (either with mouth or lounges). +

slap tounge. blow INTO the key holes with the lips very close to the hole/key (1-2 cm. - ”like a pan flute”). In combination with a trill: blow while trilling the single key/hole. (When doing a glissando the head should be still and the instrument should be moved from side to side.) (single) key sound (no air) whistle tone. (Above system: blowing at the point of the reed. Below the system: blowing on the edge of the bell.) The last diamant shaped Bb indicates to whistle with the mouth into the bell (sound Ab) which should produce a soft and nice but unstable multiphonic sounding approx. the minor 3rd Ab-Cb. sticky sound removing the full underlip from the reed. (Always done with the bell pointing forward – undramatiacally).


Piccolo trumpet (in Bb): Mute:

The piece is played with Yamaha Silent Brass practice mute.

Signs: air sound by blowing 1-2 cm. away from the mouthpiece. the high E played as soft as possible does not have to be 100% stable. When slurred into the air sound it is an attempt to notate the sound of the air pressure that has to be let out anyway (notated or not). It should be audible but not exagerated in any way. Later this sound should be imitated without the preceding tone by producing a similar pressure without a tone. remove mute with a little twist to produce a high pitched ”squeak” sounding approx. a high F# 3,5 octaves above the middle C.

Horn (in F): Mute:

no mute except as an alternative to stopping the glissando to the high C#. In that case choose the mute easiest to change quickly and often (not necessarily imitating the sound of a stopped tone, but imitating the level of damping).

Signs: air sound – blowing through the instrument. glissando by gradually stopping the tone ”completely” – without changing the fingering. (The stopped tone is not supposed to be nice – rather it should be hampered or ”stuffed”.) Make a very late crescendo in order to make the stopped tone clearly the loudest. The last part of the piece is played only with the mouthpiece: hand pressed rather hard against the opening of mouthpiece well in advance lifted suddenly. The other end of the mouthpiece should be closed – for example by supporting it on the leg. whistle tone by blowing a focused air stream on the sharp edge of the tube of the mouthpiece.

Trombone:

it

The trombone is placed off-stage, several walls or doors away from the hall, so that when the trombone is playing as loud as physically possible only sounds aproximately pp-mp in the hall. A live video-feed of the conducter is needed for the trombone player to be able to follow. It probably would be helpfull if the player can hear the sound from the hall as well.


Percussion 1: Instuments: vibraphone

(played with a knuckle, a straw or air, the deepest unused 9th and the sharps could be used as a stand). straw used to make a soft guiro-like glissando on the vibraphone and to touch the spinning fan between the keys (when the motor is on). long guiro / vacuum cleaner pipe – on a stand or in another way fixed. soft plectrum / soft plastic / small piece of cardboard for the guiro. thin needle for dropping on a hard surface (“so silent that you can hear a needle drop”). piece of sandpaper (with or without handle) large piece of cardboard to slide the sandpaper on. small piece of paper used for blowing a whistle tone on the edge. suitcase/briefcase with “old fashioned locks” used for the recognisable sound of opening and closing the lock – the suitcase shouldn’t be too visible, though, to avoid making it too obvious. 2 different slim jam glasses (different from the ones used by the other percussion player) chosen for their ability to make a “swooping” sound or tone, when you lift your hand suddenly after pressing the palm rather hard against the opening (covering it). The glasses should both be semifixed (stable) and yet movable – for example by placing them in fitting holes in a fixed piece of foam. sound-proof box containing 3 metronomes (making clicks, not beeps). The box should have an easy removable cover and when closed the clicking metronomes should be 100% inaudible. The metronomes should be started before the audience enters the hall or before bringing the box on stage and should be set to 140, 160 and 180 bpm.

Signs:

finger snap the jam glass (hitting it with a finger nail).

hit the two glasses against eachother.

rub the two glasses against eachother (evenly, in circles).


Percussion 2: Instuments: large bass drum (played with hand or an extremely soft stick). piece of sandpaper (with or without handle) small piece of normal paper large piece of cardboard to slide the sandpaper and paper on. sheet of A4 paper to be rattled or shaken while held in one corner. 2 different slim jam glasses (different from the ones used by the other percussion player) chosen for their ability to make a “swooping� sound or tone, when you lift your hand suddenly after pressing the palm rather hard against the opening (covering it). The glasses should both be semifixed (stable) and yet movable – for example by placing them in fitting holes in a fixed piece of foam. sound-proof box containing 1 metronome (making a tuning A). The box should have an easy removable cover and when closed the tone of the metronome should be 100% inaudible. The metronome should be started before the audience enters the hall or before bringing the box on stage. unpitched metallic object (sharp metallic sound without a well defined pitch). pitched metal instrument sounding F# 1,5 oct. above middle C (like a crotales of extended range (tuned disk?) or any other object that fits the description). The instrument shall be able to be gradually dampened until dampened completely (no recognisable pitch, only a percussive sound) with one hand while hitting it with the stick held in the other hand. thin, light stick (for the metal and the pitched metal). 1 crotali F# 1,5 oct. above middle C (sounding 2 oct. higher). extremely soft bass drum stick for hitting the crotali!

Signs:

finger snap the jam glass (hitting it with a finger nail).

hit the two glasses against eachother.

rub the two glasses against eachother (evenly, in circles).

gradually damp the pitched metal.


Keyboard/sampler: The keyboard should have a range of five octaves. The keyboard should be set to ”not touch sensitive”. A sample with a predefined dynamic will be appointed to each key (exept some keys used for the sound of lifting the keys). The samples triggered by the highst 3,5 octave are panned to the right and will be played through a small speaker placed inside a closed piano. These sounds are mainly sounds recorded inside the piano and there are also some sounds of heavily filtered speech. The lowest half octave triggers samples panned to the left played through a speaker at the left stage front. These sounds are all recorded and produced inside a wooden loudspeaker. Signs: guiro effect by sliding a small piece of cardboard (like a buisness card) over the black keys without pressing down the keys. The exact range and position of the glissando is unimportant – the direction is important. lift previously pressed down keys (without samples) suddenly.

Strings: Mutes:

a metal practice mute is used through the whole piece (double bass: heavy plastic practice mute)

Scordatura: Viola: 2nd string down ½ a tone. Cello: 2nd string down ¾ of a tone, 4th string down about 1 octave. Double bass: 4th string down about 1 octave. Signs: noise sound. Above system: bow on body (treble side). Below system: bow on body (bass side). percussive sound as indicated – col legno battuto. +

left hand pizz. tremolo along the string (in piano: close to the point, in forte: not too close to the frog). vlc+db: bend 4th string outside fingerboard close to the head (producing a rattling, percussive sound when bowed). vl1+vlc+db: one continous glissando movement while reattacking in different (indicated) ways. arpeggio while doing a glissando (one string at the time, evenly filling out the complete note length). arpeggio (while doing a glissando) as if on a six-stringed instrument (treating the body as string 1 and 6). (If no rythm is notated: fill out the complete note length.)

arpeggio while doing a glissando, moving the left hand in a more or less fixed chord, starting the arpeggio on the large note and changing string in the indicated rythm (the string being represented by the glissando line going back to the initial chord). vl1: the same tilting technique as when changing legato back and forth between two strings.


n

+

(tap/hit d, e and f key only)

cl.(Bb)

(slap tounge)

2 &4 j bœ p

œ

2 &4 Œ

Cor.

& 42 Œ

(VIBRAPHONE: MOTOR OFF) SANDPAPER, back and forth on cardboard

Perc.1

(F) ≥ ≤ 5 2 – – – – – Œ & 4 ¿. ≈ ‰ Œ ( ƒ ) > (fast short scratch on GUIRO with plectrum) PITCHED dampened METAL (no pitch)

Perc. 2

m ¿ >¿ 2 &4 ≈ (F)

œ (f)

n

PRACTICE MUTE

Picc. trp.(Bb)

5 8

keep same fingering

85 j

œ (∏)

85 ‰

Œ

85

? 42 ‰

85 Œ

(dynamics defined in the samples)

[3 groups (m.1-15 and onwards when this material appears): fl., vl.1, perc.1, keyb. right hand cl., trp., vl.2, vla. horn, perc.2, keyb. left hand, vlc., db.]

¿ (F)

œ mœ œ

œ

& 42 Œ

85 ‰

Vla.

B 42 ‰

n

..... ...... ...... ... JETÉ

mœ (ƒ)

METAL PRACTICE MUTE 4th string tuned down ~1 oct. (tremolo along string) col legno battuto (not too close to the frog)

Vlc.

? 42 ‰

>¿´

(F)

HEAVY PRACTICE MUTE 4th string tuned down ~1 oct. hit/tap 4th string for percussive sound

Db.

t 42 ‰ ? 42

¿ fl (F)

Ͼ

(f)

(∏) ∑

(f)

(F)

n

pitch

j

j œ p

I

(F)

pitch

j mœ (p)

≤ 58 œj µœ 85 ‰ 85

(unison because of scordatura)

(F)

≈ œ mœ

3

3

œ

. + 

(arco)

´ + 

(cl batt.)

´

—+

(highest possition)

œ. (ƒ)

n

œ fl (Ï)

(p)

1

(Ï) ≈

Œ

3

œ

42 œ b œ œ œ œ Œ 5

42 ‰

28

24

(in this material both hands activates samples played through the speaker inside the piano)

œ

(as if a mechanical repetition of the preceding 9/8 figure) (along string)

(f) o œ ‰

42 – – ( >f )

≤ œ n

n

(as if a mechanical repetition of the preceding 7/8 figure)

42 ‰

+ . 24   ≈ bœ

(P) III

(as if a mechanical repetition of the preceding 11/8 figure) (c.l.b.)

3

¿´

( p ) (∏) + —.

¿´

(Bartok pizz., l.h. pizz., arco, one continous l.h. (highest movement)

28

bœ 42 (f)

∑ "parlando" ... rK rK œœ B œ. k œ µ œ

(Ï)

5

n œ.

42

mœ (p)

˘ m IIœ. . .  .  . . +     œo œ ≈ R (p) 6 (ƒ) (Ï)

≤ 42  œœ

(f)

mœ (ƒ)

(Bartok pizz., l.h. pizz., arco, one continous l.h. movement)

28

28

mœ œ n œ ≈ œ

(as if a mechanical repetition of the preceding 7/8 figure)

+

m œ       >¿ ≈ 42 – ≈ fl (F) (as5 if a mechanical repetition (f)

28

bœ (∏) + m œ.

˘œ

PITCHED METAL pitch, damp gradually

≤j m œœ

(P)

(as if a mechanical repetition of the preceding 7/8 figure)

‡ (F) (∏) (as if a mechanical repetition (F) of the preceding 9/8 figure) ≥ ≤ 5 SANDPAPER 2 – – – – – Œ 4 ¿. ≈ ‰ Œ ( ƒ )>

n

>

42

28

(press string outside fingerboard to make the detuned 4th string rattle even in soft dynamics)

(ƒ) œ. œ. . + bœ . ˘ œ œ. ≈ bœ ≈ œ (π) 5 F n (f)

(deepest possible tone)

r œ

bœ π

2 4 ‰

28

π

of the preceding 11/8 figure)

28

noise

28

8

œ

2 8

‰ 2 œ

n

(stopped "as much as possible")

Œ ¿ æ

n

42

∑ ∑

(F)

(ƒ)

(as if a mechanical repetition of the preceding 7/8 figure)

Ÿ~~~~~~~~~~~~~~~~ 2 8 – (f) n

– fl (f)

28

>+ –.

–.

2 > 4 ¿¿¿

2 8

SANDPAPER (on cardboard)

2 8

air sound (any fingering)

> m µœ.œ ≈ j œ (ƒ)

¤ IV ( œ)

π

√m IIœ. . . . (left hand pizz.)     .  .  j Œ 85 +œo (p) 6 (ƒ)

n

(gradually increase finger pressure) pz

OFF-STAGE ("LOCKED UP") fffff=~pp-p

Trb. (off-stage)

O     ˘œ

(lh pz)

˘ œ ≈ R (Ï)

≤ m œœ

– (flf )

Vl.2

METAL PRACTICE MUTE

3

85 m œ ≈ fl (Ï)

GUIRO with plectrum Starting with single"clicks", accelerating fast

legato+tenuto possibile METAL PRACTICE MUTE (f) noise by bowing along string o ≤ 2 ‰ œ œ &4 – ‰ – > n (f) n METAL PRACTICE MUTE

+

58

SAMPLES played through speaker next to the double bass

Vl.1

METAL OBJECT (undefined pitch)

2 & 4 œ bœ œ œ œ Œ

¿¿æ¿

AIR NOISE, blow 1-2 cm. away from mouthpiece

(F) ≈ Œ 5 8 ‰ m œ. ¿ æ n

5

24 q =~60

bœ fl (f)

VIBRAPHONE, with knuckle

SAMPLES played through speaker inside the closed piano

œ

(ƒ) œ. œ. . air noise bœ . 58 œ œ. ≈ j bœ b– fl 5 (F) (π) F

(THIN, LIGHT STICK)

Keyb.

˘ 5 œ ≈ 8 (Ï)

bœ (∏) o

¿´

(as if a mechanical repetition of the preceding 9/8 figure)

..... ..

(ƒ)

–.

(hit left tube opening whith palm)

..... .

Fl.

2 > & 4 ¿¿¿

>+ (tounge stop) –. ≈ ‰ (ƒ)

("treble end")

.....

Flute (without mouthpiece and extension) (blow through instrument)

possition)

(p)

¿´

>¿´

(F) ¿ fl (F)


&

b– (F)

5

P.trp.(Bb)

Cor.

&

– (flf )

œ p

≈ ‰

Œ

o

&‰

œ (∏)

+

(F) ≈ ‰ & ‰ m œ. ¿ æ

Œ ¿ æ

5

GUIRO n (sim. acc.)

bœ fl (f)

METAL OBJECT

3

5

Vl.2

Vla.

&

– fl (f)

3

Œ

≈ ‰

Œ

n

Vlc.

Db.

(f)

t

O     ˘œ

?

n

pz

(∏)

5

Trb.(o-s)

≤ œ µœ

(f)

≈ ‰

(along string)

j –– π ( >f )

j mœ (ƒ) ˘r

(Ï)

(p)

mœ (p)

> µœ.œ ≈ (ƒ)

¤IV ( œ) (p)

m œ

n

>

œ. (ƒ) œ fl (Ï)

6

(ƒ)

≈ ‰

≈ ‰

(ƒ)

(F)

œ p

≈ ‰

VIBRAPHONE

‰ Œ

œ (f)

bœ (∏)

(Ï) o 58 j œ (∏)

Π(F)

3

œ ‰

≤ œ J

mœ fl (Ï)

n

Œ

œ mœ œ œ

n

+ . ´ ´   ≈ ¿ ¿ bœ (∏) (f) 3 (p) . +  — bœ ≈ ‰ (p) (f) III

(F)

 

mœ (ƒ)

˘ œ ≈ R (Ï)

¿´ >¿´ ≈ œæ (F) (f) ˘ ≈ ¿

(F)

3

œ

+ ´ +  ´  —

O   

pz

(∏)

85

85 85

j mœ (p)

mIIœ. . .  .  . . +     œo J (p) 6 (ƒ)

85 ‰ ˘œ (f)

1 4

≈ ‰

≈ ‰

Ÿ~~~~~~~~ 1 4 j – π (f)

≈ ‰

≤j œ µœ n

≈ ‰

1 4 41

œ bœ œ œ œ ‰

41

Œ

41

j œ

j – π – > (f)

85 ‰

41

j œ p

5

58 85

j

¿ METAL OBJECT (F)

85 Œ

≈ ≈ +œ . + 

∑ 2

≈ 85 œ mœ 3

I

‰ ≤ m œœ

(ƒ)

1 4

bœ fl (f) (F) ≥ ≤ 5 SANDPAPER – – – – – ‰ ¿. ≈ ‰ ‰ ( ƒ )>

Œ 85 ‰

5

– (flf ) +

j

5 Œ 8¿ æ

Œ m œ. ¿ æ n

PITCHED METAL mœ       >¿ ≈ ‰

(F)

œ. œ. . bœ . 58 œ œ. ≈ j bœ b– fl 5 (π) F (F) ˘ 5 œ ≈ ‰ 8

GUIRO

(f) o œ

n

– fl (f)

n

+

>+ –.

> –. ¿¿¿ (ƒ) n

5 8 ¿¿æ¿

≈ Œ

Œ + m œ.

n

m IIœ. . .  .  . . +     œo œ ≈

≤ m œœ

Œ

œ

¿´

j

5

œ œ mœ

´ —+

– fl (f)

œ bœ œ œ œ ‰

3

(F)

BΠ? Ͼ

+ +œ .  +  ´ 

˘ & mœ ‰ (Ï)

SANDPAPER

n

I

5

Vl.1

≈ mœ œ 3

.. .

? mœ

¿ (F)

– (flf )

Ÿ~~~~~~~~~~~~~~~ + j – ‡ (f) n (∏) (F) SANDPAPER ≥ ≤ 5 ‰ – – – – – ‰ ¿. ≈ Œ ¿ æ > (ƒ) ‰

. .. ..

Keyb.

œ mœ œ

œ

œ ≈ ‰ fl (Ï)

.. .. .

&

. .. ..

Perc. 2

bœ (∏)

(as if a mechanical repetition of the preceding 11/8 figure)

VIBRAPHONE

Perc.1

(ƒ) (ƒ) n œ. œ. . + bœ . œ œ. ≈ bœ ≈ b– œ fl 5 (π) F (F) n (f)

n

>+ –.

...

cl.(Bb)

¿¿¿ æ

.....

≈ Œ & (ƒ)

> – ¿¿¿

.....

Fl.

j ¿¿æ¿

.....

¿´

5

(along string)

– fl (f)

14

(f) o j œ

41

n

≈ ‰

≤j m œœ

Œ

n

m > µœ.œ ≈ j œ (ƒ) n

¤IV ( œ)

>

œ. (ƒ) œ fl (Ï)

(p)

41

r œ

(F)

41

41

41 41


played "like a pan-flute": blowing INTO to the notated keyholes

Fl.

cl.(Bb)

1 &4

Cor.

42 bœ ∏

1 œ &4 ppppp possibile

2 4 ‰

& 41

42

9

P.trp.(Bb)

– π

WHISTLE TONE ON PAPER EDGE 1 O 2 ‰ &4 4 Œ pppppp (as if background noise)

1 & 4 Ͼ pppppp

(as if background noise)

Keyb.

42 ‰

? 41

42 Œ

tremolo on body (bass side)

1 &4 æ – ∏

9

Vl.2

& 41

Vla.

B 41

Vlc.

Db.

n

14

Vl.1

42 –

1 &4

9

? 41 t 41 ? 41

9

œ

n (f)

≤ 42 œJ n

42 ‰

42  œœ

(F)

42 ‰ 42 ‰

œ pppppp

Œ

œ. œ. . bœ . ˘ œ œ. bœ

42

(π)

bœ (∏)

(Ï) + m œ.

‡ (F) (∏) VIBR. (F) GUIRO ≈ Œ m œ. ¿ æ n

n

b– (F) – fl (f)

œ (∏) (F) SANDPAPER ≥ ≤ 5 – – – – – ¿. ≈ ‰ ( ƒ )>

Œ ¿ æ

PITCHED METAL

– fl (f)

(F)

œ mœ œ

mœ fl (Ï) . mœ . . (ƒ)

≈ œ mœ

+œ I

(F)

.... ..... ‰ . . . . ....

+ .   ≈ bœ III

mœ (p)

(f) bœ

(f)

3

(p) + —. (p)

¿´

(∏) ≈

¿´

œ

œ

. + 

˘ mIIœ. . .  .  . . +     œo œ ≈ R (p) 6 (ƒ) (Ï)

3

3

Œ

5

3

œ

>¿

Πo

n

´ + 

– fl (f)

´

—+

>¿´

(F) ˘ ¿

(F)

Ͼ

(f)

‰ n

Œ

≤ œ µœ

O     ˘œ

n

pz

(∏)

(f) ∑

3

METAL

¿ (F)

2 4

Œ

42

(f) o 85 œ‰

SANDPAPER

2 4 42 2 4

j œ

3

œ mœ œ

n

..... 58 j .......... ‰ ... m œ .. (ƒ)

mœ fl (Ï)

j mœ (p)

n

¤IVœ () 85 (p) 85

>

œ. (ƒ) œ fl (Ï)

≈ 42 42

+œI

. + 

(F) – fl (f)

˘ mIIœ. . .  .  . . +     œo 58 œ ≈ J R 6 ( p ) ( ƒ ) (Ï) m > 58 µœœ ≈ j . œ (ƒ)

3

Œ

j œ

≤ œ J

42

– fl (f)

n

58

n

¿´

85

85 Œ

π –– ( >f )

(ƒ)

n

Œ

(along string)

¿´

˘œ 5 ≈ ‰ ≈ ‰ 8 j – bœ (∏) (Ï) (flf ) + Ÿ~~~~~~~~~~~~~~~~~ + 58 ≈ ‰ j – bœ ‡ (f) fl n (∏) (f) VIBR. (F) GUIRO Œ Œ ≈ 5 8 Œ m œ ¿ . ‰ æ

85 Œ

≤ m œœ

Œ

+

œ bœ œ œ œ 5

œ. œ. . bœ . œ œ. ≈ ≈ bœ b– œ fl 5 (π) F (F) n (f) 85

œ p

Œ

≈ mœ      

>+ –. 5 ≈ 8 (ƒ)

> –. ¿¿¿ (ƒ) n

¿¿æ¿

F

5

˘œ

24

(as if background noise)

Trb.(o-s)

+

SANDPAPER

BASS DRUM

Perc. 2

(ƒ)

Ÿ~~~~~~~~ +

9

Perc.1

¿´

Ÿ~~~~~~~~~~~~~~~~~~~~ 1 2 &4 – 4 ‰ ∏

9

24 42 42

Œ

42

+ .   42 bœ

III

(f) bœ

(f)

3

(p) +

42 42


œ. œ. . bœ . œ œ. 43 ≈ bœ ≈ b – œ fl (π) 5 (F) F n (f)

bœ p

2 &4 Œ

n

œ ≈ fl (Ï)

13

P.trp.(Bb)

Cor.

& 42

+ m œ. (F)

bœ (∏) ≈ ‰

2 Œ &4 ¿ æ

2 &4 œ

Keyb.

? 42

24

Vl.1

Vl.2

Vla.

œ

œ

—+

& 42 Œ

mœ (ƒ) ˘r

≤ B 42 m œœ

Db.

t 42 ? 42

13

Trb.(o-s)

—.

(p)

n

.... .....

œ

? 42 ≈ ¿´ ¿´ (∏) ≈ ‰

+

¿´

(Ï)

.... ..... ‰

(p)

æ ≈ œ (F) (f)

(F) ∑

mœ (p)

mIIœ. . .  .  . . +     3 œo ≈ 4

>¿´

˘ ¿

43

O   

pz

(∏)

(ƒ)

6

43 ‰ 43 43

˘œ (f)

Ÿ~~~~~~~~ 3 8– – – (P) ∏

bœ (∏)

(f)

Ÿ~~~~~~~~~~~~~~~~

≈ ‰

– (f)

n

Œ ¿ æ

n

¿ (F)

≈ ‰

œ mœ œ

Œ

≤ œ n

– fl (f) ‰ ≤ œ µœ

n

≈ ‰

mœ fl (Ï)

3

3

. + ‰ +œ   π (F) ‰ ≤ m œœ n

m > µœ.œ ≈ œ (ƒ) n

¤IVœ ()

  >

œ. (ƒ) œ fl (Ï)

(p)

4

‰ ¿ æJ (P)

mœ (ƒ)

˘ œ ≈ R (Ï) ≈ ‰

≈ ‰

– fl (f)

3 œ 8

≈ mœ

38

– mO 38 m O O æ O ∏

O m OO O

38 38 38 38

3

j æ –

‰ + m œ.

5

+ .   ≈ bœ

(p) + —. (p)

42

24 42

‰ n

j mœ (p)

III

(f)

42

j –– ( >f )

2 4

5

(along string)

3

2 œ bœ œ œ œ 4

mIIœ. . .  .  . . +    œo J (p) 6 (ƒ)

(f)

42

≈ m œ       42 (F) 5

j mœ

– (flf )

2 4

– – – – – 2 4 ¿. ≈ Œ ( ƒ> )

(F) (F) ≥ ≤

38 œ. pppppp 38

+ j ‡ (∏)

BASS DRUM

I

≈ Œ

≈ mœ œ

œ

38

(Ï)

38 Ͼ. (F) pppppp

˘œ

3 œ. 8 ppppp sim.

3 O. 8 ( P ) pppppp

SANDPAPER

3

Ÿ~~~~~~ > –. j j æ ¿¿ ¿ ¿ ¿ – ¿ (P) (ƒ) n œ. œ. . bœ . œ œ. ≈ j bœ b– fl 5 (π) F (F)

(whistle tone on paper)

n

œ

38

GUIRO

34

(f) o 43 œ‰

œ

n (f)

≈ Œ

METAL

43 Œ

– π >– (f)

n

Vlc.

(along string)

+

(F) ≈ ‰ m œ ¿ . ‰ æ

43 Œ

n

œ p

5

æ ¿¿¿

VIBR.

3 œ bœ œ œ œ 4 Œ

´ ´ +   

(ƒ)

≈ ‰

~~~~~~~~~~

2 &4

13

3

¿´

bœ fl (f)

(F) ≥ ≤ 5 – – – – – 3 Œ 4 Œ ¿. ≈ ‰ ( ƒ )>

2 m œ       >¿ ≈ ‰ &4 (F) 5 13

o

– (flf )

SANDPAPER

PITCHED METAL

Perc. 2

3 4 ‰ 43 œ (∏)

Œ

13

Perc.1

(ƒ)

≈ ‰

~~~~~~~~~~

cl.(Bb)

3 4

(by 1/4 tone raised F is just meant the hole just to the right of the G hole)

..... ..... ..... ...

(ƒ) +

n

2 &4

–.

> ¿¿¿

2 & 4 ¿¿æ¿

13

Fl.

>+ –.

– fl (f)

42

‰ ¿´

¿´

(∏)

42

¿´

42 42 42


2 &4

17

Fl.

cl.(Bb)

>+ –.

(ƒ)

2 &4 j

Cor.

2 &4 Œ

Perc. 2

œ

(F) ≈ ‰ m œ ¿ . ‰ æ GUIRO

2 &4 Π? 42

24

Vl.1

(f) 17 o 2 & 4 œ‰

Vl.2

& 42 Œ

Vla.

B 42 ‰

≤ œ n

≤ m œœ

Vlc.

Db.

(F)

t 42 ˘ ¿

(F)

? 42

17

Trb.(o-s)

Ͼ

(f)

(∏)

58 I

(F)

˘ œ ≈ R (Ï) ≤ œ µœ

. 58

+

n

85

SANDPAPER

3

œ

> 58 µœœ ≈ . (ƒ)

85

m j œ n

+

´

– fl (f)

– fl (f)

—+

œ. (ƒ) œ fl (Ï)

n

≤j m œœ

(f)

(p) +

43 43

∑ 5

(p)

F

mœ fl (Ï)

n

mœ . . (ƒ)

¿´

(∏) ≈

.

>¿´

(F) ˘ ¿

(F)

r Bœ

(F) (P)

I

œ+

(F) mœ (p)

Ͼ

(f)

≈ œ mœ 3

(∏)

2 œ 4

42

π

42

42 ≤ œ µœ

(f)

2 4

24

n

pz

3

Œ

O     ˘œ

42

42

. + 

– fl (f)

42

42

Œ

... ..... ‰ . . . . ....

¿´

+

Œ

2 4

2 4

Œ ¿ æ

˘ mIIœ. . .  .  . . +     œo œ ≈ R (p) 6 (ƒ) (Ï) ¿´

œ (∏)

œ mœ œ

œ

≤ œ

p

GUIRO

œ ‰

r œ

– (flf ) o

Œ

(P)

n

b– (F)

3

—.

n

43  

3

m œ       >¿ 43 5 (F)

+ .   43 ≈ bœ

(f)

(Ï)

PITCHED METAL

III

bœ. . ˘ œ œ. bœ 5

æ ¿¿¿

(F) ≈ ‰ m œ ¿ . ‰ æ

43 ‰

Œ

(π)

VIBR.

(f) o 43 œ‰

(ƒ) œ. œ.

˘œ

bœ (∏)

34

œ

3 Œ 4 Œ

43

(along string)

n (f)

(F)

Œ

n

>

43

43 Œ

j –– π > (f) ≈

+

œ

+ m œ.

¿´

(ƒ)

œ bœ œ œ œ 5

>+ –.

3 4 ‰

Œ

n

mIIœ. . .  .  . . +     œo J (p) 6 (ƒ)

¤IV ( œ) 85 (p)

Ÿ~~~~~~~~~~~~~~~~~ + j – ‡ (f) n (∏) (F) SANDPAPER ≥ ≤ 5 ‰ – – – – – ¿. ≈ ‰ ( ƒ )>

j mœ (p)

43

j œ p

– (flf )

´

3 4

b– (F)

j œ

... ..... 5 ‰ . . . . 8 ..... mœ .. (ƒ)

 

(f)

bœ fl F

85 Œ

pz

n

3

Œ

O     ˘œ

¿¿æ¿

85 ≈ mœ ≈ œ œ mœ œ

n

> ? 42 ¿´

bœ fl (f)

≈ 85 ¿ (F)

Œ

mœ fl (Ï)

METAL

œ mœ

(Ï) +

3

œ

5

> –. ¿¿¿ (ƒ) n

5 Œ 8 ¿. æ

n

œ. œ. . bœ . œ œ.

(π)

85

VIBR.

85

˘ 5 œ 8

bœ (∏)

17

Keyb.

œ (∏)

2 Œ &4 Œ 2 m >¿ &4

n (f)

o

& 42 Œ

5 8‰

+

17

Perc.1

(ƒ)

bœ p

17

P.trp.(Bb)

¿´

r2 œ 4

(F)

42 42


Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 2 3 æj &4 – 8 ¿¿¿ ¿ – ∏ (P)

> ¿¿¿ (ƒ)

20

Fl.

cl.(Bb)

2 &4

38

2 ˙ &4 ppppp

Cor.

& 42 2 O &4 pppppp

20

Perc. 2

2 BASS DRUM & 4 ˙æ pppppp

38

Vla.

+

bœ fl (f)

¿ (F)

Db.

j –

SANDPAPER

42 Œ

& 42 B 42

æ –

O

38 ‰

j œ

j ........ .... mœ .. (ƒ)

˘ œ ≈ R (Ï)

38 ≤ m œœ

? 42

m j œ

>

œ. (ƒ)

n

¤IVœ 38 ( ) (p)

t 42

˙ pppppp

? 42

≤> 38 µœœ ≈ . (ƒ)

38

(f) o 42 œ‰

n

œ fl (Ï) ∑

. .....

– (flf ) + m œ.

(F)

42 ‰

38

85

VIBRAPHONE "guiro" gliss. with straw

– fl (f)

42 ‰ 42 6

38 ‰ œ mœ œ

(f) bœ

(f)

38

I

(F)

3

(p) + —. (p) ∑

rK œ

38

38 ‰ 38 ‰

38 ‰

Œ

III + .   ≈ bœ

œ J π

rK œ‰

– J π

PAPER large movement from right to left on the cardboard

"GUIRO" (fx with a "buisness card or a similar piece of cardboard across the black keys without pressing them down (direction important, exact range or location unimportant)

mœ fl (Ï)

m œ. . .  .  . . +     œo 24 (p) 6 (ƒ) 42 ‰

5

II

85 5 8

œ

mœ (p)

Kr —

3

n

j — π

5 8

3 8

(F)

≤ œ

(blow INTO the key holes)

rK‰ –

PITCHED METAL

– fl (f)

– J π

VIBRAPHONE

24

j –– ( >f )

p

38 ‰

38 ‰

œ

≈ mœ     ¿

38 ‰

2 &4 æ – ∏

b– (F)

42 –

5

(along string)

F

3 ‰ r 8

≈ mœ ‰ . (F)

? 42

æ3

3 ‰ 8

3 ‰ 8

42 Œ

(trem. along string, close to the point)

(ƒ)

bœ. . ˘ œ œ. bœ 5

2 4 Œ

œ bœ œ œ œ

38

¿´

Ÿ~~~~~~~~~~~~~~~~~~~~~~ + 42 j – – ‡ (f) n (∏)

n

3

(Ï)

38 ≈ mœ

20

Trb.(o-s)

˘ 2 œ 4

(F) ≥ ≤ 5 – – – – – ¿. ≈ ‰ > (ƒ)

n

Vlc.

(π)

j bœ (∏)

SANDPAPER

(ƒ) œ. œ.

20

Vl.2

42

>+ –.

2 &4

24

Vl.1

œ

METAL

20

Keyb.

+

n (f)

GUIRO 3 ‰ 8¿ æJ (P)

O

PAPER

Perc.1

38

2 4

n

bœ p

3 ‰ 8

20

P.trp.(Bb)

–.

¿´

¿´

(∏)

¿´

(P)

38 ‰ 38 ‰ 38

b¿ J π

– π – π –

r b¿

85 85

58

Oœ mOœ ‰ mOœ bOœ –

85

6

Oœ m Oœ ‰ m Oœ b Oœ – Oœ mOœ

‰ Oœ bOœ –

6

O– mœO œ ‰ O bO œ –œ π

π

85

85

6

π

5 8

85

6

O mOœ œ m O œ Oœ

85 85

6

85


5 &8 ‰

Fl.

cl.(Bb)

5 &8

n

bœ p

5 &8 Œ

24

P.trp.(Bb)

Cor.

> –. ¿¿¿ (ƒ) n œ. œ. . + bœ . œ œ. ≈ bœ ≈ œ fl 5 n (f) (π) F

¿¿æ¿

24

& 85 Œ

(Ï)

œ (∏)

5 Œ & 8 ¿. æ

5 m >¿ ≈ &8 (F)

PITCHED METAL

Œ

>+ –.

(ƒ)

– fl (f)

42 ‰

(F) ≥ ≤ 5 – – – – – ¿. ≈ ‰ > (ƒ)

2 4 Œ

METAL

¿ (F)

¿´

(ƒ)

b– (F)

bœ fl (f)

n

Perc. 2

+

42 2 4

SANDPAPER

GUIRO

24

Perc.1

˘œ

j bœ (∏) o

2 4

œ p ≈

Œ r œ

(P)

VIBRAPHONE

≈ mœ ‰ . (F)

SANDPAPER

n

Ÿ~~~~~~~~ 2 3 8 –        – 8

28

2 œ 8 ppppp

28

2 O 8 pppppp

3 8

28 Ͼ pppppp

38

38

n

Ÿ~~~~~~~~~~~~~~~ + j – ‡ (f) n (∏)

42 ‰

– fl (f)

3 8 ∑

PAPER

BASS DRUM

‰ mœ œ nœ ≈ œ mœ œ œ ≈ ≈ ‰

38

3

5 & 8 ≈ mœ ≈ œ 3

24

Keyb.

? 85

58

Vl.2

Vla.

œ. +

5 &8 (P)

24

Vl.1

œ

´ + 

Db.

≤ B 85m œœ æ ≈ Jœ (f) (F)

> ? 85 ¿´

¿ fl (F)

? 85

24

Trb.(o-s)

2 œ bœ œ œ œ 4 Œ

mœ ‰

´

—+

(along strings)

j –– π > (f)

≤j œ µœ

O     ˘œ

(∏)

n

j mœ (p)

˘ mIIœ. . .  .  . . +    œo œ ≈ J R 6 ( p ) ( ƒ ) (Ï)

n

pz

24

(f)

> µœ.œ ≈ (ƒ)

¤IVœ () J (p)

– fl (f)

≤ œ

mœ fl (Ï)

n

m œ

n

42 42

r œ

(f)

n

œ. (ƒ) œ fl (Ï)

III

(f) bœ

(f)

+ .   3

(p) + (P) ≈

7

3

rK œœ

(Ï)

B œ. 5

rK

28

38

28

38

28

˜

˜– I

38

O ˜ 28 m O ˜ ˜ ˜ ˜ O æ

38

28

38

28

38

28

38

28 œ pppppp

II II I II III IV III

≤ m œœ >

Œ

42 Π42

œ

Œ

œ

(f) o 42 œ‰ 42

œ mœ œ

œ

42 ‰

Œ

j . ... ... ‰ .. .. mœ . . (ƒ)

& 85 Œ

t 85

œ

3

5

. . ...

n

Vlc.

3

µ œ n œ. B œ

O

rK Bœ nœ

mœ mœ µœ. µ œ 5

28

38

38


& 38

28

3 O. &8 ø (f) J

28

≈.

lock! SUITCASE LOCK (OLD FASHION)

Perc. 2

38 ≈ ≈ mœ œ

? 38

28

38 j mœ

& 38

Vla.

B 38 ? 38 t 38 ? 38

28

Trb.(o-s)

–.

28 æ ∏

28

28

28

œ. ∑

28

O m OO O

28

3

~~~~~~~~~~

3 &8

Vl.2

Db.

PITCHED METAL 38 m œ       >¿ ≈ (F) 5

28

28

Vlc.

n

28

3

j œ

—+ œ´ + ´ 

38 ‰

j mœ (p)

n

+

œ (∏)

¿ fl (F)

bœ ( flf )

≈ 43 ‰

3 ≈ 4 ‰

VIBR.

METAL

¿ (F)

≈ 43 ‰

42

43 ‰

24

(along string)

– fl (f)

Œ

(f) o œ ‰

n

≈ ‰

æ 42 œ (f)

O     ˘œ

42

(f)

43 œ ≈

mIIœ. . . .  . . +    œo

n

≈ ‰

mœ (ƒ) ˘r

(Ï)

m > µœ.œ ≈ 43 œ (ƒ) n

¤IV ( œ) (p)

43 43

3

3

œ œ mœ mœ

mœ (p)

(p) >

œ. (ƒ) œ fl (Ï)

6

(ƒ)

≈ ‰

≈ ‰

– fl (f) ‰

42

42

24

42 n

42 ≤ m œœ n

r œ

(F)

+ .   ≈ ¿´ ¿´ ¿´ bœ (∏) ( P ) (f) 3 (p) +  —. bœ ≈ ‰ (f) (p) III

2 4

3

≈ Œ

42

2 œbœ œ 4

+ + ´  — (along ´ +   string) +œ .    j –– π > (F) (f)

≤ m œœ ≤ œ µœ

2 4

≈ Œ

I

(Ï)

43

3

Œ

œ

∑ 8

œ

Œ

pz

42 (∏)

≈ œ m œ œ mœ œ 3

˘ 43 mœ ‰

n

– (flf )

42 j œ p ∏

+ Ÿ~~~~~~~~~~~~ + m œ. ≈ ‰ j – (F) (f) n ‡ (∏) (F) ≥ ≤3 (F) SANDPAPER Œ ‰ ‰ – – – m œ. ¿ ¿. ¿. ≈ æ æ > n GUIRO (ƒ) SANDPAPER PITCHED METAL ≈ mœ     ¿ – – – fl (F) 5 (f) n

34 ≤ œ

n

œ ≈ ‰ fl (Ï)

2 4

¿¿ ≈ >¿ (ƒ)

¿¿æ¿

œ. œ. . bœ . œ œ. ≈ ≈ bœ b– œ fl 5 ( f ) ( π ) F (F)

43

≈ Œ

+

bœ (∏)

n

(ƒ)

42 œ b œ œ œ œ Œ

42 Œ

> 38 ≈ ¿´ ¿´ ¿´ ¿´ ≈ (∏) (F) —. ≈ ‰

¿´

3 4

Œ

o

42 Œ

42

mIIœ. . .  .  . . + ˘≤    œo 38 œ ≈ J R 6 ( p ) ( ƒ ) (Ï)

38

≈ ‰

(F) ≥ ≤ 5 2 – – – – – Œ 4 ¿. ≈ ‰ Œ ( ƒ )>

42 – π – ( >f )

p

38 j mœ (ƒ)

(p)

œ p

5

œ mœ

38

38

œ

– fl (f)

43

SANDPAPER

3 æ 8 ¿.

28 Ͼ

b– (F)

42 ‰

GUIRO

3 &8

38

Vl.1

2 O ˜ 8

42 2 4

open!

3 & 8 Ͼ.

28

Keyb.

.

Perc.1

˘œ 3 ≈ ‰ 8 j bœ (∏) (Ï) + m œ. 38 ≈ ‰ ‰ (F)

2 œ 8

.....

Cor.

œ. œ. . bœ . œ œ. ≈ ≈ bœ œ fl 5 (f) (π) F +

(ƒ)

n

3 4

.

3 œ. &8

28

P.trp.(Bb)

38

(ƒ)

≈ ‰

.....

28

n

.....

cl.(Bb)

3 &8

¿¿æ¿

>+ –.

–. 2 > 4 ¿¿¿

.....

3 ‰ 8

..... .

Fl.

Ÿ~~~~~~~~~~~~ 2 . 8 – – ∏

.....

3 &8

28

42 42 42 42


Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 2 &4 – ¿ ¿ ¿ – ∏

33

≤ 2 & 4 –. ≈ ‰ ppppp

Œ

2 &4 Œ

œ

(breath in through the instrument)

33

P.trp.(Bb)

˙

ppppp

≤. & 42 – ≈ ‰ ppppp

(breath in through the instrument)

Cor.

PAPER (breath in)

≤. 2 – ≈ ‰ &4 pppppp

33

Perc.1

O

O

2 & 4 ˙æ pppppp

BASS DRUM

42 b œ œ Œ

? 42

28

42

–≤.

O

œ

æ

Vlc.

Db.

≈ ‰ & 42 ppppp

O nm OO O

28

28

? 42

28

t 42 ? 42

˙

28

˙ ∑

m Oæ J

28 æJ

B 42

33

Trb.(o-s)

Œ

m OO O mO – æ

~~~~~~~~~

2 &4 æ – ∏

O m OO O O

(bow on the body of the instrument (treble side))

Vla.

PITCHED METAL

28

æ

24 œ

‰ 42 ‰

(f) o œ ‰

42 ‰

≤ 42  œœ

>¿´ æ ≈ œ 42 (F) (f)

(F)

˘ ≈ 42 ¿

œ

(F)

28

∑ 9

42

– fl (f) +

(Ï) o

œ (∏)

33

Vl.2

42 Œ

bœ (∏)

m >¿ ≈ ‰ 42 (F)

28

Œ

˘œ ≈ ‰

SANDPAPER

28 Ͼ

(ƒ)

2 4 ‰

≤ 2 – ≥– ‰ 4 (F)

2 O 8

¿´

œ. œ. . bœ . ˘ œ œ. ≈ ≈ bœ b– œ 5 n (f) (F) (π) F +

24

Vl.1

O

≈ ‰

42 bœ ∏

2 &4

33

Keyb.

28

˙æ

~~~~~~~~~~

Perc. 2

2 œ 8 ∑

Œ

(ƒ)

n

28

~~~~~~~~~~

cl.(Bb)

>+ –.

Ÿ~~~~~~~~~~~~~~~~~ – j 2 j 2 ¿ 8 – 4

mœ (ƒ)

bœ fl (f)

¿ (F)

O     ˘œ

mœ fl (Ï) mœ (p)

≤ œ µœ

n

pz

(∏)

(f) ∑

≈ ‰

n

Œ Ÿ~~~~~~~~~~~~~~~

≈ ‰

– (f)

n

¿æ

≈ ‰

≈ ‰

n

≈ œ m œ œ mœ œ 3

Œ

˘ mIIœ. . .  .  . . +    œo œ ≈ R 6 (Ï) (p) (ƒ) ‰

œ p

METAL

Œ

n

n

≈ m œ ¿æ . (F) n

j œ

≤ œ J

¿¿æ¿

VIBRAPHONE GUIRO

Œ

...... ...... ......

Fl.

Ÿ~~~~~~~~~~~~~~~ Ÿ~~~~~~ – – – –

3

œ

3

œ mœ ‰

+ + ´  — ´ +   + .    ≈ œ I

π

(F)

– fl (f)

≈ ‰

≤ m œœ

Œ

n

m > µœ.œ ≈ œ (ƒ) n

¤ IVœ () (p)

Œ

>

œ. (ƒ) œ fl (Ï) ∑

≈ ‰

≈ ‰


Ÿ~~~~~~~ 3 ¿j ‰ 8 ∏

cl.(Bb)

38

P.trp.(Bb)

Cor.

Perc.1

& bœ (∏) + &

œ ≈ ‰ fl (Ï) + m œ. ≈ Œ (F)

– (flf )

38 (P) ≈

m œ       >¿ ≈ &– ≈ 5 fl ( f ) (F)

38 Ͼ. pppppp

‰ 43 ˙ . æ

& œ bœ œ œ œ Œ

38 ‰

Keyb.

?‰

Vl.2

Vla.

&– – ( >f )

‰ n

... ..... & ......... ‰ mœ mœ . (p) (ƒ) ˘r mIIœ. . .  .  . . +    œo Bœ ≈

(Ï)

(p)

6

(ƒ)

Db.

?

38

Trb.(o-s)

– fl (f)

+ . > ?   ≈ ¿´ ¿´ ¿´ ¿´ ≈ bœ (F) ( f ) 3 ( p ) (∏) . — +  b œ t ≈ ≈ ‰ ¿ fl (p) (f) (F) III

Vlc.

æ 38m JO ∏

38

85

œ

2 ˙ 4

Œ

42

85

O

2 O 4

O

5 8

Œ

42 ˙æ

œ

–≤.

≈ ‰

O

ppppp –. ≈ Œ

5 8

42

85

43

42

85

34

85

43

mO 43 OO mO – æ

~~~~~~~~~~~

Vl.1

œ

38

o œ (f)

42

PAPER ON CARDBOARD

BASS DRUM

38

œ

Œ

43 ‰

O – nm OO O æ

–≤. ppppp

m æO

≈ Œ

œ

O O n OO O

~~~~~~~~~

(along strings)

38

≈ ‰

≤ –. ≈ Œ ppppp

43 ‰

PAPER

5

∏ ( –)

3 œ 4

3 œ. 8 ppppp

3 O 4

38

≤ –. ≈ Œ ppppp

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 2 5 4 ¿ ¿ ¿ – 8

Let out air "naturally" (don't try to match written dynamic or length)

3 O. 8 pppppp

PITCHED METAL

Perc. 2

Ÿ~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 ¿ ¿ ¿ – 4 – – – – 43 ‰

38

‡ (∏) (F) SANDPAPER ≥ ≤ 5 38 – – – – – Œ & ¿. ≈ ‰ Œ ( ƒ )>

24 42

æ

O

œ

O

58

O mOO O O 85

~~~~~~~~~~~

Fl.

~~~~~~~~~

>+ –. > –. ≈ ‰ &¿¿¿ (ƒ) (ƒ) n œ. œ. . + bœ . œ œ. ≈ & bœ ≈ b– œ fl (F) (f) (π) 5 F

38

œ 3

Œ

42

85

Œ

42

85

Œ

42

85

(bow on the body of the instrument (treble side))

38 38

38 œ. pppppp 38

43 ‰ 43 ‰

–≤.

ppppp

≈ Œ

(bow on the body of the instrument (bass side))

≈ Œ

–. ppppp

43 . ˙ ∑

42

43

∑ 10

42

85

˙ ∑

85


Fl.

cl.(Bb)

5 &8

Cor.

5 &8 Œ & 85 ‰

œ (f) n

œ (∏)

(F) ≈ ‰ 5 & 8 ‰ m œ. ¿ æ n

bœ fl (f)

Œ

¿ æ

GUIRO

5 &8 Œ

58

Vl.1

Vl.2

& 85 Œ

Vla.

B 85 ‰

3

Vlc.

Db.

t 85 ? 85

42

Trb.(o-s)

– fl (f)

SANDPAPER

3

œ mœ

+ + ´  — (along ´ +   + .    strings) j ≈ œ ‰ –– π > (F) (f) n ‰

O     ˘œ (f)

j mœ (p)

˘ mIIœ. . .  .  . . +     œo œ ≈ J R 6 ( p ) ( ƒ) (Ï)

≤ m œœ

m > µœ.œ ≈ j (ƒ) œ

≤j œ µœ n

n

¤IVœ ()

≈ ‰

(p)

(ƒ)

42 Œ

>

œ. (ƒ) œ fl (Ï)

– fl (f) ‰

(f) o œ ‰

≤ œ J

n

≈ ‰

PAPER

BASS DRUM

mœ fl (Ï)

(f)

+ .   ≈ ¿´ ¿´ ¿´ bœ (∏) ( P ) (f) 3 (p) +  —. bœ ≈ ‰ (p) (f) III

11

PAPER ppppp –. ≈

5 8‰

5 8‰ 85 œæ

85 Œ

mO

OO O mO – æ ‰

42 Œ

42 Œ

42 ˙ pppppp

O nm OO O

–≤. ppppp –≤.

ppppp ≤

˙

58

O J

O.

Ͼ.

‰ Œ

j œ

85

85

85

85

–. ppppp

85

œ. ∑

œ J

85

42

42

85

85

42

r œ

≤ –. ≈ ppppp

42 Œ ≤ m œœ

5 8

42

24 ≈

≤ –. ≈ ppppp

–≤.

2 O. 4 pppppp

≈ Œ.

n

≈ ‰

42 Œ

j œ

(–)

2 œ. 4 ppppp

PITCHED METAL

j mœ

– – ‰

Œ ≈ m œ     ¿ 42 ˙ – fl (F) 5 æ pppppp (f)

Ÿ~~~~~~~

n

≈ Œ.

5

j œ

j mœ (ƒ)

2 4 – – ∏

œ p

œ bœ œ œ œ Œ

I

pz

(∏)

n

Œ

n

æ ? 85 œ J (f)

bœ ≈ b– fl F (F)

¿´

~~~~~~~~~

5 &8 ‰

42

≈ œ m œ œ mœ œ 3

≈ ‰

..

? 85 j mœ

¿ (F)

(ƒ)

≈ ‰

+. Ÿ~~~~~~~~~~~~~~ + m œ ≈ ‰ ≈ ‰ j – ‡ (F) (f) n( ∏ ) (F) VIBR. SANDPAPER ≥ ≤ 5 ‰ Œ ≈ – – – – – ¿. ≈ ‰ Œ ‰ m œ. (F) ( >ƒ )

. . . ..

Keyb.

METAL

(Ï)

. . . ..

5 &8 j œ

42

5

˘œ ≈

. . .. .

Perc. 2

(π)

j bœ (∏) +

o

VIBR.

œ. œ. . bœ . œ œ. ≈

+

42

Perc.1

n

j œ œ p

b–. (P)

42

P.trp.(Bb)

¿¿æ¿

>+ –.

> –. ¿¿¿ (ƒ) n

~~~~~~~~~~

¿´ 5 ≈ ‰ &8 (ƒ)

42

85

œ

œ. ∑


Ÿ~~~~~~~~~~~~ventilation Ÿ~~~~~~~~~~~~~~ 3 &¿ – 8 – æ ¿ – –

Ÿ~~~~~~

hyper

46

Fl.

cl.(Bb)

Cor.

œ.

œ J

& Œ.

O.

O J

–≤.

‰ œ æ

–. ≈ 3 8 œæ.

&

46

Perc.1

Perc. 2

≤ 3 –. ≈ 8 ppppp

& Œ.

46

P.trp.(Bb)

&

Œ. & œ. æ

(–)

œ

≈ 38 ‰

≤ –. ≈ 38 ppppp

∑ O

≈ 38 ‰

5 8

2 4 Œ

85 Œ

Œ

5 œ 8

œ

85 Œ

Œ

5 O 8

O

Œ 85 œ æ

Œ œ. æ

≤ –. ≈ ppppp ( –)

≤ –. ≈ ppppp –≤.

–. ≈

42

1 4

2 4

œ. œ. . bœ . œ œ. ≈ ≈ 41 b œ b – œ fl ( f ) ( π ) 5 F (F) ( P )

42

1 4

2 4

41

42

1 4

2 4

41

42

¿¿æ¿

(f)

n

+

œ ≈ ‰ fl (Ï)

2 4

bœ (∏)

– (flf )

o

42 Œ

œ (∏)

2 4 ¿æ

¿æ

m >¿ ≈ ‰ 42 (F)

Œ

GUIRO

n

PITCHED METAL

≈ +

r Bœ

(F) (f)

‰ mœ œ nœ ≈ œ œ ≈ 42 41 3

46

Vl.1

Vl.2

Vla.

Vlc.

Db.

&

æ

vibr. extremo, senza arco

OO~~~~~~~ æ O mO –

& Œ.

B Œ.

? Œ. t

?

46

Trb.(o-s)

m Oæ

38

œ.

œ ∑

38

æ

O

38 m OO ˜ ˜ –O

O –≤.

85

85

– ˜ ˜˜

œ.

œ

58 ˜O j æ –

85

42

–≤.

≈ 38 ppppp ≈ 38

–. ppppp

85 Œ

85 Œ

38 œ.

85

42

42

41

42

41

42

41

42

41

42

38

85

≈ ppppp –≤.

≈ ppppp ≤

–. ppppp

42 œ ≈

mIIœ. . . .  . . +    œo

mœ (ƒ) ˘r

(Ï)

(F)

(p)

>¿´ æ ≈ œ 42 (F) ( f ) ˘ ≈ 42 ¿

œ.

Œ

42

14

24

I

–≤.

Œ

12

24 œ

41

œ

+ + ´  — ´ +   +œ .    42 ≈ 41 π (F)

Œ

œ

œ mœ

Œ

85 Œ

≈ ≈ œ m œ œ mœ œ

42

10

≈ 38 ppppp

3

.

?

38

... ..

Keyb.

3

42

mœ (p)

.... .

&

3

.. ...

46

6

(ƒ) ‰

O     ˘œ

– fl (f) ‰ ≤ œ µœ

n

pz

(∏)

(f) ∑

≈ ‰

r œ

(f)

41

rK œœ

(Ï)

rK

B œ. k œ µ œ n œ. 5

42


2 &4

b–. (P)

œ. p

2 &4 Œ

P.trp.(Bb)

Cor.

Perc.1

& 42

+

œ

2 &4

¿ (F)

≈ ‰

bœ (∏)

(f)

SANDPAPER

n

Vl.1

Vl.2

& 42 Œ

Vla.

B 42 ‰

‰ n

(f) o œ ‰ ‰

≤ m œœ n

Vlc.

m >≤ ? 42 µœœ ≈ . œ (Ï) n

Db.

¤IVœ t 42 ( ) (p) ? 42

51

Trb.(o-s)

>

œ. (ƒ) œ fl (Ï) ∑

≤ œ

r mœ

∑ ‰

(f)

n

38

mœ (ƒ)

38

˘ œ ≈ R (Ï)

38

∑ (square=body (bass/treble side), arpeggio played as if a 6 stringed instrument)

– O m OO ‰ ‰ ∏ O– (square=body J (bass/treble side), – arpeggio played as if a 6 stringed O instrument) mO ‰ ‰ O ∏ O– J (square=body (bass/treble side), – arpeggio played as if a 6 stringed O instrument) mO ‰ ‰ O O– J ∏

≈ ‰

38

≈ ‰

38 œ. pppppp 38

5

42

œ

42

2 O 4

O

O ‰ ˙ æ

42

42

24 O mO O 42 O

– ∏

– – – mO O O ˜

O ˜ ˜ O mO ˜

5

˜ ˜ ˜˜

3 8

≤ –. ≈ Œ ppppp

28

38

10

42

˙

( –)

≈ ‰

–≤.

38

2 O 8 ø J (f)

3 8

28

38

28

38

28

38

≈ Œ

28

38

≈ Œ

28

38

≈ Œ

28

38

≈ ‰

ppppp –≤.

ppppp ≤

–. ppppp

∑ 13

3 8 ∑

PAPER ppppp –. ≈ Œ

–≤.

2 œ 8 28

O

SUITCASE LOCK

28 Ͼ

28

28

˙

42

œ

≤ –. ≈ Œ ppppp

O

42

˙

42

42

2 8

10

42 ˙æ

38 ..

2 &4 – – ( >f )

51

pppppp

38 œ

.....

(along strings)

O

PAPER

38 Ͼ. (F) pppppp

.....

24

œ

38

œ

r b–

– – – – – –               –

2 ˙ 4

BASS DRUM

5

? 42 Œ

– ∏

œ ppppp

8‰

3‰ 8

.....

Keyb.

Ÿ~~~~~~~~~~~~~~ 3 8 – (f) n

2 & 4 œ bœ œ œ œ Œ

51

F major scale, air to tone to air

r œ 3

bœ ( flf ) (F) SANDPAPER ≥ ≤ 5 51 2 – – – – – Œ & 4 ¿. ≈. ‰ Œ > GUIRO (ƒ) METAL

Perc. 2

≈ ‰

38 ‰

n (f)

51

+

~~~~~~~~~~~~~~~~~~

cl.(Bb)

(ƒ)

n

2 4 –

~~~~~~~~~~~~~~~~~~

(ƒ)

3 8

≈ ‰

~~~~~~~~~~~~~~~~~~

Fl.

~~~~~~~~~~~~~~~~~~

>+ –.

–. 2 > & 4 ¿¿¿

51

28

38

38

38

œ ∑

38


3 &8 ‰

56

Fl.

cl.(Bb)

3 &8 ‰

– J π

rK‰ –

(blow INTO the key holes)

j — π

3 &8

Cor.

& 38

56

œ. ppppp

3 &8 ‰

56

œ J π

Perc.1

Perc. 2

3 &8 ‰

3 &8 ‰

56

Keyb.

? 38

38

3 &8 ‰

56

Vl.1

Vl.2

Vla.

Vlc.

Db.

& 38 ‰ B 38 ‰ ? 38 ‰ t 38 ‰ ? 38

56

Trb.(o-s)

rK œ‰

PAPER large movement from right to left

– J π

b¿ J

GUIRO

π – π –

Oœ mOœ mOœ

bOœ

œ

bend tone with leg

(Ï)

28

28

28

≤ –. ≈ ppppp

j bœ (Î)

–≤.

O J

RATTLE PIECE OF A4 PAPER (held in one corner)

28 Ͼ

?

(Î) j –æ

œ

28

Oœ m Oœ m Oœ b Oœ

28

Oœ mOœ

28

‰ Oœ bOœ –

6

O mOœ œ m O œ Oœ 6

28

œ. pppppp ∑

42

œ

38 3‰ 8

2 4 ∑

O

2 4

38 Ͼ.

38

j œ

42

42

42

38

42

38

42

38

42

38

42

ppppp

m j œ (Î)

m j œ (Î)

œ ∑

–≤.

ppppp

bend string outside finger board

42

38

–≤.

bend string outside finger board

14

38

38 œ.

28

2 4

28

6

œ æ

3 8

3‰ 8

6

O– mœO œ ‰ O bO œ –œ π

π

(f)

≤ ≈ –. ppppp

œ J

2 O ˜ ® 8

SUITCASE LOCK

Ͼ. pppppp

6

π

BASS DRUM

j –

let out air while producing tone

28

PAPER

π

O. ‰ ‰ pppppp

2 œ 8 ∑

VIBRAPHONE gliss. with straw

28

Kr —

P.trp.(Bb)

2 8

–. ppppp

j œ pppppp

38 œ.

38

24

42

42


trem.= air in and out (hypervent. or with mouth)

cl.(Bb)

3 4

2 ≥≤ &4 æ – ∏

3

œ

œ

œ–

2 ˙ &4

Cor.

? 42

2 O &4

O

61

Perc.1

≈ Œ

(ƒ) œ. œ.

&

n

˘ 3 œ ≈ ‰ ≈ ‰ 4 – (Ï) (flf ) + + m œ. ≈ Œ 43 ‡ (F) (∏) VIBR.(F) Œ ‰ 3 ≈ 4 ‰ m œ. ¿ ¿ æ æ n

Œ

2 &4

43

? 42

43 ‰

24

& 42

Vla.

Vlc.

Db.

B 42 æ – ∏ ?2 4 æ – ∏ t2 4 ?2 4

61

Trb.(o-s)

O m OO O æ

~~~~~~~~~~

& 42 æ – ∏

O m OO O

~~~~~~~~~~

Vl.2

– O m OO O æ O mO O O

˙ ∑

œ mœ œ

œ

–.

43

(ƒ)

≈ ‰

2 œ 8 ppppp

2 ˙ 4

3 4

42 ˙æ

43

2 œ bœ œ 8

42

43

28

42

O – m OO O æ

28

28 Ͼ pppppp

BASS DRUM

3

œ œ mœ

3

n

r œ

(f)

15

3 4

42

43

42

43

28

42

43

28

42

43

28 O O – – – ∏

28 œ pppppp 28

43

43

5

n

˙

?

28

Œ

III + . > 34   ≈ ¿´ ¿´ ¿´ ¿´ ≈ œæ ‰ bœ (f) (F) ( f ) 3 ( p ) (∏) pz +  —. O       ˘œ b œ ≈ ≈ ≈ ‰ 43 ¿ fl (p) (f) (∏) (F) (f)

43

43

O

≤ m œœ

Œ

2 O 4

j –– π > (f)

– fl (f)

42

(F) mœ (p)

6

œ

3

3 4

42

+ + ´  — ´ +   +œ .   

mIIœ. . .  .  . . +    œo

(p)

≈ mœ œ 3

2 ∑ r 8 œ bœ (∏) ( P ) (F) SANDPAPER ≥ ≤3 PAPER ‰ – – – 2 O ¿. ≈ 8 pppppp > (ƒ)

I

(Ï)

43 ‰

≈ ‰

˘ 43 mœ ‰

~~~~~~~~~~

Vl.1

3

34

61

~~~~~~~~~~

Keyb.

+o

o

SANDPAPER PITCHED METAL

Ÿ~~~~ 2 – 4

n

m œ       >¿ ≈ Œ 43 – ≈ fl (F) 5 (f)

2 & 4 ˙æ

61

28

œ p

GUIRO

Perc. 2

5 2 8––––– – ∏

¿¿ ≈ >¿ (ƒ)

¿¿æ¿

bœ. . ˘ œ œ. bœ ≈ b– (F) (π) 5 F

43

61

P.trp.(Bb)

¿´

~~~~~~~~~~

2 &4

61

Fl.

24

42

42

34

43

˙ ∑

43


3 &4 3 –. &4  œ. (Ï)

sim.

cl.(Bb)

P.trp.(Bb)

3 &4

Cor.

? 43

65

( –)

≈ ‰

bœ. (Î)

≤. 3 – &4 ≈ ‰

Perc. 2

(Î) –æ

3 & 4 ˙. æ

RATTLE PIECE OF A4 PAPER

3 &4 Œ

65

Keyb.

Œ

Œ

Vla.

B 43 ≈ ‰ ppppp

Œ

?3 m 4 œ. (Î) t3 m 4 . œ (Î) ?3 Œ 4

65

Trb.(o-s)

3

œ œ

38 j –æ ∏

key trill (no air) on one key

æ b¿

bœ ( fffff )

œ

38

28 ‰

38 Ͼ.

28 ‰ œ æ

sim. ≤ ≈ –. æ b¿ ppppp ∏

(–)

≤ –. ≈ ppppp –≤.

PAPER ppppp –. ≈

7 8 78 Π.

Œ

œ J

7 œ. 8

œ

78 Π.

Œ

O J

7 O. 8 ø J (f)

–æ

. 78 Œ œ. æ

Œ

SUITCASE LOCK

Ͼ

3 4

∑ ≤ –. ≈ ‰ ppppp ( –)

43

≈ ‰

3 4

≤ –. ≈ ‰ ppppp

43

O Œ

≤ –. ≈ ‰ 3 ‰ ≈ ®˜ 4

Œ œ æ

–. ≈ ‰ œ æ

43

38

28

78

43

38

28

78

43

38

28 m OœOœ ∏

78

43

38 æ

O

38 j –æ ∏

æ O

38 j æ – ∏

æ O

(trem. along string, close to the point)

j3 38 œ œ œ. pppppp Œ

28 ‰

2 OJ 8

(trem. along string, close to the point)

O ∏

3 O. 8

38 j æ – ∏

3

2 8

whistle tone on tube edge

2 œ 8 J

(trem. along string, close to the point)

Œ

bend string outside finger board

Db.

Œ

Œ

bend string outside finger board

Vlc.

œ

3

& 43

–≤.

3

–æ ‰

& 43 ≈ ‰ ppppp

O

65

Vl.2

3 œ. 8

? 43

–≤.

œ

3

O

34

Vl.1

˙ ‰

65

Perc.1

3 8

65

Fl.

38

28 28 ‰ 28 ‰ 28 ‰ 28

28

∑ –≤.

78

æ ≈ j O ppppp ∏

j æ –

78 Π.

æ ≈ j O ∏ ppppp

j æ–

78 Π.

Œ

j æ –

78 Π.

Œ

78 œ.

œ

–≤.

–. ppppp

œ

æj O ∏ œ

∑ 16

78

34 –≤.

Œ

≈ ‰ ppppp

43

≈ ‰ ppppp

43

–≤.

≈ ‰

–. ppppp œ ∑

43 43 43


(F major scale)

cl.(Bb)

3 &4

œ ∏

rK œ–

æ

–æ œ

3

œ –æ œ

≤ ( –. )

3 ˙ &4

70

P.trp.(Bb)

Cor.

? 43 Œ

Œ

3 O &4

O

3 Œ & 4 ˙. æ

Œ

70

Perc.1

Perc. 2

≈ ‰

O O O

– O m OO æ O

~~~~~~~~~~

O–

O ˜˜ ˜ ? 3 m OO ˜ ˜ ˜ 4 æ

– O m OO æ O

~~~~~~~~~~

O–

O ˜˜ ˜ mO ˜ ˜ ˜ 3 B4 O æ

~~~~~~~~~~

O ˜˜ ˜ 3 mO ˜ ˜ ˜ &4 O æ

– O m OO æ O

– æ – æ – æ

t3 4 . ˙ ?3 4

24 42 æ

O

æ O æ O

r‰ œ

r œ

r œ

≈ ‰

bœ fl (f) ‰

‰ ≈ ‰

METAL

¿ (F) œ

(Ï)

(f) o œ ‰

≤ œ J

n

≤ 24 œ µœ

n

42

6

∑ 3

– (flf ) Ÿ~~~~~~~

– (f)

(p)

(ƒ)

m > µœ.œ ≈ œ (ƒ) n

¤ IV ( œ)

n

mœ fl (Ï) – fl (f)

∑ 17

œ. (ƒ)

38 Ͼ. ( P ) pppppp

‰ œ. æ

PAPER

BASS DRUM

38

38

38 æ 38 j œ ∏ æ j 38 œ ∏

‰ >

38

œ

œ J

38

SANDPAPER

O J

≈ mœ . (F)

œ fl (Ï)

(p)

3 œ. 8 ppppp

j – ∏

3 O. 8 pppppp

VIBRAPHONE

j œ

Œ

(p)

(ƒ)

3 8

œ– 38 æ æ b ¿æ œ æJ bœ ≈ b– b¿ b¿ fl œ (F) ( P ) ∏ F

.. ... ... 42 .......... ‰ mœ mœ (p) (ƒ) ˘r m IIœ. . .  .  . . +     œo 24 œ ≈

42 ‰

+

42 ‰

O–

5

¿´

æ j 38 œ ∏

∑ O – m OO æ O O J

– O mO O O– J ∏ ‰

O – m OO æ O O J

O – m OO æ O O J

38 œ. pppppp 38

~~~~~~~~~~~~~~~~~~

& 43

70

Trb.(o-s)

≈ ‰

42 Œ

Db.

–.

(π)

bœ. . œ œ.

œ ≈ ‰ fl (Ï)

≥ ≤ 2 – – 4 (F)

Vlc.

PAPER

(ƒ) œ. œ.

SANDPAPER

? 43

Vla.

–≤.

&

2 4 bœ (∏) +o 24 bœ (P)

42 b œ

70

Vl.2

≤ –. ≈ ‰ ppppp

œ (f)

34

Vl.1

≈ ‰

+

3 &4

70

Keyb.

42

Œ

n

≈ ‰

~~~~~~~~~

>+ –.

~~~~~~~~~~~

Fl.

2 4

~~~~~~~~~~

3 &4

70

3 4

43

3 4

≤ –. ≈ ppppp

rK ‰ –

≤ –. ≈ ppppp ≤ ( –. )

–≤.

PAPER ppppp –. ≈

œ

3 4

43

43

–≤. ppppp –≤.

ppppp

34 ‰

43

43

43

43

–. ppppp

43

œ. ∑

43

43

?

43


3 &4

74

Fl.

cl.(Bb)

3 –. &4 Â˙. (Ï)

≤ ( –. )

3 œ &4

74

P.trp.(Bb)

Cor.

? 43

œ

b˙. (Î) –≤.

3 O &4

74

Perc.1

≈ ‰

≈ ‰

O

RATTLE A4 PAPER

Perc. 2

(Î) –æ 3 & 4 ˙. æ

–æ

–æ

2 4

3 8

42

38 ‰

2 4

3œ 8J

42

2 4

∑ ≤ –. ≈ ‰ ppppp ≤ ( –. )

38 ‰

≤ –. ≈ ‰ ppppp

44 Ó

3 OJ 8

–≤.

4 O 4 ø

ppppp ‰ –. ≈ ‰ 38 œ. æ

3 &4

‰ m œœ n œ ≈ œ mœ œ œ ≈ ≈‰ 42

? 43

42

& 43

42

≤ –. ≈ ‰ ppppp

44 Ó 4 ˙ 4

≈ ‰

5 16

≈ ‰

PAPER

42

4 4

(f)

44 Œ w æ

Œ

5 16

≈ ‰

œ

5 16

≤ –. ≈ ‰ ppppp

Œ

5 16

O Œ

≤ –. ≈ ‰ Œ

O ‰

5 ≈ . ˜ 16

Œ

–. ≈ ‰

Œ

( –)

SUITCASE LOCK

5 8

∑ –.

85

œ. J

œ J

5 8

j bœ . (Î)

85

O. J

O J

5 8

j –æ œ æJ

85

Âœ. (Ï)

(sim.)

RATTLE A4 PAPER

(Î) j –æ . 5 16 œ . æJ

3

74

Keyb.

34

74

Vl.1

Vl.2

& 43 Œ

Vla.

B 43 Œ

–≤.

44

5 16

38

44

5 16

85

38

–≤.

44

?3 m 4 ˙. (Î)

42

38 ‰

t3 m 4 . ˙ (Î)

42

38 œ. pppppp

44

38 ( fffff )

44

?3 4

Œ

38

≈ ‰ ppppp

42

5 16

38 ‰

–≤.

Œ

42

74

Trb.(o-s)

24

3

44

38 ‰

bend string outside finger board

Db.

≈ ‰ ppppp

bend string outside finger board

Vlc.

œ

38

42

rK œœ

(Ï)

rK

B œ. k œ µ œ n œ. B œ 5

rK B œ nœ

mœ mœ µœ. µ œ 5

≈ ‰ ppppp

44 Ó

≈ ‰ ppppp

44 Ó

–≤.

≈ ‰

–. ppppp

bœ.

18

44 Ó

‰.

5 16

–≤.

œ

85 5 œ 8

58

≈ ‰ ppppp

Œ

5 16

85

≈ ‰ ppppp

Œ

5 16

85

–≤.

≈ ‰

–. ppppp

w ∑

Œ

(sim.) m 5 16 j œ. (Î)

(sim.) m 5 16 j . œ (Î)

5 16

85

j 85 œ pppppp ∑

85


5 &8

79

Fl.

–æ 58 œ & œ 3

cl.(Bb)

œ ∏

5 œ &8 J

79

P.trp.(Bb)

Cor.

Perc. 2

( –)

j j æ b ¿ œ æ –

5 O &8 J

–≤.

Œ. ∑

& 85 Œ

? 5 m OO 8 O mO – æ ∏ t5 8 ?5 8

79

Trb.(o-s)

~~~~~~~~~~

m Oæ J

O – nm OO æ O J

~~~~~~~~~~

m Oæ J

O – nm OO æ O J

m Oæ J

~~~~~~~~~~

mO & 85 OO mO – æ ∏ mO B 85 OO mO – æ ∏

vibr. estremo, senza arco

œ

‰ ≈ 45 ø (f)

SUITCASE LOCK

–. ≈ 5 Œ 4 w æ

‰ œ æ 3

bœ œ œ

m OO . . ∏

O ‰

˙. Œ

Œ

O Œ

O Œ

O Œ

Œ

Œ

Œ

≈ 45 Œ ‰ ppppp

Œ

–≤.

≈ 45 Œ

Œ

–. ppppp j œ

˙

PITCHED

45

Œ

Œ

Œ

Œ

Œ

Œ

w

œ

45

∑ 19

≈ ≈ œ m œ œ mœ œ

38

~~~~~~ OO Œ. O O J

SANDPAPER –. ≈ 3 mMETAL œ œ 8 –j – ≈ (F) ( P ) ( ffl)

38 ‰

Œ

~~~~~~ j OO Œ. O O

‰ œ æ

Š45 Πppppp

n

+ Ÿ~~~~ + m œ. ≤. – ≈& 38 j ≈ ‰ j – ppppp ( P ) n ‡ (F) (∏) ≤ GUIRO O –. ≈ 3 ‰ 8 ¿æ ˜ . ‰ ≈ (F) n

45

–≤.

œ. p ∑

38

45

(P)

n

≈ 38

vibr. estr., senza arco

( –)

j ¿¿æ¿

≤ 3 –. ≈ 8 b–. ppppp ( P )

45

54 Œ

vibr. estr., senza arco

œ

Œ

~~~~~~ j OO Œ. O O

j œ

˙

–≤.

O J

Œ. O – mn OO O æJ

≈ 45 ‰

≤ –. ≈ 45 Œ ppppp

O.

Œ.

~~~~~~~~~~

Db.

O

3‰ 8

≤ 5 –. ≈ 4 ∑ ppppp ( –)

Ó

5 &8 Π? 85

˙

5 ‰ &8 œ æ

~~~~~~~~~~

Vlc.

Œ.

Œ. œ. æ

~~~~~~~~~~

Vla.

O. ∏

PAPER ppppp –. ≈ Œ . œ. æ

79

Vl.2

j æ ¿

≈ ‰

58

Vl.1

scratch the bell's "assembly crack"

œ

≈ ‰

79

Keyb.

œ

≤ ? 85 ‰ –. ≈ Œ ppppp 79

Perc.1

œ

3

5 4

Œ

whistle tone on tube edge

–≤. ppppp –≤.

ppppp ≤

–. ppppp

3

3

3

œ

j mœ

´ + +œI .  +    38 ≈ p (F)

≈ 38 ≈ 38 ‰ ≈ 38 ‰ 38 ‰ 38

œ

∑ ≤ m œœ

r œ

(f)

n

+ . ¿´   ≈ bœ (∏) (f) 3 (p) +  —. bœ ≈ (f) (p) III


(blow INTO the key holes)

j — π

Kr —

1 4

5 16

41

5 16

whistle tone on tube edge

P.trp.(Bb)

&

1 4 ‰

œ

5 16

Cor.

&

41

5 16

O

5 16

O J

5 16

j Ͼ

83

VIBRAPHONE gliss. with straw

&‰

83

Perc.1

Perc. 2

&‰

&‰

83

Keyb.

?

Vl.1

Db.

?‰ t‰

41 Ͼ pppppp

b¿ J π

41

GUIRO

– π – π – π

?

83

14 bOœ

5 16

∑ 5

œ

41

œ

œ

œ

5 16

5 16

5 16

Oœ m Oœ m Oœ b Oœ

41

38 œ

œ. J

3 œ. 8

6

5 16

O. J

œ

Oœ mOœ

‰ Oœ bOœ –

6

41

5 16

mOœ OmOœ –œ 6

41 œ pppppp 41

5 16 5 16

5 16

j œ

38 m OO O mO

∑ 20

œ ‰ œ

?

∏ mO 38 O O mO ∏

38 m OO O mO

1 œ 4

6 4

41 bœ (Î)

46

1 O 4

6 4

46

41

46

41

46

41

46

O nm OO O

41

46

O nm OO O

– æ – æ

46

O nm OO O

38 œ. 38

46

41

– æ

6 4

– 41 Âœ (Ï)

(Î) –æ 41 œ æ

38

38 ‰

j œ.

3

RATTLE A4 PAPER

38

m OO . . J ∏

œ

1 4

3 O. 8

38 ‰

‰. ∑

æ œ–

38

38 Ͼ.

6

41

œ ∏

j Ͼ .

6

O– mœO œ ‰ O bO œ –œ π

π Trb.(o-s)

Oœ mOœ mOœ

BASS DRUM

41 œ

pppppp

~~~~~~~~~~~

Vlc.

B‰

PAPER

3

~~~~~~~~~~~

Vla.

&‰

– J π

PAPER large movement from right to left

1 4 ‰

~~~~~~~~~~

Vl.2

rK œ‰

œ J

3 ‰ 8

O mO O O

~~~~~~~~~~

&‰

83

œ J π

j O. ∏

~~~~~~~~~

&‰

rK‰ –

~~~~~~~~~~

cl.(Bb)

– J π

~~~~~~~~~~

&‰

83

Fl.

œ

14 ≈

64

m 41 œ (Î)

46

m 41 œ (Î)

46

41

46


6 &4

cl.(Bb)

≤ –. ≈ ‰ Œ ppppp

6 &4 Œ

( –)

6 œ &4

88

P.trp.(Bb)

Cor.

? 46 Œ

Perc. 2

≤ –. ≈ ‰ Œ ppppp

≤ –. ≈ ‰ O 6 O &4 ø ‰ Œ Œ (f) SUITCASE LOCK ppppp PAPER Œ –. ≈ ‰ Œ 6 & 4 w. æ

–. 43 Â˙. (Ï) 3 4

Œ O Œ Œ

( –)

74 Œ

≈‰ ˙

7 œ 4

43 . b˙ (Î)

Œ

O Œ

≤. O 3 –≈‰ O 4 ‰ ≈. ˜

O

Œ

–æ

–æ

RATTLE A4 PAPER

Œ

(Î) –æ 43 ˙ . æ

Œ

≤ –. ≈ ‰ Œ

( –)

œ

( –)

≈‰ œ

≤ –. ≈ ‰ Ó ppppp

74 Œ

Œ

≤ –. ≈ ‰ Œ ppppp

≤ –. ≈ ‰ O 7 O 4 ø ‰ Ó ( f ) ppppp 74 Œ ˙. æ

–. ≈ ‰ Œ

PAPER

≤ – ‰ – ≈ 42 . Âœ (Ï) ( –)

≈ ‰ œ.

≤ –. ≈ ‰ Ó O Ó

≤ –. ≈ ‰ O . Œ

Œ ˙ æ

–. ≈ ‰ Œ ˙ æ

≤ ‰ – ≈ 43 . ppppp ( –)

≈ 42 ‰ œ 42 bœ (Î)

≤ –. ≈ 2 O ‰ 4 ˜ . ‰ ≈

RATTLE A4 PAPER

(Î) ‰ –. ≈ 2 –æ 4 ˙ æ

3 4

≈ 43

≤ ‰ –. ≈ 43 ppppp –≤.

≈ 43

PAPER ppppp ‰ –. ≈

43

43

74

42

43

? 46

43

74

42

43

& 46

43

74

42

43

88

Vl.2

& 46 Œ

Vla.

B 46 Œ

Vlc.

?6 Π4

Db.

–≤.

≈‰ Œ ppppp –≤.

≈‰ Œ ppppp ≤

Œ

34 Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

–≤.

43 ≈ ‰ Œ ppppp –≤. 34 ≈ ‰ Œ ppppp

74 Œ

74 Œ

Œ

74 Œ

–≤.

≈‰ Œ ppppp –≤.

≈‰ Œ ppppp ≤

24

–≤.

Œ

–≤.

Œ

≈‰ Œ

≈‰ Œ

≈‰ Œ

Œ

–≤. –≤.

≈ 42 Œ ≈ 42 Œ m 42 œ (Î)

m 43 ˙. (Î)

74 Œ

t6 4 . w pppppp

m 43 . ˙ (Î)

74 w .. pppppp

m 42 œ (Î)

?6 4

43

74

42 Œ

88

Trb.(o-s)

Œ

2 4

64

Vl.1

Œ

7 4

6 &4

88

Keyb.

Œ

≈‰ w

88

Perc.1

3 4

88

Fl.

≈‰ Œ

–. ppppp

21

≈‰ Œ

–. ppppp

Œ

–.

34

–≤. –≤.

≈ 43 ≈ 43 ≈ 43

–. ppppp œ pppppp bœ ( fffff )

43 43


Fl.

3 &4

4 4

cl.(Bb)

3 &4

44 Œ

3 &4

4 ‰ 4

? 43

44 Œ

92

92

P.trp.(Bb)

Cor.

3 &4

92

Perc.1

Perc. 2

3 &4

4 ‰ 4 ø

44 Œ w æ

‰ ≈ œ 3 œ mœ nœ ≈ œ m œ œ ≈ ‰ &4 3

92

Keyb.

? 43

œ

34

3

44 44

& 43

Vla.

B 43

44 Œ

Vlc.

?3 4

44 Œ

Db.

t3 4

44

Trb.(o-s)

?3 4

(Ï)

B œ. 5

rK

µ œ n œ. B œ

O ‰

44 Œ

rK B œ nœ

mœ mœ µœ. µ œ 5

rK rK . . mœ B œ m œ µ œ

® 5

B œ. nœ µœ

Œ

≤ –. ≈ ‰

≈ ‰

œ

( –)

≤ –. ≈ ‰ ppppp

Œ

≤ –. ≈ ‰ ppppp

( –)

≤ –. Œ

≈ ‰

–.

≈ ‰

O Ó Œ

≈ ‰

≤ –. ≈ ‰ –. ≈ ‰

–≤. –≤.

–.

≈ ‰

+

œ (f)

(π) ˘œ

2 8 j bœ (∏)

4 4

(Ï)

28

F

5

44

(F) ≥ ≤3 – – – ¿. ≈

4 4

SANDPAPER

2 ‰ 8 ¿ æJ (P)

GUIRO

> (ƒ) 28 m œ   >¿ ≈ (F) 3 PITCHED METAL

44

44

28 ‰

44

Œ

≈ ‰

Œ

≈ ‰

Œ

∑ 22

4 4 ¿¿¿ ≈ > (ƒ) œ. œ. . bœ . œ œ. 44 ≈

w

44

28

j ¿¿æ¿ (P)

28 ≈ mœ ≈ œ bœ œ 3

3

28

28

Vl.2

rK œœ

œ

≈ ‰

44

& 43

92

≤ –.

44

92

Vl.1

®

œ mœ

œ mœ

2 8

–≤. –≤.

–.

≈ ‰

≈ ‰

≈ ‰

ϫ

j œ

—+

44

44

(along strings)

j p π –– > (f)

n

.... 28 j .......... ‰ .... mœ (ƒ)

44

˘ mIIœ. . .  .  . .    4 28 4 œ ≈ R 6 (p) (f) (Ï) > 28 ¿´ ¿´ ¿´ (π) (F)

44

28 ‰

44

28

¿ fl (F) ∑

44


4 &4

cl.(Bb)

4 &4 Œ

Cor.

? 44 Π4 O &4 pppppp PAPER

95

Perc.1

4 Œ &4 w æ pppppp

BASS DRUM

Perc. 2

≤ –. ≈ Ó ppppp

‰ O

–≤.

≈‰

œ J

9 ˙ 4

38 –≤. ≈ ‰

49 Œ

≤ 3 –. ≈ ‰ 8˜ ‰ J (f)

j O ‰

SUITCASE LOCK

( –)

≈ 38 –. ‰ œ. æ

9 O 4 ø Œ 49 w æ

≤ –. ≈ ‰

Œ

( –)

≈‰

˙.

Œ

≤ –. ≈ ‰

Œ

O Œ

≤ –. ≈ ‰ Œ

O Œ

Œ

–. ≈ ‰

Œ

Œ

3 8

41

38

≤ –. ≈ ‰

Œ

( –)

≈‰

˙

Œ

≤ –. ≈ ‰

Œ

Œ

41

38

O Œ

O Œ

≤ –. ≈ ‰ Œ

O Œ

O Œ

1 O 4 ˜

3 8

Œ w æ

Œ

–. ≈ ‰

Œ

Œ œ æ

Œ 41 œ æ

Œ

Œ

Œ

Œ

1 œ 4

3 8

38

38

49

41

38

? 44

38

49

41

38

≈Ó ppppp

38

≈Ó ppppp

38

≈Ó ppppp

38

& 44 Œ

95

Vl.2

& 44 Œ

Vla.

B 44 Œ

Vlc.

?4 Π4

Db.

t4 4 ?4 4

95

Trb.(o-s)

49 Œ

1 4

4 &4

44

Vl.1

O

PAPER ppppp ‰ –. ≈ Ó

95

Keyb.

3 8

≤ –. ≈ Ó ppppp

9 4

≤ 38 ≈ ‰ –.

( –) ˙ ≈

4 œ. &4 ppppp

95

P.trp.(Bb)

3 8

95

Fl.

–≤.

–≤.

–≤.

≈Ó

–. ppppp

w pppppp ∑

38

38

–≤.

–≤. –≤.

–.

≈‰

94 ‰

49 Œ

Œ

49 Œ

≈‰

49 Œ

Œ

≈‰

49 Œ

Œ

≈‰

38 œ.

49

bœ. 38 ( fffff )

49

Œ

–≤. –≤. –≤.

–.

≈‰

≈‰

Œ

Œ

Œ

Œ

Œ

Œ

≈‰

Œ

Œ

Œ

≈‰

Œ

Œ

Œ

W

–≤. –≤. –≤.

–.

14 ≈‰

Œ

Œ

41

38

≈‰

Œ

Œ

41

38

≈‰

Œ

Œ

41

38

≈‰

Œ

Œ

41

38

œ ∑ 23

38

41

œ

bœ 14 ( fffff )

38 38


Fl.

3 &8 ‰

– J π (blow INTO the key holes)

cl.(Bb)

3 &8 ‰

99

j — π

rK‰ –

10 4

10 4

Kr —

(keep pressure)

P.trp.(Bb)

3 &8

10 4

Cor.

? 38

10 4

99

π j œ

VIBRAPHONE gliss. with straw

3‰ &8 ø J

99

Perc.1

Perc. 2

3 &8 ‰

rK‰ œ

PAPER large movement from right to left

– J π

10 4

Œ ( –)

Œ

Œ

Œ

˙.

≤ –. ≈ ‰ ppppp

Œ

Œ

Œ

O

O

O

O

Œ

Œ

Œ

–≤.

PAPER

≈‰ pppppp PAPER ppppp –. ≈ ‰ 10 4 w æ pppppp

3 &8 ‰

Keyb.

? 38

38

& 38 ‰

99

Vl.1

Vl.2

Vla.

& 38 ‰ B 38 ‰

Vlc.

?3 ‰ 8

Db.

t3 ‰ 8 ?3 8

99

Trb.(o-s)

b¿ J

GUIRO

π

– π – π – π

Oœ mOœ mOœ

6

π

œ ( –) ≈ 1 8

4 4

≤ –. ≈ Œ ppppp

≤ –. ≈ 81 ppppp

44

Œ

Œ

O

O

O

O

O

–≤.

≈ 81 ˜j (f)

4 4

‰ –. ≈ Œ w æ

Œ

Œ

Œ ˙ æ

–. ≈ 1 ‰ 8œ æJ

44

–≤.

SUITCASE LOCK

81

44

≈ 81

44

≈ 81

44

≈ 81

44

≈ 81

44

10 4

10 4 10 4

6

44

6

10 4

‰ Oœ bOœ –

≤ 1 –. ≈ 8

44

10 4

O mOœ œ m O œ Oœ

Œ

10 4

O– mœO œ ‰ O bO œ –œ π

Œ

81

6

Oœ mOœ

Œ

4 4

10 4

6

Oœ m Oœ m Oœ b Oœ

Œ

10 4 bOœ

≤ –. ≈ Œ

œ ( –) ≈ w

≈‰

BASS DRUM

99

1 8

–≤.

≈‰ ppppp

Œ

≈‰ ppppp

Œ

≈‰ ppppp

Œ

Œ

Œ

Œ

Œ

Œ

–≤.

–≤.

≈‰

–. ppppp

Œ

Œ

Œ

Œ

–≤. –≤. –≤.

–.

≈Œ

≈Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

≈Œ

Œ

Œ

Œ

˙ ∑ 24

≈Œ

W pppppp

10 4

–≤. –≤. –≤.

–.

18

44

81 j œ

44

bœ 18 J ( fffff )

44


Fl.

cl.(Bb)

2 4

4 &4

42

81 bœ fl F

42 Œ

2 4

1 8

2 œ 4

42

81

42 Œ

2 4

1 –≤ 8 (F)

4 & 4 wæ

42

81

4 &4

‰ mœ œ nœ ≈ œ mœ œ œ ≈ ≈ ‰ 42

? 44

4 w &4

Cor.

? 44

4 O &4 ø

102

Perc.1

Perc. 2

O Œ

O Ó

O

–≤.

(breath in through tube)

102

P.trp.(Bb)

– 1 8J

4 &4

102

(f)

n

≥–

SANDPAPER

3

–≤

2 4 Œ

PAPER 2 O 4 pppppp

≈ ‰

7 4

≤ –. ≈ ‰ ppppp

74

ppppp

( –)

≈ ‰

7 4

≤ –. ≈ ‰ ppppp

74

–≤.

≈ ‰

7 4

Œ 42 ˙ æ

–. ≈ ‰

42

74

42

74

74

3

102

Keyb.

44

& 44

102

Vl.1

Vl.2

& 44

3

&

42 œ

42 42

Vla.

B 44

42

Vlc.

?4 4

42

Db.

?4 4

102

Trb.(o-s)

42

(Ï)

rK

18

24

81

42 Œ

(F)

42 Œ

42 Œ

æ 81 œJ (f)

42 Œ

O 18 (∏)

81

rK B œ nœ

mœ mœ µœ. µ œ 5

25

r –

+o 81 œJ (ƒ)

B œ. k œ µ œ n œ. B œ 5

3

81 j mœ

pz

rK œœ

œ

œ

81 j mœ (p)

42

w

?

24

t4 4

81 b œ

œ (F)

–≤.

≈ ‰ ppppp

74

≈ ‰ ppppp

74

≈ ‰ ppppp

74

–≤. –≤.

≈ ‰

–. ppppp

42 ˙ pppppp 42

74

74 74

74


Fl.

7 &4 Œ

Œ

Œ

Œ

Œ

Œ

cl.(Bb)

7 &4 Œ

Œ

Œ

Œ

Œ

Œ

106

Cor.

7 w. &4

Perc. 2

Œ

Œ

Œ

≤ –. ≈ ‰

Œ

Œ

Œ

Œ

Œ

Œ

≈‰

Make same pressure as before but without a tone

Œ

Œ

Œ

Œ

Œ

Œ

–≤.

≈ ‰ 48 Œ

Œ

Œ

Œ

Œ

Œ

Œ

≤ 8 –. ≈ ‰ 4 Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

( –)

Sim. ≈ ‰ 48 Œ

Œ

Œ

Œ

≤ –. ≈ ‰

Œ

Œ

Œ

Œ

Œ

Œ

≤ –. ≈ ‰ 48 Œ

7 O &4

O

O

O

O

O

–≤.

O

O

O

O

O

O

–≤.

≈ ‰ 48 Œ

Œ

Œ

Œ

Œ

Œ

Œ

7 Œ & 4 w. æ

Œ

Œ

Œ

Œ

Œ

–. ≈ ‰ Œ œ w. æ æ

Œ

Œ

Œ

Œ

Œ

–. ≈ ‰ 8 4 Œ œ æ

Œ

Œ

Œ

Œ

Œ

Œ

≈‰

–≤.

≈‰

3 8

≤ –. ≈ ‰

38

( –)

≈‰

3 8

≤ –. ≈ ‰

38

–≤. –.

≈‰

3 8

≈‰

38

7 &4

48

38

? 74

48

38

& 74 Œ

106

Œ

Œ

Œ

Œ

Œ

Vl.2

& 74 Œ

Vla.

B 74 Œ

Œ

Œ

Œ

Œ

Œ

Vlc.

?7 Π4

Œ

Œ

Œ

Œ

Œ

Db.

t7 4 .. w ?7 4

106

Trb.(o-s)

Œ

Œ

74

Vl.1

Œ

Œ

106

Keyb.

Œ

? 74 Œ

106

Perc.1

≈‰

( –)

106

P.trp.(Bb)

–≤.

Œ

Œ

Œ

Œ

Œ

–≤. –≤. –≤.

–.

≈‰

≈‰

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

≈‰

Œ

Œ

Œ

Œ

Œ

Œ

≈‰

Œ

Œ

Œ

Œ

Œ

Œ

w .. ∑

Œ

∑ 26

–≤. –≤. –≤.

–.

84 ≈ ‰ 48 Œ ≈ ‰ 48 Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

Œ

≈ ‰ 48 Œ

Œ

Œ

Œ

Œ

Œ

Œ

≈ ‰ 48 Œ

Œ

Œ

Œ

Œ

Œ

Œ

–≤. –≤. –≤.

–.

38

≈‰

38

≈‰

38

≈‰

38

≈‰

38

48

38

48

38


Fl.

3 &8 ‰

cl.(Bb)

3 &8 ‰

109

– J π j — π

(blow INTO the key holes)

rK‰ –

6 4

1 4

3 4 Œ

Œ

46

41

43 Œ

Œ

Kr —

P.trp.(Bb)

3 &8

6 4

1 4

3 4 Œ

Œ

Cor.

? 38

46

41

43 Œ

Œ

109

–≤.

3 &8 ‰

Perc.1

Perc. 2

3 &8 ‰

3 &8 ‰

109

Keyb.

? 38

38

& 38 ‰

109

Vl.1

Vl.2

Vla.

& 38 ‰ B 38 ‰

Vlc.

?3 ‰ 8

Db.

t3 ‰ 8 ?3 8

109

Trb.(o-s)

8 4

42

48

≈‰

4 2

8 4

≤ –. ≈ ‰

42

48

≈‰ ppppp

4 2

8 4

≈‰ ppppp

42

48

≤ –. ≈ ‰ ppppp ( –)

œ J π

rK œ‰

6 4

1 4

3 4 Œ

Œ

– J π

46

41

43 Œ

Œ

46

‰ m œœ n œ ≈ œ œ ≈ 43 41

42

48

46

41 œ

43

42

48

41

43 Œ

≈‰ ppppp

42

48

≈‰ ppppp

42

48

≈‰ ppppp

42

48

42

48

VIBRAPHONE gliss. with straw 109

4 2

≈‰ ppppp

PAPER large movement from right to left

b¿ J π

π – π –

‰ ∑

64

Oœ mOœ ‰ mOœ bOœ –

14

34 ∑

Oœ m Oœ ‰ m Oœ b Oœ –

46

41

Oœ mOœ

46

‰ Oœ bOœ –

6

Œ

–≤.

84

43 Œ

41

43 Œ

Œ

46

41

43 Œ

Œ

46

41

43

42

48

41

43

42

48

Œ

–≤.

6

O mOœ œ m O œ Oœ

42

–≤.

6

O– mœO œ ‰ O bO œ –œ π

π

46

&

6

π

–.

3

GUIRO

–≤.

≈‰

–. ppppp

6

46

rK œœ

(Ï)

rK

B œ. k œ µ œ n œ. 5

27


–≤. 8 ≈ ‰ Œ &4

114

Fl.

cl.(Bb)

≤ 84 ≈ ‰ Œ & –.

Œ

Œ

Œ

Œ

Œ

Œ

7 ‰ 4

Œ

Œ

Œ

Œ

Œ

Œ

74 Œ

–≤.

≈Œ Œ

Œ

Œ

Œ

˙.

( –) 8 & 4 ≈‰ Œ

114

Œ

Œ

Œ

Œ

Œ

Œ

( –) 7 ≈‰ Œ 4

Œ

Œ

Œ

Œ

–≤. 3 ‰ ≈ ‰ 8

Œ

˙ ppppp

n

P.trp.(Bb)

Œ

n

Œ

3 4

3 8

43

38

œ 3 J 4 ppppp

3 8

≤ 38 ‰ ≈ ‰ –. ppppp 3 8

( –)

≈‰

possibile

Cor.

? 48 ≈ –≤. ‰ Œ

Œ

Œ

Œ

Œ

Œ

Œ

74 ‰ –≤. ≈ Œ

Œ

Œ

Œ

Œ

Œ

38 ‰ ≈ –≤. ‰

43

38

≤. 8 – &4 ≈ ‰ Œ

Œ

Œ

Œ

Œ

Œ

Œ

≤. 7 ‰ – ≈Œ 4

Œ

Œ

Œ

Œ

Œ

≤. 3 ‰ ≈–‰ 8

3 4

3 8

. 8 – &4 ≈ ‰ Œ

Œ

Œ

Œ

Œ

Œ

Œ

. 74 ‰ – ≈ Œ

Œ

Œ

Œ

Œ

Œ

. 38 ‰ ≈ – ‰

43

38

‰ œ ≈ 3 œ mœ nœ ≈œ m œ œ ≈ ‰

114

Perc.1

Perc. 2

3

8 &4

74

38

4

8 &4

74

38

43 œ

Œ

74 ‰

114

Keyb.

84

–≤. 8 &4 ≈ ‰ Œ

114

Vl.1

Vl.2

Vla.

–≤.

& 48 ≈ ‰ Œ –≤. 8 B4 ≈ ‰ Œ

Vlc.

≤ ?8 ≈ ‰ Œ 4 –.

Db.

t8 4 ?8 4

114

Trb.(o-s)

Œ

Œ

Œ

Œ

Œ

74

Œ

Œ

Œ

Œ

Œ

Œ

74 ‰

Œ

Œ

Œ

Œ

Œ

Œ

74 ‰

Œ

Œ

Œ

Œ

Œ

Œ

74 ‰

74 74

–≤. –≤. –≤.

–.

≈Œ

≈Œ

Œ

Œ

Œ

38

Œ

Œ

Œ

Œ

Œ

Œ

38

34

38

43

38

43

38

–≤. 38 ‰ ≈ ‰

43

38

≤ 38 ‰ ≈ ‰ –.

43

38

38

43

38

Œ

Œ

Œ

Œ

≈Œ

Œ

Œ

Œ

Œ

Œ

28

8

3

38 ‰ ≈ ‰

Œ

–≤.

œ mœ œ m œ 3

Œ

≈Œ

–≤. 38 ‰ ≈ ‰

®

38

43

rK œœ

(Ï)

rK

B œ. k œ µ œ n œ. B œ 5

rK rK rK . . B œ nœ m œ µ œ. m œµ œ mœ Bœm œ µ œ

5

5

B œ. nœµœ ®

38


3 &8 ‰

118

Fl.

cl.(Bb)

3 &8 ‰

– J π

rK‰ –

(blow INTO the key holes)

j — π

Kr —

3 4 43 Œ

∑ USE AS MUCH AIR AS POSSIBLE (too make the need for "real") gradually let out more and more air

j œ ppppp

œ.

n

P.trp.(Bb)

3 &8

3 ˙. 4

Cor.

? 38

43

118

3 8

38 j

(gradually bend tone with leg)

3 œ. 8

38 j bœ

n

3 &8 ‰

118

Perc.1

Perc. 2

3 &8 ‰

3 &8 ‰

118

Keyb.

3 &8

38

& 38 ‰

118

Vl.1

Vl.2

Vla.

Vlc.

Db.

& 38 ‰ B 38 ‰ ?3 ‰ 8 t3 ‰ 8 ?3 8

118

Trb.(o-s)

œ J π

VIBRAPHONE gliss. with straw

rK œ‰

PAPER large movement from right to left

3 4

gradually less and less air

j –

breath in (quasi) naturally

≤j –

j œ (Ï)

–≤.

ppppp

( –)

2 4

≤ –. ‰ ppppp

42

n

–≤.

O J pppppp

PAPER

∑ RATTLE A4 PAPER

2 4

ppppp DRUM –. BASS j ≈ 42 æœ pppppp

– J π

43

– 38 æJ

b¿ J π

43

38

42

43

38

42

Oœ mOœ mOœ

43

38

GUIRO

– π – π –

34

bOœ

n

6

Oœ m Oœ m Oœ b Oœ

43

‰ Oœ bOœ –

Oœ mOœ

6

O– mœO œ ‰ O bO œ –œ π

π

38

PAPER

38

43

38

43

38 m j œ

6

π

n

– æJ (Ï)

2 4 42

r œ

Âœ (Ï)

3 8

6

O mOœ œ m O œ Oœ

n

43

43

m 38 j œ n

6

38 29

œ (Ï)

n

œ (Ï)

–≤.

42

42

42

42

j œ pppppp

42

ppppp –≤.

ppppp –≤.

ppppp ≤

–. ppppp

n

24

42


2 &4

122

Fl.

cl.(Bb)

2 &4 Œ 2 ˙ &4

3 8

∑ sim.

œ ppppp

122

P.trp.(Bb)

Cor.

? 42 Œ

bœ. n

2 &4

122

Perc.1

Perc. 2

2 &4 Œ

æ

n

3 œ. 8

38 œ. (Ï)

–.

38 æ (Ï)

2 4 ≈‰

( –)

42 ‰

n

3 8

38

≈‰

Œ

≤ ≈ –. Œ ppppp –≤. O

3œ 8J

2 4 ‰

≈‰

ppppp . 24 ‰ ≈ – œæ pppppp

38

≈ pppppp PAPER

n

3 8

≤j –

r œ

2 ˙ 4 42

bœ (Ï)

2 4

– 42 æ (Ï)

RATTLE A4 PAPER

BASS DRUM

3 4 ‰

–. 42 Âœ. (Ï) œ J

38

2 4

n

∑ Œ

n

≈Œ

43 3 4

Œ

–≤.

Œ ∑

( –)

43 ‰ 3 4 ‰

3 8

3 4

38

43

Œ

Œ

3 8

3 4

≤ –. ≈ Œ ppppp

Œ

38

43

≈‰

¿

drop needle on hard surface

–≤.

O ≈ pppppp

PAPER ppppp –. ≈ œæ 43 ‰ pppppp

Œ

3 OJ 8

3 4

38 j ‰ œæ

43

BASS DRUM

42

38

42

43

38

43

2 &4

38

42

38

42

43

38

43

42 ‰

42

& 42

Vl.2

& 42

38 38

38

Vla.

B 42

Vlc.

?2 Π4

m

œ.

n

t2 Π4

m

œ. n

?2 4

122

Trb.(o-s)

42

Œ

38

122

Db.

–≤.

24

Vl.1

–.

r œ

2 &4

122

Keyb.

RATTLE A4 PAPER

≤j –

38 – Âœ (Ï)

3 8

2 4 ‰

24 ≈

42 ‰

38

42 ‰

38

≈‰

42 ‰

œ. (Ï)

38 œ. (Ï) 38

n

≈‰

42 Œ

n

42

–≤. –≤. –≤.

Œ

38 38

Œ

38

24

42

Œ

38

42

Œ

38

–. ppppp œ pppppp ∑

( œ≤ ) 38 ‰ J ‰ & ppppp

m 42 œ (Ï)

suono reale

38

t

m 42 œ (Ï) 42

∑ 30

34 43 ‰

43 ‰

43 ‰

Œ

43 ‰

n

Πn

43 Π43

–≤. –≤. –≤.

38

34

≈Œ

Œ

38

43

≈Œ

Œ

38

43

≈Œ

Œ

38

43

≈Œ

Œ

38

43

–. ppppp

œ pppppp ∑

Œ

ppppp ≥j ( œ≤ ) 38 j –– J 43 –& œ ∏ bow on bridge "flautando"

38

43


3 &4

3 &4

P.trp.(Bb)

3 &4

Cor.

? 43

129

Fl.

cl.(Bb)

129

3 &4

Perc. 2

42

2 4

3 œ. 8

42

38 bœ. (Ï)

2 4

129

Perc.1

2 4

3 &4

42

‰ œ ≈ 3 œ m œ n œ ≈œ m œ œ ≈ ‰ &4 3

129

®

œ mœ œ m œ

3

Keyb.

3 &4 œ

& 43

129

Vl.1

Vl.2

Vla.

Vlc.

Db.

& 43

?3 4 & 43

Trb.(o-s)

?3 4

(Ï)

5

œ mœ œ

rK B œnœ

rK

rK

. . mœ mœ µœ. µ œ mœ Bœm œ µœ B œ. nœ µœ ® ≈ 5

5

42

5

t

J œ µœ n œ. ® ® ≈ ≈ ≈ 5

n

∑ ≈ ‰ n

38

Œ

Ó

3 8

Œ

Ó

38

44 4 4

≈ ‰

3

( –)

≈ ‰

44 ‰ –≤. ‰ 3 ppppp 4 ‰ 4

–≤.

3 pppppp

PAPER ppppp . 44 ‰ – ‰ 3

O

BASS DRUM

Ͼ pppppp

drop needle on hard surface

‰ Œ

¿

O

Ͼ

3 8 38

38

38

44

38

44 ‰

m 38 œ. (Ï)

3 8

44

38

r œ

Ó

Œ

38

bœ. œ B œ. œ Aœ.

≤j –

38

38

42

∑ rK

42

42

B œ. k œ µ œ n œ. B œ

–. 38 æ (Ï)

RATTLE A4 PAPER

38

42

rK œœ

‰œ

3 8

24

42

B 43

129

3

–≤.

4 ‰ 4

38 – Âœ (Ï)

42 ˙

34

‰m œ œ 42 ® ‰

3 8

m 38 œ. (Ï) 38 31

≈ ‰

44

44 ‰ 44 ‰ 44 ‰

n

≈ ‰ n

44 Π44

–≤.

38

Œ

Ó

38

Œ

Ó

38

Œ

Ó

38

Œ

Ó

38

3

–≤. 3

–≤. 3

3

–. ppppp

œ pppppp

Œ

œ

38 38


3 &8 ‰

133

Fl.

cl.(Bb)

3 &8 ‰

– J π

rK‰ –

j — π

(blow INTO the key holes)

Kr —

2 4

42 Œ

P.trp.(Bb)

3 &8

2 4 Œ

Cor.

? 38

42 Œ

133

3 &8 ‰

133

Perc.1

Perc. 2

3 &8 ‰

3 &8 ‰

133

Keyb.

3 &8

38

& 38 ‰

133

Vl.1

Vl.2

Vla.

Vlc.

Db.

& 38 ‰ B 38 ‰ ?3 ‰ 8 t3 ‰ 8 ?3 8

133

Trb.(o-s)

œ J π

VIBRAPHONE gliss. with straw

rK œ‰

PAPER large movement from right to left

– J π

b¿ J π

GUIRO

– π – π –

Oœ mOœ mOœ

bœ (Ï)

bOœ

‰ n

– æ (Ï)

RATTLE A4 PAPER

42 Œ

Oœ mOœ

6

sim. breath in quasi naturally

≤j – ∏

–≤.

3 4

≈ ‰

Œ

3 8

œ J

≤ ≈ –. ‰ ppppp

Œ

38

≤ ≈ –. 43 ppppp

( –)

≈ pppppp

3‰ 8

38 ‰

PAPER ppppp –.

Ͼ. pppppp

n

43

‰ ( –)

3 4

¿ J

O J

j Ͼ

–. 3 ≈ 4 ppppp

drop needle on hard surface

BASS DRUM

–≤.

3 4

38

43

42

38

43

‰ ≈ ppppp

Œ

38

Œ

38

Œ

38

Œ

38

∏ œ≤. ≥– –– & ‰

42

–≤.

m

42 Œ ∏ 24 ≥–– .. –.

œ (Ï)

sim.

6

42

&

ϲ. (m ) t

œ ( Ï ppppp )

–≤.

ppppp –≤.

‰ ≈ ppppp

6

‰ Oœ bOœ –

(empty loungs silently)

42

42

42

O mOœ œ m O œ Oœ

∑ ∑

–≤. O .

3 8 38

r œ

Œ

PAPER

2 4

ppppp

6

Oœ m Oœ m Oœ b Oœ

–≤.

œ

24

O– mœO œ ‰ O bO œ –œ π

π

Âœ (Ï)

6

π

n

‰ n

–. ppppp

38 ‰

œ. pppppp

∑ 32

38

38

j œ ∑

ppppp

–≤. –≤. –≤.

–.

34

43 43 43 43 43

3

43


–≤.

Fl.

3 &4

3 ‰ 8

cl.(Bb)

3 &4

38 ‰

≤j – ∏

P.trp.(Bb)

3 &4

3 ‰ 8

( –) ≈ ≈ œ

Cor.

? 43

38 ‰

138

138

Perc.1

3 &4

Perc. 2

3 &4

138

‰ œ ≈ 3 œ mœ nœ ≈œ m œ œ ≈ ‰ &4

sim.

O

®

œ mœ œ m œ

3

Keyb.

3 &4 œ

34

& 43

138

Vl.1

Vl.2

& 43

Vla.

B 43

Vlc.

?3 4

Db.

?3 4

138

Trb.(o-s)

(Ï)

rK

B œ. k œ µ œ n œ. B œ 5

rK B œ nœ

Œ

3 8

43

38

3 4

3 8

≤ ≈ –. 43 ppppp

38

3 ‰ 8

38 ‰

–. 3 ≈ 4 ˙æ. ppppp pppppp

38

38

38

43

38

38 ‰

43

38

43

38

43

38

43

38

38 ‰

38 ‰

ppppp œ≤ ≥ 3 – ‰ & 8 –– ∏

Œ

t

˙ pppppp

5

3 8

5

O

43

rK

O

rK

3 O 4

38

38 ‰

. . mœ mœ µœ. µ œ mœBœmœµœ B œ. nœ µœ ® ≈

–≤.

38 ‰

∑ rK œœ

¿

& 43

O

˙æ pppppp

3

138

drop needle on hard surface

3 4

38

∑ 33

34

–≤. –≤. –≤.

–. t

43 . ˙ pppppp 43

38

38

38


3 &8

cl.(Bb)

3 &8 ‰

1 4

142

Fl.

≤ ≈ –

3≈ 8

41

38 ‰ ( –)

–≤.

‰ ≤j –

P.trp.(Bb)

3 &8

1 4

3 8

Cor.

? 38

41

38 ≈ –≤. ‰

142

3 &8 ‰

142

Perc.1

Perc. 2

drop needle on hard surface

¿ J

3 &8

1 4

3≈ 8

3 4

‰ ( –)

≈ ‰

–≤.

. 38 ≈ – ‰ ppppp

3 ‰ 8

43

38 ‰

≈ 43

3 8

4 8

43

38

48

3 O 4

O

Œ

41

3 &8

‰ mœ œ nœ ≈ œ œ ≈ 41

38

43

38 ‰

3 &8

41 œ

38

43

38

38 ‰

43 ˙æ pppppp

3 ‰ 8

Œ

38 ‰

3

142

Keyb.

38

& 38

142

Vl.1

Vl.2

Vla.

& 38

Vlc.

?3 8

Db.

t3 ‰ 8 ?3 8

142

Trb.(o-s)

∑ ≥ ––– ≈ ∏ ∑

41

38 ≈

38 ≈

41

38

41

B 38

14

38 ≈

41

38 ≈

41

38

41

rK œœ

(Ï)

B œ. 5

rK

µ œ n œ.

38

–≤. –≤. –≤.

–.

34 ‰

43 43

38

38 ‰

43

38 ‰

43

38 ‰

43 ˙ pppppp 43

Œ

∑ 34

38 ‰ 38

– J π j — π

(blow INTO the key holes)

rK‰ –

4 8

48

Kr —

œ J π

rK œ‰

4 8

– J π

48

b¿ J π

48

VIBRAPHONE gliss. with straw

PAPER large movement from right to left

GUIRO

Oœ mOœ mOœ

π –

48

48 ‰

48

48

‰ Oœ bOœ –

48

bOœ

6

π –

Oœ m Oœ m Oœ b Oœ

6

π

Oœ mOœ

6

O– mœO œ ‰ O bO œ –œ π –

π

6

O mOœ œ m O œ Oœ

48 48

6

48


–≤. 4 ≈ ‰ &8 ppppp

147

Fl.

cl.(Bb)

4 &8 Œ ( –)

4 &8 ‰

147

P.trp.(Bb)

Cor.

Perc. 2

3 8

≤j – ‰ ∏

43

38 ≤j –

≈ 43

3 8

5 8‰

≤. 85 ≈ – ‰

≤. 5 – 8≈ ‰ ppppp . 58 ≈ – ‰

( –)

? 48 ≈ –≤. ‰

Œ

43

38

≤. 4 – &8 ≈ ‰ pppppp

Œ

3 4

3 ‰ 8

Œ

43

38 ‰

147

Perc.1

3 4

≈ ‰

. 4 – &8 ≈ ‰ ppppp 4 &8

‰ m œœ nœ ≈ œ mœ œ œ ≈ ≈‰ 43

4 &8

43 œ

Œ

43

3

147

Keyb.

48

–≤. 4 &8 ≈ ‰ ppppp

147

Vl.1

–≤.

34

38

Vlc.

Œ

Db.

≥ t 4 –– ≈ ‰ 8 – ∏

Œ

Trb.(o-s)

?4 8

58 85 ≈

2 4

Œ

43

42

38

∑ 35

œ mœ œ m œ 2

4

3

42

34

24

42

Œ

43

42

Œ

43

42

≥ 58 –– ≈ ‰ – ∏

Œ

43

42

38 ‰

œ pppppp

–≤.

®

43

5

3 4

Œ

43

5

Œ

85 ≈

5

(Ï)

42

42

38

43

43

43

Œ

Œ

43

2 4

B œ. nœµœ ®

85 ≈

rK rK rK . . B œ nœ m œ µ œ. m œµ œ mœ B œm œ µ œ

3 4

43 œ

38

rK

≈ ‰

( –)

≈ ‰

85 ≈

B œ. k œ µ œ n œ. B œ

42

3

rK œœ

85

147

43

?4 ≈ 8

–. ppppp

≤j –

≤j –

38

Œ

Ͼ pppppp

( –)

2 4

43

Vla.

43

O

85 Œ

Œ

85

38

–≤. 4 B8 ≈ ‰ ppppp

Œ

3 4

38

8

Vl.2

& 48 ≈ ‰ ppppp

‰ m œœ nœ ≈ œ mœ œ œ ≈ ≈‰ 43

œ mœ œ m œ 3 ®

3

5 8≈

–≤.

Œ

85

–≤. –≤.

–.

43

rK œœ

(Ï)

rK

B œ. k œ µ œ n œ. B œ 5

Kr Kr rK . . B œ nœ m œ µ œ. m œµ œ mœ Bœm œµ œ

5

5

B œ. nœµœ ® 42


Fl.

2 &4

cl.(Bb)

5 8

2 &4

85 ‰

P.trp.(Bb)

2 &4

5 8

Cor.

? 42

85

152

152

2 &4

Perc.1

Perc. 2

2 &4 ‰œ

œ mœ œ

Vla.

( –)

∑ O J

Œ

j Ͼ

Œ

≈ ‰

3 4

3 8

2 4

43

38

42

3 4 43

43 œ

& 42

85

43

85

B 42

85

Vlc.

85

Db.

t2 4

85 Œ

bœ. œ B œ. œ Aœ.

?2 4 (Ï)

152

5

Jœ µ œ

® ® ≈

n œ. 5

38 ‰

& 42

3‰ 8

85

≈ ≈

85

38 38 ‰

43

Œ

38 ‰

43

38 ‰ 38

34

j œ pppppp

®

œ mœ œ m œ

3

2 4

38 ‰

2 &4 ˙

58

rK‰ –

43

?2 4

Trb.(o-s)

≈ ‰

– J π

≤j –

85

152

Vl.2

Œ

3‰ 8

3

24

Vl.1

≤j –

‰ mœ œ nœ ≈ œ mœ œ œ ≈ ≈ ‰ 43

3

152

Keyb.

85 Œ

‰ œ 2 mœ &4 ® ‰

( –)

5 8Œ

152

3 4

38 ‰

43

38 ‰

43

38 ‰

43

36

rK œœ

(Ï)

rK

B œ. k œ µ œ n œ. B œ 5

rK B œ nœ

mœ mœ µœ. µ œ 5

Kr Kr . . mœ Bœm œ µ œ

5

B œ. nœ µœ ®

38

j — π

(blow INTO the key holes)

Kr —

42

œ J π

rK œ‰

2 4

– J π

42

42

VIBRAPHONE gliss. with straw

PAPER large movement from right to left

bGUIRO ¿ J π

– π – π –

42

24

Oœ mOœ ‰ mOœ bOœ – 6

Oœ m Oœ ‰ m Oœ b Oœ – Oœ mOœ

‰ Oœ bOœ –

6

O– mœO œ ‰ O bO œ –œ π

π

42

6

π

42

42

6

O mOœ œ m O œ Oœ

42 42

6

42


Fl.

2 &4

3 8

cl.(Bb)

2 &4

38 ‰

P.trp.(Bb)

2 &4

3 8

Cor.

? 42

38

43

Perc.1

2 &4

3 8

Perc. 2

2 &4

38

156

156

156

‰ œ 2 mœ &4 ® ‰

3

156

Keyb.

‰œ

œ mœ œ

2 &4 ˙

‰ œ œ bœ 3

® ≈

‰ œ ‰ œmœ ≈ ‰

2 4

43

42

3 4

2 4

42

3 4

2 4

43

42

38

‰ mœ œ nœ ≈ œ mœ œ œ ≈ ≈‰ 43

38

43 œ

( –)

≤j – ∏

‰ ( –)

≈ ‰

discretely remove mouthpiece and put aside the instrument.

3

˙

24

3 4

3

38

®

œ mœ œ m œ

3

3

‰œ

24

Vl.1

& 42

38

43

42

Vl.2

& 42

38

43

42

Vla.

B 42

38

43

42

Vlc.

?2 4

38

43

42

Db.

t2 4

38

43

42

156

Trb.(o-s)

bœ. œ B œ. œ Aœ.

?2 4 (Ï)

156

5

Jœ µœ

® ® ≈

nœ. 5

rK

µ œ. m œ. µ œ m œ. B œ œBœ n œ. µœ. nœ B œ. ≈ ≈ ≈ 3

3

3

38

43

∑ 37

rK œœ

rK

B œ. k œ µ œ n œ. B œ 5

œ mœ œ

42 ˙

34

‰m œ œ 42 ® ‰

rK B œnœ

rK

rK

. . mœ mœ µœ. µ œ mœ Bœmœµœ B œ. nœ µœ ® ≈ 5

5

42

bœ. œ B œ. œ Aœ. 5

J œ µœ n œ. ® ® ≈ ≈ ≈ 5


2 8

28 ≤j –

&

2 ‰ 8

?

28

161

Fl.

cl.(Bb)

& &

161

P.trp.(Bb)

Cor.

161

Perc.1

Perc. 2

&

3

Vl.2

Vla.

Vlc.

Db.

m œ œ n œ m œ œ mœ

B

41

38 ‰

1 4

3 8

2 4

41

38

42

1 4

3 ‰ 8

28

‰ mœ œ nœ ≈ œ œ ≈ 38 ‰ 41

28

41 œ

38

41

38 ‰

28

3 ‰ 8

41

28

&

‰ ( –)

28

&

1 4

38 ‰

3

5

28

14

38

41

38 ‰

41

38 ‰

?

28

41

38 ‰

t

28

41

38 ‰

µ œ. m œ. µ œ m œ. B œ œ Bœ

?

161

Trb.(o-s)

3

161

Vl.1

28

‰ œ mœ œ

‰ œ œ bœ

&® ≈

161

Keyb.

&

2 8

(Ï)

3

3

rK n œµ œ. .

nœ B œ. 3

µ œ µ œ œ bœ. µœ µ œ µœ. B œ. m œ. 5

≈ 5

28 38

41

rK œœ

B œ. 5

rK

µ œ n œ.

38

– J π

rK‰ –

2 4

42

j — π

(blow INTO the key holes)

Kr —

œ J π

rK œ‰

2 4

– J π

42

42

VIBRAPHONE gliss. with straw

PAPER large movement from right to left

bGUIRO ¿ J π

– π – π –

42

Oœ mOœ mOœ

24 ‰

42

42

‰ Oœ bOœ –

42

bOœ

6

Oœ m Oœ mOœ b Oœ

6

Oœ mOœ

π

6

O– mœO œ ‰ O bO œ –œ π –

π

6

O mOœ œ m O œ Oœ

42 42

6

42


Fl.

2 &4

1 8

cl.(Bb)

2 &4

≤j 81 – ∏

P.trp.(Bb)

2 &4

1 8

3 4

Cor.

? 42

81

43

Perc.1

2 &4

1 8

3 4

Perc. 2

2 &4

81

43

81

43

81

43

166

166

166

‰ œ bœ ‰ ‰œ œ œ mœ

3

3

2 mœ œ ≈ ‰ &4

166

®

œ mœ œ m œ

3

Keyb.

2 & 4m˙

‰m œ œ ® ‰

3

‰œ

œ mœ œ

≈ ‰

m œ œ n œ m œ œ mœ

≈ ‰

œ mœ

‰.

≈ ® ≈ ‰

˙

r

œ œm œ 4

5

5

˙

24

® ≈

œ

18

3 4 43

34

Vl.1

& 42

81

43

Vl.2

& 42

81

43

Vla.

B 42

81

43

Vlc.

?2 4

81

43

Db.

t2 4

81

43

81

43

166

Trb.(o-s)

?2 ≈ 4 (Ï)

166

rK B œ nœ

rK

rK

rK

. . . . mœ µ œ. m œ. µ œ m œ. B œ œBœ n œ. µœ. n œ B œ. mœ µœ. µ œ mœ Bœm œµœ B œ. nœ µœbœ œ B œ. œ Aœ J œ µœ nœ. ® ® ® ≈ ≈ ≈ ≈ ≈ 5

5

5

5

3

3

3

µ œ µ œ œbœ.µœµ œµœ. B œ. m œ. 5

39

≈ ≈ ≈ 5

. µ œ. œ m œ µœ n œ. µœ B œ œ µ œ µ œ. œ nœ. 3

5


Fl.

3 &4

cl.(Bb)

3 ‰ 8

3 &4

38 ‰

P.trp.(Bb)

3 &4

3 8

Cor.

? 43

38

172

172

3 &4

Perc.1

Perc. 2

3 &4

‰ œ ≈ 3 œ mœ nœ ≈ œ m œ œ ≈ ‰ &4 3

3

3 &4 œ

Vla.

38 ‰ 38

38

& 43

38 ‰

172

Vl.2

Œ Œ

34

Vl.1

38 ‰

172

Keyb.

3 ‰ 8

172

& 43

38 ‰

B 43

38 ‰

Vlc.

?3 4

38 ‰

Db.

t3 4

38 ‰

?3 4

172

Trb.(o-s)

rK œœ

(Ï)

rK

B œ. k œ µ œ n œ. B œ 5

Œ

38

rK‰ –

2 4

42

2 4

42

– J π j — π

(blow INTO the key holes)

Kr —

œ J π

rK œ‰

2 4

– J π

42

42

VIBRAPHONE gliss. with straw

PAPER large movement from right to left

bGUIRO ¿ J π

– π – π –

42

Oœ mOœ mOœ bOœ

24

42

42

42

42

42

6

Oœ m Oœ m Oœ b Oœ

6

Oœ mOœ

π

Oœ bOœ

6

O– mœO œ ‰ O bO œ –œ π –

π

6

O mOœ œ m O œ Oœ

6

42

∑ 40

µ œ. m œ. µ œ m œ. B œ œ Bœ

(Ï)

3

3

rK n œµ œ. .

n œ B œ. 3


1 4

41

&

?

176

Fl.

cl.(Bb)

& &

176

P.trp.(Bb)

Cor.

3 ‰ 8

38 ‰

1 4

3 8

2 4

41

38

42

GLASS 1 (right hand): suddenly lift hand (well in advance silently pressed hard to cover opening)

176

Perc.1

Perc. 2

&

&≈

Keyb.

&

176

Vl.1

Vl.2

Vla.

Vlc.

Db.

&

& B

m œ œ n œ m œ œ mœ

œ

41

41

5

41

˘‚ J (f)

14 41 41 41

mœ œ

3 ‰ 8 38 ‰

≈ ‰

3

38 ‰ 38

38

38 ‰

38 ‰

38 ‰

?

41

38 ‰

t

41

38 ‰

?

176

Trb.(o-s)

&

176

1 4 ‰

41 41

(Ï)

rK B œ nœ

mœ mœ µœ. µ œ 5

38

– J π

rK‰ –

j — π

(blow INTO the key holes)

Kr —

2 4 42

œ J π

rK œ‰

2 4

– J π

42

42

VIBRAPHONE gliss. with straw

PAPER large movement from right to left

b¿ J

GUIRO

π

– π – π –

42

Oœ mOœ mOœ

24

42

Oœ m Oœ ‰ m Oœ b Oœ –

42

bOœ

6

6

Oœ mOœ

π

‰ Oœ bOœ –

6

O– mœO œ ‰ O bO œ –œ π –

π

42

6

O mOœ œ m O œ Oœ

42 42

6

42


Fl.

2 &4

3 8

cl.(Bb)

2 &4

38

P.trp.(Bb)

2 &4

3 8

Cor.

? 42

38

Perc.1

2 &4

3 8

Perc. 2

2 &4

38

181

181

181

‰ œ 2 mœ &4 ® ‰

‰œ

3

181

Keyb.

œ mœ œ

®

‰ œ mœ œ

‰ œ œ bœ 3

3

m œ œ n œ m œ œ mœ

œ mœ

®

‰. ‰

˙

24

4

r œ

5

5

2 &4 ˙

œ

œ

38 38

38

Vl.1

& 42

38

Vl.2

& 42

38

Vla.

B 42

38

Vlc.

?2 4

38

Db.

t2 4

38

181

Trb.(o-s)

bœ.

?2 4 (Ï)

181

œ B œ. œ Aœ. 5

®

®

µœ

nœ. 5

µ œ. m œ. µ œ m œ. B œ œ Bœ 3

3

rK n œ µ œ. .

nœ B œ.

µœ µœ

3

œ bœ. µ œ µœ. B œ. m œ. µœ 5

42

≈ 5

µ œ. œ mœ µœ n œ. µœ B œ œ µ œ µ œ. 3

5

œ. nœ.

38


Fl.

3 &8 ‰

cl.(Bb)

3 &8 ‰

185

rK‰ –

2 4

3 4

3 8

42

43

38

– J π j — π

(blow INTO the key holes)

Kr —

P.trp.(Bb)

3 &8

2 4

3 4

3 8

Cor.

? 38

42

43

38

3 4

3 8

43

38

185

3 &8 ‰

185

Perc.1

Perc. 2

3 &8 ‰

3 &8 ‰

185

Keyb.

3 &8

38

& 38 ‰

185

Vl.1

Vl.2

Vla.

& 38 ‰ B 38 ‰

Vlc.

?3 ‰ 8

Db.

t3 ‰ 8 ?3 8

185

Trb.(o-s)

sim. GLASS 1 and 2

œ J π

rK œ‰

– J π

VIBRAPHONE gliss. with straw

PAPER large movement from right to left

bGUIRO ¿ J π

– π – π –

(f)

˘ ‚

∑ ‰

‰ œ mœ œ

‰ œ œ bœ

3

3

m œ œ n œ m œ œ mœ

≈ ‰

œ mœ

42

42

43

38

42

43

38

‰ Oœ bOœ –

42

43

38

42

43

38

42

43

38

Oœ mOœ mOœ

24

bOœ

® ≈

43

42

5

œ

43 m˙

˙

≈ ® ≈

34

38 38

38

6

Oœ m Oœ m Oœ b Oœ

Oœ mOœ

6

O– mœO œ ‰ O bO œ –œ π

π

42

˘3 ‚

6

π

2 4 Œ

6

O mOœ œ m O œ Oœ

6

42

µ œ. m œ. µ œ m œ. B œ œ Bœ

(Ï) 43

3

3

rK n œµ œ. .

nœ B œ. 3

43

µ œ µ œ œ bœ.µœµ œ µœ. B œ. m œ. 5

≈ ≈ ≈ 5

µ œ. œ mœ µœ n œ. µœ B œ 3

38


Fl.

3 &8 ‰

cl.(Bb)

3 &8 ‰

189

– J π j — π

(blow INTO the key holes)

rK‰ –

2 4

3 4

1 4

3 8

42

43

41

38

Kr —

P.trp.(Bb)

3 &8

2 4

3 4

1 4

3 8

Cor.

? 38

42

43

41

38

2 4

3 4 ‰

189

3 &8 ‰

189

Perc.1

Perc. 2

3 &8 ‰

3 &8 ‰

189

Keyb.

3 &8

38

& 38 ‰

189

Vl.1

Vl.2

Vla.

& 38 ‰ B 38 ‰

Vlc.

?3 ‰ 8

Db.

t3 ‰ 8 ?3 8

189

Trb.(o-s)

œ J π

rK œ‰

– J π

VIBRAPHONE gliss. with straw

PAPER large movement from right to left

b¿ J π

GUIRO

– π – π – π

π

42

43 Œ

∑ œ mœ

®

‰. ‰

œ

4

r œ

5

(f)

˘ ‚

GLASS 1 (rh) and 2 (lh): suddenly lift hand (well in advance silently pressed hard to cover opening)

Œ

1 4

3 8

˘‚

˘ ≈ ‚ ‰

41

38

(f)

43

41 ≈

œ nœ mœ 5

38

œ 42

43

42

43

41

38

42

43

41

38

Oœ mOœ ‰ Oœ bOœ –

42

43

41

38

42

43

41

38

42

43

41

38

43

41 (Ï)

24

Oœ mOœ ‰ mOœ bOœ –

34

41 mœ

38

14

38

6

Oœ m Oœ m Oœ

b Oœ

6

6

O– mœO œ ‰ O bO œ –œ π –

42

˘‚

6

O mOœ œ m O œ Oœ

6

µ œ. œ mœ µœ n œ. µœ B œ œ µ œ µ œ.

42 (Ï)

3

5

œ. nœ.

44

µœ

µœ

œ bœ. µ œ µœ. µœ 5

38


Fl.

3 &8 ‰

– J π

(blow INTO the key holes)

cl.(Bb)

3 &8 ‰

193

rK‰ –

j — π

Kr —

2 4

1 4

42

41

3‰ 8

38 ‰

– J π

rK‰ –

j — π

(blow INTO the key holes)

Kr —

2 4 42

P.trp.(Bb)

3 &8

2 4

1 4

3 8

2 4

Cor.

? 38

42

41

38

42

193

3 &8 ‰

193

Perc.1

Perc. 2

3 &8 ‰

3 &8 ‰

193

Keyb.

3 &8

38

& 38 ‰

193

Vl.1

Vl.2

Vla.

& 38 ‰ B 38 ‰

Vlc.

?3 ‰ 8

Db.

t3 ‰ 8 ?3 8

193

Trb.(o-s)

œ J π

rK œ‰

– J π

VIBRAPHONE gliss. with straw

PAPER large movement from right to left

b¿ J

GUIRO

π

– π – π –

42

42 ≈

m œ œ n œ m œ œ mœ

41

œ mœ

42

38 ‰

41

38

41

œ

4

r œ

5

3

41

‰.

5

24

(f)

3‰ 8 38 ‰

≈ ® ≈ ‰

œ

˘‚ ˘ ‚ ∑

42 m˙

Oœ mOœ mOœ ‰ bOœ –

14

38 38 ‰

6

Oœ mOœ mOœ ‰ bOœ – Oœ mOœ Oœ ‰ bOœ –

bO –œ π

π

1 4 ‰

42

41

38 ‰

6

π

2 4

42

41

38 ‰

6

O– mœO œ ‰ œO 6

O mOœ œ m O œ Oœ

42

41

38 ‰

42

41

38 ‰

6

µœ

µœ 42 (Ï)

œ bœ. µ œ µœ. B œ. m œ. µœ 5

≈ ≈ ≈ 5

. µ œ. œ mœ µœ n œ. µœ B œ œ µ œ µ œ. œ n œ. 5

3

45

41

38

œ J π

rK œ‰

2 4

– J π

42

42

VIBRAPHONE gliss. with straw

PAPER large movement from right to left

bGUIRO ¿ J π

– π – π –

42

Oœ mOœ mOœ bOœ

24 –

42

42

42

6

Oœ mOœ mOœ bOœ

6

Oœ mOœ

π

Oœ bOœ

6

O– mœO œ ‰ O bO œ –œ π –

π

6

O mOœ œ m O œ Oœ

42 42

6

42


Fl.

2 &4

cl.(Bb)

2 &4

P.trp.(Bb)

Cor.

3 ‰ 8

38 ‰

2 &4

3 8

? 42

38

198

198

2 &4

198

Perc.1

Perc. 2

2 ˘ &4 ‚ (f)

2 &4

& 42

198

Vl.2

Vla.

Vlc.

Db.

& 42 B 42 ?2 4 t2 4 ?2 4

198

Trb.(o-s)

24

Vl.1

¿´ π

2 &4

198

Keyb.

fingersnap (nail) glass and let the tone ring

3 ‰ 8

∑ ˘ ‚ (f)

38 ‰

?

œ.

38 ‰

Œ

38

suddenly lift bow straight up (in advance pressed hard against dampened strings)

Œ

Œ

Œ

Œ

Œ

¿¿ ≈ fl (f)

¿¿ ≈ ( ffl)

¿¿ ≈ fl (f)

suddenly lift bow straight up (in advance pressed hard against dampened strings)

suddenly lift bow straight up (in advance pressed hard against dampened strings)

suddenly lift bow straight up (in advance pressed hard against dampened strings)

¿¿ ≈ fl (f)

¿¿ ≈ fl (f)

suddenly lift bow straight up (in advance pressed hard against dampened strings)

38

38 ‰ 38 ‰ 38 ‰ 38 ‰ 38 ‰ 38

rK‰ –

3 4

3 8

43

38

3 4

3 8

43

38

– J π j — π

(blow INTO the key holes)

Kr —

œ J π

rK œ‰

3 4

3 8

– J π

43

38

VIBRAPHONE gliss. with straw

PAPER large movement from right to left

b¿ J

GUIRO

π

– π – π –

&

4

r œ

‰. ‰

œ

4

5

œ 43

34

r œ

5

38 38

38

43

38

43

38

‰ Oœ bOœ –

43

38

43

38

43

38

bOœ

6

Oœ mOœ mOœ

bOœ

Oœ mOœ

6

O– mœO œ ‰ O bO œ –œ π

π

≈ ® ≈ ‰

œ

6

π

‰.

6

O mOœ œ m O œ Oœ

6

∑ 46

Oœ mOœ mOœ

43

œ mœ

. . µ œ. œ mœ µœ n œ. µœ B œ œ µ œ µ œ. œ nœ. œ µ œ µ œ. œ nœ.

43 (Ï)

3

5

5

38


Fl.

3 &8 ‰

cl.(Bb)

3 &8 ‰

202

rK‰ –

5 8

2– 8 J

85

28 j —

– J π j — π

(blow INTO the key holes)

Kr —

rK‰ –

3 8

2 –. 8

38

28 . —

Kr —

rK ≈ –

Kr —

P.trp.(Bb)

3 &8

5 8

2 8

3 8

2 8

Cor.

? 38

85

28

38

28

5˘ ˘ 8‚ ‚ ‰ (f)

rub glasses against each other (in circles)

85 ‰

¿´ J π

85

85

Oœ mOœ mOœ

85

202

3 &8

202

Perc.1

Perc. 2

3 &8 ‰

3 &8 ‰

202

Keyb.

3 &8

38

& 38 ‰

202

Vl.1

Vl.2

Vla.

& 38 ‰ B 38 ‰

Vlc.

?3 ‰ 8

Db.

t3 ‰ 8 ?3 8

202

Trb.(o-s)

PAPER large movement from right to left

– J π

bGUIRO ¿ J π

– π – π –

58

bOœ

28 –

38 ‰

¿´ J

˘ ‚ J (f)

28 – . π

b¿ 28 J

38

28

38 ‰

π ¿¿

hit glasses against each other

28 –

O 28 œmœO ‰ mOœ bOœ –

6

Oœ m Oœ m Oœ b Oœ

Oœ mOœ

‰ Oœ bOœ –

6

O– mœO œ ‰ O bO œ –œ π

π

2 8

85

6

π

˘‚ J (f)

85

6

6

28 Oœm Oœ m Oœ b Oœ

38 38

38

O 28 œmœO O ‰ œbO œ– 6 6

6

O mOœ œ m O œ Oœ

œ.

3 –– 8J

––

2 8

VIBRAPHONE with straw

O–

85

28 mœO œ O bO œ –œ

85

28 mOmOœ Oœ Oœ –œ

6

28

∑ ‰

?

3

≈ ≈

b¿.

2 mœ 8 œ

28 28

Oœ mOœ ≈ mOœ bOœ – Oœ m Oœ ≈ m Oœ b Oœ –

28

38

28

38

O 28 mO œ O œ œ bO – œ

38

– 28 mO mOœ Oœ ≈ œO œ

38

28

Oœ mOœ ≈ Oœ bOœ –

6

85

28 47


Fl.

&

3– 8 π

rK‰ –

5 16 –

r – –

r – –

r –. – J

j –

cl.(Bb)

&

38 — π

Kr —

5 16 —

r — —

r — —

j r —. —

j —

207

&

3 8

?

38 ‰

207

P.trp.(Bb)

Cor.

MOUTHPIECE: suddenly lift hand (in advance pressed hard against one end's opening, the other end closed by fx supporting on the leg)

˘‚

(f)

Perc.1

Perc. 2

& &

207

&

Keyb.

?

3

œ œ.

&‰

207

Vl.1

Vl.2

Vla.

&‰ B‰

3 8

œ

38 – π

38

≈‰

38

¿¿ ≈ fl (f) ¿¿ ≈ fl (f) ¿¿ ≈ fl (f)

π

b¿

π

38 O 38 œm Oœ m Oœ π –

6

38 Oœm Oœ m Oœ π –

b Oœ

b Oœ

6

5 ≈ 16

5 16

œ

O– m œO œ ‰ œO

5 16 5 16 5 16

Vlc.

Db.

t‰

¿¿ ≈ 38 bO fl –œ (f) π

– O ¿¿ ≈ 38 O m Oœm Oœ œ ‰ –œ fl (f) π

?

207

Trb.(o-s)

38

Oœ m Oœ m Oœ 6

Oœ m Oœ m Oœ 6

Oœ m Oœ

– – R

– – R

– –. R J

– J

–. J

– J

– J

–. J

–. J

– J

r b¿ b¿

r b¿ b¿

r b¿. J b¿

j b¿

b¿. J

j b¿

b¿ J

j b¿ .

b¿. J

j b¿

O Oœ Oœ œ b Oœ œO – O Oœ Oœ œ b Oœ œO –

O Oœ Oœ Oœ œ b Oœ Oœ –

6

O –O m œO œ œœO œO œO

Oœ m Oœ m Oœ 6

Oœ m Oœ m Oœ 6

Oœ m Oœ 6

6

5 16 bO –œ 5 16

6

œ J

6

?‰

œ. œ J R

œ R

5 16

O m Oœ œ m O œ Oœ 6

O Oœ Oœ œ b Oœ œO – O Oœ Oœ œ b Oœ œO –

O Oœ Oœ Oœ œ b Oœ Oœ –

O –O m œO œ œœO œO œO

Oœ m Oœ m Oœ 6

Oœ m Oœ m Oœ

œOœO œOœO

6

O Oœ Oœ œ b Oœ œO –

5:4

Oœ O m Oœ Oœ œ m Oœ O b Oœ œO œ – 5:4

5:3

œ J

Oœ O O O m Oœ O œ œmœO Oœ œ œ m Oœ O m O O œbO O œ b Oœ œO œ œ– œ – 5:4

5:3

5:3

5:4

Oœ O O O m Oœ O œ œmOœmO Oœ œ œ m Oœ O O œbO O œ b Oœ œO œ œ– œ – 5:4

5:3

5:4

œO – b œO

O –O m œO œ œœO œO œO

6

∑ 48

5:3

O –O mœO œ œ Oœ Oœ œO 5:3

œO – bœO

– Oœ œO m O œ œOœO Oœ m Oœ œO

5:4

5:3

6

5:3

œ. J

œ. J

Oœ O m Oœ Oœ œ m Oœ O b Oœ œO œ

6

– Oœ œO m O œ œOœO Oœ m Oœ œO

œ J

O Oœ Oœ œ b Oœ œO –

œ J

5:3

5:4

Oœ O m Oœ Oœ œ m Oœ O b Oœ œO œ 5:4

5:3

Oœ O m Oœ Oœ œ m Oœ O b Oœ œO œ – 5:4

5:3

– – – Oœ O O O œO Oœm œO œO OœmœO œO Oœm œO m Oœ Oœœ œm œO O O O Oœ œ œ œ œ Oœ Oœ m Oœ O m O O m O O m O O œb O O œ œb O O œ œbO O œ b Oœ Oœ b Oœ œO œ œ –œ œ– œ œ –œ – – 6

6

œO – b œO

œ. J

®≈

œ

left to right (back)

b¿

œ

œ R

(right to left movement)

5 16

O 38 œm Oœ O œb O ‰ œ– π 6

j —.

j —.

5 16 –

j –

5 – 16

j —

j —

–. J

j –.

5 16

j —.

®≈ – J

–.

5 16

VIBRAPHONE with straw 207

–. J

O O mœO œ œ œO O m O œ œO œ œO 5:3

5:4

Oœ – bœO

5:4

5:3

5:4

O –O mœO œ œ Oœ Oœ œO

O– mœO œ O bO œ –œ 5:4

5:3

5:4

5:3

5:4

Oœ Oœ 5:3

O –O mœO œ œ Oœ Oœ œO 5:3

Oœ O b O œ –œ

5:4

– O O œO Oœ Oœ œO Oœ œO m O m O mœO œ œ œO O œ œ m O O m O O m O œ œ œ œO œ œ œ O Oœ œO œO – œO –œ – 5:3

5:3

5:4

5:3

5:4

5:4


& –J

j –.

216

Fl.

cl.(Bb)

j &—

j —.

Cor.

Perc. 2

Vla.

r —

j —.

j —.

3 16

– R

3 16

r —

j – j —

3 16

?

4 16

3 16

œ &J

œ. J

– &J b¿ &J ?

&

& B

œ R œ

œ R œ

œ R œ

4 16

œ R

–. J

– – R

– – R

– – R

4 16

– R

j b¿ .

b¿ R b¿

b¿ R b¿

b¿ R b¿

4 16

Oœ mOœ mOœ bOœ –

O Oœ œ O Oœ œ

Oœ mOœ mOœ bOœ –

O Oœ œ O Oœ œ

Oœ mOœ mOœ bOœ –

O Oœ œ O Oœ œ

5:4

– –

O– O ? mœO œ œ œO O œO O bO œ œ– –œ

t

?

216

Trb.(o-s)

r —

j –.

5:4

Db.

4 16

– R

j –.

4 16

5:4

Vlc.

r —

– R

5:4

Vl.2

r —

4 16

216

Vl.1

r —

216

Keyb.

–. ®

216

Perc.1

– R –

&

216

P.trp.(Bb)

– R –

O mœO œ m O œ O –œ 5:4

–O œ œO œO Oœ – ∑

O œmO œmO œ bO œ–

O Oœ œ O Oœ œ

œOmO œmO œ bO œ–

O Oœ œ O Oœ œ

Oœ mOœ mOœ bOœ –

O O œ œ O Oœ œ

6

6

– –

6

O– O mœO œ œ œO O œO O bœO œ œ – 6

œO

O– mœO œ mœO

Oœ O œ œO O œ – 6

O œmO œmO œ bO œ–

O Oœ œ O Oœ œ

œOmO œmO œ bO œ–

O Oœ œ O Oœ œ

Oœ mOœ mOœ bOœ –

O O œ œ O Oœ œ

6

6

– –

6

O– O mœO œ œ œO O œO O bœO œ œ – 6

œO

O– mœO œ mœO

Oœ O œ œO O œ – 6

4 16

O œmO œmO œ bO œ–

O Oœ œ O Oœ œ

œOmO œmO œ bO œ–

O Oœ œ O Oœ œ

Oœ mOœ mOœ bOœ –

O O œ œ O Oœ œ

6

6

– –

4 16

œO mO œmO œ bO œ–

O Oœ œ O Oœ œ

Oœ mOœ mOœ bOœ –

O Oœ œ O Oœ œ

Oœ O 4 œ œO O 16 œ – 6

œO

œ R

–. J

3 16

– R

– J

b¿ R b ¿j .

3 16

b¿ R

j b¿

3 16

– –

O– O mœO œ œ œO O œO O bœO œ œ– O– mœO œ mœO

3 16

O Oœ œ O Oœ œ

O– O 4 mœO œ œ œO O œO O 16 bœO œ œ –

49

b¿ R b ¿j .

O œ mO œmO œ bO œ–

4 16

œ. J

– R

4 16

6

–. J

4 16

6

O– mœO œ mœO œO

œ R

œ. J

Oœ O œ œO O œ–

O œ mO œmO œ bO œ–

O Oœ œ O Oœ œ

œO mO œmO œ bO œ–

O Oœ œ O Oœ œ

Oœ mOœ mOœ bOœ –

O Oœ œ O Oœ œ

– –

œ J

3 16

O Oœ œ O œ – Oœ

3 16

O œ mO œ mO œ bO œ

3 16

œO mO œ mO œ bO œ

O Oœ œ O œ – œO

3 16

Oœ mOœ mOœ bOœ

O Oœ œ O œ – Oœ

6

6

6

– –

O– O 3 mœO œ œ œO O œO O 16 bœO œ œ–

O– O mœO œ œ œO O œO O bœO œ œ–

O– mœO œ mœO œO

O mœO œ m O œ œO

Oœ O 3 œ œO O 16 œ– ∑

3 16

6

–O œ œO œO Oœ – 6

4 16


& –R

cl.(Bb)

r &—

Cor.

Perc. 2

rK —

38 ‰

&

3‰ 8

?

28

38

œ &R

œ J

– &R

– J

– R

j b¿

b¿ R

?

œ R

O œ & mœO mœO bœO

– J

– R

j b¿

b¿ R

O Oœ œ O œ – Oœ

Vl.2

Vla.

Oœ B mOœ mOœ bOœ

O Oœ œ O œ – Oœ 6

6

– –

O– O ? mœO œ œ œO O œO O bœO œ œ– O mœO œ m O œ œO

O œ mO œ mO œ bO œ

?

2 ‰ 8

– J

28 ‰

28 ‰ 28

O Oœ œ O œ – Oœ 6

œO mO œ mO œ bO œ

O Oœ œ O œ – œO

Oœ mOœ mOœ bOœ

O Oœ œ O œ – Oœ 6

6

– –

O– O mœO œ œ œO O œO O bœO œ œ–

O œ mO œ mO œ bO œ

28

– Oœ 28 ‰ O Oœ œ O –œ –

6

œO mO œ mO œ bO œ Oœ mOœ mOœ bOœ

œ J – J

(left to right)

j b¿

– Oœ 28 ‰ Oœ œO O œ – 6

rK –‰

2 ‰ 8

j —

rK —‰

28 ‰

REMOVE MUTE with a little twist to make a high pitched squeek

œ J

38 ‰

– J

38 ‰

j b¿

38

– Oœ mO 3 mO œ 8 ‰ b Oœ œ – –

– Oœ mO O œ 38 ‰ bOœ œ – 6

6

rK –

1 4

2 8

j —

rK —

41

28

1 4

2 8

28

41

28

2 ‰ 8

œ J

1 4

2 8

28 ‰

– J

41

28

28 ‰

j b¿

‚.

(P)

r œ

2 8

silently PUT ON MUTE

28

– Oœ mO mO œ ‰ b Oœ œ – –

6

O mO œ 3 m Oœ œ 8 ‰ bO –œ

j –

3‰ 8

38

6

O Oœ œ 28 ‰ O œ – œO

6

r œ

j –

O mO œ m Oœ œ ‰ bO –œ – Oœ mO Oœ ‰ bOœ œ –

28

28 ‰

41

&

O mO œ m Oœ œ bO –œ 6

28 ‰

6

O mO œ m Oœ œ bO –œ 6

28 ‰

O mO œ m Oœ œ bO –œ

6

28

41

28

28

28

6

–O œmOœ mOœ O ‰ œ–

28 ‰

–O œmOœ mOœ O 41 œ–

28

50

6

6

6

38

28 ∑

–O œmOœ mOœ O 38 ‰ œ– 6

28

41

–O O – O O – O œ œO 2 mœO œ œ œO mœO œ œ œO œO Oœ œO mœO œO œO œO mœO œO œO 8 ‰ – – – 6

28

28

28 ‰

6

–O œmO 1 œO œbO 4 œ–

6

®

41

–O œmO œO ‰ œbO œ–

6

14

–O œmO 3‰ œO œbO 8 œ–

6

œ mœ

œ 41

O– O 2 mœO œ œ œO O œO O 8 ‰ bœO œ œ–

6

6

223

œ J

j b¿

O Oœ œ O œ – œO

t

œ R

œ J

œO & mœO mœO bœO

Trb.(o-s)

j — ∑

6

Db.

3‰ 8

2 8

223

Vlc.

rK –

b¿ &R

Vl.1

28 ‰

j —

j –

223

Keyb.

r —

j —

2 ‰ 8

j –

223

Perc.1

– R

j –

r —

j —

223

P.trp.(Bb)

– R

j –

223

Fl.

6

28

µ œ. œ m œ µœ n œ. µœ B œ

41 (Ï)

3

28


Fl.

2 &8 ‰

cl.(Bb)

2 &8 ‰

230

j –

rK –

3 8

2 ‰ 8

j —

rK —

38

28 ‰

j –

rK –

5 8

1 8 –j

j —

rK —

85

81 j —

rK –

2 4

3 8

rK —

42

38

P.trp.(Bb)

2 &8

3 8

2 8

5 8

1 8

2 4

3 8

Cor.

? 28

38

28

85

81

42

38

230

2 &8 ‰

230

Perc.1

Perc. 2

2 &8 ‰

2 &8 ‰

230

Keyb.

2 &8

28

& 28 ‰

230

Vl.1

3‰ 8

œ J – J

& 28 ‰

j b¿

38 ‰

B 28 ‰

œ

4

r œ

5

38m œ

O mO œ m Oœ œ bO –œ O mO œ m Oœ œ bO –œ O mO œ Oœ œ bO –œ

˘ ‚ J π

∑ ‰.

6

Vla.

GLASSES

38

6

Vl.2

arrow down: cover opening and keep high pressure until lift

‰ ‰ ‰

38 38

2 ‰ 8

28 ‰

j b¿

28

28

O mO œ m Oœ œ bO –œ

28 ‰

O mO œ m Oœ œ bO –œ 6

38

28 ‰

O mO œ Oœ œ bO –œ

6

Vlc.

?2 ‰ 8

–O œmO 3 œO œ bO 8 œ–

Db.

t2 ‰ 8

–O œmOœ mOœ O 38 œ–

Trb.(o-s)

˘ ‚

˘ 85 ‚J π

˘‚

(3f )

˘ ‚

3

˘ ‚ ‰

(f)

VIBRAPHONE with straw

1 8 Jœ π

˘‚ ˘‚ 1 – ≈ 8J π 3 π (f)

28 ‰

28 ‰

38

42

38

42

38

42

38

42

38

–O 18 œ mœO 2 œO bO 4 œ–

38

– 18 OœmOœ mO œ œO

42

38

42

38

81

81

18

œ µ œ µ œ. œ. nœ. 5

28

O mO œ m Oœ œ bO –œ

Oœ 81 m Oœm Oœ bO –œ 6

O mO œ 81 b O Oœ œ –œ

24

(hit against each other)

38

6 6

mOœ O 85 œ –

6

38 (Ï)

6

–O œmO 5 œO œ bO 8 œ– –O œmOœ

¿¿

85

π

3 8

42

j 81 b¿

85

85

–– ..

(rub against each other)

38

85

(snap) ´ 42 ¿ π

PAPER

85

58

2 4 ‰

Œ

6

6

?2 8

π

˘‚ ‚

6 6

230

GLASSES

(f)

˘‚

cover opening and keep high pressure until lift

6

38

˘ 5 ‚ 8‰ ( f arrow down: ) GLASSES

œ J π

28

28 ‰

VIBRAPHONE with straw

6

85

∑ 51

81


3 &8

236

Fl.

cl.(Bb)

3 &8

∑ ∑

rK –≈

3 16 –j 3 ≈ 16

4 8 rK —

j —

48

REMOVE UNDER LIP FROM REED (full under lip in advance pressed against reed) (BELL UP)

P.trp.(Bb)

3 16

4 8

Cor.

? 38

3 16

48 Œ

VIBRAPHONE with straw

3 . & 8 –– .

3 16 œJ π

236

Perc.1

Perc. 2

3 &8

3 &8

3 &8

236

Keyb.

38

& 38

236

Vl.1

3 ≈ 16

48 Œ

– Oœ mO mO œ ≈ b Oœ œ –

& 38

3 ≈ 16

B 38

3 ≈ 16

48

˘‚

(f)

(f) 3

˘ ‚ π (f) ¿´

38 3 ‰ 8

Œ

38 ‰

∑ ?

œ.

38 ‰

38

41

4 16

silently PUT ON MUTE

1 4

4 16

41

4 16

1 4

4 16

41

4 16

Œ

38

4 16

˘‚ ‚ J (f)

GLASSES (snap)

˘‚ ‚ J (f)

LIFT KEYS (pressed down silently in advance no samples apointed to these keys)

41

3

OOOO O fl (f)

&

œ mœ

®

œ 41

4 16 4 16

14

4 16

48 Œ

¿¿ ≈ fl (f)

38

41

4 16

48 Œ

¿¿ ≈ (flf )

38

41

4 16

48 Œ

¿¿ ≈ fl (f)

38

41

4 16

–O œmO 4 Œ œO œ bO 8 œ–

¿¿ ≈ fl (f)

38

41

4 16

¿¿ ≈ fl (f)

38

41

4 16

38

41

O mO œ m Oœ œ bO –œ 6

Vla.

48

6

Vl.2

π

48 ‰

3 16

––

GLASSES

– J π

3 j 16 b¿

3 16

4 8

PAPER

3 16

˘‚

38 ‰ ‚. 3 8 (P)

1 4

sim. REMOVE MUTE

3 &8

236

3 8

O mO œ Oœ œ bO –œ

6 6

Vlc.

?3 8

3 ≈ 16

Db.

t3 8

3 16

48 Œ

?3 8

3 16

48

236

Trb.(o-s)

52

µ œ.

(Ï)

œ mœ µœ n œ. µœ B œ 3

4 16


rK –‰

4 & 16 –j

241

Fl.

cl.(Bb)

4 & 16 ‰

Cor.

4 & 16

4 ? 16 4 & 16 ≈

Perc. 2

4 & 16 ≈ 4 & 16

j b¿ π

4 16

4 & 16

241

Vl.1

π

Vl.2

Vla.

4 ≈ & 16 4 ‰ B 16

6

6

1 4

2 4

5 8

42

œ

2 ´ 4 ¿ π

¿¿

42 ‰

–– ..

PAPER (whisle tone)

rub glasses against each GLASSES other (in circles)

4

r œ

π

42

mœ 41

42

41

42

5

24

O 85 J ∏

Œ

j – π

rK – ‰.

5 16

5 16

2 4

Œ

Œ

5 16

42

Œ

Œ

5 16

85 ‰

––

––

5 16

85 j œ

Œ

Œ

5 16

58 85

5 16

5 16

5 16 ≈

42

85

5 16

rK —

j — π

42

2 4

– ≈ J π

42

≈ œ J π

PAPER

j b¿

42 42

– Oœ mO mO œ ‰ b Oœ œ – 6

41

2 4

VIBRAPHONE with straw

5 O 8J ∏

85

5 16

whistle tone by blowing

whistle tone by blowing softly (focused) on sharp edge of mouthpiece

fingersnap (nail) glass and let the tone ring

41 ‰

O mO œ Oœ œ bO –œ

π

42

14

O mO œ m Oœ œ ≈ bO –œ

π

‰.

Œ

41

41

Œ

(whistle tone on tube edge)

air on reed O focused (lips 1-2 cm. from the reed point) 58 Œ Œ J ∏

1 4

– J π

– Oœ mO mO œ ‰ b Oœ œ –

5 j 8 O ∏

GLASSES

PAPER

4 & 16 ‰

241

Keyb.

œ J π

2 4

41

∑ VIBRAPHONE with straw

241

Perc.1

rK —

j — π

241

P.trp.(Bb)

1 4

– Oœ mO mO œ ≈ b Oœ œ –

24 42 42

6

41

42

85

5 16

42

6

Vlc.

?4 16

41

42

85

5 16

42

Db.

t4 16

41

42

85

5 16

42

41 (Ï)

42

85

5 16

42

?4 16

241

Trb.(o-s)

œ µ œ µ œ. 5

œ. nœ.

53


2 &4

246

Fl.

cl.(Bb)

2 &4

REMOVE LIP FROM REED

Œ

P.trp.(Bb)

2 &4

Cor.

? 42

2 &4 2 ´ &4 ¿ π

GLASSES

Perc. 2

˘ ‚ (f)

2 &4 2 &4 Œ

24

& 42 Œ

246

Vl.1

(f)

(P)

≈ ‰

(P)

≈ ‰

Œ

GLASSES

‰ j œ.

3

¿¿ fl (f)

3

Œ

˘‚

(f) ˘‚

∑ ?

‚.

Œ

246

Keyb.

˘‚

‚.

246

Perc.1

(3f )

3 8

6 16 –j

π

˘ ‚

38

6 ‰ 16

3 8

6 16

2 4

38

6 16

42

3

˘ ˘‚ ‚

(3f )

Œ ‰

3

OOOO O fl (f)

˘‚

˘‚ ˘ ˘ ‚ ‚

3 ¿´ 8J π

¿¿ J

38 ‰

––

π ( 3f ) π ( f ) ˘ ‚

π

œ J π

6 ‰ 16

– ≈ J π

38

6 ‰ 16

38

6 16

38 38

6 16 6 ≈ 16

& 42 Œ

¿¿ fl (f)

38

6 16

B 42 Œ

3

Vla.

¿¿ fl (f)

38

Vlc.

?2 Π4

¿¿ fl (f)

38

Db.

t2 Π4

¿¿ fl (f)

?2 4

246

Trb.(o-s)

3

3

54

‰ ∑

– Oœ mO mO œ ≈ ‰ b Oœ œ –

π

42

2 4

PAPER

j b¿ π

rK —

j — π

6 16 ‰

Vl.2

3

VIBRAPHONE with straw

2 4

PUT ON MUTE (no squeking sound intended)

REMOVE MUTE 246

˘‚

rK –‰

42

42 42

24 42

6

42

6 16

42

6 16

42

38

6 16

42

38

6 16

42


Fl.

2 &4 ‰

cl.(Bb)

2 &4 ‰

251

O ∏ O

O O

Œ

Œ

4 8

48 ‰

≈ ‚.

6 16 –j

Œ

6 ‰ 16

˘‚ (f)

rK –‰

2 8

rK —

j —

28

REMOVE MUTE

2 &4

251

P.trp.(Bb)

Cor.

? 42 ‰ 2 &4 ‰

251

Perc.1

Perc. 2

2 &4

––

O

2 &4 ‰

O

PAPER

GLASSES

π

Œ

251

Keyb.

? 42

24

œ

O

O

œ

4 ‰ 8

Œ

48 ≈

––

GLASSES

π

Œ ¿´

Œ

j bœ

π ‰

˘ ‚ (f) œ mœ

Œ ∑

4 8

∑ ‰.

≈ ® ≈ ‰

œ

4

r œ

5

&

œ

?

˘‚ (f)

(P) ‰

≈ Œ ‰

silently PUT ON MUTE

˘‚

6 16

2 8

6 16

28

VIBRAPHONE with straw

6 16 ‰

œ J

48

6 ‰ 16

– ≈ J

48

6 ≈ 16

48 mœ

j œ œ. œ

6 16 œ.

48

PAPER

j b¿

2 8

≈ ‰

28

28 28

6 16

28

Vl.1

& 42

48 Œ

¿¿ ≈ ‰ fl (f)

6 16

28

Vl.2

& 42

48 Œ

¿¿ ≈ ‰ fl (f)

6 16

28

Vla.

B 42

48 Œ

¿¿ ≈ ‰ fl (f)

6 16

28

Vlc.

?2 4

48 Œ

¿¿ ≈ ‰ fl (f)

6 16

28

Db.

t2 4

48 Œ

¿¿ ≈ ‰ fl (f)

6 16

28

48

6 16

28

251

?2 4

251

Trb.(o-s)

. µ œ. œ mœ µœ n œ. µœ B œ œ µ œ œ. œ n œ.

(Ï)

5

3

55


2 &8

256

Fl.

cl.(Bb)

2 &8 ≈

˘‚ (f)

3 4 Œ

Œ

43 Œ

Œ

‚.

REMOVE MUTE silently 256 PUT ON MUTE

2 ≈ ‰ &8 (P)

3 4 ‰

? 28

43

Perc.1

2 &8

3 4 Œ

Perc. 2

2 &8

43

2 &8

43 Œ

P.trp.(Bb)

Cor.

256

256

Keyb.

? 28

43

˘‚ (f)

O ∏ O

5 8

2 4

3 j 8 – π

–. ®≈ ‰

85

42

38 ‰

5 8

2 4

3 8

2 4

85

42

38

42

j — π

REMOVE MUTE

œ

‚.

( fffff ) ( P ) ≈ ‰

≈ ‰

silently PUT ON MUTE

Œ

O

Œ

∏ O

PAPER

Œ

bœ ∑

œ

Œ

GLASSES

85 Π.

5 –. 8 –. π

GLASSES

¿´

π

˘ ‚

(f)

2 ˘‚ 4 (f)

˘ 42 ‚ π

˘ ‚

3

‰ ˘ ˘ ‚ ‚ J (f)

˘‚

3 π

‰ ˘ ‚

3 ‰ 8

2 4

VIBRAPHONE with straw

œ J π

œ

®≈

rK —

42

2 4

38

42

85

42

38

42

85

42

38

42

œ.

28

œ.

Vl.1

& 28 ‰

¿¿ ≈ fl (f)

43

85

42

38

42

Vl.2

& 28 ‰

¿¿ ≈ fl (f)

43

85

42

38

42

Vla.

B 28 ‰

¿¿ ≈ fl (f)

43

85

42

38

42

Vlc.

?2 ‰ 8

¿¿ ≈ fl (f)

43

85

42

38

42

Db.

t2 ‰ 8

¿¿ ≈ fl (f)

43

85

42

38

42

?2 8

43

85

42

38

42

256

256

Trb.(o-s)

34

58

56

24

38

24


Fl.

2 &4

cl.(Bb)

2 &4

261

3 4

43

3 8

38 ‰

REMOVE MUTE

2 &4

? 42

261

P.trp.(Bb)

Cor.

(f)

GLASSES

2 ˘ & 4 ‚‚ π

261

Perc.1

Perc. 2

˘ ‚ (f)

˘‚

π

˘ ˘ ˘ 2 &4 ‰ ‚ ‚ ‚ 3 π (f)

π

‰ ‰ ‰ ˘ ˘‚ ˘‚ ˘‚ ˘ ‚ ˘‚ ‚ ‰ ‚ ‚ ‚ fl‰fl 3 ≈ ≈fl (f) 5 5 ≈ ≈ ˘ ˘‚ ˘ ˘‚ ˘ ‚ ‚ ≈ ‚ ‚ ‚ ‚ ‚ fl fl‰ 3 π (f) 3 fl fl π (f)

3 4

43

3

3

LIFT AND PUT BACK COVER OF INSULATED BOX WITH METRONOMES

3 4 ›. 43 Œ

2 &4

43

? 42

43 Œ

Vl.1

& 42

43

Vl.2

& 42

Vla.

B 42

Vlc.

?2 4

Db.

t2 4

261

Keyb.

24

261

?2 4

261

Trb.(o-s)

3‰ 8 38 ‰

‰ 3

3 8

˘‚

‚.

˘‚

≈ 42

38

(3f )

silently PUT ON MUTE

2 4

3 8

42

38

(P)

(f)

GLASSES

˘ ˘ › ‰ ‚ ‚ Œ 3 π (f) ˘‚ ˘ ˘‚ ˘ ‚ ‚ Œ π (f)

3 8

2 4

3 8

38

42

38

38

38

38

43

43

2 4

42

œmœ

‰.

≈ ® ≈ ‰

r

œ œm œ 4

5

38

œ 42

38

42

38

38

42

38

38

42

38

43

38

42

38

43

38

42

38

43

38

42 (Ï)

34

Œ

57

3

m œ œ.

38

&

24

38

. µ œ. œ mœ µœ n œ. µœ B œ œ µ œ œ. œ n œ. 3

5

38


3 &8

cl.(Bb)

3 &8 ‰

REMOVE MUTE

3 &8 ‰

266

P.trp.(Bb)

Cor.

5 8 –j π

266

Fl.

3

˘‚

? 38 ‰

‚.

˘‚ (3f )

≈ 85 Œ

85

5 8‰

Perc. 2

3 &8

85

3 &8

3 &8

Keyb.

38

& 38 ¿¿ ®≈ ‰ fl (f)

& 38 ®¿¿ ®®®‰ ( ffl)

266

Vl.1

VIBRAPHONE with straw

Vl.2

5

Vla.

Vlc.

Db.

3‰ 8

˘‚

38 ‰ VIBRAPHONE: TURN ON MOTOR: MAX SPEED

‰ ‰

‚.

œ

3 ( fffff ) ( P ) ˘‚ ‰

œ ‰ J ( pppppp ) ∑

85

38

85

38

85

38 ¿ ®≈ ‰ ¿ fl (f)

¿¿ ®≈ ‰ fl (f)

85

38 ®¿ ®®®‰ ¿ ( ffl)

38 ®®¿ ®®‰ ¿ fl (f)

38

O.

42

∏ O.

2 4

PAPER

∏ ∑

œ.

2 4

42

42 ∑

42

24

42

®¿ ®®®‰ ¿ ( ffl)

42

®®¿¿ ®®‰ fl (f)

5

42

38 ®®®¿ ®‰ ¿ fl (f)

5

®®®¿ ®‰ ¿ fl (f)

42

®®®®¿¿ ‰ fl (f)

5

42

42

5

5

85

38 ®®®®¿ ‰ ¿ fl (f)

85

38

(all string players juxtaposed by 1/32nd quintuplet (- only statistic precision intended))

42

∏ ‰

38

85

O.

silently PUT ON MUTE

t 3 ®®®®¿ ‰ 8 ¿ fl (f)

∑ REMOVE MUTE

silently PUT ON MUTE

3

?3 8

‚.

85

266

Trb.(o-s)

2 4

O. ∏

3

? 3 ®®®¿ ®‰ 8 ¿ fl (f) 5

(f)

(all string players juxtaposed by 1/32nd quintuplet (- only statistic precision intended))

5

®≈ ‰

(all string players juxtaposed by 1/32nd quintuplet (- only statistic precision intended))

B 38 ®®¿¿ ®®‰ fl (f)

˘‚

œ J

(all string players juxtaposed by 1/32nd quintuplet (- only statistic precision intended))

5

38 ‰

3 8

58

(all string players juxtaposed by 1/32nd quintuplet (- only statistic precision intended))

œ

Kr —

REMOVE MUTE

3 &8

266

Ÿ~~~~~ j j — —

5 8

Perc.1

266

3 8

j — π

silently PUT ON MUTE

(P)

(f)

–. ®≈ Œ .

5

5

∑ 58

5


2 &4

272

Fl.

cl.(Bb)

2 &4

3 8

38

∑ ∑

2 4

42

P.trp.(Bb)

2 &4

3 8

2 4 Œ

Cor.

? 42

38

42 Œ

272

GLASSES

2 . & 4 –– . π

272

Perc.1

BOX WITH METRONOMES

˘ ˘ ≈ ‰ ‚ ‚ 38 › . (f) 3

LIFT AND PUT BACK COVER OF INSULATED BOX WITH METRONOME

4 Π4

Ÿ~~~ 44 ‰ — —.®≈ ‰ Œ — — π

Œ

[tr. on the deep E key while blowing into the F hole]

‰ ‰ œ 44 3 ( fffff ) ˘‚ ‰ ‰ 44 (f)

2 8

–®≈ Œ – . π

28

3 4 Œ

43 Œ

28

45

43 Œ

28

43

44

28

43 Œ

44

28

43

2 ›≈ 4

42

45

44

π

œ®≈ Œ

O

5 4

3 4 Œ

4 4

O 3

Œ

O O ∏

5 4

silently

2 8

›≈ ‰

j › 42 › ≈ ‰

3

PUT ON ‚. MUTE 2 ‰ J 3 œ 3 ‰ Œ Œ 8 4 ( P ) ( pppppp )

¿ æ ‰ œ

VIBRAPHONE with straw

REMOVE MUTE

3

œ

STRAW ON "FAN"

O

O

O

O

3

PAPER

3

5 4

2 &4

38

2 &4

38

2 &4

38

Vl.1

& 42

38

42

44

28

43

45

Vl.2

& 42

38

42

44

28

43

45

Vla.

B 42

38

42

44

28

43

45

Vlc.

?2 4

38

42

44

28

43

45

Db.

t2 4

38

42

44

28

43

45

?2 4

38

42

44

µœ 28 ‰ ( fffff )

43

45

Perc. 2

272

Keyb.

24

272

272

Trb.(o-s)

38

?

42 b œœ œ

24 ®

œ œ œ œ œ œ.

Œ

≈‰

44

59

28 43

B

45

3

œ

œ

45 45

54


Fl.

5 &4

2 4

3 8

5 4 – –. ®≈ Œ π

Œ

cl.(Bb)

5 &4

42

38

45 Œ

5 &4

2 4

3 ‰ 8

? 45

42

38 ‰

279

279

P.trp.(Bb)

Cor.

≈œ

5 4

45

( fffff ) 3

˘‚

(f) 3

BOX

5 &4

Perc.1

LIFT COVER OF BOX WITH METRONOME (gradually cover)

Perc. 2

5 &4 ›

2 4 ›

279

(gradually open)

Œ

VIBRAPHONE with straw

¿

π

—.

O

O

®≈ ‰

Œ

2 4 42

2 4

42

blow a gliss. blowing focused a focused air air stream stream close to on "fan" the keys

–. ®≈ Œ

3 ›≈ ‰ 8

42 › ≈ ‰

Œ

38

45

42

45

42

45

(close box)

5 4 ‰

œ æ π

æ

2 4

Œ

5 &4

42

38

? 45

42

38 j b œœœ

≈ ‰

Vl.1

& 45

42

38

45

42

Vl.2

& 45

42

38

45

42

Vla.

B 45

42

38

45

42

Vlc.

?5 4

42

38

45

42

Db.

t5 4

42

38

45

42

42 ∏

38

45

279

Keyb.

54

279

B5 Π4

279

Trb.(o-s)

24

˙

( fffff )

œ œ œœœ . Ù œ

38

60

54

&

?

42

24

42


Fl.

2 &4

5 8 j ‰ O ∏

Œ.

cl.(Bb)

2 &4

85 Œ

283

REMOVE MUTE

P.trp.(Bb)

2 &4

Cor.

? 42

283

2 &4

283

Perc.1

Perc. 2

2 &4 Œ

2 &4 ≈

283

Keyb.

BOX

mœ œ nœ mœ

Œ

› ≈ ‰ œmœ

Œ

Vl.1

& 42

Vl.2

› ≈ ‰

› œ

≈ ® ≈ ‰

Œ

5

5 8

85 Œ

5 8Œ

m >œ

CROTALES WITH BD STICK

(Ï) ‰

3 8

43

38

3 4

3 8

43

38

O J ∏

3 4

3 8

43 › .

›.

38

43

38

43

38

∑ O J ∏

PAPER

Œ

BOX

85

85 ‰

j œ

Œ.

85

43

38

& 42

85

43

38

Vla.

B 42

85

43

38

Vlc.

?2 4

85

43

38

Db.

t2 4

85

43

38

‰ ‰ Œ

85

43

24

283

µœ

? 2 µœ 4 (Ï)

283

Trb.(o-s)

œbœ. µ œµœ. µœ 5

Œ

œ

œ Œ

silently PUT ON MUTE

( P3 ) ( pppppp )

5

2 & 4 mœ

‚.

O J ∏

3 4

µ œ. œ mœ µœ n œ. µœ B œ œ µ œ µ œ. 3 5

≈ ≈B

µœ

( fffff )

85

58

3

61

34

Bœ.

œ.

( fffff )

38

38 ∏


3 &8

288

Fl.

cl.(Bb)

3 &8

Ÿ~~~~~ 2 – – 4 π

O

5 8 ®≈ ‰ O.

42

85

Œ.

whistle tone by softly blowing a focused air stream on the edge of the bell

O π

O

j —

rK —

2 4

3 16

42

3 16 ‚.

3 &8

2 4

5 8

2 4 Œ

Cor.

? 38

42

85

42 Œ

2 4 ®≈ ‰

Œ

5 8

2 4

3 16

42

85

42

3 16

42 Œ

‰.

VIBRAPHONE blow on "fan" blow on keys

BOX

3 &8 ›

› › – J π

3 &8 › ≈ ‰

288

Perc.1

Perc. 2

–.

3 &8

42

85

3 &8

42

85

288

Keyb.

– æ

38

24

58

O. J ∏

REMOVE MUTE

P.trp.(Bb)

288

?

42 b œœœ

24

œ Ù œ

œ œ œ œ. 3

˘‚

(P)

(f)

≈ ‰

3 16 3 16

38

silently PUT ON MUTE

3 16 3 16

3 8

j O. ∏

3 8

O. J ∏

38

O. J ∏

3 8

PAPER

j œ.

3 16

38

38 ∑

38

38

Vl.1

& 38

42

85

42

3 16

38

Vl.2

& 38

42

85

42

3 16

38

Vla.

B 38

42

85

42

3 16

38

Vlc.

?3 8

42

85

42

3 16

38

Db.

t3 8

42

85

42

3 16

38

B3 8

42

85

42

3 16

38

288

288

Trb.(o-s)

62


Fl.

3 &8

3 4

3 8

cl.(Bb)

3 &8

43

294

REMOVE MUTE

P.trp.(Bb)

3 &8

3 4 ‰

Cor.

? 38

43

294

‚.

(P)

silently PUT ON MUTE

Œ

Œ

3 4

2 4

38 j ®≈ ‰ — — π .

43

42

3 8

3 4

2 4

38

43

42

¿. 3æ 4

¿. æ

2 4

VIBRAPHONE

BOX (gradually open)

3 & 8 ›.

294

Perc.1

(close)

3 4 Œ

43 Œ

›≈ ›

43

›≈ ‰

BOX

Perc. 2

3 & 8 ›.

3 &8

? 38

294

Keyb.

38

bœœ.œœœ Ù

œ œœœ

.

3

43 œ ≈ ‰ .

34

›≈ ›

›≈ ‰

Œ

›≈

∑ Œ

Œ

b˙œ.œœœ Ù

Œ

– J π

– æJ

("fan")

(straw on fan)

MOTOR RIT.

ACC.

38

43

42

38

43

42

œ

.

3‰ 8

(blow)

œ.

œœ œ 3

38 œ.

43 ˙ .

38

42

34

24

Vl.1

& 38

43

38

43

42

Vl.2

& 38

43

38

43

42

Vla.

B 38

43

38

43

42

Vlc.

?3 8

43

38

43

42

Db.

t3 8

43

38

43

42

B3 8

43

38

43

42

294

294

Trb.(o-s)

63


gliss. on keys with fingers

2 &4 ‰ ¿ ¿ ≈Œ π 3

300

Fl.

gliss. on keys with fingers

2 &4 ‰ ‰ ¿ 3

cl.(Bb)

π

¿

≈ ‰

Ÿ~~~~ 3 – – 4

Œ

O

43

1 4

3 8

2 8

2 4

2 8

41

38

28

42

28

3 8

2 8

2 4

2 8

38

28

42

28

2 ‰ 8

j ›

2 4 ›≈ ‰

REMOVE MUTE

P.trp.(Bb)

2 &4

3 4

1 4 ‰

Cor.

? 42

43

41

300

(gliss. with straw)

2 &4

300

Perc.1

œ

straw on fan

¿

œ≈‰ æ

3

–.

air on fan

æ

3 4 ®≈ ‰

– n

blow on key and let the tone ring

(f)

‚.

3 (P )

BOX

1 3 4 ‰ ‰ › 8 ›≈ ‰

3

›≈ ‰

2 8

PEDAL

Perc. 2

2 &4

43

41

38

28

42

28

2 &4

43

41

38

28

42

28

300

Keyb.

? 42

43 ˙ .

˙

24

41 œ ≈ ‰ .

34

14

38 b œœ.œ

38

œ œœ œ

œ Ù œ.

3

28 ≈ ‰ œ.

28

42 b œœœ

24

œ Ù œ

œ œ œ œ.

≈ ‰

bœœ œ œ œ œ œ œ œ. ®

3

≈ ‰

28

28

Vl.1

& 42

43

41

38

28

42

28

Vl.2

& 42

43

41

38

28

42

28

Vla.

B 42

43

41

38

28

42

28

Vlc.

?2 4

43

41

38

28

42

28

Db.

t2 4

43

41

38

28

42

28

B2 4

43

41

38

28

42

28

300

300

Trb.(o-s)

64


whistle tone and pitched air noise by blowing on the tube edge (treble end) with the instrument pointing away and with all keys down

Fl.

2 &8

cl.(Bb)

2 &8

P.trp.(Bb)

2 &8

Cor.

? 28

2 4 ‰

42 ‰

2 4

42

307

307

Perc. 2

j 2 &8 › ≈ ›

– π

–. ≈ Œ Ÿ~~~~~~

[tr. on deep E key]

Ÿ~~~~~~~ — —

O–

(whistle tone on beel edge)

O–

j › ≈ ›

j › ≈ ›

4 4

Œ

44

4 4

44

≈ ‰ 2 4 › ≈ –. ‰

‰ Œ

4 4

π –

3

— π —

O

O.

≈ ‰

3

2 &8

42

44

2 &8

42

44

42

44

307

Keyb.

3

VIBRAPHONE (blow on keys)

307

Perc.1

≈ ? 28 j b œ œ œ œ œ œ œ œ œ.

28 Ù

j bœœ œ œ œ œ œ œ œ. Ù

j bœœ œ œ œ œ œ œ œ. Ù

24

44

Vl.1

& 28

42

44

Vl.2

& 28

42

44

Vla.

B 28

42

44

Vlc.

?2 8

42

44

Db.

t2 8

42

44

B2 8

42

44

307

307

Trb.(o-s)

65


4 &4

313

Fl.

O–.

≈ ‰

Œ

Œ

Œ

whistle the tone (with mouth) into the bell (instrument pointing away) in such a distance that it produces a multiphonic like sound (sounding approx. the minor 3rd Ab-Cb)

cl.(Bb)

4 &4

bO

O

O

O

3 8

2 4

38

rK

j –Œ –

3 4 ‰

42

43 ‰

3

O

3

3

–.

≈‰

3

—. ≈ ‰

– 3

—.

P.trp.(Bb)

4 &4

3 8

2 4

3 4

Cor.

? 44

38

42

43

313

(blow on key and let the tone ring)

4 &4 Œ

313

Perc.1

Œ

Œ

n

3 8

PEDAL

Perc. 2

4 &4

4 &4

>œ .

2 4

(f)

38

œ.

(blow on keys)

≈ ‰

3 4

Œ

42

≈‰

3

43

43

‰.

œ

4

r œ

38

? 44

38

42 Œ

Vl.1

& 44

38

42

43

Vl.2

& 44

38

42

43

Vla.

B 44

38

42

43

Vlc.

?4 4

38

42

43

Db.

t4 4

38

42

43

38

42 Œ

43

313

Keyb.

44

313

B4 4

313

Trb.(o-s)

38

24

66

5

&

?

34

œ µ œ µ œ. œ. n œ.

(Ï)

5

≈‰

3

rK —‰

– ≈‰ 3

43

Œ 42 Œ

π

– ≈‰ 3

–. ≈ ‰

Chambered Music  

Score by composer Simon Steen-Andersen "Chambered Music" (2007).

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