Spring 2022 Choral Catalog

SATB

SCHOOL/CONCERT | 1

CHORAL CATALOG Spring 2022

ECSPUBLISHING.COM

MORNINGSTARMUSIC.COM

A Return to Singing “There is no education like adversity.”

—Disraeli This quote sums up how many of us feel about this past year and the myriad number of things we have had to learn. We found out how to do virtual rehearsals, stream our concerts and worship services, and at the same time, try to imagine what the future holds when we reassemble.

Staying connected to colleagues and learning from each other has been crucial.

Online conferences and virtual meetings certainly can’t replace the benefits of in-person contact, but it can allow us to hear each other and discover new ideas.

With that in mind, this catalog is designed to not only show you what is new, but also to give help and

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encouragement. I recently interviewed six well-known, creative choral conductors to discover what they have experienced and are doing to move forward after the pandemic. Beginning with Jennaya Robison on page 4, we have summarized the key points of each interview, and spread them throughout the choral section of this catalog.

The complete interviews are available on our website and YouTube channel.

The future may still be a bit uncertain, but it is our hope that we can begin making progress toward revitalized and exciting music making.

Mark W. Lawson, President

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Contents SCHOOL/CHORAL

3–23

3–11 SATB CHORUS 12–13 COLLA VOCE 14–15 MEN’S CHORUS 16–19 TREBLE CHORUS 20–21 CHILDREN’S CHORUS 22–23 MULTI-MOVEMENT WORKS

CHURCH

24–29

24–25 MULTI-MOVEMENT WORKS 26–27 SEASONAL LENT/EASTER Revised Common Lectionary

Catholic Lectionary

28–29 RECENT BEST SELLERS

BOOKS AND RESOURCES

The People’s Psalter

The Five Graces Psalter

Hal H. Hopson

Lectionary Psalms

An accessible collection of responsorial psalms for use throughout the church year.

Each psalm appointed in the three-year Lectionary is included.

Features: • A total of 117 different settings • Melodies drawn from over 25 countries around the world • Eloquently simple, easily learned refrains • Opportunity for creative use of Unison Children’s voices and/or Adult choirs and Cantors of all ages • Variety of accompaniments that are interesting and indigenous to each melody • Creative use of piano, organ, melody/descant instrument, handbells, percussion • Includes reproducible refrains for congregation and reproducible parts for instrumentalists • Includes CD with congregational refrains in both PDF and TIFF format

80-786

$38.00

30–31

Luke Mayernik SATB, Descant, Cantor, Assembly, Organ or Piano, with opt. Guitar This collection of Responsorial Psalms for the entire three-year Lectionary cycle is a welcome and worthy addition to the repertoire of Lectionary Psalms.

Award-winning composer and organist Luke Mayernik has crafted memorable settings infused with harmonic freshness and melodic appeal—settings that bear the weight of the emotion and liturgical importance of the psalms. Psalm tones are intended for SATB Choir as well as cantor, and the accompaniments are suitable for organ, piano, and/or guitar.

ICEL refrains are paired with verses from The Revised Grail Psalms, approved for liturgical use in 2010.

80-416 $39.95 1727 Larkin Williams Road, Fenton, MO 63026-2024 ph. 800.647.2117 fx. 636.305.0121 e-mail: customerservice@canticledistributing.com

ecspublishing.com morningstarmusic.com Prices subject to change without notice.

4 | SCHOOL/CONCERT

SATB

National Collegiate Choral Organization Choral Series STACY GARROP

LAVINIA KELL PARKER

Thy Silver Pinions

Soli Deo Gloria

Soprano Solo and SATB Chorus (divisi) unaccompanied The first Marguerite Brooks Commission for the National Collegiate Choral Association.

The piece combines poems by Emily Dickinson and John Keats both of which speak beautifully to the subject of hope.

The choral writing lends itself to advanced choirs and is very expressive in nature.

Duration: 5:15 Moderately Difficult

SATB Chorus (divisi) unaccompanied Rich harmonic textures, varied dynamic levels, and contrasting tempo changes help bring a new interpretation of this beautiful Latin text. Duration: 4:30 Moderately Difficult

1.3639 $2.60

Birdsong

1.3619 $2.35

ERIC NELSON SATB Chorus and Piano A beautiful text by the poet Rumi. The accompaniment is reminiscent of bird calls while the choir soars above with beautifully written lines. Duration: 4:30

Medium 1.3627 $2.85

JENNAYA ROBISON is Associate Professor in Choral Music and Director of Choral Studies at the University of Missouri Kansas City Conservatory. She has held previous positions at Luther College, the University of Arizona, and the University of New Mexico.

» Realize that the vocal mechanisms are not in shape, and work to start building vocal stamina. » Do some rehearsal outside without masks to allow the voice to respond and to see each other. » Work at building community » Put singers first » Have the attitude that you are not going to be defeated by the pandemic » Work on relevance to the world around us, particularly in repertoire

Music from Duke University Chapel The Music from Duke Chapel Series represents the Chapel’s rich tradition of excellence in sacred music. Edited by Zebulon M. Highben, Director of Chapel Music, the Series features pieces performed in worship or in concert at Duke Chapel, including newly commissioned works, modern editions of historic repertoire, and liturgical music by a diverse array of composers.

SAMUEL COLERIDGE-TAYLOR MARQUES L. A. GARRETT O Ye That Love the Lord

JOHN W. WORK How Beautiful Upon the Mountains

SATB and Organ A new edition of a piece by the noted composer Samuel Coleridge-Taylor. The text is based on Psalm 97:10.

Medium

SATB a cappella A reissue of a choral work by one of the most prominent of African American composers. The text is based on Isaiah 52. Duration: 3:30 Medium

50-6807 Choral Score

50-7107 Choral Score

$2.25

$2.25

SATB

SCHOOL/CONCERT | 5

STEPHEN CHATMAN Stephen Chatman is Professor of Composition at the University of British Columbia School of Music and is one of Canada’s most prominent composers. Dr. Chatman’s choral pieces “are in wide demand in North America” (Historical Dictionary of Choral Music, 2010); his orchestral music has been commissioned by the CBC Radio Orchestra, Toronto, Vancouver, Edmonton, Calgary, Madison, and Windsor symphonies and performed by the BBC Symphony, Berlin Radio Orchestra, Montreal, Sydney, Seoul, San Francisco, Winnipeg, Quebec, St. Louis, Calgary, Detroit, Dallas, and New World symphonies.

Lie still, lie still, my breaking heart

Come day, come night

Soprano Solo and SATB Chorus unaccompanied In Lie still, lie still, my breaking heart, a fragment from Christina Rossetti’s poem, Mirage, the poet commands her “breaking heart” through urgent repetitions, to “lie still and break.” The grief of a lost love changes her “life, and the world” forever.

Duration: 2:50 Medium

SATB Chorus and Piano A beautiful Christina Rossetti text about love gained and lost. Simple, but moving choral writing. Duration: 2:30 Moderately Easy

8900 $2.05

Do not stand at my grave and weep SATB Chorus unaccompanied A moving setting of this gripping and emotional text. In this setting the composer captures the solemnity of the text throughout the thoughtful choral writing. Duration: 2:30 Medium

8901 $1.95

Warm summer sun SATB Chorus (divisi) and Clarinet in B-flat A sweet and comforting text by American writer Mark Twain. A beautiful and soothing clarinet part flows through the choral writing like a warm summer breeze.

The clarinet part is available as a free download on our website. Duration: 2:20 Medium

8964 $2.05

9125 $2.05

Today is short, tomorrow nigh SATB Chorus and Piano The composer is well known for his many lovely settings of Christina Rossetti poems.

This setting is brief in nature, matching the theme of the poem. Duration: 2:45 Moderately Easy

7.0745 $2.05

The Heart of Night SATB Chorus and French Horn A hauntingly beautiful poem

by Bliss Carman about the beauty that surrounds us. A lovely and substantial French horn solo is intertwined with the choral treatment of this poem. A very moving composition. Duration: 3:15 Medium

7.0744 Choral Score 7.0744A French Horn Part

MATTHEW CULLOTON Stopping by Woods on a Snowy Evening SATB Chorus (divisi) and Harp (Piano) The iconic poem by Robert Frost is set here with either piano or harp accompaniment in a way that gives the impression of gentle snow falling in the deep, dark woods. Beautiful and descriptive choral writing. A reproducible part for harp is available on our website as a free download.

Duration: 4:30 Medium

1.3636 $2.60

$2.05 $5.00

6 | SCHOOL/CONCERT

SATB

HOWARD GOODALL Loving Kindness An Eastern Blessing

A River out of Eden SATB and Piano, with opt. Organ A River out of Eden merges two accounts of the creation of the earth, one from the 6th century BCE (The Hebrew Book of Genesis, in William Tyndale's English translation of the 1520s), the other, written by the American author Annie Dillard and first published in 1974.

Medium

56-0118 Choral Score 56-0118A Organ Part

$3.20 $6.00

SATB and Piano Dedicated to the sacrifice and courage of health workers during the 2020 COVID-19 pandemic, composer Goodall has set tender music to selected anonymous texts and a quote from Mahatma Ghandi. Duration 4:33 Easy

56-0113 Choral Score

STEPHEN CARACCIOLO

The Promised Land SATB Chorus (divisi), Flute or Violin, and Harp (Piano) A rousing and joyful setting of the much beloved Early American hymn. Effective with either harp or piano.

Medium

8969 8969A

Full/Choral Score Instrumental Parts

$2.75

$2.80 $10.00

How Can I Keep from Singing?

Stephen Caracciolo serves as Artistic Director for LancasterChorale, Central Ohio’s premier professional chamber choir. He is recognized for his passionate artistry, creative teaching, and as a nationally known composer and arranger whose wellcrafted choral works are regularly performed throughout the United States and Europe. To learn more, visit StephenCaracciolo.com

SATB Chorus (divisi) and Tenor Solo with opt. Piano Written as a companion piece to the composer’s setting of Simple Gifts this is an arrangement of this iconic folk hymn that sounds traditionally American, immediately recognizable, and not overly arranged, while still having something fresh to say musically. Duration: 3:00 Medium

1.3630 $2.35

ERIC NELSON is Professor of Music and Director of Choral Studies at Emory University and the Artistic Director of the Atlanta Master Chorale.

He has also served as Minister of Music in the Atlanta area.

» Practice patience. Students in particular are not at the level where they were. » Culture is often taught by those who have been in the choir for a while. Because of this, the building of culture and expectations may require more attention. » Adjust expectations. Start where the singers are, not where you think they should be. » Figure out what skills the members need to acquire. » Consider communicating and being more social through e-mail and helping choir members get to know each other better since it is harder to have after choir socialization.

SATB

SCHOOL/CONCERT | 7 G. PHILLIP SHOULTZ III We Shall Overcome SATB Chorus (divisi) unaccompanied An a cappella setting of the iconic American protest song associated so strongly with the civil rights movement. The arrangement is both reflective and optimistic in feel with effective use of dynamic contrast. Duration: 3:00 Medium

1.3640 $2.05 We are pleased to welcome G. Phillip Shoultz to our catalog. He is known for fostering community and inspiring action among people of all ages and abilities. He enjoys a multifaceted career as artist, educator, consultant, speaker and pastoral musician.

Phillip is the associate artistic director of VocalEssence where his most visible impact is seen through his visionary leadership as founding conductor of the VocalEssence Singers Of This Age and through his engaging Take 5 with GPS daily livestream and series of instructional videos. To learn more, visit vocalessence.org

ROBERT CONVERY Something Sings SATB Chorus and Piano The beauty of the natural world is the subject of this piece based on a Ralph Waldo Emerson poem. Duration: 1:30 Medium

9127 $2.05

The Beautiful Land of Nod SATB Chorus unaccompanied The iconic poem by Ella Wheeler Wilcox is set here in a lilting and gentle composition that may be done by an ensemble or by a full choir. Peaceful, serene, and comforting. Commissioned by “The Crossing” and Donald Nally. Program notes available as a free download. Duration: 5:30 Moderately Difficult

8998 $2.35

KAREN MARROLLI Karen Marrolli is a noted composer of American choral music. She combines a feel for folk melodies and harmonic treatments with sensitive choral writing. Marrolli also writes original texts for many of her compositions and displays her keen understanding of the matching of music and text on the titles included here. The compositions on this album were recorded by the nationally recognized choir The Singers—Minnesota Choral Artists, under the direction of Matthew Culloton.

Hope Waits SATB Chorus (divisi) unaccompanied An expressive original text that speaks to the healing presence of hope in our lives. The musical setting begins reflectively and then builds to a gospel style ending. Duration: 4:00 Medium

AVAILABLE ON ALL STREAMING SERVICES

Warrior

Moderately Easy

Solo Voice, SATB, Flute, and Drum The composer uses Native America influences to create a stirring anthem about the strength of women facing the trials of life. Powerful imagery in both the text and the music.

Duration: 4:30 Medium

1.3585, Choral Score $2.60 1.3585A, Violin & Cello Parts $10.00

1.3620 SATB Version 1.3620A Flute & Drum Parts

1.3631 $2.60

Undivided SATB Chorus (divisi), Violin, Violoncello, and Piano Appropriate for both sacred and secular settings, Undivided speaks to ideas of peace, unity, respect, and understanding. Duration: 4:00

$2.80 $10.00

8 | SCHOOL/CONCERT

SATB

LEE NELSON choral series KYLE PEDERSON Reconcile SATB Chorus and Piano, with opt. Descant and Drum This original text on reconciliation provides an accessible jumping off point for your church or school choirs to explore what reconciliation might look, feel, and sound like in your particular circumstance. This melodic piece (with multiple voicings for various kinds of choirs) blends elements of pop and gospel, and provides an optional descant layer in Swahili to reinforce the universality of its themes.

A flexible, timely, and entirely accessible piece with piano and optional drum accompaniment. Duration: 4:30 Moderately Easy

1.3632 $2.80

The focus of this series is to provide outstanding choral music appropriate for all state and festival choirs, high school ensembles as well as college/ university, and community choirs. The series seeks to promotes interesting and innovative works composed by both established and new composers.

We Stand on Their Shoulders SATB Chorus, Treble Trio, and Piano This powerful new Charles Anthony Silvestri text honors the work and sacrifice of those who have fought for social justice. This gospel/pop fusion piece is offered as an anthem of hope and empowerment, reminding both singers and audience that others do not have the right to define us, to take away our power, or to make us hide. Duration: 5:00 Medium

1.3624 $2.80

Bend

SATB Chorus (divisi) unaccompanied This anthem of affirmation is perfect for school and community choirs and was premiered at the ACDA North/North Central conference in 2020. Addressed to those facing struggles, it presents the metaphor of a tree bending in the wind. As we bend together, our community is strengthened. Duration: 2:45 Moderately Easy

1.3613

Choral Score

$2.35

AARON HUMBLE We Gather Together SATB Chorus and opt. Keyboard This setting features original material that helps this standard hymn feel both traditional, yet fresh. Part of the Lee Nelson Choral Series.

Medium

1.3622 $2.35 We are pleased to welcome composer, conductor, and tenor Aaron Humble to our catalog. Aaron has enjoyed solo appearances with the St. Paul Chamber Orchestra, The Columbus Philharmonic, the Mankato Symphony, and the Boston Pops and concert appearances at the Kennedy Center, Lincoln Center, The Library of Congress, Wolf Trap, and The Chautauqua Institute. During his tenure with Cantus, Aaron sang nearly 1000 concerts and recorded 10 albums with one of the nation’s premier vocal ensembles. To learn more, visit AaronHumble.com

JAMES MCCULLOUGH

TOM TRENNEY

I stood here in my dark dreams

Our Love Can Mend a Broken World

(Ich stand in dunklen Träumen)

Medium

SATB and Piano With its recurring refrain “Let’s see what love can do to mend a broken world,” the message here is timely and timeless. The text contrasts what the world sees with how things could be, counseling unity over division. Duration: 4:00 Medium

1.3600 $2.05

1.3604 $2.35

SATB Chorus and Piano One of Clara Schumann’s inspired settings of a Heine text. In the original key of E-flat major, the score opens with four full measures of introductory music. Chromatic harmony is stated and is soon followed with traditional dominant/tonic cadences. The ending is the same as the beginning: Sad, but comfortingly satisfying. Duration: 2:30

SATB

SCHOOL/CONCERT | 9 KEVIN MCBETH is the director of the St. Louis Symphony’s IN UNISON Chorus and Holiday Festival Chorus. He is also the Director of Music and Worship at the Manchester United Methodist Church in St. Louis, Missouri.

» Starting back is more like using a “dial” than a “switch.”

It is important to come back at the correct pace for your group. » Communication with the group is of utmost importance during this time. Increase communication and be transparent about plans. » Fill the folders with things the choir wants to sing. Help them feel good about singing again. » Work at building community. Continue using tools like zoom to help people connect and talk. » Encourage church leaders, or organizational leaders to welcome the singers back and emphasize the importance of what they are doing.

TOM PETERSON Being Many, Seeming One

JOCELYN HAGEN Only Gratitude Remains

SATB Chorus (divisi) unaccompanied Part of the Dale Warland Choral Series. Winner of the 2019 True Concord Stephen Paulus Emerging Composers Competition. Text by William Shakespeare. Duration: 3:30 Moderately Difficult

SATB Chorus (divisi) unaccompanied The text of this composition comes out of family crises. In the words of the author We found that in a storm of uncertainty, gratitude became our anchor. The moving text is set in a reflective and calming style by this gifted composer. Duration: 3:45 Medium

8947 $2.35

8848 $2.35

STANLEY M. HOFFMAN Nature SATB Chorus and Piano or Chamber Orchestra The poem Nature by Henry Wadsworth Longfellow (1807–1882) compares a sleepy child being led off to bed to elderly people waiting for death. It was composed for the 2008–2009 Longfellow Chorus International Composers Competition where it was awarded co-first prize. Chamber Orchestra score and parts are available on rental. Duration: 4:00 Medium

7432 7432A

Choral Score $2.60 Addl. Chamber Orchestra Score $35.00

CHARLOTTE BOTHA Akekho ofana noJesu (There’s No One like Jesus) Solo Voice and SATB Chorus unaccompanied A setting of a South African hymn in the isiZulu language. This piece is sung in diverse contexts and exudes joy!

Medium

1.3626

Choral Score

$2.05

Charlotte Botha is Director of Choral Activities at Hamilton College, and she conducts the College Choir and Hamilton Voices. Recently, she worked as assistant conductor of the Dallas Symphony Chorus. Botha’s approach to rehearsal, performance, and group vocal discovery has become permeated by the principles of Choregie and the choral artist’s role in the pursuit of social justice.

10 | SCHOOL/CONCERT

SATB

MARQUES L. A. GARRETT & TOM TRENNEY Rise, Shine!

On the Common Ground Solo and SATB Chorus unaccompanied Alice Parker has given many musical gifts over her storied career. This gift grows out of concern for the many walls that have appeared that separate our society. This soulful composition is a plea for us to meet each other on common ground. Part of the proceeds for this piece will be given to Chorus America in support of their ongoing work.

Moderately Easy

SATB divisi with opt. Piano The piece begins slowly and crescendos into a jubilant exhortation to let your light shine. A rousing rendition of the well-known spiritual. Two versions: piano, SATB choir and no divisi, and divisi choir and is a cappella.

Medium

50-6416 Piano Version 50-6417 a cappella version

ALICE PARKER

$2.25 $2.25

8995 $2.05

STUART CHAPMAN HILL

DOMINICK DIORIO

When Our Voices Rise

We Reply

SATB Chorus (divisi) and Piano Students’ short journal entries became the text for this piece about unity which still allows the individual to shine. Written in a traditional choral idiom, there is nevertheless a “pop/musical theater” vibe in the composer’s intent. Many performance possibilities. Duration: 3:45 Moderately Easy

SATB Chorus (divisi) and Piano with opt. String Quartet or Ensemble Inspired by Leonard Bernstein’s quote about making art in the face of adversity. Full of rhythmic energy and momentum, the clash of violence is balanced by optimism and joy.

Incorporates texts from the Jewish sacred prayers Shema and Hashkeivenu. Duration: 4:30 Medium

1.3609

Choral Score

$2.60

8963 8963A 8963B

Piano/Choral Score opt. Full Score opt. String Parts

$2.60 $27.00 $35.00

ENRICO MIAROMA

STACEY V. GIBBS

Light

Little Innocent Lamb

SSATB Chorus unaccompanied Part of the Baylor University Collegiate Choral Series, the music begins mystically but moves to a quick triple meter. There is a final reference to the opening texture, this time majestic in mood. The text is by Ragindranath Tagore, whose poetic songs were viewed as spiritual and mercurial. Duration: 3:15 Moderately Difficult

SATB divisi, a cappella A new take on this classic spiritual, this unaccompanied setting has divisi in all parts, a touch of chromaticism that is totally in character, and variation in texture, tempo, and mood. The careful writing makes it completely feasible for a small, skillful group as well. The familiar and fun parts of the text are all there with slight adaptations. Duration: 3:30 Moderately Difficult

50-0499 $2.50

1.3592 $2.60

JENNAYA ROBISON

ERIC WILLIAM BARNUM

Sim Shalom

Responsorials

SATB Chorus and opt. Piano or String Quartet Although the work is newly composed, the music seems reminiscent of what you might hear in a Hebrew morning service, and the melody is one that you will carry with you throughout the entire day. Suitable for both concerts and worship services. Duration: 2:15 Moderately Easy

SATB Chorus (divisi) unaccompanied Commissioned by Dr. Geoffrey Boers and the University of Washington Chamber Singers to be short responses to movements of an eclectic Mass. The texts are extracted and adapted from William Wordworth’s Illustrious metaphysical poem, On the Power of Sound, which delves deeply into the mysteries of the natural (and supernatural) world and its complex relationship with the physics of voice and sound. An expansive feeling of both joy and mystery pervades these short vignettes. Duration: 6:00 Moderately Difficult

1.3587 Piano/Choral Score 1.3587A String Quartet Score 1.3587B String Quartet Parts

$2.05 $12.00 $22.00

1.3572 $2.95

SATB

SCHOOL/CONCERT | 11 RUTHIE FOSTER & PAUL RARDIN

Death Came A-Knockin’

Mama Said

(Travelin’ Shoes)

SATB Chorus (divisi) unaccompanied American blues icon Ruthie Foster released “Mama Said” on her 2007 recording The Phenomenal Ruthie Foster.

This arrangement is deliberately “choral,” preferring to honor Ms. Foster’s exquisite vocal shadings—a bend here, a fall-off there—by avoiding exact imitation. The basses provide the rhythm section of electric bass and closed hi-hat cymbal, leaving the upper three parts in gospel harmony in all but a few measures of the piece. The divisi is confined to a few chords and is not difficult. Duration: 3:00 Medium

Three Treble Soli and SATB Chorus (divisi) unaccompanied This setting requires three treble soloists with power below the staff and confidence in the blues style. The choral backgrounds are deliberately sparse until a climactic group shout for the preacher. The music is driving and relentless, the singers are determined to be “ready to go” into the kingdom of God. The characters in this unique and compelling work: mother, sister, brother, neighbor, preacher, and finally self, remind us that we will all face this journey, so we had best live right and shout “Hallelujah” when our turn comes. Duration: 3:30 Medium

7.0743

Choral Score

7.0742 $3.05

$3.05

DAVID CONTE: MADRIGALS FOR THE SEASON A Summer’s Day

Snow-flakes

SATB Chorus unaccompanied A Summer’s Day strives to capture the pleasure of the freedom of movement afforded by the season. Images of nature are illuminated, climaxing in the splendor of God’s sun: “His Caravan of Red.” Duration: 2:30 Difficult

SATB Chorus (divisi) unaccompanied The poetic structure of this Longfellow poem is reflected in the musical phrases.

Mournful harmonies on wordless syllables accompany the main melodic line. The mood is sorrowful, as the speaker searches for signs of God’s presence in the face of grief. Duration: 5:30 Difficult

8892 $2.60

8894 $2.60

Autumn

SATB Chorus unaccompanied Conjuring up vivid images of the season, this movement is an expressive Larghetto in the minor mode. The ending includes a surprise harmonic twist that expresses both the acceptance of death and the peace that it offers. Duration: 4:45 Difficult

8893 $2.60

Spring SATB Chorus (divisi) and Piano A celebration of the arrival of Spring, this movement explores the harmony of man with the natural world. The setting is in a lively compound meter and is the only movement with piano. This madrigal features melismas on the word “merrily,” bringing the set to a joyous conclusion.

Duration: 2:30 Difficult

8895 $2.85

GWYNETH WALKER: TWO SUFFRAGE SONGS Sister, Come By Here!

Never Sit Down!

SATB Chorus (divisi) and Piano The first movement of Two Suffrage Songs is an adaptation of the spiritual, “Jesus, won’t you come by here?” in which the singers call out for others to join the cause. A jaunty piano part in swing eighths supports. The choral writing is approachable and fun. Duration: 2:45 Medium

SATB Chorus (divisi) and Piano This second movement of Two Suffrage Songs is based on the spiritual “Sit Down, Sister!” Here it is revisited with a Suffragette theme; the upbeat nature of the music reflects the energy and motivation of the strong women who fought for the right to vote. The text directly refers to Susan B. Anthony, Elizabeth Cady Stanton, and Lucretia Mott. The piano accompaniment punctuates and enlivens. Duration: 3:15 Medium

8944 $2.60

8945 $2.60

Canticle Distributing is now the distributor for Colla Voce Music LLC New!

O Sapinho (Little Toad) arr. Aderbal Soares

SA Voices and Piano This is a very happy, carefree, and lighthearted song.

It helps to think of a marsh on a beautiful evening: clear skies, billions of stars above with thousands of happy-go-lucky toads and frogs croaking away on lily pads then leaping to and fro among the sweet smell of flowers. Uninvited jolly crickets are welcome to chime in, counterpointing their chirping with the dancing flicker of exuberant fireflies. Allow yourself to create a sense of a big celebration to mark the abundance of life. Sung in Brazilian, pronunciation guide included.

Aderbal Soares has very fond memories of his mother singing this song to her young children in Brazil. He says, “We were little, young, eager and full of dreams despite growing up in poverty. Later on she continued singing this folk song to her grandchildren.

It has given us plenty of joyous moments.”

24-95670 Choral Score

$2.10

The Pasture

City Called Heaven

No. 2 from “Where The Earth Meets The Sky”

arr. Josephine Poelinitz

Z. Randall Stroope

Solo and SATB or SSA Chorus and Piano City Called Heaven is a sorrow song that is usually performed in the style of “surge singing.” This arrangement represents a slow Gospel interpretation of the original. If you have a gospel pianist, feel free to take liberty with the printed notation. However, if you’ve never done this style of music, this is an excellent place to begin. The soloist, as well, can feel free to improvise within the style.

SATB Chorus and Piano with opt. Instrumental Ensemble The pastoral and European influences in Robert Frost’s writings, lend themselves to the American setting of The Pasture. Featured at the 2015 Oklahoma Junior High All State Chorus. Instruments include flute, oboe, horn, viola, violoncello, and contrabass.

45-21102, Choral Score 45-21102A, Instrumental Ensemble Score & Parts

$2.05 $50.00

21-20105 SATB Choral Score 21-20270 SSA Choral Score

If Music Be The Food of Love David C. Dickau SATB or SSAA Chorus and Piano, with opt.Orchestra Written in romantic style, this setting employs a full palate of color’s in response to Henry Heveingham’s text.This work was co-commissioned as a special project of the Minnesota Music Educators Association and the American Choral Directors Assocation of Minnesota.

36-20109 36-20109A 36-20203 36-20203A

SATB Choral Score SATB Orchestra Score & Parts SSAA Choral Score SSAA Orchestra Score & Parts

$2.10 $75.00 $2.15 $75.00

$2.05 $2.05

Old MacDonald’s Farm Noble Cain SATB Chorus and Piano A fun, energetic piece based on the American folk song, but this version has some very different and fun additions thanks to a wonderful text by Noble Cain. A great novelty piece for the middle of a concert or just a great way to end the concert. There is divisi throughout.

55-43101 Choral Score

$2.05

No Time Traditional Camp Meeting Songs arr. Susan Brumfield TTBB, SATB, or SSAA Chorus and Piano This arrangement combines two camp meeting songs: “Rise, Oh Fathers” and “No Time.” When sung separately, each goes through the entire progression of “fathers, mothers, brothers, sisters, sinners” before concluding. Both songs were collected by Loman Cansler from Kansas City, Missouri, who learned them from his grandfather, James Reuben Broyles, a Missouri preacher. Originally written for the 2014 California All-State Men’s Honor Chorus, Z. Randall Stroope, conductor.

48-96630 21-20114 21-20260

TTBB Choral Score SATB Choral Score SSAA Choral Score

$2.15 $2.10 $2.15

Choral Series from Colla Voce James Mulholland Choral Series

Jeffery Redding Choral Series

Colla Voce Choral Series

Rodney Eichenberger Choral Series

Henry Leck Choral Series

Plymouth Choral Library

Z. Randall Stroope Choral Series

Dale Warland Choral Series

Jo-Michael Scheibe Choral Series

Paul E. Oakley Choral Series

Christopher Matthews Choral Series

Robert Taylor Choral Series

Lynne Gackle Choral Series

Aberdeen Music Library

Ruth Dwyer Choral Series

Christ Church Choral Series

John Flanery Choral Series

Lee Kjelson Choral Series

Gary R. Schwartzhoff Choral Library

Pelican Cay Choral Series

Gregory Fuller Choral Library

Greystone Choral Series

Tony Thornton Choral Series

Brent Pierce Choral Series

C o l l a Vo c e M u s i c L L C Dedicated to printing quality music literature from around the world since 1996.

Originally begun as a hobby by businessman Frederick M. Hatfield, Colla Voce quickly started making a name for itself by publishing the music of composer James Q. Mulholland and editor/conductor Henry Leck. In the years 2000 and 2001, Colla Voce began acquiring the copyrights previously held by music publishing juggernaut Plymouth Music Co., Inc. With these titles came the musical talents of editors/conductors such as Rodney Eichenberger, Dale Warland, Jo-Michael Scheibe, and Z. Randall Stroope. Colla Voce now boasts a catalog of over 2,500 titles by some of the industry's most talented musicians. Visit collavoce.com for more information.

Alleluia

Alabama

from “Songs of Faith”

arr. Edwin Robertson

Paul Basler

SATB Chorus and Piano Commissioned for Alabama Vocal Association for the Alabama All-State Choruses, an arrangement of the Alabama state song.

SATB or SSAA Chorus with Horn, Conga Drums, and Tambourine Songs of Faith is a large scale, multi-movement work that explores and celebrates the American Spirit. Written in the Fall of 1998 as a sequel to Basler’s acclaimed Missa Kenya, the “Alleluia” is the fourth movement.

The SATB version was featured at the 2014 GMEA All-State Sight Reading Chorus. The SSA version was featured at the 2016 NW ACDA Convention.

36-20116 36-20116A 36-20202 36-20202A

SATB Choral Score Horn & Percussion Parts SSAA Choral Score Horn & Percussion Parts

$2.65 $16.50 $2.65 $16.50

Homeland Gustav Holst, arr. Z. Randall Stroope Also known as “Jupiter’s Theme” from Holst’s The Planets, this Patriotic British song was sung at the wedding of Prince Charles and Lady Diana Spencer, and tragically, also at her funeral at the request of her sons.

Its inherent noble character and seeming timelessness have made this work deeply ingrained in the minds and hearts of people everywhere.

Paired with the text by Sir Cecil Spring-Rice, Homeland transcends any cultural of national boundaries. People throughout history have cherished their ties of blood, language, and culture, and fought with their lives to protect them. May we ever value our heritage, and the “homeland” which preserves it to this day.. Commissioned for the 2000 Council Bluffs, Iowa All-School Festival. Available for multiple voicings and accompaniments.

SATB Chorus with opt. Brass and Percussion or Orchestra or Wind Ensemble or Brass Quintet

45-21104 45-21104A 45-21104B 45-21104C 45-21104D

Choral Score Brass/Percussion Ensemble Score & Parts Orchestra Score & Parts Wind Ensemble Score & Parts Brass Quintet Score & Parts

$2.10 $45.00 $75.00 $75.00 $30.00

SSA Chorus and Piano, with opt. Brass and Percussion or Orchestra

45-21106 45-21106A 45-21106B 45-21106C

Choral Score $2.10 Brass/Percussion Ensemble Score & Parts $45.00 Orchestra Score & Parts $75.00 CD Recording $15.00

TBB Chorus and Pian,o with opt. Brass and Percussion

48-96810 48-96811

Choral Score Brass Ensemble Score & Parts

$2.10 $45.00

TTBB Chorus and Piano, with opt. Brass and Percussion, Wind Ensemble, or Orchestra

48-96690

Choral Score

$2.10

55-48191 Choral Score

$2.10

South African Suite arr. Henry Leck Three- and Four-Part Voices a cappella This three-part suite contains “Tshotsholoza,” which tells the story of a train bringing a man to Zimbabwe; “Siyahamba,” which is translated as “We are marching in the light of God;” and “Gabi Gabi,” which is translated as “ Come, let us join together and form a movement.” Featured at the 2014 California MEA Annual Workshop and the 2017 Colorado MEA Convention.

21-20200 Choral Score

$2.05

Widmung (Dedication) Music by Robert Schumann arr. James Q. Mulholland SA Voices and Piano Written in 1840 as part of a set of Lieder dedicated to his wife, Clara as a wedding gift, the English translation of Schumann’s text begins “You my soul, you my heart, You my rapture, O you my pain, You my world in which I live, My heaven you, to which I aspire….” Text in German.

20-96880 Choral Score

$2.05

14 | SCHOOL/CONCERT

MEN’S CHORUS

JONATHAN KOHRS

AARON HUMBLE

Jesus, Savior, Pilot Me

We Gather Together TTBB Chorus and opt. Keyboard This setting features original material that helps this standard hymn feel both traditional, yet fresh. Part of the Lee Nelson Choral Series.

Medium

TTB and Piano Jonathan Kohrs has written this new, gospel-style music with a big piano accompaniment to the standard text. The short rhyming phrases are perfect for this style and add up to a rewarding effect, and a lot of fun as well!

1.3629 $2.35

Medium

50-6216 $2.25

ERIC NELSON

STEPHEN CHATMAN

Goober Peas

Do not stand at my grave and weep

TTBB Chorus and Piano A jaunty, fun arrangement of this early American song. A great program piece. Duration: 3:00

TTBB Chorus unaccompanied A moving setting of this gripping and emotional text. In this setting the composer captures the solemnity of the text throughout the thoughtful choral writing. Duration: 2:30

Moderately Easy

1.3617 $2.05

Medium

8901 $1.95

KYLE PEDERSON Exsultate! Jubilate!

TTBB Chorus and Piano This unique setting pairs the iconic Latin text with an original English text, which is a response to the question, Why do we rejoice and shout our praises to God?” The music captures the exuberance of the phrases “Exsultate Deo” and “Jubilate Deo,” but also reflects the quiet joys found in the daily gifts of breath and light. The piano accompaniment is rhythmic and lively.

Medium

1.3638 $2.60

SID DAVIS is the Director of Music and Fine Arts at St. Luke’s United Methodist Church in Houston Texas. Sid conducts the adult choir and Student choir and oversees a robust music and arts ministry.

» Acknowledge that the world is different and work to strengthen your resolve » Help the choir feel like they can change the world and that choirs everywhere can help change the world

» Do everything you can to keep community together. Prioritize things like “driveway conversations” with choir members to stay connected.

» Schedule a lot of “comfort music” for the choir » Schedule time for personal reflection » Work with new members, particularly youth to orient them and to make them a part of the group.

MEN’S CHORUS

SCHOOL/CONCERT | 15

GWYNETH WALKER I Thank You God TBB Chorus and Piano or Chamber Orchestra An alternative voicing of one of this composers seminal works. Text adapted from E. E. Cummings “I thank You God for most this amazing day.” This piece was the 1999 Raymond W. Brock Commission from the ACDA and has become wildly popular since its premiere at the 1999 national convention. Duration: 4:15 Medium

9117 9117A 6795

TTB Choral Score $2.85 TTB Chamber Orch Score $24.00 Chamber Orch Parts $88.28

KAREN MARROLLI Wild Mountain Thyme

STEVEN SAMETZ Zinga!

TTBB Chorus (divisi) unaccompanied Zinga! Allows for simple staging where the singers make the nonsense syllables into a language which only they can understand, perhaps argumentative, friendly, or conspiratorial. Duration: 2:45

TTBB Chorus, Violin, and Piano A combination of two traditional Scottish tunes: “Wild Mountain Thyme,” sung by the voices, and the popular Scottish reel “Whiskey Before Breakfast,” played as a counterpoint by the violin. The two tunes come together to highlight the playful nature of Tannahill’s text, which speaks of going out with one’s love in the romantic blush of spring. Duration: 3:00 Moderately Easy

1.3586 Choral Score 1.3586A Violin Part

$2.35 $5.00

Difficult

7360 $2.25

CLARA SCHUMANN JAMES MCCULLOUGH,

ed. and arr.

If You Love for Beauty (Liebst du um Schönheit) TBB Chorus and Piano Clara Schumann’s solo song expressing thankfulness for “True Love” has been expertly and effectively adapted for TTBB voices by composer/scholar James McCullough. Duration: 2:30 Medium

1.3591 $2.05

JAMES MCCULLOUGH I stood here in my dark dreams (Ich stand in dunklen Träumen) TBB Chorus and Piano One of Clara Schumann’s inspired settings of a Heine text. In the original key of E-flat major, the score opens with four full measures of introductory music. Chromatic harmony is stated and is soon followed with traditional dominant/tonic cadences. The ending is the same as the beginning: Sad, but comfortingly satisfying. Duration: 2:30 Medium

1.3601 $2.05

16 | SCHOOL/CONCERT

TREBLE CHORUS JEFFREY SMITH

Jeffrey Smith is Music Director of Saint Paul’s, K Street, a noted Anglo-Catholic church in central Washington DC. He previously served on the faculty of the Jacobs School of Music at Indiana University, and as Director of Music at Christ Church Cathedral, Lexington, and Grace Cathedral, San Francisco.

O How Amiable Are Thy Dwellings SA Chorus and Organ In this winning setting of the venerable text, there are unison declamations, imitative passages, and a soaring descant to close. The organ part is equally lovely, in one place providing bird-like motifs.

Written for two part treble voices (three parts when you get to the descant) this is appropriate for youth or adult singers.

Duration: 3:00 Medium

8887 $2.35

KYLE PEDERSON Reconcile

PHILIP W. J. STOPFORD

SSA Chorus and Piano, with opt. Descant and Drum This original text on reconciliation provides an accessible jumping off point for your church or school choirs to explore what reconciliation might look, feel, and sound like in your particular circumstance. This melodic piece (with multiple voicings for various kinds of choirs) blends elements of pop and gospel, and provides an optional descant layer in Swahili to reinforce the universality of its themes.

A flexible, timely, and entirely accessible piece with piano and optional drum accompaniment. Duration: 4:30

Benedictus SSAA and Keyboard The seventh movement from Stopford’s Missa Deus Nobiscum, the Benedictus is reflective and “blessed,” for he who comes in the name of the Lord is God with us.

Medium

50-5222 $1.95

Moderately Easy

1.3633 $2.80

STEPHEN CHATMAN Do not stand at my grave and weep SSAA Chorus unaccompanied A moving setting of this gripping and emotional text. In this setting the composer captures the solemnity of the text throughout the thoughtful choral writing. Duration: 2:30 Medium

8902

$1.95

Come day, come night SSAA Chorus and Piano A beautiful Christina Rossetti text about love gained and lost. Simple, but moving choral writing.

Duration: 2:30 Moderately Easy

9126 $2.05

Lie still, lie still, my breaking heart Soprano Solo and SSAA Chorus unaccompanied In Lie still, lie still, my breaking heart, a fragment from Christina Rossetti’s poem, Mirage, the poet commands her “breaking heart” through urgent repetitions, to “lie still and break.” The grief of a lost love changes her “life, and the world” forever. Duration: 2:50 Medium

8899 $2.05

TREBLE CHORUS

SCHOOL/CONCERT | 17 HOWARD GOODALL The Good-Morrow SSAA and Piano Composed in 2000 for the highly regarded Cantamus Girls’ Choir and their founder, Pamela Cook, The Good-Morrow is Howard Goodall’s stunning setting of the John Dunne poem, for upper voices and piano. The universal themes of love, compassion, and togetherness are echoed in the music, a reflective and uplifting choral work ideal for concert performance.

Medium

56-0117 Choral Score

$2.75

RONALD PERERA Music, When Soft Voices Die SSAA Chorus and Piano Percy Bysshe Shelley’s deeply moving poem about love and loss is matched with rich, resonant sonorities in the choral writing and the accompaniment. A beautiful program piece for women’s voices. Duration: 3:00 Medium

8989

$2.35

AARON HUMBLE We Gather Together SSAA Chorus and opt. Keyboard This setting features original material that helps this standard hymn feel both traditional, yet fresh. Part of the Lee Nelson Choral Series.

Medium

1.3637 $2.35

ELIZABETH NUÑEZ is the Associate Artistic Director of the award-winning Young People’s Chorus of New York City and the founding artistic director of the SoHarmoniums Women’s Choir. As director of the YPC School Choruses program she creates and oversees YPC’s unique curriculum of music education and performance for over 1,200 children in 20 New York City schools.

» Think about your mission and help people connect to that mission. » Ask questions of yourself. What is our culture? What are our core values?

What is our mission? » Set up your rehearsal space to reflect your culture. » Call and text choristers to stay connected. » Check in emotionally with colleagues and work at keeping the band together. » Emphasize hope.

18 | SCHOOL/CONCERT

TREBLE CHORUS

KAREN MARROLLI Warrior Solo Voice, SSAA Chorus, Flute, and Drum The composer uses Native America influences to create a stirring anthem about the strength of women facing the trials of life. Powerful imagery in both the text and the music. Duration: 4:30 Medium

1.3621 Choral Score 1.3620A Flute & Drum Parts

$2.80 $10.00

Undivided SSAA Chorus (divisi), Violin, Violoncello, and Piano Appropriate for both sacred and secular settings, Undivided speaks to ideas of peace, unity, respect, and understanding. Duration: 4:00 Moderately Easy

1.3588 Choral Score 1.3585A Violin & Cello Parts

$2.60 $10.00

RENÉ CLAUSEN The Music of Being SSA and Piano or Chamber Orchestra An original text and musical composition that speaks to the importance and uniqueness of each individual. Beautiful and elegant descriptions of our how our lives intertwine all placed in the context of what it is like to make music together. A truly moving piece. Chamber Orchestra Score and Parts on rental.

Duration: 4:00 Medium

1.3605 Piano/Choral Score 1.3605A Addtl Chamber Score

$2.80 $40.00

PHILIP REED Philip Reed pursues vocal music in a variety of forms as a conductor, singer, composer, and (ethno) musicologist. He is especially fascinated with reconstructing music of the past as a means of accessing the lived experience of past peoples, and his compositions seek to build upon the generations of creative labor woven through the world’s musical traditions.

Four Spring Songs SSA Chorus unaccompanied Simple melodies and clear textures capture the poets’ vivid natural imagery of the sighs and sounds of spring. Duration: 5:00 Moderately Easy

1.3602 $2.80

JAMES MCCULLOUGH I stood here in my dark dreams (Ich stand in dunklen Träumen) SSAA Chorus and Piano One of Clara Schumann’s inspired settings of a Heine text.

In the original key of E-flat major, the score opens with four full measures of introductory music. Chromatic harmony is stated and is soon followed with traditional dominant/tonic cadences. The ending is the same as the beginning: Sad, but comfortingly satisfying. Duration: 2:30 Medium

1.3599 $2.05

TREBLE CHORUS

SCHOOL/CONCERT | 19 GWYNETH WALKER Love Shall Live Forever

Widely performed throughout the country, the music of American composer Gwyneth Walker is beloved by performers and audiences alike for its energy, beauty, reverence, drama, and humor. For more information, visit: gwynethwalker.com

Women’s Chorus (SSAA) and Piano The special imagery in each of these poems finds its way into the musical setting. Evening Song features moonlight sparkling on glimmering waves.

The Cloths of Heaven has the lover yearning to give his beloved beautiful gifts. She Walks in Beauty provides a strong close to the set, with a quote from the Song of Solomon (Set Me As A Seal) as a coda. Duration: 9:00 Medium

8917 $3.95

Back and Forth on the Ferry

Maid of Constant Sorrow

SSA Chorus and Piano

SSA Chorus and Piano

The text by Edna St. Vincent Millay, speaks of a youthful all-night adventure riding the ferry back and forth with no destination in mind. There is much back-and-forth in the musical setting, to a swaying 6/8 meter. Can be sung as part of a larger collection: Passion and Remembrance. Duration: 4:00

An adaptation of the familiar American folk song, “A Man of Constant Sorrow.” This is a very simple melody, placed in the key of C major. The message is a mournful one.

The soul is troubled, and not at rest. “All through this world, I’m bound to ramble... perhaps I’ll take the very next train.” Then, later, “perhaps I’ll die upon this train.” Some comfort is taken with the lines “I know we’ll meet on God’s Golden Shore.” Approachable vocal writing with a gently flowing piano accompaniment.

Medium

Medium

8836 $2.60

8216 $2.60

FRANK FERKO: FOUR AMERICAN FOLK SONGS SSAA unaccompanied Moderately Difficult

Skip to My Lou

This setting is a brisk one, with coy syncopation and lots of interplay. The tune itself is even inverted at one point. Not easy but the fun makes up for it.

Duration: 2:15

8904 $2.35

All the Pretty Little Horses

This minor-mode lullaby is set in close harmonies which amplify its dual nature: sometimes soothing, sometimes a bit ominous.

Duration: 2:50

8905

$2.35

Poor Wayfaring Stranger

The textures vary from spare to lush, reflecting the pathos of this mournful folk song.

Duration: 2:50

8906

$2.35

She’ll Be Comin’ ‘Round the Mountain

With it’s swinging rhythms and laughing motif throughout, this is a fitting conclusion to Ferko’s set of four American folk songs. Eschewing weightier interpretations of the text, this setting is pure fun.

Duration: 2:48

8907

$2.60

20 | SCHOOL/CONCERT

CHILDREN’S CHORUS

DARREN DAILEY CHORAL SERIES This series features new works for children’s choirs. Series editor Darren Dailey is President and Artistic Director of the Jacksonville Children’s Chorus. Over the past decade, he has made it into one of America’s best youth choruses. Under his leadership the Chorus has grown to serve over 500 Jacksonville children annually in five year-long performance choirs, multiple satellite rehearsal locations, and outreach programs throughout the region.

RICHARD BURCHARD An Irish Blessing SSAA Chorus unaccompanied Beginning simply with soprano 1 in unison, this setting builds to a four part contrapuntal Amen which is gorgeous. Then the text repeats, homophonically in four parts, with simpler Amen. The imagery of the wind, the sun, and rain makes this text a familiar and beloved one. Duration: 2:00 Medium

1.3614 $2.05

KEN BERG Johnny Comes Marching

RICHARD A. WHITING & KEN BERG

SSA Chorus and Piano This strong tune and text speaks to the respect with which any nation treats the men and women who serve in their military. Beginning softly, the effect is like a parade that starts in the distance and gradually progresses ever closer to the listener. Each successive verse expands not only the part writing, but the sound and effect. The strength of the harmonic structure, the depth of the textual importance, and a relentless rhythmic drive, make this piece a strong addition to any program. Duration: 2:45

Where the Orange Blossoms Grow Unison or Three-Part Chorus and Piano, with opt. Bass and Percussion A fun piece about the joys of living in Florida! Part of the Darren Dailey Choral Series. Duration: 3:00 Moderately Easy

1.3628 1.3628A 1.3628B

Choral Score Full Score Instr. Parts

$2.60 $22.00 $20.00

Moderately Easy

1.3546 $2.60

MICHAEL JOHN TROTTA I Will Sing to the Stars SSAA Chorus, Piano, and opt. String Quartet This three-movement work (Joy; Dusk; Peace) was commissioned by the Jacksonville Children’s Chorus in conjunction with the centennial of Sara Teasdale winning the Pulitzer Prize for poetry in 1918. The text for this work is drawn from Rivers to the Sea which was published in 1915 and serves as a seminal example of women’s poetry in the modern era.

Joy 1.3548 Choral Score 1.3548A Full Score 1.3548B Instrumental Parts

Peace 1.3549 Choral Score 1.3549A Full Score 1.3549B Instrumental Parts

$2.05 $12.00 $18.00

Dusk 1.3550 Choral Score 1.3550A Full Score 1.3550B Instrumental Parts

Medium

$2.35 $12.00 $18.00

$2.35 $12.00 $18.00

DANIEL KNAGGS Magnificat and Nunc dimittis This series spotlights liturgical music for use by young choristers in worship and sacred concert repertoire appropriate for school and community performances.

Two-Part Treble Voices and Organ This spirited Mag and Nunc are thematically related despite their varying moods. Contemporary (but tonal) harmonic language, florid lines, and precise rhythms. The piano supports throughout. Largely unison, with some two part passages and a final chord in three parts.

Duration: 6:00 Moderately Difficult

50-6136 Choral Score

$2.25

CHILDREN’S CHORUS

SCHOOL/CONCERT | 21

JEFFREY SMITH

PHILIP W. J. STOPFORD

O How Amiable Are Thy Dwellings

Benedictus

SA Chorus and Organ In this winning setting of the venerable text, there are unison declamations, imitative passages, and a soaring descant to close.

The organ part is equally lovely, in one place providing bird-like motifs. Written for two part treble voices (three parts when you get to the descant) this is appropriate for youth or adult singers. Duration: 3:00

SSAA and Keyboard The seventh movement from Stopford’s Missa Deus Nobiscum (see page 24), the Benedictus is reflective and “blessed,” for he who comes in the name of the Lord is God with us. Medium

50-5222 $1.95

Medium

8887 $2.35

DALE WARLAND

LEE NELSON choral series

The Dale Warland Choral Series fosters quality choral composition and inspired music making, hallmarks of the tradition of Dale Warland himself, one of the premiere conductors of contemporary choral music.

The focus of this series is to provide outstanding choral music appropriate for all state and festival choirs, high school ensembles as well as college/ university, and community choirs. The series seeks to promotes interesting and innovative works composed by both established and new composers.

TOM MERRILL

KYLE PEDERSON

Rise up, my love

Reconcile

SA Chorus and Piano The approach to this wedding text is joyful rather than romantic, the vocal parts approachable but interesting thanks to rhythmic interplay and a variety of textures.

The piano part adds to the dance-like mood. Duration: 2:15

Two Part or Unison Chorus and Piano, with opt.

Descant and Drum This original text on reconciliation provides an accessible jumping off point for your church or school choirs to explore what reconciliation might look, feel, and sound like in your particular circumstance. This melodic piece (with multiple voicings for various kinds of choirs) blends elements of pop and gospel, and provides an optional descant layer in Swahili to reinforce the universality of its themes. A flexible, timely, and entirely accessible piece with piano and optional drum accompaniment. Duration: 4:30

Choral Series

Easy

8883 $2.35

Moderately Easy

1.3634 Two-Part 1.3635 Unison

$2.80 $2.80

GWYNETH WALKER Blessings from the Children Two-Part Treble Voices, Full Orchestra or optional Piano The texts for Blessings from the Children are found in the collection In Every Tiny Grain of Sand - A Child’s Book of Prayer and Praise

by Reeve Lindbergh. For the first song, The Blessing of Light, the lyrics are taken from a traditional Scottish blessing and adapted by the composer. The second and third songs use familiar sacred texts as adapted by Reeve Lindbergh. c. 4:00 Moderately Easy

7761 7762 7763 7764 7764_Study 7765

1. The Blessing of Light 2. The Circle of Days 3. On Morning Wings Complete Full Score Complete Study Score Instrumental Parts

$2.80 $2.35 $2.25 $50.00 $25.00 $150.00

22 | SCHOOL/CONCERT

MULTI-MOVEMENT WORKS

KEVIN SIEGFRIED Music of the Spheres SSAATTBB unaccompanied, with opt. Keyboard This five-movement work features texts by Johannes Kepler, John Donne, and the Psalms. Dedicated to Swiss astrophysicist Arnold Benz, a relative of the composer, this work is based on melodic ideas written to be overlaid with images of various constellations.

8837

Choral Score

$5.50

At the Water’s Edge SATB Chorus (divisi), with Harp or Piano This set of four pieces is written to the poetry of Sarah Orne Jewett, who is particularly known for the local color and “sense of place” she brought to her writing. Top of the Hill introduces the town of South Berwick and its natural surroundings, and is set in a rich and hymn-like musical texture. Boat Song is set for women’s choir and harp or piano, through gently lapping rhythms this movement evokes the pleasure of drifting in idle river currents. In Restless Waves is a brief prayer of remembrance for those who lose their lives at sea. The final movement, The Eagle Trees, explores the interconnectedness of human life and the natural world. Duration: 14:00 Medium

8854 8854A

Choral Score Harp Part

$4.50 $8.00

Boat Song is available separately

8855 8855A

Choral Score Harp Part

$2.35 $8.00

GWYNETH WALKER Sing Evermore!

Songs in Celebration of Singing Soprano & Baritone Soloists, SATB Chorus (divisi), and Piano, with opt. Flute Nine separate songs, which can be performed individually, yet are ordered for a cohesive flow.

The texts span many centuries (1598-1919), and all celebrate music, specifically the joys of singing. Performance options include flute and string quartet, or flute and string orchestra, or piano only, perhaps adding flute where written. Duration: 30:00 Medium

8542 Piano/Choral Score 8542A Flute Part

$10.25 $6.00

JORGE MARTÍN One Hour to Madness and Joy SATB Chorus (divisi), Percussion, and Organ Assembled from passages in Walt Whitman’s Leaves of Grass, this work conceptually compares his rolling verses with those of the Psalms, so it is fittingly accompanied by the organ, historically associated with religious services. One percussion instrument is featured in each of the four movements, to give each of them a unique perspective on the voice of God. Duration: 25:00 Difficult

8871 8871A 8871B

Full/Choral Score Percussion Part Organ Part

$8.75 $12.00 $25.00

MULTI-MOVEMENT WORKS ROBERT KYR

Also available separately

My Shepherd Is the Living Lord (Psalm 23) from Tenebrae (I-II) 8597 Choral Score $2.60 8597A Full Score $22.00 8597B Instrumental Parts $13.00

Tenebrae Journey through Shadows Tenor Solo, SATB Chorus, Flute/Alto Flute, Viola, and Violoncello, or Piano A musical journey through the shadows of the cross. The work is divided into nine individual movements and can be performed with either instrumental trio or piano accompaniment.

Staging and program suggestions are included in the full score. From Part IV of Kyr's Life unto Life Cycle. Duration ca. 18:00

I to the Hills Will Lift Mine Eyes (Psalm 121) from Tenebrae (III) 8598 Choral Score $2.05 8598A Full Score $17.00 8598B Instrumental Parts $13.00

Moderately Difficult

8596 8596A 8596B

SCHOOL/CONCERT | 23

(Complete) Choral Score $3.95 Full Score $35.00 Instrumental Parts $15.00

O God of My Salvation, Hear (Psalm 88) from Tenebrae (IV-V) 8599 Choral Score $2.35 8599A Full Score $17.00 8599B Instrumental Parts $13.00

MELISSA DUNPHY Suite Remembrance SSATB Chorus unaccompanied A set of four contrasting memorial dances for unaccompanied mixed chorus, Suite Remembrance was commissioned by the Saint Louis Chamber Chorus. Movements range from energetic to lyrical and moving, and each takes after a dance form: I. Todtentanz (Saltarello), II. All Flesh is Grass (Gavotte), III. If I can Stop One Heart from Breaking (Sarabande), and IV. Mourning into Dancing (Gigue); the fourth movement is for double chorus. Duration: 8:30 Medium

8745

Complete Work

$4.85

Each movement available separately

8741 8742 8743 8744

I. Todtentantz $2.35 II. All Flesh Is Grass $2.35 III. If I Can Stop One Heart… $2.35 IV. Mourning into Dancing $2.80

ROBERT CONVERY Voyages SATB Chorus unaccompanied A six-movement set of variations in which the thematic material for each movement is drawn from the preceding movement. Based on a cycle of poems by Hart Crane. Recorded and performed by Grammy winning conductor Donald Nally and The Crossing Choir. Duration: 20:00 Difficult

8999 $6.75

RANDALL THOMPSON Frostiana Seven Country Songs by Robert Frost Chorus and Piano OR Band OR Full Orchestra OR Chamber Orchestra Commissioned in 1958 for the 200th anniversary of the incorporation of the town of Amherst, Massachusetts and composed in 1959 in Gstaad, Switzerland. Duration: 25:00 Medium

8160

Piano/Choral Score

$11.00

24 | SACRED

MULTI-MOVEMENT WORKS

New! PHILIP W. J. STOPFORD MISSA DEUS NOBISCUM Mass of 'God With Us' Soprano Solo, SATB divisi, and Keyboard or Orchestra A setting of the Latin Mass. The text is that of the Ordinary of the Mass— excluding the Credo—with the Gloria being divided into four movements.

The Kyrie has a noticeably Celtic flavor. A beautiful work that is appropriate for both concert use as well as for worship. Full Score and Parts on rental.

Duration: 30:00 70-700 70-700A

Medium Choral Score Additional Orchestra Score

$9.95 $70.00

The Benedictus (SSAA and Keyboard) is available separately

50-5222

Choral Score

$1.95

K. LEE SCOTT The Suffering Servant A Choral Work for Holy Week SATB, Soloists, Organ, and opt. String Quartet or Quintet Passages from Isaiah 53 describe our Messiah’s suffering as he restores the people of God through his willingness to bear their sins. This choral work incorporates these passages in four movements for choir, soloists, organ, and optional strings. This piece may be used in a variety of ways to add depth and meaning to Holy Week services.

One may also add hymns or readings to make an entire Holy Week service.

Duration: ca. 20:00 Medium

70-009P Preview Pack (CD+Score) $8.00 Choral Score $6.00 70-009 70-009A Full Score $25.00 $70.00 70-009B String Parts 70-009CD CD Recording $8.00

MICHAEL BURKHARDT With readings by Max Lucado

Love Unknown A Festival of Passion Readings and Hymns SATB and Organ, with opt. Instruments A festival of hymns and readings that centers on the events of Holy Week. The suggested readings are an adaption of “The Final Week of Jesus” taken from And the Angels Were Silent by Max Lucado and are found in the Leader’s Guide to this publication, which also includes performance notes and options. The work features optional parts for children and includes options for congregation participation. Duration: 50:00 Moderately Easy Parts: Handbells Orff Ensemble 2 Trumpets in B-flat or C 2 Trombones Timpani Clarinet in B-flat

Violin Bass Instrument Bassoon or Cello opt. Horn in F opt. C Instrument

70-150P 70-150 70-150L 70-150ORG 70-150A 70-150B 70-150HB

Preview Pack (CD+Score) Choral Score Leader’s Guide Organ Score Full Score Instrumental Parts Handbell Parts

$16.00 $7.95 $12.00 $10.00 $30.00 $50.00 $16.00

MULTI-MOVEMENT WORKS

SACRED | 25

TERRY W. YORK & TAYLOR SCOTT DAVIS Return to Me A Choral Service based on the Stations of the Cross SATB, Cello, and Piano The combination of familiar scripture texts set with powerful new images creates a deeply spiritual experience for Holy Week. As a companion to this work, an optional daily devotion guide for the season of Lent will enhance the congregational experience by coordinating with the texts sung by the choir in the Holy Week worship service. It is available as both a printed book and as a PDF file. In addition, our Digital Reproduction License makes it easy to reproduce the devotional guide for church websites, social media, and email. Resources for obtaining artwork that can be projected during the service are provided on our website. Duration: ca. 40:00 Medium

70-300P Preview Pack (CD+Score) $16.00 Choral Score $7.95 70-300 $15.00 70-300A Cello Part 70-300B Printed Devotional Guide $3.70 $3.70 70-300B-E PDF Devotional Guide

HOWARD GOODALL Eternal Light: A Requiem Soprano Solo, Tenor and/or Baritone Soloists, SATB Chorus with Piano OR Keyboards, Harp and Strings OR Piano, Harp, Organ Eternal Light: A Requiem is a stunning new Requiem for the modern day. It is intended to provide solace to the grieving, reflecting on the words of the Latin Mass by juxtaposing them with poems in English. Speaking about the work, Howard Goodall said, “For me, a modern Requiem is one that acknowledges the unbearable loss and emptiness that accompanies the death of loved ones, a loss that is not easily ameliorated with platitudes about the joy awaiting us in the afterlife. This, like Brahms’, is a Requiem for the living, addressing their suffering and endurance, a Requiem focusing on the consequences of interrupted lives.” Duration: 40:00 Medium

56-0002 Piano/Choral Score

$9.00

Invictus: A Passion Soprano Solo, Tenor Solo, SATB Choir, and Chamber Orchestra Invictus: A Passion seeks to address one of the most powerful and dramatic of the world’s traditional religious stories through the lens of a diverse, modern world.

A variety of texts written or inspired by women form a narrative that describes human suffering and persecution, but also emphasizes the human capacity for love and humility in the face of tyranny. These universal messages are brought to life with the emotional clarity and sweeping force of any Howard Goodall score. The vocal score includes a piano reduction. Duration: 55:00 Medium

56-0007 $13.00

Howard Goodall rental orchestrations are now available through ECS

26 | CHURCH

NEW RELEASES—LENT

MICHAEL BURKHARDT God Loved the World SATB and Organ, with opt. Congregation A setting of the familiar passage from John 3:16. Particularly appropriate for the beginning of the Lenten season. A reproducible page for congregation is included in the score and is available as a download.

Moderately Easy

50-3106 Choral Score

$1.95

JOHN A. BEHNKE

KYLE PEDERSON

Behold the Lamb of God

Were You There

SAB and opt. Keyboard An anthem that incorporates accessible contrapuntal technique and can be used during Lent, or communion.

SATB and Piano This version of the great spiritual is rich in text painting and digs deep into the emotions portrayed in the words.

Very emotional and compelling.

Moderately Easy

50-5217 Choral Score

Medium

$1.95

50-6165 Choral Score

Now on SoundCloud

$2.25

MATTHEW CULLOTON Go to Dark Gethsemane

LISTEN ON THE GO from your phone, in your car, and at rehearsals!

SCAN BELOW to discover playlists such as New Choral Music for Lent and Easter.

SATB and Piano A choral setting of the well-known Lenten text by James Montgomery.

Moderately Easy

50-6527 Choral Score

$1.95

STEPHEN CARACCIOLO Lamb of God Soprano Solo and SATB, with opt. Organ A choral setting of a familiar tune used in many Lutheran congregations.

Medium

50-6150 Choral Score

SOUNDCLOUD PLAYLISTS

$2.25

NEW RELEASES—Easter CHURCH | 27

David Cherwien ZEBULON M. HIGHBEN Easter Dawn SATB divisi, a cappella This piece is based on an intriguing text by Malcolm Guite that explores the many emotions that were present on that first Easter day. Part of the Duke University Chapel Series.

Moderately Difficult

50-4071 Choral Score

$2.25

serves as Cantor at Mount Olive Lutheran Church in Minneapolis and Artistic Director of the National Lutheran Choir.

» Very important to follow safety protocols. The members must feel safe. » Continue to look for ways to utilize the technology skills that were acquired during the pandemic. » Streaming concerts and services can help with recruitment. Use these to show what you are doing. » It is important to build community. Plan safe, social activities. » Select repertoire where the choir can feel successful.

JEFFREY SMITH This Joyful Eastertide SATB Chorus (divisi) and Organ This choral fantasy uses the hymn tune VRUECHTEN as its underpinning but riffs on the tune by altering the phrasing, cadences, and even takes an excursion into the relative minor. An energetic organ accompaniment keeps everything on track. The result is an exuberant Easter anthem with just the right balance of familiarity and newness.

Medium

8889 9133

English Version $2.85 Dutch Version—Hoe groot de vruchten zijn $2.85

TOM TRENNEY Love's Redeeming Work Is Done

PHILIP W. J. STOPFORD He Is Risen SATB divisi, Brass Quintet, Timpani, and Organ A vibrant and thrilling Easter anthem that begins with a fanfare from the brass and organ. Very effective writing for the combination of brass and choir.

Medium

50-6114 Choral Score 50-6114A Full Score 50-6114B Instrumental Parts

$2.70 $23.00 $35.00

Our Lent & Easter Portal is an easy way to help you find what you need for the upcoming seasons. www.morningstarmusic.com

SATB and Organ A joyous Easter anthem with a brilliant organ accompaniment. Based on a combination of original text and a text by Charles Wesley.

Moderately Easy

50-7089 Choral Score

$2.25

28 | CHURCH

NEW RELEASES

MATTHEW CULLOTON

ROBERT G. FARRELL

Create in Me a Clean Heart

Beautiful Savior

Soprano Solo, SATB, and Piano Psalm 51 set in an accessible style. Very useful for the beginning of Lent or for other times in the church year. A beautiful descant appears over the established melody for a beautiful conclusion to this lovely piece.

Moderately Easy

50-6321 Choral Score

Two-Part Mixed Voices and Keyboard This composition features an original melody combined with a familiar and much-loved text.

Effective for choirs of all sizes.

Easy

50-6148 Choral Score

$1.85

$2.25

FRED GRAMANN

ROBERT A. HOBBY

Spirit of God

God Be in My Head

SATB Chorus unaccompanied This musical setting employs changing meters to emphasize the inherent rhythm of the lyrics.

It should be approached with some freedom, slightly lingering on important words and relaxing the tempo at the ends of phrases.

Duration: 2:00 Medium

SATB a cappella This setting features independent lines for each voice part that culminate in a rich, homophonic treatment of the last portion of the text. A moving benediction.

Moderately Easy

8912

Choral Score

50-9956 Choral Score

$1.85

$2.05

TERRE JOHNSON

KYLE PEDERSON

As a Deer Longs for Flowing Streams

I Need Thee Every Hour

SATB and Piano or Full Orchestra A flowing and soothing setting of Psalm 42.

Appropriate for use in Easter Vigil services or many other times throughout the year.

Solo Voice and SATB divisi, a cappella A combination of a choral accompaniment to a solo and refreshing contemporary choral writing. This setting will give a fresh look at this meaningful hymn.

Moderately Easy

Medium

50-4069 Choral Score 50-4069A Orchestra Score 50-4069B Orchestra Parts

$2.50 $25.00 $75.00

50-6174 Choral Score

$2.25

KAREN MARROLLI Be Still SAB or Two Part Mixed Voices and Piano A piece based on Psalm 46:10. The stillness of the text is matched with a lovely original melody.

Easy

50-6175 SAB Choral Score 50-6176 Two-Part Choral Score

$2.25 $2.25

Thy Kingdom Come

We Walk by Faith

SATB, Violin, and Piano The text for this piece is a combination of an old Irish poem and original writing. The piece has a distinctive folk-like feel. A reproducible part for Violin is included.

Moderately Easy

SAB or Two Part Mixed Voices and Piano Effective writing that can be sung by choirs of various sizes. Optional divisi for larger choirs.

Easy

50-8009 Choral Score

$2.50

50-6213 SAB Choral Score 50-6214 Two-Part Choral Score

$1.95 $1.95

NEW RELEASES IN SERIES

CHURCH | 29

Duke University Choral Series

Cathedral Series

ANNE KRENTZ ORGAN

CHARLES S. THATCHER

May You Abound in Hope

My Heart Is Ready Assembly, SATB, Handbells, and Organ A setting of an Antiphon from Psalm 57:8-12 with verses from Psalm 100 using the Grail translation. The handbell part is available as a free download on our website.

Moderately Easy

SATB divisi, a cappella A moving choral benediction based on Romans 15:13.

Moderately Easy

50-4080 $1.95

80-670

Choral Score

$2.50

Atlanta Master Chorale Choral Series ERIC NELSON

ERIC NELSON

And I Saw a New Heaven

And Can It Be?

SATB divisi, Cello, and Piano A choral reflection on Revelation 21:1-4.

Appropriate for All Saints or general use. The piece has two versions: Cello and Piano, and another for Violin, Cello, and Organ.

Medium

SATB and Organ A stirring setting of this well-known hymn by Charles Wesley. A version that will be meaningful to both choir and congregation.

50-6418 50-6418A 50-6419 50-6419A

50-6151 $2.50

Cello/Piano Version $2.25 Cello Part $5.00 Violin/Cello/Organ Version $2.70 Violin & Cello Part $10.00

Medium

Washington National Cathedral Choral Series Antiphon

O Gracious Light

Gerald Near

Stephen Caracciolo

SATB and Organ The well-known text by George Herbert is set here in a masterful way by the respected composer Gerald Near.

Medium

SATB divisi, a cappella A substantial setting of the Phos hilaron text.

Particularly appropriate for Evensong services or for general use.

Moderately Difficult

50-9859 Choral Score

50-6408 $2.25

Presbyterian Association of Musicians Series Gathered in God’s Name Michael Burkhardt Congregation, Cantor or Choir, and Piano, with opt. Flute, Chimes or Handbells, and Organ A congregational piece with several functions. This piece may be used during communion, baptism, peace of Christ, and All Saints. A reproducible part is available in the choral score as well as on our website as a free download.

Easy

80-117 Cantor/Choral Score 80-117A Full Score 80-117B Instrumental Parts

$1.95 $10.00 $15.00

$2.25

30 | BOOKS AND RESOURCES

The Gift of Music Essays on Church Music and Hymnology Edited by Samuel Eatherton, Nathan Myrick, Marcell Silva Steurnagel In this book, fellow experts in the field pay homage to the gift of David W. Music with contributions on congregational song, the work of the Christian musician, historical studies, and the life and work of Music himself. Students and scholars will appreciate these essays for the information they reveal and the discussions they initiate.

90-64 $29.00

CHRISTOPHER BRUNELLE The Church Year in Limericks Volumes 1 and 2 These delightful volumes are the result of the author's desire to begin choir rehearsals in a new way. These short poems are filled with lively word play that engage the choir’s attention and provide a comment on the day’s music or the week’s activities. can be used as choir devotionals, in church newsletters, or in many other creative ways.

90-58, Volume 1 90-61, Volume 2

$15.00 $15.00

CARL SCHALK Singing the Faith

TERRY W. YORK Let Our Words Become Flesh Words for Worship: A Collection of Prayers, Litanies, Benedictions, and Poems This book is meant to be a bridge connecting Sunday’s worship to the following week’s daily life and work by means of words that sound and shape a Christ-like worldview. Divided into six sections: Prayers, Blessings, Child Dedication, Litanies, Benedictions, and Poetry, each section includes an introduction and illustrative examples that can be used in worship.

A Short Introduction to Christian Hymnody Carl Schalk’s vast experience as a teacher, author, musicologist, and composer makes him uniquely qualified to present this compact but insightful history of Christian hymnody in the Western Church. In it he guides the reader through the contributions, conflicts, and questions which arose through the successive periods in the development of Christian song from the Old Testament through the twentieth century.

90-59 $15.00

90-62 $18.00

EILEEN GUENTHER In Their Own Words Slave Life and the Power of Spirituals This groundbreaking study of slavery and spirituals is the first to place the unique voices of an enslaved people squarely within the context of their daily lives. Dr. Guenther’s deeply researched account weaves a succinct history of “America’s original sin” into an examination of the role of singing and religion in slave life and directly correlates slave testimonies—in their own words—to the themes of Spirituals. In addition to surveying the musical styles, performance practices, and melodic and rhythmic characteristics of spirituals, In Their Own Words includes a biblical concordance to 100 of the spirituals most frequently sung.

90-52 $28.00

BOOKS AND RESOURCES | 31

CHRISTINE AMMER The A to Z of Foreign Musical Terms Students, singers, instrumentalists, conductors, and composers—from beginners to the most advanced professionals—this handy book provides quick answers and definitions of basic terms as well as guides to Italian, German, and French pronunciation. Paperback. 125 pages.

4469 $12.00

JOHN MORIARTY Diction Italian, Latin, French, German: the Sounds and 81 Exercises for Singing Them Text book for singers. A comprehensive singer’s guide to the pronunciation of Italian, French, Ecclesiastical Latin and German, in an approach developed for diction classes at the New England Conservatory of Music.

A thorough and scholarly treatment in a practical, easily used format.

0650 $38.00

Up Front!

Becoming the Complete Choral Conductor ed. Guy B. Webb This book shares the experience and knowledge of twelve outstanding professional choral musicians, each writing on just one critical topic.

The result is an exceptional resource for all levels of choral directors.

Paperback. 293 pages.

4638 $35.70

DENISE VON GLAHN Libby Larsen: Composing an American Life Libby Larsen has composed award-winning music performed around the world. Her works range from chamber pieces and song cycles to operas to large-scale works for orchestra and chorus. At the same time, she has advocated for living composers and new music since cofounding the American Composers Forum in 1973.

91-12 $25.99

8016

$45.00

This featured publication is a compelling and complete chronological catalogue of the late Randall Thompson’s works, both published and unpublished. Readers will discover information gleaned from correspondence, diaries, personal interviews with his family, friends, and colleagues, newspaper reviews, the composer’s own program notes, recordings, and assorted other sources. Extensive performance histories of Thompson’s most notable works, as well as a complete list of every known performance which Thompson himself conducted or attended are also included. Hardcover. 492 pages.

A Documented Catalogue

The Music of Randall Thompson (1899–1984)

CARL B. SCHMIDT AND ELIZABETH K. SCHMIDT

1727 Larkin Williams Rd. Fenton, MO 63026

PRESORTED STD U. S. Postage PAID Effingham IL Permit No. 294