Ece Boysal Portfolio

E D U C AT I O N 2014-2017

Ye d i t e p e U n i v e r s i t y.

I s t a n b u l ,Tu r k e y Faculty of Architecture Architecture Department

2013

HAWK University of Applied Sciences and Arts.

H i l d e s h e i m , G e r m a n y. ( E r a s m u s program) Design Faculty Interior Design Department.

2008-2013

E s k i s e h i r Te c h n i c a l U n i v e r s i t y E s k i ş e h i r,Tu r k e y Faculty of Architecture and D e s i g n F a c u l t y.

Interior Design Department.

2009-

Eurocentres Language School Bournemouth, England.

EXPERIENCE 2017-today

KÖZ T I A rc h i te c t s & E n g i n e e rs Budapest,Hungary Architect

2013-2014

IZ Engineering & Constraction C o m p a n y E s k i ş e h i r, Tu r k e y Interior Designer

S O F T WA R E ARCHICAD Advanced AUTOCAD PHOTOSHOP 3DSMAX Intermediate SKETCHUP ARTLANTIS PREMIER REVIT RHINO GRASSHOPPER

LANGUAGES ENGLISH HUNGARIAN GERMAN

Advanced Upper Intermadiate Elementary

Ece Boysal eceboysal@gmail.com

CONTENTS ACADEMIC

SYNESTHESIA

1-6

BICYCLE CHAIN

7-12

TEKIRDAG CITYHALL

13-16

OFFICE WORKS

H U N G A R I A N N AT I O N A L MUSEUM

17-18

B A L AT O N YAT C H C L U B

19-22

SYNESTHESIA Fine ar ts fa c ul ty a nd conser vatoi re ca mpus Istanbul,TURKEY Fall 2016 Ye di tep e U ni ve rsi ty and the residential area. It also functions as an overpass above the highway. At the west side of the plot, there is a cultural center which contains the opera hall conference center and the cinema in the relationship with the cultural center there are conservatoire buildings on the north side. On the eastern side around the square, there are exhibition areas and fine arts faculties.

Fine arts faculty and conservatoire campus is located in a district called Fikirtepe on the Anatolian side of Istanbul. The district’s population dramatically increased after the 1950s because of the immigration from Anatolian towns and villages. This rapid increase caused irregular urbanization. The campus aims to remedy the deficiency of cultural activities and facilitate some opportunities for the people to get in contact with art.

For uniting Fine arts and conservatoire on a common base I used the concept of ‘’ synesthesia ‘’ in the relationship of auditory sense and sight sense. Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway.

At this phase, Emma Mcnally’s artworks which she transcribed the rhythms into the drawing played a role as guiding lines.

The campus is not only serving the students and school staff but also partially open to district community. District dwellers can attend operas, theatre plays, exhibitions, cinemas, workshops and many other events in the cultural center and the other facilities.

There are sport centers restaurants and semi-open library are contained within a bridge-like structure which connects the recreation areas on the southeast side of the site

Emma Mcnally Carbon sound field, Used as a grid,uniting fine arts and conservatoire on a common base of auditory sense and sight sense.

The grid lines extracted from Emma Mcnally’s work

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Section from the cultural center

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BICYCLE CHAIN B icycl e ro a d, p av i l l i on a nd obse r vati on tower Mudurnu,TURKEY Fall 2015 Ye di tep e U ni ve rsi ty

Bicycle chain

The pavilion

Bicycle road,guides bikers through the best possible route for discovering the historic Mudurnu town on the ancient Silk Road.Along the route there are six assisting buildings to improve the tourists’ experience.

It was a group project consists of four architecture students.Each of us undertook some functions.My part was to design a pavilion and an observation tower.

All the structures on the “chain” are inspired by traditional structural systems.Mudurnu is a town surrounded by pine forests.The same metarial, wood is forming the traditional architecture.

The idea was creating the similar texture with forest surrounding the town with the traditional architectural elements.

Serves as a gathering and resting place that users can modify their bikes or restore them and have a couple of drinks and snacks. In Pavillion there are two cacoons refer to Mudurnu’s silk manufacturing past. Cacoons constitute interior spaces in Pavillion.

Observation tower It is a two storey lookout tower takes role as a structural part of the bicycle road.It is right under the byzantine castle ruins.It is also a stop on the road to enjoy the view with various new perspectives from different levels.

Mesh created by traditional architectural elements

Mesh by the pine forests

Mudurnu The settlement of Mudurnu was founded along a deep, narrow valley formed by the Mudurnu (Gallos) River, in a region rich with pine forests and thermal springs.The ancient geographer Strabon informs that the town of Modrene (Mudurnu) was located on the major trade routes of Anatolia.

presents a quiet but striking ensemble of monumental and civic architecture set on a rocky river valley.

The ruins of the Byzantine castle can still be seen above the town. The distinct characteristics of traditional Mudurnu houses, similar to other Western Black Sea towns As for prominent monuments, Mosque of Süleyman the Magnificent, Yildirim Beyazit mosque and Mudurnu Yildirim Beyazit Bath. Mudurnu had local products particularly mentioned in written sources are the sought-after mirrors produced in the Mirror-makers Market, the ‘maiden needles’ produced by the needle workshops, the products of the Textile-Silk Factory, and the hand embroideries, ironware, copperware.

The Silk Road, which connected inner Asia with Tabriz in the 13th-14th centuries, continued to Bursa via Erzurum-Sivas, and passing through Mudurnu-Göynük-Taraklı-Geyve, finally reached Istanbul.

Mudurnu situated at the junction of the Silk Road and the Crimean Road served as a mid-size trading town in the Byzantine, Seljuk and Ottoman periods.

The historic urban landscape of Mudurnu today

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A xo nom etri c draw i ng f rom the pavillion 11

st ru ct u ral stu dy mo ck-up

st ud y m o c k-up 12

TEKIRDAG CITY HALL A pe r m e a bl e pub l i c spa c e Te ki rda g ,T U RKEY Ye dite p e U ni ve sity

S pring 2016

Tekirdağ is situated on the northern coast of the Sea of Marmara in Turkey, 135 kilometers west of Istanbul.

Tekidağ city hall is situated in a central part of the city on a plot between the Marmara sea and a residential area.

Partially permeable structure and horizontally spread units maintain the physical and visual relationship between the park beside the sea and the residential area in the other side of the plot. Between the halls and exhibition areas, a public space is created like a little square which enables outdoor events and gatherings.

The building comprises administration offices, exhibition areas, conference, concert, wedding halls, and public areas.

TEKIRDAG COAST

TEXTURE 2X

TEXTURE X

The buildings canopy’s permeable form as building itself provides semi-open terraces, circulation areas, and interior gardens for both employees and the visitors. Semi-open spaces create a rather better climate for long, hot and humid summers also wet and cool winters of Tekirdağ’s borderline Mediterranean/humid subtropical climate.

SOLID-VOID STUDY

Tekirdağ coasts rocky texture also shaped the city hall’s permiable form.

Through specific scaled textures,I extracted a pattern which gives me solid and void relationships and interpreted them to the units of the building.

SOLID-VOID INVERSION

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H U N G A R I A N N AT I O N A L MUSEUM KÖZ T İ A rc hi te c ts a nd E ngi neers B uda pest ,HUNGA RY The Hungarian National Museum traces its foundation to 1802. The building where the Hungarian National Museum is currently located was built between 1837–1847. The style of the main building was laid out in a neo-classical style and was added onto by other artists in the form of statues, paintings and other architecture. The statues of the Portico were done by Raffael Monti of Milan. In 1848, the Hungarian National Museum played a major role in the Hungarian Revolution. The Revolution was partially spurred by the

2017

reading of Sándor Petőfi’s 12 points and the famous poem Nemzeti dal on the front steps of the museum.

As the museum functions and the collection growing in years some of the museum’s facilities and the storages were spreaded in the city to another buildings.

The task was, collecting and connecting all these functions back to the museum with the a few buildings around which are assigned for this purpose with an inviting,semi-pedestarian connection in between.

Green areas,pedestarian and vehicle circulations diagrams

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exibition areas visitor center conference service operation and storage

administration

education

Planned extention and joined buildings functions diagrams 18

B A L AT O N YAT C H C L U B KÖZ T İ A rc hi te c ts a nd E ngi neers B a l ato n füred,HUNGARY The site is located in the north side of Balaton lake, in a town called Balatonfüred. The requirement was to create a place for sailing and other water activities to be able to dock and refresh their supplies or even fix the boats if needed. The building functions are workshop, storage hangars, offices changing rooms, resting rooms and a port master room.

The long shape enables the accessibility of the workshop and the hangars.

On the second floor there are the sleeping areas, restrooms, the office and an open terrace which can be accessed from an outside staircase also.

On the two side of the building there are steel columns witch is supporting the canopy what creates shade for the building. The steel columns are painted blue witch is a typical color of Balaton lake region dockyards.

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2020

D

C

B

A

20

C 15 120 65 200

+8,895

B

pm 199

LK-HK03

150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 3 850 4 050

elektromos szekrény

125 200 200

140

60 200

1 455 1 455 BB-16

125 200

H-0-01.4

gépésze� légcsatorna

+8,695

12 0

200

A

H-0-01.1

BB-16

+8,695

365 315

D

+8,895

-0,02

119 100

H-0-01.2

240 (242,5) 300

SECTION E-E

hosszmetszet

keresztmetszet

LK-HK04

fém rács

LK-HK01.1

LK-HK01.2

LK-HK04

LK-HK01.2

200

125 200

150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 150 3 850 4 050

125 200 200 LK-HK01.1

fém rács

LK-HK01.2

25 25

alaprajz

+8,895

LK-HK01.1

LK-HK01.2

LK-HK01.1

LK-HK01.2

fém rács

LK-HK01.2

+8,695

20 65

gépésze� légcsatorna BB-16

keresztmetszet

20

KAYAK-CANOE STORAGE

-0,02

pm 199

H-0-01.3

H-0-01.4

119 100

60 80

240 (242,5) 300

STEEL AND 140 STRUCTURE 60 1 455 200 1 455 SHADE ELEMENTS DETAIL

LK-HK03

fém rács

5

6

pm 199

120 300

H-0-17

240

H-0-16

pm 485

75 212 5

50 20

pm 475

30 30

pm 440

100 2125

60 20

75 212 5

B-0-15

75 212 5

75 2125

100 2125

B-0-14

118 226 150 220(240)

B-0-06

pm 3

pm 1

B-0-09

1

2

120 300

120 300

240

pm 198

H-0-01.4

H-0-11.2

H-0-13

H-0-17

3

4

5

D

H-0-01.3

E

240 (242,5) 300

H-0-24.1

F

120 294

pm 1

H-0-24.3

105 100

pm 199

119 100

pm 1

H-0-24.4

110 48

B-0-08

B-0-05

pm 1

H-0-24.5

1105 48 339 43 1105 48 5

75 2125

115 220

75 2125

75 212 5

B-0-03 pm 1

H-0-24.6

1105 48

B-0-02

H-0-24.7

339 43 1105 48

75 2125

B-0-04

pm 3

110 48

5

pm 1

H-0-24.8

D

pm 3

1105 48 1105 48

H-0-11.1

B-0-07

pm 1 pm 1

.10-24.9 H-0-24H-0

339 43

A

C

pm 198

pm 1

H-0-24.11

B

110 48

H-0-01.5

105 100

A

H-0-01.1

119 100

365 315

120 294

H-0-01.2

240 (242,5) 300

H-0-24.2

7

D

4

120 2965

3

E

2

F

1

6

7

1

2

3

4

5

6

7

1

2

3

4

5

6

7

21

C

15

H-0-23 124 2965

pm 285

50 50

50 15

pm 490

pm 249

60 20

60 20

pm 519

pm 480

15 15

B

pm 503

20 20 20 20

30 30

A

50 15

15 15

pm 298

pm 298

30 30

10 10

15 15

pm 486

pm 288

30 30

pm 476

pm 460

15 15

pm 503

pm 503

pm 249

pm 503 pm 463

pm 248

50 pm 430 50

pm 249

B

pm 443

50 50

pm 248

H-0-17.10

119 50

240 300

240 300

H-0-17.4

70 50

pm 248

H-0-17.11

119 50

H-0-17.5

119 50

pm 292

H-0-17.12

50 15

50 15

B H-0-18.4

B-0-18

482 375

180 240

A

pm 248

pm 249

240 300

H-0-17.2

H-0-17.8

H-0-17.3

H-0-17.9

D

H-0-18.1

H-0-18.2

H-0-18.3

C

240 300

119 50

H-0-17.7

25 25

365 375

70 pm 3675 50

pm 248

25 25

365 375

pm 249

365 375

pm 249

pm 427 5

pm 249

70 50

C

70 50

300

14

125 57

128 2885

H-0-20

H-0-22.2

H-0-22.1

128 2885

9

13 H-0-21

128 2785

8

119 50

300

12

H-0-19

119 50

7.1

11

128 2785

7.6

10

8

9

10

11

12

13

14

15

GROUND FLOOR PLAN

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SECTION A-A 22