Workshops at Bryn Athyn 2014

“ Jenz Langlotz made enough time to individually help us all and his skills seemed limitless. He is a true artist and does an excellent job as a teacher. He is patient, encouraging, and explains techniques very well.”

— Daryl Branch 2013 WORKSHOP PARTICIPANT

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Workshops at Bryn Athyn

Summer 2014

This summer, step back in time while exploring a wide array of hands-on decorative building arts workshops at Bryn Athyn College. Study some of the most beautiful decorative artwork and unique architecture in North America. Immerse yourself in time-honored craft traditions deeply rooted in the picturesque Bryn Athyn Historic District, located just outside the city of Philadelphia.

Working under the direction of master craftsmen, you will gain inspiration from two of Bryn Athyn’s national historic landmarks, Glencairn Museum, a 20th-century medieval-style castle, and Bryn Athyn Cathedral, a highly acclaimed Gothic and Romanesque style structure.

Glencairn Museum has over 260 medieval stained glass works of art, such as the twelfth-century Flight Into Egypt panel from the Royal Abbey at St. Denis, Paris and the thirteenth-century Grisaille Panel, from

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the Salisbury Cathedral in Great Britain. Up-close study of works like these will allow you to appreciate the striations in the original blown glass and the tapering brush strokes on its surface. Glencairn’s twelfth- to sixteenth-century medieval manuscripts feature meticulous calligraphy with exquisite border designs. The expansive entryway, stairwell, chapel, and great hall are covered (floor to ceiling) with intricate mosaic work. Their subtle coloring and symbolic imagery will help develop and refine your ability to select and combine colors to create meaningful artwork.

At Bryn Athyn Cathedral every surface exemplifies the Arts and Crafts handiwork: The contours of carefully chiseled stonework set off amazing color variations and juxtaposition of different kinds of stone. The figurative and decorative capitals are brilliant examples of different stone carving techniques. If you are interested in metal forging, you will appreciate the intricate scroll-work of monel doors; as well as handmade door knobs, keys, and locking mechanisms throughout the cathedral. You can handle the railings, hinges, and bolts made by master craftsman at the turn of the twentieth century.

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Workshops at Bryn Athyn

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WORKSHOPS Blacksmithing with Warren Holzman

Blacksmithing with John J. Rais

June 20–23 — $525

July 17–20 — $525

July 10–13 — $525

In this fun, exploratory workshop you will deal primarily

Gain inspiration from the metalwork found throughout the

with hand-forged implements of beauty and function such

Bryn Athyn Historic District — from intricate keys, to monel

as serving spoons and forks, spatulas and even basic door

metal screens, to handcrafted doors. Then, try your hand at the

handles. You will work primarily from the forge, covering a

ancient craft of blacksmithing. In this project-based course, you

wide range of hammering techniques. Learn tapering, splitting,

will learn the basics of forging from master craftsman Warren

punching, riveting, and fire-welding. You will complete at least

Holzman, and then make one or two projects, ranging from

one hand-forged, hand-held piece of functional art you can be

simple furniture to ornamental work.

proud of. Bring your ideas and an open mind to the workshop –

Warren Holzman studied sculpture under Phoebe Adams at

experimentation is encouraged!

Kutztown University, where he received his BFA in 1994. He

John Rais has been engaged in the field of metalsmithing and

was awarded blacksmithing assistantships at Peters Valley

object design for the past two decades. After earning a BFA in

Craft Center and the Penland School of Crafts, and he has

Sculpture from Massachusetts College of Art and an MFA in

worked as an industrial fabricator, refining his metalworking

Metalsmithing from Cranbrook Academy of Art, he served as

skills and dedicating himself to his craft. In 2000, Warren

the Department Head of Blacksmithing at Peters Valley Craft

opened the Iron Studio Ltd., a custom blacksmithing shop

Education Center. John has maintained his own studio business

in Philadelphia known for its high-level craft. Warren was

since 1998, where he creates one of-a-kind furniture, sculpture,

recently commissioned by the City of Philadelphia to build a

and, architectural metal work. He has designed and created

piece of site-specific public art for Hawthorne Park in South

works for a Frank Lloyd Wright home, a Louis Kahn home, and

Philadelphia. He has served as an adjunct sculpture and large

many others. His work has been featured in many magazines

metals teacher at Moore College of Art and Design, and

including Departures, Ritz-Carlton, Metalsmith, American

he teaches forging at Bryn Athyn College and University of

Craft, and Artscope. He has been featured in several books and

Pennsylvania.

has taught at a number of universities and schools including Penland School of Crafts, SUNY Purchase, and SUNY New Paltz. John currently has his home and studio in Philadelphia.

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Workshops at Bryn Athyn

Blacksmithing When it comes to studying the art of blacksmithing, it is difficult to find a better location than Bryn Athyn. In addition to offering a beautiful and well-equipped shop that would be the envy of any professional smith, we also provide access to an incredible collection of metalwork that challenges the very notion of what blacksmithing is. Working under the direction of professional instructors, who are nationally recognized as some of the best in the industry today, you will have the opportunity to experience metalworking in a most exciting and comprehensive way.

Blacksmithing with Mike Rossi July 31–August 3 — $525 By combining simple forging techniques, each student will build a versatile base of knowledge. Students will complete one or two projects, while pushing themselves to develop a forging vocabulary.

Mike Rossi studied blacksmithing at Northern Michigan University and Cranbrook Academy of Art; additionally, he apprenticed to several metalworkers around the country. He has exhibited abroad and throughout the United States at the Houston Center for Contemporary Craft, the National Ornamental Metals Museum in Memphis, and the Target Gallery in Alexandria, VA, in addition to several private galleries. He has taught at Penland School of Craft, Kalamazoo College, and Ox-Bow School of Art; and has served as a resident artist at Haystack Mountain School of Craft. Mike is the principal of Rossi Metal Design, an architectural metalwork and sculpture studio based in West Philadelphia.

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WORKSHOP Glassblowing with Jason Klein June 20–23 — $725 Experience the exciting medium of glassblowing. After gathering a lump of molten glass on your pipe, you will practice introducing air to shape and expand it, and then learn how to transfer your glass from the blowpipe to a solid rod for finishing. You will work on your own pieces as well as collaboratively on more complex projects. By the end of the workshop you will have shaped molten glass into colorful, transparent keepsakes.

Jason Klein has been blowing glass for more than twenty years.

He earned a business degree before studying glass blowing at Tulane University. His interest in the Middle Ages led him to focus on the techniques of medieval glass blowers. Since 2001 he has been a glass blower/demonstrator at Renaissance festivals throughout the eastern United States, performing in Florida, Pennsylvania, New Jersey, and New York. In his historically based reenactments, he demonstrates glassblowing techniques from ancient Rome, Medieval Europe, and the Renaissance. His period recreations were commissioned as props in the Pirates of the Caribbean films and in The Hobbit. In 2006 he began working with Glencairn Museum, demonstrating techniques used in the building of the Bryn Athyn Cathedral such as the muff method and the little-known creation of medieval copper-red glass.

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Workshops at Bryn Athyn

Glassblowing Our local community prides itself on a longstanding tradition of glassblowing, so we are thrilled to offer this class under the direction of instructor Jason Klein. Students will view rare examples of Roman and Medieval glass and other historic artwork from the collections at Glencairn Museum

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WORKSHOP Glass Mosaics with Carol Stirton-Broad July 31–Aug 3 — $525 You will initially produce a small sampler using traditional techniques. Next, you will design a larger piece, using these materials in your own style. Finally, you will learn design transfer and create your final work of art using the direct method. You will be encouraged to experiment with a variety of tools including hammers, hardies, and glass nippers.

Carol Stirton-Broad holds a B.F.A. from Temple University’s Tyler School of Art, and has also studied at Glasgow School of Art (Scotland), Orsoni (Venice, Italy), Scuola Arte del Mosaico (Ravenna, Italy), and the Chicago Mosaic School. Carol has taught ceramic and mosaic workshops at the Philadelphia Museum of Art, the Institute of Contemporary Art (Philadelphia), Fleisher Art Memorial (Philadelphia), Main Line Art Center (Haverford, PA), and Abington Art Center (Jenkintown, PA). Carol’s work has been exhibited in many locations, including The Magic Garden, The Clay Studio, Ariana Gallery (Royal Oak, MI), the Bath House Cultural Center (Dallas), Abington Art Center, Fleisher Art Memorial, Main Line Art Center, Philadelphia Art Alliance, and Tyler School of Art.

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Workshops at Bryn Athyn

Glass Mosaics Mosaic art is enjoying a resurgence in the United States — and glass, in its many forms, is playing a major role in this new wave of artistic creativity. In this workshop, you will look at several types of glass, focusing on the traditional Italian smalti and comparing it to products from Mexico, China, and the United States. In addition, a sampling of other mosaic materials is available, including marble and stone.

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WORKSHOP Manuscript Illumination with Sarah Chase Dressler July 31–Aug 3 — $525 In Manuscript Illumination you will examine the stunning examples of medieval illumination, including works from Glencairn’s substantial collection. You will have many design examples to work from, for inspiration or to copy directly. From grotesque and humorous decorative borders to the delicate intricacies of miniature paintings you will have a wealth of inspiration. You will work with pencil, brush, and paint to develop a brush stroke and color vocabulary for the painted page. By the end of the workshop you will have created your own illuminated page. No prior drawing or painting experience is necessary. More experienced or interested students will have the opportunity to try calligraphy or gilding.

Sarah Chase Dressler earned a B.F.A. in Metals/Crafts from The University of the Arts. She has worked in a variety of materials and techniques but always on a jewelers scale. With an eye trained as a jeweler she turned her artistic attentions back to painting and drawing. Her life-long love of medieval art has inspired her to pursue a mastery of the medieval illuminator’s skills. She is a sought-after illuminator and calligrapher who has taught a variety of illumination styles privately and in workshops throughout the mid-Atlantic area since 2001.

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Workshops at Bryn Athyn

Manuscript Illumination Original medieval art served as inspiration for the artists and craftsmen engaged in building Bryn Athyn Cathedral. Adjacent to the cathedral, Glencairn was built (in part) to house this extensive medieval art collection. Since medieval stained glass and illuminated manuscripts directly influenced each other, both became important aspects of Glencairn’s collection. Use these exquisite hand-written original works of art to inspire your next illuminated masterpiece in the most exciting and comprehensive way.

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WORKSHOPS Stained Glass with David Williams and Stephen Byrne

Stained Glass with J. Kenneth Leap

June 20–23 — $900

July 10–13 — $525

Improve your glass painting at an astonishing pace as you learn

Explore the art of mixing, applying, and firing glass-based paints,

to reproduce lovely instructor-provided designs, including

enamels, and stains. While the primary focus of the class is

medieval heads, ornamental quarries, animals, and decorative

painting on the two-dimensional surface as it relates to stained

borders. This workshop focuses exclusively on glass painting;

glass, you will also learn fusing techniques that can be adapted

no lead work or glass cutting is involved. All levels welcome.

to glass tile making, jewelry, and mosaic projects. A variety of

This marks the first U.S. appearance for this dynamic glasspainting duo from England. The pair, who have garnered an international following, began working together in 1999 and established the Williams & Byrne studio in 2004. David Williams completed his apprenticeship with Patrick Reyntiens at his studios in Buckinghamshire and Somerset, England. In

traditional and experimental techniques will be covered. You will complete a stained glass panel, which you will assemble using lead came, the original material used to construct stained glass windows. Prior glass experience is not required. Returning students can use the studio time to create a more advanced project of their choice.

1986, David took up the position of studio manager and chief

J. Kenneth Leap is primarily recognized for his achievements in

designer at the John Hardman Studio of Birmingham. He is

the field of architectural stained glass. Working in a tradition that

accredited to the Institute of Conservation (ICON). He studied

dates back to medieval Europe, Leap creates his pieces by hand-

Fine Art at the Laird School of Fine Art and has a degree in

painting glass with vitreous pigments, fusing the color to the

Fine Art from the Sunderland College of Art. Stephen Byrne

glass by firing it in a kiln, and assembling the glass into panels.

completed his apprenticeship under David Williams at the John

His painterly work in stained glass has earned him numerous

Hardman Studio. Before stained glass, Stephen worked as a

awards, including a fellowship from the New Jersey State Council

London-based business analyst for 13 years. He has an Honors

on the Arts, a juror’s award of honor in the Philadelphia Museum

degree from the University of Saint Andrews and a PhD from

of Art exhibition “Contemporary Philadelphia Artists,” and

University College, Oxford.

inclusion in the Corning New Glass Review. He is currently the stained glass artist in residence at Glencairn Museum, adjunct

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professor at Bryn Athyn College, and president of the American Glass Guild.

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Workshops at Bryn Athyn

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Stained Glass Don’t miss this unique opportunity to study glass painting in a breathtaking historical setting: Glencairn Museum. Familiarize yourself with Old World techniques by observing Glencairn’s collection of more than 100 stained glass panels from the Middle Ages.

After studying the fluid brush strokes found on actual 12th century windows, you will be inspired to create your own masterpiece.

Stained Glass with Peter McGrain July 17–20 — $800 In this workshop you will learn different glass painting techniques, from traditional to McGrain’s Vitri-Fusáille® process.

This new technique combines the multi-stage process of traditional glass painting with modern glass fusing. Instead of painting and firing each individual piece separately, you will fuse the colored glass pieces together first, then paint and fire it as one piece of glass. You will create several individual pieces, as well as participate in the creation of a large group project. This is a rare opportunity to take part in a hands-on workshop taught by a prominent leader in the stained glass community.

Artist/designer Peter McGrain is recognized internationally for his work in stained glass. With over 30 years of stained glass experience his projects range from intimate gallery pieces to massive architectural installations. In 1990, his panel Shrimpers was recognized at the World Glass Congress as the finest example of stained glass created between 1980 and 1989. He currently offers hands-on seminars at select studios, is a contributing writer for Glass Art and Glass Craftsman magazines, and authors glass painting books and DVDs. .

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WORKSHOP Stonecarving with Jens Langlotz July 10–13 — $525 July 31–August 3 — $525 Brief demonstrations of techniques will prepare you for shaping your own piece. The workshop covers stone types and properties, the use of different kinds of chisels for texturing, the fundamentals of letter design, both low and high relief carving, and rosette design. You may choose to copy an architectural detail from Bryn Athyn Cathedral, such as one of the rosettes on the side of the building, or make an original piece of your own. No experience is necessary, and more advanced students are always welcome.

As a master sculptor and carver with more than 20 years of experience, Jens Langlotz has worked with and mastered the major design building styles — from Romanesque, Gothic, and Renaissance, to American Colonial and American Victorian stone carving. He graduated from Fachschule Fur Steintechnik in Munich. He has apprenticed under master sculptor Hans Kupe, one of Germany’s leading stone restorers, and under Al Walters, master craftsman in stone, metal, and wood. He serves as head stone mason for both Bryn Athyn Cathedral and Glencairn Museum, and he has also done work for many other buildings including the Philadelphia Museum of Art, Villanova University, Princeton University, Reading Terminal, and Philadelphia City Hall.

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Workshops at Bryn Athyn

Stonecarving The art of stone carving is an integral part of our architectural history. Both Bryn Athyn Cathedral and Glencairn evolved gradually, relying on creative input from carefully selected European stonemasons and artisans. This collaboration was exceptional: the various components of the buildings, such as the doors, windows, pillars and capitals were designed and built on-site and by hand. So before picking up your own hammer and chisel, you will have the opportunity to examine the intricate stonework on both the interior and exterior of Bryn Athyn Cathedral and Glencairn Museum.

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About Bryn Athyn College Bryn Athyn is a private, coeducational, liberal arts college dedicated to student success and a New Church approach to education and life. The academic program emphasizes critical thinking, quantitative reasoning, public presentation, and experiential education. With a student body of less than 300, Bryn Athyn is able to provide small classes (average size is 13), a faculty-to-student ratio of 1:10, and academic programs tailored to meet student needs.

Bryn Athyn believes in students’ potential to become successful, contributing members of society. To that end, Bryn Athyn is focused on developing each student’s ability to think independently and communicate clearly. Students are challenged to define their goals, discover their passions, and live their lives with conviction

Additional Information REGISTRATION Register at brynathyn.edu/workshops or call the college office at 267-502-2401 HOUSING Housing is available on the Bryn Athyn College campus. Apartment-style living spaces are air-conditioned with shared baths and basically equipped kitchens. Linens, towels, and cookware are not provided.

Single: $85/night (4 nights for $340) Double w/roommate: $50/night (4 nights for $200) CREDIT Each course qualifies for Act 48 Professional Development Credit. For an additional $191, Bryn Athyn College will offer one academic credit per course.

FOR MORE INFORMATION 267-502-6000 | 800-767-9552 PO Box 462, College Drive & Cathedral Road, Bryn Athyn, PA 19009

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Workshops at Bryn Athyn

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College Drive & Cathedral Road Bryn Athyn, PA 19009 800-767-9552