Durrah issue 36

volume 09 Issue 04 SUMMER 2017

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Contents Editorial Editor in Chief Khalid Ahmed Juman Features Editor Tariq Khonji Deputy Editor in Chief Ahmed Khunji Art Art Director Nils Albrechtsen Marketing and Sales International Media Sales Director Hussain Al Zaimoor

Volume 09 Issue 04 Summer 2017 012 First Impression

078 Realistic Art

014 Banking on Value

084 Exquisitely Feminine

Editor’s Letter

Interview with Al Baraka Banking Group President and CEO, Adnan Ahmed Yousif

018 Shining Examples Interview with Bahrain Jewellery Centre’s Owner, Dina Shirazi and Graff International Sales Director, Hugues Jucker

024 Making Women Sparkle

Interview with Chopard Co-President and Artistic Director, Caroline Scheufele

030 Daring Designs

Interview with the Founder of de GRISOGONO, Fawaz Gruosi

036 Another First

Interview with Friend of the Hublot brand, Ragheb Alama and Hublot Regional Director Middle East and Africa, Marco Tedeschi

042 Soulful Creations

Interview with Audemars Piguet CEO, FrancoisHenry Bennahmias

046 Timed Melodies

Interview with Raymond Weil CEO, Ellie Bernheim

048 Redefining Hospitality

Interview with Astas Holding Chairman, Vedat Asci

052 The Royal Jeweller

Chaumet’s Imperial Splendours

056 Secret Treasure Elixir from Al Zain Jewellery

058 Luxury Statements Watches for Men

062 Radiant Elegance Watches for Women

066 Reimagining Perfumery

Interview with Amouage Creative Director, Christopher Chong

070 Scintillating Scents Fragrances for men

074 Feminine Enchantment

Production Production Support IT support Digital Manager Hussain Al Anjawi

Interview with artist Mohammed Al Mamari

The latest in ladies’ brand name bags

088 Shopping in Style

DURRAH LUXURY MAGAZINE PO Box 13990, Manama, Kingdom of Bahrain T. +973 77077777 F. +973 17226555

Luxurious shopping destinations

096 Creative Layers

The latest from Gucci and Weill volume 09 Issue 04 summeR 2017

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102 Reliving History Discover Antalya

108 Unsurpassed Mediterranean Lifestyle The Residences at Mandarin Oriental, Bodrum

112 Luxury Worldwide The best hotels in the world

124 Serene Treatment The best spas in the world

130 Culinary Delights

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Cover Image Extreme performance and driving thrills.

Top dining locations

136 To the Letter

Interview with Vincent Abadie Hafez “Zepha”

140 Anatolian Delights Interview with Chef Maksut

146 Maserati Dubai Polo Trophy 2017 Results of the Second Leg

148 Top Marks

Ferrari 488 Spider

Durrah is a premium quarterly English-language luxury lifestyle magazine, covering topics including VIP interviews, fashion, yachting, architecture, art and culture, jewellery and travel, Durrah’s quality is unsurpassed. Durrah, in Arabic, translates to ‘Pearl’, and focuses on luxury that is based on substance and lifestyle with intellect, rather than excess. On contemporary living that evolves from deepset roots, rather than globalization, ensuring an inherently authentic flavour for a globally travelled audience. With a core focus on the colourful fusion of both traditional and modern elements that make up the Arabian identity, Durrah aims to promote and preserve all of the elements that make the Arabian Gulf so unique. Durrah adopts international standards, however also remains closely connected to Middle Eastern heritage, culture and achievements, all of which are prominently featured.

154 Driven to Luxury Car Reviews

164 Men’s Must Haves Luxury items for men

170 Women’s Must Haves Luxury items for women

176 BIPEX and Stack Bahrain 2017 The Final Pearl

ISSN 2210-1322

DURRAHMAGAZINE

www.durrah.bh e.mail: info@durrah.bh

Fragrances for women

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Welcome

First Impression A word from the editor-in-chief

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n each and every issue we make, Durrah discusses important topics, reviews the latest products, and travels to numerous locations across the globe to bring you an unparalleled experience into the world of luxury that’s guaranteed to impress. Whether it’s coveted pieces in a legendary French Maison or a brand-new fashion spot that just opened, Durrah will have all you need to know.

In this issue, we discover the factors that led to the mainstreaming of Islamic banking in our interview with Al Baraka Banking Group’s President and CEO, Adnan Ahmed Yousif, and we take an in-depth look at the jewellery and watch business as we sit down with the brilliant minds behind Bahrain Jewellery Centre, Hublot, Chopard, Graff, de GRISOGONO, Raymond Weil, and other leading brands to learn what goes into their craft and get an insight into the acumen they use to remain on top in today’s competitive markets.

As our dear readers have come to expect, every issue we take you on a journey to the most beautiful places in the world. This time around, we discover Turkey’s biggest international sea resort, as we feature the historical landmarks and beautiful scenery in

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the major tourist destination Antalya. We marvel at Turkey’s impeccable Ciragan Palance Kempinski Istanbul, the only Ottoman imperial balance on the Bosphorus, while The Residences at Mandarin Oriental, Bodrum will leave you breathless with its gorgeous views of the Mediterranean and Aegean Seas.

We get to review the Ferrari 488 Spider, Ferrari’s latest addition to its open-top V8 sportscars, and take a look at some of the exclusive automobile creations by some of the world’s most prominent luxury brands that were custom-made to satisfy the discerning tastes of their clients.

And of course, there is our usual roundup of the best and latest from the worlds of art, leisure, travel, shopping, culinary culture, and more.

Have a good read!

Khalid Ahmed Juman Editor in Chief

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Up Close and Personal

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Banking on Value Providing its services through 700 branches in 15 countries, Al Baraka Banking Group is one of the leading international Islamic banking groups In the region. A total population of nearly one billion in those countries have access to their unique retail, corporate, treasury and investment banking services, which are in accordance with the principles of the Islamic Shari’a. We find out more about the banking giant in our interview with Adnan Ahmed Yousif, President and Chief Executive of Al Baraka Banking Group.

Interview with Adnan Ahmed Yousif, President and Chief Executive What are Al Baraka Banking Group’s focus areas in terms of business?

Al Baraka is a global Islamic banking services provider.

In view of its wide presence and diversification, Al Baraka provides all types of Islamic products and services, such as retail, wholesale, investments, treasury and financing to individuals, corporates and governments. What I would like to highlight here that what distinguishes Al Baraka from other Islamic banks is that all products and services we provide are backed by our Partnership philosophy, which is derived out of our organization’s Vision, and forms an integral part of our Business Model, wherein our focus is on building stakeholder values, while contributing to the development of our communities at large.

What kinds of products do you offer high net worth individuals specifically?

Almost all our banking units have private banking

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arms or specialized units that can offer services that are designed for high net worth individuals and wealthy families. They provide investment advice, retirement planning, and wealth management. Customers can choose from special accounts in different currencies, a diverse portfolio of financing facilities, investment portfolios and funds transfers worldwide, as well as different types of investment saving accounts. In addition, they can offer a wealth of investment solutions, including structured products and investment funds as well as structured products, both tailor-made and standard, as to meet the specific requirements of their customers. They also offer advice on philanthropy and charitable activities.

What are your most important markets?

The Group has a wide geographical presence in the form of subsidiary banking units and representative offices in fifteen countries, which in turn provide

their services through over 700 branches. Al Baraka currently has a strong presence in Turkey, Jordan, Egypt, Algeria, Tunisia, Sudan, Bahrain, Pakistan, South Africa, Lebanon, Syria, Iraq, and Saudi Arabia, including two representative offices in Indonesia and Libya. For us, all these markets are important because all of them contribute to our success and achievements.

What are your predictions on the directions of these markets in the future?

Since the world crisis in 2008, we have realized that our emerging markets in Middle East, South Arica and Asia are more similar than the developed markets with less risk potential. Moreover, these markets are still in the process of developing, which can offer a huge potential for growth. Therefore, our strategy at present is not only to expand in these markets through

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Up Close and Personal

In recent years, Bahrain has rapidly become a global leader in Islamic finance, playing host to the largest concentration of Islamic financial institutions in the Middle East

the opening of more branches, but also to enter new neighboring market in Africa, Asia, and the Middle East.

What, in your opinion, are the factors which lead to the mainstreaming of Islamic Banking?

Islamic finance offers the ideal platform to boost ‘green financing’ and promote social responsibility investment. As Sharia rules prohibit participation in businesses involving alcohol, pork, and gambling, Islamic banks only support businesses that adhere to ethical and moral nature values when it comes to investments. Therefore, we note that demand for Sharia-compliant products continues to rise not only amongst the growing Muslim population that is hightly inclined to Shari’a compliant financing products, but also amongst non-Muslim investors, as they see the potential for profit in Islamic banking. Islamic financial products, as a rule, carry lower risk investments while enabling them to earn a profit and—at the same time—diversify their portfolio to further reduce risk.

Moreover, Western investors can track the Islamic financing industry through international rating systems.

When purchasing Sukuk or Islamic bonds, they can easily assess the strengths, weaknesses, and risk of the bonds by simply referring to benchmarks that track the financial industry. Islamic financial products, though they might also come with their own set of complex rules, are far simpler to understand than their conventional counterparts. For one, they are stricter with contracts and as focused. Islamic financial institutions also have scholars that offer consumers guidance with every venture and proceeding. They follow strict principles that ensure every single transaction is carried out according to Sharia law.

Do you think that Islamic banking is still an emerging industry or do you think it is reaching saturation?

We still believe that there is huge potential for growth in Islamic banking and even better than conventional banking. There are several factors pointing to this scenario in the rest of the current decade. Signs of revival of the global economy, which reflect a good possibility of global acceleration in the growth in banking sector in general, is one factor.

02 Islamic banks, too, will benefit from the recovery of

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the global economy, and hence their growth may be even higher than the current percent. While the global economic outlook certainly influences growth in the Islamic banking sector, Asia’s economic expansion is an even more relevant factor in projecting the development of Islamic banking. There are indications that growth in Asia during the rest of the decade is likely to be higher than the growth in the “developed” world. The world’s Muslim population will also increase by (at least) two percent per annum, which will be reflected in the growth of Islamic banks’ potential clientele.

How important is Bahrain globally as a centre for Islamic banking? Is it in any danger of being overtaken by other countries?

In recent years, Bahrain has rapidly become a global leader in Islamic finance, playing host to the largest concentration of Islamic financial institutions in the Middle East. Presently, there are seven Islamic insurance companies (Takaful) and 2 Re-Takaful companies operating in the Kingdom. In addition, Bahrain is at the forefront in the market for Islamic securities (sukuk), including short-term government sukuk as well as leasing securities. The growth of Islamic banking in particular has been remarkable, with total assets in this segment jumping from $1.9 billion in 2000 to $26 billion by 2016 , an increase of over 13 times. The market share of Islamic banks correspondingly increased from 1.8% of total banking assets in 2000 to 13.3%. Islamic banks provide a variety of products, including Murabaha, Ijara, Mudaraba, Musharaka, Al Salam and Istitsna’a, restricted and unrestricted investment accounts, syndications and other structures used in conventional finance, which have been appropriately modified to comply with Shari’a principles.

What role has the Central Bank of Bahrain (CBB) played in the emergency of Bahrain as a global Islamic financial industry?

The Central Bank has played a leading role in the introduction of Islamic banking industry in Bahrain.

The Central Bank has installed a comprehensive prudential and reporting framework, tailor-made for

the specific concepts and needs of Islamic banking and insurance. The rulebook for Islamic banks covers areas such as licensing requirements, capital adequacy, risk management, business conduct, financial crime and disclosure or reporting requirements. Similarly, the insurance rulebook addresses the specific features of takaful and re-takaful firms. Both rulebooks were the first comprehensive regulatory frameworks that dealt with the Islamic finance industry. In addition to the numerous Islamic financial institutions active in its financial sector, the CBB attracted a number of organizations central to the development of Islamic finance, including the Accounting and Auditing Organisation for Islamic Financial Institutions (AAOIFI), Liquidity Management Centre (LMC), the International Islamic Financial Market (IIFM), and the Islamic International Rating Agency (IIRA), and Shariya Review Bureau.

How did you get involved in the banking industry?

I commenced my banking career in 1973 at Habib Bank, working as Assistant Manager of credit transactions and American Express Bank from 1975 to 1980. Then I moved to ABC for 20 years, where I held various positions that include Managing the main branch, Deputy General Manager and vice-chairman, Director of Global Marketing & Financial Institutions Division, Head of Arab World division, Vice-Manager of subsidiaries and investments. I also served as the Chief Executive Officer of Bahrain Islamic Bank from 2002 to 2004. I served as the Chief Executive Officer of the ABG since August 2004. Talking about lessons from my experience, I think that bringing subsidiaries in 15 countries to work together in one strategy was a successful one, whereby all these subsidiaries are focusing on providing real services and products to their societies.

How do you like to spend your time when you are not working?

I like to spend more time with my family especially since I am travelling a lot and spend more than 250 days of the year abroad. Apart from going to social gatherings, I also spare some time for reading and following up with developments and news around us. albaraka.com

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Up Close and Personal

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Families have always played a large role in the jewellery business, but few possess the unique qualities required to become a cherished name in the industry. Durrah had an in-depth interview with the Owner of Bahrain Jewellery Centre, Dina Shirazi and Graff International Sales Director, Hugues Jucker, to get some perspective on what it takes to become an industry leader.

Shining Examples Interview with Dina Shirazi Let’s start with the family dynamic of BJC. Do you feel like having a family run the business makes a difference? What advantages does it present?

Of course, it makes a difference. Each of us have our own niche areas for which we have specialist knowledge that has filtered down and continued to filter down from generation to generation. The knowledge of the local market and personal relationships with clients is paramount for sales, since clients look to us and trust our judgment and integrity in advising them.

You had many brands in your stores over the years. Which brand would you say has been key to the success of BJC? All the brands that we keep have been carefully selected to best meet our client requirements and expectations, and therefore have all played a role in contributing towards the success of our company.

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With so many competitors these days, is it more difficult now to maintain leadership in Bahrain’s jewellery market compared to the past? What actions do you take to set yourself apart from the competition?

Competition is always there in the market place,

and that’s why knowing our customer base and their requirements gives us an extra edge. The luxury market today has an online presence, that’s why we are always actively perusing new and exciting brands that will keep our customers interested.

Tell us about the Graff collections at BJC. How has the response been to them so far? And how does it compare to other jewellery line-ups you offer?

At the moment, we are collaborating with Graff for this private exhibition, and hopefully more to come in the future. Although Graff is a leading high-end luxury brand, it will take a little bit of time to introduce them into this marketplace because clients will need to understand the value of a Graff piece and how it is a valuable investment.

What can we expect next from BJC? Any new brands or collections you’re planning to add in the future?

We are always looking for exciting brands and especially the new and upcoming designers. We also like to promote our local talented Bahraini designers. bjc.com.bh

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Up Close and Personal

At Graff, we continue to see an extremely strong demand for large high quality and rare coloured diamonds 01 Dina Shirazi 02 Emerald and diamond tassel earrings 03 Hugues Jucker

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Interview with International Sales Director Hugues Jucker What would you say has been the defining moment in Graff’s history?

diamonds and gemstones, designed in beautiful settings that showcase each stone to its highest degree.

Graff began the production of diamonds in the late 1990’s. We have facilities in Johannesburg, Botswana, and Antwerp where we polish thousands of carats of rough diamonds every month. Having this vertical integration plays an integral role in the success of Graff.

Is the diamond industry constantly evolving, or do you find that most preferences and trends have remained the same over the years?

Do you think operating as a family business adds a unique dimension to the company? Does it present advantages?

While the diamond industry is subject to fluctuations related to economic conditions, the premium segment of the market is extremely resilient. At Graff, we continue to see a demand for diamonds, due to their intrinsic value and limited supply.

It certainly does. Mr Laurence Graff is a huge inspiration to us all. Laurence Graff is our Chairman, his son Francois Graff is CEO, his brother Raymond Graff directs production in London and his nephew Elliott Graff is responsible for the design and merchandising of our jewellery. What is consistent is that everyone works together to strengthen and develop the business – it is our top priority.

What sets Graff apart from the competition?

What sets Graff apart is that we are involved in every stage of the jewellery making process, from sourcing of the rough stone, through to the cutting, polishing, setting, and finally selling of the jewels through Graff’s global store network. This means we can supply ourselves with exactly what we need, and we are able to react quickly to the demand.

Which of your worldwide locations has had the most positive response so far?

Graff is a global company with over 55 locations and one thing that is consistent globally is that our clients are acutely knowledgeable when it comes to purchasing jewellery. They desire and demand the highest quality

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The diamond industry constantly receives flak over its human rights abuses.

What does Graff do to ensure that its operations are humane and still retain its high-quality standards?

Every month, thousands of carats of rough diamonds pass through the hands of our sourcing and polishing division, the South African Diamond Corporation (Safdico). Often many millions of years old, every one of these stones is responsibly mined, traceable to its source, and fully adherent to the Kimberley Process Certification Scheme.

What has been the most prized possession of Graff when it comes to diamonds?

It would probably be the recently cut Graff Venus, the largest D Flawless Heart-shaped diamond in the world, which weighs 118.78 carats. It is D Colour, Flawless, and Type IIA with Excellent Polish, Excellent Symmetry, and No Fluorescence - the very highest accolade a diamond can achieve. It was cut from a 357-carat rough diamond discovered in 2015 at the Letseng Mine in Lesotho.

Is there a personal favourite of yours?

Ultimately, they are all fabulous! Perhaps there’s one that stands out for a few hours or a day or even a week, however, they are all incredibly beautiful. Over the course of history, Graff has handled some of the most fabulous diamonds in the world including: the Graff Venus, the Eternal Twins, the Vendome, Lesotho Promise, the Delaire Sunrise, the Graff Constellation, the Graff Pink, the Graff Sweethearts, and the Letseng Star to name but a few.

Is there a particular current trend gaining ground in the diamond industry today?

At Graff, we continue to see an extremely strong demand for large high quality and rare coloured diamonds. Our worldwide reputation comes from the quality of the stones we use and the level of craftsmanship imbued in every step of the jewellery making process.

Has Graff achieved all it has set out to achieve? What should we expect next?

We continue to expand and develop our business, operating at the very pinnacle of the luxury industry. Our store portfolio now consists of 55 locations with the recent 2016 openings of stores in Paris, Australia, Kazakhstan and Asia.

This is a considerable achievement given that we launched our first location outside the UK in Monaco in 2000. When you work with the very rarest and most magnificent jewels in the world, the future always holds new and exciting opportunities. graffdiamonds.com

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Up Close and Personal

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Up Close and Personal

Making Women Sparkle

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The Red Carpet Collection unveiled each year at the Cannes Film Festival provides Chopard with a reoccurring opportunity to push beyond the limits of its art while expressing boundless creativity. This year once again, for its 20th edition as official partner, the Geneva-based Maison dazzled onlookers with its daring and vividly coloured creations that shone on the famous red carpet and the legendary steps.

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ince 1998, Chopard has been serving as Official Partner of the Cannes Film Festival, annually showcasing the quintessence of glamour through this creative and passionate cooperation. The Red Carpet collection resulting from this special partnership was introduced in 2007 to mark the 60th anniversary of the festival. Intended to adorn stars for their red carpet appearances, the creations stem from the imagination of Chopard Co-President and Creative Director, Caroline Scheufele. Cleverly blending ancestral skills and cutting-edge techniques, they take shape through a fascinating synergy between the various talents exercised within the House.

In a constantly reiterated feat of creativity, the collection is annually enriched by an additional model,

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as Chopard takes up the extraordinary challenge of offering a number of unique jewellery pieces matching the number of Festival editions to date. Thus, for the 70th anniversary of the event, no less than 70 creations inspired by women were unveiled.

In addition to the 70th anniversary of the Festival, 2017 also marked the 20th edition in which Chopard served as official partner. For this anniversary collection, Caroline Scheufele has dreamed up creations with vivid colours brilliantly illustrating her boundless creativity and the expertise of the artists exercising their skills in the in-house High Jewellery ateliers. Earrings and bracelets have always been red carpet favourites, discreetly or distinctively accentuating a slender neck or dainty wrist.

This year’s Red Carpet Collection offered modern and

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audacious interpretations, whether in terms of design or materials. Chandelier earrings, or round and supple models forming carpets of multicoloured fine gemstones – to mention just these – were matched by broad cuff bracelets made of titanium featuring richly brocaded arabesque motifs. This extremely light metal provides scope for all kinds of fancy touches and may be tinted in an incredible broad palette of colours, thereby reinforcing the sparkle of the stones adorning it.

Rings adorned with coloured stones of all cuts and majestic necklaces round off this kaleidoscope ensuring a stunning celebration of 20 exceptional years shared by the world’s most prestigious film festival and the Maison Chopard. chopard.com

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Jewellery

01 Red Carpet ring in 18ct white gold and titanium featuring a 14.4cts heart-shaped rubelite, marquise-cut tsavorites and brilliant-cut rubelites and amethysts 02 Caroline Scheufele, Chopard Co-President and Artistic Director 03 Red Carpet necklace in 18ct white gold composed of tanzanite beads (764cts) and set with brilliant-cut (7cts) and pear-shaped diamonds (9cts), marquise-cut sapphires (7.55cts), pear-shaped sapphires and adorned with an exceptional pear-shaped tanzanite of 150cts.

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Interview with Chopard Co-President and Artistic Director, Caroline Scheufele As Co-president and Artistic Director of Chopard, Caroline Scheufele helped give Chopard international exposure by connecting the jewellery brand with iconic cinema and world events. With boldness and determination in her approach, she is also known for her insatiable creativity and philanthropic ideals, qualities that shone through in our interview with her.

How would you define Chopard brand in simple terms?

Chopard stands for passion for excellence, and is a family-owned company. We are recognised for our creativity, know-how, and our independence which gives us great flexibility. We care deeply about social responsibility and we have been deepening our commitment to ethical and environmental practices in jewellery and watch production.

In terms of personalisation, how much do you focus on providing your clients with bespoke pieces that can reflect their individuality?

We have always believed in providing unique pieces and a lot of limited editions and smaller series. I can’t really talk about “personalisation” of the pieces but more about the uniqueness of our models. Thanks to limited editions and to the wide variety of collections from the classic to the sporty, each individual can find his or her preferred piece reflecting his or her individuality.

Do new and changing fashion trends contribute to your creative inspirations for new collections?

My inspiration comes mainly from nature and art, and not from fashion trends. I travel a lot to many countries and meet different people who also inspire me to create new designs. But of course, I keep an eye on fashion. Inspiration can come at anytime and anywhere.

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What is the element you look for in the celebrities that you choose to represent your designs?

I look for this little extra something that can’t be defined. A sparkle, a personality. Recently, we chose Aymeline Valade, the French actress and model, to be the image of our Ice Cube Pure collection. With her strong personality and edgy look, she perfectly embodies the spirit of the collection. And, as you have certainly seen, we have just released an incredible collection designed in collaboration with Rihanna. The “Rihanna loves Chopard” collections were inspired by her effortless confidence infused with strength and they are already a must-have!

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What are your personal ambitions for the Chopard brand?

To continue making women sparkle! And of course, to continue our journey towards sustainable luxury which started in 2013. Since then, we have been producing Haute Joaillerie and L.U.C made of Fairmined gold as well. The most recent interpretation of this commitment is the Ice Cube Pure collection, a diffusion line launched during Baselworld. Our ambition at Chopard is to be able to produce all our pieces, jewellery, and watches, in Fairmined gold. It is not an easy journey but we know it is the right one.

As responsible jewellery makers, what steps do you think the industry should take to ensure a more sustainable and conscious jewellery making process?

Nowadays, sustainability is a global issue which concerns every one of us, and as a family-run business, we are very aware of our responsibilities. Our clients are increasingly interested in knowing where the material used to manufacture watches and jewellery comes from, and how those pieces have been produced. By putting sustainability at the very heart of our brand, we are showing

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04 Red Carpet cuff bracelet in 18ct white gold and titanium featuring arabesques motifs set with amethysts, rubellites, blue and purple sapphires and lazulites.

05 Red Carpet cuff bracelet in 18ct white gold set with pear-shaped tanzanites totaling over 50cts, pear-shaped diamonds (40cts), brilliant-cut sapphires (8.7cts) and brilliant-cut diamonds (7.7cts).

We care deeply about social responsibility and we have been deepening our commitment to ethical and environmental practices in jewellery and watch production

06 Exceptional pear-shaped tanzanite of 150cts.

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Jewellery

ourselves to be leaders in our industry and a company that truly wants to make a difference in the world of luxury jewellery and watches. Our idea was, and still is, to show the other brands that it is possible to be ethical.

every year, we create unique jewellery pieces matching the number of festival editions to date. 70 pieces were presented the last time!

Also, in 2010, for Chopard’s 150th anniversary, we launched the Animal World Collection. 150 pieces dedicated to the Animal World in its entirety. I wanted to design jewellery around majestic animals such as lions or peacocks, but also more ungrateful ones such as the ants, spiders, or bees.

Lately, we presented the Garden of Kalahari, an extraordinary collection created around an exceptional 342-carat stone D flawless type II A, discovered in the Karowe mine in Botswana. From this stone, 23 diamonds, among which five of them above 20 carats, have been cut.

Having a whole set of jewellery created from one unique rough diamond was a first for our House and an exceptional adventure, which highlights the exceptional know-how and extraordinary skills of our Huate Joaillerie workshops.

What are some aspects you admire in the current jewel making industry?

And how did it change from when you started?

I admire the constant creativity. The jewellery industry nowadays is very dynamic and sees the emergence of young and creative brands. That was not the case when I started, the market was distributed between historical jewellery brands only.

In your opinion, how has Chopard left its mark in the world of jewellery and watchmaking?

We marked the world 40 years ago by presenting the Happy Diamonds Collection. And over the years, we have created real milestones. This year, we celebrated the 10th anniversary of the Red Carpet Collection. It was launched for the Cannes Film Festival’s 60th anniversary. Since then,

What are your newest ideas for future projects?

I tend to be superstitious. I will let you discover them in due time!

08 07 Red Carpet large necklace in 18ct white and rose gold adorned with an exceptional 87cts pear-shaped kunzite and set with pear-shaped kunzites (65.5cts), pearshaped green beryls (16.6cts), pear-shaped tanzanites (24.2cts), and brilliantcut diamonds, beryls and tanzanites 08 Red Carpet cuff bracelet in 18ct rose gold with wood insert set with garnets 09 Red Carpet earrings in 18ct white gold and titanium set with pear-shaped topazs (16.7cts), amethysts (7.5cts), sapphires, paraiba tourmalines and tsavorites

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Special Feature

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Interview with Founder of de GRISOGONO, Fawaz Gruosi What drew you to this profession and industry?

I grew up in Florence and found myself naturally drawn to the finer things in life. I wanted to follow my own ideas and realise my personal vision for a new generation of precious jewellery. I had a real love and understanding of the jewellery world, which is rich in tradition yet bound by some conventions in our fast-changing world.

Can you tell us what the term ‘de GRISOGONO’ means to you?

When my business partners and I founded de GRISOGONO, we had a real challenge finding the right Italian name. Then one of my partners mentioned that his mother had originally been the Marquise de GRISOGONO. To me, it evokes power, mystery, and aristocracy. It was a perfect name for the luxury and exclusivity we had in mind.

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Daring Designs

Few people in this world can claim to have turned their vision into reality, but for the Founder of de GRISOGONO, Fawaz Gruosi, breaking the rules is what forms the DNA of his creativity. Durrah spoke to the pioneering jeweller to get a glimpse into his mind and his passion for creation.

01 Portrait of Fawaz Gruosi, founder of de GRISOGONO

02 High jewellery bracelet made from 18K white gold and titanium set with 29 briolette-cut orange sapphires, 31 briolette-cut yellow sapphires, 1,646 brown diamonds, 437 orange sapphires and 1033 white diamonds

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Special Feature

What is it about de GRISOGONO that sets it apart from the rest in the industry?

Each one of our collections bears the inimitable de GRISOGONO hallmark of style, which is seriously playful and flirtatiously determined, and boasting powerful shapes and startling compositions of colour, form, material, and craftsmanship. The stars also come out for de GRISOGONO. From the time Sophie Loren opened our first Geneva boutique, celebrities, royalty, and aristocracy have all been drawn to our jewellery and the excitement and high-octane glamour of our unconventional jewels.

How would you describe your approach to creativity?

It’s like I said once before: “I think in volumes, I imagine in colours, I design in lights.” I guess my approach can be called impulsive and impatient because I trust my intuition and I like to override all the rules and conventions.

appreciates beauty, aesthetics, and has a restless spirit for adventure will find something to love from de GRISOGONO.

Are there any changes you would like to see take place in the jewellery business?

They have to be ready to push the boundaries when the time comes. If you truly want to be unique, then you must go on a quest to be different, and for that to happen, you need to be able to take risks. The jewellery business needs to favour new ways of creating jewellery and timepieces, and constantly attempt to rewrite the rules of the industry.

How do you evoke an emotional response from your clients with your jewellery pieces?

What kind of person wears your jewellery?

Our creations are infused with a Mediterranean character that fills its activities with emotion, purpose, and intensity. I try to leave my mark on each and every piece designed for de GRISOGONO. This is what gives it its free identity and audacity, which is often enhance by a light touch of humour.

It’s for those with vivacious personalities, who have a well-known love of finer things in life. Anyone who

degrisogono.com

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Our creations are infused with a Mediterranean character that fills its activities with emotion, purpose, and intensity

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03 High jewellery piece from the “Love on the Rocks� collection 04 High jewellery bracelet made from 18K pink gold set with 20 unheated Burmese rubies, 43 emerald-cut emeralds and 2,205 emeralds

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05 High jewellery earrings made from 18K white gold and titanium set with 32 briolettecut orange sapphires, 950 brown diamonds, 63 oranges sapphires and 274 white diamonds 06 High jewellery ring made from 18K pink gold set with 1 radiant-cut yellow diamond, 332 emeralds and 34 yellow diamonds

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07 High jewellery bracelet made from 18K pink gold set with five cabochon-cut emeralds, 3,217 brilliant-cut rubies, 2,427 brilliant-cut white diamonds, and a cabochoncut emerald.

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Special Feature

08 High jewellery bracelet being created

The jewellery business needs to favour new ways of creating jewellery and timepieces, and constantly attempt to rewrite the rules of the industry

09 “Love on the Rocks” collection features centre stones with generous carat weights 10 One of the pieces from the “Love on the Rocks” being created

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THE ALL-NEW

THE COUPE IS BACK The precise feel of the 400 horsepower V6 throttle. The customizable feel of the world’s first Direct Adaptive Steering™ System.

The race-inspired look of a cockpit lined with black carbon and leather. The all-new INFINITI Q60.

Also available in 2.0t 208HP.

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Up Close and Personal

Hublot is a brand that needs no introduction.

The Swiss luxury watchmaker has been pioneering the trends of wearables and recording milestones since 1980. To mark the occasion of choosing their first Middle Eastern friend of the brand, Durrah had this exclusive interview with Ragheb Alama and Hublot Regional Director Middle East and Africa, Marco Tedeschi.

Another First

Interview with Ragheb Alama

How do you feel about being the first Middle Eastern Friend of the Brand for Hublot? Were you expecting to be their choice?

I feel great! I am truly honoured because the brand has a rich history. I may be the first Middle Eastern Friend of the Brand for Hublot but I have loved that brand even before. I wear Hublot watches all the time, it was almost like there was a partnership between us.

I simply feel like I’m in the right place.

What kind of qualities do you look for in a watch?

The watch is more than just a wearable piece.

It should embody me in its looks, in its design and colors. It should also be simple yet classy. You have to see it and fall in love with it. This is what happens to me with all Hublot models. You truly want to wear it. I have worn Hublot at night in concerts, during training, during meetings, and during dinners. It really goes well with everything.

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What do you like most about Hublot watches?

They have a unique balance between sporty and classic look. This is exactly how I am. I can be casual or I can be both casual and formal at the same time, even without changing!

Do you have a favourite watch from Hublot that you wear often?

Right now, I like the Italia Independent collection, and of course, any of the Big Bang watches.

In your opinion, why is it important for a man to have the right watch?

Because it is a piece of your own chicness and fashion. To me, if someone really cares about how they look, they will understand how a watch can complete their look. You could be wearing your swimming shorts and a T-shirt and your watch would be the piece that brings it all together. It really is the thumbprint of being chic!

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What’s next for Ragheb Alama?

After our current music video, I am currently working on two new songs, one romance and the other Pop. Both should be released in the summer so I’m looking forward to that.

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Up Close and Personal 01 Behind the scenes, HublotMEA campaign shoot at the Royal Opera House 02 Budapest, Hungary 03 Marco Tedeschi and campaign photographer Jean Ghalo 04 Marco Tedeschi - Regional Director Hublot Middle East & Africa

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We did not have a boutique in Doha yet. We got this opportunity and grabbed it, especially as our market is growing there

Interview with Hublot Regional Director Middle East and Africa, Marco Tedeschi What made you decide on Doha as your next Hublot boutique location?

We did not have a boutique in Doha yet. We got this opportunity and grabbed it, especially as our market is growing there.

What characteristics define the Hublot brand for you and set it apart from the rest?

One of the most notable collections was the Techframe Ferrari. Can you give us some background on the concept and production process that went into creating it?

Ragheb was a friend of ours before the partnership. He already had a Hublot, which is one of the requisites for anyone we consider for a partnership. Ragheb is also very successful, shares our passions and values, and is loved across all generations. So, it was a great fit.

For the Techframe Ferrari, Ferrari designed the watch, while we contributed to that and developed the mechanism and technical details. The new Collection is unique in its design which is very clearly inspired by the DNA of Ferrari racing cars, from the dashboard inspired elements in the dial, to the case shaped like a chassis, and the Schedoni leather of the strap which matches the one used for Ferrari’s seats. The red pusher on the right side of the case is a very exciting feature, and so is the watch’s impressive 115-hour power reserve. The collection was launched to celebrate 70 years of Ferrari.

How was your experience at Baselworld this year? Can you tell us about some of the pieces that were on display?

Are there any future plans for Hublot in the Middle East that you can share with us?

We had very positive feedback at Baselworld from retailers, customers, and press. Some of our highlights were, of course, the Techframe Ferrari watches. Also, the Classic Fusion Italia Independent One-Click 39mm for ladies, with its velvet dial and straps. The Big Bang Unico Sapphire Blue and Red were a hit too. Blue

Of course! We are opening boutiques in Riyadh and Jeddah this year. And we will be rolling out major Art of Fusion events, as well as joint events with Ferrari in the region to celebrate their 70th anniversary.

Definitely being first, different, and unique. Those are the characteristics that make our DNA.

What made you choose Ragheb Alama as your Friend of the Brand?

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sapphire is the hardest to work with but Hublot had mastered its manipulation, and the result was the amazing watch.

hublot.com

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Up Close and Personal

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I have worn Hublot at night in concerts, during training, during meetings, and during dinners. It really goes well with everything

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05 Ragheb Alama and Marco Tedeschi 06 Behind the scenes, HublotMEA campaign shoot at the Royal Opera House 07 Marco Tedeschi, photographer Jean Ghalo and Ragheb Alama

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Al Baraka Banking Group (B.S.C) is licensed as an Islamic wholesale bank by the Central Bank of Bahrain, listed on Bahrain Bourse and Nasdaq Dubai stock exchanges. It is a leading international Islamic banking group providing its unique services in countries with a population totaling around one billion.

It is jointly rated BBB+ (long term) / A3 (short term) on the international scale and A+ (bh) (long term) / A2 (bh) (short term) on the national by Islamic International Rating Agency & Dagong Global Credit Rating Company Limited, and by Standard & Poor’s at BB+ (long term) / B (short term).

Al Baraka offers retail, corporate, treasury and investment banking services, strictly in accordance with

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continents

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the principles of the Islamic Shari’a. The authorized capital of Al Baraka is US$ 1.5 billion, while total equity is at about US$ 2 billion.

The Group has a wide geographical presence in the form of subsidiary banking units and representative offices in fifteen countries, which in turn provide their services through over 700 branches.

Al Baraka currently has a strong presence in Turkey, Jordan, Egypt, Algeria, Tunisia, Sudan, Bahrain, Pakistan, South Africa, Lebanon, Syria, Iraq and Saudi Arabia, including two representative offices in Indonesia and Libya.

countries

700+

branches

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Watches

Audemars Piguet crafts timepieces that embody the spirit of the Vallée de Joux and reflect a constant obsession with quality and perfect finishing. With exclusivity in innovation and a distinct personality for each piece, emotions form the heart of all its creations.

Soulful Creations 01

Royal Oak Extra-Thin When the original Royal Oak first appeared in 1972, it was notable for several reasons. It was the world’s first luxury sports watch. It was imposing, yet impressively thin. And, despite being the most expensive watch of its type on the market, it was available only in stainless steel. That changed in 1977 when the first yellow gold 39 mm Royal Oak became available, bringing a whole new character to what would soon be regarded as an iconic design. In 2016, classic yellow gold returned to Audemars Piguet’s product portfolio and was presented in a select group of Royal Oak models.

Today, to mark the 40th anniversary of the first precious metal Royal Oaks, Audemars Piguet has created a new series of Extra-Thin versions in yellow gold. The 18-carat yellow gold “Jumbo” is available with two distinct “Petite Tapisserie” dials - classic

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blue or vintage-inspired champagne - both of which evoke a delightful 1970s aesthetic while offering the very latest in fit, finish, accuracy and reliability. The blue dial features a lighter shade – similar to the yellow gold models released last year, as it beautifully contrasts with the case and bracelet. Meanwhile, the champagne dial blends with the other yellow gold timepiece, creating a monochromatic aesthetic of beauty and warmth.

These pieces pay tribute to the original Royal Oak model, embodying the distinctive features and extensive finishing techniques that define the world’s first luxury sports watch. As with all examples of reference 15202, the new yellow gold model is equipped with the renowned ultra-thin selfwinding Manufacture caliber 2121, first introduced half a century ago. audemarspiguet.com

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Watches

We are the last manufacture still owned and run by the founding families, which gives us a wonderful degree of independence

01 The stunning Royal Oak 02 Royal Oak watch back case 03 CEO of Audemars Piguet, Francois-Henry Bennahmias

Interview with Audemars Piguet CEO, Francois-Henry Bennahmias You’ve worked for Audemars Piguet in several countries. Which did you find to be the most rewarding experience?

I would say the US since it is where I stayed for longer and really got to make a difference. The American dream worked for me and I love the fact that it is the land where everything is possible. When I took over the American market, we were barely making CHF 6 million of turnover and when I left in 2012, we reached CHF 100 million.

What are the types of challenges you face as a CEO? The main challenge is to federate all the teams, making sure everybody is aware of the strategy from the top to the bottom of the hierarchy, and having everyone work in the same direction. To do this, you need to be in direct contact with not only the managers, but with all the employees. With this in mind, I set up a new process which I called “2 minutes with the CEO” where I regularly spend 2 minutes with all team members of all departments. Each person meets me face-to-face and I ask them the following questions: 1) How happy are

you on a scale of 1 to 10 when you push the doors of the Manufacture in the morning? And 2) what message would you like to pass on to me today? Believe me, the answers I get are very diverse, but it allows me to uncover problems or situations which I would have never been aware of otherwise.

In your opinion, what’s the most important characteristic that a watch must have?

It must trigger emotion. Whether it is because of its aesthetics or its movement, it doesn’t really matter. Some clients will be more sensitive to the design, others to the mechanical wonders housed inside the case, but at the end of the day a watch must trigger emotion.

How is your brand’s ‘story’ different?

We are the last manufacture still owned and run by the founding families, which gives us a wonderful degree of independence. It also gives us speed as decisions can be made very quickly, which makes us not only more reactive, but also more likely to try bolder options.

Is there a personal favourite of yours from Audemars Piguet?

Yes! The Royal Oak Perpetual Calendar for its elegance and the beauty of the complication. In my opinion, it is the one complication that’s closest to the cycles of nature and I love this. It reminds us that nature is the ultimate authority. This year, we launched a black ceramic version which has proven a great success.

However, we can only make 100 units per year for now as ceramic is a very hard material to machine.

Which collection has had the most positive response from customers so far?

The Royal Oak, obviously! It has been our icon for more than 40 years now, and you haven’t seen all yet, I can guarantee that!

What would you say has been the most lucrative market for Audemars Piguet?

The US is our number one market, followed closely

by Hong Kong, South East Asia, the Middle East, and of course, Switzerland. Today, geographically speaking, we can definitely see the benefits of having a well-balanced commercial strategy. Our results are strong worldwide and we will keep pushing all regions.

What obstacles do you see watchmakers facing in the near future?

I wouldn’t call them obstacles but opportunities. The “4.0 watchmaker” is currently in the making, and it is a very exciting time, given the speed at which technologies develop themselves. But it is too early for us to be able to give any details on that point.

What sets Audemars Piguet’s watches apart from the other offerings in the market?

We are a serious company which doesn’t take itself seriously. This philosophy runs in the whole Manufacture and is palpable in our watches. Our timepieces are high quality hand-crafted products that are made with a lot of passion, but most importantly made to be worn and enjoyed. Their soul is what makes the difference.

What should we expect from Audemars Piguet next?

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Stay tuned as the best is yet to come! More specifically, watch out for SIHH 2018, a new record might be broken!

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Special Feature

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Timed Melodies Proficient in watchmaking, marketing, and business management, Elie Bernheim has recently been in charge of developing and enhancing the global strategy of RAYMOND WEIL as its CEO. His sense of traditional values, combined with a young and fresh vision, make him the perfect candidate to manage the Brand’s corporate image and getting closer to its clients in new and interactive ways.

What has inspired your grandfather to make the connection between music and RAYMOND WEIL watches?

When you are running a family business, like we are, and like what my father and grandfather used to do, it’s important to connect the business aspect with a passion.

My grandfather’s number one passion was classical music. At the very beginning of the company, he had to think about things like sponsorships, partnerships, and investments in general. He selected the music world as the main source of those things, and it’s a world that I also have a great passion for and enjoy it very much.

Did you face any challenges when you took over the CEO role?

There were so many challenges! Ever since I took the helm of the company about three years ago, I must admit I had to overcome a lot of different obstacles. Recently, we also had to deal with Brexit, all the terrorist attacks in different parts of the world, and the effects of all the different Franc currencies. There were a lot of things, but at the end, I still enjoy my position because every morning, when I wake up, I get the opportunity to run a fantastic family company, who I believe are the best at what they do, and work with my wonderful team and partners, with all of us sharing an ambition of making the company grow.

Can you tell us about some of the partnerships RAYMOND WEIL has with the music world?

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Interview with Raymond Weil, CEO, Elie Bernheim We have had a string of great partnerships, the most notable one being the Beatles, which we launched last year. We have an amazing partnership with the Beatles, as that was the first edition, and we launched the second edition this year. I personally love everything about the Rock and Roll scene. It’s a universe you can truly explore.

that I mean that we are moving away from the very big or very small size of watch, and going to a more rational size, which is somewhere between 28mm and 32mm for ladies’ timepieces.

What would you describe as the perfect watch of today?

We have a lot of different collections so it’s very hard to pick just one!

It simply has to be a watch that you like and want to wear it on your wrist the whole time. What is perfect for you might be different from what is perfect for me, but typically, it should have a theme and a personality that matches yours.

Do you have a favourite piece from RAYMOND WEIL? I actually have two favourite pieces. The first one was given to me by my grandfather 30 years ago. It was my first ever watch and holds a very special place in my heart. The second one is the one we created after he passed away three years ago. It was a tribute piece and we successfully managed to make it in only two months.

Do you see a trend that is popular in the watch world these days?

I would say that we are going back to our roots. By

What would you say has been your most popular model or range?

How does RAYMOND WEIL stand out from the competition in the market?

By offering the best quality and best price. Prices for most of our collections is between $750 to $3000, which is a price that’s very hard to find for watches of that quality. Plus, music is in our brand’s DNA, and no one else here is doing something that unique.

What should we expect from RAYMOND WEIL in the future?

That we continue to create all the time. We must create and innovate every year. Even if it’s not necessarily by introducing a new collection every year, we must at least innovate using new materials and new movements, or new music partnerships. It’s our favourite challenge too. raymond-weil.com

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Up Close and Personal

01 Aerial view of Macka Residences 02 Interior of one of the rooms at Macka Residences 03 Macka Residences’ interior 04 Mandarin Oriental, Bodrum Mediterranean Suite terrace

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For over 35 years, Astas Holding has been one of the biggest contributors to the growth of Turkey’s hospitality sector, delivering outstanding branded and serviced luxury development projects that offer unique spaces and privileged lifestyle for a discerning international clientele. Durrah spoke to Astas Holding Chairman, Vedat Asci to find out the secrets behind their long record of success and their development plans for the future.

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Redefining Hospitality

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Up Close and Personal

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Interview with Astas Holding Chairman, Vedat Asci Astaş Holding has delivered projects that have changed the understanding of privileged hospitality and residential living in Turkey. Can you tell us more about how you have created such a shift, and what kind of impact your presence has had on Turkey’s luxury real estate market?

We as Astaş Holding always strive to achieve new levels of standards for the real estate development and hospitality markets. We developed the very first branded residences in Turkey – Kempinski Residences Astoria in 2004. Furthermore, the development of Mandarin Oriental, Bodrum & The Residences at Mandarin Oriental, Bodrum raised the profile of Bodrum which already had been a prominent resort destination to one of the top 5 luxury prime hot spots in the world. Bodrum has become the new St. Tropez. Introducing the world’s most refined designers and architects such as Antonio Citterio and Giorgio Armani to the region through our works is also one of our main objectives.

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What makes Astaş Holding properties unique?

Astaş Holding properties are characterized by a unique combination of five major unique value points: 1prime location, 2- outstanding sophisticated design, 3superb quality, 4- the world’s leading brands and 5- the user-friendly custom designed multifunctional common lifestyle areas such as spa, gym, restaurants, lounges all catering to the needs of a very discerning elite clientele.

We tend to do only one or maximum two projects at a time to ensure that we supersede the latest standards we previously set with our projects.

What kind of philosophy drives the company when venturing into new projects?

Most importantly, it has to be the right location and the right vision for the project. Lighting design, high ceilings, acoustics, user and maintenance friendliness, energy saving aspects, environmental friendliness, luxury practicality, and the best possible functionality are all

part of our development philosophy. If we see that the project we would develop on a particular site would break new grounds for the region and the real estate development sector, we know it is the right project to develop. We are very selective in terms of the projects we decide to work on.

What is one project you are particularly proud of, and why?

We are proud of all of our projects, each of which represents a new standard in the sector, either being the first 5-star hotel branded residences project in Turkey, the first Armani / Casa residences in the region or the first Mandarin Oriental resort in the Mediterranean.

However, due to providing us a 60-hectare green canvas to live out our creativity, personally I have a particular love for our Mandarin Oriental, Bodrum and The Residences at Mandarin Oriental, Bodrum project.

Located on this pristine site on the Turkish Riviera, at Cennet Koyu (Engl. Paradise Bay), this project has 3 different sandy beaches with a coastline of 1.5 km. The

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bay was named Cennet (meaning “paradise”) centuries ago by our ancestors, for its natural beauty, turquoise crystal clear waters, rich green forests, and rich variety of endemic flowers.

Your current project, the Mandarin Oriental Bosphorus, Istanbul at Kuruçesme, is slated for a 2018 launch.

What are you most looking forward to about this project being launched? What effect do you expect it will have on the city and its economy?

The concept of this unique project will be to redefine Bosphorous-side living into a timeless modern design with high luxury quality ensuring the world’s most discerning guests to marvel. We are envisaging ca. 150 spacious guestrooms and suites with walkin dressing rooms, balconies and terraces, all with Bosphorous views, 5 different gourmet al-fresco dining restaurants and bars, a 2.200 sqm Spa and gym, as well as an extensive conference center with a 1.000 sqm ballroom with a large-scale outdoor Bosphorus terrace for weddings and important events.

We will also emphasize the gardens and landscape on this project again. We have this vision of a very special protected Bosphorus garden that our guests will linger in and will not want to leave.

significantly. The main focus right now is on urban regeneration, re-developing existing buildings to higher standards of quality and design. In addition, many major infrastructural projects are ongoing. These include the 3rd airport in the north of the city which will become one of the largest airports worldwide, and many tunnel, bridge, and metro projects, which will further strengthen Istanbul’s position as Europe’s most visionary and dynamic metropolis.

06 Infinity pool and expansive terrace with natural wood decking 07 Bathroom with a view at Mandarin Oriental, Bodrum 08 Mandarin Oriental, Bodrum Couple’s Suite

As part of its social responsibility initiatives Astaş Holding launched şevket Aşci Tourism Faculty in 2012.

Can you please tell us about what this foundation has accomplished since its inception, and how it contributes to the group’s overall vision?

What do you predict for the luxury hospitality and real estate markets in 2018? What do the trends show?

Sevket Asci Tourism & Management Faculty is a project that is very close to our heart. It is named after my deceased father. With the foundation of this faculty, which was donated to Samsun 19 Mayis University, it is our objective to further support the quality of hospitality staff in our country for which hospitality is one of its key economic sectors. Also, it is our plan to reinforce Turkey’s Black Sea region as a new focal point of tourism. The faculty constitutes of 10.000 sqm enclosed area for up to 5.000 students and was opened in 2014. We wish for its students to become tourism ambassadors of the future who shall play an active role in the Turkish tourism industry and successfully represent Turkey in the global arena.

For the Turkish real estate market, we expect the city planning and cityscape to further improve

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01 Detail of Empress MarieLouise’s gothic belt, FrançoisRegnault Nitot 02 Empress Marie-Louise’s gothic belt, François-Regnault Nitot, 1813 03 Emperor Napoléon I in coronation robes, François Gérard, 1806 04 Bunch of grapes parure, JeanValentin Morel, circa 1850 05 Enamel teapot, Emperor Daoguang, Qing Dynasty

Parisian jeweller on Place Vendôme, Chaumet has been creating tiaras, high jewellery pieces, and unique timepieces since 1780. Jeweller to King and Emperors, the Maison’s creations have echoed the excellence of the decorative arts, to become a major reference in the history of taste, the Parisian spirit and a certain French art de vivre.

The Royal Jeweller

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he history of Chaumet goes hand in hand with the history of France and of Europe, and the evolution of styles accompanies the history of France and the succession of political regimes. Napoléon I, who chose the founder of Chaumet, Marie-Étienne Nitot, to magnify his symbols of power; the Empress Joséphine, whose immense taste for jewellery is reflected in the ceremonial parures adorned with pearls and diamonds often sourced from the Crown Diamonds; and the Empress MarieLouise, the instigator of neo-classical jewellery’s golden age. After the Orléans dynasty, who were great amateurs of Fossin’s romantic style, the reign of Napoléon III and Eugenie was marked by the return to Eclecticism as different styles from the past cohabitated. It is a moment of glory for the Maison at the Expositions Universelles where its creativity shines on an international stage and opens the way for expansion at the end of the 19th

century. The Expositions Universelles encouraged the taste for chinoiseries, the name given to western-made creations inspired by the Far-East. Chaumet reinterpreted oriental exoticism in its creations, silverware and later on Art Deco jewellery in the 1920s, leading to Maison’s opening onto an increasingly cosmopolitan world, and the definition of a style that reflects the Parisian tastes and spirit today.

For more than 230 years, Chaumet’s excellence in High Jewellery has been bequeathed from one master jeweller to another. Diamonds and precious stones, carefully selected for their exceptional purity and sparkle, are then sculpted into round, cushion, oval, emerald, or the Maison’s signature cut, the pear-shape. Then, the jewellers, stone setters, polishers and engravers give life to the jewel. Over the centuries, while remaining the same, the Maison has taken on the names of the

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successive master jewellers at its helm: Marie-Étienne Nitot (1780-1809), François-Regnault Nitot (1809-1815), Jean-Baptiste Fossin (1815-1845), Jean-Valentin Morel (1834-1840), Jules Fossin (1845-1861), Prosper Morel (1861-1889), Joseph Chaumet (1889-1928) and Marcel Chaumet (1928-1958).

Chaumet’s naturalist jewellery depicts nature in all its wild, organic, fragile glory. Finding bucolic beauty in a garden, woodland or meadow, delicate blades of grass or the graphic forms of mistletoe, the Maison’s designers ingeniously render plants and weeds alike in graceful, inspired creations. Often with an added touch of sophistication, such as a bow entwined around a freshlycut branch, they elevate the most ordinary plants to the status of jewellery. Species are chosen for their cultural significance, imbuing the jewellery with symbolic value.

Chaumet, which has made over 2,000 tiaras since 1780 for monarchies and aristocratic families, is constantly reinventing this head jewellery. In the art of the tiara, it all begins with a drawing. Romanticism, Naturalism, Belle Époque and Art Déco styles have influenced Chaumet’s creations, as demonstrated by the 400,000 archive drawings held by the Maison. Fashion and contemporary collections are sources of inspiration for creating a unique piece of jewellery. The “Salon des Diadèmes”, showcase of Chaumet’s historic collections Chaumet’s historic collections decorate the walls of the Salon des Diadèmes, where hundreds of “maillechorts” illustrate Chaumet’s prestigious past. The heritage of Chaumet is exceptional within the history of jewellery: several hundred thousand gouaches and drawings made by winners of the “Grand Prix de Rome”, almost 300,000 photographic prints,

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35,000 glass plates, account books and correspondence.

Currently, and in light of the historic affinity between Chaumet and China, the Palace Museum, Beijing welcomes the Imperial Splendours exhibition. In collaboration with the Maison, a selection of works from its collections are on display. The exhibition also gathers some exceptional loans, granted by the Musée du Louvre, the Musée Napoléon Ier du Château de Fontainebleau, the Victoria and Albert Museum, the Musée national du Palais de Compiègne and the Musée national des Châteaux de Malmaison et Bois-Préau, among others.

Some of these pieces have left France or are on view to the public for the first time, inviting the Chinese public for a voyage through history and culture.

06 Flying hummingbird clip, Béatrice de Plinval and Pierre Sterlé, for Chaumet, 1977 07 Folding fan with landscape, Emperor Daoguang, Qing Dynasty 08 Necklace belonging, “Vertiges” diadem, Scott Armstrong for Chaumet, 2017 09 Headdress with kingfishers’ feather design of melons and butterflies, Qing Dynasty 10 Round cup on a base, JeanValentin Morel, circa 1851

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Jewellery

Remaining true to their values of loyalty, choice, and prestige, Al Zain Jewellery introduces ‘ELIXIR’, an enchanting creation that evokes the spirit of Arabia and embodies its most memorable stages of its past, packaged in a shroud of mystery.

Secret Treasure

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aster jewellers Al Zain Jewellery launched the exclusive ‘ELIXIR’, a limitededition perfume vial and necklace to mark the occasion of the holy month of Ramadan.

Taking its inspiration from the Ottoman’s jewellery designs, which were characterised by a mixture of Persian and Byzantine ornaments, ELIXIR provokes mystery, curiosity, and a desire to touch and hold the vial, and to explore what lies so well-hidden, concealed within its bejewelled casing.

Each piece is hand-made by skilled artisans in the

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Al Zain factory using warm bronze metal concealing a gold-lined inner vial where the wearer will store her most treasured perfume.

Natural rubies and diamonds set on 18K gold ornaments gently embrace each end of the vial, the result being an item of desire and mysterious secrecy.

Produced in a very limited number of pieces, ELIXIR is available across all Al Zain stores in the GCC region. alzainjewellery.com

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Luxury Statements 058

Watches

The best and latest from the world of watchmaking for the man of today

LEGACY MACHINE N°1 FINAL EDITION, MB&F Back in 2011, Legacy Machine N°1 debuted three unique technical features, two of which continue to set the LM1 series apart to this day.

The cinematic balance, suspended from an arched bridge, is now an icon of the Legacy Machine collection. The two time displays, indicated on subtly convex dials of stretched lacquer, are based on a single movement and allow autonomous setting without reference to fixed time zones. Then there is the vertical power-reserve indicator, offering a strongly intuitive and legible reading of barrel wind. In choosing a material to house this celebratory last outing of Legacy Machine N°1, MB&F picked steel over precious metals such as gold or platinum.

The recent elevation of steel as a worthy case material for high-end watchmaking has a twofold outcome for the LM1 Final Edition — it echoes the strength and enduring appeal of the series, and it takes the value focus off the exterior elements to better highlight the beauty of the LM1 Engine. The dark chocolate-toned face of the LM1 Final Edition is not the first instance of this colour appearing in an MB&F creation.

Wherever and whenever it occurs in the MB&F collections, the deep brown hue signals a special occasion, a reason to break out the treats, and the Legacy Machine N°1 Final Edition is no exception to this rule.

The launch of the last LM1 may be a bittersweet celebration for some — MB&F founder Maximilian Büsser pinpoints it at 85-percent dark chocolate — since the edition is limited to 18 pieces. mbandf.com

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MILLE MIGLIA CLASSIC CHRONOGRAPH, CHOPARD The sporty and sophisticated new Chopard Mille Miglia Classic Chronograph model with a vintage touch appears in His and Hers versions. The dial of the former is black with large luminescent numerals, while the latter is crafted from white mother-of-pearl studded with diamonds. These sporty models with a delightful retro touch hum to the beat of a COSC-certified high-precision ‘engine’. Available in 42 mm and 39 mm versions, this watchmaking tandem boldly demonstrates that the classic racing spirit cherished by Chopard is designed and expressed in both feminine and masculine modes. The new “His and Hers” chronographs are inspired by cars having taken part in the Mille Miglia between 1927 and 1940. Enhance by two traditional pushers and a fluted crown echoing those of vintage chronographs, the steel cases of the Mille Miglia Classic Chronograph models feature pleasingly balanced dimensions – 42 mm for gentleman racers and 39 mm with a gem-set bezel for lady drivers – matched by classic lines.

The dials ensure perfect readability thanks to wide Arabic numerals that are luminescent in the dark, as are the hands. The slim cursive fonts and the counters are inspired by 1920s car dashboards and stand out clearly by contrast with their background. The sweep-seconds hand features a bright red tip to tick off the precious seconds of the race. The arrow-shaped “Rossa Corsa” red Mille Miglia logo appears at the heart of the dial at 12 o’clock, as well as around the rim of the exhibition case-back. Embodying an ideal blend of precision, comfort and elegance, these watches are authentic auxiliaries for drivers driving at top speeds along Italian roads. chopard.com

OTTANTASEI TOURBILLON, BOVET Presented in 2016, the Ottantasei tourbillon from the Pininfarina collection instantly drew admiration from even the most demanding collectors. When Pascal Raffy issued the specifications for this timepiece, his desire was to create a tourbillon that bore all the visual hallmarks of the now legendary Ottanta tourbillon, with practically perfect dimensions and proportions.

The BOVET craftsmen joined forces with the designers in Turin to produce this genuine tour de force, which combines stunning ergonomics with a patented flying tourbillon that offers a ten-day power reserve driven by a single barrel. The unusual three-dimensional openwork adorning the movement is a glory to behold from every angle. In addition to sapphire crystals revealing both sides of the movement, broad apertures have been added laterally along the entire edge of the case middle. This year, collectors have been treated to a choice of two new cases. Each of them is machined in grade 5 titanium for ever-greater lightness. And for a touch of sublime elegance, their surfaces have been embellished with either bronze or blue PVD treatments. While these two new cases complement the various versions of this emblematic model available to collectors, only 86 movements will be produced in total (all models combined). The widespread popularity of the Pininfarina collection—and of the Ottantasei Tourbillon in particular—suggest that these newest additions to this exclusive series will barely suffice to meet the exceptionally high demand for this truly extraordinary timepiece. bovet.com

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Watches

CARRERA HEUER-01, TAG HEUER Unveiled in 2015, the TAG Heuer Carrera Heuer-01 opened the doors to a new market. A 45 mm Skeleton Manufacture Chronograph with a contemporary sports design, and coming in at under 5000 CHF, it redefined the notion of value for money. This year, the famous proprietary chronograph is being unveiled with a slightly smaller diameter of 43 mm, in a choice of three versions: intense black, deep navy blue and an elegant cognac brown. The brilliance of the polished ceramic tachymeter bezel echoes the polished, satin-finished steel of the iconic 12-part modular case. The skeleton dial – the trademark of the Heuer-01 – and the sapphire case-back reveal the beauty of the mechanism. The chronograph operating levers and the date disc are open-worked on the dial side. On the case-back, the red column wheel — a bold visual anchor — the skeleton chronograph bridge and circular black PVD weight also draw the eye into the mechanism, which is equipped with a clutch with oscillating pinion. After more than five years of continuous improvement and optimisation, it now offers a very high level of quality, while its production costs have been carefully managed to make it one of the very few 100% Manufacture Chronographs available for less than 5000 CHF. tagheuer.com

SEAMASTER PLANET OCEAN 600M DEEP BLACK, OMEGA By combining a GMT model with a diving watch, OMEGA has created a stand-alone collection of “Deep Black” watches that are truly state-of-the-art. In a first for Planet Ocean, a single block of black ceramic forms the case body of each watch. On the Black and 18K Sedna™ gold models, the ceramic cases and dials have been polished for a glossy effect. The blue and red versions are brushed for a matt effect that offers better visibility underwater.

The unidirectional bezels are also made of black ceramic. On these two models, rubber has been blended with ceramic to create unique bezels which highlight the first 15 minutes. Why red and blue? Dive to 5 m and red is the first colour to disappear, blending stealthily with a diving suit. Go deeper to 275 m and the last colour you’ll see is blue. Finally, at a depth of 300 m, everything goes black, except of course, your still highly-visible Planet Ocean divers’ watch with Super-Luminova. The term “deep black” is not a shallow boast. These are serious divers’ watches, able to withstand the pressures of the ocean at 60 bar (600 m) and packed with crucial tech for exploring beneath the waves. omegawatches.com

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SUBMERSIBLE, PANERAI

A wide choice of materials – sports or precious, classic or avantgarde – and the p.9010 manufacture automatic movement, with a power reserve of three days, are used in a series of creations which enhance the great tradition of panerai submersible watches.

The innovations are apparent in the variety of materials used in producing the cases: traditional high specification materials, such as titanium and AISI 316L stainless steel; precious materials such as red gold: fascinating, evocative ones such as bronze, or innovative ones such as BMG-TechTM, a metallic glass remarkable for its resistance to external shocks and corrosion. Another innovation concerns the movement: all the new Panerai Luminor 1950 Submersible watches use the P.9010 automatic calibre, with a power reserve of three days. Entirely developed and produced at the Panerai Manufacture in Neuchâtel, the movement has the date, the classic small seconds counter at 9 o’clock, the mechanism for stopping the balance wheel and the device for changing the time by moving the hour hand backwards or forwards in jumps of one hour without interfering with the running of the watch. The dials are clear, perfectly legible in the dark as well as in the light, and immediately recognisable as Panerai panerai.com

EXCALIBUR KNIGHTS OF THE ROUND TABLE II, ROGER DUBUIS Roger Dubuis introduces Excalibur Knights of the Round Table II consists of 28 pieces featuring 12 engraved and sculpted miniature bronze knights positioned around a precious, masterfully engraved, black jade dial. It features 45 mm white gold Plain gold caseback with engraved inscriptions and blue lacquer, thickness of 15.70 mm, black engraved Jade table Bronze engraved and sculpted knights White gold ring around the centre of dial with cobblestone engraving White gold satin circular-flange Inscriptions Roger Dubuis and indexes varnished, water resistance of 50 m, a black strap with genuine, hand-stitched alligator leather, and white gold adjustable folding clasp. rogerdubuis.com

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Watches

The latest iconic feminine timepieces for the elegant and refined woman of today.

VILLERET QUANTIÈME À PHASE DE LUNE, blancpain This new women’s timepiece is a Date Moon Phases model.

Topped by a bezel adorned with 48 full-cut diamonds, its stainless-steel case measures 29.20mm in diameter.

Its matt white dial is swept over by solid leaf-shaped hands, a pointer-type date display and a sapphire moonphase indication. The latter is a horological complication that had almost vanished from the scene until Blancpain reintroduced it in the early 1980s. Since then, it has become a signature of the Manufacture. The Villeret Quantième à Phase de Lune is powered by the automatic 913QL movement. The latter is equipped with a glucydur balance wheel featuring gold micrometric regulating screws as well as a balance spring in silicon. This material recently introduced within the watch industry offers several important advantages: its low density makes it lighter; it is more shock-resistant as well as being impervious to magnetic fields. The sapphire case back reveals a yellow gold oscillating weight adorned with a snailed bevel, polished chamfers, as well as straight and circular Côtes de Genève patterns, as the Manufacture once again demonstrates its expertise through this array of delicate and sophisticated decorative techniques.

Radiant Elegance blancpain.com

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L.U.C XP ESPRIT DE FLEURIER PEONY, chopard This timepiece is a flagship model of the L.U.C collection by Chopard, entirely in-house produced in its Fleurier-based Manufacture. Its 35mm diameter lends itself to a symphony of delicate variations.

Embodying the peak of its art, Fleurisanne engraving unfurls this year on the dial and movement of this new creation: the L.U.C XP Esprit de Fleurier, issued in an eight-piece edition. Entirely crafted in the workshops of the Manufacture, the double white gold dial is sculpted using a raised rather than a hollowed technique, in order to create a striking contrast with the background. The case is in 18-carat rose gold with glare-proofed sapphire crystal, 29 jewels, gold openworked dial with hand-crafted Fleurisanne engraving featuring a peony motif with diamonds set at the heart of the flowers, and 18-carat rose gold pin buckle set with diamonds. chopard.com

AVENUE C MINI MOON PHASE, HARRY WINSTON The Avenue Collection pays tribute to the elegant geometry of the Art Deco period when the House of Harry Winston was founded in New York. Equipped with a poetic moon phase complication, in its pearly heart, the new Avenue C™ Mini Moon Phase timepiece recalls the House’s illustrious past, while also looking to the future of its brilliant universe. Bringing a touch of the heavens to earth, the moon transitions from new moon to full moon against a midnight blue sky. In order to incorporate a complication of this nature into such a tiny area, Harry Winston’s superior Swiss watchmakers kept the size and height of the movement to a minimum, so as to not disturb the lean, elegant profile of the case. As one of the smallest movements with a moon phase complication on the market today, the Avenue C™ Mini Moon Phase is at once feminine and unique. Set against a white mother-of-pearl canvas, the vintage typography used for the numerals and the minute track perfectly complement the Art Deco mood of the timepiece.

Available in 18-karat white and rose gold models, the Avenue C™ Mini Moon Phase is presented on a seamless alligator leather strap, with a lustrous pearl finish. The new 18-karat gold ardillon buckle on both models is set with six brilliantcut diamonds and features an 18-karat gold folding clasp that adapts perfectly to the wrist for added comfort and security. harrywinston.com

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Watches

CHÂTEAU DE MÔTIERS 40, bovet In an exclusive world first, BOVET 1822 is presenting an innovative technique that brings a new dimension to the decorative arts. To complement its 195th anniversary, BOVET is demonstrating just how much potential for innovation still remains by combining the traditional technique of miniature painting with the layered application of luminescent material. The work painted by the artist on the dial’s surface therefore becomes visible both by day and by night. The Château de Môtiers 40 collection is made in 18K red gold with bow and bezel set with 109 round-cut diamonds and full skin alligator strap. By presenting an entire collection based on this major innovation, BOVET 1822 is once again confirming its reputation as the ultimate pioneer and reference in the applied arts. bovet.com

BREGUET REINE DE NAPLES PRINCESSE 8965, breguet Inspired by the first wristwatch created by A.-L. Breguet for Caroline Murat in 1810, the new Reine de Naples Princesse 8965 is the epitome of femininity and boldness. The gentle, subtly cambered design of its rose gold oval case makes a pleasing contrast with the clean-cut, resolutely graphic lines of its engine-turned dial. Breguet wished to play with shapes and materials in order to attract the eye and draw it into the fascinating dimensions of time. The extremely pure white mother-of-pearl dial follows the curve of the case, thereby creating an unusual depth effect highlighting the two large, equally rounded rose gold hour-markers appearing at 6 and 12 o’clock. It features a case in 18k rose gold, Dial in natural white mother-of-pearl, engine-turned, and alligator leather strap with gold folding clasp set with 29 brilliant-cut diamonds. breguet.com

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ISHINE WATCH COLLECTION, FENDI Inspired by the eternal power of light, the Fendi IShine Watch Collection features unique bright effects enhanced by a sophisticated color palette ranging from white to pink and red, recalling the pure light of the sunrays, from sunset to dusk. By rotating the crown adorned with a prong-set precious stone at 3 o’clock, three different gemstone configurations are revealed: 12 white topazes, 12 gradient pink and red topazes, or 12 black spinels adorn the dial alternating with Arabic numerals and indexes for shining effects. The architecture of the Fendi IShine is versatile yet audacious. Its new concave and convex case design surpasses the tradition and defines a new shape highlighting the polished and satin-brushed case flanks. The watch is proposed in many different versions.

The first one features a black lacquered dial enhanced by a faceted white mother-of-pearl cabochon at the center, drawing reflection effects like those of a diamond-cut jewel, in a beautiful contrast with the 18-karat gold-plated bezel, case flanks and black spinel-adorned crown. The refined allure of this Fendi IShine watch is further emphasized by the satin-brushed stainless steel bracelet featuring faceted 18-karat gold plated central links. The second one is a polished and satin-brushed stainless steel version, graced with a white lacquered dial enhanced with a white mother-of-pearl central zone, a pink topaz-set crown and pink soft-touch flanks. The pink tone-on-tone stitched leather strap in semimatt alligator is edged with matching pink matt rubber and lined in calfskin leather. Elegant and feminine, the new Fendi IShine Watch Collection infuses time with light, celebrating the timeless elegance of precious stones in a perfect balance between tradition and innovation. fendi.com

CLASSICO LADY GRAND FEU, ULYSEE NARDIN The Classic collection honors the beauty of charm of women with the Classico Lady Grand Feu, possessing a translucent enamel dial in four different shades to dazzle and delight. Innovation and tradition are united in the Classic collection, in which the fine art of enamelling is high-lighted through classically refined styling. The Classico Lady Grand Feu continues to navigate this path with breathtaking aplomb. The UN-815 self-winding movement boasts characteristic precision performance, and drives a timepiece with a delicately hand-crafted enamel dial. Using a guilloche silver plate gives the enamel a finely rippled appearance which recalls Ulysse Nar-din’s profound connection to the sea. Usually white or beige in colour, the limited-edition dials on the Lady Grand Feu are crafted in an array of delicate hues, and have a translucid quality which requires an even more complex process than is usual for Grand Feu. Held in a shining white gold case, the limited edition Grand Feu dials here are blue, lavender, seafoam green or pewter grey, and have chic matching straps. Because of their mastery of this difficult art, Donzé Cadrans enamel dials are highly sought after by collectors around the world. In these gloriously feminine timepieces, their breath-taking enamel beauty is highlighted by exquisite diamonds encrusted on the bezel and lugs of each piece. ulysee-nardin.com

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066

Up Close and Personal

Reimagining Perfumery For 35 years, Amouage fragrances have reflected the wonderful traditions of international luxury perfume creation. The brand has a global reputation for bringing true artistry to all its creations. Other categories have been added to the overall range and today, Amouage is not just a perfume brand, but an expression of a luxury lifestyle. It recently experienced a reinvention led by Creative Director, Christopher Chong, who aims to render the brand appealing to today’s international consumers.

Interview with Creative Director, Christopher Chong Who were your influences from the perfume world that shaped your taste and style? Is there one fragrance that has stayed in your memory for the longest of time?

I have always been fascinated with perfumes from the early half of the 20th century. I believe that was the Golden Age of fine perfumery. I adore the classics like Caron’s Tabac Blond, En Avion and Guerlain’s Jicky.

Maybe with some luck my creations will be considered as classics in the future.

Where do you find inspiration? And do you need to be inspired before creating or do you feel the nature of your role in the company means action must come before inspiration?

I certainly don’t go looking for inspiration. I find it comes in a moment, sneaks up unexpectedly. It can be triggered by

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almost anything – the lilt in a soprano’s phrasing, a halfheard whisper, a fleeting glance, a feeling from long ago, a fragment of a dream. Once inspiration takes hold and begins to flow though, I’m carried me away on a whirlwind of creativity and a torrent of emotion, blending and distilling thoughts, images, colours, sensations, sounds.

Then, voilà. The concept is there and the story for the next fragrance is revealed.

How would you define Amouage? And what do you believe sets it apart from the competition?

Honesty. Integrity. Creativity. That’s Amouage.

What makes our brand distinctive is our creative integrity. Because we are not limited to making perfumes that are on trend, we get to experiment with ingredients and our sole focus throughout the development process is on making beautiful and unique fragrances. Our customers are drawn to the brand for this reason. We tell a different story and our narratives link the fragrances in a nonlinear way to one another, giving the brand a chance to build a deeper, more memorable connection with customers.

In your 10 years as Creative Director of Amouage, what have you found to be the most challenging aspect?

The greatest challenge for me is trying to create something different and distinct every year – but I relish this and revel in experimenting with the olfactive palette, exploring the outer reaches of my creativity and fantasy. And I do think my understanding of musical phrasing has given me an extra advantage in creating perfumes that are unique and different from one another.

What has been your proudest achievement to date in Amouage?

After ten years of designing fine fragrances and promoting Amouage I believe my proudest achievement is I am still here and doing what I love. I have seen competitive brands come and go. The perfume industry has changed a lot during this period and there has been many challenges, but I still feel fresh with each new creation. I am just happy that the buzz, energy and excitement are still the same as the first day I entered the perfume industry.

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How would you compare GCC perfume markets with those of New York and London?

There is a rising trend in perfumes created to target this part of the world but as a global brand, we have never placed too much importance or focus on one cultural identity and are more about luxury rather than cultural specificity. Our fragrances are enjoyed by sophisticated, confident and internationally aware customers who are not afraid to stand out from the crowd by wearing something unusual and different, and who appreciate true mastery in perfume creation.

Can GCC rival such long established international cities? What would it take?

Absolutely. I actually think these long-established cities are starting to rival the GCC! The fact that many prominent perfume brands are catering specifically to this region says something about the Middle East.

How would you describe the person that Amouage perfumes are made for?

Sophisticated. Confident. Daring.

How do you see the future of the perfume industry? Do you predict a certain trend to take over soon?

We tend not to follow the global trend. Our brand DNA is about creating something different and unique rather than trailing behind a trend. Our customers are drawn to Amouage because they understand and appreciate the fine art of perfumery and thus they come to us for scents that have a philosophical air to them. It is about a way of life that is beyond convention.

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Up Close and Personal

An expression of elusive beauty inspired

by Chong’s enduring fascination with Bhutan, the Land of Happiness

FIGMENT BY AMOUAGE An extraordinary and beguiling perfume, Figment is the highly anticipated third chapter of ‘Portraits of Life’, an exuberant exploration of the second cycle of the Amouage narrative by Creative Director Christopher Chong. An expression of elusive beauty inspired by Chong’s enduring fascination with Bhutan, the Land of Happiness, this scented work of art sublimely sings the ethereal wonder that cloaks the kingdom in his dreams.

In Figment for Man, Chong artfully contrasts and juxtaposes scents to explore the nuances of these illusions. Teasing the imagination to the possibilities of the unknown, he suggests serene beauty with floral and fresh top notes of Lemon, Geranium and Pink Pepper.

A luminous heart of Sandalwood dramatically entwines with Animalic Accord and Vetiver for facets of leather and smokiness to tantalise the subconscious. Capturing a mystical aura, Figment for Man intoxicates with a base of Labdanum, Guaiac Wood and Earthy Accord for woody and balsamic tones laced with notes of musk to complete the continuum of wonder.

Figment for Woman unveils the magnetism and magnificence of the poetic embroidered garden of Chong’s mind’s eye, opening capriciously with peppery and bittersweet accents of Sichuan Pepper and Saffron embellished with the green tones of Gardenia.

Its radiant heart of Tuberose is adorned with garlands of silky sensuality from Jasmine Sambac, Orange Blossoms, Lisylang and Cassia. This graceful and glorious enticing beauteous chameleon is completed with the woody warmth of Papyrus and Patchouli together on top of Incense.

The sumptuous floral tapestry design of the Figment presentation boxes denotes the otherworldly inspiration for these transcendent perfumes. The opulent turquoise and blue graduated metalized finish of the Amouage iconic crystal bottles implies the illusion that is at the heart of Figment, while the pale sapphire of the Swarovski crystal adds a hint of evanescent magic. amouage.com

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Fragrances

Scintillating Scents An eclectic mix of stimulating fragrances and intoxicating aromas guaranteed to make a long-lasting statement for men.

TFK YOUTH MEMORY A fragrance from the Modern Heritage collection, Youth Memory is a prolific scent with top notes of Mandarin, followed by Saffron-Cedarwood that adds an oriental essence and finally swirling into Vanilla, Castoreum and Musks. Known as a bewitching fragrance of amber, Youth Memory maintains the echoes of the present and reminiscence of the past. tfk.com.kw

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L’OCCITANE LES CLASSIQUES The fact that so many people are attached to certain fragrances, for which there are no substitutes, inspired L’OCCITANE to re-release some of its emblematic scents in its Les Classiques collection, which brings olfactory memories from the past back to the present for all those who love them. The collection includes The Vert, Eau des 4 Voleurs, Eau d’iparie, and Ambre. www.loccitane.com

CHOPARD MILLE MIGLIA CHRONO Seductive, sophisticated, this oriental spicy created by perfumer Bruno Jovanovic (IFF) boasts a spicy accord that brings adrenaline to the original addictive signature. Ready, Set, Go! A frantic race of warm spices followed by the lavender’s speed, just like a breath of adrenaline on the asphalt accord. Amber and myrrh offer a vibrating effect in resonance with the spicy start for a remarkable signature. chopard.com

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Fragrances

DAVIDOFF HORIZON EXTREME DAVIDOFF Horizon Extreme is an intense interpretation of Davidoff’s signature fragrance. This powerful, new version takes the classic masculine into more extreme territory, exploring the strength of the original fragrance with an addictive Woody Ambery accord. Top notes of Rosemary and Ginger still float on the wind, joined by rich masculine notes of tough, spicy Nutmeg and Sandalwood. Extremely intense base notes are reinforced with a vibrant accord of Amber and Cedarwood. zinodavidoff.com

CHOPARD MUSK MALAKI Four perfumes which celebrate the most opulent fragrance ingredients from the Middle East: agarwood, rose, amber, and musk, Chopard only includes perfectly pure extracts of these sought-after ingredients, prized for their fragrance since the dawn of time. Each supported by a finely chiselled fragrance pyramid exclusively composed of fine ingredients combined in sensuous, harmonious accords. chopard.com

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ARMANI CODE COLONIA ARMANI CODE COLONIA offers a combination of citrus (bergamot, mandarin, pink peppercorns) with aromatic middle notes of clary sage that mingle with floral notes and resonate with salicylate orange blossom. The trail ends on a fleshier base note with woody, amber, tonka and heliotrope notes (for the powdery quality typical of fougères). It is this cologne freshness bursting with sensuality, with a light but sophisticated sillage, which reflects a casual attitude elevated to a tenet of elegance that is always respected, never neglected. armanibeauty-me.com

CALVIN KLEIN PURE GOLD EUPHORIA Pure gold euphoria for women opens with luscious Moroccan date, illuminated by radiant and airy golden solar accord and citrusy floral neroli, creating an aura of radiant warmth, while pure gold euphoria for men awakens the senses with subtly spicy cardamom, bittersweet saffron, and bright woody cedar leaf for a uniquely modern opening. calvinklein.com

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Fragrances

DOLCE & GABBANA VELVET CYPRESS The fragrance is built around a hearty dose of Cypress, a complex, highly-contrasted essence, blending fresh aromatic notes with the penetrating green scent of cedar. This signature note is complemented by rich natural extracts of Bergamot and Lemon, drawn from Italian groves, fields and herb gardens. The evocative aroma of the Cypress leaf is unveiled throughan herbaceous green, cutstem effect combined to whiffs of sap, bark and earth with a resinous Galbanum. dolcegabbana.com

Feminine Enchantment An eclectic mix of stimulating fragrances and intoxicating aromas guaranteed to make a long-lasting statement for women.

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PACO RABANNE OLYMPEA INTENSE A perfect apparition. The OlympĂŠa bottle revisits the sacred female. In its own way. A glass circle, solar, clasped with a crown of copper-coloured metal. Classic antique codes with a touch of an ultra-modern allure.

Geometry and symmetry embody strength. Curves and proportions bring sensuality. The perfect construction.

For the Intense version, amber sets the tone and takes over the design. Incandescent metal for the illustrious, coveted laurels. Polished amber resin for the dome.

A scent with notes of musk in harmony with oriental vanilla. A powerful assertion of femininity. pacorabanne.com

VIKTOR&ROLF FLOWERBOMB BLOOM Whilst keeping it closely connected to the robust fragrance Flowerbomb is, Viktor&Rolf conceived Bloom as a burst of fresh flowers with undertones harkening the return of spring days and fresh, invigorating air. This new Eau de Toilette fragrance explores new olfactory possibilities, pushing the boundaries of the floral bouquet, bringing new life into the olfactory mix to take on a sparkling, fresh and sensuous tone. viktor-rolf.com

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Fragrances

ARMANI SI ROSE SIGNATURE Unchanged since its first edition in 2016, SÌ ROSE SIGNATURE Eau de Parfum explores a double rose accord that blossoms through an unexpected chypre. Powerful and delicate, this bouquet of freshness is illuminated by flashes of bergamot and mandarin. A light freesia accord blends with the juicy Blackcurrant Neo Jungle Essence. An impalpable elegance envelops and enhances the skin like a veil of silk. armanibeauty-me.com

BVLGARI SPLENDIDA Three scents expressing a new Bulgari «ideal», now interpreted by Master Perfumer Sophie Labbé: Iris d’Or, Rose Rose and Jasmin Noir. The Splendida collection dives into the heart of the Bulgari’s DNA as the Florentine majesty of the iris is pushed to its ultimate degree of preciousness in Iris d’Or, the eternal femininity of a Damask rose is literally multiplied in Rose Rose, and the unprecedented duality of Indian sambac jasmine stars in Jasmin Noir. bulgari.com

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CALVIN KLEIN DEEP EUPHORIA The newest edition to the deep euphoria portfolio, deep euphoria Calvin Klein eau de toilette introduces a light, ultra-feminine interpretation of modern sensuality. With top notes of water lily, cassis leaves and crisp pear, the fragrance is at first fresh and airy. Tempting floral hints of jasmine sambac and black magic rose make the heart of the EDT more seductive and intoxicating, followed by a deep drydown of patchouli and musk, blending into a unique dichotomy of empowerment that leaves a desire for euphoric fantasy on the skin. calvinklein.com

JUICY COUTURE VIVA LA JUICY SUCRE Drawing inspiration from the Viva girl’s playful personality, Viva la Juicy SucrÊ offers a delicious twist on the classic Viva la Juicy. The fragrance is an irresistible confection of delectable fruits and sweet florals, which flirt with warm Vanilla and sensual Sandalwood. Impossible to resist, this mouthwatering combination will tempt even the most disciplined to give into their sweet tooth. juicycouture.com

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Masterpiece

Like many artists, Mohammed Al Ma’mari was unsure of his style in art at first, but he had a keen interest in portraying realistic images at a young age. His career started as a figurative painter and he developed a surrealist edge to his style, allowing more freedom to express his inner thoughts and feelings onto his subjects. He recently became the first Omani to win the Gold Medal and Diploma in the 3rd Biennale di Arte Contemporanea in Belgium. Durrah had a chat with the young award-winning artist to find out what gives him inspiration and where he plans to go next as an artist.

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Realistic Art Interview with Mohammed Al Ma’mari When did you realize you wanted to be an artist? Was there a specific moment, or is it something that gradually happened over time?

I remember my earliest introduction to the art world was when I competed with my classmates in elementary school, drawing cartoon characters using colored pencils.

I kept the green notebook I used, which shows that my ability has excelled with time and experimentation. In 2006, I was inducted into the Omani Society for Fine Arts. This helped me fulfill my passion to further pursue stimulating techniques and skills in arts. At that age, my passion in this field increased a lot and I decided to continue in this path more professionally.

How would you describe your style?

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I try to create paintings that do not need a caption or writing to explain my concepts. I work out how to make my paintings speak for themselves, and I search sometimes for the moments that jump out at the viewer and grasp his attention. The passion and story behind

these paintings come from the eyes, where their story lies. I create this vision by the contrast and power of this compositional chiaroscuro effect on the character’s face. I used to choose the photo from my collections, which are many, but some release a dialogue between me and the selected theme. Working from photographs of strangers makes it easier for me to project my own feelings and emotions into the characters. Portraying myself through the model rather than just a representation is truly exemplary. Contradicting my dreams with reality, transforms them into extravagantly powerful pieces of work. Currently, I am portraying reality, and only involving very subtle surrealist influences. By using a series of mediums and techniques, I am trying to find the harmonies in objects and colors to get the overall rhythm.

Who are your artistic heroes?

During summer courses in Oman Art Society, I painted an Arabian camel which has a striking composition with a unique technique. That painting caught the eye of the renowned realist Omani artist, Saud Al Huneini. This

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artist has experienced different techniques and is specialized in super-realistic paintings. I always find inspiration in his style and art. I also draw inspiration from Hungarian artist Istaven Sanderufi, who has a unique style in his surrealist art.

every generation comes new trends in art, and this helps create variety in the art scene. We are also lucky that the governments of most GCC countries support the art world, which helps give it a good push towards the international market. I think the art scene can be improved by collaboration between the government and the private sector, which can adopt the art scene and help artists become fulltime artists, as that seems to be the main issue.

Tell us about your artistic education?

How much is self-taught and how much did you learn from others?

When I began in this field in 1996, I found a lot of difficulties in obtaining some sources or references to learn from. In addition to that, I found it difficult to buy books or even art materials as at the time, I was a secondary school student. I had to depend more in being self-taught and rely on the summer programs offered by the art society.

After I landed a job, I spent a lot to get different resources and expand my artistic background. I am still learning from the different experiences of artists.

How did it feel the first time you exhibited your art?

It was a true moment of honour for me! That was the moment that every artist dreams of. Any artist will tell you that to have your art become part of an exhibition is a real privilege.

What hobbies do you have other than art?

What materials or themes do you like to explore in your art?

Outside of art, I like photography, and I also like to play a few different sports.

Art is very wide world. Once you begin experimenting with one aspect, it never ends. If I am going to paint with lead pencil, then I am going to explore the new techniques in that medium. I believe that I can explore more in the art world, and I can accept working with different materials.

What are your plans for the future? Any exhibitions or events on the horizon?

What do you think about the art scene in the Arabian Gulf? What are its strengths and how can it improve?

I am planning to have an exhibition in the Royal Opera House Muscat with a similar theme of the Opera and harmonies between the two fields. In the long-term, I will be working hard to reach more international markets for the chance to be a part of bigger art auctions.

As the whole world becomes smaller, the art scene in Gulf seems to be improving very fast. With

Instagram: MaSy Almamari

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By using a series of mediums and techniques, I am trying to find the harmonies in painting objects and its colors and get their overall rhythm

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Bags

Exquisitely Feminine

Gorgeous designer bags to add a touch of class to your look.

NS BY NOOF Inspired by geometric patterns and abstract designs found in ancient architecture and influenced by the diverse natural plenitude of the earth’s minerals and gemstones, the custom-made clutches, minaudières and evening bags are designed by Noof in her Bahrain atelier and produced by Lebanese master craftsmen. Formed with superior quality materials of exotic alligator, lambskin and Italian leathers, and encased in 18k gold and platinum plated solid brass frames by skilled Levantine goldsmiths, lending each piece a rich, polished and smooth finish. Clutches are embellished with a bezel-mounted clasp closure made of semi-precious gemstones and feature hideaway gold and platinum plated chain-link shoulder straps. noufboutique.com

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FENDI KAN I AND MINI KAN I The FENDI Kan I is a structured yet feminine studlocked chain bag where functionality, creativity, and modernity perfectly merge in the FENDI way.

Presented for the first time in the FENDI Resort 2017 Collection in the Mini version and on the FENDI Spring/ Summer 2017 catwalk in the regular one, the Kan I and the Mini Kan I have immediately found their place among the iconic bags of the Maison. A compact shape with bellow sides characterizes the design of this contemporary bag that thanks to its perfect size never feels too big or too small, becoming the best companion for an all-day wear. fendi.com

MICHAEL MICHAEL KORS RIVINGTON STUD BAGS Studded trim puts a luxe-edge spin on an everyday carryall with the Rivington Stud bags. From the Large Tote spacious enough to accommodate a laptop and spare shoes to the practical Natalie Messenger with silver chain details- they are crafted from smooth leather with generous shoulder straps and signature logo detailing. michaelkors.com

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Bags

LONGCHAMP PARIS PREMIER Carried in the hand or over the shoulder, this calfskin tote bag has a generous capacity, thanks to two magnetic compartments hidden in its pockets. The Paris Premier line gets its identity from an accentuated graphic construction on the bags with right angles and rounded details. Combining a plump, supple feel, and a matte yet velvety patinaed appearance for a natural sensual effect, the designs demonstrate the excellence of Longchamp’s know-how. en.longchamp.com

SOFIA AL ASFOOR CROSS-BODY Aiming to expand her target market, Sofia designs a piece for the on-the-go girl who needs nothing but a wallet, smartphone and a lipstick to keep her going.

The craftsmanship that Sofia Al Asfoor is known for continues throughout the design and artisanal process of the Cross-body Shield. The cross-body style from the Classic Collection is available in Azul, black, orange, and tan and is made with soft calf skin and smooth Nappa leather that lines the interior. The Cross-body Shield’s interpretation of the original pyramid design is magnificent. Embellished with Sofia Al Asfoor’s signature 18kt gold emblem, the bag is a symbol of empowerment and success. sofiaalasfoor.com

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BOTTEGA VENETA CITY KNOT The City Knot, characterized by a clean silhouette, interprets the Knot with a contemporary and fresh attitude. With three roomy inside compartments, this functional and urban bag is presented with the Women’s Early Fall 2017 collection in smooth and soft French Calf leather with the main body outlined by black hand-painted edges which enhance the geometric shape of the bag. The iconic intrecciato motif is reinterpreted as a refined engraved embellishment on the Dark Gold buckles in Brunito.

This City Knot features comfortable and adjustable handles with metal details. bottegaveneta.com

PURIFICACION GARCIA The cube, Purificación García’s icon par excellence, has been the inspiration for the new bag family: Block. The brand’s intrinsic geometry and purity come alive in this conceptual collection, where the focus is on the bag’s metallic clasp. Block is made of Mouflon leather, an irregular leather with a characteristic crispy grain. The simplicity of its shape and the variety of sizes make the Block bag light and practical. Block is a versatile must-have with a strong personality, available in black, gardenia, French blue, ruby and dark taupe. purificaciongarcia.com

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Architecture

The most luxurious shopping destinations from around the world

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01 Interior of new Versace Hong Kong, Central Boutique 02 The new store utilises traditional and contemporary Italian design 03 The store showcases traditional values that were updated for the modern era 04 Fior di Bosco marble and brass and Italian architectural concepts are featured

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Versace, Hong Kong, Central Boutique The luxury Italian brand has opened a new 684 square metre flagship store in the heart of Central, just in time for you to raid the rails for their Spring/Summer collection. Housing both men’s and women’s collections, the new store utilises traditional and contemporary Italian design. The boutique features Fior di Bosco marble and brass and Italian architectural concepts, while the backlit onyx façade is a luxe invitation to an indulgent shopping spree. Uniting the luxury Italian brand’s past, present and future, the store showcases their traditional values while simultaneously updating them for the modern era. In celebration of the new store opening, a limited-edition mini Palazzo Empire bag is being unveiled in the Central boutique. Designed by Donatella Versace in collaboration with Swarovski, the silver crystal-studded bag features the brand’s iconic palladium Medusa, detachable shoulder straps, and a metallic tag inscription: The Palazzo Empire celebrating Hong Kong. Additionally, the Palazzo Empire bags will come in a curated selection of precious skins, available in medium or large. A detachable custom metallic tag will be engraved with ‘Versace for Shanghai Commercial Bank Tower Hong Kong’, as a memento of the occasion. versace.com

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SANTONI, GINZA Santoni consolidates its presence in Japan with the opening of a new monobrand boutique in Ginza. The Italian company, known for its footwear and leather goods creations of unparalleled quality and beauty, used to have its own men’s store in Tokyo which was closed in 2015 in order to find a more prestigious location for the brand.

The new boutique, opened on April 20th with a big event, is located in the strategic Ginza district, Tokyo’s iconic upmarket shopping district featuring the most important department stores and boutiques. The store is designed by the Milan-based architect Patricia Urquiola, interpreting Santoni’s idea of quality, elegance and heritage. The iconic element is a geometric pattern designed by Urquiola exclusively for Santoni; it’s embossed on the walls covered by fabric, and reproduced on a brass modular grill that works as a display. The space is divided into two adjoining

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The store is designed by the Milan-based architect Patricia Urquiola, interpreting Santoni’s idea of quality, elegance and heritage environments: the first is dedicated to the stunning ladies’ collection, displayed on the walls and on the central table in travertine. Men’s collection can be found in the second one, more intimate, housing also a VIP area dedicated to the artisanal and custom services. The colour palette is warm and elegant, based on burnished brass, walnut, and orange, typical colour of the brand. This boutique is the ideal setting for experiencing the brand’s sophisticated creations. The unconventional use of the colour, main feature of the brand, and the artisanal touch are clearly displayed in the store. Every creation, from the men’s and women’s footwear to the bags and small leather goods, expresses the brand’s fine quality and authentic craftsmanship together with a contemporary design.

05 The unconventional use of the colour and the artisanal touch are clearly displayed 06 The space is divided into two adjoining environments for men and women

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TECHNOGYM, Milan TECHNOGYM, the Italian leader in the wellness field, is opening its new flagship store in Milano, in Via Durini, 1 a part of the city now acknowledged as a trendsetter by designers and architects. The new space, designed in collaboration with Studio Antonio Citterio Patricia Viel Interiors, covers an area of over 750 square metres, arranged on 3 floors. It is the perfect place to experience the Wellness lifestyle in all its aspects: not only can visitors purchase the best products and services for physical exercise, athletic training and rehabilitation, but they can also undergo

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tests to assess their level of physical performance, obtain a personalised training programme created by experienced personal trainers and participate in training sessions. TECHNOGYM Milan will host regular seminars with sports champions, personal trainers and medical experts, on themes ranging from specific sports, such as cycling, running, rowing, triathlon, etc. to health-related issues such as back pain, diabetes or weight control.

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11 The first Roger & Gallet shop-in-shop in Bahrain 12 Products made from pure, precious ingredients which are both natural and active 13 Napoleon bust featured in the shop 14 HE Faeqa bint Saeed AlSaleh, Minister of Health and HE Bernard Régnauld-Fabre, Ambassador of France to the Kingdom of Bahrain, along with L’Oréal Middle East and Nasser Pharmacy senior management

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ROGER & GALLET, SHOP-IN-SHOP, BAHRAIN A venerable name, with a heritage that stretches back to over 150 years, Roger & Gallet, the master in creating perfumes with refined ingredients, notes and textures and Nasser Pharmacy, as exclusive partner of the brand, officially opened the first ever Roger & Gallet shop-in-shop in Bahrain at the renowned Nasser Pharmacy in Manama today. The opening event was held in the presence of Her Excellency, Faeqa bint Saeed Al-Saleh, Minister of Health and His Excellency, Bernard Régnauld-Fabre, Ambassador of France to the Kingdom of Bahrain, along with L’Oréal Middle East and Nasser Pharmacy senior management, key guests, media representatives and influencers. Roger & Gallet is the latest addition to Nasser Pharmacy’s extensive range of health and beauty products from leading brands and represents their promise to attract new customers as well as existing ones as the pharmacy constantly innovates in enriching the customer journey. roger-gallet.com

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Fashion

Creative Layers

Gucci’s Alessandro Michele is a great raconteur. His collections seem to narrate a singular tale with no real beginning or end, calling to mind the Ouroboros, the mythological serpent or dragon eating its own tail. They’re a medley of contrasts, often laced with erudite references.

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very chapter adds some new element to the narrative, eschewing categories, as well as seasonal and gender concerns. For all Michele’s love of history, this is a modern, shrewd approach, one that resonates both creatively and in the business arena. And the designer’s quite prodigious reservoir of ideas shows no sign of exhaustion; in the Pre-Fall lineup, he added layer upon layer to his already vast catalog of imagery.

The lookbook was shot in Rome in two historical locations: the Antica Libreria Cascianelli, an old bookstore specializing in heraldry and art history, and the Antica Spezieria di Santa Maria della Scala, a 16th-century apothecary that apparently catered to popes. Both proved perfect as backdrops to Michele’s aesthetic and its unconventional yet fecund dialogue between past, present, and future.

Stylewise, the new key word was activewear, which was given an almost lysergic treatment. Stirrup pants, the item du jour, were interpreted in übercool, slinky versions worn under almost everything, from demure pleated skirts to bon ton shirtdresses in printed silk twill. A sporty tracksuit presented in the signature Flora print looked quite sensational, with frilly ruffled shoulders and the new Marmont bag belt cinching its waist. The collection also saw the return of ’80s-style leggings; knitted in a colorful mushroom pattern, they were layered on stockings emblazoned with the Gucci logo for a truly maximalist impact. gucci.com

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Fashion

“I’m trying to follow my rules, not fashion rules,” he reasoned, pacing serenely between the aisles of racks on which the Fall collection was poised to be worn by roughly 120 girls and boys.

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On the runway, there were clutch bags, chained to manacle bracelets, in the form of an Austen book

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ach outfit, sans models, was an exhibition in itself, with its own decorated box for shoes, bags, and jewelry standing at the ready. The boxes themselves were printed with Dutch Old Master pictures of parrot tulips cascading from vases, with iPhone charger leads Photoshopped in. On the sides were hand-scrawled words written by the artist Coco Capitán: “What will we do with all this future,’’ read one phrase. Around a corner was a poly board pinned with photographs of the tribe of unconventionallooking young people who had come together to wear the outfits—geeky boys, girls with shaved heads, and wildly flicked and structured ’80s hairdos, various glasses-wearers. The cast of Michele’s “real” types has succeeded in rebooting the fortunes of Gucci.

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The show invitation was a vinyl record—again with Capitán’s quote on the cover—a one-off pressing with an A-side of Florence Welch reading from William Blake’s Songs of Innocence and of Experience, and a B-side of A$AP Rocky reciting from Jane Austen’s Persuasion. On the runway, there were clutch bags, chained to manacle bracelets, in the form of an Austen book.

The show took place encased in a tubular steelgirdered walkway, the models (or what shall we call them—the Gucci tribe?) separated from the audience by plexiglass. Around they walked, completely enclosed in their own artificial environment, something oddly reminiscent of a piece of ’70s airport design. gucci.com

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Fashion

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Classic Twist With Weill, the formal adopts a cheerful attitude with highly contrasted alliances and luminous themes, a spruce Parisian style determined to interpret dress codes freely.

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city of energy, different styles and a variety of silhouettes: the timeless algebra of tennis stripes, blazers, stove-pipe slacks, long sleeveless jackets, exciting striped tops and loose-fitting poplin. Out-sized white polka dots on black, a variety of geometric patterns for small pieces in taffeta, poncho tunics, and blouse dresses.

Bold 80s-inspired lines, trios of ample beige/ blue/black or beige/coral red/black stripes and asymmetrical pleated combinations. A sporty and glamorous association of chain motifs, silk scarves and light jersey. And everywhere, inventive mixand-matches: trench coats and raincoats with open embroidery, light nylon and taffeta, striped smocks with golden braids, loose-knitted tweed.

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A luxuriant nature and subtle exotic tones: the contemporary vigour and fresh greenery of Monstera leaves flirt with strict black and white patterns on ample slacks, pleated Charleston dresses, small coats or large fluid skirts, a skilful combination of stretch jersey, satin, silk, and jacquard prints An eloquence of accessories, a string of matching necklaces to complement all wardrobes, handbags providing a cheerful touch with oversized bows, glinting chains and sharp contrasts, coquettish watermelon hues, lemon pulp or graphic black and white optical effects. All of these accessories light-heartedly challenge tedium and uniformity. weill.com

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Travel

Turkey’s biggest international sea resort, Antalya is the fifth most populous city in Turkey and the capital of Antalya province. Located on Anatolia’s flourishing southwest coast bordered by the Taurus Mountains, it is the largest Turkish city on the Mediterranean coast with over one million people in its metropolitan area, and is a major tourist attraction due to its historical landmarks and beautiful nature.

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he first thing on your visit should be Aspendos. Aspendos was an ancient city in Pamphylia, Asia Minor, located about 40 km east of the modern city of Antalya, and it is known for having the best-preserved theatre of antiquity. With a diameter of 96 metres (315 ft), the theatre provided seating for 12,000.

The amphitheatre of Aspendos is one of the bestpreserved theatres of the Roman world. It is situated in Lycia at about 15 km from the Mediterranean coast. The history of the city goes probably back to 1000 BC. Romanisation started in 190 B.C. The theatre was built in the period 161 - 169 A.D. on the south-east slope of the hill on which the ancient city was developed. According to bilingual inscriptions the construction was payed by A. Curtius Crispinus Arruntiatus and A. Curtius Crispinus Auspicatus who executed the will of A. Curtius Crispinus. At the same time, another inscription mentions Zeno as

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01 Hadrian’s Gate was constructed in 130 AD to commemorate Emperor Hadrian’s visit to the city 02 A view of Duden Waterfalls overlooking the Duden river 03 The Kaleici area is a popular tourist destination for shopping 04 Aspendos amphitheater is the best-preserved theatre of antiquity, with history that can be traced back to 1000 BC 05 Closeup of spices on sale in a marketplace in Turkey, Antalya

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the architect. It is one of the few Roman buildings of which the name of the architect is known.

The Aspendos International Opera and Ballet Festival offers an annual season of productions in the theatre in the spring and early summer.

Shopping is rather enjoyable in Antalya and presents more than a few striking photo opportunities as well. Some of the best shopping can be found in the Kaleiçi area, and many contemporary shops, some very large, are along the main shopping avenues which include Isiklar and Atatürk. Visitors can buy very old jewellery, small prayer rugs, leather items, cotton ware, and local ceramic and wooden objects. Don’t forget that bargaining is expected. It’s just a part of the exciting experiences here.

The main market or bazaar in Antalya is captivating to visit. Besides leather goods, carpets, clothes, and much more, you will be served with apple tea. Serving tea to visitors is a very pleasant tradition in Turkey. As in all of Antalya’s bazaars, you will find some cheap goods as well as quality items, so check to be sure of what you are getting. The market is open even on holidays. Take the time to visit it anytime and never forget bargaining.

Founded by, and named for, a king of Pergamum named Attalus, Attaleia (Antalya) became a Roman city upon the death of the last Pergamene king. A prosperous port, Attaleia was surrounded by thick defensive stone walls pierced by several gates that could be closed and sealed in case of attack from pirates or invaders. The grandest of these, and the only one surviving, is Hadrian’s Gate Hadriyanüs Kapisi), a monumental triple-arched portal on Atatürk Caddesi (map), modeled on the Roman triumphal arch.

Hadrian’s Gate was constructed in 130 AD to commemorate Emperor Hadrian’s visit to the city. It has a coffered ceiling in the arches and decorative marble columns between the arches on both sides. At one time, statues of Emperor Hadrian and his family probably decorated the top of the gate, but these are long gone. You’ll also notice the deep grooves in the stone pavement beneath the central arch, carved by the wheels of thousands of carts passing in and out of the city over the centuries. The grooves are so deep— and treacherous to pedestrians—that a transparent walkway has been built beneath the arch so visitors don’t sprain an ankle walking through.

And last but not least, we recommend visiting the Düden Waterfalls. Formed by the recycle station water, they end where the waters of the Lower Düden Falls drop off a rocky cliff directly into the Mediterranean Sea. The magnificent Duden Waterfalls are about 10 kilometers distance to the beaches South East of Antalya, and can easily be reached by public transportation or a rental car. The river Duden leaves a higher plateau of the Taurus mountains by falling about 15 metres deep and 20 metres wide onto a lower plateau next to Antalya. Because of the raw ingredients in the water, huge amounts of Tuff stone (volcanic) material forms the river bed as well as a cave below the waterfall.

They charge an entry fee at the entrance, and you can get to a nice green park with botanic garden, open tables, and benches inviting you for a picnic.

You can always listen to the sound of the falling water and gaze at the shimmering beautiful ice through the trees. The entire area is kept in great condition and the view with the waterfall is gorgeous. tourismturkey.org

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Shopping is rather enjoyable in Antalya and presents more than a few striking photo opportunities as well

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Travel & Leisure

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Astas Holding developed The Residences at Mandarin Oriental, Bodrum with management by Mandarin Oriental Hotel Group, one of the world’s most prestigious hotel groups, in the Türkbükü district of the Bodrum Peninsula, a prime destination, often referred to as the new Saint-Tropez by the international jet set.

Unsurpassed Mediterranean Lifestyle

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01 Exterior of Presidential Villa 02 Infinity pool and expansive terrace with natural wood decking 03 Living room in one of the villas 04 The resort features a 2.5 kilometer stretch of shoreline

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estled on a 60-hectare waterfront site, the resort features a 2.5 kilometer stretch of shoreline with three private bays. The Residences at Mandarin Oriental, Bodrum comprises 96 villas and 116 residences overlooking unique views of the Mediterranean & Aegean Seas and features soft sandy beaches surrounded by pine and olive trees offering a truly sophisticated lifestyle.

Designed by award-winning architect Antonio Citterio, The Residences at Mandarin Oriental, Bodrum offer a truly unique lifestyle with the best of both worlds – the comforts of a private home combined with the unsurpassed amenities and legendary service of Mandarin Oriental.

The villas, with infinity edged pools, range from 560, 640 and 760 sqm and the residences range between 204 and 447 sqm. From the award-winning spa and all-day concierge services to in-residence dining, residence owners enjoy privileged services and unparalleled luxury on a daily basis.

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The traditional Bodrum architecture has been modernised, providing insight into the future of the Mediterranean. All villas offer breathtaking views of the Mediterranean & Aegean Seas and surrounding pine forests and olive groves from all rooms. Made with natural materials, the indoor gardens feature open roofs, while the design of the villa and residences allows for ventilation as well as natural light. All villas have L-shaped floor plan layouts and enhanced privacy. Outdoor areas include infinity pools and expansive terraces with natural wood decking, providing true outdoor pleasure with panoramic views. Holiday homes offer private gardens ranging from 1,000 to 3,000 sqm to experience a new Mediterranean lifestyle.

The Villas at the Residences are named Melissa, Daphne, and Manolya. Villa Melissa has an area of 560 sqm and is a two-storey villa with five bedrooms and 70 sqm spacious living room, Villa Daphne has an area of 640 sqm and is a two-storey villa with

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The Villas at the Residences are named Melissa, Daphne, and Manolya four bedrooms and 90 sqm spacious living room, and Villa Manolya has an area of 760 sqm and is a twostorey villa with four bedrooms and 120 sqm spacious dining and living room, as well as a private guest suite featuring a private terrace and a separate main entrance, serving area, a study and wine cellar. All three villas contain fireplace, en-suite bathrooms and maid’s room, high ceiling entrance gallery, spacious lobby, amazing sea view, with fire place, extensive terraces, a beautiful garden, and infinity pool.

The Residences at Mandarin Oriental, Bodrum offer stunning views over the pristine turquoise waters of the Aegean and Mediterranean Seas and green hills covered by precious pine and olive trees. The Residences also feature spacious units combining the privacy of the villas with community warmth.

The architecture and design elements integrate functionality, comfort, and aesthetics.

The four types of residences include 2+1, 3+1, 4+1 and duplex options, featuring wide glass facades that

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allow homeowners to enjoy Cennet Koyu (Paradise Bay), Göltürkbükü and Bodrum’s fresh air to its fullest.

Residents can also experience Mandarin Oriental’s legendary services which include private on-site helipad, exclusive access to nearby marina, 5-minute distance to the vibrant beachfront village of Türkbükü which offers exciting restaurants, beach clubs, and nightlife, 20-minute distance to world-class golf courses, and 30-minute distance to Bodrum Airport.

There are also resident-only facilities and club houses with private decks, outdoor infinity pools, and boat approaching areas, dedicated resort entrance, 5 kilometers of trekking paths through private untouched natural terrain, two tennis courts, basketball and volleyball courts, and an internationally recognized Kids Club, offering homeowners an incomparable lifestyle in this exclusive and prestigious destination. moresidencesbodrum.com

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Located on the shores of the magnificent Bosphorus, facing the Asian continent and overlooking the ancient city, Çırağan Palace Kempinski Istanbul offers the glamour of a genuine Ottoman Palace in a city where east meets west, Europe meets Asia and history meets the contemporary.

Turkish Hospitality

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he only Ottoman Imperial Palace and hotel on the Bosphorus, Çlragan Palace Kempinski Istanbul is unique in every sense. With its splendid style, superb location, fascinating view and resort ambiance, including a spacious green garden with palm trees, it has been an Istanbul classic since its opening in 1991.

With its 313 rooms, including 20 suites in the hotel and 11 suites in the historical palace, it reflects a harmonious blend of the old and the new, offering every modern convenience for both the leisure and the business traveller. Guests staying at the palace suites, including the Sultan Suite, one of the biggest in Europe, enjoy 24-hour private butler service and absolute privacy, including a private entrance and a lounge. Çlragan Palace Kempinski Istanbul offers a rich variety of restaurants as well, all offering a balcony or a terrace overlooking Bosphorus. The Gazebo Lounge

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is the spot “to see and to be seen” in the city, and is renowned for its wide variety of sweet and savoury pastries, home-made truffles, pralines and chocolates along with freshly brewed coffee and tea options or refreshing coffee cocktails. The Gazebo Lounge also hosts the city’s most popular afternoon tea every day, with an unbeatable view and a spacious terrace.

The award-winning Tugra Restaurant, located on the first floor of the historical palace, offers its guests “the ultimate Ottoman dining experience”, complete with timeless palatal rituals. As the main restaurant of the hotel, Laledan Restaurant is famous for having the city’s best breakfast and brunch on Sundays.

Laledan serves an all-day dining menu, boasting delicious comfort food and regional specialties, which diners can enjoy from noon to midnight while overlooking a palm garden. The Bosphorus Grill is a delicious outdoor summer grill restaurant right on the shores of Bosphorus.

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The palace’s 16 function rooms, plus the four at the hotel, provide unparalleled comfort for events of any kind, from 10 to 2500 people.

Le Fumoir, with its striking décor, serves premium cognacs, quality malts and a fine selection of wines and champagnes, as well as enticing cocktails and quality cigars served in handmade humidors. The summer extension of Le Fumoir, Le Fumoir Pavilion, is one of the rare venues in town offering “shisha with style” amidst the green garden.

It is hard to decide among many highlights available for ultimate relaxation at Çlragan Palace Kempinski Istanbul’s exclusive spa. Çlragan Palace Kempinski Spa, managed by Sanitas, offers an authentic Turkish bath (hamam) where you can enjoy a traditional Turkish massage and bath, fitness centre, a whirlpool, an indoor swimming pool, sauna and steam rooms, massage rooms and a cosmetic room. A favourite is the winter heated infinity outdoor swimming pool, which gives you the feeling of floating on the Bosphorus.

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01 Exterior view of the Palace 02 Sultan Suite Living Room 03 Sultan Suite Bathroom 04 Sultan Suite Bedroom 05 Inside of the Palace

Being a landmark, Çlragan Palace Kempinski Istanbul is always the host to the most prestigious and extravagant events, meetings, and weddings in the city. With its absolutely romantic and spacious wedding terrace, and the Çlragan Ballroom overlooking Bosphorus, it is the best wedding venue and a top choice for romantic honeymoon destinations and anniversaries worldwide. The palace’s 16 function rooms, plus the four at the hotel, provide unparalleled comfort for events of any kind, from 10 to 2500 people.

Since its opening, Çlragan Palace Kempinski Istanbul has been the only hotel in Istanbul reachable in three ways (by limousine, yacht or helicopter) and has seen countless eminent figures come through its doors, including heads of state, royalty, artists and celebrities. Luciano Pavarotti, John F. Kennedy Jr., Robert De Niro, Donna Karan, Michael Schumacher, Silvio Berlusconi, Bernard Lacoste, Sophia Loren, King Abdullah of Saudi Arabia, Kofi Annan, Queen Beatrix of Holland, Oprah Winfrey, King of Spain - H. E. Juan Carlos I and the Queen, the King of Jordan - H. E.

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Hussein and the Queen, famous singers Bono and Sting, U2 and Madonna are only a few of the many famous guests.

With impeccable service dedicated to excellence and combined with legendary Turkish hospitality, Çlragan Palace Kempinski Istanbul is always one of the top ranking hotels in the world whenever rankings are made. It is on Travel + Leisure’s (US) “World’s Best Hotels T+L 500”, Robb Report Mexico’s “Top 23 Luxury Hotels of 2016” and Business Insider US’s “50 Incredible hotels you should sleep in during your lifetime”. It was also named “World's Leading Heritage Hotel” at the World Travel Awards, while Condé Nast Traveler (US) highlighted it in its Readers’ Choice Awards as one of the “Best Hotels in Greece & Turkey” and Condé Nast Traveller (UK), Readers’ Travel Awards named it as one of the “Best Overseas Business Hotels”. Çlragan Palace Kempinski Istanbul has also proudly received a Connoisseur Circle Hospitality Award (Germany) as the “Best Grand Hotel”. Architectural Digest.com selected it as number 6 in the ‘‘9 Luxury Hotels with Unorthodox Histories’’ listing and Travel & Leisure magazine listed it as number 14 among the “15 of the Most Romantic Hotels in Europe”. kempinski.com

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Travel and Leisure 01 Constance Ephelia’s main building 02 Pool view 03 One of the family villas 04 Another view of a family villa

Let Durrah be your guide to discovering the true meaning of hospitality and experience the ultimate in luxury at these global destinations

Luxury Worldwide

CONSTANCE EPHELIA SEYCHELLES

Situated on two of the most beautiful beaches on the island of Mahé, overlooking the marine national park of Port Launay, Constance Ephélia Seychelles enjoys a unique location set within 120 hectares of land with luxuriant and rare vegetation.

It offers 42 tropical garden view rooms which combine space, style, and functionality, with contemporary decoration, 184 junior suites and 40 senior suites featuring bathroom with bath tub, sitting area, LCD TV, minibar, and other amenities, 17 family villas, 16 beach villas, eight hillside villas, five spa villas, and one presidential villa, all with access to private pools.

Constance Ephelia Seychelles has five restaurants (Corossol, Helios, Adam & Eve, Cyann, and Seselwa) and five bars. Each outlet has its own individual concept, design and décor, thereby optimising the possibilities in terms of culinary and bar experiences. The designs reflect elegance and functionality along with a subtle touch of African influence. Each restaurant name has a subtitle, reinforcing the concept in just a few words. The resort is very much “child friendly”, and offers different

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menus to appeal to different ages - including gourmet baby food - are proposed throughout the resort.

The beautiful spa village at Constance Ephelia is set in the tranquil heart of the resort’s stunning tropical gardens. Relax, rejuvenate, detox, re-hydrate or simply enjoy - the choice is yours. Their highly skilled team is at your disposal to help you decide which treatments are best suited to your needs. Each guest receives a Spa Experience Card, so they can keep a note of your wellness goals and preferences, and customise your treatments accordingly.

Other facilities and activities include five Boutiques, four pools, a Departure Lounge, internet access, an infirmary, conference facilities, and laundry and pressing facilities. Sports activities are available, including free activities courtesy of a fully-equipped gymnasium, four tennis courts, squash court, and payable activities such as fishing, diving(PADI) with supplement, and yoga lessons on request. constancehotels.com 02

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The hotel boast 96 suites, eight Villas and one Presidential Suite, all positioned just 15 metres from the shore

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05 View of the lobby 06 Aerial view of Constance Lemuria 07 Bedroom and terrace of junior suite 08 Pool view

CONSTANCE LÉMURIA, SEYCHELLES Constance Lémuria Seychelles officially reopened on 1st November 2016 with a stunning new and unique design after taking a pause from August 22 to October 23 to refurnish, redecorate and refresh to better embrace the future. This luxury hotel opened in 1999 in Praslin as one of the Seychelles’ first five-star properties and now evokes more than ever the lost land which every traveller dreams of one day exploring.

Constance Lémuria in Praslin enjoys an idyllic location on the north-west coast of the island, surrounded by luxuriant and rare vegetation, and washed by the warm waters of the Indian Ocean. The sea with its many hues of turquoise, the fresh green landscapes and the three secluded white-sand beaches, which the hotel sits on, create a natural infusion and a truly exceptional site.

The aim of the renovation, led by interior designer Marc Hertricht, was to create a sensory journey that awakens the senses, through harmonious ambience created with contemporary and classic elements. It includes the complete renewal of three restaurants and the main bar, Huna, as well as upgraded services, new amenities and redecorated guests’ suites.

The hotel boast 96 suites, eight Villas and one Presidential Suite, all positioned just 15 metres from the shore and built with raw materials such as wood, marble and granite to offer luxurious accommodation in a natural environment. The 88 Junior Suites have been redecorated with calm colours enhanced by accents of blues and greens, while the eight Senior Suites have been refurbished with a warm colour palette, refined materials and a larger terrace to offer an even more exceptional stay.

Fresh, delicious food is a key ingredient to any holiday; that’s why the culinary concepts were reviewed with great care during the renovation. Now food, service and tableware combine to reveal a unique atmosphere in each outlet. The Legend restaurant, located in the main building, welcomes guests to the flavours and ambience of the Silk Route. The Nest, perched on the rocks between Petite Anse Kerlan and Grand Anse Kerlan, is an ode to seafood. Last but not least, the new Diva restaurant adds a touch of elegant exuberance to the hotel with a vibrant gastronomic menu to be shared and an updated grape list with over 900 varieties on offer from a cellar that holds more than 12,000 bottles. Guest will get to try new menus across the board, including a new children’s menu, each revitalised by a team of international chefs who take pride in sourcing the best local produce.

Known for its commitment to safeguarding the environment, most notably with its turtle protection programme, Constance Lémuria Seychelles goes a step further with a new Eco-Kiosk that reveals interesting facts about the island’s flora and fauna, and the initiatives that are in place to preserve the environment.

Whether it’s the amazing nature of Praslin, from the unique Vallée de Mai forest, home or the fascinating Coco de Mer to the world-famous beaches of neighbouring island La Digue, the wide range of activities, the fine dining, or the new colourful design and the special services, Constance Lémuria Seychelles is the perfect choice for a luxury holiday in the Seychelles. constancehotels.com

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09 Club Deluxe Room with King-sized bed 10 South Beach at night 11 Flow 18 pool 12 Living room of Deluxe Suite 13 Beach Road Kitchen

JW MARRIOTT HOTEL SINGAPORE SOUTH BEACH A design-led landmark in the heart of Singapore’s art and culture district, the JW Marriott Hotel Singapore South Beach fuses contemporary architecture with restored heritage in a brilliant show of form and function. Occupying three heritage buildings and two new hotel blocks, the luxury hotel features 634 guest rooms including 47 suites, 17 meeting rooms/venues, a grand ballroom, 2 sky gardens, 2 out-door pools, the signature Spa by JW and nine unique food and beverage concept outlets, including a restaurant helmed by worldrenowned chef, Akira Back, of Iron Chef America fame. Located in close proximity to Singapore’s key tourist attractions, Shenton Way Central Business District (CBD) and the Marina Bay entertainment and business district, the JW Marriott Hotel Singapore South Beach is the perfect choice for leisure and corporate travellers seeking enriching experiences and hospitality excellence.

20 minutes from Changi International Airport and located in the heart of Singapore with direct access to Esplanade MRT Station and a 5-minute walk to City Hall MRT Interchange. Connected to Suntec Singapore Convention and Exhibition Centre via link-bridge and in close proximity to top attractions in the city including

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Gardens by the Bay and the Merlion.

Hotel services include high-speed wireless internet access throughout the hotel, an Executive Lounge, Spa by JW, 2 out-door swimming pools, state-of-the-art fitness center, 24-hour room service, concierge services, housekeeping and turn down service, laundry service and dry cleaning, and airport transport service.

Room features available include King and twinbedded rooms, designer furniture, down comforter and pillows, signature 400-thread count imported linens, work desk with universal sockets and USB charging points, Interactive Internet Protocol Television (IPTV) system, Wi-Fi phone, individually controlled air-conditioning, electronic bidet toilet, rain shower, signature bathroom amenities, in-room safe, and international TV channels.

There are nine restaurants and bars that include Japanese/Korean restaurant by celebrity chef, Akira Back, All-day dining and buffet restaurant, A golocal gastropub, Contemporary themed- bar serving bespoke cocktails and wines, and a Specialty gin bar, and a few more to open soon.

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MANDARIN ORIENTAL, BODRUM Winner of the spa category at the World Luxury Spa & Restaurant Awards 2016, The Spa at Mandarin Oriental, Bodrum at Paradise Bay (Cennet Koyu) captures the essence of its beautiful coastal setting with an idyllic atmosphere of healing and calm.

Offering the most comprehensive range of wellness, beauty and massage programmes on the Bodrum Peninsula, including Mandarin Oriental’s award-winning spa concepts and holistic signature treatments, it uses natural, handmade ingredients from the resort’s own gardens for its remedies. Guests can discover invigorating, centuries-old Turkish water therapies in authentic hammams and a wealth of fitness facilities at The Spa. Encompassing 2,700 sqm spread over three floors, The Spa’s Antonio Citterio-designed interiors are elegant, contemporary, free-flowing spaces, where smooth lines, natural colour palette and organic textures combine to create a soothing environment, which is softened further with mood lighting. The key design elements of teak and dark wood, locally

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quarried stone and sleek, custom-detailed furnishings blend with the natural beauty of the resort to create a feeling of being at one with nature. Stone walls, wood panel ceilings, a relaxation lounge surrounded by water features and an outdoor sauna are architectural touches that help make The Spa a sanctuary of serenity.

The Spa boasts 8 treatment rooms, including five individual cabins, three beauty rooms, two spa suites and two outdoor, private cabanas where guests will feel part of the stunning natural world around them.

Of the two spa suites, the 190 sqm Orchid Spa Suite features a beautiful fireplace, expansive shower and relaxation lounge, along with a sauna, hammam and vitality pool. The 60sqm Couples’ Spa Suite is where couples can enjoy the ultimate private healing experience together. Adding more luxury to The Spa’s private changing rooms and showers are built-in sound docking systems and foot ritual areas.

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Take your body and mind on a journey of relaxation with these worldwide destinations of tranquility.

Serene Treatment

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01 Vitality pool

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Spas 04 18m long lap pool 05 One of the double treatment suites 06 The best spa treatments in London 07 Cutting edge gym facilities 08 Private hammam

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AKASHA, LONDON An 18m/60ft long lap pool, Hammam, sauna and Jacuzzi – as well as the best spa treatments in London – form an oasis at the centre of Akasha and in the heart of the city, enhanced further by mood lighting, restorative sounds and uplifting aromas.

Nine treatment rooms, including a double treatment Akasha Suite, offer signature treatments which marry innovative Western practices with ancient Eastern traditions. There is a private Hammam for purifying scrubs and massages and a Vichy shower for cleansing hydrotherapy rituals. Akasha also boasts London’s first Watsu pool for tailored hydrotreatments and guided meditation.

The holistic treatment menu features a curated collection of signature treatments, facials, beauty treatments, hydrotherapy rituals and specialist treatments which are carried out in one of the nine treatment rooms. Treatments are created to energize, revitalise, rejuvenate or calm depending on the guests’ personal needs.

Akasha offers a range of specialist hydrotherapy treatments including Watsu sessions carried out by certified staff in the dedicated Watsu pool and Vichy shower treatments, both the first of their kind in London, as well as private Hammam experiences.

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Spas 09 Spa Village reflective pool 10 Pure body and mind relaxation 11 Special care products by U Spa 12 Spa village

U SPA

BY CONSTANCE U Spa by Constance enables guests to indulge in moments of pure relaxation within body and mind, and is an integral part of each hotel and resort. At every U Spa by Constance, a bespoke ‘U’ experience is offered, designed to maximise guests’ well-being and vitality. Individual goals and preferences are taken into account alongside an extensive spa menu, allowing for a truly personalised experience among beautiful surroundings, with the sole aim of achieving a sense of harmonious balance.

Travellers to Indian Ocean paradises can look forward to treating themselves to the special cares by acclaimed podiatrist Brice Nicham.

These manicures and pedicures available at U Spa by Constance are an indulgence for three Constance Hotels and Resorts destinations located in the Seychelles and Maldives. Guests arriving at Constance Halaveli in the Maldives or Constance Ephélia in the Seychelles can start the pampering right away, as these treatments are included on the menu of Constance Lémuria in the Seychelles, and are a unique care concept that combines three domains of expertise to give a truly therapeutic effect to the feet and hands. constancehotels.com

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At every U Spa by Constance, a bespoke ‘U’ experience is offered, designed to maximise guests’ well-being and vitality

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Dining

01 House made ravioli stuffed with parmesan cream 02 Oven baked beef tenderloin with fresh herbs 03 View of Assaggio Restaurant

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ASSAGGIO RESTAURANT, Bodrum Against a backdrop of breath-taking views visible through French doors and windows leading to a wide terrace, exquisite Italian dishes are on offer at the spacious and bright Assaggio restaurant. The Lunch menu includes delicious salads, sandwiches, risotto and pasta dishes prepared with the freshest seasonal produce, while for dinner, guests can choose from tasty Trattoria-style fare, such as Scallops with fennel, peach puree and powdered ginger, Grilled turbot with spinach, lemon sauce and capers, or Beef Tagliata with balsamic sauce and shaved parmesan cheese. The dinner menu is available from May until September. A dessert menu of seasonal, refreshing flavours is offered, and selected Italian and international wines can be ordered. mandarinoriental.com

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Durrah takes you on a culinary journey with this selection of award-winning and critically acclaimed restaurants from around the world.

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05 04 Interior of Tugra restaurant 05 One of the dishes served at Tugra 06 Lamb kulbasti 07 Table at Tugra Restaurant 08 Homemade baklavas

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TUGRA RESTAURANT, Istanbul Decorated with clove and tulip motifs and overlooking Asia through floor to ceiling windows, “Tugra” or “the signature of the Sultan,” reflects the glamour and opulence of its Ottoman past with velvet curtains and massive handcrafted paintings and woodwork complementing the specially-designed plates, crowned with the flourish of the “sultan’s signature”.

As one of the only restaurants in Istanbul that serves Ottoman cuisine, its menu is prepared with fresh, seasonal, mostly organic and local products, which comprise the most well-known products of Anatolia and Thrace, such as wild herbs and spices of the Aegean mountains; black cabbage and corn flour of the Black Sea, sucking lamb of Thrace, dried beans of Middle Anatolia, delicious meat of the free range cattle of East Anatolia and freshly caught fish from the Bosphorus.

Authentic hospitality is what sets dining a high-end Turkish restaurants apart, and Tugra’s example of that has received local acclaim and international awards for over two decades, including by Travel + Leisure in 2005 as “One of the 50 Most Romantic Places in the World”. kempinski.com

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AKIRA BACK, SINGAPORE Committed to providing culinary experiences that will cater to a myriad of hotel and local guests alike, JW Marriott Hotel Singapore South Beach boasts nine unique food and beverage concepts including Akira Back, serving modern Japanese cuisine with Korean accents, helmed by Korean-born celebrity chef Akira Back. Chef Akira Back brings a sense of adventure and boundless creativity to his culinary creations in his first signature restaurant in Singapore. Showcasing modern Japanese cuisine with Korean accents and culinary influences from around the world, Akira Back will feature innovative dishes centred on seasonal produce and artisanal ingredients. Akira Back, which is located in Level B1m in the South Tower, serves lunch from 12pm to 3pm from Tuesday to Saturday, and dinner from 6pm to 11pm from Tue to Saturday. www.jwmarriottsingapore.com

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09 Grilled Alaskan king crab 10 Gyudon 11 Tamago 12 Toro caviar 13 Tuna pizza

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Masterpiece

To the Letter

In a choreography showing a virtuoso-like ease, Vincent Abadie Hafez “Zepha” composes a ritual score that frees the letter from its semiotic restraint, thus keeping only the essence of a certain kind of aesthetics, the cultural bearing of a symbol. Durrah spoke to this nomadic artist to find out more about the inspirations behind his techniques and his mission as an artist.

01 “Suspended odes” 35/7 m mural. Dubai, UAE. 2016 02 “Bastille day” 100/90 cm. Recycled wood composition. 2016 03 “Stroke in the City” 160/200 cm. Acrylic, spray paint, super plasticizer, cement, Dubai’s sand, ac reused water on canvas.

2017 04 “Rabat” Morocco mural.

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arietal art strongly marked Vincent as a young person. The sombre atmosphere of paintings full of sacred rites, symbols with mysterious meanings realized on the wall, were always in him, and his current research is derived, among other things, from this influence. He first became involved in the graffiti movement in 1989 by painting his first piece titled “Peace” with the Christmas bomb and chalk.

He believes that there is this idea of a ​​common core to the great human family which asserts itself in different forms and, among other things, the common origin of the birth of Scripture and its slow evolution on the side of the fertile crescent. Composing signs by borrowing forms from these different alphabets allows the public to lose themselves in the work, while unconsciously clinging to familiar elements. The meaning is lost in favor of a form, a movement, or a composition that speaks to the common memory, to the collective unconscious.

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Masterpiece

His calligraphic work, although possessing a Latin base, is strongly inspired by traditional and contemporary Arabic calligraphy. His alphabet is Latin in its meaning and Arabic in its style. Sometimes, his characters lose their meaning in favor of the power of movement, the gesture of the calligraphy pen stroke on paper, the brush stroke on canvas, the spray paint on the wall, all a balancing game between planned composition and instinctive gesture. His encounter in 1998 with calligrapher and artist Abdellatif Moustad profoundly influenced his work, leading him to an approach centered on the calligraphic gesture and the composition of the Arabic letters as well as on the relationship between matter and support. This also led him to put figuration aside and privilege the letter.

Today, his art work has begun to be recognized internationally, and it now forms part of the art market, but he is trying to preserve the core values essential to graffiti that conditioned his approach

to art: the spirit of calligraphy allied to movement that comes from the aerosol paint medium, the desacralization of art, taking it outside of the museum and making it public, the preservation of the collective and cooperative spirit that encourages artists to paint together on the same surface and, last but not least, the maintaining of the rebellion against the established order intrinsic to this form of street art.

Visual and human encounters have enriched his approach by changing his gaze on the Latin letter, already well explored very freely with graffiti and the handling of the bomb. His graphic vocabulary is a new form, as the passage of the bomb brush brings a lot to his research textures and reinforces the elegance and gesture of his feature.

This calligraphic framework, omnipresent in his work, often expresses a concrete message to be deciphered or sometimes only represents itself and its sensitive presence within an abstract composition

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made up of successive layers.

The rhythm, the urgency, and the balance between silence and noise, emptiness and a saturated surface, and above all the balance between the instinctive gesture and its technical mastery is at the heart of his production and it is this spontaneity, this state of transcendence, that creates the vibration that is found in a large part of his works.

“Palimpseste” was initially the title of a series of canvas paintings he created in 2008 with this technique known as “reserve”, in successive layers that go back, inspired by the photo of a palimpsest parchment. He has since created many “Palimpsestes” murals, where the public participates, and in a way, appropriates the work by revealing it. It’s the randomness that creates the surprising result and the message sometimes remains hidden. abadiafez.com

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05 “Velorution” 30/5 m mural.

Copenhagen, Denmark. 2014 06 Part of a mural in Shenzhen, China. 2016 07 “My freedom is to be as they don’t want me to be” 190/190 cm. mixed medias on canvas.

2016 08 Vincent Abadie Hafez (Zepha)

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Bon AppĂŠtit

In neolokal, Chef Maksut, together with his curious team, brings traditional Anatolian food with a modern twist to our plates. By bringing traditional food into the limelight, Maksut aims to remind us of the colourful and rich culture that Anatolia has, and to prolong the lifespan of many tastes that may be on the verge of becoming extinct.

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If my traditions are disappearing one by one due to today’s conditions, I believe my future also will disappear if I do not do anything

Interview with Chef Maksut What would you say was your defining moment as a chef?

The unexpected invitation from SALT Galata to work on a joint project while I was working at SekizIstanbul where we had the motto “neo local cuisine” was like hitting the jackpot. I found the great opportunity to switch from a kitchen where I was bound by the limitations of the infrastructure to a place where my every need related to the kitchen could be satisfied. Of course, there were advantages and disadvantages here as well. I had to study this project very well to find the best way to express the way I envision the future of my culinary heritage.

What sparked your fascination with traditional cuisine?

We believe that those who do not take care and preserve their traditions cannot have a future. To guarantee our future our traditions have to be adjusted to todays circumstances and become sustainable. The correct way for us to do this is to express our respect for the earth at every opportunity and to share this deep respect we feel with our guests. This is what we are doing in a very humble manner.

How do you bridge between traditional and modern cuisines?

By giving the true value to the mother earth, our past and traditions rather than just acting like it for the sake of it. A bridge has its footholds on the earth. In the same

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manner, we can only be a bridge if we touch the earth.

We as a team are just learning that. There are many different tastes on the menu, but I would like to talk about especially one. That is “from our garden” dish. This is an always fresh plate that is prepared with the fresh vegetables from our field in Gümüşdere (Istanbul) and/ or from Istanbul’s first earth market in şile. It does not have a recipe; a plate that is just prepared with whatever mother earth has given us that day.

Do you believe you have accomplished all you set out to accomplish as a chef?

I must state that I have been lucky enough to give life to a lot of things that I dreamt of in the beginning of this project and yet I still have many more. And now, I refrain myself from dreaming everything so that we may encounter some elements of surprise.

How did you acquire the taste for tradition?

I learned the taste from my traditions and through my traditions I learned to recognise taste. If my traditions are disappearing one by one due to today’s conditions, I believe my future also will disappear if I do not do anything. Within this frame, we have to define our traditions to suit today’s conditions and convey them to the future generations in the correct language.

Your taste perception defines your borders. You cannot go any further. Even if you go further the things that you create becomes something totally different. It is not your tradition.

Would you say you are a modern restaurant?

As a restaurant, we consider ourselves timeless.

Being timeless gives us the opportunity to constantly renew ourselves as we continue our path and learning from our past. This past includes our traditions and lost cultures. We feel it is our duty to preserve it for the future and for the future generations. Thus we feel like we are a bridge between the past and the future, presenting dishes from the past in a modern way that will be accepted in the future.

How does the process work in the kitchen?

In our kitchen, we have a democratic kitchen hierarchy. Hierarchy is useful for people to respect each other’s duties and to define correct borders. Besides this, the rest is defined according to the responsibilities and duties of the family members, because we see each other as a big family. In a family you cannot chose your mother and your father, as authoritative persons they are always there. Within our kitchen we try to preserve this within a frame of respect. We learn and experience together with the younger generation every day. We all have the luxury to make mistakes and that is teaching us a lot of things.

Me and my work family dreamt of being a restaurant that learns from its mistakes, to continue our path by learning from our mistakes and to get to a better place. I have no idea how conventional kitchen hierarchy is defined and working, but in our kitchen, this is how the system works. neolokal.com

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Bon Appétit

Katmer & Tirit

Method 1 Mix 100 ml of the stock and tomato paste 2 Mix 300 ml of the stock with tarhana 3 Add butter and garlic powder on the pan 4 Add the tomato paste 5 Whisk the mix slowly adding tarhana mix in.

6 Add the rest of the beef stock 7 Mix until it is thick in consistency

Duck fat fried pistacchio philo, slow cooked beef in duck stock, colorful yogurt

Tarhana Yogurt Sauce • 100 gr Tarhana sauce • 50 gr Drained yogurt • 50 ml Water • 10 gr Lemon juice • 2 gr Salt • mix all the ingredients

Ingredients Serves 130 • 5400 gr loin • 1400 gr onion • 12 cloves garlic • 16 tbsp duck fat • 8 tbsp tomato paste • 3400 gr chopped tomatoes or canned tomatoes • 8 pieces cinnamon stick • 4 tsp cummin • 4 tsp coriander • 4 tsp black pepper • 12 bay leaves • 16 cup duck stock • 8 tbsp chopped parsley • 2 tangerine peel • 8 tsp paprika • 16 tsp salt • 4 tbsp sugar

Dried Tarhana • 300 gr Tarhana sauce Method 1 Pour tarhana sauce on a silicon cooking mat.

It has to be very thin.

2 Dry tarhana on 30C oven until it reaches the right form.

Method 1 Sear the meat with duck fat 2 Add chopped onion and garlic 3 Add tomatoes and herbs 4 Soften the tomato paste with duck stock and add to the pot 5 Lower heat after it starts boiling.

6 Add sugar after 1hr 30 min.

7 Add salt after another 1 hour 8 Turn off the heat 9 Add the tangerine zest, parsley and paprika Katmer Serves 70 • 10 ml hazelnut oil • 300 gr flour • 6 gr salt • 150 ml water • 100 gr butter • 40 gr duck fat Method Mix the oil, flour and salt with water. And open the dough 1/2 cm in diameter. Brush the melted butter and fold the dough. Rest on the fridge. Do this 4 times. Make square from the dough and pan fry on low heat with duck fat.

Tarhana Sauce • 1 lt beef stock • 30 gr tomato paste • 150 gr “tarhana mix” • 1 gr garlic powder • 20 gr butter • 3 gr black pepper

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Revani In rosemary pear sherbet, pear sorbet, black poppy seed cream Ingredients Revani Cake Serves 21 • 3 unit Eggs • 225 gr Sugar • 100 gr Vegetable oil • 250 gr Yogurt • 5 gr Baking soda • 1 unit Zest of one orange • 1 unit Zest of one lemon • 1 unit Juice of one lemon • 185 gr Semolina • 300 gr Flour Sherbet • 2 kg Sugar • 4 lt Water • 5 gr Rosemary

Method 1 Whisk the egg and sugar until it raises 2 Add oil and yourt and mix 3 Add the dry ingredients except baking soda. add the baking soda and add lemon over baking soda.

4 Mix well 5 Pour in piping bag and put it in a mould 6 Bake 180C, 3Fan, 100%steam, for 15 minutes. Turn the tray and give another 10 minutes.

7 Sugar, water and rosemary is boiled until it bubbles and continues for 30 minutes with low heat 8 Put the hot cake into cold sherber and keep in sherbet for 30 minutes.

Coco Meringue • 100 gr Egg white • 200 gr Powdered sugar • 50 gr Coco powder Method 1 Whisk the egg white until it reaches the foam texture 2 In low speed, add the powdered sugar slowly untill it has a stiff peak form 3 Add the coco and whisk until it mixes 4 Make a thin layer on baking paper 5 Bake in 130C , 0steam, 0fan for 25 minutes 6 Dry in dehydrator for 7 hours Pear Sorbet • 1 kg Pear • 150 gr Sugar Method 1 Foil and bake the pears for 1 hour until soft 2 Puree the pear in thermomix 3 Add the sugar and mix again.

4 Sieve the pear and freeze in beakers Rosemary Cream • 100 gr Cream • 1 tsp Rosemary&honey mixture Method 1 Foil and bake the pears for 1 hour until soft 1- Mix the cream and honey until it rises Tuille • 95 gr Melted butter • 180 gr Sugar • 80 gr Flour • 60 gr Orange juice • 1/2 unit Lemon zest • 1/2 unit Orange zest • 15 gr Hazelnut powder • 20 gr Glucose • 5 ml Water • 2 gr Salt • 40 gr White poppy seed Method 1 Melt the butter 2 Add water, glucose and sugar and mix 3 Mix all the ingredients until it is homogenous 4 Put it in a piping bag and pour on the moulds 5 190C , 0Fan, 0Steam, 4 min + 4min bake

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Bon Appétit

Stuffed Kubba Bulgur cones, meat and pine nuts, mint yogurt and green herbs yogurt Ingredients Serves 90 • The Wheat Dough hamut 25 gr içi 15 gr • 1 kg Bulghur • 750 ml Water • 100 gr Pepper paste • 500 gr nonfat meat • Cummin • Salt Method 1 mix the warm water and bulgur adding the pepper paste and spices 2 Add meat and pass through mincer for 2 times 3 Rest in the fridge for an hour and knead again 4 Make conic shapes with the dough The Stuffing • 100 gr Mince meat • 500 gr Onion • 200 gr Walnut • 150 gr Pine nuts • 250 gr Butter • 1 unit Parsley • Salt • Black pepper • Cummin • All spice Method 1 Sautee the meat with butter in the pan 2 Add onions and spices and continue sauteeing 3 Add the walnuts and pine nuts and mix until it is cooked 4 Add parsley and turn off the heat Fry the dough and fill the cone with the stuffing.

Add lemon yogurt and paprika on top.

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+973 77033333

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Special Feature

The second leg of the Maserati 2017 global Polo Tour, held at the Desert Palm Polo Club from 11 - 17 March 2017, concluded with Team Abu Dhabi winning the Maserati Dubai Polo Trophy by an outstanding score of 7 to 4 over Team AES International.

Maserati Dubai Polo Trophy 2017

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ix polo teams, featuring talented professional and amateur players from United Arab Emirates, Saudi Arabia, United Kingdom and Argentina produced competitive yet entertaining polo. Ali Saeed Juma Albwardy, UAE President of the Polo Association and Founder of Desert Palm Polo Club was among the celebrities, VIPs and special guests that enjoyed the special finale.

Team Abu Dhabi with Captain Faris Al Yabhouni (UAE, Handicap 0), Kian Hall (UK, Handicap 2), Yousef Bin Desmal (UAE, Handicap 0) and Alfredo Capella (Argentina, Handicap 8) won the tournament in a thrilling finale against Team AES International with the end result of 7 to 4. Team Ghantoot narrowly beat Team Maserati with a golden goal in an exciting match that went into overtime to win them the Subsidiary Trophy. In addition to the horsepower on the field, guests enjoyed Maserati horsepower from the entire model range that was on display, which included the latest addition to the Maserati family, the Levante SUV, as well as the flagship Quattroporte, the executive sedan Ghibli and the

sporty GranTurismo and GranCabrio models.The official polo shirt worn by the Maserati Team on the field is, as always, a product of the partnership between La Martina and Maserati.

The Dubai leg of the Maserati Polo Tour saw the official launch of the first of the four “Maserati Polo Tour Special Edition” polo shirts created by La Martina for Maserati as a tribute to each tournament. The “Maserati Dubai Polo Trophy Special Edition Polo Shirt” is made of pure cotton and featuring exclusive detail of the shiny metallic Dubai map print on the back, the shirt comes in black with contrasting details in silver and bright blue. The shirt is now available in La Martina stores across the UAE and on the La Martina online store.

Following St. Moritz and Dubai, the third instalment of Maserati Polo Tour 2017 will take place in the UK in June. To keep up to date with all of the thrilling action from these global events, the 2017 tour can be followed on: maseratipolo.com

01 01 The Maserati family on display 02 Team Abu Dhabi with their trophy

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Experience

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The Ferrari 488 Spider is the latest chapter in Maranello’s ongoing history of open-top V8 sports cars, a story that started with the targa-top version of the 308 GTB - the immortal 308 GTS - and which ultimately resulted in the full convertible Spider architecture.

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marvel to behold in and of itself, the 488 Spider is even more unforgettable when set against the gorgeous backdrop of the Four Seasons Hotel Bahrain Bay. Unparalleled in design, the Four Seasons rises 68 storeys on a 5-hectare (12-acre) private island, accessed by causeway, boat or water taxi.

Elevated on the 11th to 28th floors of this five-star hotel in Bahrain, the 273 extra-spacious hotel guest rooms – including 57 suites – all present sweeping views of the Manama skyline or the Arabian Gulf.

Starting with the RHT (Retractable Hard Top), around which the entire car was developed, every area of the 488 Spider has been designed to set new technological benchmarks for the sector. The result is the most powerful and innovative Ferrari Spider ever built.

At the very heart of the car is, of course, the 3902cc turbo-charged V8 which set a new benchmark for this type of architecture. Thanks to a maximum power output of 670 cv and the smooth, progressive

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torque delivery in higher gears provided by the Variable Torque Management system, the 488 Spider sprints from 0 to 100 km/h in 3 seconds flat and from 0 to 200 km/h in 8.7 seconds. These performance figures are accompanied by a throttle response time of just 0.8 seconds which essentially eliminates the turbo lag typical of this kind of engine. In line with Ferrari tradition, the 488 Spider also has its own unique and distinctive soundtrack to reflect its performance.

This is also the most aerodynamically efficient Ferrari Spider ever built, thanks to a series of complex aero solutions. Maranello’s engineers managed to guarantee optimal downforce whilst reducing drag (two normally mutually-exclusive objectives) by developing several innovative devices, including a blown spoiler and an aerodynamic underbody incorporating vortex generators.

Regardless of the model or its mission, the heart of every Ferrari is its engine which must, of course,

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deliver the classic Ferrari power unit qualities: blistering performance combined with high revs, razor-sharp responsiveness, powerful pick-up through the rev range and an exhilarating soundtrack. The new V8 featured in the 488 Spider is the Maranello engineers’ latest response to the daily challenge to constantly set new benchmarks of excellence. This power unit offers the highest performance ever with zero turbo lag and a unique, exhilarating soundtrack. It delivers 670 cv at 8,000 rpm with a specific power output of 172 cv/l - a new record for a road-going Ferrari - maximum torque of 760 Nm in seventh gear and a throttle response time of just 0.8 seconds at 2000 rpm in third gear.

Clearly, the choice of a rigid hard top was essential to the character of the new Ferrari, guaranteeing a significant improvement in in-car comfort. With the roof in place, in fact, occupants enjoy better protection from the elements and improved sound insulation.

In addition, the roof will not deform due to the highpressure field created at high speeds. Traditional hard tops, however, tend to be heavy, bulky, and dilute the look and design of a car. In fact, a classic hard top is stowed as a completely three-dimensional object – not merely the roof itself but also the rear side windows and

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back window. Its weight is significant and its bulk will effectively compromise the design of the entire rear of the car.

Exterior design is fundamental to the character of any Ferrari but the 488 Spider, designed by the Ferrari Design Centre, features radical new styling honed around its aerodynamic requirements which brilliantly reflects the drop-top driving pleasure focus of its sportiness and performance. The 488 Spider’s cockpit was designed to underscore Ferrari’s Formula 1-inspired philosophy of creating a seamless relationship between driver and car: the commands not clustered on the steering wheel are on the wraparound satellite pods which are angled directly towards the driver. The new lighter, sleeker, horizontally more compact dashboard also curves around the cockpit and features ultra-sporty air vents.

Aside from integrated Apple Carplay, the 488 Spider also boasts a new Sport version of the infotainment system with the display still part of the instrument cluster in the driver’s line of sight, following the cockpit’s philosophy of ergonomic and aesthetic integration with the various functionalities immediately to hand. ferrari.com

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01 The 488 Spider set against the gorgeous backdrop of the Four Seasons Hotel Bahrain Bay 02 The most powerful and innovative Ferrari Spider ever built 03 The 488 Spider takes off from the Four Seasons Hotel Bahrain Bay 04 A series of complex aero solutions makes the 488 Spider the most aerodynamically efficient Ferrari Spider 05 The cockpit was designed to underscore Ferrari’s Formula 1-inspired philosophy of creating a seamless relationship between driver and car

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06 The 488 Spider against the backdrop of the iconic Four Seasons Hotel Bahrain Bay 07 Every area of the 488 Spider has been designed to set new technological benchmarks 08 The choice of a rigid hard top guarantees significant improvement in in-car comfort

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Automotive

From eagerly awaited car launches to ground-breaking technology, Durrah brings you news from the automotive world’s luxury and supercar manufacturers.

Driven to Luxury

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Automotive

02 03 01 Bentayga Mulliner with Pale Sapphire over Black Sapphire Duo Tone paint 02 Bentayga Mulliner- Exterior design 03 Bentayga Mulliner front interior with Piano Black stain fading to Burr Walnut veneer 04 Bentayga Mulliner interior with cross-stitch and veneer features 05 Bentayga Mulliner rear interior with Mulliner bottle cooler

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BENTLEY BENTAYGA MULLINER Bentley Motors announced the introduction of the Bentayga Mulliner: the ultimate luxury SUV. Bentley’s in-house personal commissioning division, Mulliner, has applied its exquisite craftsmanship to the multiaward-winning Bentayga, creating a new flagship model and setting new standards in automotive luxury that are ideal for the discerning Middle East customer. New features – including optional Duo Tone paintwork, unique 22” wheels, Mulliner Bottle Cooler and a new veneer concept – complement the Bentayga’s sculptural, modern design.

Featuring Bentley’s class-leading 6.0-litre, W12 engine, the Bentayga Mulliner combines efficiency and refinement with ultra-luxurious levels of power and torque. With 608 PS (600 bhp) and 900 Nm (663 lb. ft.) delivering a 0-60 mph time of 4.0 seconds (0-100 km/h in 4.1 seconds) and a top speed of 187 mph (301 km/h), the Bentayga is the world’s fastest SUV. Inside, Mulliner has combined traditional and modern coachbuilding design. A new Mulliner designed interior colour split – with the front and rear seats finished in different hide colours and offered in seven suggested colour ways – complements the optional Duo Tone exterior paintwork. The hand-stitched hides are finished

with unique Mulliner embroidery and contrast stitching.

Bespoke features by Mulliner include a new Mulliner Bottle Cooler in the rear of the cabin, featuring an illuminated chilling cabinet and bespoke Cumbria Crystal flutes, all seamlessly integrated into the generously proportioned, rear centre console.

The Naim for Bentley Audio system in the Bentayga Mulliner is the most powerful, highest quality audio system in the class, featuring twenty speakers driven by a 1,950-watt, 21-channel amplifier. A convenient, remote-controlled parking climate control function allows the vehicle interior to be cooled or heated when the engine is switched off, while electric rear window blinds and a double sun-visor are also available with the Sunshine Specification.

As Bentley’s personal commissioning division, Mulliner exists to respond to individual customer requests for further bespoke features on the Bentayga Mulliner. The experienced team, supported by the inhouse engineers and designers at Crewe, prides itself on a long history of fulfilling the desires and demands of Bentley’s most discerning Middle East customers. bentleymotors.com

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BMW 7 SERIES Combining state-of-the-art comfort with dynamic agility and styling, the latest instalment of the sophisticated sedan will arrive in three luxury packages: Pure Excellence, M-Sport and Individual Design.

Consistently amongst BMW Group’s best-selling vehicles, the BMW 7 Series Offers innovative design and technology features both inside and out, luxuryconscious customers in the Middle East, and refinement with elements such as the futuristic headlamp technology, BMW Laser Light, the glamorous welcome of the Light Carpet and star-gazer-inspired panorama glass “Sky Lounge” sun roof.

Inside the vehicle, superior technology offers both driver and passenger extraordinary levels of comfort and luxury. A host of BMW ConnectedDrive driver assistance features include the intuitive Touch Command: a 7-inch Samsung tablet positioned in the rear of the vehicle, offering passengers a completely new experience in controlling multiple in-car functions.

Through Touch Command, rear passengers are able to

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control in-car infotainment and comfort features, such as the BMW 7 Series Vitality Programme, which offers luxurious in-seat massage options. A unique Gesture Control function, which offers those inside the vehicle with the option to increase the volume of the radio only by gesturing at the screen, is also one of the new technology features.

Exuding confidence and power, the new model also comes armed with two comprehensively revised engines: the 6 cylinder 740Li and 8 cylinder 750Li xDrive, with the latter accelerating from 0–100 km/h in just 4.4 seconds at 450 hp, and the 6 cylinder equivalent offering an impressive 326hp, with a maximum torque of 450 Nm at 1 380 rpm. The on-road performance of both variants is enhanced through the incorporation of BMW EfficientDynamics, such as the premium vehicle’s lightweight Carbon Core, which ensures that the car is 130kg lighter than its predecessor. www.bmw-bahrain.com

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06 The BMW 7 Series‌ exuding confidence and power 07 Luxury for the modern era 08 The spacious interiors of the BMW 7 Series

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The coup de gras of the rear is the ultimate homage to the world of racing yachts that inspired the client, with its raked stern

ROLLS-ROYCE SWEPTAIL A one-off Rolls-Royce designed and hand-tailored to fit a specific customer, the ‘Sweptail’ is without question a Rolls-Royce that fits to the marque’s DNA. Its initial formality when seen from the front signals that this is one very different and distinct Rolls-Royce. One’s attention is first attracted by the confident and solid character of the front profile, centred on a new treatment of the iconic Rolls-Royce Pantheon grille. The largest of any modern era Rolls-Royce, the grille is milled from solid aluminium before being painstakingly polished by hand to a mirror finish.

The periphery of the front face of ‘Sweptail’ is framed in brushed aluminium.

The coup de gras of the rear is the ultimate homage to the world of racing yachts that inspired the client, with its raked stern. Seen directly from behind, the rear taper contrasts strongly with the front of the motor car, shaping a completely new perception of a dramatic Rolls-Royce Coupé.

The highlight feature of ‘Sweptail’ however is that specifically asked for by the client. An uninterrupted glass

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roof, one of the largest and most complex ever seen on a motor car of any marque, allows the cabin to be flooded with natural light, animating a host of beautifully handcrafted materials and componentry.

Generous quantities of polished Macassar Ebony and open-pore Paldao adorn the interior, creating visual and tactile contrasts for the owner, both classical and contemporary. All their forms however are thoroughly modern as they echo the exterior lines of ‘Sweptail’, handformed to encircle the occupants with some of the most beautiful natural materials in the world. This choice of dark and light, Ebony and Paldao, is set off by contrasting light Moccasin and Dark Spice leathers that adorn the seats, armrests and dashboard top.

A most personal, coachbuilt Rolls-Royce for a specific customer, every aspect of the material treatment of ‘Sweptail’ exudes handcrafted quality and exacting attention to detail. rolls-roycemotorcars.com

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Must Have

My Wish List The latest and most exclusive luxury items for men

DESTINATION MOON Conceived by MB&F and built by L’Epée 1839, Switzerland’s premier clock maker, Destination Moon is the quintessential torpedo-shaped rocket of childhood dreams. Developed specifically for Destination Moon, the architecture of L’Epée’s eight-day movement follows the basic design of a real spaceship. Power in a rocket comes from its base; the power for Destination Moon comes from the oversized winding crown in its base. The management and control systems of a rocket are above the power source; the same holds true for Destination Moon, which has a vertical regulator controlling precision below the time display, as well as a time-setting knob at the top of the movement. That eye-catching regulator with its animated balance is protected from cosmic radiation (and curious fingers) by a small panel of virtually invisible mineral glass. mbandf.com

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LOTUS ART DE VIVRE CUFFLINKS This collection of cufflinks feature an elegant decoration coupled with eye-catching jewellery, such as the Silver Elephant Cufflink with Black Wood and Diamond, which is crafted out of Sterling Silver and a carved elephant decorated with full-cut black diamonds for the eyes, the Carved Lavender Jade Square Cufflinks, which are a pair of carved lavender jade square cufflinks combined with rose-cut white diamonds in black rhodium and gold plated sterling silver, and Cufflinks Round Gold FlowerMulti-Mina, which has a golden frame produced first mostly in 20k-22k gold and then each enamel colour is burnt separately into the piece. lotusartsdevivre.com

ANURA RAFAEL WRITE TIME The Anura Rafael Write Time is a unique convertible object that brings the arts of fine writing and watchmaking together within a modern, striking design. This unprecedented design features a patented system which makes it possible to convert a time capsule housing a tourbillon into a writing instrument or a wristwatch. Fixed to a pen, it brings together the arts of fine writing and watchmaking within a truly unique object. The intricately designed pen is made of 18k gold encased in alligator leather. anurarafael.com

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DOTTLING THE FORTRESS With the Fortress, Döttling is introducing a new era of security.

The Fortress is the safest luxury safe in the world, available in the certified security classes VdS/EN 3 to – and this is absolutely unique – VdS/EN 5. It is ready for connection to a burglar alarm including a “silent alarm” function and, in this configuration, provides tested and certified insurance cover of up to US $1,000,000. doettling.com

ROYAL DIAMOND CHESS SET An extraordinary luxurious version of the classic chess-set, The Royal Diamond Chess is entirely hand-made in 14-carat white gold and set with approximately 9900 black and white diamonds. Designed by the renowned French artist, designer and master of jewelry, Bernard Maquin, and as part of the Charles Hollander Collection, “The Royal Diamond Chess” is a rare and precious work of fine art jewellery. This entirely hand-made creation is an expression of meticulous artisanship, with a harmonic combination of aesthetics, functionality, and beauty. charleshollandercollection.com

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PARMIGIANI HIPPOLOGIA Because the animal kingdom has long been associated with the history of Parmigiani, through the Maurice-Yves Sandoz Collection, the automaton takes the form of the noble Arabian thoroughbred, the desert horse prized for its courage and endurance. A tribute to the values of apprenticeship so dear to the manufacture which has made the transfer of knowledge a core value, the automaton maker creates a solid gold statue of a mare running with her foal. Silent yet larger than life, they move inside an oval crystal cabinet representing the desert and its dunes, created by the Lalique crystal master. parmigiani.ch

MASTER & DYNAMIC MA770 WIRELESS SPEAKER Cast in a new geometric form, the proprietary concrete composite provides exceptional acoustic benefits such as increased dampening, reduced resonance, and a purer sound. The dampening properties are so high that the speaker can play at full volume without causing a record to skip or the table and floor to vibrate. the speaker easily fills a large room with sonically sophisticated sound, powered by 100 Watts of Class D amplification. It can be used as a single unit, stereo pair or multi-room setup via Chromecast built-in. masterdynamic.com

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OCEAN DEEPFLIGHT SUPER FALCON 3S SUBMARINE Designed to enable guests to experience underwater flight and have rare interactions with marine life, the DeepFlight Super Falcon 3S offers unprecedented access to turquoise clear waters, enabling guests to glide alongside the dolphins, cruise beside the turtles, and skim over spectacular shipwrecks and vibrant reefs. A trained pilot will treat two guests to an underwater excursion in the DeepFlight Super Falcon 3S, each seated comfortably in individual cockpits, with 360-degree views through the acrylic canopies and integrated video capture to allow guests to relive the experience post-flight. oceantravelasia.com

WHEELMEN PYTHON WRAPPED BICYCLE Each Wheelmen bicycle is a custom-built masterpiece. The lavish finishings and details of this exceptional bicycle ensure that The Wheelmen is both work of art and mode of transportation like no other. The frame, fork, lugs, and stem are all handmade by Williamson, with individual copper details and subtle logos brazed in place. Each component is wrapped with python or crocodile and hand sewn. Brake levers, gear system, pedals, and cranks are then assembled to your exact specifications. williamsongoods.com

RODERER RFID-BLOCKING WALLETS Roderer RFID (Radio Frequency Identification) wallets have been specially designed to prevent identity theft. Within its layer lies a multi-metalized liner that blocks RFID signals up to 3000MHz. This tightly weaved nickel and copper liner offers total security against RFID scanners, even in close proximity, and utilises the same RFID blocking security implemented by the Military. Made by hand, the beautiful texture of the Saffiano leather is uninterrupted by external stitching, giving the wallet a streamlined, sophisticated look. roderer.info

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SPORT HORIZONS Seef Mall +973 17 58 1 911 sporthorizons

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My Wish List The latest and most exclusive luxury items for women

FORNASETTI CILINDRO Produced in three different versions, “Cilindro� can be placed in any room in the home, acting as a small table/storage unit (diameter 80cm x 61h), a space for holding objects (diameter 60cm x 135h) or a display case (diameter 60cm x 145h) for glasses, bottles and anything one wishes to exhibit. All three versions are made of wood, printed, laquered and painted by hand, and they are available as limited editions. fornasetti.com

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MOUAWAD FLOWER OF ETERNITY JEWELLERY COFFER The coffer was inspired by Mouawad’s signature Flower of Eternity™ motif, which consists of three heart-shaped petals symbolizing the past, present, and future in an emblem of eternal love. Crafted using 18-karat gold and 925 silver, the Flower of Eternity Jewellery Coffer features a profusion of 542.39 carat of white and yellow diamonds, 293.24 carat of white and pink sapphires, 20.06 carat of rubies, and 1,799.75 carat of lapis lazuli. Valued at US $3.5 million, the coffer was entirely designed and handcrafted by Mouawad’s master artisans, and is a resounding testament to their profound creativity and virtuosity. mouawad.com

LOTUS ARTS DE VIVRE PARROT HANDBAG A beautiful parrot handbag covered with Scarab, each scarab wing is cut by hand to size, shaved from the inside, reinforced and carefully adhered one by one to the handbag shell which needs to be pressed down by hand (piece by piece) for five minutes to assure that the glue holds. It took three months for two people to complete the job. After finishing this tedious task, the frame of gilded sterling silver set with diamonds is added along with the silk lining inside. Gently squeeze the legs together and the bag will open. Lotus Arts de Vivre produces only 2-3 bags of this type per year. Each is slightly different, making the owner one of the very few to own such an exclusive handbag. lotusartsdevivre.com

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MB&F “ZEITMASCHINEN” TIME MACHINES The Time Machines collection consists of three compositions celebrating the mechanical precision and sensory pleasure of a traditional clock in a purely artistic manner. Each variation, from the TM2 and TM3 to the Wall Machine, exposes the inner workings of the clock mechanism and places the motion of each gear, spring, and axle in the spotlight. In addition to the skeletonized appearance, the Time Machines are hand-finished in eye-catching colour palettes of black, silver, copper, or gold, which enhance their modern architecture. Whether standing on its own or hanging on a wall, each kinetic sculpture transforms a space both visually and audibly. mbandf.com

TUMI VOYAGEUR LEATHER COLLECTION Taking the Voyageur collection’s most celebrated silhouettes and reintroducing them in beautifully textured, pebbled leather, the Voyageur Leather assortment is luxurious and lightweight with a sophisticated style. Aavailable in Black and Cornflower Blue, it gives the modern woman the signature Voyageur features she loves with an unmistakably feminine attitude. tumi.com

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ROBERTO COIN ARABIAN HORSE LIMITED EDITION BRACELET Arabian Horse Limited Edition bracelet with colourless diamonds, black diamonds and onyx in 18kt white gold. Strong and elegant, the Arabian horse enchants with its beauty and perfect lines. Born for the desert and great adventures. A limited edition collection dedicated to brave and free spirits. en.robertocoin.com

DELAFEE KOO CUCKOO CLOCK The Koo - cuckoo clock is gilded with 24k gold. Gilded by hand in Switzerland, this cuckoo clock will sublimate your interiors. Inspired by a long tradition of watchmaking, it will surprise everyone with its beauty. Made in Switzerland with a high-quality mechanic movement, the bells are of brass. delafee.com

DELAFEE 8 CHOCOLATE TRUFFLES WITH PURE EDIBLE GOLD DeLafée’s luxury chocolate gifts combines two of the most luscious and sensual pleasures in the world: the finest Swiss chocolate and edible gold. Made from a “Grand Cru” chocolate from Ecuador and edible gold, Delafée’s Swiss chocolate offers the perfect blend for a round, satisfying, and sensual chocolate experience. DeLafée’s edible gold shines on the Swiss chocolate truffles. delafee.com

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EAU DE MEMO Made from the olfactive pyramid of lime essence, mandarin essence, orange essence, Iros concrete, absolu mate, white musc, mousse, with three key notes of Bergamot essence, Jasmin absolu Egyopt, and leather accord, Memo is a collection of scents from afar that now boasts eighteen fragrances, it takes a destination and makes it the point of departure for a sense-awakening epic. memoparis.com

MONTBLANC SCIPIONE BORGHESE LIMITED EDITION 888 The overall design and shape is inspired by the interior design of antique-coloured marble and various marble sculptures in the Villa Borghese. The edition is a unique blend of Roman interior decoration and Roman Baroque style. The antique darkgreen marble color stands for the Ottoman Baroque style that dominates the interior decoration of Villa Borghese. The red gold coin represents wealth and nobility, featuring the portrait of Scipione Borghese. The pattern of the ring on the cap top is also inspired by the marble pillar inside Villa Borghese, while the top of the cap shape is inspired by his Cardinal hat. The stone in the clip is a drop stone inspired by watercolor and adds an androgynous touch. The nib is enriched with a fine engraving inspired by the Scipione Borghese coat of Arms. montblanc.com

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Under the patronage of

His Royal Highness Prince Khalifa bin Salman Al Khalifa PRIME MINISTER OF THE KINGDOM OF BAHRAIN

2017

BAHRAIN

٢٠١٧ The 26 Middle East International th

Jewellery & Watch Exhibition

21 - 25 November 2017 Bahrain International Exhibition & Convention Centre

www.jewelleryarabia.com

ORGANISERS

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Final Pearl

Lego Stack Bahrain 2017

Bahrain International Property Exhibition (BIPEX) 2017

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he largest event for LEGO fans in the Middle East is coming to Bahrain! STACK is making its way to the Kingdom for just 5 days, taking place from 4 to 8 July, 2017 at the Bahrain International Exhibition and Convention Centre (BIECC).

Visitors can experience the ultimate family event for all fans of LEGO which will include 28 zones, LEGO STAR WARS, FRIENDS, NINJAGO, DUPLO as well as millions of LEGO bricks and multiple activities for all to enjoy.

Children and parents alike can take part in building extraordinary LEGO models, and engage in exciting activities such as Ninja WU-CRU training, dancing, obstacle courses, and others. There will be many different coloured Brick Pits, and you can take a ride in the LEGO boat.

Tickets are priced at BD5 per person and children under the age of two can enter the event free of charge. Proof of age will be required upon entry.

eld under the patronage of HE Shaikh Khalid Bin Abdulla Al Khalifa, Deputy Prime Minister of the Kingdom of Bahrain, Bahrain’s leading property exhibition will be held this year from 26 to 28 October, 2017 at the Bahrain International Exhibition and Convention Centre (BIECC) Organised by Bahrain Society of Engineers every year, BIPEX brings together the major real estate companies in Bahrain under one roof to highlight their projects for investors and visitors. The exhibition also serves as a platform where experts can exchange views and experiences in the real estate field.

This is the 10th edition of the annual nonprofit event, which has been providing a highly focused forum for the real estate community over the past decade, growing significantly and consolidating its reputation as a key international property exhibition.

stackitevents.com/bahrain

bipex.org

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F O U N D I N G M E M B E R O F T H E Q U A L I T Y F L E U R I E R C E R T I F I CAT I O N A N D PA R T N E R O F T H E F O N DAT I O N D E L A H AU T E H O R L O G E R I E

VIRTUOSO VIII 3 TIMES PATENTED 10-DAY FLYING TOURBILLON BIG DATE, HAND-WOUND MOVEMENT LIMITED EDITION WWW.BOVET.COM

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