Journey on Eight Strings Programme Booklet - 八弦之旅节目手册

DUO TARENNA

哲泽 双重奏

Programme 曲 目 表 Tan Tiag Yi, violin Cindy Ow, viola

欧 映 泽 中 提 琴

陈 哲 毅 小 提 琴

Bright Sheng 盛宗亮 Angel Fire Duo 天使的情火(二重奏) (2014) I. II. III. IV. Joseph Lim Soon Keong 林顺强 Horse Horse Tiger Tiger 马马虎虎 (2022) Lee Jia Yi 李嘉怡 eclipse 蚀 (2022) Chen Yi 陈怡 Happy Tune 乐曲 (2018) Bohuslav Martinů 博胡斯拉夫·马尔蒂努 Three Madrigals (Duo No. 1), H.313 (1947) I. Poco allegro - Poco vivo II. Poco andante - Andante moderato III. Allegro - Moderato

Foreword

Thank you for being here with us tonight at the Chamber @ Arts House.

Being a freshly-formed chamber music group, we are very grateful for your support for and belief in us. With the generous support of the National Arts Council, we have also been able to commission two young Singaporeans to compose works for us.

Having been bitten by the chamber music bug since our teens, we founded Duo Tarenna last year to explore a tiny slice of the vast string chamber repertoire. With orchestral activities put to a halt by the global pandemic, we initially started reading violin-viola duets out of convenience, but this soon spiraled into a common interest in sharing our love for the vibrant and often little-known works written for this instrumental pairing.

Our duo shares the belief that contemporary music is not really as shocking or incomprehensible as it may seem; it can be fun and enjoyable while being new. Tonight’s programme spotlights four contemporary works that engage creatively with Chinese culture. Two ChineseAmerican works — Angel Fire Duo and Happy Tune by Bright Sheng and Chen Yi respectively, are based heavily on Chinese folk music. The two Singaporean works on the programme each take their inspirations from wildly differing sources. Joseph Lim’s Horse-Horse-Tiger-Tiger is a tongue-in-cheek take on a common Chinese idiom, while Lee Jia Yi’s Eclipse is conceptually inspired by the eponymous artwork of Singaporean-Chinese artist Eng Tow.

The last work on the programme, Three Madrigals by Czech composer Bohuslav Martinu, has been a mainstay of the repertory since it was written. Despite drawing inspiration from music of a very different time and place, the work’s eclecticism strongly speaks to, at least in our minds, to the global and hybrid nature of contemporary Chinese culture.

We share a firm belief in the transformative power of contemporary music.

We hope that tonight’s programme will delight, surprise and inspire you in many ways. We are always looking for ways to connect with arts practitioners, based in Singapore and the greater Southeast Asian region if you would like to collaborate with us, or have comments or feedback about the performance, do let us know after the concert in person or through the post-concert survey, or via our email at duo.tarenna@gmail.com. A performer would not be whole without their audience; we are thrilled to be performing again to a live audience, and we hope to see you again in our future concerts!

Thank you, and enjoy the show!

With much love, Tiag Yi and Cindy

Duo Tarenna 30 April 2022

前 言

谢谢您来观看哲泽双重奏的首次演出。作为一个新成立的组合，我们 非常荣幸能得到大家的支持。这次的表演由国家艺术理事会鼎力支 持，因此我们也能邀请两位新加坡青年作曲家为我们写作新曲目。 我们两个人对室内音乐的热爱可以追踪到中学时代，去年我们组成双 重奏也是为了探索庞大西方弦乐室内音乐曲目的一小部分。因新冠疫 情的关系，全世界的大型音乐活动都被迫暂停，但是两个人还是能一 起见面练习读曲。逐渐地，我们对小提琴中提琴组合产生了共同的喜 爱与兴趣。 哲泽双重奏坚信着，现代古典音乐不是所谓的谜团，也不是为了震撼 人心而故弄玄虚。其实欣赏现代音乐可以是一个既有趣又新奇的体 验。今晚的曲目表，我们将呈现四首融合中西方文化的现代曲目。 《Angel Fire Duo》 和 《Happy Tune》由美籍华裔作曲家盛宗亮和陈 怡作曲，音乐中融入了华族文化。此外，两首新加坡作曲的灵感对比 分明。林顺强的《马马虎虎》幽默地使用这个常用成语作为音乐的出 发点；李嘉怡则跨越艺术的边境，曲目《蚀》取自新加坡艺术家杜瑛 的同名作品。捷克作曲家博胡斯拉夫·馬爾蒂努 (Bohuslav Martinů) 写 作的《Three Madrigals》，是历史最悠久的，也是非常受欢迎的小提 琴中提琴曲目。虽然曲目的出生时代和音乐语言和前四首曲目南辕北 辙，但是它一样混合了不同元素，的具有折衷国际、变幻莫测的特 征。

哲泽双重奏借此机会衷心希望今晚的演出能带给您一些乐趣，一些惊 喜，一些启发。我们在不断地寻找合作伙伴，尤其是居住在新加坡和 东南亚地区的艺术自由业者。如果您有意愿和我们合作，还是对今晚 的表演有建议或评论，您可以在演出结束后和我们聊一聊，或者填写 演出反馈表格，或者写邮件到duo.tarenna@gmail.com。您的意见将让 我们未来的表演更好！我们非常高兴能回到满席观众的景色，希望下 次能在未来的哲泽双重奏再会！ 谢谢大家！ 哲毅 、映泽敬上 哲泽双重奏 二0二二年四月三十日

Tan Tiag Yi (b. 1997) is a violinist, composer and arts administrator. He completed his Bachelor of Arts in Music with First Class Honours at St Anne’s College, University of Oxford in 2021, where he studied violin with Caroline Balding, composition with Professor Martyn Harry and orchestration with Dr. John Traill. A St Anne’s Camerata scholar, he performed in termly concerts with St Anne’s Camerata and other musical groups while at university. As a passionate performer of contemporary music, Tiag Yi was fortunate to receive a bursary to attend the 2021 Dartington Summer Music School & Festival, where he participated in violin masterclasses with Thomas Gould and chamber music coachings with members of the Leonore Piano Trio.

As a composer, he was awarded First Prize at the 2021 Benslow Young Composers’ Competition (19-25 years category). Some of his other interests include photography, reading and racket sports.

TAN TIAG YI

陈哲毅

陈哲毅（出生1997年）是一位小提琴家，作曲 家和艺术管理员。哲毅在2021年于牛津大学-圣 安学院毕业，获取一等荣誉的音乐文凭。他的 小提琴，作曲，管弦乐编曲教授为 Caroline Balding ， Martyn Harry ，以及 John Traill 。在牛 津，他定期与圣安Camerata和其他音乐组合演 奏，是圣安弦乐团的奖学金得主之一。 哲毅热 爱演奏现代音乐，因此他很荣幸地获取奖学金 参加2021年的Dartington暑假音乐学习会。在那 里，他和小提琴家Thomas Gould上大师班，也 与莱奥诺雷钢琴三重奏 (Leonore Piano Trio) 进 行室内音乐训练。在作曲领域中，他在2021年 Benslow 青年作曲家比赛中获得第一名（ 19-25 岁）。哲毅的兴趣爱好包括摄影，阅读，以及 球拍活动。

CINDY OW

欧映泽

欧映泽（出生 1999 年）是一位 A*-STAR 细 胞生物科学研究员。在A*-STAR国家科学奖 学金的支持下，她在2021年于约翰-霍普金 斯大学毕业，获取生物部门荣誉的性分子细胞生物文凭，辅修音乐。她在 Peabody Preparatory 与 Rebecca Henry 学习小提琴， 从2018年和Jed Gaylin指挥的霍普金斯交响 乐团定期表演。她曾是Homewood 室内音乐 小组的成员 , 管理教练为 Lior Willinger. 映泽 是新加坡青年交响乐团的校友，Orchestra of the Music Makers (OMM) 的成员。她往年老 师包括了Zhang Ying和Dr. Tan Wee Hsin。今 年秋天她将前往加州大学-旧金山分校就读 发育生物学博士学位。她不在实验室的时 候，喜欢发现独立音乐，看电影，或参观博 物馆。

Cindy Ow (b. 1999) is a research officer at the Institute of Molecular and Cell Biology, A*-STAR. Under A*-STAR’s National Science Scholarship, she graduated with honours from Johns Hopkins University in 2021, with a Bachelor of Science in Molecular and Cellular Biology and a minor in Music. She took instrumental lessons with Rebecca Henry at Peabody Preparatory, and has performed with Hopkins Symphony Orchestra under Jed Gaylin since 2018. She was a member of the Homewood Chamber Music Seminar, where she was coached by Lior Willinger. Cindy is an alumna of Singapore National Youth Orchestra and a member of Orchestra of the Music Makers (OMM).

Previous teachers include Zhang Ying and Dr. Tan Wee Hsin.

In Fall 2022, she will be attending the PhD program in developmental and stem cell biology at the University of California, San Francisco. While she is not in lab, she enjoys discovering new (and old) indie artists, watching films or visiting museums.

JOSEPH LIM SOON KEONG

林顺强

Joseph Lim (b. 1994) is a Composer, Educator, Saxophonist and a Pianist with works performed by the English Young Artist Sinfonia, CHROMA, Hermes Experiment, Lontano, Singapore Chinese Orchestra, Singapore Symphony Orchestra, Audioimage Wind Ensemble and ADDO Chamber Orchestra. Recently he has become a published composer with Retsel Mil Japan. Joseph is also a member of the Composers and Authors Society of Singapore (COMPASS) and Composers Society of Singapore (CSS).

As an active performer, he studied Saxophone performance with Huw Wiggin (Royal Academy of Music) and Leslie Wong (Flute and Music Academy). He performed with the University of London Big Band and the Sunday Bands at All Souls Langham Place under the direction of Professor Noel Tredinnick. He has also studied conducting under Colin Metters, Christopher Austin and Oscar Bosch.

He is currently a saxophonist in the Singapore Wind Symphony. He recently completed his postgraduate composition studies under Professor Gary Carpenter at the Royal Academy of Music in London.

He did his undergraduate studies in King’s College London under Dr Rob Keeley and Dr Ed Nesbit where he was awarded the Sambrooke Exhibition in Music Prize. He is currently a music educator in a primary school.

林顺强（出生1994年）是一位作曲家，老师，塞克斯风家和钢琴家，他的作曲被English Young Artist Sinfonia, CHROMA, Hermes Experiment, Lontano, 新加坡华乐团 , 新加坡交响乐团 , Audioimage Wind Ensemble ， ADDO Chamber Orchestra 所演奏过。他与 Huw Wiggin ( 皇家音乐学院 ) 和 Leslie Wong (Flute and Music Academy)学习塞克斯风演奏。在Noel Tredinnick的指挥下，他与伦敦大学 Big Band 和All Souls Langham Place的Sunday Bands演出。他向Colin Metters，Christopher Austin和 Oscar Bosch学习音乐指挥。他是新加坡管琴交响乐的塞克斯风音乐家。他最近完成了作曲硕士学 位，和位于伦敦皇家音乐学院的Gary Carpenter学习。他在伦敦国王学院完成大学学业，老师是 Rob Keeley 和 Dr Ed Nesbit ，在大学赢得了 Sambrooke Exhibition in Music 奖。他现在是一位小学音 乐教职员。

LEE JIA YI

李嘉怡

Lee Jia Yi (b. 1996) is a Singaporean composer who writes music that explores the colours and textures of sound through movement and gesture. She creates imaginative sound worlds inspired by natural phenomena and processes, and is interested in the perception of temporality and timbre in music.

Jia Yi's music has been performed by the Singapore National Youth Orchestra, KOU Musik, Ensemble Multilatérale, Trio SurPlus, Ensemble Phoenix, Ensemble Linea, Asko|Schönberg, Ensemble Signal and Talea Ensemble, and heard in festivals such as June in Buffalo, Etchings Festival, soundSCAPE Festival and Asian Composers League Festival. She has been awarded the Otto Ortmann Prize in Composition (2021) and 3rd Prize in the Prix D'Été Competition (2020).

Jia Yi is currently pursuing her DMA in Composition at Peabody Institute, studying with Felipe Lara. She holds a MM from Peabody Institute and a BM from Yong Siew Toh Conservatory of Music (Singapore). Her past teachers include Ho Chee Kong, Peter Edwards and Adeline Wong.

李佳怡（出生1996年）是一位新加坡作曲家。她希望通过动作与姿态来探索音乐色彩和层次。佳 怡时常运用自然界里的多种现象汲取灵感，创造自己的独特音乐世界，她对我们人类对时间和音 质的洞察力有特别的兴趣。佳怡的作品曾被新加坡青年交响乐团， KOU Musik ， Ensemble Multilatérale, Trio SurPlus, Ensemble Phoenix, Ensemble Linea, Asko|Schönberg, Ensemble Signal 和 Talea Ensemble演奏过，她的音乐也出现在June in Buffalo, Etchings Festival, soundSCAPE Festival 和 Asian Composers League Festival音乐节活动中。她赢得 Otto Ortmann 音乐作曲奖 (2021) 和 Prix D'Été 比赛的第三名 (2020). 佳怡正在皮博迪学院与Felipe Lara修读作曲博士。她持有皮博迪学院 的硕士学位，和新加坡杨秀桃音乐学院大学文凭。她的老师们包括 Ho Chee Kong, Peter Edwards 和 Adeline Wong.

Angel Fire Duo Bright Sheng While most often considered as a Chinese composer alongside his compatriots Tan Dun, Zhou Long and Chen Yi, Bright Sheng (b. 1955) has continued to forge his individualistic compositional style that deliberately combines different idioms.

In Angel Fire Duo, commissioned for husband-and-wife duo Ida Kavafian and Steven Tenenbom, four characterful movements are presented, alternating between slow and fast. Sheng writes: Angel Fire Duo for violin and viola was written in 2014. It is commissioned by Music from Angel Fire with the support of the Bruce E. Howden, Jr. American Composers Project and Friends of the Festival. The premiere was given by Ida Kavafian, violin, and Steven Tenenbom, viola, on Wednesday, August 20, 2014, at Angel Fire Community Center, New Mexico.

The inspiration of the work largely comes from knowing that the work would be premiered by two wonderful virtuoso musicians, the wife-and-husband team of Ida and Steven. Even (or especially) in a love duo, a couple has to listen to each other all the time, just like in a good relationship. Yet there are also tensions and frictions which need to be resolved. Ultimately, the two must sing together and at the same time express themselves individually: just like in a good relationship.

Except for the third movement which was based on a Chinese folk song from Shandong Province, musically the work was freely composed, in which I hope my multicultural bearing would somehow seep through.

The work is dedicated to Pam, my dear wife.

天使的情火 (二重奏) 盛宗亮

如果把盛宗亮与他的同辈作曲家们 —— 谭盾，周龙，陈怡 —— 比较起 来，相似点很多，但是盛宗亮他不断地突破华人作曲家的刻板形象，发 挥着自己独特的音乐特色、风格。《天使的情火（二重奏）》一共有四 个乐章，交替呈现快板与慢板的乐章。盛宗亮写道： 天使的情火(二重奏)：小提琴和中提琴，創作於2014年。該作品由天使之 火音樂節委約，由 布魯斯．豪頓及初級美國作曲家項目和音樂節之友贊 助。由小提琴艾達．卡瓦费恩和中提琴史蒂芬．鄧倫邦首演於2014年8月 20日(星期三)，在新墨西哥州的天使之火社區中心。 這首作品的靈感絕大部分源自首演該作品的兩位技藝精湛的伉儷音樂家， 艾達和史蒂芬。 二重奏的演奏正如在現實生活中一樣，美好的夫妻彼此 要仔細聆聽對方，儘管有時會有矛盾和摩擦 。最終兩位歌唱自如，同時 又能表達他們的自我。 除了第三樂章是基於一首山東民謠外，其他均屬自由創作，以體現我對不 同音樂文化的理解。 （欧映泽部分翻译） The programme note for Angel Fire Duo is reproduced with the kind permission of Wise Music Classical Copyright © Bright Sheng 2014

Horse-Horse-Tiger-Tiger 马马虎虎 Joseph Lim Soon Keong 林顺强

⻢⻢⻁⻁

The Chinese idiom (Ma-Ma-Hu-Hu) is often used to deride an individual’s careless behaviour. Joseph Lim’s piece plays with this understanding of the idiom by first taking it literally, using a story to illustrate some of its meaning.

As he notes: This piece is a short and irreverent musical painting of a common Chinese phrase, (Ma-Ma-Hu-Hu).The story in the music goes like this. A horse is out and about, prancing around in a carefree and rather reckless manner.

⻢⻢⻁⻁

However danger (tiger) soon lurks, resulting in a frantic chase.

But it is too late to save the horse from its fate.

⻢⻢⻁⻁——人们常用这个成语来形容一个人的不认真，不仔细的行为和态度。 林顺强的《马马虎虎》将成语形象化，推翻了成语的原本意思，编制了一个有 趣的故事来暗喻马虎带来的后果。他写着： 这首短曲幽默地刻画出这个常用的成语：⻢⻢⻁⻁。故事是这样的：有一 只马，自由自在，漫无目的，却被这只老虎盯上了。老虎追马， 后悔也 来不及了。

（欧映泽翻译）

The programme note for Horse-Horse-Tiger-Tiger is reproduced with the kind permission of Joseph Lim Soon Keong.

Copyright © Joseph Lim Soon Keong 2022

eclipse

蚀

Lee Jia Yi

李嘉怡

eclipse explores the idea of sounds interweaving and intertwining as well as the gradation of sound from dark to light. Inspired by Singaporean artist Eng Tow’s cloth relief of the same title, this piece treats the violin and viola duo as an 8string “meta-instrument”, traversing different textures and timbres together.

《蚀》 探索着声音交织在一起的效果，黑暗转变成光芒的过程。作品的灵 感源自于杜瑛同名的布浮雕艺术作品，而佳怡把小提琴中提琴双重奏想象 成一个乐器，共同穿梭不同层次、不同音质。 （欧映泽翻译） The programme note for eclipse is reproduced with the kind permission of Lee Jia Yi. Copyright © Lee Jia Yi 2022

Happy Tune Chen Yi Pioneering Chinese-American composer Chen Yi (b. 1953) often draws upon her vast knowledge of Chinese folk music, which she gained as a result of a period of study at the Central Conservatory of Music, for her own compositions. Regarding Happy Tune, she writes:: Composed to celebrate the 25th Anniversary of the Great Lakes Music Festival, my violin and viola duet HAPPY TUNE was written for Kim Kashkashian and Tien-Hsin Cindy Wu, and premiered at the festival on June 16 2018.

I fondly remember being invited by the GLCMF (directed by Prof. James Tocco) to be the dual Stone Composers-in-Residence with my husband Zhou Long, along with the Stone Composer Fellow Nicholas Omiccioli in 2011. We had a dozen of our chamber works performed excellently by the outstanding chamber ensembles and musicians during the week, meeting audiences and supporters of new music in various venues at the festival. The experience was truly inspiring, and I created HAPPY TUNE to honor the GLCMF, with hopes to carry on the high spirit in our new music society.

In this duet, when one instrument plays a lively melody, the other plays a vivid rhythmic pattern in the accompaniment. The pair of string instruments imitates the sound of primitive Chinese folk song singing, as well as the Chinese traditional wind instrument sheng, a mouth pipe organ.

Happy Tune

By Chen Yi Program Note reproduced courtesy of the Theodore Presser Company

乐曲 陈怡

陈怡 (b. 1953) 的作品显示了她对华族民间音乐的广泛知识，因为这也是 她在中央音乐学院所研究的。对于《乐曲》她写道: 小提琴中提琴二重奏《乐曲》，是为了庆祝 Great Lakes Music Festival 的 25 周年，写给 Kim Kashkashian 和 Tien-Hsin Cindy Wu 的，在2018年6月16日首次演奏。 我记得丈夫周龙和我在2011年被 GLCMF (Prof. James Tocco管理) 邀 请做Stone Composers-in-Residence。很多我们写作的室内音乐被 杰出的音乐家和团队演奏，遇到很多现代音乐支持者和观众。这次 经验实在令人难忘，因此我写了《乐曲》给 GLCMF，希望能带动新 音乐的欣赏者，把新音乐发扬光大。 在这个二重奏里，一个乐器有旋律时，另一个就在弹奏着活泼的伴 奏。两个弦乐模仿了华族民间歌唱，还让人想起华乐乐器，笙。 （欧映泽翻译）

Three Madrigals Bohuslav Martinů Bohuslav Martinů (1890-1957) was born in what is now the Czech Republic, although he later moved to France to study with Albert Roussell and subsequently to the United States following the German invasion of France. His music assimilates diverse influences, reflecting Martinů’s awareness of contemporaneous musical developments and a reverence for music of the past.

The title of Martinů’s work reveals his long-term love of English madrigals. The madrigal is a sixteenth-century genre of secular polyphonic music that originated in Italy and later spread to England. The English madrigal is generally characterised by lightness of mood, seen in the rather trifling texts used and the sparing application of contrapuntal devices. While Martinů’s work is certainly not insubstantial, the ebullience and fast-paced exchanges between instruments in its first and third movements (or madrigals) clearly reflect the influence of the earlier genre. The pensive second movement, however, seems to derive its inspiration from elsewhere.

Here, the two instruments work more as a single unit to create different composite sonorities. The movement opens with bells tolling in the distance, gradually building in intensity before arriving in a serene chorale-like episode that serves as a conclusion. Given that Martinů spent the formative years of his life in a church tower (his father worked as a church sexton), it is perhaps inevitable that the sounds of the church music would have influenced his work. Taken together, the Three Madrigals thus represent a snapshot of Martinů’s multi-faceted musical world, one that drew inspiration from many sources.

Programme notes by Tan Tiag Yi

三个英式无伴奏合唱 博胡斯拉夫·马尔蒂努

博胡斯拉夫 · 馬爾蒂努（ 1890-1957 ）出生于捷克，在法国与 Albert Roussell学习，在二战时从法国移民至美国。他的音乐结合了不同文化因 素，反映出他对同一时代音乐发展的深刻认知，以及过去了的音乐的尊 敬。 曲目的名字，笼统翻译成《三个英式无伴奏合唱》。英式无伴奏合唱是 一个16世纪的俗人对位法音乐类型，源自意大利，但之后流传到英国。 英式无伴奏合比较轻松愉快，歌词简单，不是很复杂。馬爾蒂努这个作 品里的第一个和第三个乐章，可以听出作曲家被这种类型的音乐的影 响，但是又融合了他自己的风格。第二个乐章有些不一样；它的氛围有 些神秘，两个乐器一起弹奏着，创造不同综合性的和弦音乐。开场，你 能听到遥远的钟声，越靠越近，最后像优美的合唱团平静结束。也许馬 爾蒂努回忆到自己年幼时和父亲在教堂塔上的时间。可见《三个英式无 伴奏合唱》中的音乐丰富多彩，显露出馬爾蒂努自己的丰富灵感源头。 （欧映泽翻译）

A Moment of Gratitude Duo Tarenna would like to thank: National Arts Council for supporting the concert through the Presentation and Participation Grant; Johnson Kee and The Arts House Production Team for coordinating tonight’s show smoothly; Wu Chin Ying, for hosting the show with us, Lieu Kah Yen, Joelle Chiam, Ng Suat Lay Shalliet, Wu Sining, Linus Chan, Wu Woon Yan, Liew Kwee Chin, and Jordan Yoong for assisting with our concert production Ben Tay and Christian Daniel Chiu Ming, for recording our concert Joseph Lim and Lee Jia Yi, for trusting us to give life to your compositions and for being a joy to work with; Leslie Tan, for coaching us, and Dedric Wong, for general feedback Vox Camerata and Tan Yan Chong for lending us equipment Dorcas Hei, for volunteering to be our duo’s first photographer; People who made our musical education possible, our families and friends who always supported our musical endeavours; And you, for coming tonight!

哲泽双重奏想感谢以下人物：

谢谢国家艺术理事会通过 Presentation and Participation Grant 支持这次演出； 谢谢艺术之家负责人Johnson Kee和艺术之家有限公司的制作团队，哲泽双重 奏制作团队 - 刘加恩，詹燕霖，黄雪丽，吴斯宁，陈明杰，吴文彦，刘桂 珍，熊佳恩，林可欣 - 后台支持我们，让今晚的表演顺利进行；吴——，主持 今晚的演出； 谢谢郑忠强和赵明，负责音响录制这次演出； 谢谢作曲家们林顺强和李嘉怡相信我们， 委托我们给公众呈现你们的艺术作品； 谢谢陈国平老师给我们无微不致的音乐辅导； 谢谢黄德励在填写申请表格过程中给予我们意见； 谢谢黑惠英做我们第一位志愿摄影师； 谢谢Vox Camerata和陈彦充借我们录影器材; 谢谢历年来传授音乐上知识的老师们； 谢谢家人们和亲友们，在一旁支持我们的音乐梦想； 最后，谢谢观众们，和我们共享今晚的时光！

忠 诚 感 谢

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Upcoming Events 1 May 5

月1日 八弦之旅演出讨论会 (以英文进行，请在这里报名）

29 July 7

Journey on Eight Strings Post-Concert Dialogue (conducted in English, register here)

'Parts & Pieces' with Duo Tarenna and friends (follow our website for more updates!)

月29日 哲泽双重奏和朋友们呈现："Parts & Pieces" 我们的网页 Facebook: www.facebook.com/duo.tarenna Instagram: @duo.tarenna