Moigne Combe - A Country House Sale

Duke’s Wednesday 10th April Moigne Combe - A Country House Sale 2019

PRINTED IN DORCHESTER BY EPIC PRINT

Moigne Combe

A Country House Sale Wednesday, 10th April

A COUNTRY HOUSE SALE On the instruction of the Executors of the late Major-General Mark Bond OBE (1922-2017)

Wednesday 10th April at 10.30am

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Viewing at Moigne Combe

Moigne Combe, Dorchester, DT2 8JA Viewing Times Saturday, 6th April, 10am-4pm Sunday, 7th April, 10am-1pm Monday, 8th April, 10am-4pm Tuesday, 9th April, 10am-4pm

LOCATION INFORM ATION Moigne Combe is located near to the Village of Crossways, Dorset, approximately 6 miles east of Dorchester.

Entry to Moigne Combe is only via Crossways Village Hall access road, signposted on B3390.

South Western Railways The closest stations to Moigne Combe are Moreton (1.5 miles) and Dorchester (6 miles) For further infomation please visit www.southwesternrailway.com If you require further assistance please email william.batt@dukes-auctions.com or contact Duke's on 01305 265080

www.sofaa.org

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Auction at Duke's

Wednesday 10th April at 10.30am Welcome to the Dorchester Fine Art Salerooms, which are centrally located in the county town, close to the main Dorchester South railway station.

Trains run hourly to London Waterloo (approximately 2 hours 30 minutes) and there are airports at Bournemouth and Exeter.

The Saleroom has ample parking.

If you require further information please visit our website, or contact Stephanie Smith on 01305 265080 TRAVEL INFORM ATION South West Trains Train/Fare enquiries: 0845 748 4950 Credit Card Ticket sales: 0845 600 0650 Taxi Oriole Cars: 07823 338 367 or 07876 021 411 Bob's Cars: 01305 269500 A Line Taxis: 01305 264747

Duke’s Brewery Square Dorchester Dorset DT1 1GA Tel: 01305 265080 Email: enquiries@dukes-auctions.com www.dukes-auctions.com

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

B U Y E R S I N F O R M AT I O N

Access and Parking: Entry strictly by catalogue (ÂŁ10 admits two). At busy times access to some rooms may be restricted for safety reasons. Your cooperation is appreciated. The house and grounds include

uneven and slippery surfaces and viewing is entirely at your own risk. There is limited parking available at Moigne Combe. Please follow the signage and instruction of the parking attendant.

Commission bids: If you are unable to attend the auction in person we will be pleased to execute commission (absentee) bids on your behalf. Lots will be purchased as cheaply as allowed by other bids and reserves Commissions must be received at least 24 hours before the auction.

Illustrations: If you would like a more detailed image of an illustrated lot, or an image of an item which is not illustrated, we will be delighted to send them by email. Requests must be received 24 hours before the auction.

Telephone bidding: If you wish to bid on a major lot over the telephone we will do all we can to assist you, but lines should be booked at least 48 hours before the auction.

Estimates: Estimates are prepared well in advance of the auction and are subject to revision. Our specialists are always pleased to discuss individual lots with intending purchasers.

Condition reports: An indication of condition is not generally printed in the catalogue, but prospective buyers are welcome to request a condition report up to 48 hours before the auction. Please bear in mind that whilst we endeavour to provide an accurate representation the ultimate responsibility is with the buyer and we strongly recommend you personally view any lots on which you intend to bid.

Artist’s Resale Right: From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work.

Online Bidding Online bidding is available for this sale at www.the-saleroom.com. All you need is a computer or laptop and an internet connection. You will be able to bid in real time; a live audio feed means you can hear the Auctioneer at exactly the same time as the other bidders. You will see the lots on your computer screen as they appear in the auction room and the Auctioneer is aware of your bids the moment you make them. Please refer to our terms and conditions of sale for charges.

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PAY M E N T A N D C O L L E C T I O N

Credit Cards: Payment may be made by credit card or debit card over the telephone up to a maximum of £500 only.

Deposits: The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately.

Buyer’s Premium:

25% plus VAT on the hammer price

Collection:

Items not collected from Moigne Combe by 4pm on Friday 12th April 2019 will be transported to storage at the buyer's expense. The buyer will also be responsible for arranging their own insurance and any subsequent storage charges. Clearance while the auction is in progress is possible where available.

Transport:

For local deliveries a representative from Empire Removals will be available on the auction day 01305 262186

For national or international carriage Duke's are pleased to recommend the following shippers: Alban Shipping - www.albanshipping.co.uk - 01582 493099 AVMT - www.avmt.co.uk - 01202 600012

VIEW IMAGES OF ALL LOTS AND BID LIVE ONLINE

Photography by JONATHAN GOODING www.jonathangooding.co.uk

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Country House Sales At Duke's The Team at Duke’s has considerable knowledge and experience in running successful house sales and marketing them effectively, both on the premises and in-house.

We offer a customised, personal service and like to work closely with our client to ensure that all elements of the sale reflect their taste and values..

If you would like any further information regarding Country House Sales, please contact one of the specialists below.

Garry Batt LLB (Hons) MRICS

Guy Schwinge MRICS

garry.batt@dukes-auctions.com

guy.schwinge@dukes-auctions.com

www.sofaa.org

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Moigne Combe And The Bond Family

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

In 1898 Henry (Harry) Pomeroy Bond designed the houses and cottages of The Moigne Combe Estate. The principal house of Moigne Combe was finished in 1900 and became the residence of Harry and his wife Maud, who were childless.

Harry was the younger brother of William Bond, who had inherited the Tyneham estate in 1895. After Harry’s death in 1946, his nephew Ralph Bond and his wife Evelyn (the parents of Major-General Mark Bond) inherited Moigne Combe. The pair moved into the main house from temporary lodgings, where they had stayed since the wartime evacuation of their home at Tyneham.

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A Watercolour study of Tyneham House, the home of the Bond Family for 260 years (lot 88)

The Bond family have resided in Dorset since their purchase of Tyneham House in 1683. The estate subsequently passed through a series of male heirs of the Bond line, each contributing to the house and aiding the development of the village.

Tyneham has since become famous as a “ghost village�, a reminder of the sacrifice made by the Bond family and the other residents.

In 1943 the Ministry of Defence requisitioned the land and estate to expand the artillery ranges at Lulworth; this was in order to prepare armoured regiments for the invasion of Normandy. It was deemed a worthy cause in wartime and a total of 225 residents were evacuated from the area. Despite an agreement that the estate should be returned to the family after the war, the MOD won the case for its retention.

This prevented the Bond family ever returning to Tyneham House. The house, the farmland, and the other village residences subsequently fell into ruin under army occupation.

The Moigne Combe estate also has a poignant military history. The large attic spaces in the main house were used as dormitories for Canadian troops prior to embarkation for France, either on D-Day operations from Weymouth or from the nearby wartime airfield (now built over and known as Crossways). Evidence of those airmen remains in etched initials in the wooden beams of the attics.

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Major-General Mark Bond OBE (1922-2017)

The Second World War had a deep impact on the most recent member of the Bond family to reside in Moigne Combe.

The late Major-General Mark Bond (1922-2017) gave up his plans to attend Oxford University to enlist as a Rifleman in 1940. He was commissioned into the Rifle Brigade in 1941 and served with the 7th Armoured Division at the Battle of El-Alamein. Despite being wounded in the battle he re-joined his regiment for the capture of Tunis. Later in the war, after landing on the Italian coast in 1943, he was captured by the Germans and taken as a POW. Yet, whilst being ferried on the transit train, he managed to escape; he survived months on the run in the Italian mountains before subsequently being recaptured. He was transferred to a prison camp in Germany from which he was liberated in 1945. Bond then continued an illustrious military career, which included in 1950 being aide de camp to Field Marshal Montgomery, NATO Deputy Supreme Allied Commander in Europe. He moved to the MOD in November 1970 and became Director Operational Plans. Then finally he acted as Assistant Chief of the Defence Staff (Ops). Major-General Mark Bond retired from the Army in June 1972.

On retirement General Bond maintained an active life and held many influential positions in Dorset. Awarded the OBE for his public service in 1993, he was a keen conservationist and supported organisations to protect the rural environment. On the estate at Moigne Combe he restored the woodlands and pursued a sustainable forestry policy by planting over 60,000 trees.

Elizabeth Bond (1921 – 2010) was the elder sister of Major-General Mark Bond. She also served her country in wartime in the Auxiliary Territorial Service and First Aid Nursing Yeomanry. In 1948 Elizabeth married David Williams (later Sir David Williams of Bridehead) and continued to follow her family’s tradition of public service.

Elizabeth, Lady Williams was the 1st woman to be appointed High Sherriff of Dorset in 1979 and the joint-first female Deputy Lieutenant of the county. After the untimely death of Sir David in 1970 she ran the Bridehead estate until 1985. Subsequently, she moved into the Stable House at Moigne Combe to be near her brother Mark. She then continued to help local charities whilst enjoying the peaceful woods and extensive gardens of the Moigne Combe estate until her death in 2010.

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Asian Art

Detail of lot 15 11

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 4

Lot 6

4 A PAIR OF CANTON FAMILLE ROSE HEXAGONAL BALUSTER VASES late Qing Dynasty the sides painted with panels with panels, 12¾" high

1 A JAPANESE “CRACKLEWARE” BLUE AND WHITE JARDINIERE the frieze illustrated with a scaly serpent dragon, 24½" high £50-100

£50-100

2 A LARGE JAPANESE IMARI JAR AND COVER 19th century the baluster sides decorated in the typical palette with panels of blossoming garden views, with associated cover, 25¼" high; a smaller example also with an associated cover, 13½" high; and an Imari baluster vase, late 19th century, 9½" high (3)

5 A PAIR OF CANTON FAMILLE ROSE BALUSTER VASES late Qing Dynasty the sides painted with panels and courtiers, 9¼" high £50-100

£100-200 3 A JAPANESE SATSUMA PORCELAIN CAT Meiji period (1868-1911) modelled seated with its left paw raised, 8¾" high

6 A PAIR OF CANTON FAMILLE ROSE BALUSTER VASES late Qing Dynasty the necks applied with gilt lion, dogs and Qilongs, the sides painted with panels of courtiers, 13¾" high

£40-60

£100-200

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Lot 8 Lot 9

10 A PAIR OF CHINESE EXPORT VASES Qing Dynasty, 18th century the baluster sides decorated in underglaze blue and painted with panels of courtiers, 9½" high

7 A TWO CHINESE EXPORT BOWLS Qing Dynasty, 18th century each painted with figural panels, 10½" dia. £100-150

£50-100

8 A PAIR OF FAMILLE ROSE BALUSTER VASES Republic period the sides painted with birds perched on leafy blossoming branches, calligraphy verso and red seal marks to underside, 10½" high

11 A SET OF SIX NANKIN CARGO BLUE AND WHITE TEA BOWLS Kangxi period the interior decorated in underglaze blue with blossoming fenced gardens, the body in a rich cafe au lait glaze, 3¾" dia.

Ex-lot 5280

£50-100

£50-100

9 A PAIR OF FAMILLE ROSE YELLOW GROUND “DRAGON” VASES Qing Dynasty, 19th century the baluster sides with twin lions mask and loop handles, painted with coiled dragons amongst blossoming chrysanthemums and lotus, 17¾" high £100-150

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 12

Lot 15

12 YOKOCHI HEKIGAN (b.1853) A study of a tiger, Japanese watercolour, 49½" x 20"

15 A LARGE KOREAN WATERCOLOUR OF A TIGER 18th/19th century Japanese School, 68" x 37" overall 94½" x 43½" approx. (not including frame)

£200-400 13 A JAPANESE SILK PICTURE OF A FLYING SWAN 19th century framed, 40½" x 37½"

£300-500

£30-50 14 A CHINESE PAINTINGS ON SILK OF A KINGFISHER 20th century; a silk watercolour depicting studies of toads, butterflies, crabs and blossoming stems; four Tibetan flags and a pair of Tibetan silkwork “axes” £20-40 14

Ceramics and Glass

Detail of lot 31 15

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

16 A SET OF THREE CONTEMPORARY CERAMIC SEAGULL TUREENS 14" wide

23 A SET OF FOUR STAFFORDSHIRE “ORIENT” PATTERN DESSERT PLATES decorated in polychrome with oriental floral sprays, 9½" wide

£40-60

£40-60

17 A BLOOR DERBY TYPE CAMPANA-SHAPED VASE with winged eagle mounts, flared neck and ovoid body on square pedestal base, the cream and blue ground painted with flowers, in a gilt cartouche, 9½" wide

24 A ROYAL DOULTON COUNTESS PATTERN OVAL SERVING PLATE and other domestic crockery (a lot) (in kitchen cabinet)

£70-100 18 A PAIR OF CONTEMPORARY MILITARY CERAMIC FIGURES Private 95th Regiment, 9½" wide

25 A LATE VICTORIAN COPELAND LATE SPODE PART DINNER SERVICE transfer printed in the Oriental manner. Comprising tureen and cover and other pieces, a large blue and white tureen base and other ceramics (a lot)

£40-60

£50-100

19 A COALPORT STYLE TEA SERVICE the cream ground with apple green banding highlighted with gilding. Comprising tea cups, saucers, pair of slops bowls and a pair of sandwich plates

26 A FRENCH PORCELAIN CACHEPOT the frieze decorated with an armorial, 7" wide, a Chinese blue and white bowl with re-entrant borders, other jardinière and flower vases (a lot)

£50-100

£50-100

20 AN ENGLISH PORCELAIN ARMORIAL PART DESSERT SERVICE the cream ground with salmon pink borders and gilt edging, the central panel illustrated with an armorial, eight dessert plates and three small dishes with gilt gadrooned borders (11)

27 A CONTINENTAL PORCELAIN CABINET FIGURE OF A SPANISH DANCER holding castanets painted polychrome and highlighted with gilding, 7" wide

£50-100

£50-100

£50-100 28 A BAVARIAN WHITE GLAZED PORCELAIN GROUP OF TWO PHEASANTS 9" wide, an amber glazed mythical animal and a glass paperweight (3)

21 A PAIR OF BLOOR DERBY STYLE SAUCE TUREENS AND COVERS the cream ground painted with polychrome floral sprays and highlighted with gilding, 7" high

£40-60

£50-100 29 PAIR OF ARTS & CRAFTS FAIENCE POTTERY VASES circa 1900, possibly Burmantofts, each modelled as mythical winged beasts, 10¾" high

22 A CROWN STAFFORDSHIRE FIRST PERIOD WORCESTER STYLE “BLUE SCALE” VASE of baluster form, the cartouche painted with a spray of flowers highlighted with gilding, with a pierced domed cover, 7½" wide

£100-200

£50-80 16

30 A “DRESDEN” TABLE CENTREPIECE modelled as a male flautist wearing a cape, surmounted by figures and children holding garlands of flowers on a circular floral sprigged base, painted in pastel shades, highlighted with gilding, 18” high £300-500

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

31 EMILLE GALLE FAIENCE FIGURE OF A RABBIT circa 1900, painted with floral sprigs and blue ribbon around its’ neck, resting on a naturalistic oval base, signed “Galle Nancy”, 12" high £200-400

34 A CUBE-SHAPED GLASS DECANTER and stopper, with a presentation inscription, and other domestic glassware (a lot) (in the cabinet)

32 AN EDWARDIAN MALLET-SHAPED GLASS DECANTER with faceted border and pear-shaped stopper, 13" high, and two others (3)

£100-200

£50-100 33 A “DUMPY” DOORSTOPPER of spheroid form, 6" high £50-100 18

Books

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 35

39 WILLIAM BEATTIE MD: “The Danube. It’s History, Scenery & Topography” splendidly illustrated from sketches taken on the spot by Abresch and drawn by W.H. Bartlett, Esq. Published London - Georgia Virtue 1844.

35 WITHERBY JOURDAIN TICEHURST TUCKER “The Handbook of British Birds” published 1938, 5vols; W.J. Bean “Trees & Shrubs Hardy in the British Isles”, 3vols; and W.P. Pycraft “The Standard Natural History” (9)

£100-200

£100-200 40 JONATHAN COUCH FLS: “A History of the Fishes of the British Islands” containing 57 coloured plates from drawings by the author, published Groombridge & Sons, Paternoster Row, London 1864, 4 vols.

36 COLLECTION OF ANTIQUARIAN VOLUMES including calf bound sets, and sets of novels by Kipling, Gaskell and others (a lot) £50-100

£100-200

37 BRITTON’S: “English Cathedrals” with engravings, published London 1826, 5vols.

41 THOMAS GRAY: “Poems” printed at the Eton College Press 1894, calf bound, Scott’s Poetical Works, Scott’s Bible (3vols) and other calf bound volumes (a lot)

£40-70

£50-100

38 FAMILY SHAKESPEARE published London 1867, calf bound, and an extensive collection of other calf bound and cloth bound volumes (a lot)

42 GEORGE ELIOT: “Daniel Deronda” published William Blackwood & Sons, Edinburgh & London, 1876, 3vols.

£100-200

£50-100 20

43 EDWARD BLORE FSA: “The Monumental Remains of Noble and Eminent Persons Comprising the Sepulchral Antiquities of Great Britain”, published by Harding Lepard & Co., London 1826, and other calf bound volumes (a lot)

Lot 50

£50-100 44 SIR WALTER SCOTT: “The Poetical Works” published Edinburgh, calf bound, marble boards, 11vols. £50-100 45 JAMES BOSWELL “The Life of Samuel Johnson LLD” including a Journal of the tour to the Hebrides, a new edition, with numerous additions and notes by John Wilson Croker LLD, FRS, published John Murray, Albermarle Street, London 1841, 5vols £100-200

50 THE REVEREND JOHN HUTCHINS MA “The History and Antiquities of the County of Dorset” third edition, by William Shipp and James Whitworth Hodson, Westminster, printed by John Boyer Nichols & Sons, 1861, 3vols, calf-bound, marble boards.

46 WILLIAM T. DOBSON: “A Narrative of the Peninsula Campaign 1807-1814” published London 1897, Malleson “Decisive Battles of India” and other books on Military History (6) £100-200

£300-600

47 FIELD MARSHALL LORD ROBERTS OF KANDAHAR: “Forty One Years in India” published Richard Bentley & Sons, London 1898, 2 vols.

51 ROLLIN “The Ancient History of the Egyptians, Carthaginians, Assyrians, Babylonians, Medes & Persians, Macedonians & Grecians” translated from the French, London 1735, calf-bound, (14vols).

£50-100 48 WILLIAM ROBERTSON DD “The Works” London, printed for T. Cadell, Strand 1840, calf-bound, marble boards, 8vol.

£100-200 52 WILLIAM MITFORD, ESQ. “The History of Greece” for T. Cadell and W. Davies, The Strand, London, 1814, calfbound, marble boards, 10vols

£80-150 49 PRINCESS DASCHKAW, Lady of Honour to Catherine II “Memoirs” written by herself, published Henry Colburn, Great Marlborough Street, 1840, 2vols., calf-bound; “Buchanan’s Memoirs”, 2vols, calf-bound; “Memoirs of John Evelyn, Esq. FRS”, published London 1827, and other calf-bound volumes (21)

£100-200 53 THE RIGHT HON. GEORGE BANKES “The Story of Corfe Castle” published John Murray, Albemarle Street, London 1853 £50-100

£100-200 21

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

60 REGINALD HEBER DD (Lord Bishop of Calcutta) “Narrative of a Journey through the Upper Provinces of India from Calcutta to Bombay 18241825” 4th edition, John Murray, Albemarle Street, London 1829, calfbound, 3vols; Napier “Battles & Sieges”; and “The Victories of Wellington” published 1891 (5)

54 TURNERS ENGLAND: MODERN HISTORY 2nd edition, Longmans, Rees, Orme, Brown and Green, Paternoster Row, London 1827, calf bound, 12vols £100-200 55 HORACE WALPOLE, EARL OF ORFORD “The Letters” published Richard Bentley, New Burlington Street, Publisher in Ordinary to Her Majesty, London 1840, calf-bound, 6vols; and Walpole’s “Letters to Sir H. Mann 1760-1786”, calf bound, 4vols (10)

£80-150 61 EVELYN WAUGH “Scoop. A Novel about Journalists” published Chapman & Hall, London, first published 1933, “Vile Bodies” and “Decline and Fall” (3)

£50-100 56 THOMAS MOORE “The Works” comprising all his melodies, ballads etc., published A & W Galignani, Paris, 1823, 6vols; and Henry Ellis FRS, “Original Letters Illustrative of English History”, London 1827, 7vols (13)

£100-200 62 AN EXTENSIVE LIBRARY OF BOOKS including fiction and non-fiction, hardback and soft-back (a large quantity)

£100-200

£200-400

57 JOHN STUART MILL “Principles of Political Economy” 3rd edition, published John W. Parker & Sons, West Strand, London, 2vols; Robert Isaac Wilberforce MA, and Samuel Wilberforce MA “The Life of William Wilberforce”, published John Murray, Albemarle Street, London 1838, calf-bound, marble boards, 5vols; and John Stuart Mill “A System of Logic”, 3rd edition, London, 2vols (9)

63 BOND INTEREST: IAN FLEMING “The Spy Who Loved Me” Jonathan Cape, and 1962 by Glidrose Productions Ltd; “Moonraker” John Richard Cape, first published 1955; and “On Her Majesty’s Secret Service”, Glidrose Productions 1963 and Cape (3) £100-200

£100-200

64 LEBENDE THIERBILDER: A Children’s Book with verse, and coloured cut-out articulated pages

58 THOMAS ARNOLD DD “The History of Rome” 5th edition, London 1848, calf-bound; Whewell’s Inductive Sciences, 3vols; The Abbe Barthelemy “Travels of Ana Charrsis The Younger in Greece”, 5th edition, London 1817, 6vols, and other calf-bound volumes (a lot)

£50-100

£100-200 59 SIR JOSHUA REYNOLDS “The Literary Works” published London 1819, 3vols; Robert Browning “Poems”; “Macaulay’s Historical Essays”, 3vols; and other calf-bound volumes (a lot) £200-400

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Pictures

Detail of lot 148 23

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 65

65 MANNER OF NICOLAES BERCHEM (1620-1683) A wooded landscape with travellers on a track, oil on canvas, 24” x 30”, in an early 19th century giltwood and gesso frame

Lot 66

£500-1,000 66 PETER DE WINT (1784-1849) A study of ferns and foliage, watercolour, 13" x 12" £300-500

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Lot 67

67 ASCRIBED TO THOMAS HUDSON (1701-1779) A portrait of Daniel Giles (1760-1831) as a boy sitting on a carpet with a drum and a hat beside him, oil on canvas, 32" x 45" in a giltwood and gesso frame with a sanded border and acanthus leaves in the corners

Lot 68

£3,000-5,000 68 GEORGE MORLAND (1763-1804) Two cows and a pig in a byre, signed and dated “George Morland fecit 1792”, pencil and crayon, 16½" x 14" in a giltwood and gesso frame with a reeded outer border with ribbons £300-600 25

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 69

69 FOLLOWER OF HENRY PICKERING (fl. 1740-1771) A portrait of Martha and Mary, the daughters of Daniel Giles, sitting on grass with scattered flowers, oil on canvas, 40" x 50" in a giltwood and gesso frame with a sanded border and acanthus leaves in the corners

Lot 70

£3,000-5,000 70 FOLLOWER OF SIR GODFREY KNELLER (1646-1723) A portrait of Samuel Puller holding a paper, half-length, oil on canvas, 36" x 26" in a 19th century giltwood and gesso frame £500-1,000

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71 CIRCLE OF NATHANIEL HONE (1718-1784) A portrait of Madame Zamparini wearing a pink edged bonnet, bears signature and date “1767”, oil on canvas, 30" x 25" in a contemporary carved giltwood frame £2,000-3,000

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

72 JAMES LEAKEY (1775-1865) A portrait of a boy, said to be Charles Baring Wall, standing by a horse on a beach with a dog beside them, oil on panel, 14" x 12"

Lot 72

£500-1,000 73 ATTRIBUTED TO FRANCIS COTES (1726-1770) A portrait of Christopher Buller wearing a green jacket, in a feigned oval, oil on canvas, 30" x 25" in a contemporary carved giltwood frame £300-500 74 ATTRIBUTED TO HUGH “GRECIAN” WILLIAMS (1773-1829) A wooded landscape with a view of Youngsbury, Ware, Hertfordshire, with a lake in the foreground, watercolour, 10" x 13" apparently retaining the original giltwood and gesso frame, and a companion painting of the house from the garden (a pair) £400-600 75 THOMAS MILES RICHARDSON JR (1813-1890) An alpine landscape, signed and dated 1855, oval, watercolour heightened with bodycolour, 11" x 15" and the companion painting of a seashore with figures, apparently retaining the original giltwood and gesso frames (a pair)

Lot 75 (pair)

£500-1,000 76 CIRCLE OF JOSEPH HIGHMORE (1692-1780) A portrait of Richard Puller (1747-1826), bust-length, oil on canvas, 14" x 12" in a contemporary carved giltwood frame £300-500

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Lot 77

77 FOLLOWER OF WILLEM VAN DER VELDE (1633-1707) The Evening Gun with a launch coming alongside a man o’war and other vessels in a calm sea, oil on canvas, 13½" x 18" in a 19th century giltwood and gesso frame

79 MARY BOND (1797-1872) A coastal scene with boats and figures in the manner of Thomas Luny, oil on canvas, 11½" x 16" and the companion painting, in giltwood frames with beaded inner borders (a pair)

£500-1,000

£300-600

78 MARY BOND (1797-1872) Cattle watering, inscribed on a label on the reverse, oil on board, 5" x 6½" and the companion painting of a landscape (a pair)

80 MARY BOND (1797-1872) The Cliffs at Lulworth, oil on panel, 6¾" x 9¾" and the companion painting of a view across Worbarrow Bay, the 19th century giltwood and gesso frames with variations (a pair)

£200-400

£200-400

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 81

Lot 81

81 W WILLIAMS (fl. circa 1870-1880) Fishing vessels at a harbour entrance, signed and dated 1874, oil on canvas, 8" x 15" and the companion painting of shipping in heavy seas, in swept giltwood and gesso frames (2)

Lot 82

£500-1,000

82 WILLIAM ANDERSON (1757-1837) A man o’ war and Dutch fishing vessels, signed and dated 1823, oil on panel, 5¼" x 8" and the companion painting, apparently retaining the original giltwood and gesso frames (a pair)

Lot 82

£800-1,600

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Lot 83

84 SIR THOMAS LAWRENCE PRA (1769-1830) Head of Minerva, the reverse inscribed in a 19th century hand “drawn at Oxford by Master Lawrence at the age of 11 years. Afterwards Sir Thomas Lawrence PRA”, pencil, 3" x 2¾"

83 THOMAS LUNY (1759-1837) Fishermen unloading the catch on a beach, with a man o’war in the middle distance, signed and dated 1823, oil on panel, 9" x 12" £500-1,000

£200-400

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 85

Lot 86 85 ATTRIBUTED TO JAN VAN DER MEER (1656-1705) A wooded landscape with a horseman and two dogs on a track, with an Italianate landscape beyond, bears signature “Moucheron”, oil on canvas, 24" x 32½" in a 19th century giltwood and gesso frame £1,000-2,000 86 ATTRIBUTED TO JAN MOLENAER (1610-1668) A river landscape with a water mill, with a fir tree to one side and a figure on a track, signed, oil on panel, 21½" x 17" £1,500-2,500

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Lot 87

Lot 87

87 WILLIAM MCALPINE (fl. circa 1870-1900) Fishing boats in heavy seas, inscribed on the stretcher, oil on canvas, 12" x 18" and the companion painting (2)

89 ENGLISH SCHOOL, 19th century Ducks and cattle beside a river, with a cathedral beyond, possibly Winchester, oil on board, 11" x 15¾" apparently retaining the original giltwood and gesso frame, and a pair of engravings after David Tenniers “Boors at Cards” (3)

£500-1,000

£80-150

88 ENGLISH SCHOOL A view of Tyneham House, watercolour, 9¼" x 13"; an engraving of the house “The seat of the Reverend John Bond”; a pencil sketch of the lake at Moigne Combe under ice; and an oil painting of trees beside a lake, signed “RD MacDonald” (a lot)

90 ENGLISH SCHOOL, 19th century Old Harrys Rocks near Studland, with a fishing boat in heavy seas in the foreground, watercolour, 5¼" x 7" apparently retaining the original giltwood and gesso frame. £100-200

£50-100 33

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

91 JOHN FREDERICK LEWIS RA (1805-1876) “A Spy of the Christino Army brought before the Carlist General in Chief Zumalacarregui”, watercolour, 21" x 29" Exhibited: Probably exhibited at the Old Watercolour Society 1837 and subsequently engraved in the Art Journal 1858 £3,000-6,000

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Lot 92

95 EUROPEAN SCHOOL, 19th century A set of four German town views: “Frankfort”, “Hamburgh”, “Smolensko” and “The Grimma Suburb of Leipsic”, each published by R. Bowyer, Pall Mall, 1815-16 (4)

92 ATTRIBUTED TO FRANS SNYDERS (1579-1657) A bird of prey attacking chickens with a dog rushing in, oil on canvas, approximately 48" x 92"

£50-100

£3,000-6,000 96 JOYCE SUMNER “Woodsford Castle, Dorset” signed lower right, titled lower left, watercolour and pencil, 14½" x 14½"

93 CHARLES TAYLOR JUNIOR (fl. 1841-1883) Vessels in rough weather, sail and steam in a breeze, a pair, watercolour heightened with white, each approximately 12" x 18" (2)

£80-150

£100-200 97 ENGLISH SCHOOL, 19th/20th century “A 74 Gun Ship”, watercolour and ink, 7½" x 10"; and the companion work “The Essex Indiaman”; together with a study of HMS Victory (3)

94 ENGLISH SCHOOL, 19th century A study of men, possibly smugglers, unloading their boat on the shore, coloured print, 17½" x 21¾", and a study after Reinagle of spaniels flushing out ducks (2)

£50-100

£80-120

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

98 ASCRIBED TO THOMAS HUDSON (1701-1779) A portrait of Daniel Giles (1725-1800) Governor of the Bank of England, wearing a grey jacket and floral waistcoat and seated on a stool by a table, and the companion portrait of his wife Lucy seated holding a book, oils on canvas, 50" x 40"

Daniel Giles (c. 1725-1800) was Governor of the Bank of England from 1795 to 1797.

He had been Deputy Governor from 1793 to 1795.

He replaced Godfrey Thornton as Governor and was succeeded by Thomas Raikes.

An alternative attribution to Mason Chamberlin (1727-1787) has been suggested

Giles married Elizabeth Messman. Daniel Giles (1761–1831) the barrister and Member of Parliament was their son.

£4,000-8,000

Daniel Giles was an associate and business partner of John Julius Angerstein, whose collection of art galvanised the founding of the National Gallery

In Giles’s memorandum books he records dealing with figures in the hundreds of thousands.

The vast amount this represents is as follows; £100,000 in 1793 equates to £14,000,000 in todays standards.

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

99 ORLANDO NORIE (1832-1901) “Rifle Brigade on Manoeuvres, circa 1890”, signed lower right, watercolour, 13" x 20½" and the companion study, 13" x 19½ (2) £500-1,000

100 ORLANDO NORIE (1832-1901) “Grenadier Guards”, The differing uniforms throughout time, signed, watercolour, 20" x 15" £300-600

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Lot 104

101 'SABREUR' A set of four studies of rifle brigade officers showing the changing uniforms from 1805, 1830, 1854 and pre-1939, each signed lower right, watercolour heightened with white, each 10½" x 7½"

104 JAMES DUFFIELD HARDING (1798-1863) “The Trout Stream” a boy fishing to the foreground, signed, watercolour, 18¼" x 25"

£100-200

£800-1,500

102 MANNER OF EDWARD BAWDEN (1903-1989) A set of four WWII era views, colour reproductions, each 5¼" x 8" (4)

105 ATTRIBUTED TO JAMES DUFFIELD HARDING (1798-1863) An extensive wooded landscape with horses to the foreground, watercolour, 18¼" x 25"

£50-100

£400-800 103 A SET OF THIRTEEN STUDIES OF MILITARY OFFICERS each from a different nation, coloured prints (13)

106 EMILY PULLER (fl.1830-1840) “Haywain on a village lane”, signed and dated 1834, watercolour and pencil, 14" x 20¾"

£100-200

£100-200

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

107 TRISTRAM ELLIS (1844-1922) “Nile” figures at the river’s edge with fishing boats beyond, signed, titled and dated 1881 lower left, watercolour, 6½" x 14"

113 CONTINENTAL SCHOOL Three tropical birds on branches, oil on canvas, 17½" x 23½"

£100-200

114  JOHN TENNENT (b.1926) “Weymouth Bay” A view of the Dorset coastline with Portland to the distance, signed lower right, oil on board, 20¼" x 28½"

£80-120

108 F.C. BLAAUW A river landscape with a flock of birds taking flight, signed lower left, watercolour, 6½" x 13½"

£100-200

£50-100

115 ENGLISH SCHOOL, 19th century “The Tout, Worbarrow, Isle of Purbeck”, watercolour, 4½" x 6" and the companion work “Gad Cliff from Kimmeridge, Isle of Purbeck” (2)

109 ENGLISH SCHOOL, 19th century Study of seabirds and penguins beside a shipwreck, watercolour, 11" x 20½" £50-100

£100-200

110 ENGLISH SCHOOL, 19th century A figure on horseback in a country lane, watercolour, 11" x 15"

116  GORDON RUSHMER (b. 1946) “Milton Abbey”, signed lower left, watercolour, 13¾" x 10"

£50-100 111 AFTER CLAUDE-JOSEPH VERNET (1714-1789) “A Storm”, etching from the original picture in the collection of The Right Hon. Lord Clive, the image 17¼" x 23"

£80-150 117 ENGLISH SCHOOL, 20th century A view of Worbarrow Bay, watercolour, 6" x 13½"; a view of a coastal cottage by F.C. Blake, watercolour, 9" x 11½"; and a study of a woodland path carpeted with bluebells, indistinctly signed and dated 1912 lower left, watercolour, 10" x 6¾" (3)

£50-100 112 ENGLISH SCHOOL, 19th century Figures fishing beside a bridge, watercolour, 11¾" x 16½" and five similar works (6)

£100-200 118 JOHN HENRY LE KEUX (1812-1896) “Tyneham House” monohrome engraving, the image 5½" x 10¾"

£100-200

£50-100

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119 E.C. HASTINGS A view through trees, probably Dorset, signed lower left, watercolour, 9¼" x 13½" F. Blake “Salmon Trap on the Lledr”, signed, titled and dated September 15th 1858 in pencil to the mount, watercolour, 9" x 12¼"; Monogrammist MH Hayricks in a clifftop field with a church tower visible to the distance, watercolour, 9" x 13" (3)

Lot 120

£100-200 120 WILLIAM COLLINS RA (1788-1847) Figures on the shore, watercolour, 8¼" x 10¼"

Lot 121

£300-600 121 JAMES BAKER PYNE (1800-1870) Coastal scene with figures to the foreground and white cliffs beyond, signed and dated 1836 lower left, watercolour, 8¾" x 12¾" £200-300

Lot 122

122 ASCRIBED TO JAMES BAKER PYNE (1800-1870) A Continental town with river to the foreground and mountains beyond, watercolour, 9" x 12½" £100-200 123 ANTONY VANDYKE COPLEY FIELDING (1787-1855) “Loch Lomond”, watercolour and bodycolour, 8" x 12¼"

Lot 123

£400-600 124 FREDERICK JAMES ALDRIDGE (1850-1933) Fishing boats on the water, signed lower right, watercolour, 10¼" x 14¾" £100-200

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

131 AFTER VINCENT VAN GOGH (1853-1890) A rural scene, colour reproduction and three other colour reproductions (4)

125 CONTINENTAL SCHOOL, 19th century A study of a snow-capped windmill, indistinctly signed lower right, watercolour and pencil heightened with white, with Fine Art Society label verso, 5¼" x 9¼"

£50-100

126 AFTER JMW TURNER (1775-1851) “A yacht approaching the coast circa 1840-1845”, colour reproduction, and two similar works after Turner (3)

132 R.D. MACDONALD Garden landscape with trees to the foreground and a bridge crossing a river, signed lower right, oils on board, 10" x 13¾"

£50-100

£100-200

127  JOHN GRANT “In the Piddle Valley, Dorset”, signed lower right, watercolour, 8" x 17"

133  EVA WEBB “Lulworth Coast from White Nothe”, signed lower left, acrylic on canvas laid on board, 17½" x 12"

£50-100

£80-120

128 ENGLISH SCHOOL, 19th century A study of beached boats at low tide, indistinctly signed lower right, watercolour, 6¼" x 11"

134 B. WARD A pair of Highland scenes with cattle standing in the shallow waters, each signed lower right, oil on board, 15" x 19½"

£50-100

£50-100

£50-100

129  ARTHUR BELL (1897-1955) “Worbarrow, Dorset”, engraving, the image 8" x 6", a 19th century coloured etching of Worbarrow Bay, and a black and white photograph (3)

135  RICHARD TOOP Study of a churchyard, signed lower right, watercolour, 9½" x 14"; and a study of a blossoming tree in a landscape, inscribed lower right “Youngsbury, April 1901” (2)

£50-100

£50-100

130 A CARICATURE STYLE STUDY OF A FRENCH MILITARY OFFICER coloured print, 8½" x 6½"; and two coloured prints of military personnel after Charles T. Stadden (3)

136 A COLLECTION OF PICTURES AND PRINTS To include, flora, fauna and scenes of local interest (a lot) £80-150

£80-120

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Fanny Blake (1804-1879) The following watercolours by Fanny (Frances) Blake (1804-1879) were painted around1845 The artist was the sister of EMG Williams and HMG Bond's great grandfather, Frederick Rodolph Blake of Welwyn, Herts.

Lot 137

137 FANNY (FRANCES) BLAKE (1804-1879) Figures on a busy street, possibly Belgium, watercolour and pencil, 17½" x 27½"

139 FANNY (FRANCES) BLAKE (1804-1879) Elegant figures on a terrace, watercolour, 18" x 25½"

£200-400

£100-200

138 FANNY (FRANCES) BLAKE (1804-1879) A Continental landscape with figures crossing a bridge beside a hilltop castle, signed lower left, watercolour, 8" x 26"

140 FANNY (FRANCES) BLAKE (1804-1879) A stormy river landscape with lightening emanating from the sky above, watercolour, 17½" x 26½" £100-200

£100-200

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

Lot 143

141 FANNY (FRANCES) BLAKE (1804-1879) A study of a country churchyard, signed and dated 1849 lower right, with pencil inscription to the mount “And in the darkest clouds of woe he sets his covenanted bow”, watercolour, 15½" x 21½"

143 FANNY (FRANCES) BLAKE (1804-1879) “A religious procession, Italy”, watercolour and pencil, signed and dated 1856, 16" x 24"

£100-200

144 FANNY (FRANCES) BLAKE (1804-1879) An alpine village with figures and animals to the foreground, watercolour, 17" x 24"

£200-400

142 FANNY (FRANCES) BLAKE (1804-1879) Continental river scene with figures and goats to the foreground, signed and dated 1845 lower left, watercolour, 17½" x 26½"

£100-200

£100-200

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PICTURES FROM STABLE HOUSE

Lot 148

148 FANNY (FRANCES) BLAKE (1804-1879) “The Kremlin”, view from the river with boats in the foreground, watercolour, 18" x 26"

145 FANNY (FRANCES) BLAKE (1804-1879) 'The Priest’s Window, Nuremberg' watercolour, approximately 20" x 16" £100-200

£100-200

146 FANNY (FRANCES) BLAKE (1804-1879) “Chatillon Val D’Aosta from San Vincent” watercolour, 18" x 27"

149 FANNY (FRANCES) BLAKE (1804-1879) A collection of ten engravings including: “Bay of Naples”, “Valley St. Du Loup”, “Classical Ruins, Italy”, and others, various sizes (10)

£100-200

£100-200

147 FANNY (FRANCES) BLAKE (1804-1879) “Florence from the Monastery of San Miniato” watercolour, 17" x 27"

150 A COLLECTION OF FRAMED PRINTS AND DRAWINGS (a lot)

£100-200

£20-40

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

151  JOHN CHRISTOPHER TEMPLE WILLIS (1900-1969) “View of Norwich” with cathedral and rooftops, watercolour, signed, 6" x 8¾" £100-200 152 ELIZABETH BAIRSTOW RI “The Last of Summer”, watercolour, signed, 15¾" x 10¾", and “Mermaid Rose” (2) £50-100 153 A COLLECTION OF LOCAL AND OTHER ENGRAVINGS including: “Little Bredy Church and Parsonage”, a drawing of Moigne Combe lake under ice, an engraving of Creech Grange, and others (a lot) £20-40 154 ENGLISH SCHOOL A military encampment, inscribed, 42nd Highlanders encamped at Cobham, women huts and mess kitchen, watercolour, indistinctly signed and dated 1853. £100-200 155 C.M. HODGES ARCA (1858-1916) St. Michaels Church and Church Walk, Little Bredy, oil on canvas, inscribed to the reverse, 9" x 6¾" £100-200 156  R. WEAVER Bridehead House and lake, signed and dated ‘61, oil on canvas, 27" x 35½" £30-50

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Works of Art

Lot 168 47

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

157 A GEORGE III HAREWOOD AND MARQUETRY TEA CADDY of rectangular form with canted corners, the crossbanded surface inlaid with a satinwood conch shell medallion and ribbon-ties, opening to interior lidded compartments initialled “B & G”, 8" wide

164 A PAIR OF BRONZE METAL TABLE CANDLESTICKS with dished bases and baluster columns, one with a “storm lantern” shade, on circular marquetry inlaid bases, the candlesticks, 7" wide

£70-100

165 A PAIR OF GILT METAL ROCOCO STYLE TABLE CANDELABRA with pierced leaf and floral cast bases and twin scrolling candlearms, 8" wide (2)

£50-100

158 A LATE VICTORIAN “ARTS AND CRAFTS” LIGHT OAK BOX with a brass tablet inscribed “Letters”, 13" wide

£50-100

£50-100 159 A LATE VICTORIAN BURR WALNUT DESK STATIONERY BOX the lectern-hinged front opening to a fitted interior, 12" wide

166 A PAIR OF GILT BRASS “OSTRICH” TABLE CANDLESTICKS the birds supporting a leaf-cast drip tray and candle nozzle, on a “rocaille” base, 16" wide

£80-150

£70-100

160 A LATE REGENCY ROSEWOOD TEA CADDY of rectangular form, the hinged cover opening to two interior lidded compartments and cut-glass blending bowl, on compressed bun feet, 12" wide

167 A VICTORIAN HAND BELL with a turned wood handle, 10¾" wide; an oak finial monogrammed “V” and other metalware (a lot)

£50-100

168 A MARBLE CARVING OF THE LION OF ST. MARK on a rectangular plinth base, 10¾" wide

£40-60

161 A PAIR OF 18TH CENTURY RED LEATHER DEED BOXES with gilt brass close-nailed borders, initialled “DG” for Daniel Giles, 16” wide (a pair)

£100-200 169 AFTER THE ANTIQUE: BRONZE GROUP OF HERAKLES AND THE NEMEAN LION on a rectangular marble plinth base, 6½" wide

£200-400 162 A LATE VICTORIAN BRASS POSTAL SCALE with weights, on an oak plinth, 9" wide

£200-400

£50-100 163 TREEN: A TURNED ELM BOWL and two small stone medieval “corbel” style figures (a lot)

170 AFTER THE ANTIQUE: A 19TH CENTURY BRONZE GROUP OF TWO ATHLETES FIGHTING on a rectangular marble plinth base, 5½" wide

£70-100

£200-400 171 A MINIATURE BUST OF WELLINGTON on a circular marble column, 9½" wide £70-100 48

Lot 169

Lot 170

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

172 A COCONUT PEDESTAL VASE possibly 18th/19th century, with white metal mounts, 4¾" wide, and another similar coconut cup with white metal mounts (2) £100-200

176 A VICTORIAN PEWTER FLAGON with domed cover, short side spout and double scroll handle, touch-marked, 9½", a lidded tankard engraved “Magdalen College Junior Fours 1874”, an 18th century pewter charger with folded rim, touch-marked London, 15", and other metalware (a lot)

173 A 19TH CENTURY BRONZE CANDLEHOLDER in the form of a tortoise, with hinged shell opening to a sconce, on a rectangular base, 5¼" wide £50-100

£100-200

174 A SMALL BOULE DOMED CASKET with winged cherub metal mounts (def), 5¼" wide; a 19th century domed leather casket, a desk blotter, a turned seal and a pocket compass, in leather case (a lot)

177 AN EDWARDIAN OAK AND MARQUETRY OVAL BUTLERS TRAY with brass carrying handles and central satinwood oval medallion, 24" wide

£50-100

£50-100

175 A TURNED MAHOGANY TABLE LAMP AND SHADE the lamp15", an alabaster table lamp and another white ground table lamp (3)

178 A PAIR OF VICTORIAN CUT-GLASS MANTEL LUSTRES the columns terminating in a candleholder hung with cut prismatic drops, on circular star-cut bases, 9"

£50-100

£100-200

50

179 A PAIR OF SIMULATED BRONZE FIGURES of Napoleonic period infantrymen, on circular bases, 11" £50-100 180 AFTER GIAMBOLOGNA: A BRONZE OF MERCURY and the companion, on circular marble bases, 19" £200-400

Lot 180

181 AN OAK AND COPPER FLAGON of staved barrel form, 9", a brass pestle and mortar, and a brass vesta case in the form of a fly with hinged wing cover (3) £70-100 182.

A COPPER OVAL JARDINIERE with ring-drop handles, on pedestal base, 9½", and other metalware and sundries £40-70

183 AUSTRIAN COLD PAINTED BRONZE OF A KINGFISHER circa 1900 £50-70 184 A PAIR OF MOUNTED ANTLERS inscribed “Moigne Coombe” (four points) 16” across; a pair of mounted gazelle antlers on a plinth inscribed “White Nile 1913”; and another pair of antlers (3)

Lot 183

£100-200

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

185 SIR JOSEPH EDGAR BOEHM (1834-1890) A bronze figure of a First Grenadier Guard 1815 standing in uniform, a rifle beside him (Elkington Founder), on a base inset with a Waterloo medal, 17” high

186 GEORGE EDWARD WADE (1853-1933) A bronze figure of a Grenadier Guard 1889, H. Luppens et Cie - Sculptor, the base inset with an Egypt 1882 medal, 22” high

£300-500

£300-500 52

Clocks and Scientific Instruments

Detail of lot 194 53

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

187 A REGENCY EBONISED AND BRASS INLAID BRACKET CLOCK

by FB Adams & Sons, St. John’s Square, London, no. 7521, the rectangular case with an architectural pediment and brass “pierced fish scale” side panels with carrying handles, on gilt brass feet, the silvered dial with Roman numerals inscribed and numbered, the double fusee movement striking on a bell, 16½” high £800-1,500

191 A GEORGE III MAHOGANY LONGCASE CLOCK

by William Alder, Dorchester, the case with a long crossbanded arched door surmounted by hood with turned columns and stepped pediment, the brass and silvered dial with urn and bird spandrels, date and calendar indicators and moonphase in the lunette, enclosing two train eight day movement, 90” high

188 A REGENCY STYLE “MILLENNIUM 2000” MAHOGANY MANTEL CLOCK of architectural form, the white enamel dial with Roman numerals enclosing three train movement, inscribed “Millennium 2000 Meridian Clocks, Greenwich, England”, with three subsidiary dials, 15” £300-500

£600-1,000

189 A PORTABLE ANEROID BAROMETER in brass case, with silvered dial, 5¼", in leather travelling case

192 AN OAK COLUMN BAROMETER

by Nairne Blunt, London, with a silvered engraved dial and turned cistern to the base, 35”

£50-100

£300-500

190 A THORNHILL & CO. LONDON “HORSE STIRRUP” ANEROID CLOCK/BAROMETER the white enamel dial with Roman numerals,

193 A VICTORIAN STICK BAROMETER

by Braham, Bath, with a domed top and turned base cistern, 35”

£70-100

£200-400 54

194 BENJAMIN GRAY AND JUSTIN VULLIAMY: A BRACKET CLOCK in mahogany case, with basket top surmounted by carrying handle and pineapple finials, the arched brass and silvered dial with Roman numerals and seconds numerals, with a strike/silent and regulator dials in the lunette, urn and scroll spandrels and date aperture with bob pendulum, with engraved and inscribed back plate, and two fusee train quarter repeating movement, circa 1755, 15½” £3,000-5,000

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

195 A NEGRETTI & ZAMBRA ROSEWOOD COLUMN BAROMETER with engraved dial, inscribed “Negretti & Zambra, London”, 26” £300-500

196 A WILLIAM AND MARY WALNUT AND FLORAL MARQUETRY LONGCASE CLOCK

by Edward Bird, London, the case with long inlaid panelled door with oval lenticle, the hood with stepped domed pediment, the 10” brass dial with Roman numerals to the chapter ring and pierced cherub spandrels enclosing a date aperture and seconds dial, the two train movement striking on a bell, basically circa 1700, 89” high £2,000-4,000

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Furniture: The Entrance Hall

Lot 200 57

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

197 A 17TH CENTURY OAK COFFER the rectangular hinged top above a triple panelled carved front and lunette-carved arcade, on block feet, basically late 17th century, 46”

205 A 17TH CENTURY STYLE OAK STOOL with a curved plank top, on baluster and block-turned legs and stretchers, 21” x 16" x 19½"

£200-400

£70-100

198 A PAIR OF LUTYENS STYLE CORNER GARDEN SEATS with arched backs and plank seats, on block legs, 27” high

206 A LATE REGENCY CONVEX WALL MIRROR the circular plate within a reeded fillet and gilt surround, 17” dia; and a rectangular wall mirror with gilt surround, 24" x 20½" (2)

£200-400

£70-100

199 A VICTORIAN CAST IRON TRIANGULAR STICK STAND 16”, another smaller example, a foot scrape and a small collection of walking sticks (a lot)

207 A LATE REGENCY ROSEWOOD CHAISE LONGUE with scroll arm and back, on panelled base and gadrooned lobed and turned legs, 68” x 27½" x 27½"

£100-200

£200-400

200 A LATE REGENCY MAHOGANY WINE COOLER of rectangular form with a gadrooned border and panelled sides, on turned and lobed compressed bun feet, 34” x 20"

208 A 17TH CENTURY STYLE OCTAGONAL OAK JARDINIERE with diamond lozenge-carved panels, 27” dia.

£300-500

£100-200

201 A LATE REGENCY ROSEWOOD LIBRARY TABLE the rectangular top with rounded corners above a plain frieze, on twin columns, block bases and scroll feet, 50” x 27" x 29"

209 AN AXMINSTER TYPE PERSIAN STYLE CARPET the ivory ground with a central green and red floral medallion, within outer borders and guards, 156” x 118”

£200-400

£100-200

202 A REGENCY STYLE MAHOGANY CENTRE TABLE the rectangular top with a reeded border on reeded end supports and sabre legs terminating in brass toes and castors, 71” x 31" x 28"

210 AN AXMINSTER TYPE PERSIAN STYLE CARPET the salmon pink ground with a central ivory floral medallion within conforming outer borders, 136” x 98”

£100-200

£100-200

203 A WILLIAM IV MAHOGANY WHAT-NOT of four heights, with a base drawer, baluster turned columns on turned legs terminating in toupie feet, brass toes and castors, 22” W

211 A CHARLES II OAK COFFER the plank top above a triple panelled front carved with architectural arcading and fleur de lis, with leaf-carved stiles and muntins, basically late 17th century, 56” x 24" x 28"

£300-500

£300-500

204 AN OAK GATELEG TABLE of Charles II design, with “D”-shaped drop flaps, on baluster turned legs, 46” extended x 37" x 28½" £50-100

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Lot 212

216 AN EARLY VICTORIAN BURR WALNUT CREDENZA the top with a moulded border and slightly concave marquetry inlaid frieze, above twin mirrored doors flanked by tapering columns with gilt metal mounts, on a rectangular base, 62” wide

212 A WILLIAM AND MARY OAK DRESSER the rectangular top with a moulded border above three doublepanelled drawers divided by split bolection mouldings, with brass bail-drop handles, on turned legs and block feet, 78” wide £800-1,500

£700-1,000

213 AN 18TH CENTURY “ROCOCO” CARVED GILTWOOD WALL MIRROR the rectangular plate within a scroll and acanthus leaf pierced surround surmounted by a double scroll pediment, 48” x 28”

217 AN EARLY VICTORIAN MAHOGANY SPOONBACK ARMCHAIR upholstered in floral material, on ring-turned tapering legs and castors, 26” x 34" x 31"

£1,000-2,000

£150-250

214 AN OCTAGONAL OAK CENTRE TABLE of 18th century design, on baluster turned legs conjoined by block stretchers, 40” wide x 28" high

218 AN EARLY VICTORIAN MAHOGANY SPOONBACK ARMCHAIR upholstered in floral material, on ring-turned tapering legs, brass toes and castors, 24” x 29" x 35"

£150-250

£150-250

215 A DUTCH 17TH CENTURY STYLE BRASS REPOUSSE WALL MIRROR with an octagonal bevelled glass plate within mask, urn and scroll surround, 23” x 21" £50-100 60

Lot 213

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219 AN EARLY GEORGE III MAHOGANY BREAKFRONT BOOKCASE IN THE MANNER OF THOMAS CHIPPENDALE, the upper section with pierced swan-neck pediment above a dentil-carved frieze, with astragal glazed doors enclosing interior adjustable shelves, the base with a crossbanded top and central panelled cupboard doors flanked by four graduated cockbeaded drawers to each side with gilt brass swan-neck handles, on a plinth base, 97” wide x 120” high x 26" deep £10,000-20,000

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Lot 221

221 AN 18TH CENTURY WALNUT CHEST OF DRAWERS the quarter veneered and crossbanded top with herringbone inlay, above an arrangement of two short and three long graduated drawers with engraved brass key escutcheons and bail-drop handles, on bracket feet, basically 18th century, 38”x 20" x 35"

220 A GEORGE III MAHOGANY WINGBACK LIBRARY ARMCHAIR with scroll arms, on square block legs and brass roll castors, 23” x 46" x 26" £300-500

£500-1,000

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Furniture: The Study

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230 A PAIR OF LATE VICTORIAN MAHOGANY LIBRARY CABINETS of tall narrow proportions, the glazed doors enclosing adjustable interior shelves surmounted by a plain frieze and moulded pediment, the lower section with a glazed central door flanked by folio cupboards, on block feet, 26” x 14" x 85"

222 A VICTORIAN WALNUT PARTNER’S DESK the rectangular leather top above an arrangement of frieze and pedestal drawers, and drawers and cupboards to the reverse, 60” £500-1,000 223 AN EDWARDIAN OAK COMB-BACK OFFICE CHAIR with leather seat, on ring-turned legs, 23” wide

£500-1,000 231 A CLUB FENDER with a wrought iron base and pine top, 86”, a spark guard and other fire furniture including bayonet pokers and bellows (a lot)

£100-200 224 AN EARLY VICTORIAN STOOL the upholstered top on turned legs, 19” wide

£100-200 232 A FRENCH HEPPLEWHITE STYLE MAHOGANY DRESSING STOOL with upholstered top, on scroll legs terminating in knurl toes, 18”

£40-70 225 A SET OF STAINED SOFTWOOD BOOKSHELVES on a plinth base with plank back and moulded pediment, 66” wide

£70-100 233 A VICTORIAN WING-BACK UPHOLSTERED ARMCHAIR on turned mahogany legs and castors, 31” wide

£50-100 226 A LATE REGENCY ROSEWOOD SMALL PEMBROKE TABLE the crossbanded top with “D”-shaped drop flaps, single end drawer, on baluster turned column and four downswept legs terminating in brass castors, 32" (extended) x 20" x 30"

£100-200 234 A VICTORIAN UPHOLSTERED ARMCHAIR on turned mahogany legs and castors, 30” wide

£200-400

£100-200

227 A 19TH CENTURY MAHOGANY PEMBROKE TABLE with rectangular drop flaps on square tapering legs, 43” (extended)

235 FOUR ASSORTED TRESTLE-TYPE STOOLS (4)

£30-50

£20-40

228 A WILLIAM IV MAHOGANY PILLAR TABLE the rectangular top on an octagonal tapering shaft and quadriform base terminating in compressed bun feet, 30” wide

236 AN EDWARDIAN OAK “SPIDER LEG” SMALL PEMBROKE TABLE on spindle turned legs, 29” extended

£80-150

£40-60

229 A GEORGE III MAHOGANY DUMB WAITER with two dished circular shelves, on baluster and ring-turned column and tripod downswept leg terminating in brass lions paw feet and castors, 42” high

237 TWO WICKER LOG BASKETS with loop handles, 22” wide £20-40

£400-600 66

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Lot 240

240 A GEORGE II “RED WALNUT” CHEST OF DRAWERS the rectangular moulded top above a brushing slide and four long graduated cockbeaded drawers with brass handles and key escutcheons, on bracket feet, 32” wide

238 A WILLIAM IV ROSEWOOD CARD TABLE the folding envelope top above a plain frieze, on single shaft with leaf-carved baluster column, quadriform base and lions paw feet, 36” wide £200-400

£600-1,000

239 A VICTORIAN MAHOGANY OVERMANTEL MIRROR with leafy scroll frame and pediment, 72” wide £200-400

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Furniture: The Dining Room

Lot 241 69

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241 BOND FAMILY: AN EARLY VICTORIAN ROSEWOOD FIRE SCREEN the panel worked with a needlework armorial inscribed “Non Sufficit Orbis”, the column with a turned finial, on baluster and melon-lobed base and tripod scroll legs, 57” high

248 A REGENCY STYLE MAHOGANY AND BRASS BOUND BUCKET with pierced border and domed cover, 12” wide

£200-400

249 AN EARLY VICTORIAN MAHOGANY DUMB WAITER with three shelves and tapering fluted columns, on turned legs, brass toes and castors, 47” wide

£80-150

242 A GEORGE III MAHOGANY BUREAU the fall front opening to an interior fitted with a central cupboard flanked by architectural pilasters, secretaire drawers and pigeonholes with pierced arched mounts, above three drawers to the frieze, with two short and two long graduated drawers below, with brass swan-neck handles on bracket feet, 40” wide

£200-400 250 A GEORGE III MAHOGANY AND BRASS BOUND HEXAGONAL WINE COOLER the crossbanded top opening to a lead-lined interior with two brass handles to the side (lacking stand), 19” wide

£500-1,000 243 A REGENCY MAHOGANY CELLARETTE of rectangular form with canted corners, the hinged cover opening to an interior, on lions paw feet, 26” wide

£300-500 251 A GEORGE III STYLE MAHOGANY FOUR PILLAR DINING TABLE the rectangular top with rounded edges in four sections, each on a ring-turned and baluster column and four downswept tapering legs, terminating in brass toes and castors, 19th century, 53” x 113”

£300-500 244 AN EARLY VICTORIAN ROSEWOOD BREAKFAST TABLE the circular tilting top on a spiral and lotus-leaf carved column, quatrefoil-shaped base and four scroll feet, 54” wide

£1,000-2,000

£600-1,000

252 A SET OF TWELVE HEPPLEWHITE STYLE MAHOGANY DINING CHAIRS the shield-shaped backs with pierced splats, serpentine-shaped leather close-nailed upholstered seats, on splayed tapering legs.

Comprising: eight uprights and four elbow chairs, circa 1900 (12)

245 A PAIR OF GEORGE III STYLE TORCHERE with dished tops, fluted columns and triform bases, 48” high £200-400

£800-1,500

246 AN EDWARDIAN MAHOGANY SMALL SUTHERLAND TABLE with rectangular drop flaps, on ring-turned legs, 24” wide

253 A LARGE TURKOMAN STYLE “COUNTRY HOUSE” CARPET the madder ground worked with green and blue diamond-shaped hooked boteh and floral medallions within running borders and guards, 224” x 190”

£50-100 247 A GEORGE III OCTAGONAL MAHOGANY AND BRASS BOUND WINE COOLER of Sheraton design, the segmented veneered top with satinwood oval inlaid medallion and boxwood stringing, on a stand with inlaid tapering legs, 18” wide

£200-400 254 A GEORGE III SHERATON STYLE MAHOGANY SIDEBOARD the crossbanded top with boxwood and ebony stringing and bowed centre with a back brass rail, the central drawer flanked by cellarette drawers, each simulating two drawers, on tapering legs, 70” wide

£500-1,000

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£500-1,000

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255 AN 18TH CENTURY “CHINOISERIE” GILTWOOD WALL MIRROR the rectangular plate within a pierced surround carved with ribbon ties, leafage and chinoiserie cottages surrounded by a squirrel, 24” x 52” £1,000-2,000

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Furniture: The Drawing Room

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263 A REGENCY STYLE “ESTATE MADE” OAK DRESSING STOOL with an upholstered top, on acanthus leaf scroll legs, 38” wide

256 A REGENCY GILTWOOD OVAL WALL MIRROR the convex plate within a reeded fillet and beaded and moulded surround, circa 20” wide

£70-100

£100-200 264 A VICTORIAN ROSEWOOD AND MARQUETRY PILLAR TABLE the circular top inlaid with floral marquetry panel, on baluster column and tripod scroll legs, 18” wide

257 A SET OF SIX REGENCY SIMULATED ROSEWOOD AND BRASS INLAID DINING CHAIRS the bar backs with leafy scroll carved centre rails, drop-in upholstered seats on sabre front and rear legs (6)

£100-200

£500-1,000

265 AN EDWARDIAN MAHOGANY PIANO STOOL with upholstered lifting top, scroll arms and slender cabriole legs, 26” wide

258 AN OAK OCCASIONAL TABLE with clover leaf top, on turned and fluted legs with triform base, 24” wide, and a similar smaller table (2)

£50-100

£150-250 266 A VICTORIAN WALNUT READING TABLE the circular dished top with an adjustable candle arm, on a twist column, circular base and scroll feet, 28” high

259 A LOUIS XV STYLE BURR WALNUT AND MARQUETRY CENTRE TABLE the oval-shaped top quarter veneered with a central inlaid panel, within a crossbanded and ebonised border, above a single frieze drawer, on slender scroll legs with ormolu mounts, 36” wide

£200-400 267 A GEORGE III MAHOGANY LIBRARY BOOKCASE the upper section with fluted cornice and paterae, enclosed by “Gothic” arched glazed doors and interior adjustable shelves, the base with twin cupboard doors on a rectangular plinth, 56” wide

£300-500 260 A REGENCY MAHOGANY PILLAR TABLE the rectangular top on a slender vase-turned and inlaid column, with four scroll legs terminating in brass toes and castors, 24” wide

£700-1,000

£200-400 268 A VICTORIAN DRESSING STOOL the silk brocade upholstered top on fluted and turned legs with concave stretchers, 24” wide

261 A REGENCY ROSEWOOD WORK TABLE with “D”-shaped drop flaps and single frieze drawer above a silk pleated workbag below, on fluted column, gadrooned square base with brass inlaid rosettes, on four scroll legs terminating in brass toes and castors, 34” extended

£200-400 269 A LARGE TURKOMAN TYPE “COUNTRY HOUSE” CARPET the madder ground with a central ivory and blue medallion within herati style outer borders and guards (worn), approximately 200” x 168”

£300-500 262 A HEPPLEWHITE STYLE SALON CHAIR the cartouche-shaped back with acanthus leaf carved cresting rail, scroll arms, serpentine-shaped seat, on slender cabriole legs terminating in scroll and knurl toes, 26” wide

£200-400

£150-250

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270 A FINE PERSIAN RUG of Isfahan type, the ivory ground with a central rectangular panel worked with central medallion and flowering tendrils, within corner spandrels, outer borders and guards, 86” x 50”

Lot 275

£200-400 271 A REGENCY MAHOGANY PEMBROKE WORK TABLE the top with a crossbanded border and “D”-shaped drop flaps above a frieze drawers and pleated silk work bag, on faceted column, quadriform base and lions paw feet, 18” wide £300-500 272 A REGENCY STEEL FENDER of “D”-shape with a pierced border, on melon-lobed feet, with fire iron rests, 56” wide £100-200 273 A PAIR OF OAK FIRE BELLOWS monogrammed HPB 1901, 47”, and other fire furniture (a lot) £100-200

Lot 276

274 A BLACKSMITH MADE WROUGHT IRON SPARK GUARD of two divisions with scrolling “fish tail” decoration surmounted by a carrying handle, on scroll feet, 50” wide £50-100 275 A 19TH CENTURY CONTINENTAL WALNUT AND MARQUETRY CENTRE TABLE the circular top with a floral and leafy scroll inlaid border, above a triform base with conforming inlaid panelled scroll legs, 39” wide £500-1,000 276 A GEORGE III OVAL GILTWOOD WALL MIRROR the bevelled plate within a pierced leafy scroll surround with “C”-scroll and leafy rococo cresting, 33” wide £500-1,000

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277 A FINE GEORGE I BURR WALNUT BUREAU BOOKCASE IN THE MANNER OF PETER MILLER the upper section with shaped arched cornice and mirrored doors, within herringbone veneered borders, opening to a central cupboard, folio divisions and drawers, with twin candleslides to the lower section, the bombé-shaped base with a crossbanded fall front opening to a fitted concave interior with central cupboard, drawers and pigeonholes above an arrangement of two frieze drawers and three long graduated drawers below, with engraved brass key escutcheons and handles, the angles with pierced foliate gilt brass mounts, the sides with carrying handles, on carved gilt paw feet, 46½” wide x 88½” high x 25" deep £40,000-60,000 The maker of this exemplary piece remains unidentified, but the exacting details of the construction, and the quality of the timber, is indicative of a maker such as Peter Miller.

A signed cabinet by him bearing the date 1724 is of similarly refined form (see A. Bowett, “English Furniture 1715-1740”, published Woodbridge, Suffolk, 2002, page 67, plate 2:31).

In Christopher Gilbert’s “Marked London Furniture 1700-1840,” published by the Furniture History Society in 1996, it is suggested that the rather Germanic character of Miller’s oeuvre raises the possibility that Miller was a German emigré and his surname an anglicised version of the surname Muller.

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Furniture: The Stairs And Landing

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278 A PAIR OF GILLOWS STYLE LATE REGENCY ROSEWOOD OPEN BOOKCASES with shaped gallery backs, trellis-pierced side panels, stylised leaf carved decoration to the pilasters, adjustable shelves, on a plinth base and scroll bracket feet, 48” wide (2) £1,000-2,000

279 A LATE REGENCY ROSEWOOD BREAKFRONT OPEN BOOKCASE with a castellated back and adjustable shelves divided by architectural columns, on plinth base, 72” wide £700-1,000

282 A LATE REGENCY MAHOGANY CONSOLE TABLE the grey marble rectangular top above a plain frieze, on acanthus leaf carved scroll supports and block bases, 38” wide

280 A GEORGE III STYLE ELBOW CHAIR the vase-shaped pierced back with acanthus leaf carving surmounted by a scroll cresting rail and outswept arms, above stuff-over upholstered seat on block legs with pierced corner brackets, 24” wide

£300-500

£150-250 281 AN ESTATE MADE YEW WOOD COFFER the hinged top above a six panelled front, on block feet, 72” wide £300-500 82

Furniture: The Bedrooms

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Master Bedroom 289 AN EDWARDIAN WINDOW TABLE the circular top on twist legs conjoined by cross stretchers, 30” wide

283 A MIXED SET OF FIVE VICTORIAN MAHOGANY BALLOON BACK SALON CHAIRS with double scroll lateral splats, serpentine stuff-over upholstered seats, on slender cabriole legs, and a similar dining chair (6)

£20-40 290 A SHERATON STYLE INLAID MAHOGANY DRESSING MIRROR the oval plate on a box base with three drawers and bracket feet, 18” wide

£200-400 284 A CHIPPENDALE STYLE MAHOGANY WALL MIRROR the rectangular plate within a fretwork surround surmounted by a pierced giltwood ho-ho bird, 34” wide

£100-200 291 AN EARLY VICTORIAN MAHOGANY LINEN PRESS the upper section with panelled doors enclosing interior sliding trays surmounted by a plain frieze and moulded cornice, the base with an arrangement of two short and two long graduated drawers, on turned feet, 52” wide

£100-200 285 A WILLIAM IV ROSEWOOD LIBRARY TABLE the rectangular adjustable top on a gadrooned cylindrical column with brass collar, quadriform base and compressed bun feet, 36” wide

£200-400

£200-400

292 A GEORGE III STYLE MAHOGANY “GAINSBOROUGH” ARMCHAIR with celadon button back upholstery, on block legs and castors, 28” wide

286 A REGENCY MAHOGANY SMALL PEMBROKE TABLE with rectangular drop flaps, end drawer with gilt brass handles, on ring turned tapering legs terminating in castors, 21” wide

£100-200

£150-250

293 A SET OF FOUR WILLIAM IV MAHOGANY DINING CHAIRS the backs with curved cresting rails and double scroll lateral splats, stuff-over upholstered seats, on latus leaf carved and ring turned tapering legs, and a similar chair ensuite (5)

287 A VICTORIAN GENTLEMANS MAHOGANY FITTED WARDROBE the central arched mirrored door flanked by conforming arched doors enclosing a central section with slides and drawers, surmounted by a moulded pediment, 76” wide

£150-250

£200-400

294 A PAIR OF MAHOGANY SINGLE BEDS on cabriole legs, (the headboards and footboards only), 36” wide

288 A VICTORIAN MAHOGANY TWIN PEDESTAL DESK with a gallery back, inverted breakfront upper section with three frieze drawers with turned knobs, flanked by twin pedestals, each with three graduated drawers, on plinth bases, 48” wide

£100-200

£200-400

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Bedroom two

Lot 295

297 A LATE REGENCY MAHOGANY LINEN PRESS the upper section with panelled doors enclosing interior shelves surmounted by a plain frieze and moulded cornice, the lower section with two short and two long drawers, on turned feet, 52” wide

295 A VICTORIAN “ARTS AND CRAFTS” GENTLEMANS FITTED WARDROBE the panelled doors surmounted by a moulded cornice enclosing an arrangement of interior drawers with turned knobs, on a plinth base, 43” wide £400-600

£300-500

296 A SHERATON STYLE INLAID MAHOGANY DRESSING CHEST with fluted canted corners, fitted frieze drawer with three long graduated drawers below, oval brass handles, on turned legs, 46” wide

298 AN EARLY VICTORIAN BURR WALNUT STATIONERY CABINET with folding doors opening to a fitted interior, 15” wide £100-200

£150-250

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299 A LATE REGENCY MAHOGANY LIBRARY BERGERE ARMCHAIR with spoon-shaped cane-panelled back, concave cresting rail, scroll arms, serpentine seat, on turned and fluted legs terminating in toupie feet and castors, 22” wide £300-500 300 A LATE REGENCY MAHOGANY LIBRARY BERGERE ARMCHAIR with spoon-shaped cane-panelled back, concave cresting rail, scroll arms, serpentine seat, on turned and lotus leaf carved turned legs terminating in toupie feet and castors, 22” wide

Lot 300

£300-500

301 A LATE REGENCY GILTWOOD OVERMANTEL MIRROR the rectangular plate flanked by reeded and lotus leaf carved columns surmounted by an inverted breakfront pediment, 50” wide£150-250 302 A VICTORIAN ARMCHAIR with moss green rexine upholstery, the arms with turned spindles, on turned legs and castors, 25” wide £100-200 303 A VICTORIAN UPHOLSTERED ARMCHAIR on turned legs and castors, 30” wide £100-200

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Bedroom three 304 AN EARLY GEORGE III MAHOGANY SERPENTINE CHEST OF DRAWERS with canted corners, two frieze drawers and two long graduated drawers below, with pierced brass rococo handles, on block feet, 43” wide £700-1,000

305 A SHERATON STYLE INLAID MAHOGANY POT CUPBOARD with a tray top and a single cupboard on square legs, 14” wide

309 AN EARLY 20TH CENTURY OLIVEWOOD ADJUSTABLE BOOKREST 14” wide; and a pair of rosewood hinged arched bookends (2)

£70-100

£40-70

306 A SHERATON STYLE MAHOGANY DRESSING MIRROR the oval plate on a curved frame with splay bracket feet, 17” wide

310 A LATE VICTORIAN MAHOGANY SINGLE WARDROBE with twin panelled doors opening to a vacant interior surmounted by a cornice on plinth base, 42” wide

£50-100

£100-200

307 A SMALL GEORGE III STYLE MAHOGANY CHEST OF DRAWERS the rectangular top above a brushing slide and three graduated drawers on bracket feet, 27” wide

311 A WILLIAM IV SIMULATED ROSEWOOD LIBRARY CHAIR with upholstered tub-shaped back and arms, on ring-turned legs, brass toes and castors, 26” wide

£70-100

£200-400

308 A VICTORIAN MAHOGANY WHAT-NOT of three heights with baluster turned columns, on turned legs and castors, 24” wide £100-200 87

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Bedroom four

Lot 312

314 AN EARLY VICTORIAN MAHOGANY BOW FRONT CHEST ON CHEST the upper section with two frieze drawers and three long graduated drawers below, the lower section with three long graduated drawers flanked by canted corners with brass handles, on ogee bracket feet, 54” wide

312 A REGENCY BREAKFRONT GENTLEMANS WARDROBE the central section with panelled doors enclosing interior sliding trays above an arrangement of two short and two long graduated drawers with gilt brass handles, flanked by hanging cupboards with base drawers, surmounted by a gadrooned frieze and carved pediment, 90” wide

£200-400

£800-1,500 315 A COMPOSITE SET OF FIVE WHITE PAINTED LADDER BACK AND SIMILAR DINING CHAIRS (5)

313 AN 18TH CENTURY STYLE GILTWOOD WALL MIRROR the rectangular-shaped plate within a floral, leaf and “C”-scroll carved frame surmounted by a pierced rococo pediment, 55” wide

£20-40

£300-500 88

Bedroom Six

bedroom five 316 A SMALL LATE REGENCY BEDSIDE TABLE the rectangular top above a single frieze drawer, on delicate turned tapering legs, 18” wide

324 A SMALL PINE WHITE PAINTED CHEST OF DRAWERS and an oak commode chair (2)

£70-100

£20-40

317 A CONTEMPORARY PINE BEDSIDE CUPBOARD with three drawers, 17” wide

325 AN ARTS AND CRAFTS STYLE OAK DECORATED WALL MIRROR 44” wide

£20-40

£20-40

318 AN EARLY VICTORIAN MAHOGANY BOW FRONT CHEST OF DRAWERS with two drawers to the upper frieze and three long graduated drawers below, above splayed bracket feet joined by shaped valance, 40” wide

326 A 19TH CENTURY OAK CHEST OF DRAWERS the two frieze drawers with brass swan-neck handles and three long graduated drawers below, on bracket feet, 42” wide £100-200

£100-200 327 A LATE VICTORIAN MENDLESHAM TYPE FARMHOUSE ARMCHAIR with bar-back and solid seat, 22” wide

319 AN EDWARDIAN SHERATON REVIVAL INLAID MAHOGANY OCCASIONAL TABLE on square tapering legs, 26” wide

£30-50

£30-60

328 A LATE VICTORIAN WALNUT SMALL SUTHERLAND TABLE with drop flaps and ring-turned legs, 30” wide

320 AN EARLY VICTORIAN DRESSING MIRROR the rectangular plate within scrolled uprights, on an inverted breakfront platform base, 26” wide

£40-60 329 A CONTEMPORARY LIGHTWOOD LOW COFFEE TABLE with two frieze drawers

£70-100 321 A REGENCY STYLE MAHOGANY LIBRARY TABLE the rectangular top above a single frieze drawer, on square tapering legs and spade feet, 44” wide

£20-40 330 A RECTANGULAR GILTWOOD MIRROR the plate within a reeded and leaf-moulded surround, 60” wide

£100-200

£30-50

322 A MAHOGANY SINGLE BED (footboard and tailboard only), 56” wide

331 AN EDWARDIAN SATIN WALNUT BERGERE PANELLED ARTIST SEAT with a lectern ratchet-hinged back, bearing a trade label “Leveson & Sons, Oxford Street, London”, 21”; and an artist’s easel (2)

323 A BIEDERMEIER TYPE MAHOGANY CHEST OF DRAWERS with a grey marble top, 37” wide £100-200

£40-70 89

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Bedroom Seven 335 AN ARTS AND CRAFTS STYLE SIDE TABLE with two frieze drawers, on rail end supports, 52” wide

332 A LATE REGENCY GILTWOOD OVERMANTEL MIRROR the rectangular plate within an ebonised reeded surround flanked by acanthus leaf pilasters and inverted breakfront pediment, 42” wide

£40-60 336 A SOFTWOOD TRAVELLING TRUNK with metal-lined interior, initialled “MCB”, 43”; other trunks and luggage (a lot)

£100-200 333 A VICTORIAN MAHOGANY WARDROBE with twin panelled doors surmounted by a stepped pediment, 56” wide

£40-70 337 A MAHOGANY FIRE FENDER with moulded top, 80”, two other wooden fenders and a collection of bamboo and mahogany curtain poles (incomplete) (a lot)

£100-200 334 A GEORGE III SHERATON STYLE MAHOGANY BOW FRONT HANGING CORNER CUPBOARD inlaid with satinwood stringing and conch shell medallions, with a moulded cornice, 32” wide

£50-100

£150-250

Pantry 340 A VICTORIAN PINE SIDE TABLE with single frieze drawer, 32” wide

338 AN EARLY 20TH CENTURY PAINTED TIN SLIPPER BATH 36” wide; another tin bath; and a triform pan rack (3)

£20-40

£40-70 339 A VICTORIAN PINE KITCHEN TABLE with a frieze drawer, on turned legs, 44” wide

341 AN EDWARDIAN BLUE ENAMEL HOT WATER CAN two others; three lidded jugs and another jug (7)

£30-60

£50-100

90

Lot 341

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92

Gardens

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347 A SET OF EIGHT RECONSTITUTED STONE GARDEN PLANTERS of rectangular form, the side panels embossed with a rose, 14” (8) wide

342 A RUSTIC GARDEN SEAT with concave plank back and seat, 33” wide; two low-seated garden chairs and two tree-section garden tables (5) £100-200

£100-200

343 A RUSTIC GARDEN BENCH with plank back and seat, on block legs, 80” wide

348 A SET OF THREE CAMPANA-SHAPED GARDEN URNS with gadrooned bodies, on rectangular plinth bases, 18” and 22” wide (3)

£50-100 344 A SIMILAR RUSTIC GARDEN BENCH with plank back and seat, on block legs, 80” wide

£150-250 349 A GEORGE III STYLE CAMPANA-SHAPED GARDEN URN with gadrooned body, on plinth base, on a rectangular plinth, 46” high

£50-100 345 A SIMILAR RUSTIC GARDEN BENCH with plank back and seat, on block legs, 80” wide

£100-200

£50-100 346 A SIMILAR RUSTIC GARDEN BENCH with plank back and seat, on block legs, 80” wide

350 AN ARTS AND CRAFTS STYLE GARDEN BENCH with rail back seat and arms, and square finials, 60” wide

£50-100

£100-200 351 TWO BELFAST KITCHEN SINKS (2) £20-40

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Furniture And Effects From Stable House, Moigne Combe

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Lot 352

Lot 355

355 A GEORGE II STYLE WALNUT CHEST ON STAND the upper section with two crossbanded and herringbone inlaid frieze drawers, with engraved brass handles, and three long conforming drawers below, on a stand with one long and two short drawers around a central arch, on scroll carved cabriole legs and pad feet, 38” wide

352 A SMALL GEORGE I WALNUT CHEST ON STAND basically early 18th century, the upper section with two herringbone veneered crossbanded drawers and three graduated drawers below with brass handles and key escutcheons, surmounted by a moulded pediment, the base with an arrangement of three drawers around a central arched kneehole and shaped apron, on cabriole legs and pad feet, 38” wide

£200-400

£400-600 356 AN EDWARDIAN MAHOGANY WARDROBE with panelled doors surmounted by a dentil carved pediment and drawer to base, 44” wide

353 AN 18TH CENTURY WALNUT CHEST OF DRAWERS the quarter veneered and herringbone crossbanded top above an arrangement of two short and three long graduated drawers, on shaped bracket feet, 39” wide

£50-100

£300-500

357 A 17TH CENTURY OAK COFFER the hinged top above a triple panelled front with “S”-scroll carved top rail, 45” wide

354 AN EDWARDIAN MAHOGANY “ARTS AND CRAFTS” BOOK TROUGH of two heights, on square legs terminating in castors, 21” wide, and a provincial oak Hepplewhite style single chair (2)

£100-200

£40-60 96

Lot 358

Lot 361

358 A VICTORIAN BURR WALNUT DAVENPORT the sloping leather writing surface surmounted by a fitted stationery compartment opening to a blonde wood fitted interior, with an arrangement of four drawers to one side and dummy drawers to the other, on turned front supports and base with compressed bun feet, 21” wide

361 A LATE REGENCY ROSEWOOD WHATNOT of four heights, with base drawer and baluster turned columns, terminating in turned finials, on baluster turned legs and castors, 18” wide

£300-500

362 AN EDWARDIAN BRASS CLUB FENDER with leather upholstered side seats, with brass close nailed borders and baluster spindle gallery, 52” wide

£300-500

359 A CHARLES II STYLE OAK GATELEG TABLE with “D”-shaped drop flaps, on bobbin-turned legs joined by crossstretchers, 46” wide

£100-200

£200-400

363 A SMALL GEORGE III STYLE MAHOGANY WINE TABLE with a circular top, on tripod base, 10” wide; and another similar wine table (2)

360 A SET OF FOUR LATE VICTORIAN ROSEWOOD SALON CHAIRS the “balloon”-shaped backs with cabochon and leaf-carved cresting rail, above serpentine deep button upholstered seats, on slender cabriole legs terminating in knurl toes, 18” wide

£30-50

£100-200

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364 A GEORGE III OAK AND CROSSBANDED MAHOGANY TALLBOY CHEST OF DRAWERS the two frieze drawers with brass swan-neck handles and five graduated long drawers below, on bracket feet, 42” wide £200-400

368 A REGENCY STYLE MAHOGANY AND BRASS INLAID WHATNOT of four heights with a platform base and ring-turned columns terminating in brass urn finials, 18” wide

365 A VICTORIAN MAHOGANY ARMCHAIR the spoon-back with deep button upholstery and scroll arms, on turned legs, brass toes and castors, 27” wide £150-250

£300-500

366 A LATE VICTORIAN ARTS AND CRAFTS BEDROOM CHAIR with a shaped lateral splat and caned seat, on tapering turned spindle legs, 16” wide

369 A GEORGE III HEPPLEWHITE STYLE MAHOGANY ELBOW CHAIR with pierced ladder back, leather-upholstered and brass closenailed seat, on block legs joined by stretchers, 24” wide

£30-50

£150-250

367 A STAVED OAK AND BRASS BOUND BUCKET with interior metal liner, 10” wide

370 A VICTORIAN OAK “CRICKET” TABLE the circular top on bobbin-turned legs, 16½” wide; and a late Victorian footstool (2)

£40-60

£70-100

98

371 A DUTCH CHILD’S PAINTED AND PARCEL-GILT SLEIGH extensively carved and pierced with birds and scrolls, the sides with painted panels of figures in cobbled streets beside a canal, 19th century, 32½" long £300-500

371 A VICTORIAN ARMCHAIR with high spoon-back and scroll arms, loose cover floral upholstery, on turned legs and castors, 29” wide

375 A REGENCY STYLE YEW WOOD OVAL COFFEE TABLE the crossbanded top on twin tripod columns, 48” wide

£100-200

£20-40

372 A VICTORIAN ARMCHAIR with square back and scroll arms, similar upholstery to previous lot, on turned legs and castors, 34” wide

376 A VICTORIAN NURSING CHAIR with rectangular high back and seat, upholstered in floral material, on turned legs and castors, 22” wide

£100-200

£70-100

374 A LATE REGENCY MAHOGANY FIRESCREEN with an oval silkwork screen worked with flighting birds, on a turned column with acorn finial and lotus leaf and acanthus leaf carved scroll base, 60” wide

377 A LATE VICTORIAN OAK “COACHING TABLE” of hinged “D”-shape, on turned legs, 36” wide £30-50

£250-450

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386 AN OAK SINGLE BED with rail headboard and footboard (frame only)

378 A LATE VICTORIAN ART NOUVEAU STYLE BRASS AND PAINTED SINGLE BED 36” wide

£20-40

£50-100 387 A MAHOGANY BEDSIDE CABINET with “D”-shaped drop flaps and two frieze drawers above a pot cupboard, on square chamfered legs, 16” wide

379 A GILT TRIPTYCH DRESSING TABLE MIRROR with three rectangular panels, within leaf-moulded borders, 36” extended

£40-60

£30-50

388 A VICTORIAN CHAISE LONGUE with scroll back, silk upholstery and floral loose covers, on turned legs, 68” wide

380 A PAIR OF EDWARDIAN MAHOGANY POT CUPBOARDS with single panelled doors and galleried backs, on bracket feet, 15½” wide

£50-100 389 AN EDWARDIAN OAK LIBRARY TABLE with square gallery top and book trough below, on scroll legs and castors, 15” wide

£100-200 381 A PAIR OF SINGLE BEDS with mahogany headboards (headboards and frames only), 36”

£50-100

£50-100

390 A GEORGE III STYLE PROVINCIAL OAK BUREAU BOOKCASE the upper section with astragal glazed doors enclosing interior shelves surmounted by a dentil carved pediment, the lower section with a crossbanded fall front opening to a fitted interior, above an arrangement of two short and three long drawers, on bracket feet, 36” wide

382 A LATE VICTORIAN LUGGAGE STAND with rectangular top, on turned legs and stretchers, 26” wide £40-70 383 A LATE VICTORIAN ARMCHAIR with scroll back, seat and padded arms, on a mahogany frame with turned spindles to the arms and legs with castors, 29” wide

£200-400 391 A LATE GEORGE III MAHOGANY LIBRARY FOLDING STEP STOOL the needlework upholstered top hinged to fold-out steps, on square tapering legs, 16” wide

£70-100 384 A MAHOGANY BOOKCASE of three heights, on a platform base, 43” wide

£100-200

£20-40

392 A GEORGE II “RED WALNUT” SINGLE CHAIR with a rectangular splat back, drop-in seat, on hipped cabriole legs and pad feet, 21” wide

385 A GEORGE III STYLE PROVINCIAL OAK BUREAU BOOKCASE the upper section with astragal glazed doors enclosing interior shelves surmounted by a dentil carved pediment, the lower section with a crossbanded fall front opening to a fitted interior, above an arrangement of two short and three long drawers, on bracket feet, 36” wide

£50-100

£40-60 100

393 A FINE GEORGE III MAHOGANY SERPENTINE COMMODE with three graduated drawers retaining the original gilt brass handles (two replaced) over a carved apron and flanked by moulded angles continuing into the shaped cabriole feet, 42" wide £2,000-4,000

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394 A LATE GEORGE III MAHOGANY BOW FRONT CHEST OF DRAWERS with a brushing slide over three graduated drawers apparently retaining the original oval pressed brass handles, on swept bracket feet joined by a valanced apron, 37" wide

Lot 394

£200-400 395 A GEORGE II STYLE MAHOGANY DRESSING STOOL with a needlework upholstered rectangular seat, on hipped cabriole legs and pad feet, joined by turned stretchers, 21” wide £50-100 396 A GEORGE III STYLE MAHOGANY TRAY-TOP COMMODE with a single cupboard door, on chamfered block legs, 14½” wide £40-70 397 A VICTORIAN MAHOGANY CHEVAL MIRROR with an arched rectangular mirror between spirally-turned uprights, on a serpentine base with carved claw feet, 46" wide x 59" high £200-400 398 A VICTORIAN ARMCHAIR with green leather upholstery, baluster-turned spindles to the arms, on turned legs and castors, 24” wide £50-100 399 A CONTINENTAL PAINTED DRESSING MIRROR the shaped mirror plate within a lyre-frame and an arrangement of one long and three short stepped drawers to the base, the red ground painted in the neo-classical manner with winged cherubs and trailing flowers, 16” wide £100-200 400 A PAIR OF REGENCY SALON CHAIRS with carved panelled backs and lateral splats mounted with gilt floral roundels, drop-in upholstered seats, on sabre front and rear legs, 18” wide

Lot 397

£50-100 102

Lots 401 and 402

401 A SET OF SIX GEORGE III STYLE MAHOGANY DINING CHAIRS of George III design, with pierced splats over drop-in seats, on square legs joined by conforming stretchers, 21" wide (across the seat) (6)

404 A 17TH CENTURY STYLE OAK SIDE TABLE the rectangular top with a carved frieze, on twist legs and stretchers, 48” wide

£100-200

405 AN EDWARDIAN OVERMANTEL MIRROR with bevelled glass plate, 36” wide, a towel horse, a fender and other items (a lot)

£100-200

402 A LATE GEORGE III MAHOGANY BREAKFAST TABLE with a well-figured rectangular tip-up top with rounded corners and a moulded edge, on a baluster shaft and four downswept fluted legs ending in brass toe caps and castors, the base with associated metal stabilising struts, 41½" x 59"

£20-40 406 AN EDWARDIAN MAHOGANY BUREAU BOOKCASE the upper section with astragal glazed doors surmounted by a plain frieze and moulded pediment, the base with fall front opening to a fitted interior, above four long graduated drawers on bracket feet, 32” wide

£200-400 403 A LATE VICTORIAN SCROLL FRAME EBONISED NURSING CHAIR with red velvet upholstery, 16”, and a mahogany luggage stool with caned panel seat and single scroll arm, 18” wide (2)

£100-200

£50-100

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407 A WILLIAM IV MAHOGANY LINEN PRESS with a triangular-arched pediment enclosing sliding trays over a pair of crossbanded flame-figured panel doors and three graduated drawers, on a plinth base, 48" wide

Lot 407

£150-250 408 A 19TH CENTURY PAINTED PINE CHEST OF DRAWERS 36” wide £30-50 409 A VICTORIAN DOLLS MINIATURE CHAIR with bobbin-turned frame, 12” wide £30-60 410 A CONTEMPORARY PINE WALL SHELF and magazine rack (2) £20-40 411 A REGENCY MAHOGANY PILLAR TABLE the rectangular top on a baluster turned column and tripod legs, 23” wide £40-70 412 A SHERATON STYLE INLAID MAHOGANY DRESSING MIRROR the rectangular plate above a box base with three drawers, on splay bracket feet, 23” wide £40-70 413 A LOUIS XV STYLE FLORAL MARQUETRY STOOL on slender cabriole front legs mounted with ormolu sabots, 22" wide £200-400 414 AN EDWARDIAN CHIPPENDALE REVIVAL DINING CHAIR with ladder back, a dressing stool with cane top and cabriole legs, and another stool with needlework top, on shell-carved cabriole legs (3)

Lot 413

£50-100 104

Lot 415

415 A VICTORIAN WALNUT DESK with a serpentine front, the top apparently retaining the original gilt-tooled green leather surface and the raised central section with a hinged slope, the front with a simulated drawer flanked by drawers and with three bow-fronted drawers in each pedestal, on a plinth base, 48½" wide

418 A SET OF THREE REGENCY MAHOGANY BAR BACK DINING CHAIRS with rope-turned lateral splats, drop-in upholstered seats on sabre front and rear legs, 19” wide

£200-400

419 AN EDWARDIAN OVERMANTEL MIRROR the rectangular bevelled glass within a gilt reeded and ribbon-tie surround, 32” wide

£30-60

416 AN EDWARDIAN SHERATON REVIVAL INLAID MAHOGANY SUTHERLAND TABLE with “D”-shaped drop flaps, on pierced end supports and splay legs, 27” wide

£50-100 420 A GEORGE III MAHOGANY “DUMB WAITER” with three graduated revolving tiers, on a baluster shaft and a tripod base, the bottom tier 24" x 43"

£40-70 417 A CHIPPENDALE STYLE WALNUT WALL MIRROR the rectangular plate within a fretwork surround, 27” wide

£150-250

£50-100 105

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Lot 421

421 A REGENCY ROSEWOOD CARD TABLE the folding rectangular top with a baize-lined interior and a reeded edge, over a panelled frieze with a conforming lower border, on a turned column with an acanthus-carved collar and four hipped sabre legs carved with stylised leaves and ending in brass toe caps and castors, 36" wide

424 A LATE GEORGE III MAHOGANY TRIPOD TABLE with a tip-up dished circular top, on a baluster shaft and a tripod base, 20½" dia.

£100-200

425 A CHARLES II JOINED OAK COFFER the rectangular lid with a moulded edge over a carved frieze and conforming panels, on guilloche-carved stile supports, 43" wide

£100-200

422 A VICTORIAN OAK “BANJO” BAROMETER

by Negretti & Zambra, London, with a silvered thermometer above the circular dial, in a shaped pale oak case with a carved cresting, 43" high

£150-250

£100-200

426 A LATE GEORGE III GILTWOOD OVERMANTEL MIRROR apparently retaining the original bevelled rectangular plate, in a moulded frame with a beaded inner border, 22½" x 39½"

423 A VICTORIAN MAHOGANY BEDSIDE CUPBOARD the grey marble top with rounded front corners over a panelled cupboard flanked by rounded angles, on a plinth base, 15" wide, and a Victorian mahogany “Lazy Susan” with a revolving circular top, 15" dia. (2)

£150-250 427 AN OAK HALL SETTLE the back composed of four line-fold panels, 57½" wide

£80-150

£100-200 106

Lot 428

428 A DUTCH MARQUETRY CHIFFONIER with a rectangular top over a recessed drawer with an arched front and a pair of panelled cupboards decorated with baskets of flowers suspended from ribbon-tied bows, on swept front feet, 39" wide

431 A CAUCASIAN RUNNER the ivory field composed of two blue hexagonal medallions with two smaller conjoined medallions between, the principal blue border with stylised flowers enclosed by terracotta guard stripes, 42½" x 164"

£200-400

£100-200

429 A GEORGE III MAHOGANY ELBOW CHAIR in the manner of George Hepplewhite with a carved shield-shaped back and outscroll arms over a red Morocco seat, on square tapering legs ending in spade feet, the underside of the seat rail inscribed “Whitson”, 23" wide

432 A VICTORIAN MAHOGANY SIDEBOARD OR WASHSTAND the rectangular grey marble top with a moulded edge over three drawers with panelled cupboards below flanking an arched kneehole, on turned feet with brass toecaps and castors, 48" wide

£200-400

£100-200

430 AN ART NOUVEAU WALNUT SIDEBOARD with a central bank of drawer flanked by panelled cupboards, on swept bracket feet, 72" wide

433 A LATE GEORGE III MAHOGANY BEDSIDE TABLE the undulating tray top with pierced hand apertures over a single cupboard with a crossbanded border, on square tapering legs, 16" wide

£100-200

£100-200

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434 A GEORGE I WALNUT LOWBOY the rectangular top with a moulded edge over a single frieze drawer apparently retaining the original engraved brass handles, on columnar turned legs joined by squared stretchers, 31" wide

441 A GEORGE III MAHOGANY BEDSIDE COMMODE the tray-top with pierced hand apertures over a cupboard and a pull-out drawer fitted with a white ceramic liner, 20½" wide

£200-400

£100-200

435 A VICTORIAN SATIN BIRCH SINGLE WARDROBE with a moulded cornice over a mirrored door and a drawer in the base, 37½" wide

442 A LATE REGENCY MAHOGANY SMALL CHEST OF DRAWERS with a rectangular top over two short and two long drawers with turned wood handles, on turned feet, 33½" wide

£50-100

£100-200

436 A LATE GEORGE III MAHOGANY TRIPOD TABLE with a circular tip-up top on a turned shaft and a tripod base, 35½" dia.

443 A REGENCY MAHOGANY DRESSING MIRROR with a rectangular swing plate between turned uprights, on a serpentine fronted base fitted with two drawers flanking a carved rectangular foliate patera, 33½" wide

£200-400

£70-100

437 AN EDWARDIAN BOOKSTAND with a bookshelf joining the swept front legs, 15½" wide, and a bedside table with two drawers over a cupboard, the square top with hinged flaps, 29" wide (extended) (2)

444 A GEORGE III STYLE MAHOGANY SMALL CHEST OF DRAWERS with a rectangular top over two short and three long graduated drawers, on shaped bracket feet, 25" wide

£30-50

£50-100

438 AN EDWARDIAN MAHOGANY TRIPLE DRESSING MIRROR of George III design, 28½" high, and a luggage rack with a slatted top, on a turned underframe, 26" wide (2)

445 A LATE GEORGE III MAHOGANY CHEST OF DRAWERS inlaid with chequered stringing, with a rectangular crossbanded top over two short and three long drawers, on shaped bracket feet, 37" wide

£30-50

£150-250

439 A REGENCY MAHOGANY DRESSING TABLE the rectangular top with a moulded edge and rounded corners over an arrangement of five drawers, on turned legs ending in brass toe caps and castors, 41" wide

446 A GEORGE III MAHOGANY FOURPOSTER BED with a cornice painted with a flowering vine with stylised leaves at the corners, the reeded front posts swelling towards the base and with simple beaded capitals, the cornice cut which may indicate the bed has been altered and reduced in width, 55" wide x 100" high

£100-200 440 A VICTORIAN BURR WALNUT SINGLE WARDROBE with a moulded cornice over a pair of panelled doors, on a plinth base, 54½" wide x 81½" high

£500-1,000

£100-200

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Lot 446

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454 AN EARLY GEORGE III MAHOGANY BREAKFAST TABLE with a decagonal tip-up top with finely figured radiating veneers on a fluted shaft and a carved and moulded tripod base ending in knurled toes with recessed castors, 52½" dia.

The design and execution of this table relates to documented pieces by Thomas Chippendale

447 AN EDWARDIAN OAK “SUTHERLAND” TABLE 32½", and two reproduction wine tables (3) £30-60 448 A REGENCY MAHOGANY ELBOW CHAIR with a rope-twist bar back and bold scrolling arms, with a drop-in seat on sabre legs, 22½" wide, and a pair of side chairs ensuite (3)

£300-500

449 AN EDWARDIAN EASY CHAIR with printed floral loose covers, 27½" and an upright chair with matching upholstery (2)

455 A VICTORIAN BURR WALNUT AND MARQUETRY DESK with ormolu mounts throughout, the raised superstructure with drawers flanked by mirrored cupboards over a leather-lined writing surface and an arrangement of nine drawers surrounding the central kneehole, on a plinth base, 45" wide

£50-100

£300-500

450 A VICTORIAN EASY CHAIR with a swept back and shaped arms, on turned front legs with brass toe caps and castors, now with floral printed loose covers, and a similar easy chair (2)

456 AN EARLY VICTORIAN SIMULATED ROSEWOOD EASY CHAIR with a buttoned back and open scroll arms, on turned front legs ending in brass toe caps and castors, 26" wide

£50-100

£100-200

451 A WILLIAM IV MAHOGANY LIBRARY ARMCHAIR with a curved rectangular cresting rail over scrolling arms, with leather-padded arms and a conforming seat, on turned and reeded legs ending in brass toe caps and castors, 25" wide

457 A VICTORIAN BURR WALNUT “SUTHERLAND” TABLE with an oval top on a bobbin-turned frame with castors, 32½" wide (extended), a slipper chair and a Victorian bedroom chair with a caned seat (3)

£100-200

£50-80

452 A GEORGE II MAHOGANY TRIPOD TABLE, the revolving tip-up top with a scalloped edge and on a birdcage support, with a plain cannon-barrel shaft and a tripod base ending in pad feet, 26½" dia.

458 A LATE GEORGE III MAHOGANY BOWFRONT DRESSING TABLE with an arrangement of nine drawers surrounding a recessed cupboard in the kneehole, on swept bracket feet joined by a valanced apron, apparently retaining the original oval pressed brass handles, 61" wide

£150-250

£300-600

£300-500 453 A WILLIAM IV MAHOGANY PEDESTAL DESK with an embossed leather writing surface over an arrangement of nine drawers surrounding the central kneehole, on a plinth base, 60" x 32"

459 AN EARLY VICTORIAN MAHOGANY CHEST of two short and three long graduated drawers, on turned feet, 43" wide

£300-600

£100-200

110

460 A VICTORIAN WALNUT SETTEE with a galleried back and scrolling arms, on spirally-turned front legs ending in brass toe caps and castors, 53" wide £100-200 461 A SET OF GARDEN FURNITURE bench, chair and small table (3) £30-50 462 A PAIR OF ROCOCO STYLE GILT METAL WALL LIGHT FITTINGS with three candle arms £100-200 463 A PAIR OF GILT-METAL DECORATIVE WALL LIGHT FITTINGS with two candle arms £50-100 464 ANTIQUE BRIC A BRAC: Two leather cased tape measures, a wood and brass rule and a set of trays (a lot) £50-100 465 SINGER SEWING MACHINE (manual) Y8438703 and accessories in original wooden box with lock and a Singer sewing machine (electric) Y7370318 and accessories in tailor made box (2) £50-100 466 FLYMO LEAF BLOWER Garden Vac 2700W Turbo and a strimmer Rotomat Plau 2 (Wolf Gerate) (2) £50-100 467 A MOUNTFIELD PRINCESS 14 ELECTRIC LAWN MOWER £20-40 END OF SALE

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

GLOSSARY OF CATALOGUING TERMS The auctioneers are always pleased to discuss individual lots with prospective purchasers prior to the auction and will provide condition reports on request. If you require clarification of any terms employed in the catalogue please do not hesitate to seek advice.

The auctioneers are also pleased to discuss lots which may have been altered, repaired, or restored.

The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description.

The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice.

With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation.

Care is taken to ensure that any statement as to authorship, attribution, origin, date and provenance is reliable and accurate, but all such statements of opinion and are not to be taken as statement or representations of fact. Hy. Dukes & Son reserve the right, in forming their opinion, to consult and rely upon any expert or authority reasonably considered by them to be reliable.

Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

PAINTINGS, DRAWINGS AND PRINTS A work catalogued with the forename(s) and surname or recognised designation of an artist is, in our opinion, a work by the artist, e.g.

NICHOLAS CHEVALIER Attributed to NICHOLAS CHEVALIER ... in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Manner of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but of a later date.

Studio of NICHOLAS CHEVALIER ... in our opinion a work by an unknown hand, which may have been executed in the studio of the artist.

After NICHOLAS CHEVALIER ... in our opinion a copy of any date after a work by the artist.

Signed/inscribed/dated NICHOLAS CHEVALIER ... in our opinion the work has been signed/inscribed/dated by the artist.

Circle of NICHOLAS CHEVALIER ... in our opinion a work from the period of the artist and showing his influence.

Bears signature/inscription/date NICHOLAS CHEVALIER ... in our opinion the signature/inscription/date are probably not by the. hand of the artist.

Follower of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but not necessarily by a pupil.

The addition of a question mark after any of the cataloguing terms in the above glossary indicates an element of doubt.

The term 'ascribed to' may in certain cases be used to denote a traditional attribution based on style.

A work catalogued as 'School' accompanied by the name of a place or country and a date mean that in our opinion the work was executed at that time and in that location, e.g. Dutch School, circa 1700.

All reference to signatures, inscriptions and dates refer to the present state of work, i.e. as at the time of inspection for the purpose of cataloguing.

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

ARTIST’S RESALE RIGHT From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional.

From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work

112

CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

1 DEFINITIONS

In these Conditions: (a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

9

2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3 INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4

THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 25% plus VAT on the premium at the rate imposed by law.

5

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 20% on the buyers premium.

6 PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(3) The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately.

7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12 AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13 TERMS OF SALE

The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14 DESCRIPTIONS AND CONDITION (1) The Catalogue contains an Entry about each Lot. Each Lot is sold by its respective Seller to the Buyer of the Lot as corresponding only with that part of the Entry which is printed in bold letters and with any photograph of the Lot in the Catalogue.

The remainder of the Entry, which is not printed in bold letters, represents Duke’s opinion (given on behalf of the seller) about the Lot only and is not part of the Contractual Description in accordance with which the Lot is sold by the Seller.

(2) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(3) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15 FORGERIES

Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

16 GENERAL

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

(1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

(4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

(5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

(6) English law applies to the interpretation of these Conditions.

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Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

CONDITIONS OF SALE (continued) DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the telephone cannot be made for invoices totalling more than £500 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance).

CHEQUES The Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day.

Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day.

A Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day. Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank.

LIVE BIDDING Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.

P lease note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 4.95% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy.

THIRD PARTY LIABILITY Any person or his personal property at or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur.

IMPORTANT NOTICE TO BUYERS OF FURNITURE Items not collected from Moigne Combe by 4pm on Friday 12th April 2019 will be transported to storage at the buyer's expense. The buyer will also be responsible for arranging their own insurance and any subsequent storage charges. Clearance while the auction is in progress is possible where available.

IMPORTANT NOTICE TO BUYERS OF WILDLIFE MATERIAL Property made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife, including but not limited to, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone and certain species of coral, together with Brazilian rosewood, may require permits or certificates (e.g. a CITES permit) from the relevant regulatory agencies to be exported or imported. Prospective purchasers are also advised that some countries prohibit altogether the importation as well as exportation of such materials.

Accordingly, clients should familiarise themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country.

Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered or protected wildlife material. The inability of a client to export or import property containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale.

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Duke’s AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part.

I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue.

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

£’s

Lot No:-

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101 115

115

Duke’s

Each lot is subject to a buyer's premium of 30% inclusive of VAT @ 20%

AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part.

I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue.

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

£’s

Lot No:-

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101 116 116

Duke’s Wednesday 10th April Moigne Combe - A Country House Sale 2019

PRINTED IN DORCHESTER BY EPIC PRINT

Moigne Combe

A Country House Sale Wednesday, 10th April