Dukes Auction 23rd February 2017

Duke’s

Ceramics, Glass and Furniture

Including The Buxton Collection of Engraved Glass Thursday, 23rd February. Ceramics, Glass and Furniture. Including The Buxton Collection of Engraved Glass.

2017

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT

Thursday, 23rd February

Duke’s AUCTIONEERS SINCE 1823

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Duke’s AUCTIONEERS SINCE 1823

area representatives Wiltshire & Cranborne Chase Sir Michael Salt, Bt (01258) 860259 The Isle of Wight Anthony Blest (01983) 760460 Devon Chris Bolton F.R.I.C.S. (01297) 354100 Cornwall Charles Cox (01288) 354100 SOMERSET & AVON Richard Gold (01963) 34764 Hampshire Robert Nevin (0208) 7685152 North of England Nick Bray (07860) 642488

Duke’s AUCTIONEERS SINCE 1823

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Jewellery: The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer.

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Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots.

Items containing rubies or jade/jadeite of Burmese origin are not permitted for import by the USA. Furniture The nature of antique furniture means that much that survives has been restored, altered or repaired. If a lot has been catalogued without a specific date (i.e. circa 1760) it should be assumed that the lot in question may have been substantially restored, altered or repaired and may incorporate later elements.

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BOOKS AND MANUSCRIPTS 13th April 2017

John Arrowsmith’s London Atlas 1842 One of the finest atlases of the Victorian period, housed in a unique metamorphic rosewood library stand

Duke’s are now accepting consignments for this auction (last date for entries 10th March) For further information or should you wish to consign please contact Matthew Denney on 01305 265080 or email matthew.denney@dukes-auctions.com 4

Duke’s AUCTIONEERS SINCE 1823

Duke’s AUCTIONEERS SINCE 1823

VIEWING TIMES Saturday, 18th February, 9.30am – 12noon Monday, 20th February 9.30am – 5pm Tuesday, 21st February, 9.30am – 7pm Wednesday, 22nd February, 9.30am – 5pm and on the morning of the auction day

Catalogues £20.00 (by post)

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5

ASIAN ART 18th May 2017

A Chinese blue and white bowl with heaped and piled decoration, the base with a Qianlong seal mark and of the period, 10¼” dia.

Provenance: Deceased Estate, Dorset

Duke’s are now accepting consignments for this auction (last date for entries 7th April) For further information or should you wish to consign please contact Duke’s on 01305 265080 or email enquiries@dukes-auctions.com 6

Duke’s AUCTIONEERS SINCE 1823

Duke’s AUCTIONEERS SINCE 1823

Thursday, 23rd February, 10.30AM Lots 1 – 67 Lots 68 – 119 Lots 120 – 219 Lots 300 – 533 Lots 600 – 646 Lots 660 – 668 Lots 670 – 689 Lots 700 – 796

The Buxton Collection of Glass Glass English and European Ceramics Chinese, Japanese and South East Asian Works of Art Works of Art Clocks and Scientific Instruments Rugs Furniture

View images of all lots and bid live online

Photography by

JONATHAN GOODING 7

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THURSDAY, 23 R D FEBRUARY, 10.30A M

The buxton collection of engraved gla ss

James Buxton began his collection in 1967 whilst a stallholder in the Portobello Antiques Market, London, in his gap year prior to reading economics and law at Cambridge University. Since then he has steadily built up the collection through purchases from private sources, the salerooms and dealers, including Delomosne & Co. The collection is strictly confined to commemorative engraved glass, rather than engraved glass that is purely decorative. The subject matter of the engraving on the glasses comprising the collection includes politics, trade and commerce, royalty, racing, distinguished buildings, sport and military history.

Of the universally high quality of the glass for sale, the glasses of exceptional interest include the superb glass acquired from the late Christopher Sheppard, recorded as being "cut made and engraved" in Newcastle, a principal centre for glass manufacture in the 18th. and 19th. centuries (Lot 56); the two Davenport glasses commemorating shooting and fishing (Lots 10 and 11); the highly unusual glass depicting the Battle of Waterloo (Lot 27); and the glass commemorating the supporters of George III who opposed independence for America, of which no comparable glass is thought to exist (Lot 8). The collection, if not actually unique, is certainly highly unusual and provides an excellent opportunity to acquire glasses of outstanding quality."

Detail of lot 35 9

1 A GLASS RUMMER, the pointed ovoid bowl engraved with leaves and "SUCCESS TO THE TARPORLEY HUNT" and "QUAESITUM MERITIS", on a short cut stem and circular foot, c.1815, 4" high, 2¾" dia.

Lot 1

The Tarporley Hunt Club was founded in 1762 and is the oldest surviving such society in England. The Club still meets twice a year at the Swan Hotel, Tarporley. The Prince of Wales has been a Patron of the Club since 1980.

Provenance: Sotheby's, 04/10/1976, lot 17

£350-550

2 AN ELECTIONEERING GLASS TUMBLER, of plain slightly tapered shape, engraved '"FORD FOR EVER", c.1800, 4" high, 3¼" dia.

Lot 2

Provenance: Phillips, 05/04/1989, part lot 142

£250-450

3 A COMMEMORATIVE NAVAL GLASS RUMMER, the bucket bowl engraved with a three mast sailing vessel, the reverse engraved "SUCCESS TO THE JOVEL CREW OF THE LINX SLUPE OF WAR/SAML BROWN", on a short waisted stem and circular foot, c.1800, 6¼" high, 3¼" dia.

Lot 3

10

The Lynx was a sloop of 16 guns, 43 tons. She was built

by Cleveley's of Gravesend and launched 14th February 1794. For most of her career she was based at the North Sea station. In the 1809 Navy list she is recorded as attached to the Baltic station. On the 12th August 1809, in company with The Monkey, fourteen guns, she cut out three Danish luggers at Issenhoved. She was finally sold in April 1813.

A. Samuel Brown was made a Lieutenant Commander on 1st August 1811.

Provenance: Sotheby's 30/11/1999, lot 220

£600-1,000

4 AN IMPORTANT PEACE OF PARIS COMMEMORATIVE GLASS RUMMER, the bowl engraved and polished with an oval cartouche depicting a seated figure of Britannia with a recumbent lion and Union Flag shield, accompanied by two men waving to a Man O'War on the horizon beneath an angel and dove of peace. Inscribed "PEACE 1814", the reverse with the initials "GJC", within a floral cartouche, on a waisted stem and square moulded lemon squeezer foot, 8½" high, 5¾" dia.

11

The Treaty of Paris, signed on 30th May 1814, ended the war between France and the Sixth Coalition, part of the Napoleonic Wars, following an armistice signed on 23rd April between Charles, Count of Artois and the allies. It established peace between France and the United Kingdom of Great Britain and Ireland, Russia, Austria and Prussia.

Provenance: Christie's, 09/03/2000, lot 72

£1,500-3,000

5 A GLASS 'LOCOMOTIVE' TUMBLER, slightly tapered and engraved with a steam train within a rectangular line panel, the reverse engraved with the monogram "WB" within an oval line panel flanked by thistle and rose, above a facet cut base, c.1825, 4" high, 3½" dia.

Lot 5

Provenance: Sotheby's, 14/05/2003, lot 116

£350-550

6 A QUEEN CAROLINE COMMEMORATIVE GLASS RUMMER, the bucket bowl engraved with a tomb surmounted by an urn between weeping willows, the reverse engraved "QUEEN CAROLINE DIED AUGT 7 1821", the stem with a bladed knop and circular foot, 5" high, 3½" dia.

Lot 6

Cf: A very similar example is illustrated by A. Churchill, "History in Glass", 1937, p.39, pl. 40, fig. 180

Provenance: Sotheby's, 14/05/2003, lot 118

£250-450

7 A GLASS 'FRIENDSHIP' RUMMER, the bowl engraved "MAY THE WINGS OF FRIENDSHIP NEVER LOOSE A FETHER", the reverse engraved with the monogram "JJ", a border of stylised florets around the rim, on a tapered stem and circular foot, c. 1800, 6¾" high, 4½" dia.

Lot 7

Literature: Illustrated by Sydney Crompton, "English Glass", pl. 173

Provenance: Sotheby's, 14/05/2003, lot 40

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£400-800

8 AN IMPORTANT AND RARE 'LOYALIST' FIRING GLASS OF AMERICAN INTEREST, the ovoid bowl flute-moulded from two-thirds down, engraved with the toast "THE KING & THE FRIENDS OF HIS MAJESTY’S AMERICAN LOYALISTS", on a short, double opaque twist stem and thick circular foot, c.1770, 4" high, the foot 2½" dia.

The Loyalists were American colonists who remained loyal to the British crown during the American Revolutionary War. At the time they were often called Tories, Royalists or King's Men. Patriots called them "persons inimical to the liberties of America".

No comparable examples appear to be recorded in the literature.

Provenance: Bonham’s, 01/10/2003, lot 203

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£2,000-4,000

Lot 12

Lot 9

9 A 'ROYALIST' TOASTING GLASS, the round funnel bowl engraved with the Royal Arms and Union spray on the reverse, on a short plain stem and thickened circular foot, c.1810, 4" high, 2" dia.

Lot 13

Provenance: Bonham’s, 23/07/2004, lot 90

£350-550

12 A PAIR OF DAVENPORT PATENT STYLE GLASS TUMBLERS, decorated with titled pictures of "THE VICTORY", slice cut with an octagonal feet, c. 1840, 3¾" high, 3.5cm dia.

Provenance: Bonham’s, 18/10/2005, lot 59

£100-200

13 A GLASS RUMMER, the bowl engraved "SUCCESS TO THE LOYAL INDEPENDENT SHEFFIELD VOLUNTEERS" partially bordered by leaves, on a short tapered stem and circular foot, c.1800, 5½" high, 3¼" dia.

Lot 14

Provenance: Jeanette Hayhurst Fine Glass

£200-400

14 A GEORGE III JUBILEE GLASS RUMMER, engraved "JUBILEE OCTR 25 1809" above a crown and "50 YEAR" within a partial leaf border, flanked by anchors, the reverse with an All-Seeing Eye above "GIIIR", on a short waisted stem and circular foot, 7¼" high, 5½" dia.

14

Provenance: Christie's, 13-14/11/2006, lot 1225

£350-550

Lot 10

Lot 11

11 A DAVENPORT PATENT GLASS RUMMER, the large bowl finely decorated with a large panel showing a gentleman leaning against a tree trunk fishing, a couple nearby also fishing, the reverse with a similar panel showing a cottage with a fence, a broad frieze around the rim of swags, a smaller frieze above the panels, the bowl set on a merese above a short square tapered stem and pedestal foot, marked "Patent" on the base, c. 1806-10, 6" high, 4½" dia.

10 A DAVENPORT PATENT GLASS RUMMER, the large bowl finely decorated with a large panel showing a huntsman with his greyhound, another man running after a hound chasing a hare in the background, the reverse with a similar panel showing a tumbledown cottage, a broad frieze around the rim of swags, a smaller frieze above the panels, the bowl set on a merese above a short square tapered stem and pedestal foot, marked "Patent" on the base, c. 1806-10, 6" high, 4½" dia.

Cf: For a similar rummer, see the Journal of the Glass Association, Vol. 1, 1985, Ron Brown, The Davenports and their Glasses 1801-1887, pl. 11, p. 38, p.39 for a similar hunting scene. Two rummers and another goblet are illustrated by Lockett and Godden (1989), figs. 323-5, p.

283

Provenance: Bonham’s, The Joyce Mountain Collection of Davenport Pottery, Porcelain and Glass.

Cf: For a similar rummer, see the Journal of the Glass Association, Vol. 1, 1985, Ron Brown, The Davenports and their Glasses 1801-1887, pl. 11, p. 38, p.39 for a similar hunting scene. Two rummers and another goblet are illustrated by Lockett and Godden (1989), figs. 323-5, p.

283

Provenance: The Joyce Mountain Collection of Davenport Pottery, Porcelain and Glass.

£1,500-2,500

£1,500-2,500

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Lot 16

Lot 15

15 A 'BRITISH NAVAL VICTORIES' GLASS TUMBLER, engraved "NELSON / 19TH AUGUST 1798 / HOWE / 1ST JUNE 1794 / ST. VINCENT / 14TH FEBRUARY 1797 / DUNCAN / 11TH OCTOBER 1797", all below anchors within open swags, with a fluted foot rim, c. 1800, 4¾" high, 4" dia.

Lot 17

Provenance: Christie's, 13-14/11/2006, lot 1226

£400-800

16 A 'WILLIAMITE' GLASS GOBLET, the trumpet bowl engraved with a figure of King William III on horseback beneath "THE GLORIOUS MEMORY OF KING WILLIAM", the reverse "BOYNE 1ST JULY 1690", on a tall tapered stem and circular foot, c.1750, 8¼" high, 4" dia.

Provenance: Woolley & Wallis, 29/11/2006, lot 405 £350-550 Lot 18

17 A LARGE GLASS RUMMER, the bowl engraved "PEACE AND PLENTY" within a leaf wreath, on a tapered square stem and stepped base, c.1790, 8" high, the bowl 5½" dia.

Provenance: Woolley & Wallis, 28/02/2007, lot 9 £400-800 18 A LARGE GLASS RUMMER, engraved with an oval panel of a mule above "I H C 1800, BEVERLEY", the reverse "SUCCESS TO THE WHEELS" above a horse drawn cart named "YORK", on a short waisted stem and circular foot, c.1800, 8" high, 6" dia.

16

Provenance: Sotheby's, 18/07/1995, lot 218

£350-550

Lot 19

Lot 20

19 A LARGE GLASS CHRISTENING TUMBLER, engraved "THE HIGH ROAD TO A CHRISTENING" on a banner above "H. C. A. SAVAGE / PRIORS HARDWICHE", all above a hop-spray and barley, c.1800, 7½" high, 5½" dia.

Provenance: Christie's, 03/06/1996, lot 99

£300-500

Lot 21

20 A RARE 'NO EXCISE' GLASS TUMBLER, engraved "NO, EXCISE" above three barrels, the reverse with a monogram above the date "1794" within tied stylised apple branches, 5½" high, 4¼" dia.

Provenance: Christie's, 07/10/1996, lot 66

£400-800

21 A YARMOUTH 'LORD HOWE' GLASS RUMMER, attributed to William Absolon, the ovoid bowl engraved with a three-masted ship between "QUEEN CHARLOTTE", the reverse "LORD HOWE AND THE BRITISH NAVY SEE THE CONQUERING HERO COMES", within a scalloped circular cartouche, on a short waisted stem and circular foot, c.1800, 6½" high, 4¼" dia.

During the Napoleonic Wars Admiral Lord Howe (1725-99) defeated the French fleet off Ushant, 1st June 1794.

Provenance: Sotheby's, 12/05/1998, lot 106

Lot 22

£450-650 22 A COMMEMORATIVE FISHING GLASS RUMMER, the bowl with a spirally fluted lower section, engraved and gilt "SUCCESS TO THE NORTH SEA FLEET" in an oval cartouche, on a short waisted stem and circular foot, c.1800, 4½" high, 3" dia.

Provenance: Christie's, 16/10/1997, lot 68

£300-500

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23 A GLASS RUMMER,

by William Absolon, the bowl engraved with a horse and gig beneath "TRIP TO CAMP", the reverse "A TRIFLE FROM YARMOUTH" and an engraved and gilt monogram "WP" with an indistinct name, on a short tapered stem and circular foot, c.1800, 5½" high, 3½" dia.

Lot 23

Cf: For similar examples. Charles Hajdamach, "British Glass 1800-1914" (Woodbridge 1991) p.156, pl.123

Provenance: Christie's, 16/10/1997, lot 66

£450-650

24 A ROYAL COMMEMORATIVE GLASS RUMMER, engraved with a profile portrait of King George III, within an oval line cartouche between "GOD SAVE THE KING", the reverse with the monogram "JC", on a short stem and stepped foot and plinth foot, c.1815, 5¾" high, 3¾" dia.

Lot 24

Provenance: Christie's, 09/03/2000, lot 71

£350-550

26 A MASONIC NAVAL COMMEMORATIVE GLASS TUMBLER, engraved with Masonic devices and inscribed "SUCCES TO THE DARTMOUTH", c.1790, 3¾" high, 3" dia.

Lot 26

18

Provenance: Dreweatts, 17/12/2008, lot 261

£250-450

25 A LARGE SUNDERLAND BRIDGE GLASS RUMMER, the deep cup-shaped and faceted bowl engraved with a view of boats beneath Sunderland Bridge above "SUNDERLAND BRIDGE", the reverse with a building above "THE EXCHANGE", both within line panels flanked by formal flowers, leaf scroll and serrated borders, on a short waisted stem and square lemon-squeezer moulded foot, c.1814, 8½" high, 6" dia.

£1,500-3,000 19

27 A LARGE AN IMPORTANT BATTLE OF WATERLOO RUMMER, the flared bowl cut with flutes below an engraved frieze of the battle scene, the reverse with an urn of flowers, on a knopped stem and circular foot, c.1840, 9½" high, 6" dia.

In the background, a figure points his risen hat towards the enemy, perhaps representing the Duke of Wellington commanding his troops to the final advance. In the foreground a man, leaning on his sword for support, is helped to his feet by a comrade. This probably represents Field Marshal Henry William Paget, 1st Marquess of Anglesey, whose leg was severely damaged on the final day of the battle. According to anecdote, upon injury Paget exclaimed, "By God, sir, I've lost my leg!", to which Wellington replied, "By God, sir, so you have!".

20

In forming this composition the engraver would probably have drawn on numerous accounts of the Duke of Wellington's celebrated victory over Napoleon at the Battle of Waterloo. One example of such a source is George Cruickshank's "Historical Account of the Battle of Waterloo", published 1817, which contained plans, maps and engraved views of the battle. In addition, contemporary prints of the battle were in wide circulation at the time.

Cf: For a coin rummer of similar form dated 1843, see Charles Hajdermach, "British Glass 1800-1914" (Woodbridge, 1991), p. 152, pl. 116. For another rummer of related form engraved with Neptune and signed, T. Hudson, Newcastle, see Hugh Wakefield, "Nineteenth Century British Glass" (London, 1982), p. 84, pl. 80

ÂŁ1,800-2,500

28 A GLASS RUMMER, possibly by William Absolon, the ovoid bowl engraved with a sportsman loading his gun, two dogs, and a covey of partridges, below "SUCCESS TO THE PULHAM SPORTSMEN", the reverse with initials, possibly "JEY", on a waisted stem and circular foot, c.1800, 5¼" high, 3½" dia.

Lot 28

£250-450

29 A LARGE NAVAL GLASS CUP, with a single loop handle, the bell shaped bowl engraved "SUCCESS TO THE BRITANNIA 1774", the reverse with roses and thistles, on a short reeded stem and circular engraved foot, c.1900, 5½" high, including the handle 6½" wide.

Lot 29

£100-200

30 A RARE PUGILIST GLASS RUMMER, the bucket bowl engraved with two boxers, below "YOUNG. DUTCH. SAM.", the reverse with fruiting vines, on a ring-turned stem and circular foot, c.1820, 8¼" high, 5½" dia.

Lot 30

Young Dutch Sam is best known as being Welterweight Champion of the World in the 1820's. At only 5'6", his considerable punching power allowed him to fight larger opponents. In an era when most boxers fought 20-25 times in a career, Dutch Sam had approximately 100 bouts, losing only twice.

£800-1,500

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Lot 32

Lot 31

31 A GLASS COIN GOBLET, the bell shaped bowl engraved with a tower titled "AN EAST VIEW OF THE GREAT TOWER IN BAMBROUGH CASTLE", the reverse with initials "SB" in a cartouche surmounted with a basket of fruit above roses, thistles and shamrocks, on a hollow stem containing a Queen Anne Sixpence, 1707, Edinburgh Mint, with a circular foot, c.1807, 8" high, 5¾" dia.

Lot 33

£400-800

32 A GLASS TUMBLER, engraved "LET YOUR CONVERSATION BE AS BECOMETH THE GOSPEL OF CHRIST" surrounding a wreath and initials "G I M", the rim with a band of diaper swags, c.1790, 4½" high, 3¾" dia.

£350-550

33 A COMMEMORATIVE GILT GLASS RUMMER, the ovoid bowl decorated with the Sandwich coat of arms, the reverse with the date "Augst 1799" in an oval cartouche between "Sandwich Aunt Brave & Free", gilt rim, on a stepped stem and square foot, 6¼" high, 4¼" dia.

Lot 34

The inscription and date may be a reference to the visit of William Pitt when as a Prime Minister he was accompanied

by King George III to Sandwich to review the troops stationed at the port.

£500-1,000

34 AN UNUSUAL COMMEMORATIVE GLASS GOBLET, the large bell shaped bowl engraved with the Lincoln Bell of Lincoln Cathedral between "THE GREAT / OF LINCOLN", the reverse with a sunflower and insects, on a plain stem and circular foot, c.1750, 7½" high, 3¾" dia.

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£250-450

35 A PRUSSIAN ROYALTY WINE GLASS, the large ogee bowl engraved with a head and shoulders portrait of the King within an oval cartouche between leaf scrolls, the reverse with the double-headed eagle below "SUCCESS TO THE KING OF PRUSSIA", on a tall double-series opaque twist stem and circular foot, c.1760, 7ž" high, 3" dia.

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The inscription alludes to Frederick II ("The Great"), King of Prussia, 1712-86. Frederick II waged the Seven Years War against the coalition of France and the Holy Roman Empire. Frederick's Prussian troops decisively defeated the allied armies at the Battle of Rossbach, 5th November 1757, whereupon he became an English national hero and the leading defender of Protestantism in Europe.

Although rare today, many English drinking glasses were engraved with toasts to Frederick's health and to the success of his forces.

Cf: For a similar example, "The Golden Age of English Glass, 1650-1775", pg. 192 & 193.

Provenance: The A.C. Hubbard Collection of Important English & Dutch Glass

ÂŁ1,300-1,800

Lot 36

Lot 37

37 A RARE IRISH FOX HUNTING CORDIAL GLASS, the small, heavy and round funnel bowl engraved with four hounds pursuing a fox below "PROSPERITY TO FOX HUNTING", on a tall plain stem and domed circular foot, c.1740, 7" high, 2" dia.

36 AN ELECTIONEERING WINE GLASS, the round funnel bowl engraved "SHAFTO FOR EVER" above a moth and budding foliage, on a single-series opaque-twist stem and circular foot, c.1765, 6" high, 2¾" dia.

The inscription refers to an election held in the city of Durham, 17th April 1761 for the parliamentary seat of Co. Durham, contested by Robert Shafto, Frederick Vane and Thomas Clavering.

Provenance: The A.C. Hubbard Collection of Important English & Dutch Glass

£500-1,000

£800-1,500

38 A LARGE GLASS RUMMER, the ovoid bowl engraved "SUCCESS TO THE DUKE OF YORK" within a banner above stone battlements and cannons, on a collar and tapered stem with circular foot, c.1800, 7½", 5½" dia.

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£350-550

Lot 38

Lot 39

39 A LARGE GLASS RUMMER, the bucket bowl cut with wide flutes, fans and printies, engraved with a racehorse and jockey, the reverse "BEESWING WINNER OF THE NEWCASTLE ST LEGER AND GOLD CUP 1836. RODE BY T. LYE.", within a budding wreath, on a short facetted stem and circular fluted foot, 8" high, 5½" dia.

Beeswing (1833-1854) was a 19th century British thoroughbred racehorse from the North of England and hailed as the greatest mare in Britain and the greatest of all time.

Beeswing raced at many venues between 1835 and 1842 and was a real crowd favourite. Entering 63 events, she won an astonishing 51 times. Of the 57 races she finished, she was placed lower than second only once. Her most notable victory was in the Ascot Gold Cup of 1842. She won the Newcastle Cup no fewer than six times and was retired after winning the Doncaster Cup for the fourth time.

£1,000-2,000

Lot 40

Lot 41

40 A GLASS RUMMER, the bucket shaped bowl engraved with two racing jockeys on horseback, the reverse "PATRIARCH / BEATING / PETER PLEMLY / DATE PENRITH 1809" within a sunburst cartouche, on a waisted stem and square moulded lemon-squeezer foot, 5¼" high, 3¼" dia.

£300-500

41 A GLASS RUMMER, the bucket shaped bowl cut with flutes and engraved "PRINCE LEOPOLD / WON THE DARBEY / IN 1816 / WILLIAM COOPER" within sprays of flowers, on a ball stem and circular foot, 5¼" high, 3¼" dia.

£300-500 25

Lot 43

Lot 42

42 A GLASS TUMBLER, the flared bowl engraved with hounds chasing a hare with trees in the background, below "G & B. WRIGHT / OLDHAM", c.1790, 5½" high, 4" dia.

Lot 44

£200-400

43 A GLASS TUMBLER, the flared and fluted bowl engraved with a rose between "THE TOWN & TRADE OF DERBY", c.1800, 4½" high, 3½" dia.

£300-500

44 A GLASS RUMMER, the ovoid bowl engraved "TOWN AND TRADE OF NOTTINGHAM" within a ribbon tied wreath, on a tapered stem and circular foot, c.1800, 5" high, 3½" dia.

£300-500

Lot 45 45 A GLASS RUMMER, the ovoid and fluted bowl engraved "SUCCESS TO THE TOWN AND TRADE / OF / BLACKBURNE" with a floral garland each side, the reverse with initials "JEE" within an oval cartouche, on a square tapered stem and a stepped square foot, c.1800, 5¼" high, 3¾" dia.

26

£300-500

Lot 46

Lot 47

46 A GLASS RUMMER, the flared bowl engraved "SUCCESS / TO THE COAL HANDLERS HARLING", between bands of leaves and flowers, on a tapered stem and circular foot, c.1790, 6¼" high, 3½" dia.

Lot 48

£300-500

47 A GLASS TUMBLER, the flared bowl engraved "THE TOWN & TRADE OF HASLINGDEN." beneath a fluted and line band, c.1800, 4½" high, 3½" dia.

£250-450

48 A RARE GLASS TUMBLER, the hobnail cut and fluted bowl engraved "SUCCESS TO THE MALT TRADE" within a wreath of vines and barley, the reverse with initials "JR", c.1810, 4¼" high, 3¾" dia.

£500-1,000

Lot 49

49 A GLASS RUMMER, the ovoid bowl engraved with a coat of arms and farming implements above "SPEED THE PLOUGH", on a short tapered stem and a moulded lemon-squeezer foot, c.1800, 5" high, 3¾" dia.

£250-450

27

50 A GLASS TUMBLER, the short flared bowl engraved "BRISTOL PORT AND COMMERCE", c.1820, 3" high, 3" dia.

Lot 50

£100-200

52 A JACOBITE SOCIETY TOASTING GLASS, the bowl engraved "Fingal Club" in a banner above a head, the reverse with initials "J B" within foliage, on a short stem and heavy circular foot, c.1800, 4¼" high, 2¾" dia.

Lot 52

£500-1,000

53 A MILITARY PRESENTATION GLASS RUMMER, the bowl engraved "Presented. by. Lieut. Darling. to. Mr W. hort. / being. the. third. best. shot. / the first company.

10 July. 1807" below the initials "LSV" in an oval line cartouche, all below an engraved border, on a tapered stem and stepped circular foot, 6¼" high, 4¼" dia.

Lot 53

28

£400-800

51 AN ELECTIONEERING GLASS GOBLET, the bucket bowl engraved "SUCCESS TO SIR FRANCIS KN'OLLYS" within a shaped cartouche, on a tall waisted stem and circular foot, c.1745, 7½" high, 3¾" dia.

Cf: A similar example Walter F. Smith Collection, Sotheby & Co., 04/12/1967, lot 156, illustrated by Sir John Risley "Georgian Electioneering Glasses", Burlington Magazine, November 1920, pl. II, fig. 3, and Bickerton: op. cit., no.

695A

Provenance: Christie's, 12/02/1980, lot 176

This glass was probably engraved to commemorate the Reading election of 1761, when they returned two members, John Dodd and Sir Francis Knollys. Sir Francis was the last male heir of an old Oxfordshire and Berkshire family, he was created a baronet in 1754; he died without issue in 1772

£1,000-2,000

29

Lot 54

54 A PAIR OF GLASS RUMMERS, the conical bowls engraved "BETTY / KERSHAW / 1792", the reverse with barley and leaves, all below a band of swags, on short stems and square moulded lemon squeezer feet, 5½" high, 4" dia.

Lot 55

£450-850

55 A GLASS RUMMER, the bucket bowl engraved with a view of Alnwick Castle of Northumberland with a bridge and swans in the foreground, above "Alnwick Castle Northumberland", the reverse with a Gothic Arch above the initials "E M", each side with a garland of flowers, on a squat bulbous stem and a square moulded lemon squeezer foot, c.1810, 6¼" high, 4" dia.

30

£350-550

56 AN IMPORTANT AND LARGE NEWCASTLE GLASS RUMMER, the bucket bowl engraved with a presentation inscription within a sunburst cartouche "A Present from / Js Sears of Newcastle / To / Thos Jones Hollywell ferry / Huntington Shire", the reverse with a horse pulling barges along a canal below the rhyme "In Newcastle this Glafs was made cut & Engraved / Fill it up to the brim boys be not Affraid / And Drink Success to the Coal Trade", on a waisted stem and square moulded lemon squeezer foot, c.1800-20, 8½" high, 5¾" dia.

This glass produced in Newcastle, the centre of glass making, is believed to have never been offered at auction previously.

£1,500-2,500

31

Lot 58

Lot 57

57 A LARGE GLASS RUMMER, the bowl engraved "JOVE DECREED THE GRAPE SHOULD BLEED FOR ME" above a circular cartouche with the monogram "H J I", the reverse with Bacchus seated on a barrel raising a wine glasses in his hands, between grape vines and flowers, on a short stem and square moulded lemon squeezer foot, c.1800-15, 7½" high, 5½" dia.

Lot 59

£350-550

58 A LARGE GLASS RUMMER, the bowl engraved with initials "J M I" within a cartouche surrounded by floral garlands and surmounted with a bowl of fruit between birds each side, the reverse with an armorial, all between a border of Greek key and spiral twisted leaves, on a plain stem and circular serrated foot, c.1800, 8½" high, 6¼" dia.

£400-800

Lot 60 59 A GLASS RUMMER, engraved with a sailing ship at sea above "OCEAN" within a cartouche and a wreath, the reverse with monogram and date "CH 1810" within leaf cartouche, on a short stem and square moulded lemon squeezer foot, 5½" high, 3½" dia.

£250-450

60 A GLASS RUMMER, engraved with a horse drawn coach and footmen, the side of the coach inscribed "No 172 York London Edin Mail", the reverse with initials "E E W" within a sunburst cartouche, on a short stem and square moulded lemon squeezer foot, c.1810, 6" high, 3¾" dia. £350-550 32

Lot 61

Lot 62

61 A GLASS RUMMER, the hobnail-cut bowl engraved with an armorial, the reverse with monogram "W S" within a sunburst cartouche, on a ring turned stem and circular foot with star cut base, c.1805, 5¾" high, 4" dia.

Lot 63

£250-350

62 A HEAVY DRAM GLASS, the thick deceptive funnel bowl on a thick plain stem and circular foot, c.1750-70, 4" high, 2" dia. And a wineglass on a facet-cut stem and circular folded foot, c.1770. (2)

£50-100

63 A GLASS DECANTER AND STOPPER, of club shape, inscribed "Succefs to Timber Trade" above an oak-tree, the reverse with "AM" initials within an oak-branch cartouche, with three collars to the neck and faceted bull's eye stopper, c.1800, 10¼" high including stopper, base 4¼" dia.

This decanter is believed to be the only known example with this particular engraving.

Provenance: Christie's, 24/02/1981, lot 27

£300-500

Lot 64

64 A GLASS DECANTER AND STOPPER, the upper and lower parts cut with narrow and wide flutes, conforming to an engraved circular line cartouche containing a ship at full sail between "NORWICH A PORT / SHIPS & COMMERCE", with three collars to the neck and bevelled drop stopper, c.1810, 11" high, 4" dia.

Provenance: Christie's, 07/06/1988, lot 23

£400-800 33

65 AN IMPORTANT AND RARE NELSON COMMEMORATIVE GLASS JUG, oviform with scroll handle, the lower part cut with narrow flutes below an engraved anchor entwined by the letter "N" on a matt shield-shaped cartouche, and inscribed "MAY . IS . MEMORY . NEVER . BE . FORGOT . TRAFALGAR .

OCTr th21 1805", tied branches below, the neck engraved with stars above husk swags, 6¾" high, base 4" dia.

Provenance: Christie's, 17/11/1992, lot 19

£600-1,000

34

66 A GREEN-TINTED CRUET BOTTLE AND STOPPER, the tapered body decorated with a gilt oval cartouche in the style of a spirit label "ESSENCE OF LEMON", with pseudo chain suspended from a ring to the neck, the everted rim with gilt edging, faceted lozenge stopper, c.1775, 5¾" high including stopper, base 2¼" dia.

No other cruet bottle with this label appears to be recorded in the literature.

Provenance: Bonham’s, 15/12/2010, lot 132 £150-250 35

67 A PAIR OF BRISTOL 'NON-SUCH' BLUE-TINTED CRESTED DECANTER DISHES,

by Isaac Jacobs, circular and gilt with a stag's head crest, the everted rim with Greek-key border, one inscribed in gilding on the base "I. Jacobs, Bristol", c.1805, 7¼" and 7½" dia.

Cf: Another stand from this service is in the City of Bristol Museum and Art Gallery (illustrated by C. Witt, C. Weeden and A. Schwind, "Bristol Glass", 1984, p.47, pl.

22. Another in the Ashmolean Museum, Oxford. In 1805 Jacobs advertised in Felix Farley's Bristol Journal "Coats Of Arms, Crests and Cypers done upon (Dessert Sets) in the greatest style, by some of the finest Artists in the Kingdom".

36

A paragraph from "English and Irish Antique Glass", by Derek C. Davis States: "The most famous name associated with the history of Bristol glass was that of the Jacobs family. Isaac and Lazarus Jacobs completed their best works between 1771 and 1806. Isaac, in fact, was the bestknown glassmaker in the West Country and he is the only craftsman known to have signed his own productions of glass, in gilt, as "I. Jacobs". There are only comparatively few signed specimens known and they are now very rare indeed. In the Bristol Museum there are some signed pieces on view, and this collection forms a most useful basis for the study of Bristol glass.".

Illustrated in Glass Circle Journal 6, 1989, p.82, where the crest is attributed to the Earls of Verulam

£1,500-3,000

GL A SS

Detail of lot 85 37

69 A "SUNDERLAND BRIDGE" RUMMER, the clear glass rummer with straight sided bowl decorated with conjoined initials and date 1848 within hops and barley, to the other side "Sunderland Bridge over Weir", on a short knopped stem and spreading circular foot, 6¾" high. £250-450

Lot 74

70 A PAIR OF GEORGE III STYLE WINE GLASSES with tall flared bowls on knopped and bubble included stems with spreading circular feet with turned-over foot rim, 9" high (2)

£100-200

71 AN 18TH CENTURY WINE GLASS with slender moulded bowl on a knopped stem and spreading circular foot with turned-over foot rim, 5½" high, and a similar glass with spiral-twist and bubble included knop, 7¼" (2)

Lot 75

£80-150

72 A LARGE IRISH CLEAR GLASS BOWL with decorated rim and a broad band of decoration, on a spiral air-twist stem and spreading circular foot, 11¾" high £80-150 73 A SET OF FIVE CORDIAL GLASSES with flared bowls on narrow circular feet, 19th century, 4½", and four similar ale glasses (9)

£100-200

74 A CLEAR CUT GLASS SPIRIT BARREL with twin panel cut compartments and white metal taps, 19th century, on a wooden stand, 13".

See illustration

Lot 76

£180-250

75 AN IRISH CLEAR GLASS BOWL with a "turn over" cut rim, on a tapering stem and square "lemon squeezer" foot, 19th century, 10½" wide.

See illustration

£150-250

76 A LARGE CLEAR GLASS RUMMER celebrating a racing pigeon "Mr G. Allred Champion Yearling Hen Nurp.27.G.4226" and listing various race successes amongst a picture of the pigeon and flowering foliage, the glass with a broad bowl on a knopped stem and circular spreading foot, 19th century, 9½" high.

See illustration

38

£200-400

77 A LARGE "PEAR"-SHAPED RUMMER, the broad bowl engraved "R. Evans" within ribbon-tied wheatsheafs and tied hops to the reverse, the tapering bowl on a short stem and spreading foot, 19th century, 7" high.

See illustration

Lot 77

£180-250 78 A LARGE "BUCKET-SHAPED" RUMMER, the straight-sided bowl with finely engraved floral border, on a knopped stem and spreading circular foot, 19th century, 8¼" high.

See illustration £150-250 79 A LARGE STRAIGHT SIDED RUMMER, the bowl engraved with a scene of stag hunting in a landscape with a windmill and flying birds, on a straight stem and spreading circular foot, 19th century, 8" high.

See illustration

Lot 78

£180-250

80 A PAIR OF RUMMERS with flared straight sided bowls with panel-cut bases, on knopped heptagonal stems and spreading circular feet with star-cut bases, 19th century, 6¼" high (2)

£50-100

81 A PAIR OF RUMMERS with flared straight sided bowls with panel-cut bases, on knopped seven sided stems and spreading circular feet with star-cut bases, 19th century, 6¼" high (2)

£50-100 Lot 79

82 A LARGE CLEAR GLASS RUMMER engraved with the initials "F.G.E" within a foliate ribbon-tied wreath, on a short stem and square foot, 19th century, 6¼" high

£80-150

83 A LARGE CLEAR GLASS RUMMER with shaped bowl engraved with conjoined initials and hop and barley leaf decoration, on a short stem and square "lemon squeezer" foot, 19th century, 6½" high £80-150

39

84 A PALE GREEN "ONION-SHAPED" WINE BOTTLE with short stem, bulbous body and "kicked-in" base, 17th/18th century, 6¾" high.

See illustration

Lot 84

£100-200 85 A PALE GREEN "ONION"-SHAPED WINE BOTTLE, the tapering stem and bulbous body with all over iridescent and distressed surface, with "kicked-in" base, 17th/18th century, 6¾" high.

See illustration £200-400 86 A SET OF TWELVE FRENCH CUTGLASS TUMBLERS of short straight-sided form with all over cut decoration and star-cut bases, 19th/20th century, 2¾" high

Lot 85

£50-100

87 A SMALL CUT-GLASS CREAM JUG with rolled handle and shaped spout with all over line and diamond-cut decoration, on a star-cut base, 19th century, 3¾" high

£50-100

88 A CUT-GLASS BOWL of shallow circular form with all over cut decoration, on a circular star-cut base, 19th century, 6½" wide

£50-100

89 A BROAD OVAL BOWL with wavy rim and fine diamond and sunburst-cut sides, on an oval star-cut base, 18th/19th century, 12¼" wide

Lot 90

£80-150

90 A PAIR OF CLEAR AND BLUE GLASS ORMOLU MOUNTED LUSTRES, the central candle holders with shaped rims and broad drip pans, with cut drops, on a square section blue glass mounted ormolu base with short ball feet, 19th century, 12½" high (2).

See illustration

40

£150-250

91 AN UNUSUAL CLEAR GLASS MUSICAL DECANTER with a panel-cut neck and bulbous body with conforming shoulders and base, the domed body containing a musical movement, on three ball feet, 11" high

Lot 92

£80-150 92 A WINE OR CORDIAL GLASS, the narrow straight-sided bowl decorated with trailing roses, on a tapering clear glass stem and spreading circular foot, 18th/19th century, 5½" high, and a similar glass cut with neo-classical style decoration, 20th century, 6¾" high (2).

See illustration

£50-100

93 A SUITE OF TABLE GLASS comprising a covered cup with domed lid and downswept rim, on an hexagonal body, knopped stem and foot, 8" high, and two similar standing salts, 19th/20th century (3).

See illustration

Lot 93

£50-100

94 A CUT-GLASS DECANTER with compressed mushroom-shaped stopper, panel-cut neck and diamond-cut body, 19th/20th century, 9¼" high, a similar decanter and two flasks (4)

£80-150

95 A MINIATURE CLEAR AND WHITE BLOWN "FAÇON DE VENISE" GLASS FLASK of shaped form with narrow neck and spreading foot, 2¼" high, and a collection of similar glass (11)

£50-100

96 A SET OF SIX GREEN TINTED ROEMERS of 17th century design, with cut-shaped bowls on cylindrical stems applied with blue tinted prunts and on trumpet-shaped feet with blue tinted trailing decoration, circa 1820 (6).

See illustration

Lot 96

£200-400

97 A SET OF FIVE LATE GEORGE III GREEN TINTED WINE GLASSES etched with fruiting vines and with faceted stems and circular feet, circa 1820, and a pair of Regency amber-tinted roemers, the cup-shaped bowls etched with fruiting vines and ribbed trumpet-shaped feet (7)

£100-200 41

98 A CUT CLEAR GLASS MUG with all over painted gilt decoration, with a central cartouche decorated with the initial "k" beneath a crown, the straight-sided mug on a spreading foot, possibly German, 19th century, 6½" high

Lot 99

£80-150

99 A SMALL ITALIAN "FAÇON DE VENISE" GLASS VASE of flared form, on a spreading circular foot with turned-over rim, internally decorated with entwined white and red glass, 19/20th century, 4¾" high.

See illustration £50-100 100 A LOETZ-STYLE VASE of short bulbous form with narrow neck and flared rim, with engraved signature, 20th century, 4" high.

See illustration

Lot 100

£50-100

101 A LOETZ -STYLE VASE of bulbous shouldered form with all over frosted and purple veined decoration, with remnants of paper label, 20th century, 6½" high £80-150 102 A KRALIK COPPELIA VASE of pale green and iridescent colour with wavy rim and applied stylised mounts, early 20th century, 5½" high.

See illustration

£100-200

103 MANNER OF LOETZ: AN IRIDESCENT GREEN GLASS COMPORT, the glass body with wavy rim and ribbed body, on a patinated metal stand, early 20th century, 6¾" high, a similar vase and bowl (3)

Lot 102

£80-150

104 DAUM NANCY: A PALE GREEN GLASS BOWL with all over small bubble inclusions and wavy rim, signed "Daum Nancy France", 10¼" wide

42

£100-200

105 MANNER OF DAUM NANCY: A SMALL SHOT GLASS of straight-sided cylindrical form with pale yellow and green variegated decoration and applied signature, 2" high

Lot 106

£50-100 106 LALIQUE: AN "ALGUES" PATTERN OPALESCENT GLASS BOWL with broad rim and central signature "R. Lalique, France", 14" wide.

See illustration

£200-400

107 LALIQUE: A LUGANO BOWL with textured sides and abstract incised decoration converted to a table lamp, with engraved signature "Lalique, France", the base 4¾" high

£80-150

Lot 108

108 MANNER OF LALIQUE: A SHAPED AND LEAF-MOULDED GLASS ARCHITECTURAL SECTION of long rectangular form, the front with moulded leaf decoration, 22" x 8½".

See illustration £100-200 109 IN THE MANNER OF DAUM: A GLASS TABLE LAMP AND SHADE, the flared shade and shaped base with all over mottled yellow, orange and green decoration, fitted for electricity, 16½" high.

See illustration

£100-200 Lot 109

110 MANNER OF DAUM: A TEXTURED AND FROSTED GLASS TABLE LAMP with an uplighter shade and slender column in mottled orange and yellow on a spreading frosted base, 22½" high

£40-80

111 MANNER OF GALLE: AN ART NOUVEAU STYLE CAMEO GLASS VASE with decorative flowers in pink and red against a yellow ground, with conforming carved signature , 13" high

£300-600

43

112 EVOLUTION BY WATERFORD: A CONTEMPORARY GLASS BOWL with mauve and yellow swirled decoration, on a raised clear foot, 20th century, with label and etched signature, 12¾" wide.

See illustration

Lot 112

£100-200

113 SABINO: AN OPALESCENT GLASS VASE with moulded fish decoration, with engraved signature "Sabino, Paris", 5" high

£100-200

114 A "BRISTOL" BLUE DOUBLE LIPPED GLASS RINSER and a Bohemian clear glass beaker decorated with a scene of deer in a wooded winter landscape, 4" high (2)

Lot 115

£50-100

115 LALIQUE: A SET OF NINE LALIQUE SHOT GLASSES with straight sided bowls, on short stems moulded with birds, on spreading feet, with etched signature "R. Lalique", 3" high.

See illustration £80-150 116 GAUTHIER: A PAIR OF ART NOUVEAU PAINTED AND ETCHED VASES decorated with scenes of a figure rowing in a lake, with trees to the shore, with gilt metal bases and light fittings, 13½" high (2) £50-100 Lot 117

117 A GERMAN GREEN GLASS VASE with painted armorial, 14¼" high £50-100 118 TWO DECANTERS with painted "Brandy" and "Rum" labels, early 19th century, 8" high (2) £40-80 119 A BOHEMIAN RED AND WHITE OVERLAID GLASS CASKET all over cut with foliate decoration and gilt metal mounts, 5¼" wide, a similar beaker with floral painted decoration and a clear cut-glass dressing table jar (3)

44

£80-150

English and european ceramics

Detail of Lot 213 45

120 A ROYAL DOULTON VEINED SUNG FLAMBÉ VASE of ovoid form, no. 1603, 7" high See illustration

Lot 120

£100-200

121 JOHN SKEAPING FOR WEDGWOOD: A STUDY OF A LION WITH ANTELOPE, green stamp on base "Wedgwood Etruria, England", 8¼" high x 13½" wide See illustration

£80-150

122 AN ART DECO CONTINENTAL PORCELAIN FIGURE OF A NAKED FEMALE DANCER and two other Art Deco Continental porcelain figures of nude females, early 20th century, 8", 6¾" and 6" high (3)

Lot 121

£100-200

123 A MEISSEN PORCELAIN FIGURE OF A PUTTI holding and wearing vine leaves, standing beside a tree stump, impressed and stamped base, late 19th/early 20th century, 5¼" high

£50-100

124 A WILTON WARE LUSTRE VASE with landscape decoration heightened in gilt, with gilt mark, 4½" high

£50-100

125 A PAIR OF ROYAL WORCESTER PORCELAIN EWER VASES with printed and painted floral decoration, on a blush ivory ground, entwined snake handle and pedestal foot, printed mark on base, early 20th century, 8" high See illustration

Lot 125

46

£80-150

126 A RUSKIN POTTERY JAR AND COVER with a blue/green glaze, impressed marks, early 20th century, 6" high

Lot 127

£50-100

127 A MOORCROFT POTTERY VASE with anemone decoration on a mottled pale green and blue ground, impressed and signed base, early 20th century, 7¼" high See illustration

£80-150

127A W ILLIAM MOORCROFT FOR LIBERTY & CO: A LARGE OVERFORM VASE with green glaze and three stylised medallions, incised signature, printed registration and "MADE FOR LIBERTY & CO", impressed "12" marks, circa 1910, 8½" high See illustration

Lot 127A

£200-400

128 A WILLIAM DE MORGAN TYPE LUSTRE BOWL or stand, decorated with tigers on a cream ground, late 19th/early 20th century, 11¼" dia.

£50-100

128A A POOLE POTTERY FREE-FORM BOTTLE VASE with incised, printed and painted marks, 15¼" high See illustration

£100-200 Lot 128A

129 AN ART DECO BESWICK POTTERY WALL PLAQUE in the form of a lady's head in profile surrounded by flowers, and another similar wall plaque, both with printed and impressed marks, 12" x 9" (2)

£80-150

47

A COLLECTION OF CLARICE CLIFF POTTERY BELONGING TO MR. C. GREEN. SOLD TO BENEFIT THE WELDMAR HOSPICE. 130 A CLARICE CLIFF WILKINSON LTD WALL POCKET and mirror, decorated with a lady wearing a dress and bonnet beneath trees, stamped and impressed marks, early 20th century, 19" high

Lot 131

£80-150

131 A CLARICE CLIFF PART TEA SERVICE with crocus decoration on a cream and green ground.

Comprising salad bowl, cake plate, jug, coffee cup, two saucers and a side plate, early 20th century (7) See illustration

Lot 132

£80-150

132 A CLARICE CLIFF PLATE with blue crocus decoration on a cream ground, printed and impressed marks, early 20th century, 10" dia.

See illustration

£50-100

133 A CLARICE CLIFF "CATONA BIZARRE" BOWL, three other Clarice Cliff side plates, a sugar bowl and cover, and a collection of Clarice Cliff and other reference books (9) See illustration

£80-150

134 A CLARICE CLIFF PART TEA SERVICE with crocus decoration, on blue and cream ground.

Comprising sandwich plate, two tea cups and saucers, two side plate, a cake plate, a sugar bowl and jug, early 20th century (10)

Lot 133

48

£80-150

135 A PAIR OF DOULTON LAMBETH VASES

by Hannah Barlow, incised with a broad band of horses drawing a cart between green and blue glazed borders of stylised flowers and foliage, impressed and incised marks, late 19th/early 20th century, 12Âź" high See illustration

Lot 135

ÂŁ400-800

49

136 A WORCESTER PORCELAIN PART TEA SET with gilt decoration on blue and white ground.

Comprising teapot, four tea bowls, three coffee cups and six saucers, early 19th century (14) See illustration

Lot 136

£100-200

137 A NEWHALL PART TEA SET with floral decoration on white ground. Comprising teapot, slops bowl, four tea bowls and four saucers, and two other similar tea bowls and saucers, early 19th century (14)

£80-150

138 A MEISSEN PORCELAIN PART TEA SET painted in polychrome with floral decoration and gilt line rims. Comprising teapot, two cups, three saucers and two side plates, blue cross swords mark, 19th century (8)

Lot 141

£100-200

139 A PAIR OF BLEST L.P. & CO. PEARLWARE BOTANICAL PLATES with transfer printed and painted flowers within green and entwined borders, impressed stamp, 19th century, 9¼" dia. (2)

£50-100

140 A ROYAL WORCESTER PORCELAIN PLATE with painted rose decoration on white ground within gilt borders, puce mark, late 19th/early 20th century, 11¼" dia.

Lot 142

£50-100

141 A SET OF SIX ROYAL WORCESTER CABINET PLATES painted with floral decoration, signed "E. Phillips" within gilt borders, on a white and powder blue ground, puce mark, late 19th/early 20th century, 8¾" dia. (6) See illustration

£300-500

142 A LARGE SAMSON PORCELAIN TANKARD in the Chinese export style with a large armorial and floral decoration, 7" high See illustration 50

£80-150

ITEMS FROM THE BLAKE FAMILY WEDGEWOOD CREAMWARE SERVICE

Lot 143, 144 and 145

144 A LARGE WEDGWOOD CREAMWARE TUREEN AND STAND with cover, with two sweeping ear-shaped handles, the cover with a flower finial, painted with the Blake family armorial each side within bands of purple and gilt decoration, impressed marks, early 19th century, 12" high x 17½" wide

The following three lots are from a historic and significant dinner service and bear the coat of arms of the Blake Baronets of Langham, (est. 1772). For further information regarding this service, please visit www.dukes-auctions. com/news

143 A PAIR OF WEDGWOOD CREAMWARE ARMORIAL ICE PAILS with handles modelled as convolvulus flowers issuing from stiff leaves, decorated in puce and heightened in gilt, each side polychrome painted with the Blake family armorial below a purple and gilt band, impressed marks, early 19th century, 7¾" high x 10" wide (including handles)

£1,000-2,000

145 A WEDGWOOD CREAMWARE BOWL of oval shape painted with the Blake family armorial, with a purple and gilt band, impressed marks, and four other Wedgwood creamware pieces decorated with the Blake family armorial, impressed marks, early 19th century (5)

£500-1,000

51

£300-500

146 A COLLECTION OF WEDGWOOD CREAMWARE DINNER/TEAWARE with acorn leaf or blue flower decoration, on a cream ground, impressed and/or printed marks, 19th century

Lot 150

£80-150

147 A PAIR OF CREAMWARE CHESTNUT BASKETS and stands, with bands of red flower decoration in blue borders, 18th century, 9" wide (4)

£50-100

148 A WORCESTER BLUE AND WHITE PORCELAIN CHARGER of "pine cone" pattern, crescent mark on underside, 18th century, 12¾" dia.

£100-200

Lot 151 149 A GARNITURE OF THREE RIDGWAY & SONS PORCELAIN URNS AND COVERS with neo-classical Jasperware type blue and white decoration, on square plinth bases, impressed marks, 6" high (3)

£80-150

150 A CASTLE HEDINGHAM ESSEX JUG with moulded battle scenes, coins, shields and other embellishments, the base inscribed "The Essex Jug", late 19th century, 13½" high See illustration

£200-400

151 A PAIR OF WORCESTER PORCELAIN VASES with polychrome painted exotic bird reserves within gilt cartouches, on a blue scale ground, blue underglazed sealmarks obscured by drill holes, 18th century, 9" high See illustration

Lot 151A

£300-500

151A A WORCESTER PORCELAIN JUG with polychrome painted oriental style decoration on a red and gilt ground, c.1810, 5½" high See illustration

52

£80-150

152 A PAIR OF CHELSEA GOLD ANCHOR STYLE CANDLEHOLDER FIGURES of a lady and gentleman seated on tree stumps with bocage and single candleholders, on heavy rococo bases, painted in polychrome enamels heightened in gilt, 19th century, 10" high

Lot 154

£100-200

153 A PAIR OF VICTORIAN STAFFORDSHIRE POTTERY FIGURES OF GREYHOUNDS and another Staffordshire greyhound seated on a cushion as a pen holder, 7" and 5" high (3)

£80-150

154 A PAIR OF VICTORIAN STAFFORDSHIRE POTTERY INKWELLS with seated men in eastern costume, 5½" high (2) See illustration

Lot 156

£80-150 154A A N ENGLISH STAFFORDSHIRE POTTERY JUG of George Whitfield seated holding his hat and lantern, early 19th century, 9" high

£50-100

155 A "MEISSEN" PORCELAIN FIGURE OF A LADY seated beside her dressing table on a raised gilt base, blue crossed swords and incised marks, 19th century, 5½" high

£80-150 Lot 157

156 A "MEISSEN" PORCELAIN FIGURE OF DAVID holding a harp and wearing a wreath, standing beside a marble column, on a raised plinth base, blue crossed swords and incised marks, 19th century, 10" high See illustration

£80-150

157 A SET OF FOUR CONTINENTAL PORCELAIN FIGURES possibly representing the elements, polychrome painted standing on rococo bases heightened in gilt, underglazed blue mark, 19th century, 8" high See illustration £300-500

53

Lot 160

Lot 161

Lot 159

158 A CONTINENTAL PORCELAIN FIGURE GROUP of a girl and boy sitting on a tree trunk playing with a dog, on an oval plinth base with scroll feet, underglazed blue mark, late 19th/early 20th century, 8" high

£50-100

159 A PAIR OF CONTINENTAL VASES of urn form with rams head handles, encrusted with flowers and standing on a square base, underglazed blue mark, 19th century, 9¼" high See illustration £80-150 160 A PAIR OF "MEISSEN" PORCELAIN CANDLESTICKS of classical form with panels of painted birds on a stepped ornamental base, blue crossed swords and incised marks, 19th century, 12" high See illustration Lot 162

£100-200

161 A PAIR OF "MEISSEN" PORCELAIN VASES AND COVERS of urn form with scrolling handles, encrusted with flowers and fruit, with a cherub and putti to each side, blue crossed swords mark and incised marks, 19th century, 11" high See illustration

£100-200

162 A MEISSEN PORCELAIN JUG of elongated form with painted panels of harbour scenes with figures within polychrome scrolls, blue crossed swords mark, a Chantilly teapot with Kakiemon polychrome decoration, painted mark, a Meissen porcelain cabinet plate and another Continental porcelain scent bottle (4) See illustration 54

£150-250

163 A PAIR OF BERLIN KPM PORCELAIN PLAQUES decorated by F. Wagner, with portraits of an elderly man in a fur hat and collar, and his wife with green silk drape and fur collar, signed lower right, impressed KPM below sceptre marks verso, contained in ebony cavetto frames with gilt slips, 19th century, 9½" x 7"

ÂŁ2,000-4,000

55

164 A SET OF TWELVE SILVER AND PORCELAIN DESSERT KNIVES AND FORKS, the Continental porcelain handles polychrome painted with courting scenes amongst flowers and insects, the silver mounts London 1874, the knives 8" long (12) See illustration

Lot 164

165 A SET OF SEVENTEEN SILVER PLATED AND PORCELAIN KNIVES AND FORKS, the Continental porcelain handles polychrome painted with flower decoration, 19th century, the knives 8½" long See illustration

£200-400

166 A SET OF TEN SILVER PLATED AND PORCELAIN FORKS, the Continental porcelain handles polychrome painted with butterfly and flower decoration, 19th century, 6¼" long (10)

Lot 165

£100-200

167 A CONTINENTAL PORCELAIN PAINTED MINIATURE mounted in a white metal brooch mount decorated with a portrait of Madonna, and two other similar painted porcelain miniatures, 19th century, 2¾" and 2" (3) See illustration

£100-200

168 A PAIR OF CONTINENTAL PORCELAIN PAINTED MINIATURES depicting a portrait of an elderly lady and gentleman with fur collars, mounted in gilt brass frames, 19th century, 3½" (2) £100-200 169 A SET OF SIX "MEISSEN" DESSERT PLATES painted in polychrome with bird and insect decoration, within a pierced and ribbon border, blue crossed swords and star mark, 19th century, 9" dia. (6)

Lot 167

£200-400

170 A PAIR OF BERLIN KPM PORCELAIN DESSERT PLATES with painted fruit decoration within pierced and ribbon borders, blue underglazed printed, incised and painted marks, 19th century, 9" dia.

£80-150

171 A ROYAL DOULTON CABINET PLATE "INVERLOCHY CASTLE" painted by J.H. Plant, within a blue and gilt border, late 19th/early 20th century, 8¾" dia.

56

£50-100

172 A PAIR OF "MEISSEN" PORCELAIN FIGURES OF BOYS in period costume, one holding a basket of flowers, on rococo bases heightened in gilt, blue cross swords impressed and incised marks, 19th century, 5½" high

Lot 176

173 A "MEISSEN" PORCELAIN FIGURE OF A LADY standing beside a table playing cards, on a circular plinth base, blue crossed swords impressed and incised marks, 19th century, 6¼" high

£50-100

174 A BERLIN PORCELAIN FIGURE OF A PUTTI holding a mask and cornucopia standing beside a tree trunk, underglazed blue and impressed marks, 19th century, 4½" high £50-100 Lot 178

175 AN ENGLISH PORCELAIN INKWELL painted in polychrome with flowers within a floral encrusted rococo border raised on a spreading foot, 19th century, 7¼" dia.

£50-100

176 A PAIR OF "MEISSEN" PORCELAIN FIGURES OF FEMALES depicting the arts, polychrome painted and standing on plinth bases, blue crossed swords impressed and incised marks, 19th century, 6½" high (2) See illustration

£80-150

177 A "MEISSEN" PORCELAIN FIGURE GROUP OF TWO LADIES holding cherubs, one beneath a basket, on a rocky base, blue crossed swords mark, late 19th/early 20th century, 5¾" high

£50-100

Lot 179

178 A PAIR OF "MEISSEN" PORCELAIN VASES decorated with putti frolicking around the overform vase with mask handles and decoration in relief of Roman emperors within gilt wreaths, on a rococo base heightened in gilt, blue cross swords and impressed marks, 19th century, 5" high See illustration

£200-400

179 A HÖCHST PORCELAIN FIGURE GROUP OF EUROPA AND THE BULL painted in polychrome and encrusted with floral garlands beneath two kneeling semi-clad females, on a heavy rococo base heightened in gilt, blue wheel mark, 19th century, 8¾" high See illustration

£200-400 57

180 A CONTINENTAL PORCELAIN FIGURE OF A LADY RIDING A GOAT with a basket of children on her back, on a floral encrusted base, and another similar figure, 19th century, 7¼" and 5¾" high (2)

Lot 183

£80-150

181 A WORCESTER PORCELAIN TEA CUP AND SAUCER with polychrome painted Kakiemon decoration within gilt cartouches, on scale blue ground, blue faux Chinese seal mark, 18th century

£50-100

182 A SET OF FIFTEEN CERAMIC BIN LABELS, impressed "Farrow & Jackson, London & Paris", white glazed with black numerals (15)

Lot 186

£150-250

183 A WORCESTER PORCELAIN TEAPOT of reeded barrel form, white glazed with a flower knop, 18th century, 4¾" high See illustration

£50-100

184 A SMALL WHIELDON TYPE TEAPOT with mottled blue and brown glaze raised on a circular foot, 4¼" high

£50-100

185 A WORCESTER PORCELAIN SMALL MUG printed in blue with the "parrot pecking fruit" pattern, blue crescent mark, 18th century, 3½" high

£100-200

186 A WORCESTER PORCELAIN SAUCEBOAT moulded in leaf form with a stork handle, polychrome painted with flowers on an oval foot, 18th century, 4" high See illustration

Lot 187

£200-400

187 A "SEVRES" PORCELAIN CUP AND SAUCER painted with a portrait of Louis XIII between two portraits of ladies, within gold cartouches, on a blue ground heightened in gilt with jewelled decoration, the saucer painted with panels of musical trophies and an armorial in the centre, all within gilt cartouches, on a blue ground, blue painted marks, 19th century See illustration £200-400 58

188 A FRENCH PORCELAIN CYLINDRICAL POT painted in polychrome with a lamb lying beside a basket of flowers, the reverse with painted birds, the gilt metal cover and stand with neo-classical decoration and monkey finial, standing on three Egyptian style caryatids on a triform base, 18th/19th century, 6¾" high See illustration

Lot 188

£200-400 189 A WORCESTER PORCELAIN CYLINDRICAL VASE in the form of a column moulded with swags and two oval panels painted with dogs, on a square foot, printed mark, 19th century, 4½" high

£50-100

190 A VICTORIAN STAFFORDSHIRE ORNAMENT of a poodle holding a hat in its mouth, standing on a mound base with a gilt line, 3½" high

£50-100

Lot 193

191 A PAIR OF "SEVRES" PORCELAIN JARDINIÈRES polychrome painted with panels of putti riding a goat in a classical setting, within gilt cartouche, the reverse with floral decoration on blue ground, blue painted mark 19th century, 7¾" high

£50-100

192 A CONTINENTAL PORCELAIN VASE with mask handles and polychrome painted parrots and butterfly decoration heightened in gilt, with printed and gilt marks, 19th century, 15" high

£50-100

193 A MINTON URN VASE supported by two putti on a square naturalistic base with canted corners, impressed and incised marks, 19th century, 12¾" high. See illustration

£250-350

Lot 196

194 A GLAZED AND MOULDED STONEWARE APOTHECARY JAR with coat of arms and fleur de lis decoration, converted to a tablelamp, 19th century, 12" high (excluding fittings)

£50-100

195 A BROWN SALT GLAZED STONEWARE FOOTBATH

by S & H Briddon with moulded floral decoration and mask handles, impressed marks, 19th century, 18" wide

£100-200

196 A PAIR OF LARGE ART NOUVEAU OVIFORM CERAMIC VASES with crocus decoration, on cream ground within blue borders, signed "G. Fieravino", early 20th century, 24" high See illustration

£200-400

59

Lot 198

Lot 197

197 A PAIR OF PARIS PORCELAIN OVAL SERVING DISHES painted in polychrome with puce and green ribbons holding floral garlands and sprays within gilt scalloped borders, underglazed blue crossed swords marks and incised number "KN4DC4", circa 1800, 15" wide (2) See illustration

Lot 200

£100-200

198 A "MEISSEN" PORCELAIN PART TEA AND DINNER SERVICE with blue and white floral decoration, blue crossed swords mark.s See illustration

£100-200

199 A ROYAL COPENHAGEN PART DINNER AND TEA SERVICE decorated in blue with flowers, with underglazed blue and printed green marks including a pair of sauce tureens, covers and stands (8)

Lot 200A

£200-400 200 A PAIR OF "MEISSEN" PORCELAIN 3-BRANCH CANDLEABRUM, modelled as figures against floral encrusted branches, on acanthus leaf modelled circular bases, green crossed sword mark, 20¼". See illustration

£200-400

200A AN IMPERIAL STONE CHINA PART DINNER SERVICE with Imari style painted decoration, early 19th century, including sauce tureen and cover, tureen and cover, muffin dish and cover, meat dish and drainer, footed plates. (69) See illustration 60

£800-1,500

Lot 201

Lot 202

201 A MATCHED PAIR OF PALISSY STYLE WALL PLAQUES of circular form moulded with lizards, a crocodile, frog and insects on a moulded ground, impressed and incised marks, 8¼" dia.

Lot 203

£400-600 202 A WEDGWOOD PORCELAIN BLACK JASPERWARE PLATE decorated with moulded neo-classical decoration, impressed Wedgwood mark contained in a circular mahogany frame with gilt slip, 19th century, the frame 13½" dia.

£100-200 Lot 204

203 A WEDGWOOD BLUE JASPERWARE PLAQUE with classical decoration in relief of females, with impressed Wedgwood mark, contained in a mahogany frame with gilt slip, 19th century, the frame 14½" x 8½"

£80-150

204 A COLLECTION OF 18TH CENTURY AND LATER GLAZED POTTERY TILES including some painted in blue and white or polychrome with birds, flowers, figures, landscapes and other decorations (a lot)

£100-200

61

Lot 205

Lot 205

Lot 206

Lot 207

205 A PAIR OF WORCESTER PORCELAIN CIRCULAR PLAQUES

by J. Stinton, with scenes of cattle watering in a mountainous landscape, puce mark, each contained in a gilt framed mirror with gilt slip, the frame 8½" square (2)

Lot 206

£1,000-2,000

206 A PAIR OF ROYAL WORCESTER PORCELAIN PLAQUES

by J. Stinton, with scenes of cattle in a mountainous river landscape, 1904, each in gilt frames with gilt slips, each frame bearing "H.G. Stevenson Ltd" labels verso, the frames 15" x 11¾"

£3,000-6,000

207 A ROYAL WORCESTER PORCELAIN PLAQUE

by J. Stinton, painted with a scene of highland cattle in a mountainous river landscape, puce mark and titled "Loch Etive", 1904, contained in a gilt frame with gilt slip, bearing "H.G. Stevenson Ltd" label verso, the frame 12" x 15¼"

62

£1,000-2,000

Lot 208

Lot 209

208 A RUSKIN POTTERY JAR AND COVER in the Chinese style with red flambé glaze, impressed mark, late 19th/early 20th century, 7" high See illustration

Lot 210

£80-150 209 A TIN GLAZED POTTERY JAR AND COVER decorated in puce with garlands above a cartouche "Mel: Comm:", painted marks, 18th century, 5½" high including cover See illustration

£50-100

210 A VIENNA PORCELAIN PLATE decorated in the Chinese style with Kakiemon decoration with insects within an iron red floral border heightened in gilt, blue underglazed mark and impressed marks, 18th century, 8¾" dia.

See illustration

Lot 210 reverse

£80-150

210A A PAIR OF STAFFORDSHIRE PAINTED AND SPONGE DECORATED TOBY-STYLE 'JUG' FIGURES, 9¾" and 10", 19th century (2)

£80-150

63

TWO IMPORTANT CHARLES GOUYN ‘GIRL-IN-A-SWING’ FIGURE GROUPS

Lot 211 is visible in an early photograph of Mrs Edward Harrison Solly (nee Cornish) in the drawing room at Bells House, Colehill, Wimborne Minster, Dorset dating from around 1900.

These exceptionally rare porcelain groups (lots 211 and 212) were manufactured by Charles Gouyn at The Turk’s Head, Bennett Street, St. James’s, London. Gouyn helped Nicholas Sprimont set up the Chelsea Porcelain Factory, but around 1748 he severed his links and set up his own manufactury referred to by early 20th century scholars as “Girl-in-a-swing” porcelain, so called after a figure in the Victoria and Albert Museum.

These documentary porcelain groups have descended in the same family since they were made. Isaac Solly (1724-1802) was a successful London merchant in the Baltic Trade. His son Samuel (1774-1847) married Dorothea Rackett, the daughter of Thomas Rackett. Thomas Rackett was Executor to Eva Marie Garrick (the widow of David Garrick). Their only surviving daughter Thomasine, married Chevalier Enrico Crisperi St. Clair, but they had no issue, so when Thomasine died in 1881 all their possessions went to the then head of the family, Edward Harrison Solly.

Since Thomas Rackett was Eva Garrick’s Executor and residuary beneficiary it raises the tantalising possibility that these rare survivals may have originated from the Garricks.

Indeed, the vendor's family retain many artefacts with a definite and proven Garrick provenance.

64

211 A CHARLES GOUYN ST. JAMES'S FACTORY PASTORAL FIGURE GROUP, the lady cradling a lamb on her lap, seated beside a tree stump, a man sitting beside her with his hand raised to the lamb's chin, c. 1750-54, probably London decorated prior to 1755, 5Âź" high.

Provenance: By descent in the family of the vendor since the 18th century (lots 211-219)

For a similar example see "Chelsea Porcelain" by Elizabeth Adams, p.48, pl.35. A comparable pair of these figural groups may be seen in the Museum of Fine Arts, Boston.

Another group is in the Collection of the Victoria and Albert Museum.

ÂŁ5,000-10,000

65

212 A CHARLES GOUYN ST. JAMES'S FACTORY FIGURE GROUP, the lady holding a dove on her lap seated beside a tree trunk, a man sitting beside her with his hand raised to the dove, c.1750-54, probably London decorated prior to 1755, 5" high.

For a similar example see "Chelsea Porcelain" by Elizabeth Adams, p.48, pl. 35. ÂŁ1,000-2,000

66

213 A CHARLES GOUYN ST. JAMES'S FACTORY PORCELAIN "GIRL-ONSWING" SCENT BOTTLE modelled as a monkey carrying a basket containing flowers and an infant monkey, the stoppers formed of the monkey's heads, on a domed base enamelled with flowers, c.1755-60, 2¼" high

214 A CHARLES GOUYN ST. JAMES'S FACTORY SCENT BOTTLE modelled as a cockerel and three chickens, the cockerels head and two chickens heads forming the stoppers, standing on a domed base enamelled with flowers, c.175560, 2¾" high

£3,000-5,000 67

£3,000-5,000

Lots 215, 216 and 217

218 A PAIR OF CHELSEA PORCELAIN OVAL BUTTER DISHES, covers and stands, enamelled in colours with flowers, the covers modelled with fruit handles, brown line rims, c.1750-55, the stands 7¾" wide, overall height 4".

215 A PAIR OF WORCESTER PORCELAIN CONDIMENT SPOONS, the circular bowls enamelled in colours with flowers and gilt line rim, the moulded rococo handles heightened with puce and gilt, c.1755-60, 4". See illustration

£400-600

219 A SET OF FOUR CHELSEA PORCELAIN LEAF-SHAPED DISHES enamelled in colours, with flowers, red anchor mark, c.1750-55, 8¼" x 9"

216 A PAIR OF WORCESTER PORCELAIN CONDIMENT SPOONS, the circular bowls enamelled in colours with flowers and gilt line rim, the moulded rococo handles heightened with puce and gilt, c.1755-60, 4". See illustration

£400-600

£500-1,000

220-299 Spare lots

217 A WORCESTER PORCELAIN CONDIMENT SPOON, the circular bowl enamelled in colours with flowers and gilt line rim, the moulded rococo handle heightened with puce and gilt, c.1755-60, 4". See illustration

£500-1,000

£100-200 68

CHINESE, JAPANESE AND SOUTH EA ST A SIAN WORK S OF ART

Detail of Lot 317 69

300 A JAPANESE ARITA BLUE AND WHITE PORCELAIN BALUSTER VASE decorated with birds in flight amongst large blossoms, 18th century, 27cm high See illustration

Lot 300

£100-200

301 A CHINESE BLUE AND WHITE PORCELAIN JAR AND COVER painted with a kylin and phoenix near banana plants, Qing Dynasty, 18th/19th century, 22cm high

£250-350

302 A CHINESE BLUE AND WHITE PORCELAIN JAR AND COVER painted with three boys playing with a kylin, Qing Dynasty, 18th/early 19th century, 19cm high See illustration

Lot 302

£200-400

303 A JAPANESE HEXAGONAL EARTHENWARE BOX AND COVER with shallow dished cover decorated with paulownia and other plants in formal bracketed and star arrangements, the body with panels of diverse leaves and flowers, the base with blue enamelled satsuma mons, extensive inscription and gilded grass, signed "Dai Nihon SatsumYaki Tawara Koseki NoI", circa 1900, 10.5cm high x 17cm wide.

Painted by Tawara Koseki.

£400-600

304 A CHINESE DOUCAI PORCELAIN SMALL JAR of ovoid shape, painted with dragons in clouds, with associated pierced wood "shou" cover, Qing Dynasty, 11.5cm high See illustration

Lot 303

£60-120

305 A CHINESE PORCELAIN FIGURE OF BUDDHAI, the corpulent sage holding rosary beads and a sack, picked out in famille rose enamel floral detail, impressed seal mark, early 20th century, 27cm high

70

£150-250

306 A CHINESE FAMILLE-JAUNE BOTTLE VASE, with gilded dragons to the neck, painted with flowers, birds and landscapes, in four circular panels, bearing Qianlong seal mark in blue, probably Republic period, 33cm high See illustration

Lot 306

£600-1,200

307 A CHINESE FAMILLE ROSE EXPORT PORCELAIN CIRCULAR BOWL decorated with peonies, 20cm dia.; a 19th century bowl and cover decorated with prunus and other flowers in enamels, on later wooden stand, 12cm; and a late 19th century yellow ground ginger jar with associated wood cover and stand, 19cm overall (3)

£100-200 Lot 309

308 A CHINESE EXPORT PORCELAIN TANKARD decorated with gilt flower roundels and with a cross-over handle with naturalistic terminals, late 18th/early 19th century, 12.8cm high; and a famille rose armorial tea bowl, 8.5cm dia. (2)

£60-120

309 A CHINESE BLUE AND WHITE EXPORT PORCELAIN LARGE CIRCULAR BOWL internally and externally painted with panels of insects amongst rocks and chrysanthemums, against a ground of scrolling foliage, 36.5cm dia. x 15.5cm high See illustration £200-400 Lot 311

310 A CHINESE FAMILLE ROSE BRACKETED CIRCULAR TEA BOWL decorated externally in famille rose enamels with five maidens, turquoise blue internal glaze, seal mark in iron red, Tongzhi (1862-1874), 8.6cm dia. x 4.5cm high

£150-300

311 A JAPANESE EARTHENWARE POTTERY BOWL internally decorated with a pair of oshidori beneath wisteria, externally with further flowers against a midnight blue ground, triple character mark in gilt, early 20th century, 19cm dia. x 8cm high See illustration

£200-400 71

Lot 316

Lot 317

316 A SET OF SIX CHINESE EXPORT FAMILLE ROSE PORCELAIN CUSTARD CUPS AND COVERS, each with domed and scale incised cover with knot finial in gilt, ovoid bodies, Qianlong, circa 1780, 10cm high.

See illustration

312 A JAPANESE SATSUMA EARTHENWARE SMALL BOWL profusely painted and gilded with overlapping butterflies, Satsuma mons and two character mark in gilt, circa 1900, 11cm dia. x 5cm high

£150-300

313 A CHINESE ARMORIAL EXPORT PORCELAIN CIRCULAR DISH, the central mantled armorial beneath bird with sprig crest to the rim, with floral sprays and a collar fleur de lis to the well, 18th century, 32.5cm dia.

317 A CHINESE PORCELAIN MODEL OF A FO DOG, Qing Dynasty, 19th century, with mustard green and brown glazes, with brocaded ball, on open pierced integral stand, 35cm high.

£60-100

314 A CHINESE QINGBAI GLAZED FLARED CIRCULAR BOWL decorated with infants amongst waves and flowerheads, 21cm dia. x 6.5cm high; and a similar example, 19.5cm dia. (2)

£200-400

318 A PEKIN TWO COLOUR OVERLAY GLASS FLARED CIRCULAR BOWL externally decorated with swirling lotus pods, flowers and leaves, in turquoise on opaque white, early 20th century, 18cm high

£200-400

315 TWO CIZHOU-TYPE BOWLS, one with stylised leaf decoration, the other incised with scrolling foliage, both 16cm dia. (2)

£400-600

£200-400

72

£50-100

Lot 320

Lot 322

323 A CHINESE QINGBAI STYLE EWER of plain ovoid form, the cylindrical cover with button knop, with strap handle, 17.5cm high

319 A CHINESE YIXING TYPE SQUARE TEAPOT AND COVER of bracketed square section, impressed marks to base and lid, 5.5cm high, 19th/20th century, and another, incised with script, 11cm high, 20th century.

£150-250

324 A CHINESE SANG DE BOEUF GLAZED PORCELAIN VASE of ovoid form, bearing underglaze blue sealmark of Emperor Qianlong, but considered later, 24cm high, with carved hexagonal hardwood stand

320 A CHINESE WUCAI PORCELAIN VASE of shouldered baluster form, decorated with four sky dragons, with peonies to the shoulder, Qing Dynasty, 25cm high See illustration

325 A CHINESE PORCELAIN BLUE AND WHITE CENSER of circular form with everted rim, decorated with dragons, Qing Dynasty, 21.5cm dia. x 12cm high

£300-500

£80-150

£200-400

£60-100

325A A CANTONESE FAMILLE ROSE/ VERTE VASE enamelled with panels of figures, birds and insects amidst flowers, Qing, 17¾” high

322 A CHINESE PORCELAIN BOTTLE VASE of plain off-white glaze, the neck with vivacious applied dragon in relief in pink glaze with green glazed detail, bearing six character mark of Kangxi but considered later, late 19th/early 20th century, 24cm high.

See illustration

£100-150

321 A PAIR OF CHINESE FAMILLE ROSE PORCELAIN SMALL BRUSH POTS decorated with maidens on verandas, Republic, 11.3cm high; and another with floral decoration, 10.5cm high

£40-70

73

£200-400

Lot 326

Lot 327

329 A CHINESE BLUE AND WHITE BOWL in Chenghua style, of circular form externally painted with four blossoms connected by tendrils and leaves, six character mark of Yongzheng, in underglaze blue within double concentric circle, Yongzheng, 12cm dia. x 5.3cm high.

326 A PAIR OF CHINESE EXPORT PORCELAIN LARGE MOON FLASKS, each with a frontal panel depicting military gatherings, the reverse panels with birds amongst blossoming shrubs, against foliate brown ground, with pairs of dragons to the shoulders in gilt, rubber stamp mark in iron red, Republic (or later), 48.5cm high See illustration

£800-1,500

330 A CHINESE BLUE AND WHITE EXPORT PORCELAIN PLATE, Qing Dynasty, 19th century, centrally painted with an extensive lakeland landscape within buddhistic emblems, in "rice grain" border, 21.7cm dia.

327 A CHINESE EXPORT PORCELAIN FAMILLE NOIRE SQUARE SECTION VASE, the neck relief pierced to each side with figures beside pavilions, the base with six character mark of the Kangxi Emperor in underglaze blue, considered late Qing Dynasty, 51cm high.

See illustration

£80-150

331 A GROUP OF FIVE JAPANESE MONOCHROME GLAZED EARTHENWARE BOTTLE VASES, one with yellow glaze, the remaining with turquoise blue glazes, circa 1910, the largest 31cm, the smallest (yellow) 18cm, with five carved hardwood associated stands, circa 1900 and later (10)

£600-800

328 A PERSIAN POTTERY BALUSTER VASE decorated in blue and black with a continuous scene of a court figure with lion and prey animals amongst foliage, Qajar, late 19th/early 20th century, 26cm high

£200-400

£100-200

74

£150-250

Lot 333

Lot 336

336 A PAIR OF SATSUMA POTTERY HEXAGONAL PANELLED VASES decorated with birds amongst peonies and wisteria near a lake, Satsuma mon and three character mark in gilt, circa 1910-20, 21cm high; and a similarly decorated small cylindrical pair of vases, 12cm high (2 pairs) See illustration

332 A CHINESE PORCELAIN AND CANTON DECORATED MODEL OF A MAIDEN, early 20th century, standing in robes with basket of flowers, 33.5cm high, and another similar smaller figure with impressed mark "CHINA", 19.5cm high

£50-100

333 A JIANYAO-TYPE "HARES FUR" TEA BOWL of deep form with an everted rim, the glaze ranging from dark to mocha brown, 11.7cm dia. x 6.8cm high See illustration

337 A PAIR OF JAPANESE BLUE AND WHITE PORCELAIN FIGURAL CANDLESTICKS, Hirado type, each formed as boys holding chrysanthemums and climbing on rocks, circa 1900, 16cm high

£200-400

334 A PAIR OF JAPANESE SATSUMA EARTHENWARE OVOID VASES, circa 1910, each decorated with three arhats conversing beneath a tree, with brocaded detail and Satsuma mon detail to the shoulders, three character marks in gilt, 19cm high

£300-500

£80-150

338 TWO JAPANESE MINIATURE TEAPOTS and covers, the larger amber-glaze example of compressed form, 9cm and 7cm, circa 1900; and a small Korean inlaid-celadon ewer (sake pot) 5.5cm, 20th century, (3)

£80-150

335 A PAIR OF JAPANESE SATSUMA POTTERY VASES of 1910-20, of shouldered ovoid form, decorated with views of temples through pendant wisteria blossoms, each with Satsuma mon and two character mark in gilt, 25cm high. £100-200 75

£80-150

345 A JAPANESE JIANYO STYLE TEA BOWL with mocha streaked black dribble glaze, two character inscription incised to the base, 12cm dia. x 6½" high, in Japanese presentation box

339 A CHINESE FAMILLE-ROSE BOWL, probably Republic period, circa 1940, of ogee outline, decorated with an extensive lakeland scene, bears Qianlong sealmark in raised blue enamels, 15.4cm dia. x 7cm high; and a shallow circular dish, with winter scene, 33.5cm dia. (2)

£200-400

346 A CHINESE BLUE AND WHITE EXPORT SHALLOW CIRCULAR DISH with a plain interior and trellis border, the exterior with a continuous peony scroll, Qing Dynasty, 19th century, 37.5cm dia.

340 A CHINESE EXPORT PORCELAIN COFFEE CUP AND SAUCER, each piece decorated with fancy fowl, Qing Dynasty, 19th century, the saucer 14cm dia. ; and a Samson porcelain famille rose plate, 22cm dia. (2)

£50-100

£30-50

349 A CHINESE EXPORT PORCELAIN PART DESSERT SERVICE, each with central scene depicting courtly figures relaxing, or trades, with landscape vignettes to the richly foliate gilded borders. Comprising a pair of sauce tureens and covers, with fruit finials, 20cm long, a pair of circular dessert dishes, 26.8cm dia., three smaller dessert dishes, 21.3cm dia., four dessert plates, 19.5cm dia., three saucer dishes, 20cm dia., three dessert bowls, 19.7cm dia. and fourteen deep saucers, 15cm dia. Qianlong, circa 1790, (31 pieces) See illustration

£150-250 343 A JAPANESE KUTANI SHALLOW DISH centrally painted with a song bird in a peony bush, pseudo seal mark, Meiji period, 36cm dia. £100-200

344 A KASHAN LUSTRE WARE SMALL EWER, Persia, with trumpet neck and strap handle to the shoulder, the middle band decorated with four stylised portraits, with canted foot, circa 12th century AD,13.5cm high

£100-200

348 TWO SMALL CHINESE FLAMBÉ VASES with sealmarks, perhaps Shiwan, 20th century, the largest 17cm high

£100-200

342 A CHINESE BLUE GLAZED PORCELAIN SHALLOW DISH of circular form with raised and incised white slip peach medallion within floral sprigs, Qing Dynasty, 19th century, 36.8cm

£50-100

347 A CHINESE QINGBAI VASE of baluster form, moulded with peonies, probably Song Dynasty, 12.8cm high (boxed)

341 A CHINESE PORCELAIN CIRCULAR LIDDED JAR painted in underglaze blue and enamels with aquatic plants and peonies, late Ming Dynasty, 10cm dia., probably from a wreck, 10cm dia.

£100-200

£80-150

76

Formerly in Christies lot 328 on 16/12/1996.

£1,000-2,000

Lot 349

77

350 A PAIR OF CHINESE CAFE-AU-LAIT BALUSTER VASES, 20th century, 40cm high (2) See illustration

Lot 350

£250-450

351 A CHINESE FAMILLE VERTE PORCELAIN BALUSTER VASE decorated with birds amongst rockwork on leaf silhouette panels within scattered motifs, crackled banding to the base, late Qing Dynasty, 46cm high See illustration

£300-600

352 A CHINESE PORCELAIN LARGE VASE of baluster form, decorated in Canton enamels with typical Manchu figurative court scenes alternating with birds in branches, fo dogs and dragons in pairs to the shoulder and neck, late Qing Dynasty, circa 1890, 61cm high.

See illustration

Lot 351

£300-600

353 A CHINESE PORCELAIN RECTANGULAR PLAQUE depicting Li Tiegui holding a gourd and accompanied by Guanyin amongst clouds, in wood decorative frame, 20th century, the plaque 37cm x 24.5cm.

£100-200

354 A CHINESE EXPORT FAMILLE ROSE PORCELAIN CIRCULAR PLATE centrally painted with a pair of waterbirds amongst peonies, 22.6cm dia., Qianlong, circa 1770, and two small Chinese porcelain bottle vases, Qing Dynasty, on associated wooden stands, 8cm (3)

£60-100

355 SPARE LOT

Lot 352

356 A CHINESE BLUE AND WHITE CRACKLEWARE VASE decorated with butterflies and plants in overglazed enamels, circa 1900, 30cm high; a Japanese speckled brown glazed bowl, early 20th century, 19cm dia.; and a Japanese pottery bulbous vase, early 20th century, decorated in relief with fruiting vines and hazelnuts, seven character mark, 12cm high (3) £100-200 357 A CHINESE MONOCHROME YELLOW GLAZED BOTTLE VASE carved in relief with a dragon, bearing moulded Qianlong mark, but later, 20th century, 19cm high 78

£100-200

358 A CHINESE PORCELAIN CYLINDRICAL BOX AND COVER printed with horses, 20th century, 19.5cm high; a Chinese porcelain dish decorated in Canton with enamelled butterflies, 22cm dia.; and a set of seven Oriental whiteglazed tea bowls, 20th century (9)

Lots 360 and 360A

£60-100

359 A CHINESE FAMILLE ROSE BOTTLE VASE enamelled with dragons and flowers on a gilt ground, bearing Qianlong mark but later, 20th century, 21.5cm high.

£50-100

360 A CHINESE PORCELAIN BOTTLE VASE with elongated neck, enamelled with brightly coloured flowers on a gilt ground, gilt line rim, seal mark on base, 8" high See illustration

Lots 361A and 361A

£300-600 360A A CHINESE PORCELAIN BOTTLE VASE with an elongated neck, enamelled with polychrome floral decoration, 7" high See illustration

£100-200

361 A CHINESE BLANC DE CHINE PORCELAIN FIGURE OF GUANYIN sitting cross-legged against a table, 5½" high See illustration £200-400 361A A CHINESE PORCELAIN WHITE CELADON FIGURE OF GUANYIN setting cross-legged holding a scroll, 8" high See illustration

Lots 362 and 362A

£300-600

362 A CHINESE CREAM CELADON GLAZED PORCELAIN FIGURE OF GUANYIN sitting on a platform of lotus leaves, 10½" high See illustration

£400-800

362A A CHINESE BLANC DE CHINE PORCELAIN FIGURE OF GUANYIN standing holding a lotus leaf, brown and red stamps, 10½" high See illustration

£200-400 79

Lot 365

Lot 368

367 A PAIR OF CHINESE BLUE AND WHITE PORCELAIN TWO HANDLED CUPS, Qing Dynasty, late 18th century, 9.7cm high (2)

363 A CHINESE EXPORT including a famille rose sauceboat of European inspired silver shape, Qianlong, c.1760-70, 23.5cm long

£50-100

364 A PAIR OF CHINESE PORCELAIN JARS AND COVERS, enamelled with Chinese figures, with peach knops, Republic Period, 15.5cm high (7)

367A A COLLECTION OF ORIENTAL BLUE AND WHITE PORCELAIN, Japanese and Chinese, 19th/early 20th century (7) £60-100

£150-250

368 A CHINESE BLUE AND WHITE PORCELAIN LARGE BALUSTER VASE, 19th century, decorated with figures in mountain landscapes, 41.7cm high See illustration

365 A CHINESE FAMILLE ROSE PORCELAIN BOTTLE VASE painted with a couple with parasol, Republic, 15cm high See illustration £400-600

366 A CHINESE CELADON DISH, Yuan Dynasty, 21.5cm dia.

£70-100

£200-400

369 FOUR CHINESE BLUE AND WHITE EXPORT PIECES including two sparrowbeak jugs, teapot, tureen and cover, all Qing, 18th century (4)

£50-100

80

Lot 371

Lot 376

372 FIVE CHINESE PORCELAIN (PROVINCIAL) BOWLS, mid-late Ming Dynasty

370 A PAIR OF CHINESE PROVINCIAL BLUE AND WHITE PORCELAIN BOWLS decorated internally and externally with dragons, each with four character mark to base, 17th century, 12cm dia. x 6.1cm high

373 A CHINESE PORCELAIN JARDINIÈRE, decorated with two maidens and a boy, Republic, 18cm dia. x 12.6cm high

£100-200

370A A CHINESE PORCELAIN SAUCER DISH with metal rim, painted with birds amongst fruiting pomegranates, six character mark, 17th/18th century, 16cm dia.; two Chinese export items and a small bowl and cover, 18th/19th century (4)

£80-120

374 A CHINESE BLUE AND WHITE PORCELAIN LADLE bearing six character mark of Yongzheng and a small flared blue and white porcelain tea bowl painted with trees (2)

£100-200

371 A SET OF EIGHT CHINESE PROVINCIAL BLUE AND WHITE PORCELAIN DISHES, Tek Sing Treasures, circa 1822, 18cm dia., and a bowl ensuite (9) See illustration

£200-400

£100-200

375 A CHINESE PORCELAIN PART DINNER SERVICE, Republic, circa 1930 (67) 376 TWO BLUE AND WHITE CHINESE (PROVINCIAL KILN) LIDDED BOXES, 17th century, sea washed See illustration

£200-400

81

£200-400

380 A PAIR OF CHINESE PORCELAIN SMALL VASES and covers, late 19th century, and three other vases (5)

376A A CHINESE BLUE AND WHITE PORCELAIN LIDDED BOX, provincial kiln, 17th century, 10.5cm dia.

£80-120

381 A GROUP OF FOUR JAPANESE PORCELAIN BOWLS AND DISHES, 19th/early 20th century (4)

377 FIVE CHINESE BLUE AND WHITE PORCELAIN VASES, all 19th century, the largest 20cm (5)

£60-100

£150-250

£150-250

379 TWO SIMILAR CHINESE FAMILLE ROSE PORCELAIN BOWLS, c.1740-50 See illustration

£100-200

385A FOUR CHINESE BLUE AND WHITE PORCELAIN VASES/DESK WEIGHT, Ming and later, the largest 10cm (4)

£250-450

379A A GROUP OF THREE CHINESE BLUE AND WHITE PORCELAIN BOWLS; a Japanese shaped dish, and a Tek Sing blue and white shallow circular bowl (5)

£60-100

385 A SET OF FOUR CHINESE TEA BOWLS, Straits type, early 20th century (4)

£100-200

384 SIX CHINESE CERAMIC ITEMS, 19th/20th century (6)

£150-250

378A F OUR CHINESE BLUE AND WHITE PORCELAIN BOWLS, late Ming/early Qing Dynasty, with floral decoration, the largest 16cm dia.

£100-200

383 TWO CLOBBERED CHINESE PIECES including a famille rose chocolate pot and cover (restored), 18cm high

378 A CHINESE BLUE AND WHITE SHALLOW BARBED DISH, Kangxi, a Kangxi bowl and a provincial 18th century dish with dragon design (3)

£50-100

382 FOUR CHINESE PORCELAIN TEA BOWLS, a stand and saucers etc, 18th/19th century (a lot)

377A F IVE CHINESE BLUE AND WHITE EXPORT PORCELAIN DINNER PLATES with floral and landscape decoration, one Kangxi and the others Qianlong, the largest 22.5cm dia.

£60-100

£60-100

82

£200-400

Lot 379

Lot 390

388 FOUR CHINESE PORCELAIN BOWLS/DISHES, the largest 24.5cm (4)

386 A CHINESE ARMORIAL SAUCER DISH, with "hairy man and club" crests, c.1780, 14cm dia.

£60-100

389 A CHINESE EXPORT ARMORIAL PORCELAIN OCTAGONAL PLATE with green men crest, Qing, 18th century, 22cm dia.

387 A CHINESE PROVINCIAL BLUE AND WHITE PROVINCIAL BOWL, late Ming Dynasty, 14.5cm dia.

£100-200

£200-400

£100-200

390 A CHINESE QINGBAI MEIPING, moulded to the shoulder with two flowering prunus sprigs, possibly Song Dynasty, 19.2cm high See illustration

83

£1,000-2,000

397 FOUR CHINESE SONG DISHES/ BOWLS (4)

391 FIVE CHINESE EXPORT COFFEE CUPS, 18th century, and two tea bowls, a saucer and a tea caddy and cover (a lot)

£60-100

397A TWO CHINESE WHITEWARE BOWLS. Song or later, and a Qingbai glazed small jarlet with incised shoulders (3)

392 SEVEN CHINESE REPRODUCTION BOWLS AND VASES in Song & Ming styles (7)

£70-100

£60-100

398 A CHINESE CELADON VASE of tapered shape, carved and incised with a dragon pursuing the flaming pearl amongst clouds, 20th century, 38cm high

393 A PAIR OF JAPANESE TURQUOISE BLUE BOTTLE VASES with entwined dragons, late 19th century, 29.5cm high

£60-100

£60-100

£150-250

400 AN EXTENSIVE CHINESE TEA SERVICE decorated with cockerels, foliage and blossom, early 20th century

395 A PAIR OF CHINESE SOUTHERN SONG/YUAN QINGBAI FUNERARY VASES and covers, 17cm high (2) See illustration

£100-200

399 FIVE CHINESE AND THAI ITEMS, Tang and later (5)

394 FOUR CHINESE REPRODUCTION CERAMICS including two vases (4)

£100-200

401 A MATCHED PAIR OF GREEN GLAZED POTTERY VASES, probably Han Dynasty, with cupped necks and compressed cushion bodies, 13.5 and 14cm respectively (2) See illustration

£400-600

396 A CHINESE BLUE AND WHITE PORCELAIN "GINGER" JAR and cover, 19th century, 21.5cm high

£80-120

84

£200-400

402 A CIZHOU POT and a brown glazed jar (2)

Lot 395

£150-250

403 A RARE CHINESE PORCELAIN MODEL OF AN OVEN, probably Song or earlier, with figures and animals around the oven entrance, 8.5cm high See illustration

£200-400

404 A THAI CELADON DISH of barbed circular shape, 27cm dia.

£150-250

405 FIVE QINGBAI TYPE BOWLS (5)

£200-400

Lot 401

406 TWO CHINESE FIGURES, perhaps Tang & Ming (2)

£40-80

407 A CHINESE POTTERY MODEL OF A ZEBU OX standing, 20cm high, together with "The Asian Ceramic & Art Association The Macao Archaeology Association" certificate dated 1995

£100-200

408 A JAPANESE TEA DUST GLAZED DOUBLE GOURD VASE, 18th/19th century Lot 403 409 A CHINESE PORCELAIN BOX AND COVER with a fisherman in a landscape and script, Republic, and a 20th century scroll painting (boxed) (2)

£50-100

85

416 A CHINESE CARVED CELADON JADE FIGURE OF A MAIDEN, standing holding a basket, 20th century, 15cm high (excluding wood stand)

410 A CHINESE SOAPSTONE SMALL JARDINIÈRE

£80-150

411 A GROUP OF FOUR CHINESE JADE ARCHAIC STYLE ORNAMENTS (4)

417 THREE CHINESE SNUFF BOTTLES including a glass example with cut floral "cane" inclusions 19th/20th century, (3)

£50-100

412 A CHINESE BROWN GLAZED POTTERY MODEL OF A RECUMBENT HOUND, probably Tang Dynasty, 8.4cm

£100-200

£100-200

419 FOUR CHINESE CARVED MINERAL SNUFF BOTTLES including a jade example, late Qing Dynasty/20th century (4)

£100-200 414 A CHINESE JADE DRAGON ORNAMENT in archaic style See illustration

£150-300

420 THREE CHINESE MINERAL SNUFF BOTTLES including an agate example, late Qing Dynasty (3)

£200-400

415 A GROUP OF FIVE CHINESE MINERAL ORNAMENTS, 20th century, including a tiger's eye snuff bottle(5)

£100-200

421 A GROUP OF FOUR BRONZE BELT BUCKLES OF TYPICAL FORM, Han Dynasty the largest 15cm long, smallest 8.4cm

£100-200

415A A CHINESE JADE "ARCHERS" RING, an agate snuff bottle and another item (3)

£100-200

418 FOUR CHINESE SNUFF BOTTLES comprising tiger's eye, two glass and a cloisonné example, 20th century (4)

413 A JAPANESE CARVED IVORY TUSK SECTION BOX AND COVER, circa 1910-1920, worked with lion masks

£80-150

£50-100

422 A PAIR OF JAPANESE SHIBAYAMA INLAID IVORY OR BLACK LACQUER BEZIQUE MARKERS, in original protective cases, 9cm See illustration

£50-100

86

£200-300

423 A CHINESE EXPORT FAN of carved sandalwood, in original lacquer box, the fan 28cm long.

Lot 414

£150-250

424 A CHINESE CLOISONNÉ TEAPOT/ WINE POT and cover, 20th century, and two bowls (3) £80-150 425 NINE DECORATIVE INK BLOCKS in a fitted case, 13" x 21", a Chinese panel set in a tray and a part Chinese tea set £60-100 426 A CHINESE CARVED SOAPSTONE SEATED FIGURE OF WUDI, circa 1900, seated, upon openwork rocks, 25.7cm high See illustration

Lot 422

£300-500

427 A PAIR OF CHINESE CARVED SOAPSTONE GUANYIN BOOKENDS, circa 1900, 19.5cm high

£80-120

428 A PAIR OF CHINESE CARVED SOAPSTONE LARGE FIGURES OF SAGES, both standing, one holding a pagoda, the other holding his long eyebrows, debased seal marks incised to the bases, late 19th century, 19.5cm high

£150-200 Lot 426

429 A BOX OF CHINESE CARVED WOOD STANDS, 19th/20th century

£80-120

430 A CHINESE RECTANGULAR HARDWOOD TRAY, the edges carved with prunus, 30.3cm

£100-150

87

449 A CHINESE BAMBOO AND LACQUERED WOOD SCROLL WEIGHT in the manner of Xihuang, carved in shallow relief with buildings in a mountainous landscape, Republic or later, 30cm long

431 FIVE CHINESE PEWTER PIECES, 19th/20th century (5) £100-200 432 SIX CHINESE BRASS ITEMS, some with reign marks (6)

450 A CHINESE GREEN JADE WATER BUFFALO, the recumbent animal with its' head raised and turned to the right, the stone with some russet and brown inclusions, early 20th century, 16cm long, upon a carved hardwood fitted stand

433 A CHINESE GILT BRONZE SEAL/ CHOP with faun

£60-100

£150-250

434 A COLLECTION OF TWELVE CHINESE ARCHAIC BRONZE ORNAMENTAL BOSSES, the smallest 14mm, the largest 23mm

451 A JAPANESE ONE PIECE CARVED ELEPHANT IVORY FIGURAL OKIMONO "The Monkey Trainer", standing with his foot on one monkey, another clambers on his shoulder near fruits, perhaps Tokyo school, circa 1900, 16cm high

£60-100

435 A CHINESE CARVED BAMBOO BRUSH POT and a Chinese carved hardwood stand, early 20th century (2)

453 AN INDIAN LATHE-TURNED VEGETABLE IVORY, BONE AND IVORY MOUNTED SMALL VASE AND COVER, 14cm high; and a European lathe-turned elephant ivory snuff box and screw thread cover, early 19th century, 8cm dia. (2)

£500-800

440 AN INDIAN TOPOGRAPHICAL MINIATURE GROUP showing twelve views, including the Taj Mahal, Golden Temple, and others, titled on the reverse, late 19th/ early 20th century, mounted on an oval frame, 19.8cm x 27.5cm,

£80-150

£80-150

439 A CHINESE CARVED BONE MODEL OF A DRAGON BOAT with dragon figurehead and a hairy tail to the stern, supporting two and three storey pagodas linked by bridges and inhabited by confunction scholars, 20th century, 58cm high x 102cm wide See illustration

£100-200

452 A JAPANESE CARVED ELEPHANT IVORY FIGURAL OKIMONO as Jurojin, early 20th century, the bearded God standing enrobed holding a large gnarled peach staff, signed, 7.1cm high

£60-100

436 TWO CHINESE CANTON ENAMEL DISHES and a box and cover (3 and cover)

£60-80

£100-200

£150-250

441-448 SPARE LOTS

88

£80-150

454 A CHINESE EXPORT IVORY BRISEE FAN, circa 1790, centrally worked with initials within a field cartouche, the guards 19cm long; and a European ivory mounted fan, the chicken skin leaf painted with Roman scene of judgement, 28cm long (2) See illustration

Lot 439

£100-200 455 A PERSIAN SMALL PAINTED BONE PLAQUE, rectangular, painted with figures, horses and oxen around a mosque, early 20th century, 4.5cm x 12cm; and another, on ivory, depicting figures reading from the Koran in a rocky landscape, 11cm x 7.6cm.

See illustration £50-100 Lot 454

456 A GROUP OF CHINESE CINNABAR LACQUER ITEMS OF JEWELLERY comprising floral belt buckle, two brooches, a set of five buttons, a pair of earrings, a finger ring and a circular bangle, late 19th/early 20th century (a lot)

£80-120

457 A GROUP OF CHINESE, JAPANESE AND INDIAN SMALL DECORATIVE IVORIES, circa 1890-1920, including a standing figure of a Chinese man holding an opium pipe and wearing spectacles, 9.3cm high; a Japanese okimono, a Japanese netsuke and four carved small elephants

£150-250

458 A CHINESE EXPORT CARVED IVORY CALLING CARD CASE worked with numerous figures in pavilion settings, 11.5cm high, and two Japanese carved walrus ivory figural okimono, circa 1910, 18cm high and 12cm high. (3)

Lot 455

£100-200

459 A GROUP OF FOUR CHINESE JADE/ JADEITE JEWELLERY ITEMS comprising a flower basket pendant, a peach scroll pendant with gold metal suspension loop, an oval brooch and another smaller brooch, late 19th/early 20th century (4)

£120-180

89

467 A CHINESE EXPORT LACQUER SEWING BOX of bracketed rectangular form, the lid with figurative detail, opening to reveal fitted interior with some surviving sewing accessories including reels, flakes, spools, bodkins and clamps, the frontal drawer with lidded interior (and some odd Chinese chess pieces, 19th century) Qing Dynasty, mid-19th century, 38cm wide x 15cm high See illustration

460 A JAPANESE ONE PIECE CARVED ELEPHANT IVORY FIGURAL OKIMONO "The Falconer", well detailed, an empty scabbard and quiver on his back, late Meiji period (1868-1912), 20cm high, with associated carved wood stand

£100-200

461 A CHINESE BRONZE/COPPER ALLOY EWER with two Ju tripod vessels, the ewer with engraved figure and animal decoration, Qing Dynasty, 26.5cm high (3)

468 A BURMESE BRONZE KYIZI, probably 19th century, of typical monks hood form, later attached hanger with leather strap, the gong 33cm wide.

£180-250

462 A CARVED GREENSTONE ARCHAIC JU VESSEL, 19th/20th century, 12.8cm high

£50-100

470 A CHINESE CARVED SOAPSTONE LARGE BALUSTER VASE decorated with roses in relief, 35.5cm high; and a jadetype teapot and cover, modern (2)

464 TWO SIMILAR COPPER/BRONZE STUDIES OF TOADS crawling on bark sections, perhaps Japanese, 19th/20th century, each 18.5cm long,

471 A JAPANESE BRONZE STANDING FIGURE OF A CONFUSION SCHOLAR wearing robes and traditional hat, late Meiji period (18681912), 36cm high (parts lacking)

£100-200

465 SPARE LOT

466 A PAIR OF JAPANESE CLOISONNÉ ENAMEL BALUSTER VASES with white metal neck and base rims, each worked with flowering purple wisteria against a midnight ground, circa 1900-1910, 24.5cm high, upon wooden stands, in the original pine and silk-lined boxes/ See illustration

£60-100

469 A JAPANESE BRONZE AND WIRE INLAID IKEBANA VASE with exaggerated flared neck, compressed body and short foot, inlaid all over with a profusion of scrolls, late Meiji period (1868-1912), 32.5cm high (originally with handles now missing)

463 A SMALL CHINESE CARVED HARDWOOD MALLET, the dragon mask handle terminating in a drum shaped end, late Qing/Republic, 22.2cm long

£200-400

£500-1,000

90

£60-100

472 A JAPANESE BRONZE FIGURE OF BODHIDHARMA, a scowling and emaciated sage, full robe and cowl, standing on a reed, two character cast mark, late Meiji period, 32cm high, upon an associated oak plinth (overall height 35cm)

Lot 466

Bodhi dharma was a Buddhist monk who lived during the 5th or 6th century. He is traditionally considered the bringer of Chan Buddhism to China.

£150-250 473 AN INDIAN BRASS/BRONZE SMALL JARDINIÈRE worked in high relief with six panels depicting scenes from Hindu (?) myth, 24cm high.

£100-200

474 A CHINESE CARVED JADE/ GREENSTONE FIGURE OF A FO DOG, 19th/20th century, 25cm long.

Lot 467

£300-600

475 A PAIR OF JAPANESE BRONZE LEAPING CARP VASES, each well detailed fish resting on its' curled tail, early 20th century, 30cm and 31cm high,

£100-150

476 TWO INDIAN BIRDI WARE HOOKAH BASES, each of traditional bell form, with flared short necks with later silver plated lamp fitments, and both drilled, 18th/19th century, 28cm high

£80-150

Lot 478

477 AN INDIAN SILVER PLATED PEDESTAL GOBLET, the slender bucket bowl engraved and worked with "paisley" motifs, knopped stem and domed foot, 19th century, 23cm high

£40-80

478 A THAI GILT BRONZE FIGURE OF A FLUTE PLAYING DEITY, the jewelled figure wearing a crown, on shaped rectangular dais, with naturalistic hunt detail, 20th century, 32cm high See illustration

£200-400 91

479 THREE BURMESE CARVED HARDWOOD HEAD STUDIES with well detailed traditional headdresses, probably circa 1950, 40cm, 33.5cm, and 26cm high See illustration

Lot 479

£200-400

480 A GROUP OF THREE CAIRO BRASS BRONZE VESSELS in 12th century style, with figurative and script detail, the largest 13cm (3)

£80-150

481 A YEMENI JAMBIYA, the handle and sheath with studded silver filigree decoration, 19th/20th century, 27cm long

£80-150

482 A PAIR OF CAIRO BRASS LARGE PEDESTAL BALUSTER VASES, each worked with kufic script in stylised panels, the domed covers now pierced for adaptation to electric lamps, circa 1900, 59cm high See illustration

Lot 482

£200-400

483 A CHINESE LAPIS LAZULI FEMALE IMMORTAL FIGURE holding a fan and a basket of fruit, 20th century, 17.3cm high, on a wood stand.

£60-100

485 A CHINESE CANTON ENAMEL CIRCULAR BOX AND COVER, 20th century, painted with a pair of pheasants perched in plum blossom, 12.5cm dia.; and a pair of similar small shaped square dishes, 8cm wide (3)

Lot 486

£40-80 486 A CHINESE CARVED CELADON JADE CIRCULAR BANGLE, 8.5cm dia.

Seen by the Fitzwilliam Museum, Cambridge, and considered 17th century See illustration

£200-400 487 A CHINESE GREEN HARDSTONE FIGURE OF GUANYIN seated in meditation holding a vase, on a lotus dais, 20th century, 45.5cm high. See illustration 92

£500-1,000

488 A CHINESE JADE TYPE GREENSTONE SEMI-OVOID BOWL carved externally with eight small meditating Buddhas on lotus stems, 10.5cm high x 16.8cm dia. Second half of 20th century

Lot 487

£50-100

489 A CHINESE JADE PEACH FORM SMALL PLAQUE, late Ming style, pierced and carved with a kylin amongst clouds, 5.7cm; a jade type solid bangle carved in relief with characters, 8cm dia.; and a carved soapstone figure of a bearded sage, 4cm (3)

£100-200

490 A CHINESE PURPLE STAINED MINERAL FIGURE OF A MAIDEN in robes, holding a large cash coin, 15.5cm high

£50-80

491 A JAPANESE CLOISONNÉ ENAMEL SNUFF BOTTLE or scent flask, finely worked on one side with a stork, the other side with song birds, and a screw-thread celadon jade mushroom stopper inset with ruby type stone, gilt detail throughout, 20th century See illustration

£100-200

492 A PAIR OF CHINESE GREEN HARDSTONE VASES AND COVERS, on wood stands, 20th century, 18cm high

Lot 491

£50-100

493 A PAIR OF EGYPTIAN ALABASTER SPHINX, early 20th century, 11.2cm long; an Egyptian pottery small shabti; a pair of porcelain bird form small vases/ snuff bottles; an Italian Grand Tour carved larva (?) inset paperweight; a white metal mounted elephant ivory Napoleon silhouette paper knife, circa 1890; a Central European elephant ivory fan, a single guard painted with deer and stags; three small greenstone carved African animals (11 items)

Lot 494

£80-150

494 A CHINESE JADE BANGLE of plain circular form, of celadon colour with dark to light green inclusions throughout, 9cm dia.

See illustration £200-400 93

499A TURKISH (OTTOMAN) TURBAN PINS, with graduated spherical heads engraved with scrolling foliage, steel shafts and connected by trace-link chains, 19th century, the largest pin 10.5cm

495 A STRING OF GLASS BEADS comprising various sizes of old foil inclusion and blue glass beads, overall maximum length 62cm.

£100-200

496 A CHINESE CANTON ENAMEL HANGING LANTERN with four oval glazed panels (reverse painted with diverse flowers, birds and insects), within a pierced cellular body, painted with flowers, the pendant from similarly decorated corona, lotus decorated vase-form chimney, and a silk trellis pendant collar, late Qing Dynasty, the lantern 24cm high, the corona 28cm wide.

499B A GILT METAL EGYPTIAN REVIVAL CHOKER composed of fourteen pierced panels depicting Egyptian figures and folklore Gods and animals, with double loop clasp, 19.5cm parallel length. £100-200

£150-300

500 A GROUP OF SIX CHINESE SNUFF BOTTLES including a glass example imitating realgar, 6cm, and a famille verte porcelain snuff bottle decorated with lakeland scenes, 7cm, late Qing Dynasty (6)

497 A MIDDLE EASTERN/NORTH AFRICAN WHITE METAL RECTANGULAR CIGARETTE BOX with Arabic/Ge'ez script to the lid, 12cm wide

£100-200

£100-200

499 A MIDDLE EASTERN WHITE METAL CARD CASE and cover, chased with scrolling foliage, 20th century, 8cm high; and a pair of Indian Colonial silvered metal pedestal baluster pepperettes, circa 1890, 9cm high (3)

£150-300

501 A CHINESE BLUE AND WHITE PORCELAIN SNUFF BOTTLE painted with warriors amongst waves and clouds, with horn stopper, on wooden stand, 19th century; another similar smaller; two Chinese small porcelain vases, 18th/19th century and a soft paste gu blue and white porcelain vase decorated with birds amongst rocks, 8cm high (5)

498 A CHINESE CELADON JADE SMALL ARCHAIC STYLE VASE fashioned as a bronze and incised with taotie masks, late Qing Dynasty, circa 1900, , 4.3cm high; two hardstone fo dog seals; a pair of soapstone scholars/immortals; and a small soapstone carving of a water buffalo (9)

£100-200

£150-250

502 A GROUP OF SIX CARVED SOAPSTONE/GREENSTONE DISHES/ PLAQUES and a figure, mainly Chinese, all circa 1900 (6) £100-200

£50-100

503 A GROUP OF TEN CHINESE AND JAPANESE SCROLL PAINTINGS on silk and paper, 19th/20th century

94

£100-200

504 OHNO BAKUFU (1888-1976) Rice planters in a paddy field, woodblock print, 24cm x 36cm, including a later copy/replica of an original woodcut by Hokusai??? Fugaku Sanjurokkei (The Lake of Hakone), 25cm x 36cm

Lot 505

£80-120

505 A JAPANESE PHOTO ALBUM comprising thirty photographs contained within two black lacquer covers, peasants planting rice in paddies overlooked by Mt. Fuji, mainly of figures in interiors, including some trades, taking of tea, and also topographical landscapes, circa 1910, 18.5cm x 13.3cm See illustration

£100-200

506 AN ORIENTAL CARVED HARDWOOD AND PARCEL GILT PICTURE FRAME, worked in high relief with continuous Tibetan script, probably circa 1900, overall 51cm x 40cm

Lot 507

£30-60

507 Y ONG MUN SEN (MALAYSIA) (b.1896, d.1962) Figure on a bridge over a river amongst trees, signed and dated (19)47, 26.5cm x 37cm, watercolours; track in a woodland, signed and dated (1947), 26cm x 37cm, watercolours, both framed and with Bee Wah frame makers label, Kuala Lumpur See illustrations

Lot 507

£500-1,000

508 A JAPANESE WOODBLOCK PRINT of samurai on a veranda, 19th century, 34cm x 45.5cm; and another of an eagle, 27cm x 18cm (2)

£60-100

509 INDO-PERSIAN SCHOOL Figures smoking huqqa pipe, other figures waiting, on an open landscape, within foliate narrow and lined border, watercolours, black ink, gouache and gilding on paper, early 20th century, 36cm x 26cm, and another of polo players, 20th century, 19cm x 25cm (2)

£200-400 95

513A CHINESE SCHOOL, early 20th century Figures in boats and on a bridge, in a lakeland inlet, with inscription, 67.5cm x 98cm, watercolour on paper, glazed and framed

510 INDIAN COLONIAL SCHOOL, 19th century Three entertainers and a white pillar, with inscription, framed and glazed, 25.5cm x 15cm; and Indian School, mother suckling a child as a young girl looks on, black pen and ink on paper, 13cm x 15.2cm (2)

514 CHINESE SCHOOL, 20th century Red Hawker on bamboo, 65cm x 33cm, signed, seal marks; study of butterflies over orchids, 56cm x 26cm; and a Japanese woodblock print of a cicada on leaves, 27.5cm x 19cm (3)

£50-100

511 THREE CHINESE SCROLL PAINTINGS including a mountainous landscape example, 96cm x 45cm

£80-150

£200-400

512 A CHINESE PAINTING ON SILK OF A FEMALE IMMORTAL with a child attendant, 20th century, 59cm x 27cm, and two silk embroidered "sleeve" panels (3)

£200-400

515 CHINESE SCHOOL, 20th century A banana tree in flower ink on paper, inscribed, with red seals, 94cm x 44.3cm

£100-200

513 ANDO HIROSHIGE (1798-1858) "The 45th Station on the Tokaido Highway", travellers surprised by sudden showers at the Shono Station, signed, publishers seal, Kwame censor seal, 24cm x 36.5cm; another by Hiroshige, "Shower at the Nihon Bashi Bridge", in Edo, signed, publishers seal, Kwame, 24cm x 38cm; another by Hiroshige "Maiko Bay', Harima Province, dated 12th month of the year of the Ox (1853), publishers seal, censors seal, 36cm x 25cm

£50-100

514A AFTER TOSHUSAI SHARAKU, 20th century Actor Bando Mitsugoro II in the role of Ishii Genzo, 1794, seal of publisher Tsutaya Juzaburo, possibly published in 1940 by Adachi, censor's seal: Kiwame signature: Toshurai Sharakav ga. 37.5cm x 25cm, Oban polychrome woodblock print (nishiki-e), and mica, on paper, and two others similar, of Actor Ichikawa Komazo II as Shiga Daishichi, and a middle age man, perhaps a wealthy merchant (3) See illustration

511A A SET OF TWELVE CHINESE WATERCOLOURS ON PAPER depicting figures in various landscape and river settings, with inscriptions, early 20th century, 27.5cm x 17cm, laid down on to light blue silk edged card, framed

£50-100

£50-100

516 AFTER WAN SHAN CHIN CHUNG "Red Flowers", print with colours, 20th century, 30cm x 19.5cm

£20-40

517 SOTHEBY & CO: A COLLECTION OF 17 AUCTION CATALOGUES, 1960's - 1980's, concerning Chinese ceramics and works of art

£60-100 96

£50-100

Lot 518

Lot 521

522 A LARGE CHINESE BRONZE KETTLE moulded with raised floral decoration with hinged handle and removable lid, on a sweeping foot, 36cm high (including handle)

518 AN ORIENTAL SCARLET AND GOLD LACQUERED WARDROBE and blanket box ensuite, richly decorated with figures in pavilion settings, with decorative lock plates, the wardrobe with floral pierced apron, 20th century, 118cm wide x 180cm high See illustration

£300-600

£800-1,200

523 A CHINESE GILT BRONZE CENSER with incised figure decoration and elephants mask ring handles, the removable pierced lid with a temple lion finial, 7" high

519 A NEST OF FOUR CHINESE HARDWOOD OCCASIONAL TABLES, one bearing the label of "Shui Hing High Class Furniture, Kowloon", the largest 49.5cm wide

£100-200

524 A TIBETAN BRASS CEREMONIAL CUP in the form of a grotesque mask wearing a crown, standing on three raised feet, 9½" long

520 A CHINESE CARVED HARDWOOD JARDINIÈRE STAND, the apron worked with flowering prunus, inset marble quatrelobe top, circa 1920, 91.5cm high ; and a more modern example, 75cm high (2)

£100-200

£600-1,000

£50-100

525 A JAPANESE CLOISONNÉ VASE with brightly enamelled floral decoration on green ground, 9¼" high

521 A CHINESE SILVER JUNK with three sails and five oars each side, mounted with canons and figures on a scrolling base, the bow of the boat stamped "Made in Hong Kong Sterling P P", contained in a glazed case, the junk and stand 30cm high, the case 43cm high. See illustration

£50-100

97

£120-180

Lot 534

Lot 534

531 A CHINESE PITH PAINTING depicting a torture scene, mounted in a glazed frame, and two other similar studies (3)

526 A CHINESE GILT AND CAST IRON KETTLE with moulded dragon decoration, seal mark on base, 9½" high (including handle)

£60-100

£80-150 532 A CHINESE SCROLL PAINTING of a sage with a deer, character marks and seal mark, all within a silk floral border, 44" x 19" overall

527 A LARGE CHINESE CAST IRON KETTLE with dot moulded decoration within elongated Greek key borders, 12½" high (including handle)

533 A CHINESE PAINTING ON SILK depicting ladies playing musical instruments beside a screen painted with ducks, 13¾" x 16"

528 A CHINESE BRONZE LAMP BASE of archaic style with stylised animal decoration, on a green patinated ground, 38½" high (including fittings)

£60-100

£200-400

534 AFTER GIUSEPPE CASTIGLIONE (1688-1766) A set of four studies of hounds, each wearing a blue collar, ink colour on silk, circa 28.5" (72.5cm) x 22.5" (57cm), mounted as hanging scrolls and framed.

See illustration

529 A SET OF SIX CHINESE PITH PAINTINGS depicting torture scenes, mounted in gilt glazed frames

£50-100

£150-250

530 A SET OF SIX CHINESE PITH PAINTINGS depicting figures in brightly coloured robes, mounted in glazed frames (6) £150-250

Provenance: The collection of the late Major Michael Pitt-Rivers, acquired in the 1950s or 1960s.

The collection of the late William Gronow Davis MFH.

£1,000 – £2,000

535-599 Spare lots 98

WORK S of art Clock s and scientific instruments rugs and carpets

Detail of Lot 637 99

600 A DECORATIVE FAN, the leaf painted with a rococo style scene of ladies and cherubs in an idealised landscape, on decorated mother of pearl sticks, 13½", framed, 16½" x 28½".

See illustration

Lot 600

£200-400

601 A PAINTED LACEWORK FAN, the broad leaf painted with a central scene of a lady writing at her journal surrounded by winged cherubs, the leaf with lace borders, on decorated mother of pearl sticks, 13½", in a "D"-shaped frame, 17" x 30"

£50-100

602 A DECORATIVE FAN, the silk leaf painted with a courting couple in an idealised landscape within a scrolling border with applied sequins, with gilt decorated sticks and paste-set pivot, 8½", in a glazed case, 11½" x 18½" Lot 604

£50-100

603 A LACE FAN with broad leaf on carved gilt decorative mother of pearl sticks, 13½", in glazed case, 16½" x 29"

£100-200

604 A DECORATIVE FAN, the silk leaf painted with a courting couple in a landscape, within a cartouche surrounded by foliate and scrolling decoration, on gilt decorated sticks with paste set pivot, 8½", in glazed case, 11½" x 18½".

See illustration

£150-250

605 JODOCUS HONDIUS: A HAND COLOURED AND DECORATED MAP OF THE COUNTY OF "DORSETSHYRE with the Shyre-Towne Dorchefter defcribed ... anno 1662", glazed to either side, 15¾" x 20½".

See illustration

Lot 605

£150-250

606 A VICTORIAN FACE SCREEN, the painted cardboard screen on turned and gilt wooden handle, 15" x 9½" and another similar (2)

100

£50-100

607 JENNENS & BETTRIDGE, LONDON: A PAPIER MACHE PEN TRAY of rectangular cartouche shape decorated with a central floral panel within a scrolling gilt surround, stamped "Jennens & Bettridge, London" to the reverse beneath a crown, 5" x 10"

Lot 610

£50-100

608 A SET OF FOUR REGENCY GILT AND GRAINED TABLE COASTERS of shallow dished form with wavy borders, 6½" wide (4)

£80-150

609 A PAIR OF VICTORIAN TOLE PEINTE BOOKENDS or decorative supports, painted and cut in the form of baskets of flowers, 5½" x 9½" (2)

£50-100

Lot 612

610 A CONTINENTAL MARQUETRY DECANTER BOX, the rectangular box decorated with a central satinwood fan motif within kingwood crossbanding, the front similarly decorated, the interior with six square section decanters decorated with gilt, 19th century, 8½" x 10½".

See illustration

£100-200

611 A CARVED WOOD CANNIBAL FORK with three prongs, probably 19th century, 11½"

£100-200

612 A REGENCY MAHOGANY SARCOPHAGUS-SHAPED TEA CADDY, the shaped top with rounded central panel enclosing a fitted interior with twin lidded tea canisters and glass sugar basin, with mother of pearl escutcheons and compressed bun feet, 8½" high x 15" wide.

See illustration

Lot 613

£150-250

613 AN IVORY HANDLED CARVING SET, the knife mounted with a carved portrait of Arthur Wellesley, First Duke of Wellington, and the fork Sir Robert Peel, the knife 17" long.

See illustration

£100-200 101

614 A CAST BRONZE CAULDRONSHAPED COOKING POT with a flared rim, twin handles, bellied body and three short moulded feet, possibly 16th/17th century, 9" wide.

See illustration

Lot 614

£100-200

615 A LEATHER AND BRASS MOUNTED GAME CARRIER, 22"

£80-150

616 TWO CARVED OAK ARCHITECTURAL OR CORBEL FRAGMENTS with leaf and scroll carving, possibly 17th/18th century, 11" x 8" (2)

Lot 617

£80-150

617 FOUR SIMILAR WAX PORTRAITS cast in low relief of Nelson, Wellington and other figures, mounted in ebonised ovals and roundels, 7¼" and smaller (4). See illustration

£150-250

618 A CARVED GILTWOOD FLORENTINE PICTURE FRAME carved all over with exuberant and elaborate leaves, 23" x 18"

£200-400

619 ROBERT MORDEN: A HAND COLOURED MAP OF THE COUNTY OF WILTSHIRE 14" x 17"

Lot 620

£80-150

620 A CONTINENTAL BRASS ALMS DISH, the centre repoussé with two figures carrying grapes within a punched border, the rim with a double band of conjoined ovals, 17th century, 14¼" dia.

See illustration

102

Provenance: The Victor Needham Collection.

£100-200

621 A REGENCY GILT METAL AND VELVET MOUNTED BELL PULL with circular foliate mounted terminal, and length of foliate decorated velvet. 64¾"

Lot 622

£80-150

622 AN EMPIRE MARBLE AND ORMOLU DESK STAND with a central entwined snake handle flanked by twin lidded ink compartments, on a rectangular base with gilt metal mounts, 19th century, 6" high x 13" wide.

See illustration

£200-400

623 A PAPIER MACHE SNUFF BOX decorated with a print of a boisterous tavern scene "In the back slums", 19th century, 3½" wide, and a tortoiseshell cigarette case (2)

Lot 625

£50-100

624 A REGENCY "TOLEWARE" FOOTBATH of twin handled oval form painted overall in red and gold with Oriental buildings within landscapes, 9½" high x 21" wide

£300-600

625 AN 18TH CENTURY OYSTER VENEERED GLOVE BOX of rectangular form inlaid with four diamond-shaped panels to the hinged cover, 5¾" high x 19" wide.

See illustration

£180-250 Lot 626

626 A PAIR OF ART DECO SILVERED BRONZE FIGURES OF DANCING GIRLS standing with arms stretched aloft, on onyx bases, 10" high (2) See illustration

£200-400

627 AN ART DECO BRONZE FIGURE OF A DANCING GIRL playing cymbals and wearing a peaked hat, on a marble base, 9½" high

£50-100

103

628 A GILT METAL MOUNTED DRESSING TABLE MIRROR, the double-sided rotating circular mirror supported by a figure carrying a flag, on a cut-glass base, 20th century, 12½" high

Lot 628

£80-150

629 A CAST AND PATINATED BRONZE OF AN EASTERN MAN holding a woven basket above his shoulder, marked to the base "MG.HPO.HLA Pegu", possibly for Maung HPO HLA, on wooden plinth, 9" high. See illustration

£150-250

630 A CAST AND PATINATED BRONZE SCULPTURE OF A KNIGHT wielding a sword on horseback, on a naturalistic base and marble plinth, 19th century, 7½" high x 6½" wide

Lot 631

£100-200

631 A MINIATURE CAST AND PATINATED BRONZE SCULPTURE OF A STORK standing on a tortoise, 19th/20th century, 3".

See illustration

£80-150

632 A BURMESE CAST AND PATINATED BRONZE SCULPTURE OF A MAN seated on a tree stump and pulling a thorn from his foot, on a naturalistic base, signed "MG.HPO.HLA Pegu", possibly for Maung HPO HLA, 7" high.

See illustration

£100-200

Lot 632 633 A CAST AND PATINATED BRONZE SCULPTURE OF A CHARGING BULL with head down and tail raised, 4¼" high x 6½" wide, and three similar sculptures (4)

£200-400

634 A CAST AND GILT PATINATED SCULPTURE OF A PRANCING HORSE on a naturalistic cast base and wooden stepped plinth, 6¾" x 7½"

104

£100-200

635 A CAST AND PATINATED BRONZE SCULPTURE OF A SEATED TIGER, 19th/20th century, 4½" x 5½" wide.

See illustration

Lot 637

£100-200

636 A CAST AND PATINATED BRONZE STATUE OF A GOAT, 19th century, 6" wide

£100-200

637 A CAST AND PATINATED BRONZE SCULPTURE OF A BULLDOG, 19th century, 6". See illustration

£100-200

638 A CAST AND PATINATED BRONZE SCULPTURE OF AN ELEPHANT with trunk raised and mouth open, 19th century, 5½"

Lot 639

£100-200

639 TWO CAST AND PATINATED BRONZE MODELS OF VENETIAN WINGED LIONS, one standing with a paw resting on an open book, the other standing with both front paws on a book, 5" and 5½" long (2).

See illustration

£100-200

640 A CARVED POLYCHROME AND GILT STATUE OF THE VIRGIN AND CHILD, the Virgin wearing flowing robes and standing on a scrolling base, probably 19th century, 20¾" wide.

See illustration

Lot 640

£100-200 641 A WILLIAM IV PAINTED WOODEN TRUNCHEON decorated with a royal crest and inscribed "Kirton", 17½"

£100-200

642 A VICTORIAN COLLECTION OF MINERAL SPECIMENS, the three levels in a rectangular mahogany box with lid, circa 100 specimens, 19th century, the box 3½" high x 12" wide

£100-200

105

643 A WHALES TOOTH with scrimshaw decoration of a three masted vessel, 5½" wide

Lot 642

£300-600

644 A PARIANWARE BUST OF NAPOLEON mounted on a ceramic column simulating marble, with a marble plinth, 19th century, 7½" high

£100-200

645 A COLLECTION OF SIX CERAMIC HANDLED BEER PUMPS with brass fittings and brightly coloured ceramic handles, mounted in a line with taps below, 20" high x 50" wide.

See illustration

£300-600

Lot 643 646 A BRASS MOUNTED SHIPS WHEEL with eight turned spokes, 19th century, 40" dia.

£200-400

647-659 Spare lots

Lot 645

106

CLOCKS AND SCIENTIFIC INSTRUMENTS

Lot 661

660 A 19TH CENTURY FRENCH GILT METAL AND SEVRES STYLE PORCELAIN MOUNTED MANTEL CLOCK, the circular dial decorated with central floral cartouche within Roman numerals, with an eight day "Japy" type movement striking on a bell, the case with all over cast, swag and foliate decoration, on a wooden plinth, 14¾" high x 10" wide

£80-150

661 A REGENCY ROSEWOOD BRASS INLAID BRACKET CLOCK, the white painted convex dial signed "Peter Hay, London" with Roman numerals, with an eight day two train movement similarly signed and engraved with running foliage, the rosewood case with brass stringing and inlay, with twin carrying handles and "fishscale" side panels, 17½" high x 12" wide.

See illustration

Lot 663

£800-1,500

662 A GILT METAL CASED DRUM CLOCK, the white enamel dial mounted in a gilt metal drum with eight day "Japy" type movement striking on a bell, the case mounted on a rococo style column and scrolling base, 10" high.

£200-400

663 A JAEGER-LE COULTRE ATMOS CLOCK in gilt brass case with black dial and Arabic numerals, the mechanism stamped "Le Coultre Atmos 518967", in original packaging, 8¾" high. See illustration

£500-800

Lot 665

664 A 19TH CENTURY FRENCH GILT METAL CLOCK GARNITURE, the clock with enamel dial signed "Gasnier, Paris", with a two train movement, the architectural column form case surmounted by a cherub, 14" high, flanked by two conforming two branch candelabra

£300-500

665 A SINCLAIR HARDING & CO THREE TRAIN SKELETON CLOCK with a silvered dial and elaborate movement chiming on eight graduated bells, on a marble plinth and within a glazed cabinet, 19" high x 15" wide.

See illustration

£1,500-2,500 107

RUGS

666 A SCOTTISH MAHOGANY LONGCASE CLOCK, the enamelled dial signed "I. Gardner, Glasgow", the arch decorated with a scene of a sportsman and spaniel hunting pheasant, with an eight day two train movement striking on a bell, the case with tall hood with swan-neck pediment and tall trunk door, 18th/19th century, 87" high

670 A LARGE MODERN TURKISH RUG with all over geometric decoration against a brick red ground within a multi-guard border with fringed ends, 136” x 102”.

See illustration

£100-200

667 AN OAK LONGCASE CLOCK, the brass dial signed "Ninyon Wilmshurst, Brighthelmstone", the dial with Roman numerals and cast pierced spandrels, with a thirty hour birdcage movement striking on a bell, the flat top hood above a tall arched top trunk door, 18th century, 77½" high

671 A KHOTAN RUG worked with three central blue panels against a pale ground with stylised foliate decoration within a conforming blue, cream and red border, 101” x 57¼”

£200-400

£250-450

672 A CAUCASIAN FLAT WEAVE RUG worked with a central row of geometric diamond panels within a stepped border, worked in red, green, orange and cream, 106½” x 60½”

668 A GEORGE III OAK LONGCASE CLOCK, the arched silvered dial signed "Jacob Mickelfield, Goldhanger", the centre decorated with buildings in a landscape amongst subsidiary seconds dial and date arch, with a two train five pillar movement striking on a bell, the arched top hood flanked by reeded columns, with long arched top trunk door, 18th century, 80" high

£400-£600

£600-800

673 AN EASTERN SILK CARPET worked with an architectural design of arched top columns for a floral and foliate pattern against a deep ground, within a narrow border, with fringed ends, 77” x 50”

£400-600

£250-450

669 Spare lot

Lot 670

108

Lot 678

679 A SHIRWAN CAUCASIAN RUG with pale stylised geometric decoration against a deep blue ground within a conforming border, 59½” x 46”

674 A KHOTAN RUG worked with two central diamond panels against a pink ground within a multi-guard border with fringed ends, 75½” x 45”

£120-180

680 A KASHGAI RUG worked with three geometric central motifs against a deep blue ground within a broad border with red ground, with fringed ends, 60” x 43”

675 A PERSIAN SARAB RUNNER worked with four central lozenges with abstract decoration against a brown/green ground, 98” x 37½”

£100-200

£150-250

681 A TURKISH MILLAS RUG worked with two central diamond motifs with floral adornments against a cream border, 48.75” x 37¾”, and another similar larger rug, 77¾” x 50¾” (2)

676 AN ENSI TURKOMAN RUG of traditional form worked with stylised foliate motifs against a red/brown ground, 86” x 67½”

£300-600

677 A SHIRWAN RUG worked with repeated geometric foliate motifs against a dark blue ground within a multi-guard border, with fringed ends, 60” x 43”

£100-200

682 A KELIM RUG decorated with stylised birds amongst tree-like motifs, with three central lozenges within a blue ground with multi-guard border with conforming repeated geometric motifs, 104½” x 46”

£150-250

678 A ZIEGLER CARPET worked with a central foliate motif against a deep blue ground, within a conforming border with cream, green and blue motifs against a red ground, 107½” x 88”.

See illustration

£120-180

£2,500-3,500 109

£150-250

Lot 684

683 A FRENCH “AUBUSSON” STYLE NEEDLEWORK CARPET worked with scrolling foliate motifs against a cream ground within a pale red border, 115” x 90”

687 A PERSIAN TYPE RUG worked with floral and foliate patterns with a central medallion within a deep blue ground, with broad conforming border and fringed ends, 73½” x 49”

£200-400

684 A PAIR OF PERSIAN RUGS finely woven with a central medallion within radiating scrolling foliate designs within a broad multi-guard border, each 80” x 52½” (2).

See illustration

688 A KELIM TYPE FLAT-WEAVE RUNNER worked with a striped pattern in orange, blue and similar shades, with fringed ends, 107” x 28”, and two similar flatweave rugs (3)

£300-600

£150-250

689 A BOKHARA TYPE RUG worked with a central panel of repeated geometric motifs within a broad border worked in deep blue and reds, with fringed ends, 78” x 44½”, and another similar rug (2)

685 A “WASHED” CHINESE RUG decorated with three floral sprays against a pale green ground, 54” x 31”

£50-100

£100-200

£100-200

686 A SILK PERSIAN RUNNER with a central panel of foliate decorated rectangles within a broad border in faded pinks and greens, with tasselled ends, 119” x 30”

690 A Tabriz-type carpet, the floral leafy tendrils against a cream ground enclosed by narrow red floral borders and a larger turquoise border, 20th century, 9ft 11in. x 12ft 8”.

£50-100

£200-400

691-699 SPARE LOTS 110

FURNITURE

Detail of Lot 778 111

700 A VICTORIAN BUTTON BACK UPHOLSTERED ARMCHAIR, the shaped back with projecting arms above an upholstered seat on short cabriole legs with floral carved knees, on castors, 19th century, 33" high

Lot 702

£50-100

701 A 17TH CENTURY CARVED OAK COFFER of six plank construction, the front panel carved with figures and animals within Norman arches surmounted by an arcaded frieze, 17th century and later, 42" wide

£200-400

702 A 17TH CENTURY CARVED OAK COFFER of six plank construction, the top with groove-moulded decoration and cast iron hasp and lock above a groove moulded front, 17th century, 41" wide.

See illustration

Lot 703

£150-250

703 A GEORGE III MAHOGANY GATELEG TABLE, the oval top with "D"-shaped drop flaps on scroll carved and hipped cabriole legs terminating in hoof feet, 44" wide.

See illustration

£300-600

704 A GEORGE III MAHOGANY BOW FRONT HANGING CORNER CUPBOARD, the twin doors with brass "H"-hinges opening to interior shelves surmounted by a moulded pediment, 28" wide

Lot 706

£200-400

705 A QUEEN ANNE WALNUT UPRIGHT CHAIR with vase-shaped splat back, drop-in upholstered seat on hipped cabriole legs and pad feet joined by turned stretchers, 21"

£50-100

706 A GEORGE III INLAID MAHOGANY DEMI-LUNE TEA TABLE, the folding top with boxwood and ebony chequered stringing above a frieze with similar panel stringing on square tapering moulded legs, 37" 112

£300-500

707 A GEORGE II MAHOGANY "D"-SHAPED TEA TABLE, the folding "envelope" top above a plain frieze on hipped cabriole legs, the front leg carved with acanthus leaves, on ball and claw foot, 31½".

See illustration

Lot 707

£600-800

708 A VICTORIAN MAHOGANY SIDE TABLE, the rectangular top with wavy border above a conforming frieze with flush fitting central drawer, on spiral-turned legs and bun feet, 47" wide

£100-200

709 A GEORGE III MAHOGANY CHEST OF DRAWERS, the rectangular top with a moulded border above two short and three long graduated drawers, on bracket feet, 38" wide

Lot 712

£100-200

710 A SET OF FIVE VICTORIAN WALNUT BALLOON BACK DINING CHAIRS with carved lateral splats and stuff-over upholstered seats, on slender cabriole legs, 33" high (5)

£100-200

711 A CHARLES II STYLE OAK JOINED STOOL, the rectangular moulded top above a moulded frieze on baluster legs and block stretchers, 17½"

£200-400 Lot 713

712 A CHARLES II OAK JOINED STOOL, the rectangular moulded top above a groove moulded frieze on turned "gun barrel" legs and block stretchers, basically late 17th century, 17½".

See illustration

£300-500

713 A CHARLES II OAK CHEST OF DRAWERS with an arrangement of three geometric moulded drawers with brass bale drop handles, with baluster split column decoration, on moulded plinth and compressed bun feet, 36" wide.

See illustration

£300-600 113

714 A SET OF MAHOGANY HANGING WALL SHELVES with four open shelves between shaped uprights and above two short drawers with turned knob handles, 19th century, 36" high x 30" wide

Lot 715

£100-200

715 A GEORGE I BURR WALNUT CHEST OF DRAWERS (the lower section of a tallboy), the moulded top above a brushing slide and three herringbone veneered and crossbanded drawers, the base with a sunburst inlaid medallion, with engraved brass key escutcheons and handles, on bracket feet, 17th century,36" high x 42" wide.

See illustration

£200-400

716 A GEORGE III MAHOGANY BUREAU, the sloping fall enclosing a fitted interior with a central cupboard flanked by short drawers and pigeonholes, above four long graduated drawers with brass handles and escutcheons, with short bracket feet, 37" wide

Lot 718

£200-400

717 A GEORGE III MAHOGANY BOW FRONT CHEST OF DRAWERS, the shaped top with ebony stringing and caddy moulded border, above two short and three long graduated drawers, on splayed bracket feet, 42" wide

£100-200

718 A PAIR OF GEORGE III STYLE MAHOGANY AND SATINWOOD PEMBROKE TABLES, the shaped tops with drop flap sides above bow-fronted frieze drawers and conforming dummy drawers, on square tapering legs with brass cap castors, each 27" high x 29" wide. See illustration

Lot 720

£200-400

719 A GEORGE III MAHOGANY CHEST OF DRAWERS, the rectangular top with a moulded border above four long graduated drawers, on bracket feet, 34" wide £200-400 720 A REGENCY ROSEWOOD WHATNOT with four open rectangular shelves and two short drawers with turned knob handles, with turned uprights and brass castors, 51" high x 20½" wide.

See illustration 114

£200-400

721 A CHARLES II STYLE OAK CHEST ON STAND, the rectangular top with moulded border above four long drawers with moulded fronts and brass fittings, on turned legs and stretchers, 17th century and later, 46" high x 42" wide

Lot 723

£200-400 722 A GEORGE III MAHOGANY SECRETAIRE BOOKCASE, the upper section with a moulded cornice above twin glazed doors with arched glazing bars, the lower section with a deep secretaire drawer fitted with short drawers and pigeonholes, above three long graduated drawers with bracket feet, 83" high x 38" wide

£200-400

723 A PAIR OF REGENCY MAHOGANY "EGYPTIAN REVIVAL" BOOKCASES, the breakfront tops above open adjustable shelves flanked by tapering columns surmounted by sphinx heads, on plinth bases, 37" high x 48½" wide (2).

See illustration

Lot 724

£400-800

724 A GEORGE III MAHOGANY SERPENTINE FRONTED CHEST OF DRAWERS, the shaped top with moulded border above four long graduated drawers with brass fittings, on ogee bracket feet, 35" high x 42" wide.

See illustration

£400-600

725 A SET OF SIX REGENCY MAHOGANY DINING CHAIRS, the broad bar backs carved with scrolling foliate decoration, above over-stuffed seats, on sabre legs, 33" high

Lot 727

£300-500

726 A REGENCY MAHOGANY TWIN PILLAR DINING TABLE, the rectangular top with central leaf and moulded border on two turned pedestals with downswept legs and brass cap castors, the top 42" x 71" x 27" high £500-1,000 727 A ROSEWOOD OCCASIONAL TABLE, the rectangular top with serpentine beaded border on a turned and cluster column stand with heavy carved cabriole legs with leaf-carved knees and feet, with recessed castors, 19th century and later, 29" high x 22" wide.

See illustration

£100-200

115

Lot 729

728 A GEORGE III MAHOGANY BUREAU, the sloping fall enclosing a fitted interior with central mirror mounted door flanked by short drawers and pigeonholes, above two short and three long graduated drawers with brass handles, on bracket feet, 45" high x 39" wide Provenance: Purchased from Charles Lake Antiques, Bath, in 1951 for £39 10s.

£180-250

729 A REGENCY MAHOGANY SOFA TABLE, the rectangular crossbanded top with drop-flap sides above two short drawers and conforming dummy drawers, on turned uprights and conforming stretcher with downswept legs and carved animal paw castors, 38½" wide. See illustration

£400-800

Lot 730 730 A REGENCY ROSEWOOD WHATNOT with three open shelves above a single short drawer with turned knob handles, between turned uprights with carved feet and brass cap castors, 43½" high x 21" wide.

See illustration

£200-400

731 A REGENCY ROSEWOOD POLE SCREEN with a rectangular needlework mounted panel flanked by spiral-turned uprights, the stand with spiral-turned base and triform platform on carved animal paw feet, 56" high.

See illustration

Lot 731

Provenance: Purchased from Victor Needham Ltd, Bournemouth, 1966 for £10

£100-200

732 A GEORGE II STYLE GILTWOOD TORCHERE FORM STANDARD LAMP with a tapering fluted column on a vase and leaf-carved column, on a triform scrolling base, 20th century, 59" high

£80-150

733 A GEORGE II WALNUT CHEST ON STAND, the upper section with a moulded cornice above two frieze and three long drawers, the base with three further small drawers, on cabriole legs, 18th century and later, 63" high x 41" wide

£200-400

734 AN EDWARDIAN MAHOGANY SHERATON STYLE CABINET, the upper section with a dentil moulded cornice above a marquetry frieze and twin glazed doors enclosing a shelved interior and three small drawers, the lower section with twin panelled cupboard doors, on bracket feet, 37" wide 116

£300-600

735 A GEORGE III OAK DRESSER, the raised back with a moulded cornice above an openwork frieze and an arrangement of shelves, cupboards and short drawers, the base with a rectangular top with cross-banding and chequered stringing above three short drawers, a central "dog-kennel" and twin panel cupboards, on turned feet, 18th century and later, 88" high x 74" wide

Lot 738

£500-1,000

736 A GEORGE III MAHOGANY BASIN STAND with a moulded basin support on shaped uprights above a single small drawer and jug stand, with turned uprights and downswept cabriole legs with pad feet, with a later Spode basin, 32" high

£100-200

737 SPARE LOT 738 A WILLIAM AND MARY WALNUT ELBOW CHAIR with a caned back and seat, the back with turned uprights carved with "S"-scrolls and conjoined by a conforming carved and pierced cresting, with downscroll arms and pierced and carved front stretcher and "S"-scroll legs, 33½" wide. See illustration

Provenance: The Victor Needham Collection.

£200-400

Lot 739

739 A CHARLES II OAK "SPINDLE BACK" ARMCHAIR, the rectangular back with turned uprights and crossbars over downswept arms, the solid seat enclosed by conforming turned elements, on turned legs with block joints and turned feet, circa 1675.

See illustration

Provenance: The Victor Needham Collection.

£300-600

740 AN ITALIAN CEDAR WOOD CASSONE with a rectangular two plank top above a front carved in low relief with a central deity flanked by courtiers and hunting scenes to either side, with pen work details, the underside of the lid similarly decorated with a coat of arms flanked by allegorical pictures of a scrolling tree-lined and animal inhabited border, 17th/18th century, 22" high x 66" wide

Lot 740

£300-600

741 A LARGE EDWARDIAN "CHIPPENDALE REVIVAL" DISPLAY CABINET, the front with two large astragal glazed doors beneath a scrolling pierced and blind fret cornice, the swept sides with similar blind fret decoration, on square legs, 19th/20th century, 81" high x 77" wide

£200-400

117

742 A PAIR OF GILTWOOD TABLES in the manner of John Maclean, with green marble tops on "X"-form bases with turned stretchers and brass castors, 30" high x 39½" wide (2)

Lot 746

£500-1,000

743 A VICTORIAN MAHOGANY EXTENDING DINING TABLE, the rectangular top with moulded border with four removable leaves, on five heavy turned and carved legs with brass wheel castors, the top 55" x 139", 29" high

£500-1,000

744 A SET OF TEN VICTORIAN MAHOGANY DINING CHAIRS, the moulded arched backs with central carved and pierced splats above over-stuffed seats on slender cabriole legs, 35" high (10) £300-500 Lot 747

745 A SET OF EIGHT GEORGE III MAHOGANY DINING CHAIRS, the shaped top rails above pierced back splats with dropin seats, square tapering legs and "H"-section stretchers, including two armchairs, 37½" high (8)

£300-600

746 A PAIR OF "TOLE PEINTE" CAFE CHAIRS, the dished backs and drum effect bases with gilt borders, on short legs, with squab cushions, 20th century, 35" high (2). See illustration

£100-200

747 A LATE GOTHIC OAK MONASTIC TABLE, the twin plank top with a moulded central section and cleated ends hinged on peg brackets and opening to reveal a vestment well, on shaped trestle feet with "buttress" brackets, probably "North German", circa 1550, 67½" wide x 18¼" deep.

See illustration

Lot 748

Provenance: The Victor Needham Collection

£1,500-2,500

748 A PAIR OF OAK COMMUNION RAILS of 17th century design with moulded rectangular tops on turned baluster supports, 92½" long x 26½" high (2).

See illustration

118

Provenance: These communion rail originally formed part of the fittings of the family chapel at a country house in Somerset.

The Victor Needham Collection.

£100-200

749 A GEORGE III MAHOGANY "SUPPER" TABLE with a dished lobed top on a tapering fluted column on three downswept cabriole legs with pad feet, 29" wide.

See illustration

Lot 749

£150-250

750 A CHIPPENDALE STYLE MAHOGANY FRAMED ARMCHAIR with upholstered back, arms and seat, within a scrolling and foliate carved frame with a serpentine seat rail and short cabriole legs with block feet, 20th century, 45" high

£180-250

751 A GEORGE II STYLE WING-BACKED ARMCHAIR, the high back with projecting sides and scrolling arm supports, on four cabriole legs, the front with shell-carved knees and ball and claw feet, 43" high.

See illustration

Lot 751

£300-500

752 A GEORGE III MAHOGANY ELBOW CHAIR, the tall back with a pierced splat and outswept arms over a drop-in tapestry seat, on square chamfered legs joined by a stretcher, 28¾" wide

£100-200

753 AN OAK COFFER with a three panel top above a conforming front with carved rails and panels with foliate lozenge decoration, 17th/18th century, 25" high x 46" wide

£100-200 Lot 754

754 A QUEEN ANNE STYLE WALL MIRROR, the rectangular bevelled plate within a moulded rectangular surround with scrolling domed cresting, 18th century and later, 30" x 17½".

See illustration 755 A GEORGE III STYLE GILT FRAMED WALL MIRROR, the rectangular plate within moulded and foliate wrapped frame, 42½" x 28"

£50-100

119

756 A MAHOGANY PLAN OR CHART CHEST in three parts, the rectangular top with a moulded border above twelve shallow drawers and a reading slide, 20th century, 60" high x 49" wide See illustration

Lot 756

£500-1,000

757 A REGENCY MAHOGANY SECRETAIRE CHIFFONIER, the upper section with a shaped frieze above a central recess flanked by cupboards enclosing short drawers and pigeonholes, the lower section with a fitted secretaire drawer above two cupboard doors flanked by tapering turned columns, with all over beaded moulding, 54" high x 38" wide.

See illustration

£700-900

758 A GEORGE III MAHOGANY BOW FRONT SERVING TABLE, the shaped top above a conforming frieze with central tablet, on ring-turned tapering legs, 33½" high x 60" wide

Lot 757

£700-900

759 A GEORGE III MAHOGANY BOW FRONT CHEST OF DRAWERS, the shaped top above a brushing slide and three long graduated drawers with gilt brass ring handles, on splayed bracket feet, 32½" high x 39" wide

£600-1,000

760 A GEORGE III MAHOGANY LOWBOY, the rectangular crossbanded top with a moulded border above a single frieze drawers and two small drawers, on cabriole legs with pad feet, 28" high x 29" wide £350-450 Lot 761

761 A MATCHED SET OF SIX WINDSOR ARMCHAIRS, the low hooped backs above varying pierced splats and shaped arm-rests, on turned uprights, with solid elm seats on turned tapering legs and crinoline stretchers, 36" high.

See illustration £900-1,500 762 A VICTORIAN LOUIS XVI STYLE MARQUETRY JARDINIÈRE, the cartouche form top with removable lid decorated with a panel of marquetry flowers and foliage, within a raised gilt border and a band of conforming marquetry, on a similar wavy frieze and slender cabriole legs with gilt metal mounts, 27½" high x 26" wide.

See illustration

120

£400-600

763 MANNER OF GILLOWS: A REGENCY STYLE MAHOGANY OCCASIONAL TABLE, the rectangular top with rounded corners and beaded border, on a spiral turned column with four downswept scrolling leaf-carved legs with ball feet, 19th century, 28" high x 26" wide

Lot 762

£300-600

764 A REGENCY MAHOGANY SOFA TABLE, the rectangular top with drop-flap ends with satinwood stringing, above four short drawers with heavy brass ring handles, on trestle end supports with downswept legs and cast animal paw castors, 28½" high x 64"

£600-800

765 A LARGE BRASS HALL LANTERN of hexagonal form suspended from a ceiling rose, chain and vase-shaped finial above six scrolling supports, the lantern with six etched glass panes, fitted for electricity, 19th/20th century, 45" high x 21" wide.

See illustration

Lot 765

766 AN EGYPTIAN REVIVAL MACASSAR EBONY VENEERED LIBRARY CABINET, the rectangular top with triangular-cut veneers and swept border, above a flush fitting frieze drawer and rising front with twin ring handles and shelved interior, on block feet, 20th century, 35¾" x 54" wide.

See illustration £400-600 767 A REGENCY MAHOGANY SOFA TABLE, the rectangular top with drop ends and reeded border above two frieze drawers and conforming dummy drawers with brass knob handles, on square tapering downswept legs with brass cap castors, 29" high x 41½" wide.

£150-250

Lot 766

768 A MATCHED SET OF SIX REGENCY DINING CHAIRS comprising three chairs with rope-twist top rails above tablet backs and over-stuffed seats on reeded sabre legs, two rosewood effect and gilt decorated chairs and a similar armchair (6)

£150-250

769 A LOUIS XVI STYLE KINGWOOD AND GILT METAL MOUNTED BIJOUTERIE CABINET of upright rectangular form with glazed top and sides enclosing a shelved interior, on slender cabriole legs with all over gilt metal mounts, 43" high x 19" wide.

See illustration

£200-400 121

Lot 771

770 A BIEDERMEIER TWIN PEDESTAL BIRDSEYE MAPLE AND EBONISED DESK, the rectangular top with a moulded border above a central frieze drawer flanked by two further drawers on pedestals and plinth bases, 19th century, 31" high x 49" wide

£500-800

771 A FRENCH FAUTEUIL with cream painted carved and moulded frame with upholstered back and seat, with outswept scrolling arms, serpentine seat rail and tapering turned and reeded legs, 34" high.

See illustration

Lot 773

£400-600

772 A PAIR OF GILT METAL NEOCLASSICAL STYLE THREE BRANCH WALL SCONCES, the ribbon-tied suspension above scrolling arms and rams head decoration, 20th century, 20" x 12"

£100-200

773 AN EDWARDIAN "ADAM REVIVAL" MAHOGANY, SATINWOOD AND MARQUETRY CABINET, the upper section with a moulded cornice with hanging acorn frieze above twin glazed doors enclosing a shelved interior, the lower section with two conforming doors with neo-classical style vase marquetry within satinwood borders, on short square tapering legs, late 19th/early 20th century, 84" high x 45" wide.

See illustration

£800-1,400

774 AN AESTHETIC PERIOD TURNED OAK AND SUEDE UPHOLSTERED SETTEE, the broad seat with raised back and arms on turned supports with bobbin-turned seat rail and conforming legs, 19th century, 35" high x 69" wide

Lot 775

£200-400

775 A LARGE TIGER SKIN RUG, the taxidermy head with glass eyes and open mouth, lined with felt, circa 112" long x 94" wide.

See illustration

£400-600

776 AN INDIAN CARVED MARBLE LOW TABLE, the rectangular top with moulded border with threequarter pierced, carved and raised superstructure, with scrolling foliate and lattice-work motifs, on short turned legs, 19th century, 40" high x 53" wide 122

£200-400

777 A GEORGE II STYLE PARCEL GILT WALNUT THREE PIECE DRAWING ROOM SUITE, the settee with arched back and scrolling arms on a carved and moulded frame with rams head finials, acanthus carved centres and knees, on hairy goats hoof feet with all over gilt detailing, upholstered in grey with scarlet piping, with two matching armchairs, early 20th century, the settee 33" high x 89" wide x 41" deep. The armchairs 33" high x 40" wide x 39" deep.

See illustration

£3,000-5,000

123

778 A QUEEN ANNE WALNUT ESCRITOIRE ON STAND, the upper section with moulded cornice and flush fitting drawer decorated with two panels of floral marquetry within oyster veneers, the fall front similarly decorated with floral marquetry and ivory within conforming oyster veneers, the fall enclosing a fitted interior, on a base with a single frieze drawer and spiral turned legs and wavy stretcher with bun feet, 56" high x 36" wide, 17th century and later.

ÂŁ1,500-2,500

124

779 AN ITALIAN EBONY PIETRA DURA AND GILT METAL CABINET, the upper section with a central architectural arched panel decorated with a pietra dura panel of a parrot amongst fruit and foliage, flanked by two gilt metal capped columns and an arrangement of pietra dura simulated drawers within ripple moulding, the front opening in two parts to reveal a shelved interior, the lower section with a central panel with further parrots, on tapering fluted legs with wavy "X"-form stretcher with central gilt metal basket, on ball feet, 19th century, 62½" high x 46" wide.

Provenance: This cabinet appears to have been lot 293 in the 1949 auction of the contents at Wentworth Woodhouse, the sale by order of Earl Fitzwilliam's Wentworth Estate Company conducted by Henry Spencer & Sons of Retford.

125

ÂŁ10,000-15,000

Lot 780

John Thomas: Pencil and wash drawing for statue of the Queen Victoria

126

A STATUE FROM THE HOUSES OF PARLIAMENT

Lot 781

780 JOHN THOMAS (1813-1862) Under the direction of Sir Charles Barry (1795-1860) AN ANSTON STONE STATUE OF QUEEN VICTORIA holding an orb, the reverse with a bronze fixing and inscribed "Southwick", 68" high. See illustration

Provenance: The Houses of Parliament.

The Gladstone family at Moortown House, Ringwood, Hampshire.

Private Collection, Hampshire.

John Thomas (1813-1862) was Superintendent of StoneCarving at the Houses of Parliament (Cf. MH Port: “The Houses of Parliament”, published for the Paul Mellon Centre for Studies in British Art 1976, pg. 243, pl. 164. for a reproduction of the wash drawing for the statue of Queen Victoria by John Thomas). It was under his supervision that the Gothic-style statues for the exterior of the building were supplied by the Thames Bank Workshop. On pg. 245 of the same volume, Port states: “It is impossible to make out individual contributors to the architectural sculpture”, but from this inscribed example it would appear that Southwick was one of them.

John Thomas was born in Gloucestershire and his earliest employment in that locality was restoring the lettering and sometimes the sculptural decoration of gravestones, which gave him experience of an important area of Perpendicular Churches. A visit to Oxford focused his attention more specifically on drawing architectural details correctly and developing skill and knowledge as a carver. Then at Birmingham, where his brother was an architect, he worked on a number of large buildings including Barry’s King Edward VI Grammar School and it was as a result of his competence in Gothic detailing that he came to Barry’s notice. Although Thomas was not officially appointed Superintendent of Stone-Carving at Westminster until 1846, Barry probably engaged him soon after the completion of the Birmingham school and on 13th May 1841 the Office of Works approved Barry’s arrangement with Thomas for the stone-carving.

Barry’s own contribution to the design of the sculptural programme cannot be in much doubt. He would undoubtedly have drawn up the overall plan subsequently delegating certain specific areas to qualified specialists.

Precise dating for the various elements of the sculptural programme is not easy. Specific contemporary references to the sculpture are rare and often incidental, but it is possible to propose an outline chronology. Ryde’s “Illustrations” of 1849 shows this statue flanked by Justice and Mercy and writes of the sculpture of the porch as if it were in situ. In an illustration of the State Opening of Parliament in 1852 the figures are shown in position.

£3,000-5,000

781 A MEDIEVAL STYLE STONE CISTERN carved with two registers of decoration incorporating roundels carved with birds, flowerheads and stags above a band of undulating leafy scrolls, the top with traces of an earlier bronze and lead superstructure and the base with a drilled hole, 30” dia x 24.75” high.

See illustration

127

Provenance: The garden of a country house at Burley, Hampshire.

£1,500-2,500

Lot 784

784 A GEORGE III STYLE MAHOGANY FRAMED "GAINSBOROUGH" ARMCHAIR with a rectangular back, arms and seat, with needlework upholstery and round-headed nail borders, the arm supports with cabochon carved terminals and leaf-carved scrolling supports, on short cabriole legs with leaf carved frieze, 36½" high.

See illustration

782 AN OAK COFFER, the rising rectangular top with moulded border above three carved panels between moulded rails,18th century and later, 25" high x 45" wide

£100-200

783 A GEORGE III MAHOGANY BUREAU, the sloping fall enclosing a fitted interior with a central cupboard flanked by short drawers and pigeonholes, all above three long graduated drawers, with brass handles, on tall bracket feet, 18th century, 44" high x 43" wide

785 A LARGE FRENCH PAINTED HOUSEKEEPERS CUPBOARD with a moulded cornice above twin four panel cupboard doors and two short drawers above two further conforming cupboards, on raised bracket feet, with all over mottled paint effect finish, 76" high x 56½" wide

£200-400

783A A GEORGE III CARVED GILTWOOD WALL MIRROR, with an oval plate within a carved rococo style surround, 18th century, 29" x 21"

£150-250

£1,000-2,000

128

£1,000-2,000

786 Heal & Son: A Limed Oak Dining Room Suite comprising a dresser with a raised boarded back with two shelves beneath a scrolling top rail and conforming sides, the base with three frieze drawers with panelled fronts and turned knob handles, above three conforming two panel doors with visible hinges and turn-button fastening, 54� wide; a matching gate-leg dining table with a single frieze drawer on turned legs, 48� wide; and six chairs with upholstered backs and seats.

See illustration and back cover

129

Provenance: Private Collection West Dorset, together with original receipts from Heal & Son dated 1950 when purchased by the vendor.

ÂŁ1,000-2,000

787 Ambrose Heal for Heal & Son: An Oak Circular Dining Table, the broad top with moulded border on four splayed square section legs with ‘X’ shaped stretcher, 30” high x 49” dia.

See illustration.

Lot 787

Footnote:This appears to a variant of the popular ‘No. 9’ dining table which was in production between 1908 and 1939. The standard version of the design which formed part of Heals ground breaking ‘Simple Cottage Furniture’ range appears to be identical with the exception of the attractive extended border on this example. See Heal, O. ‘Sir Ambrose Heal and the Heal Cabinet Factory’ p58 and p184.

Provenance: Private Collection. Purchased from Heals vc 1920 by the vendors parents.

£1,500-2,000

788 A LIGHT OAK ARTS AND CRAFTS REFECTORY TABLE, the rectangular top on trestle ends with rectangular stretcher and chamfered legs, 29½" high, the top 36" x 108".

See illustration

Lot 788

£1,000-2,000

789 Ambrose Heal for Heal & Son: A light Oak ‘Toy’ or ‘Linen’ cupboard, the rectangular top with projecting stiles, above twin panelled doors with a turned knob handle enclosing a shelved interior, on square legs, with a label to the interior for “Heal & Sons, London”, 40¾” high x 42½” wide.

See illustration.

This is cupboard model ‘348’ which was introduced in 1911. Available until 1929, some 250 examples of this cupboard were sold. Interestingly it was the first design to feature stiles that projected above the top of the cupboard, a design detail that would be re-used on many occasions.

See Heal, O. ‘Sir Ambrose Heal and the Heal Cabinet Factory’ p182 - 183.

£200-400

Lot 789

130

A PRIVATE COLLECTION OF EARLY AMBROSE HEAL ARTS AND CRAFTS FURNITURE

790 Ambrose Heal for Heal & Son: An Oak Arts and Crafts Dresser with a broad projecting cornice above twin cupboards and shelves, the base with a rectangular top above two short drawers above twin panels flanking a central arched top panel with hammered strap hinges and latches, on short turned legs with square selection stretchers, 77½” high x 65” wide. See illustration.

131

Although unmarked this appears to be from the earliest period of Ambrose Heal’s designs for Heal & Son, perhaps at a time when the metalwork was still being produced by the Guild of Handicraft. A similar sideboard without the shelved back was sold at auction in 2007.

Provenance: Private Collection, Somerset.

£1,000-2,000

791 Ambrose Heal for Heal & Son: A pair of oak framed reclining armchairs with upholstered backs and seats, the flat topped arms with rounded sides and wavy top rails, on square legs with conforming stretchers. The lady’s and gentleman’s chairs slightly differing sizes, 42” high x 27” wide (2). See illustration.

Lot 791

Lot 792

Reclining armchairs are a regularly encountered design amongst Arts and Crafts designers and this pair of chairs

by Ambrose Heal reflect his awareness of previous designs. The slightly different sizes of the chairs with a larger chair for the gentleman suggest a link to the then fashionable ‘parlour suites’, Ambrose Heal rejecting the carved ornament and elaborate upholstery for a more contemporary ‘cottage’ type that was to be such an important part of Heal & Sons furniture output during the early years of the 20th century.

Provenance: Private Collection, Somerset.

£500-800

792 Manner of Ambrose Heal: An Arts and Crafts Bookcase with a rectangular top above four glazed doors enclosing a shelved interior, on a swept rail and four short turned legs, 46” high x 77” wide.

See illustration.

Provenance: Private Collection, Somerset.

£200-400

793 Ambrose Heal for Heal & Son: A pair of Bedroom Chairs from the “Fine Feathers” suite, with arched top rails above shaped splats with pierced heart decoration, above rush seats with tapering front legs, 42” high. See illustration.

Lot 793

132

The ‘Fine Feathers’ Suite’ of bedroom furniture is amongst the most important of all Ambrose Heal’s designs.

Introduced in 1898 alongside three other bedroom suites, ‘246’ with pewter inlay and the motto adorning the cornice is one of Heal’s most instantly recognisable designs. Pairs of chairs seem to have been the most popular part of this rare suite, no doubt due to practical considerations, O. Heal records 82 pairs of chairs being sold between 1900 and 1907. See Heal, O. ‘Sir Ambrose Heal and the Heal Cabinet Factory’ p155. See footnote to lot 794.

Provenance: Private Collection, Somerset.

£300-600

794 Ambrose Heal for Heal & Son: A Pier Mirror from the “Fine Feathers” suite with a rectangular bevel edged plate within an oak surround surmounted by a rosewood and pewter peacock with tail fully estended, the top gently arched and sides similarly shaped, 63” high x 29” wide.

See illustration.

This pier mirror is one of the rarest parts of the ‘Fine Feathers’ Suite’, O.Heal records only seven examples being sold between 1900 and 1907. Featuring the stylised peacock in Pewter inlay and with curves reminiscent of Charles Voysey, this early Ambrose Heal design reflects a variety of influences that he was absorbing at the time and his own unique interpretation which resulted in one of the finest Arts and Crafts bedroom suites. First exhibited at the Arts and Crafts exhibition Society in 1899 this was one of Heals first attempts at elaborate exhibition quality furniture.

See footnote to lot 793.

Provenance: Private Collection, Somerset.

£2,000-4,000

133

795 Ambrose Heal for Heal & Son: An Oak Bureau Bookcase, the flared cornice above twin glazed doors with arched central panels enclosing a shelved interior, above a sloping fall enclosing a fitted interior, above four short drawers and panelled cupboards, with heart shaped key escutcheons and strap hinges.75½” high x 48.75” wide.

See illustration.

Bureau bookcases are rare amongst early Heal & Son production, a number of designs were produced during the first few years of the 20th century however none seem to have sold in anything other than very small numbers. With the heart shaped escutcheons and novel arrangement of drawers and cupboards with bold strap hinges this fits comfortably within Ambrose’s early designs.

It has been suggested that the quality of manufacture evident with this piece of furniture suggests and origin at the workshops of the Guild of Handicraft.

Provenance: Private Collection, Somerset.

£2,000-4,000

134

135

796 Ambrose Heal for Heal & Son: A ‘Mansfield’ Pattern Gentleman’s wardrobe with a broad swept cornice above twin panelled doors, the lower section with three long drawers, on turned legs, with hammered latch clasps and strap hinges. With oval metal label to the reverse. 75” high x 47” wide. See illustration.

The ‘Mansfield’ gentleman’s wardrobe is amongst the best of Ambrose Heal’s early designs, Oliver Heal selecting a light oak example for the cover of his 2014 volume ‘Sir Ambrose Heal and the Heal Cabinet Factory 1897-1939’.

Introduced in 1898 this is one of Ambrose’s earliest designs, in 1898 eleven of these were made by the Guild of Handicraft. Model ‘235’ remained available between 1898 and 1906 during which time a total of 75 were sold.

With particularly attractive figuring, a typically exaggerated overhanging cornice and strap hinges this iconic early design retains the early oval metal label. See Heal, O. ‘Sir Ambrose Heal and the Heal Cabinet Factory’ front cover and p157.

Provenance: Private Collection, Somerset.

£1,000-2,000

END OF SALE

136

137

NOTES

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NOTES

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Duke’s AUCTIONEERS SINCE 1823

Glossary of Cataloguing Terms The auctioneers are always pleased to discuss individual lots with prospective purchasers prior to the auction and will provide condition reports on request. If you require clarification of any terms employed in the catalogue please do not hesitate to seek advice. The auctioneers are also pleased to discuss lots which may have been altered, repaired, or restored.

The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description. The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice.

With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation.

Care is taken to ensure that any statement as to authorship, attribution, origin, date and provenance is reliable and accurate, but all such statements of opinion and are not to be taken as statement or representations of fact. Hy. Dukes & Son reserve the right, in forming their opinion, to consult and rely upon any expert or authority reasonably considered by them to be reliable.

Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

Paintings, Drawings and Prints A work catalogued with the forename(s) and surname or recognised designation of an artist is, in our opinion, a work by the artist, e.g.

NICHOLAS CHEVALIER Attributed to NICHOLAS CHEVALIER ... in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Manner of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but of a later date.

Studio of NICHOLAS CHEVALIER ... in our opinion a work by an unknown hand, which may have been executed in the studio of the artist.

After NICHOLAS CHEVALIER ... in our opinion a copy of any date after a work by the artist.

Circle of NICHOLAS CHEVALIER ... in our opinion a work from the period of the artist and showing his influence.

Follower of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but not necessarily by a pupil.

Signed/inscribed/dated NICHOLAS CHEVALIER ... in our opinion the work has been signed/inscribed/dated by the artist.

Bears signature/inscription/date NICHOLAS CHEVALIER ... in our opinion the signature/inscription/date are probably not by the. hand of the artist.

The addition of a question mark after any of the cataloguing terms in the above glossary indicates an element of doubt.

The term 'ascribed to' may in certain cases be used to denote a traditional attribution based on style.

A work catalogued as 'School' accompanied by the name of a place or country and a date mean that in our opinion the work was executed at that time and in that location, e.g. Dutch School, circa 1700.

All reference to signatures, inscriptions and dates refer to the present state of work, i.e. as at the time of inspection for the purpose of cataloguing.

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

Artist’s Resale Right From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work

JEWELLERY The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer.

All weights and measurements provided are approximate only.

Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots.

Items containing rubies or jade/jadeite of Burmese origin are not permitted 140 for import by the USA.

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

1 DEFINITIONS

In these Conditions: (a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

9

2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

12 AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

3 INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4

THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 22% plus VAT on the premium at the rate imposed by law.

5

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 20% on the buyers premium.

6 PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(3) The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately.

7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13 TERMS OF SALE

The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14 DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15 FORGERIES

Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

16 GENERAL

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

(1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

(4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

(5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

(6) English law applies to the interpretation of these Conditions.

16 DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the telephone cannot be made for invoices totalling more than £200 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance).

141 141

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE (continued) CHEQUES The Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day.

Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day.

A Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day. Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank.

Live Bidding Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.

P lease note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy.

THIRD PARTY LIABILITY Any person or his personal property at or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur.

IMPORTANT NOTICE TO BUYERS OF FURNITURE All items are held at the risk of the Buyer. If they are not removed within 5 working days of the sale the Auctioneers will instruct a carrier to remove them to storage. The Buyer will be responsible for paying the aforementioned carrier all charges incurred and for making arrangements in advance for the removal of items from their store after payment of their charges on production of our reciept for the items.

IMPORTANT NOTICE TO BUYERS OF WILDLIFE MATERIAL Property made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife, including but not limited to, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone and certain species of coral, together with Brazilian rosewood, may require permits or certificates (e.g. a CITES permit) from the relevant regulatory agencies to be exported or imported. Prospective purchasers are also advised that some countries prohibit altogether the importation as well as exportation of such materials.

Accordingly, clients should familiarise themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country.

Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered or protected wildlife material. The inability of a client to export or import property containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale.

142

Duke’s AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part.

I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue.

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Lot No:-

Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101 143

Duke’s AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part.

I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue.

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Email . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Avenue Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

£’s

Lot No:-

144

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Duke’s

Ceramics, Glass and Furniture

Including The Buxton Collection of Engraved Glass Thursday, 23rd February. Ceramics, Glass and Furniture. Including The Buxton Collection of Engraved Glass.

2017

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT

Thursday, 23rd February