Duke's 4th and 5th December 2014

Duke’s Thursday, 4th and Friday, 5th December. Silver and Jewellery.

Silver and Jewellery

2014

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT

Thursday, 4th and Friday, 5th December

Duke’s AUCTIONEERS SINCE 1823

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Duke’s AUCTIONEERS SINCE 1823

area representatives Wiltshire & Cranborne Chase Sir Michael Salt, Bt (01258) 860259 The Isle of Wight Anthony Blest (01983) 760460 Devon Chris Bolton F.R.I.C.S. (01297) 32351 Cornwall Charles Cox (01840) 261085 Bristol & North Somerset Michael Liversidge (01305) 265080 Hampshire Robert Nevin (0203) 4419830 North Of England Nick Bray 07860 642488

Duke’s AUCTIONEERS SINCE 1823

B U Y E R S I N F O R M AT I O N Commission bids: If you are unable to attend the auction in person we will be pleased to execute commission (absentee) bids on your behalf. Lots will be purchased as cheaply as allowed by other bids and reserves Commissions must be received at least 24 hours before the auction.

Illustrations: If you would like a more detailed image of an illustrated lot, or an image of an item which is not illustrated, we will be delighted to send them by email. Requests must be received 24 hours before the auction.

Telephone bidding: If you wish to bid on a major lot over the telephone we will do all we can to assist you, but lines should be booked at least 48 hours before the auction.

Estimates: Estimates are prepared well in advance of the auction and are subject to revision. Our specialists are always pleased to discuss individual lots with intending purchasers.

Condition reports: An indication of condition is not generally printed in the catalogue, but prospective buyers are welcome to request a condition report up to 48 hours before the auction.

Please bear in mind that whilst we endeavour to provide an accurate representation the ultimate responsibility is with the buyer and we strongly recommend you personally view any lots on which you intend to bid.

Credit Cards: There is a 3% surcharge on credit charge transactions. Payment may be made by credit card or debit card over the telephone up to a maximum of £500 only.

Deposits: The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately.

Buyer’s Premium:

22% plus VAT on the hammer price.

Artist’s Resale Right: 5From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work.

Collection: Our offices are open Monday to Friday, 9am - 5.30pm. We are pleased to recommend reputable carriers and can advise on air-freight and other forms of despatch. Items of furniture not collected within 5 working days will be transported to storage at the buyers expense.

Online Bidding Online bidding is available for this sale at www.the-saleroom.com. All you need is a computer or laptop and an internet connection. You will be able to bid in real time; a live audio feed means you can hear the Auctioneer at exactly the same time as the other bidders. You will see the lots on your computer screen as they appear in the auction room and the Auctioneer is aware of your bids the moment you make them. Please refer to our terms and conditions of sale for charges.

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C eramics AUCTION: February 2015

A fine pair of Royal Worcester vases decorated by Charles Baldwyn with black headed gulls flying over tree lined cliffs, 12” high

Duke’s

Provenance: Private collection, Blandford Forum Estimate: £2,000 - £4,000

Auctioneers since 1823

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Duke’s AUCTIONEERS SINCE 1823

VIEWING TIMES Saturday, 29th November, 9.30am - 12noon Monday, 1st December, 9.30 am - 5pm Tuesday, 2nd December, 9.30am - 7pm Wednesday, 3rd December, 9.30am - 5pm and on the morning of the auction days.

Catalogues £20.00 (by post)

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Duke’s AUCTIONEERS SINCE 1823

Thursday, 4th December 2014, 10.30am Lots 1 - 3 Silver Plate Lots 11 - 92 Silver Lots 100 - 153 Small Silver and Vertu Lots 160 - 204 Flatware Lots 340 - 388 Watches and Carriage Clocks Lots 400 - 440 Portrait Miniatures and Objets du Vertu Lots 502 - 827 Jewellery

Friday, 5th December 2014, 10.30am Lots 930 - 997 Boxes, Caddies, Wine and Works of Art Lots 1000 - 1009B Clocks and Scientific Instruments Lots 1010 - 1032 Rugs and Carpets Lots 1045 - 1149 Furniture

View images of all lots and bid live online

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THURSDAY, 4 t h DECEMBER 10.30A M

SILVER

Detail of lot 50 7

SILVER PLATE

SILVER

1 AN OLD SHEFFIELD PLATE TEA URN, of rectangular form with a pull off cover, the body decorated with trailing oak leaves, with lion's mask capped handles on extended claw feet, shaped rectangular base, 15" high.

11 AN EDWARDIAN TEA CADDY of oval form, with reeded borders, knop finial, monogrammed, by James Dixon and Sons, Sheffield 1906, 5" high (c7.8oz).

£100-200

£80-160

2 AN ELECTROPLATED DECANTER STAND, with beaded decoration, central loop carrying handle, the stand housing three cut glass decanters with stoppers, together with various plated items (a lot).

12 R. E. STONE: A CASTOR of kitchen form, with a reeded scroll handle and pull off pierced cover, on a spreading foot, the base bearing the facsimile signature of 'R. E. Stone', London 1938, 6" high, (c.7.4oz).

£80-160

£100-200

3 A VICTORIAN ELECTROPLATED TAZZA, decorated in the classical manner with cherubs amongst scrollwork, on a spreading pedestal stem on a banded circular foot, by Elkington & Co, dia. 6" high

13 A FOUR PIECE TEA/COFFEE SET, of circular tapering form, with Celtic band decoration, on spreading circular feet, by Wakely & Wheeler, London 1952, 6½" high (c.54oz).

See illustration.

£60-120

£400-800

4-10 SPARE LOTS

14 AN ART DECO THREE PIECE TEA SET of oval form, with stylised geometric decoration, wood scroll handles, on oval feet, by PSP and Co. Ltd., Sheffield 1938/1939, teapot 6" high (c.38oz). £250-350 15 A PAIR OF CANDLESTICKS with fluted oval columns and pull-off oval scones, with shaped oval cast bases, by AS, Birmingham 1958, 12" high (c.42oz).

See illustration £600-800 16 AN EDWARDIAN DISH of oval form, pierced wavy gallery, rams head and ring handles, pierced body, the whole of four extended feet, presentation engraved, by H and Co., London 1908, 12" long (from handle to handle), (c.22½oz) £200-400

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Lot 13

Lot 15

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17 A PAIR OF CANDLESTICKS of plain column form, with beaded borders on square bases, filled, by HE Ltd., Sheffield 1917, 7½" high

Lot 18

£150-250 18 A GERMAN TABLE ORNAMENT modelled in the form of a snipe, with hinged wings and detachable head, by Berthold Muller, bearing import marks for 1908, 4" high, 6 3/4" long (c.6.3oz).

See illustration. £200-400 19 A LATE VICTORIAN TEA CADDY of bombe form, knop finial, on shell capped scroll feet, by HW, Sheffield 1899, 6" high (c.8.4oz). £150-250 Lot 20

20 A VICTORIAN ENTREE DISH AND COVER of cushion form, gadrooned borders and pull-off cast foliate handles, engraved with an armorial below two crests, by Joseph and Albert Savory, London 1845, 11" long (c.58oz).

See illustration. £400-600 21 A VICTORIAN SALVER of shaped circular form with raised scroll and shell border, presentation engraved, on four scroll and shell feet, by Henry Wilkinson and Co., Sheffield 1851, 14" diameter (c.32oz). £300-500 22 A VICTORIAN SILVER MOUNTED BUTTER DISH, of circular tapering form, the pull of cover surmounted by a recumbent cow, engraved with two crests, with a frosted glass body, by Charles and George Fox, London 1847, 3½" high, 6" diameter (of dish).

See illustration.

Lot 22

£200-400 23 A PAIR OF LATE VICTORIAN VASES with cylindrical collars, and circular bodies, part fluted decoration, by Henry Stratford, Sheffield 1890, 4¾" high (c.9oz). £80-160

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24 AN EDWARDIAN SILVER-GILT TWO HANDLED CUP AND COVER of baluster form, the detachable top with leaf and bud finial and gadrooned borders, with leaf capped scroll handles, on a circular foot with a gadrooned border, by John Bodman Carrington, the base also bearing a retailers mark for Carrington and Co. London, London 1904, 16" high (c.62oz).

See illustration. ÂŁ500-800

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Lot 27

29 A VICTORIAN PART TEA/COFFEE SERVICE comprising teapot, coffee pot and milk jug, of shaped oval form, with scroll handles, bright cut engraved decoration,

by William and George Sissons, London 1871/1872, 6¼" high (c.26oz).

25 A CANISTER AND COVER of circular form, engraved with a presentation inscription, the underside with a retailers mark of Page Keen & Page of Plymouth, 3¾" diameter, 4¼" weight (c.9oz). £100-200

£200-300

26 A GEORGE III CREAM JUG of helmet form, scroll handle, with bright cut engraved decoration, makers mark rubbed, London 1784, 5" high, together with two further cream jugs (c.9oz) (weighable silver) (3).

30 A THREE PIECE TEA SET of circular bellied form with scroll handles and moulded girdles, the sugar bowl and cream jug with gilt interiors,

by Roberts and Dore, Birmingham 1931, teapot 5¾" high (c.20oz).

£80-160

£100-200

27 AN EDWARDIAN TWO HANDLED TRAY of oval form, with a raised gadrooned border, interspersed with leaf motifs, leaf and shell capped handles, the centre with engraved floral decoration, presentation engraved, by the Goldsmiths and Silversmiths Company, London 1909, 24¾" long (from handle to handle), (c.76oz).

See illustration.

31 A MATCHED PAIR OF SAUCE BOATS of oval form with leaf capped flying scroll handles, on shell capped hoof feet, both by Edward Barnard and Sons Ltd., London 1929/1930, with retailers mark for Payne of Oxford, together with a pair of sauce ladles, 5" high (c.29oz). £200-400

£500-700 28 AN EDWARDIAN TOAST RACK of Gothic arched form, with a loop carrying handle, on ball feet, by William Hutton and Sons, London 1906, 7" high (c.9oz). £80-160 12

Lot 35

35 A LATE VICTORIAN FRUIT DISH in the manner of Paul de Lamerie, of undulating circular form, gadrooned border, the body part pierced with crosslets and scrolls, with a caryatid handle, issuing from a bifurcated tail, the whole on three dolphin feet, by George Fox, London 1899, 8¼" high, (c.45.5oz).

See illustration.

32 A MUG of baluster form with a leaf capped scroll handle and spreading circular foot, bearing a presentation inscription, IS. I. Ltd., Chester 1910, together with a Georgian cream jug and a sugar bowl, (c.17oz) (weighable silver) (3). £100-200

£800-1,200

33 A THREE PIECE TEA SET of shaped rectangular form, with angular handles, on tucked in feet, together with a matching circular tray, by Robert Pringle and Sons, Sheffield 1959, teapot 6" high, diameter of tray 14" (c.80oz).

36 A DISH of shell form on ball feet, by H.P and S., Sheffield 1912, 8½", (c.7oz)

£600-800

£80-160

34 AN EDWARDIAN SALVER of circular form, with raised scroll and shell border, on three scroll feet, crested, by D and J Wellby, London 1906, diameter 8" (c.12oz).

37 A LATE VICTORIAN THREE PIECE TEA SET of oval form, with angular handles, part fluted decoration,

by W.H., Birmingham 1899, 6" high, (c.17oz).

£80-160

£100-200 13

38 AN EDWARDIAN BOWL AND COVER, the bowl of tapering circular form with scroll handles, tucked in foot, the pull off cover with disc finial, with a hammered finish, the bowl possibly by W.I.P, London 1904, the cover with a makers mark of A.J., London 1908, 4¾" high (c.13.7oz).

44 A VICTORIAN HOT WATER POT of shaped oval form, with a scroll handle and bright cut decoration, by D.H C.H, London 1883, 8" high, (c.15oz).

£100-150

45 AN EDWARDIAN SALVER of shaped circular form, with a raised pie-crust border, hammered body and vacant circular cartouche, by T.B., London 1903, 12" diameter, (c.30oz).

£100-200

39 A VICTORIAN CHRISTENING MUG of octagonal form, scroll handle, engraved with scrolls and flowers, with a gilt interior, by Charles Thomas Fox and George Fox, London, 1847, 4¼" high, together with a tazza, (c.14.90oz weighable silver) (2).

£250-350 46 AN EDWARDIAN EWER of vase form, with a scroll handle, on a circular foot, by William Hutton and Co. Ltd., London 1905, 9½" high, (c.13oz).

£100-200 40 A PAIR OF BRITANNIA STANDARD TRENCHER SALTS of conventional form, by Hemming and Co., London 1926, 3" long, (c.6.60oz).

£100-200 47 A THREE PIECE TEA SET of circular bellied form, with scroll handles on a tucked in foot, by Walker and Hall, Sheffield 1960, teapot 5½" high (c.31oz).

£80-160 41 A GEORGE III MUSTARD POT of oval form with bright engraved frieze, blue glass liner and later spoon, makers mark possibly of A.K., London 1803, 3" high, together with an Edwardian sauce boat by Charles Stewart Harris, London 1906 (2).

£200-300 48 A PAIR OF EDWARDIAN CANDLE STICKS with tapering cylindrical stems and pull-off circular sconces, on filled circular bases, by William Hutton and Sons, London 1908, 8¼" high, together with an ink stand (3).

£100-200 42 A LATE VICTORIAN TEAPOT of shaped oval form, with an angular handle, makers mark rubbed, London 1900, 6" high, (c.16oz).

£100-200 49 A TEAPOT of rectangular form with a moulded girdle, a scroll handle, on ball feet, by William Hutton and Sons, Sheffield 1938, also bearing import marks, 6¾" high, (c.21oz).

£100-200 43 A GEORGE IV CHRISTENING MUG of baluster form, with serpent handle and embossed body, engraved with a monogram and presentation inscription, W.E or W.B, London 1824, 4" high, together with an inkwell by the Goldsmiths and Silversmiths Co., (2).

£150-250 49A A COURSING PRESENTATION GOBLET embossed with a coursing scene and inscription "Burto on Trent Coursing Club, Tradesmens Cup won by Wild Alice, March 17th 1871", by George William Adams, London, 1870, 7½" high.

£100-200

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£150-250

50 A VICTORIAN TRAY of circular form, the raised cast border with pierced decoration in the Classical taste, depicting urns, masks, and prancing lions, on a moulded, reeded foot, by Stephen Smith and William Nicholson, London 1860, the base with later additions marks, by E.B, London 1891, 19" diameter, (c.115oz).

See illustration. ÂŁ900-1,200

15

51 A GEORGE III TEAPOT AND MATCHING STAND of oval form, with a wood scroll handle, geometric frieze, engraved crest, makers mark of R.S., London 1799, 6¾" high (c.16oz) (weight of teapot).

See illustration.

Lot 51

£200-400 52 A DUTCH BOX of circular bellied form, the hinged cover with embossed vignette, the body decorated with a landscape scene, gilt interior, circa 1920, 3¾" high, 5½" diameter, (c.10oz). £80-160 53 A VICTORIAN CREAM JUG of circular bellied form, with a scroll caryatid capped handle, the body embossed with village scenes with a gilt interior, on mask capped feet, makers mark partially rubbed, possibly S.C, London 1837, 5" high, (c.13oz).

See illustration.

Lot 53

£200-400 54 A VICTORIAN TEAPOT of oval form, with angular handle and part fluted decoration, by Charles Stewart Harris, London 1890, 6½" high, (c.14oz). £100-200 55 A PAIR OF VICTORIAN BEAKERS of circular form, the bodies decorated with a mottled, textured effect, crested, gilded interiors, possibly by John Harris, London 1857, 3¾" high, (c.11.40oz).

See illustration. £200-400 Lot 55 56 A GEORGE IV CRUET STAND of oval form, with a gadrooned border, crested with a central loop carrying handle, on leaf capped claw feet, makers mark possibly of I.B, London 1825, with some associated cut glass bottles, 9" high £80-160

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57 AN EDWARDIAN IRISH CREAM JUG, the body embossed in the Irish taste with animals and fish, on lions mask capped feet, by J.W/F.C.W, Dublin 1906, 4¾" high, together with a matching sugar bowl, by the same maker, Dublin 1903, 5" diameter (2).

See illustration.

Lot 57

£200-300 58 A TEAPOT of circular tapering form, with scroll handle and reeded girdle, decorated in the Irish taste, with animals and sea creatures, the whole on lion's mask capped feet, together with a matching cream jug, by Nathan and Hayes, Chester 1909/1910, teapot 6½" high (c.25oz) (weighable silver) (2). £200-300 59 A PAIR OF GEORGE IV SUGAR VASES AND COVERS of pineapple form, the fluted pull off covers with compressed flower head finials, the bodies chased with a shell and foliate frieze with gilded interiors, on spreading part-fluted circular feet, crested. makers mark of W.E, London 1820, 5¼" high (c.14oz).

See illustration.

Lot 59

60 A GEORGE II PAP BOAT of conventional form, makers mark partially rubbed, London 1757, 4½" long, (c.1.30oz). £80-160 61 A GEORGE I MUG of small proportions, circular form, reeded scroll handle on a spreading circular foot, the base scratch initialled 'W.A', makers mark of M with a star above and below, London 1724, 3" high.

See illustration.

Lot 61

£200-300 62 A WILLIAM IV TEAPOT of compressed circular form, with wood handle and finial, crested, with a reeded girdle on a circular foot, makers mark of W.B., London 1832, 5½" high, (c.18oz). £100-200

17

63 A GEORGE III SALVER of shaped circular form with a gadrooned border, centred with an engraved crest, within festoons on four claw and ball feet, by Richard Rugg, London 1774, 16" diameter, (c.62oz). See illustration.

Lot 63

£500-1,000 64 A COMPOSITE ARTS AND CRAFTS FOUR PIECE TEA/COFFEE SET of circular form, with rope work borders, angular wood handles, on tucked in circular feet, all Birmingham assay, the coffee pot by A.E Jones, Birmingham 1927, the other three pieces by C.P and S., Birmingham 1924/1926/1927, 6¼", (c.39oz). £300-600 65 A GEORGE II MUG of baluster form with scroll handle, on a spreading circular foot, the rim engraved with scratch initials, by William Shaw and William Priest, London 1756, 4¾" high, (c.9.5oz). £200-300 66 A SET OF FIVE GEORGE III COASTERS of circular form, with wood bases, crested, the bodies with beaded borders and slat piercing, interspersed with paterae, marks partially worn, makers mark possibly of W.T, London 1778/1779, 4½" diameter.

See illustration.

Lot 66

£600-1,200 67 A VICTORIAN IRISH MILK JUG, of hexagonal form, with branch style handle, the body engraved with floral and scroll decoration, crested, makers mark partially erased, possibly J.M., Dublin 1847, 6" high, (c.10oz). £100-200 68 A LATE VICTORIAN IRISH CREAM JUG of conventional form, with embossed decoration, reeded girdle, makers mark rubbed, Dublin 1898, together with a second cream jug with bright cut decoration, 6" high, (c.11oz) (weighable silver) (2). £150-250

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69 A SALVER of shaped circular form, with a raised gadrooned border, on four claw and ball feet, by B.E.S and Co., Birmingham 1967, 16" diameter, (c.64oz).

Lot 70

£500-800 70 A FOUR PIECE TEA/COFFEE SET of bellied circular form, with wavy shell borders, bud finials and scroll handles on shell capped feet, coffee pot 8" high,

by Charles Boyton and Sons, Sheffield 1968, (c.92oz).

See illustration £700-900 71 A BRITANNIA STANDARD TRENCHER SALT, of conventional form, the underside scratch initialled W/ RD, possibly by James Seabrook, London 1716, 3" long, 1¾" high, (c.2.10oz).

Lot 73

£100-200 72 A LATE VICTORIAN MUSTARD POT of oval form, the body embossed with foliate scrolls, blue glass liner, and associated spoon, by Charles Stewart Harris, London 1900, 3" high. £60-120 73 A GEORGE III TEAPOT of oval form, with a gadrooned border, leaf capped scroll handle, part fluted decoration, crested and monogrammed, on leaf capped paw feet, by Solomon Hougham, Solomon Royes and John East Dix, London 1817, 6¾" high, (c.25oz). See illustration. £200-400

Lot 74

74 A GEORGE III SAUCE BOAT of tapering oval form, with a leaf capped scroll handle, gadrooned border, engraved with a double crest, on shell capped extended hoof feet, by S.M, London 1761, 5¾" high, (c.12oz).

See illustration. £200-400 75 A WILLIAM IV SEVEN BAR TOAST RACK of arched form, with loop carrying handle, and bar base, on leaf capped scroll feet, makers mark possibly of H.B, London 1835, 6" high, (c.10oz). £150-250 19

Lot 81

Lot 82

76 A GEORGE III MUG of baluster form, with scroll handle, later embossed with foliate scrolls, presentation engraved, makers mark rubbed, London 1815, 4¼" high, (c.4oz), together with a salt frame, (2).

81 A GEORGE I SPARROWBEAK CREAM JUG, of conventional form, with a scroll handle and tucked in foot, probably by Timothy Ley, London 1726, 2¾" high, (c.2.6oz). See illustration

£80-160

Provenance: Acquired from J.H. Bourdon-Smith Ltd, London, 28/02/97.

77 A GEORGE III TEAPOT of oval form, with wood scroll handle, bright engraved frieze, with two monogrammed cartouches, by William Vincent, London 1775, 5½" high, (c.12oz).

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

£300-500

£100-200

82 A PAIR OF GEORGE III SALTS of spool form, with gadrooned borders, engraved with a heron crest, on a spreading circular foot, by William Burwash, London 1813, 3¾" diameter, 1¾" high, (c.12.6oz). See illustration.

78 A GEORGE III PROVINCIAL MUG of baluster form, with scroll handle, on a spreading circular foot, by John Langlands I, Newcastle 1774, 4½" high, (c.5oz).

Provenance: Acquired from J.H Bourdon-Smith Ltd, London, 1992.

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

£150-250 79 A GEORGE III CREAM JUG of bellied oval form, with a gadrooned border, angular handle and reeded girdle, crested, by Alice and George Burrows, London 1807, 4" high, (c.6oz).

£200-400 83 A PAIR OF GEORGE III SALVERS of circular form, with gadrooned borders, each engraved with a crest of an oak tree, on shell capped hoof feet,

by Joseph Angell, London 1826, 10" diameter of each, (c.38oz).

£80-160 80 A CONTINENTAL BEAKER of tapering cylindrical form, with applied roundel and girdle decoration, the whole on three ball feet, with an importers mark of B.M, 1910, 5¼" high, (c.3oz). £80-160

Provenance: Acquired from J.H. Bourdon-Smith Ltd. London, 1992.

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset. See illustration

£500-1,000 20

Lot 83

84 A GEORGE I BULLET TEAPOT, of conventional form with a strap hinged lid, knopped finial, extended wood scroll handle, the body engraved with a coat of arms in a baroque cartouche, on a tucked in circular foot, by Timothy Ley, London 1724, 4¼" high, (c.13.4oz).

Provenance: Acquired from J.H. Bourdon-Smith Ltd. London 28/02/1997.

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

See illustration

£1,000-2,000

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85 A SET OF FOUR GEORGE III COASTERS of circular form, with gadrooned borders, the sides pierced with scrolling foliage, with wood bases, centred with discs, engraved with a crest, depicting an arm holding a sprig, by William Allen III, London 1803, 5½" diameter.

See illustration.

Provenance: Acquired from J.H. Bourdon-Smith Ltd. London 1992

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

£1,500-3,000

86 A PAIR OF GEORGE II SAUCE BOATS of tapering oval form, with gadrooned borders and scale effect scroll handle, each engraved with a coat of arms, on extended pad feet, each engraved with a scratch weight to the underside, by William Cripps, London 1750, 4¾" high, 8" long, (c.29oz).

See illustration.

Provenance: Acquired from J.H. Bourdon-Smith Ltd. London 1992

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

£1,000-2,000

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87 A SET OF FOUR GEORGE II CAST CANDLESTICKS, with cylindrical knopped stems, waisted cylindrical capitals, two candlesticks engraved with lion's head crests, the other two vacant, on shaped stepped square bases, by John Jacob, London 1745, 8" high, (c.76oz).

Provenance: Acquired from J.H. Bourdon-Smith Ltd. London 1992

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

ÂŁ3,000-5,000

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88 A WILLIAM III LIGHTHOUSE CASTOR of conventional form, the bayonet fitting pierced cover with cut-card decoration and fluted urn finial, the body engraved with an armorial, moulded girdle, on a spreading gadrooned base, by Andrew Raven, London 1698, 8" high, (c.12.2oz).

See illustration.

Provenance: Acquired from J.H. Bourdon-Smith Ltd. London 1994.

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

ÂŁ1,500-3,000

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89 A SET OF THREE WILLIAM III LIGHTHOUSE CASTORS of conventional form, the bayonet fitted covers pierced with urn and flower motifs, with stepped gadrooned top sections and knopped finials, the cylindrical bodies with reeded girdles and engraved with foliate circular cartouches, each scratch initialled SB/DS, on spreading gadrooned circular feet, by Christopher Canner, London 1699, 8" high, the two smaller 6ž" high, (c.24oz).

See illustration.

For the makers mark see Jackson's 'Silver and Gold marks of England, Scotland and Ireland', ed. by Ian Pickford, page 149.

Provenance: Acquired from J.H. Bourdon-Smith Ltd. London 1994.

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

ÂŁ6,000-12,000

25

90 A GEORGE III TWO HANDLED TRAY of shaped rectangular form, with reeded handles terminating in cast oak leaves, the body with a raised gadrooned border, the centre engraved with a double crest above an armorial depicting three crowns, the motto/crest reading "Craig Elachie," Above 'Have at You'' by Joseph Craddock and William K Reid, London 1813, 27ž" long from handle to handle, (c.186oz).

The Coat of Arms are possibly that of Grant and Frenchie through descent to the Earldom of Deafield.

Provenance: Acquired from J.H. Bourdon-Smith Ltd. London 1992

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

ÂŁ2,000-4,000

26

91 A SCANDINAVIAN PEG TANKARD of circular form, the scroll handle with ball attachment and capped with a caryatid mask, the hinged lid engraved with trailing foliage and shells, and scratch engraved 'CCSS/ BKDW', the body with further engraved initials and stylised engraved decoration, the underside with a prick dot engraved inscription, the whole on three ball feet, maker's mark of IK, in a heart-shaped punch, probably late 17th/ early 18th century, height 8½" (c.22ozs).

Provenance: The Lebedev collection , Stud House, Hampton Court Palace. ÂŁ2,000-4,000

27

92 OMAR RAMSDEN (1873-1939): Original designs and letter correspondence for ‘Peter the Fisherman Standing Salt’ as made for John Naphtali Hart Esq; the main pen and ink design with colour wash highlights and lifting flap to demonstrate the addition of the cover , signed in blue ink and dated 1928 in Roman numerals, 22.5” x 15.5” (page), together with a pen and ink sketch detail of Peter the Fisherman clutching the Keys of Heaven on Omar Ramsden headed paper, hand dated April 24 1928, 10.25” x 8” (page), the original receipt and a series of handwritten and typed correspondence between, Hart, Omar Ramsden and a Ramsden worker discussing the production of the salt. (a lot).

See illustration

It appears the designs for this salt are based upon another

by Omar Ramsden made some six years previously which bears the inscription ‘The Gift of Lothian Demain Nicholson…1922’. Designs for this are currently in the Goldsmiths and Silversmith’s Archives. A photo of the original completed salt is included within this lot. There are minor differences in the banded decoration, columns and shaping between this design and the one now being sold.

The correspondence included in this lot indicates that this design is a replacement for the Nicholson original but with the addition of a cover, further order details and sketches of which also appear in the Goldsmiths and Silversmiths Archives.

One letter included in this lot on Ramsden’s St. Dunstan’s headed paper describes the salt: ‘You may win the Caluctta Sweep and decide to spend a few thousands on a piece of plate but you will never get a piece of more exquisite line, form and worksmanship than this salt’.

28

29

SMALL SILVER & VERTU 106A A GEORGE III SILVER “HOCK” LABEL of curved form with vacant oval cartouche, marked for 1815, by I.H., with original chain, 5.5cm wide

100 A GEORGE III VINAIGRETTE of canted rectangular form with prick dot wriggle work decoration, monogrammed cartouche, pierced gilt grill,

by Samuel Pemberton, Birmingham 1807, 1¼" long.

See illustration.

£100-200

107 A CHILDS RATTLE/WHISTLE modelled in the form of a seated cat, with two bells and mother of pearl teether, marked Sterling, 20th century.

101 A GEORGE III VINAIGRETTE of shaped rectangular form, the body engraved with star motifs, the cover engraved with a monogram, with a flower and scroll pierced grill, by John Shaw, Birmingham 1811, 1¾" long. See illustration.

£60-120 108 AN EDWARDIAN VESTA CASE of circular form, with suspension ring, Birmingham 1909, together with a travelling toothbrush, a stamp case, and other items (6).

£100-200 102 A VICTORIAN VINAIGRETTE of shaped rectangular form, the body engraved with scrollwork, monogrammed, the gilded grill pierced with scrolls and flowers, by Nathaniel Mills, Birmingham 1851, 2" long. See illustration.

£80-160 109 A SCOTTISH SILVER MOUNTED HORN SNUFF MULL of conventional form, the hinged cover embossed with thistles and mounted with a cairngorm, ball attachment, unmarked, circa 1800, 4" long.

See illustration.

£100-200 103 A WILLIAM IV VINAIGRETTE of rectangular form, one side engraved with a basket of flowers, the other with a floral motif, pierced gilt grill, by Thomas Shaw, Birmingham 1834, 1" long, together with a vinaigrette by Samuel Pemberton (2). See illustration.

£100-200 110 A SILVER MOUNTED HORN SNUFF MULL, of conventional form, the hinged lid surmounted with a faceted cairngorm, 3" long.

See illustration

£100-200 104 A VICTORIAN WHISTLE modelled in the form of a hounds head, with suspension ring, makers mark H.W.A, Birmingham 1893, 2" long.

See illustration

£80-160

£80-160

111 A COLLECTION OF VESTA CASES, comprising an example with banded decoration, by S. Mordan and Co., Chester 1916, together with six other examples of mixed makes and dates, (a lot).

105 AN EDWARDIAN TAPE MEASURE of circular form, with pierced body, on a suspension chain, by L.E, Birmingham 1903, 1" diameter, together with a miniature potpourri box by Mappin and Webb, Birmingham 1912, (2). See illustration

£100-200 112 A VICTORIAN DRESSING TABLE BOX of heart form, the pull off cover with embossed decoration, by William Comyns, London 1887, 4" wide.

£60-120 106 A MINIATURE FOB COMPASS in a circular case, engraved with a ship, suspension ring

by P.P and Co., Birmingham, possibly 1890, 1" diameter, together with a 20th century ball fob with a concertina action revealing photograph apertures, marked Sterling, (2). See illustration. £60-120

£100-200

£60-120

30

Lot 109

Lot 110

Lot 102 Lot 101

Lot 100

Lot 105 Lot 106

Lot 104 Lot 103

31

113 A VICTORIAN SILVER MOUNTED HIP FLASK, of oval form, with a leather body and pull-off cup, makers mark of J.B, London, 1877/1891, 6½" long.

Lot 114

£100-200 114 AN EDWARDIAN MODEL OF A TERRIER, with upturned tail, makers mark possibly W.H., London 1908, 2¾" high, 3" long, (c.3.7oz).

See illustration. £100-200 115 A CIGARETTE BOX of rectangular form, with engine turned decoration, gilt interior, engraved with a presentation inscription, by Walker and Hall, Sheffield 1947, 7" long. £80-160

Lot 116

116 AN EDWARDIAN DRESSING TABLE CLOCK the rectangular case with a hinged loop carrying handle, the face with white enamel dial and Roman numerals, the gilt interior housing a French movement, the whole on four ball feet, makers mark of W.N., Chester 1906, 5¾" high.

See illustration. £200-400 117 A ONE KILO SILVER INGOT, together with a Swiss hundred gram ingot (2). £200-300 118 A CONTINENTAL SILVER AND ENAMEL CIGARETTE CASE, the cover depicting a galleon in full sail, with ribbon and reed border, importers/makers mark of F.B.R, import date 1929, 3½" long, together with a second gilt metal and enamel example (2).

See illustration.

Lot 118

£200-300

32

125 A VICTORIAN AWARD MEDAL, of circular form, with a reeded border, loop attachment, in a velvet lined fitted case, the medal reading 'Manchester Poultry Show, 1854, Awarded to John Harrison of Snelston Hall, Esq. For the best pen of Black Spanish Fowls, The judges reported that a better collection of black Spanish poultry had never been in the United Kingdom.', makers mark of GR, London 1853

119 A CHINESE WHITE METAL BOX of rectangular form, the body with all over pierced decoration depicting Prunus, bamboo and a bird, apparently unmarked, 5½" long. £100-200 120 A TABLE CIGARETTE BOX of rectangular form, engine turned top, on stepped bracket feet, by Mappin and Webb, Birmingham 1947, 7" long, 2¼" high. Together with a plated Ronson table lighter (2).

£100-200 126 A WILLIAM IV MUSTARD POT of drum form, with a gadrooned border, crested and monogrammed, by RI or RS, London 1835, together with a pair of pepper grinders by Asprey, a plated salt and pepper and a metal mounted dish, a spoon, and a quantity of plated napkin rings (a lot).

£80-160 121 AN EDWARDIAN CIGARETTE BOX of rectangular form, hinged lid and wood lined interior,

by A and JZ, Birmingham 1904, 7" long.

£60-120

Provenance: The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

£100-200 122 A VICTORIAN SILVER MOUNTED AND TORTOISESHELL PAGE TURNER, the handle with embossed floral and scroll decoration, makers mark rubbed, London 1889, 17½" long.

127 A PURSE with engine turned decoration, chain and suspension ring, Birmingham 1918, together with two cigarette cases of mixed makers and dates, (3).

£100-200

£100-200

123 AN IRISH BOX of rectangular form, the pull off cover decorated with birds flying above hills and trees, the whole on pierced floral feet, by PD, Dublin 1988, 4" long, 1¾" height, (c.6oz).

128 AN EDWARDIAN CARD CASE of shaped rectangular form, with engraved scroll decoration and vacant cartouche, Birmingham 1904, 3½" long, together with an ivory mounted purse and a cigarette case (3).

£80-160

£80-160

124 AN ARTS AND CRAFTS NAPKIN RING decorated with trailing leaves, with a hammered finish, by Holland Aldwinkle and Slater, London 1904

129 AN EDWARDIAN SILVER AND TORTOISESHELL MOUNTED PURSE of rectangular form, with ribbon and reed borders, pique work decoration, leather interior, by William Comyns, London 1908, 4" long.

£80-160

£80-160 130 A COMMEMORATIVE PLATE, designed by Doris Lindner in commemoration of the achievements of Brigadier Gerard 1970-72, of circular form with a gadrooned border, by Richard Comyns, London 1972, in a fitted case, 9" diameter (c.11oz). £80-160

33

137 A MATCHED SET OF FOUR PEPPER CASTERS retailed by Payne and Son of Oxford, London 1910/1930, together with four small two handled bowls,

by Goldsmiths and Silversmiths Co., London 1906/1908, and a napkin ring, (c.14oz weighable silver).

131 A CASED THREE PIECE CONDIMENT SET, with blue glass liners, Birmingham 1968. £60-120 132 AN ARTS AND CRAFTS DISH of circular form with pierced handles, hammered finish,

by George Lawrence Connell Ltd., London 1903, 4" long from handle to handle, together with a pair of cased seal topped spoons, Sheffield 1907, (2).

£100-200 138 A LATE VICTORIAN HIP FLASK of shaped rectangular form, bayonet fitting cap, by James Dixon and Sons, Sheffield 1899, 5" long, together with two cigarette cases, (c.11oz weighable silver) (3).

£80-160

£80-160

133 AN EDWARDIAN SUGAR CASTOR of tapering circular form, with a wirework body and swag decoration, makers mark rubbed, Birmingham 1905, together with a pierced salt frame, a salt base, two bowls and an inkwell (5).

139 A PAIR OF VICTORIAN MUSTARD POTS of cauldron form with flame finials, crested, by JHB, London 1899/1900, together with two cauldron salts, a napkin ring and a pair of metalware peppers, (c.10oz) (weighable silver).

£100-200 134 A CIGARETTE BOX of rectangular form with engine turned top, Birmingham 1926, together with a pair of posy vases and a quantity of napkin rings, (a lot).

£80-160 140 A SILVER AND ENAMEL MOUNTED HAND MIRROR, the back decorated with a polychrome enamel floral spray, London 1961, together with a rattle, a pencil, an Indian cane handle, a compact and other items (a lot).

£80-160 135 A PAIR OF EDWARDIAN PEPPER POTS of cylindrical form, with embossed decoration on ball feet, by William Hutton and Sons Ltd., London 1902, in a fitted case together with a set of six cased apostle spoons, (a lot).

£80-160 141 A GEORGE III WINE FUNNEL of conventional form, with reeded borders, probably by Peter, Ann and William Bateman, London 1801, together with a waiter, a German mug and a condiment set in a case (a lot).

£60-120 136 A LATE VICTORIAN SEVEN BAR TOAST RACK

by William Hutton and Sons., London 1898, together with a pair of candlesticks, a French pen tray, a continental beaker, and a pair of sugar tongs, mixed makers and dates (c.10oz weighable silver).

£100-200 142 A COLLECTION OF PHOTOGRAPH FRAMES, to include one regimental example, London 1914, together with three other examples of mixed makers and dates, (a lot).

£100-200

£100-200

34

148 A LARGE COLLECTION OF CONDIMENTS, some with blue glass liners, of mixed makers and dates (a lot).

143 A COLLECTION OF BOXES to include one cast example modelled in the form of a foxes head, London 1972, together with an engine turned example, a stamp box marked sterling, and two others (5).

£250-350

£100-200 144 A GEORGE III WINE FUNNEL of conventional form, the body with rubbed marks, the detachable spout with a makers mark of Hester Bateman, together with a Victorian sugar bowl, and a pair of electroplated toast racks, (4).

149 A LATE VICTORIAN TRAVELLING VANITY CASE, the green leather case containing a number of silver mounted glass and ivory accoutrements to include a silver mounted hip flask, London 1899, the case by Drew and Sons of Piccadilly Circus London, 10" high, 15" long.

£80-160

£150-250

145 A PAIR OF SAUCE BOATS of tapering oval form, with leaf capped flying scroll handles, by Mappin and Webb, Sheffield 1924, together with a milk jug, a sauce boat and a toast rack, mixed makers and dates (c.16oz weighable silver).

150 AN EDWARDIAN LEATHER SUITCASE, containing a large quantity of silver mounted dressing table jars etc., with a red leather interior, by James Sanderson of Johannesburg, the silver mounted pieces circa 1905, 25½" long.

£100-200

£400-600

146 A VICTORIAN NOVELTY SCENT BOTTLE, the screw off cover modelled in the form of a human head with red glass eyes, with a cut glass body, by TS, London 1880, 6" high, together with a pair of continental tot cups with swag decoration and scroll handles, and a mother of pearl cased fruit knife, (4).

151 A CASED SAUCEBOAT AND LADLE of conventional form, by E. Viner, Sheffield 1937, 6" long. £60-120 152 AN EDWARDIAN SAUCEBOAT of conventional form with leaf-capped scroll handle and reed and shell borders, on lions mask capped paw feet, London 1905, 8½" long, (c.10.6oz)

£80-160 147 A PAIR OF EDWARDIAN SILVER GILT PEPPERS, London 1909, together with three various kitchen peppers, (c.14oz weighable silver).

£150-250 153 A VICTORIAN PORRINGER of circular form with twin scrolling handles and allover repousse and chased scrolling decoration, Charles Lamb, Dublin 1893, 5½" wide (c. 4oz)

£100-200

£100-200

35

FLATWARE 165 A GEORGE III SOUP LADLE of Old English pattern, by Hester Bateman, London 1787, 12" long, (c.5oz).

160 AN EXTENSIVE GEORGE IV AND LATER KINGS PATTEN CANTEEN, composite, comprising 16 table forks, by RB, London 1824/1825, initialled and crested, 12 table spoons, London 1825/1834, 12 dessert spoons, initialled, of mixed makers and dates, 12 Victorian and later dessert forks, mixed makers and dates, 10 teaspoons to include some Irish examples, a pair of sauce ladles, a set of 12 soup spoons by Mappin and Webb, a quantity of fish cutlery, a quantity of silver handled cheese and butter knives with stainless steel blades, and a quantity of dessert and table knives with stainless steel blades and silver handles, of mixed makers and dates, (c.220oz).

See illustration.

£100-200 166 A PAIR OF GEORGE IV GRAPE SCISSORS, of Queens pattern, crested, by Mary Anne and Charles Wiley, London 1827, 7½" long. £80-160 167 A DUTCH SERVING SPOON, the terminal embossed with a minstrel playing a lyre, the oval bowl with pierced border, circa 1920, 12" long, (c.4oz).

Provenance: The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

£2,000-4,000

£60-120

161 A GEORGE III IRISH BASTING SPOON of bright cut and star pattern, monogrammed, probably

by John Pittar, Dublin 1795, 12" long, (c.3oz).

168 A GEORGE III PUNCH LADLE, with a twisted baleen handle and reeded border, the base inset with a gold French 20 Franc coin dated 1808, London 1812, 16" long.

£100-200

£100-200

162 A GEORGE IV IRISH FISH SLICE of fiddle pattern, crested, the blade with pierced demilune decoration, interspersed with engraved flowers, by M. West and Sons, Dublin 1825, 11¼" long, (c.4oz).

169 A MINIATURE 18TH CENTURY HANOVERIAN PATTERN SPOON, the terminal scratch initialled M.M, makers mark only, possibly I.M or W.I, 2" long.

£100-200

£80-160

163 A MIXED LOT OF IRISH FLATWARE, comprising four bright-cut pointed end dessert spoons and two table spoons, of mixed makers and dates, Dublin Assay, (c.6oz) (6).

170 A GEORGE III CADDY SPOON, of Old English pattern with bright cut engraved decoration, by TS, London 1807, 3" long.

£100-200

£60-120

164 A SET OF SIX GEORGE III IRISH DESSERT SPOONS of fiddle pattern with rat-tails, crested, by Thomas Townsend, Dublin 1816, additional retailers mark of Law, 6½" long, (c.4oz).

171 A GEORGE III MARROW SCOOP of double ended form, crested, by Steven Adams, London 1774, 9" long, together with a second example and a dessert spoon (3). £100-200

£100-200 172 FOUR SIMILAR CONTINENTAL RING END POULTRY SKEWERS, marks rubbed, possibly French, 18th century, 8¾" long. £100-200 36

Lot 160

37

173 AN ARTS AND CRAFTS PICKLE FORK, with a stylised ridged terminal, hammered finish, by Omar Ramsden and Alwyn Carr, London 1917, 6¾" long.

See illustration.

Lot 173 and 174

£100-200 174 A PAIR OF ARTS AND CRAFTS SPOONS with stylised terminals, rat tail bowls, hammered finish,

by Omar Ramsden and Alwyn Carr, London 1907. 3" long, (c.3oz).

See illustration. £200-300 175 A QUANTITY OF GEORGE III AND LATER TEA AND COFFEE SPOONS of mixed makers and dates, (c.8.5oz) (a lot).

Lot 176

£60-120 176 A VICTORIAN PART CANTEEN OF ALBERT PATTERN CUTLERY, comprising six table forks, six table spoons, six dessert spoons, and six dessert forks, by IW, Newcastle 1860, together with a quantity of Victoria pattern cutlery, by EE, London Assay, (c.106oz) (a lot).

See illustration. £700-1,000 177 A SET OF FIVE GEORGE III SCOTTISH TABLE SPOONS, of fiddle pattern, initialled, by James McKay, Edinburgh 1819, 8" long, together with an Irish fiddle pattern example, (c.10oz) (6). £100-200

Lot 178 178 A PART CANTEEN OF VICTORIAN FIDDLE PATTERN CUTLERY, the crest depicting a badger emerging from a cave, comprising 9 dessert forks, 15 dessert spoons, 17 table forks, 17 table spoons, and 3 tea spoons, all by CB, London 1847, (c.112oz).

See illustration £800-1,200 179 A VICTORIAN SOUP LADLE of Kings pattern, by William Theobald and Robert Atkinson, London 1839, 12" long, together with 6 Kings pattern table spoons, (c.28oz) (a lot). £200-300 38

180 A VICTORIAN AND LATER MATCHED PART CANTEEN of fiddle, thread and shell pattern, some pieces crested, predominantly London Assay, comprising 8 table forks, 5 tablespoons, 7 dessert spoons, 10 dessert forks, 10 teaspoons, and a Kings pattern sauce ladle, mixed makers and dates, (c.88oz).

See illustration

Lot 180

£700-900 181 AN ASSEMBLED CANTEEN OF GEORGE III AND LATER FIDDLE PATTERN FLATWARE, predominantly London Assay, also some Newcastle and some Dublin, comprising four tablespoons, twelve table forks, twelve dessert forks, twelve dessert spoons and twelve teaspoons, mixed makers and dates (c.72ozs).

See illustration £1,200-1,500

Lot 181

182 A COLLECTED CANTEEN OF WILLIAM IV AND LATER QUEENS PATTERN CUTLERY, comprising a set of six tablespoons, by Mary Chawner, London 1836, a matched set of twelve dessert spoons, eight London 1830, four by Goldsmiths and Silversmiths Co., London 1908, five table forks, London 1902/1908, six dessert forks, London 1902/1908, thirteen teaspoons,

by WT, London 1830 and an oyster fork, housed in a canteen box with brass swing handles, (c.88ozs).

See illustration £700-900 183 A SET OF FOUR VICTORIAN TABLE FORKS of Fiddle pattern, by Aldwinckle and Slater, London 1894, together with three William IV examples, 8" long (c.16ozs) (7)

Lot 182

£100-200 184 A SMALL COLLECTION OF FLATWARE, comprising five George III Old English pattern dessert spoons, mixed makers and dates, crested, together with two dessert forks, a christening fork and spoon, a pair of George III sauce ladles and one further sauce ladle (c.13ozs.) £80-160

39

185 A SET OF EDWARDIAN FISH EATERS, with engraved blades and mother-of-pearl handles contained in a fitted case, by C W S, Sheffield, 1902

192 A PAIR OF PROVINCIAL TABLESPOONS of fiddle pattern, by Robert Cattle and James Barber, York, 1810, 9" long (c.4oz)

£100-200

£80-160

186 A SET OF ELEVEN VICTORIAN TEASPOONS of Fiddle pattern, initialled, by W S, 6" long together with a set of six Old English pattern teaspoons, London 1899 (c.14ozs)

193 A PAIR OF FISH SERVERS of Old English pattern, by Viners, Sheffield 1932, the fish knife 12" long (c.8ozs) £60-120

£100-200

194 A SET OF FIVE GEORGE III TABLE FORKS, Old English pattern, crested, by S A, London, 1812, 8" long, together with another set of five table forks, London 1807/1808, (c.21ozs) (a lot)

187 A COLLECTION OF GEORGE III AND LATER TABLE SPOONS, including an initialled pair, London 1820, together with eight other examples, mixed makers and dates (c.19ozs)

£150-250

£150-250 188 A QUANTITY OF CONTINENTAL SERVING AND TEASPOONS, some with figural decoration, mixed makers and dates, (c.34ozs)

195 A COLLECTION OF FLATWARE comprising, a 19th century Swedish punch ladle with turned wood handle, together with a shell-back George III tablespoon, London 1771 and a quantity of other items (a lot)

£250-350

£60-120

189 A SET OF SIX VICTORIAN DESSERT FORKS of Albert pattern, crested with a stag's head, by William Eaton, London 1843, 7" long, (c.11ozs)

196 A SET OF TWELVE EDWARDIAN FRUIT KNIVES, with loaded handles, silver blades, by G H, Sheffield 1905, together with ten matching forks and a cased set of fruit eaters with green hardstone handles (a lot)

£80-160

£60-120

190 A SET OF EIGHT SILVER HANDLED TABLE KNIVES, with steel blades, London 1979, together with a matching set of six dessert knives

197 A SET OF SIX GEORGE III TABLESPOONS of Old English pattern, monogrammed, by William Woodman, Exeter 1805, 9" long (c.10ozs)

£100-200

£80-160

191 A SET OF SIX SCOTTISH PRIVATE DIE TABLEFORKS, of Fiddle and Thread pattern, by Robert Gray & Son, Glasgow, date letter rubbed, c.1828, 8" long (c.19ozs) £200-300

40

202 A CONTINENTAL CANTEEN OF CUTLERY for twelve place settings, comprising, twelve dessert spoons, ten tablespoons, twelve fish knives and forks, twelve teaspoons, eleven dessert forks, ten table forks, twelve table knives with silver handles, stainless steel blades, twelve dessert knives and a quantity of serving pieces contained in a three tier case, marked '800' (c.

125ozs)

198 A SMALL COLLECTION OF FLATWARE comprising a Victorian fiddle pattern sauce ladle, London 1837, together with two cased christening sets and a quantity of loose flatware (a lot) £60-120 199 A SET OF FOUR VICTORIAN TABLESPOONS of fiddle pattern by EE, London 1863/1865, together with a quantity of spoons and sugar tongs, mixed makers and dates and some plated examples (c.12ozs)

£700-1000 203 SHOOTING INTEREST: A MATCHED SET OF SIX TEASPOONS, each finial applied with a figure of a rifleman in the back position, by Elkington & Co., and Mappin & Webb, c.1901, 4½" long, (c.4.2oz)

£80-120 200 A COLLECTION OF SILVER AND ELECTRO-PLATED FLATWARE including a Chinese spoon and a mother-of-pearl handled pickle spoon, of mixed makers and dates (a lot)

£100-200

204 A CASED SET OF GERMAN WHITE METAL KNIVES AND FORKS for twenty four place settings, of fiddle and thread pattern, monogrammed, the knives with bone handles

£60-120 201 A SET OF SIX GEORGE IV DESSERT SPOONS of Fiddle pattern, with a boar's head crest, by WC, London 1828, 7" long (c.7ozs)

£60-120

41

£200-400

42

WATCHES OBJETS VERTU MINIATURES COINS MEDALS

Detail of lot 350 43

WATCHES Lot 342, 343 and 344

343 A GENTLEMAN'S UNMARKED YELLOW GOLD SLIM POCKET WATCH, the gilt dial with raised baton numerals inscribed 'Piaget', attached to a yellow and white gold chain with attached yellow gold pencil holder, in a fitted leatherette case See illustration

340 A GENTLEMAN'S UNMARKED YELLOW GOLD HUNTING CASED POCKET WATCH, the white enamel dial with Arabic numerals and outer second numerals, the movement case inscribed 'Felipe Heght Genève', in a foliate engraved case £300-500

£150-300

341 A GENTLEMAN'S 9CT YELLOW GOLD OPEN-FACE POCKET WATCH, the white enamel dial with Arabic numerals and subsidiary seconds dial, inscribed 'J. W. Benson, London', the case back inscribed 'Norman John Colborne, March 6th 1938', attached to a 9ct yellow gold chain

344 ASPREY: A GENTLEMAN'S OPENFACE SLIM CASED 18CT YELLOW GOLD POCKET WATCH, the white enamel dial with Arabic numerals, inscribed 'Asprey', surrounded by an engine-turned bezel, in a fitted Aprey's leatherette presentation case.

See illustration

£200-400

342 A GENTLEMAN'S 18K YELLOW GOLD HALF HUNTING-CASED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, the dial cover with blue Roman numerals, the case back monogrammed, attached to a 15ct yellow gold chain with attached V Thaler gold coin.

See illustration

£300-600

£500-1,000

345 A GENTLEMAN'S SILVER HUNTING CASED POCKET WATCH, the white enamel dial with Roman numerals, the verge movement inscribed 'French, London 2909', the case hallmarked London 1815, with a cut steel watch key.

See illustration

44

£100-200

Lot 344

45

351 A LADIES UNMARKED YELLOW GOLD OPEN-FACE POCKET WATCH, the gilt dial with Roman numerals, in an engraved case, the reverse with enamelled foliage decoration, attached to an unmarked yellow gold chain and watch key

346 A GENTLEMAN'S 18CT YELLOW GOLD HUNTING-CASED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial inscribed 'Louis Matile Locle', in a foliate engraved case

£200-400

352 A GENTLEMAN'S SILVER OPEN-FACE POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, inscribed ' Kay's Keyless Triumph', the movement cover inscribed 'Dennison Watch Case Company Ltd', attached to a silver fob chain

347 A GENTLEMAN'S UNMARKED YELLOW GOLD HUNTING-CASED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, inscribed 'Elgin', in a foliate engraved case and one other 18k yellow gold ladies half hunting-cased pocket watch (2)

£150-250

£150-250

£50-100

357 SEIKO AUTOMATIC: A GENTLEMAN’S STAINLESS STEEL WRISTWATCH, the black dial with illuminated numerals and hands, sweep seconds hand and date aperture, inscribed "Seiko Automatic Water Resist 150M", attached to a black rubber strap

£250-500

349A A LADIES 18K YELLOW GOLD FOB WATCH the white enamel dial with Roman numerals, the outer cover with Gilloche enameled chapter rim, in a foliage engraved case.

£50-100

354 A LADIES SWISS SILVER AND BLUE GUILLOCHE ENAMELLED FOB WATCH, the white enamel dial with Roman numerals, one other similar fob watch and a blue enamelled bow fob brooch (3)

349 A LADIES 18CT YELLOW GOLD OPEN-FACE POCKET WATCH, the white enamel dial with Roman numerals and gilt decoration, in a foliate engraved case

£50-100

353 A LADIES SWISS SILVER-GILT AND RED ENAMELLED FOB WATCH, the white enamel dial with Arabic numerals attached to a 9ct yellow gold bow brooch, in a fitted presentation case

348 A GENTLEMAN'S 18CT YELLOW GOLD HALF HUNTING-CASED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, inscribed 'J W Benson, London', the outer dial cover with blue Roman numerals in a foliate engraved case and one other similar 18k open-face pocket watch (2)

£250-500

£200-400

£200-400

358 OMEGA: A GENTLEMAN’S STAINLESS STEEL WRISTWATCH, the gilt dial with raised batten numerals, sweep seconds hand and date aperture, inscribed "Omega De Ville Quartz", attached to a stainless steel gilt mesh bracelet with folding clasp, in an Omega carrying case

350 A LADIES 18K YELLOW GOLD OPEN-FACE POCKET WATCH, the gilt dial with Roman numerals, in an engraved case with enamelled floral decoration

46

£200-400

Lot 362

Lot 360

Lot 361

361 JAEGER LE COULTRE: A GENTLEMAN'S 18K YELLOW GOLD WRISTWATCH, the black rectangular dial inscribed 'Jaeger Le Coultre', the case back no. '9125.21 1.409.963', attached to an articulated 18ct yellow gold bracelet, with buckle clasp.

See illustration

359 OMEGA SEAMASTER: A GENTLEMAN’S STAINLESS STEEL WRISTWATCH, the black dial with batten numerals, sweep second hand and date aperture, inscribed "Omega Automatic Seamaster Cosmic 2000" attached to a stainless steel articulated bracelet with folding clasp, in a leatherette presentation case and outer card box

£200-400

362 ROTARY: A GENTLEMAN'S 9CT YELLOW GOLD WRISTWATCH, the round dial with raised baton numerals and subsidiary seconds dial, inscribed 'Rotary', attached to an articulated 9ct yellow gold bracelet with folding clasp.

See illustration

360 BAUME MERCIER: A GENTLEMAN'S 18K YELLOW GOLD WRISTWATCH, the round gilt dial with raised baton numerals, sweep seconds hand and date aperture, inscribed Baume & Mercier, Genève', attached to a brown leather strap.

See illustration

£800-1,600

£300-500

£250-500

363 LONGINES: A GENTLEMAN'S YELLOW METAL WRISTWATCH, the round dial with raised gilt baton numerals, sweep seconds hand and date aperture, inscribed 'Longines Flagship Automatic', attached to a black leather strap

47

£200-400

364 ROLEX: A GENTLEMAN'S 9CT YELLOW GOLD WRISTWATCH, the round dial with Arabic numerals and subsidiary seconds dial, the movement inscribed 'Rolex, 15 Jewels', attached to a brown leather strap

Lot 367

£100-200

365 TECHNO STAR: A GENTLEMAN'S TACHIMETER WATER RESISTANT WRISTWATCH, the round dial with Arabic and baton numerals, sweep seconds hand and three subsidiary dials, with a diamond bezel attached to a stainless steel articulated bracelet with folding clasp

£100-200

366 EBEL: A GENTLEMAN'S STAINLESS STEEL AUTOMATIC WRISTWATCH, the rectangular dial with Roman numerals, sweep seconds hand and date aperture, inscribed 'Ebel Automatic', attached to a stainless steel articulated bracelet with folding clasp, in a fitted presentation case, outer card box and booklet

Lot 368

£200-400

367 TUDOR OYSTER PRINCE: A GENTLEMAN'S STAINLESS STEEL WRISTWATCH, the round blue dial with raised baton numerals, sweep seconds hand, day and date apertures inscribed 'Tudor Oyster Prince Date+ Day Rota Self Winding', the case back inscribed 'original oyster case by Rolex Genève', attached to a replaced stainless steel bracelet with folding clasp. See illustration £500-1,000 368 CARTIER: A GENTLEMAN'S STAINLESS STEEL WRISTWATCH, the round rose pink dial with four Arabic numerals, sweep seconds hand and date aperture, inscribed 'Cartier', attached to an articulated stainless steel bracelet with folding clasp.

See illustration

Lot 369

£1,200-1,400

369 OMEGA: A GENTLEMAN'S 18CT YELLOW GOLD WRISTWATCH, the gilt dial with raised baton numerals, sweep seconds hand and date aperture, inscribed 'Omega Automatic De Ville' attached to an 18ct yellow gold meshed bracelet with folding clasp, in a fitted presentation case and outer card box.

See illustration 48

£1,000-2,000

Lot 371

373 OMEGA: A LADIES 9CT WHITE GOLD WRISTWATCH, the round dial with raised baton numerals, inscribed 'Omega', attached to a 9ct white gold bracelet with folding clasp, in a fitted presentation case

370 CHOPARD, 'MONTE CARLO' STAINLESS STEEL AND 18CT YELLOW GOLD WRISTWATCH, the round dial with raised baton numerals, sweep seconds hand and date aperture, inscribed 'Chopard, Genève', attached to a stainless steel and 18ct yellow gold articulated bracelet with folding clasp

£600-800

374 JEAN RENET: A LADIES FRENCH 18CT YELLOW GOLD WRISTWATCH, the square dial with Roman numerals inscribed 'Jean Renet', attached to a black leather strap, with original purchase receipt

371 ROLEX: A GENTLEMAN’S 18CT YELLOW GOLD WRISTWATCH, the gilt dial with raised batten and Roman numerals, inscribed "Rolex Genève Cellini", attached to an 18ct yellow gold bracelet with folding clasp, including a Rolex guarantee. See illustration

£200-400

375 TECHNO-STAR: A LADIES STAINLESS STEEL WRISTWATCH, the heart-shaped dial with Arabic numerals, sweep seconds hand and date aperture, surrounded by a heartshaped diamond bezel, attached to a white leather strap, in a leatherette carrying case

£2,000-4,000

372 HAMILTON: A LADIES 14K YELLOW GOLD WRISTWATCH, the square dial with gilt baton numerals attached to a 14k yellow gold mesh bracelet with folding clasp, in a fitted presentation case

£100-200

£100-200

£250-500 49

Lot 381

379 BAUME MERCIER: A LADIES 18K YELLOW GOLD WRISTWATCH, the round dial with Roman numerals, sweep seconds hand and date aperture, inscribed "Baume Mercier Genève", the case back also inscribed and numbered "16864.091 2141518", attached to a tan leather strap

376 ROTARY: A LADIES 9CT YELLOW GOLD WRISTWATCH, the oval dial with raised batten numerals, inscribed "Rotary", attached to a 9ct yellow gold bark bracelet with folding clasps and two other similar wristwatches (3)

£100-200

377 TROJAN: A LADIES 9CT YELLOW GOLD WRISTWATCH, the round dial with Arabic numerals, surrounded by a 9ct yellow gold octagonal bezel, attached to a 9ct yellow gold expanding part bracelet and one other Art Deco wristwatch dial (2)

380 MUST DE CARTIER: A LADIES GOLD PLATED AND STAINLESS STEEL "21" WRISTWATCH, the round dial inscribed "Must de Cartier", surrounded by a stainless steel bezel with gilt Roman numerals, attached to a stainless steel and gold plated bracelet with folding clasp, with original paperwork and loose links

£60-120

378 LONGINES: A LADIES 9CT YELLOW GOLD WRISTWATCH, the square dial with Arabic and dot numerals, inscribed "Longines", attached to a 9ct yellow gold bracelet with folding clasp and one other similar wristwatch (2)

£200-400

£600-1,200

381 BULOVA: A LADIES 14K YELLOW GOLD DIAMOND AND EMERALD COCKTAIL WATCH, the shaped dial with raised batten and Arabic numerals, inscribed "Bulova", the dial cover of foliate form decorated with emeralds and diamonds, attached to a 14k yellow gold bracelet with folding diamond clasp.

See illustration

£100-200

50

£500-1,000

385 A FRENCH BRASS-CASED STRIKING CARRIAGE CLOCK, the chapter ring dial with Arabic numerals surrounded by a gilt mask, striking on a coiled gong, in a foliate engraved case with swing handle, 7½" high.

See illustration

Lot 385

£250-450

386 A CONTINENTAL ENAMEL 'URN' CLOCK, the pink ground painted in polychrome with reverses of flowers within gilt cartouche, with a band of Arabic numerals to the frieze, on a pedestal foot, 4".

See illustration

£600-800

387 A SWISS DRESSING TABLE CLOCK, the round dial with Arabic numerals enclosed in a lilac guilloche enamel lid of a silver box.

See illustration

£100-200

388 ROLEX: A SILVER-CASED TRAVELLING CLOCK, the round white dial with Arabic numerals on an easel stand, in a folding silver case

£100-200

Lots 386 and 387

389-399 Spare lots

51

407 A RUBY GLASS CHATELAINE SCENT FLASK, the ruby ground overlaid with gilding ground and floral white and yellow jewelling, the gilt metal stopper engraved with a star, with chatelaine chain, 3¼" long, and a blue glass and silver topped cylindrical scent flask (2),

400 A VICTORIAN PAPIER MACHE CALLING CARD CASE painted in polychrome with floral sprays, exotic birds and scrolling acanthus leaf, 4¼" long, and a cut-glass gilt painted scent flask (2)

£80-160

£100-200

401 A CIRCULAR HORN SNUFF BOX AND COVER, the cover collet-set in white metal with a citrine and five round-cut amethysts, 3" dia.

408 A NAPOLEONIC PERIOD CARVED COQUILLA NUT SNUFF BOX decorated in high relief with a seated male and female figure to either side, with floral bouquets, bordered by an arrangement of flowers, 3" wide

£80-160

402 J. STEWARD, STRAND, LONDON: A PAIR OF MOTHER OF PEARL AND GILT METAL OPERA GLASSES, the mother of pearl view finders with makers name and address, the bracket between the lenses inscribed "Emily Atkinson from John Townsend Piper, May 1882", in the original fitted case

409 A CONTINENTAL WHITE METAL AND MOTHER OF PEARL SNUFF BOX of cartouche form, the hinged lid carved with a seated woman and child beside a tree, with a gilt interior, 2¾" wide

£80-160

403 A VICTORIAN CARTOUCHE-SHAPED TORTOISESHELL PURSE, the front section with metal pique and mother of pearl flower and envelope decoration, 2¾" wide and four further examples (a lot)

£100-200

£100-200

411 A GEORGE III SILVER AND TORTOISESHELL SNUFF BOX of oval form, the hinged tortoiseshell lid with pierced figural oval inlaid panel, 2¾" wide

£80-160

£100-200

412 A CARVED BONE THIMBLE modelled in the form of a turtles head, with painted brown eyes, 10½" long

405 A VICTORIAN TRANSFER DECORATED PAPIER MACHE CASE depicting a portrait of a woman on one side and a nude the other, 5½" long, and a collection of other card cases and a pot lid (a lot)

£60-120

410 A GEORGE III SILVER AND TORTOISESHELL SNUFF BOX of oval form, the unmarked silver mounts engraved with the initials "SID", the hinged lid with blank oval cartouche, 3¼" wide

404 A 19TH CENTURY NAVETTE-SHAPED PATCH BOX, the tortoiseshell ground with pique white metal and mother of pearl border and cartouche, mounted in gilt metal, the hinged interior revealing a mirror, 3¼" wide

£100-200

£50-100

406 A CHAMPAGNE-COLOURED GLASS CANE HANDLE modelled in the form of a French bulldog with greenstone cabochon eyes, 2¾" long, and an amber coloured pressed glass scent flask top (2) £50-100 52

£100-200

413 AN EARLY 19TH CENTURY BURR MAPLE AND WALNUT CROSSBANDED SARCOPHAGUSSHAPED NEEDLE BOX with fruit and leaf-carved mother of pearl handle and mother of pearl toupie feet, the interior revealing a mirrored lid and fitted velvet and mother of pearl sewing equipment, 6¼" wide.

See illustration

Lot 413

£200-400

414 A VICTORIAN CARVED IVORY AND WOOD WALKING CANE, the terminal modelled in ivory as an open-mouthed lion, with orange glass eyes, and mounted with a Birmingham hallmarked silver leaf scroll collar with vacant cartouche, to a tapering wood cane, the head 3" long.

See illustration

£200-400

Lot 414

415 A CARVED BONE, IVORY AND MALACCA WOOD CANE, the bone handle carved with a fox's head, dead game and hounds, with an applied ivory tip to the handle and tapering Malacca cane, 4¼" (carved length of the cane).

See illustration

£400-800

416 A REGENCY PORTRAIT MINIATURE depicting a young boy with short blond hair, dressed in a dark jacket with brown brocade and a ruff collar, apparently painted on ivory, 2¼" long, and set in a leatherbound case

£80-160 Lot 415

417 A PAINTED PANEL depicting Place Vendome, apparently on copper, and framed as a canted rectangle in gilt metal, possibly part of a buckle, 3" long

£50-100

418 A MONT BLANC CLASSIQUE MEISTERSTUCK BALLPOINT PEN in black enamel with gilt mounts, and white enamel star to the lid

£50-100

53

425 A WHALEBONE RIDING CROP with repoussé scroll decorated gilt metal terminal and collar, the bottom section painted in red and another similar set with a cabochon turquoise (2)

419 A RENAISSANCE REVIVAL SILVER AND ENAMEL COCKEREL, the wings pave-set with cabochon round pink stones, each feather enamelled in purple and red, on a stepped square blue, pink and teal enamelled base, probably Austrian, circa 1870, 4½" high. See illustration

£500-1,000

426 A VICTORIAN WHALEBONE RIDING CROP with plaited work grip, with a gilt metal scroll engraved terminal and collar mounted with oval and round-cut turquoise, engraved "Thorn Maker 185 Regent Street", and another similar riding crop with a carved ivory wheatsheaf handle (2)

420 A CARTIER GOLD PLATED FOUNTAIN PEN with all over reeded decoration, numbered 65961, and stamped "Cartier, Paris"

£100-200

421 SAMUEL MORDEN AND CO: A 9CT YELLOW GOLD PENCIL, engine-turned with vacant cartouche and engraved with the retailers name, Goldsmiths & Silversmiths Co. Ltd, with plain seal top

£200-400

£60-120

£150-300

429 A 20GRAM FINE GOLD 999.9 INGOT, numbered 05496, with certificate

£100-200

424 A RENAISSANCE REVIVAL HARDSTONE AND SILVERMOUNTED AGATE DISH, in the manner of Hermann Ratzersdorfer (1815-1891), the banded agate dish with scroll engraved shaped metal borders, with leaves set with native-cut green stones and a pearl-set branch, mounted with a recumbent bacchanalian nude and lion encrusted with pink native-cut stones, on a floral enamelled and green stone set base, 5¼" dia.

See illustration

£80-120

428 ORDER OF THE BUFFALOS: A 9CT YELLOW GOLD MEDALLION of Maltese Cross form with blue enamel motto, with inscription "Awarded to Brother John Mitchell CP", (c.21.9grams), on a red and gilt metal decorated ribbon, in a fitted case

423 A 9CT YELLOW GOLD PLAIN POLISHED VESTA , hallmarked, (c.19.7grams)

£100-200

427 A SILVER-MOUNTED WOODEN RIDING CROP, the silver top modelled with a horse's knee and hoof, stamped "Davis & Wilson" to the collar, and two other similar (3)

422 A MODERN 9CT YELLOW GOLD TIE-CLIP, the top half with engraved wave decoration and the initials "RKD", (c.11.4grams)

£80-160

£400-800

430 A 20GRAM INGOT of fine gold 999.9, numbered 05571, with certificate

£2,000-4,000

54

£400-800

Lot 419

Lot 424

55

436 A 22CT YELLOW GOLD SOVEREIGN dated 1900

431 A 20GRAM FINE GOLD INGOT 999.9 numbered 05570, with certificate

£400-800

437 AN 1893 VICTORIAN OLD HEAD SOVEREIGN

432 A 20GRAM FINE GOLD INGOT 999.9 and numbered 05498, with certificate

£400-800

£1,000-2,000

£600-1,200

£70-140

440 A 20GRAM FINE GOLD INGOT 999.9 numbered 05572, with certificate

435 A 1958 22CT YELLOW GOLD SOVEREIGN

£150-300

439 AN 1864 VICTORIAN YOUNG HEAD HALF SOVEREIGN

434 A 1988 UNITED KINGDOM GOLD PROOF COIN COLLECTION comprising a £2 coin, a sovereign and a half-sovereign, numbered 00297 of 12.500

£150-300

438 AN 1891 VICTORIAN JUBILEE HEAD SOVEREIGN

433 A 50GRAM FINE GOLD INGOT 999.9 numbered 05391, with certificate

£150-300

£150-300

56

£400-800

Je wellery

Lot 503

All weights and measurements provided are approximations 57

507 A VICTORIAN YELLOW GOLD SERPENT NECKLACE, the head inset with a square-cut emerald and champagne stone eyes, the open mouth suspending a pear-shaped drop with a pear-cut emerald to the centre and locket back, on a replacement yellow gold snake link chain, 17" (43cms) long, in the original fitted case, with the remains of the original chain. See illustration

502 AN EDWARDIAN AMETHYST AND SEED PEARL BROOCH PENDANT, set to the centre with a heart-shaped amethyst surrounded by a seed pearl border and an outer seed pearl open wreath outer border with pearl drops, stamped 9ct, with safety chain, 5.5cms long, See illustration

£200-400

503 A YELLOW GOLD ENAMELLED LOCKET of heart-shape, the front set with an old-cut diamond against a blue guilloche enamel ground to an unmarked yellow metal belcher link chain, 14" (18.5cms) long See illustration

£1,800-3,000 508 SHOOTING INTEREST: A PAIR OF OVAL REVERSE CRYSTAL INTAGLIO CUFFLINKS, each depicting a different game bird in foliage and set in unmarked yellow gold. See illustration

£150-300

504 A VICTORIAN YELLOW METAL LONG CHAIN, each belcher link with faceted textured decoration and set with a hand dressed with a turquoise ring and a garnetset bracelet, unmarked, but appears to test as gold, 53" (135cms) long.

See illustration

£500-1,000

£1,500-3,000

510 A DIAMOND-SET BEE BROOCH, the wings rub-over set overall with graduated round oldcut diamonds, the body set with a single round old-cut diamond, c.0.33cts with cabochon ruby eyes in unmarked yellow and white metal, in original fitted case.

See illustration

£150-300

506 A REGENCY MINIATURE SET BROOCH PENDANT of navette form, painted to the centre with a girl seated beside a lamb and her Spaniel, within a white jewelled and red guilloche enamel border, set in floral engraved yellow and rose gold, the reverse with hair-work panel, 4.5cms long, in a pear-shaped case.

See illustration

£500-1,000

509 AN ETRUSCAN REVIVAL ITALIAN MICRO-MOSAIC PENDANT, decorated to the centre with a pair of doves in flight against a floral background, with coloured micro-mosaic borders, with large pendant bale and three graduated micro-mosaic drops, the reverse with locket aperture and set in unmarked yellow metal, 17cms long (overall length).

See illustration

505 AN EDWARDIAN PEARL LOCKET PENDANT, the border set with graduated half pearls and seed pearls, surrounding a bevelled glass aperture, in unmarked rose metal, 4cms long, in the original fitted case.

See illustration

Provenance: The Brodie Clark Family of Syon Park House, Brentford and thence by descent

£400-800

511 A VICTORIAN STYLE SERPENT BRACELET, the serpent's head set with a pear-cut diamond, c.1cts with further rose-cut diamond eyes and graduated cushion-cut rubies, in unmarked yellow metal. See illustration

£400-800

£2,500-3,000

512 AN INDIAN SEED PEARL NECKLACE, formed from six strands of seed pearls, united by five different ruby and seed pearl panels, each set in unmarked yellow gold with a yellow gold target clasp, 18½" (47cms) long, in the original fitted case. See illustration £300-600 58

Lot 503 Lot 508

Lot 512

Lot 505

Lot 506

Lot 502

Lot 509

Lot 507

Lot 504

Lot 510

Lot 511

59

519 MILITARY INTEREST: A ROYAL WELSH GUARDS BROOCH, with polychrome enamels, the reverse with hallmarks for 9ct yellow gold, 1969, 3cms wide See illustration

513 AN EDWARDIAN OPAL AND RUBY NEGLIGEE PENDANT, the central flowerhead opal cluster millegrain set with ruby points and suspending two further opal and ruby oval-cut drops on a rose and white gold trace link chain, 18" long.

See illustration

£250-500

520 A 14CT YELLOW GOLD BROOCH modelled as an ampersand set over all with graduated cultured pearls, stamped 585 OLEL, 4cms long.

See illustration

514 A 'STUART' PENDANT, the pear-shaped crystal with gold wirework initials, within gold wirework borders, with crown surmount, 1.6cms long on a later gold trace link chain.

See illustration

£250-500

Provenance: Given by Captain Cecil Holt Cree (pictured) to his wife Avis at the start of his deployment in the First World War. According to the family, Captain Cecil Holt Cree was 'a very tall gentleman' who subsequently stated 'I'll be one of the first to go'. He died of a head wound on 24th October 1914 £200-400

These pearls have been recently re-strung and clasped by Garrard’s, London

£500-1,000

£400-800

524 HUNTING INTEREST: A BI-COLOURED GOLD HUNTING HORN BAR BROOCH, set to the centre with a rose-cut diamond and ruby cabochon fox's head and another similar yellow gold fox head stock-pin (2).

See illustration

£200-400

518 A STICK-PIN, modelled with a carved Labradorite owl, inset with cabochon red eyes to an unmarked yellow metal stick-pin.

See illustration

523 A TRIPLE STRAND CULTURED PEARL NECKLACE, the smallest pearl c.3.3mm, the largest pearl c.7.1mm, united by an unmarked white metal calibre-cut sapphire and round-cut diamond clasp with safety chain, 20" (51cm) long.

See illustration

£80-160

517 A VICTORIAN GARNET AND PEARL NECKLACE, each link formed from a circular or oval cut foiled garnet in a closed back cut-down collet setting, interspersed with seed pearl links, with a central cluster drop display, in unmarked yellow metal, 15" (38cms) long See illustration

£200-400

522 A TRIPLE ROW GRADUATED CULTURED PEARL NECKLACE, the largest pearl c.8.7mm, the smallest c.3.3mm, knotted with an unmarked yellow gold bun-shaped clasp, 20" (51cms) long (at the longest point) with a loose Regency rose gold hairwork and seed pearl clasp (2)

516 A REVERSE CRYSTAL INTAGLIO STICK-PIN depicting a side profile of a Greyhound, set in 18ct yellow gold, stamped '18' See illustration

£100-200

521 A GRADUATED CULTURED PEARL NECKLACE, the smallest pearl c.3.1mm, the largest c.7.7mm with a calibre-cut turquoise, rose-cut diamond and pearl-set circular clasp, 17" (43cms) long, in an Asprey case See illustration

515 FIRST WORLD WAR INTEREST: A ROYAL FIELD ARTILLERY BROOCH, enamelled over all, with a rose-cut diamond decorated wheel, and set in 18ct yellow gold, 3.5cms wide.

See illustration

£100-200

£80-150 60

£100-200

Lot 520

Lot 524 (part)

Lot 517

Lot 515

Lot 519 Lot 521

Lot 523

Lot 514 Captain Cecil Holt Cree

Lot 513

Lot 524 (part)

Lot 516 61

Lot 518

531 A LONG CULTURED PEARL NECKLACE, each pearl c.7.1mm, knotted, united by an unmarked yellow metal barrel-shaped link, set with calibre-cut sapphires, 37" (94cms) long.

525 AN 18CT YELLOW GOLD BROOCH, modelled in the form of a flower, claw-set to the centre with a round brilliant-cut diamond, c.0.2cts and surrounded by six further round-cut emeralds within wirework petals, stamped to the reverse 750, 17cms long.

See illustration

£400-800

532 A 15CT YELLOW GOLD AND TURQUOISE BRACELET, the oval links collet-set with cabochon turquoise, the concealed clasp stamped '15ct' with safety chain.

See illustration

526 AN UNMARKED YELLOW GOLD HEART-SHAPED LOCKET with textured decoration and rub-over set to the centre with a round-cut diamond, c.0.15cts, unmarked 1.7cms long.

See illustration

£300-600

£100-200

533 A 9CT ROSE GOLD HEART-SHAPED LOCKET, the front with red guilloche enamelling and set to the centre with three seed pearls, on an unmarked yellow gold chain, set with conforming red and white guilloche enamelled barrel-shaped links and seed pearl links, 19" 48cms (overall length).

See illustration

527 A VICTORIAN TRIPLE STRAND SEED PEARL NECKLACE interspersed with larger seed pearl links, united by a pearl and rose-cut diamond cluster clasp, 33" (84cms) long and a pair of seed pearl cluster drop earrings (2).

See illustration

£400-800

£100-200

£700-1,400

528 AN 18CT YELLOW GOLD BROOCH, modelled as a gros-grain ribbon-tie, each end mounted with four round-cut diamonds totalling c.0.2cts and four round-cut sapphires, the reverse with hallmark and maker's mark G.J. & W., c.15.7cms long.

See illustration

534 A PAIR OF EMERALD AND DIAMOND EAR CLIPS, comprised of four graduated pear-cut and marquise-cut emeralds set with borders of rub-over set diamonds and set in unmarked yellow gold, each 3.5cms long.

See illustration

£200-400

529 A GRADUATED OPAL BEAD NECKLACE, the largest bead 9.4mm wide, the smallest 6.2mm wide, united by an emerald, ruby and diamond-set rectangular clasp, 16" (40.5cms long).

See illustration

535 BULGARI: AN 18CT YELLOW AND WHITE GOLD PENDANT of disc form with a cut-out snowflake design to the centre and stamped 'Bulgari', the reverse with hallmark and numbered, 4.3cms long.

See illustration

£600-1,200

530 AN ART DECO STYLE EMERALD AND PEARL BRACELET, the white metal chain set with six emerald beads, interspersed with seed pearls, in unmarked white metal.

See illustration

536 A VICTORIAN YELLOW GOLD STICK-PIN modelled with a large textured fox's head with cabochon ruby eyes and engraved to the reverse 'EH' See illustration

£250-500

62

£200-400

£500-1,000

£80-160

Lot 533 Lot 536 Lot 528

Lot 532

Lot 535

Lot 529

Lot 526 Lot 534

Lot 534 Lot 530

Lot 525

63

Lot 527 (part)

543 A CHRYSOBERYL BROOCH, the large oval-cut yellow/green chrysoberyl claw-set in an unmarked yellow gold scroll mount as a brooch with trefoil clusters of rose-cut diamonds and pearls, 2.5cms long.

See illustration

537 A DIAMOND SUNBURST BAR BROOCH, set to the centre with a round brilliant-cut diamond, c.

0.5cts and surrounded by a border of eight round brilliantcut diamonds, totalling c.0.8cts with further graduated round-cut diamond-set rays to the bar in unmarked yellow and white metal, 4.3cms long.

See illustration

£500-1,000

544 MILITARY INTEREST: A YELLOW GOLD BROOCH, enamelled with the motto 'Honi Soit Qui Mal Y Pense' set to the centre with the entwined initial SC with safety chain, 3cms wide.

See illustration

538 A WHITE GOLD PENDANT CHARM, modelled in the form of a West Highland Terrier, the textured fur inset overall with graduated round brilliantcut diamonds and a ruby eye, 2cms long.

See illustration

£700-1,400

£1,200-1,800

£150-300 548 A SAPPHIRE AND DIAMOND WREATH BROOCH, set in 14ct yellow gold 2.6cms dia. and a similar ruby and pearl wreath brooch (2)

£250-500

542 AN 18CT WHITE GOLD COLLAR NECKLACE, comprising two snake link rows, conjoined by three diamond-set cross links, the clasp stamped '18k' 'Defino', 18" (46cms) long.

See illustration

£80-160

547 A SINGLE ROW CULTURED PEARL NECKLACE, each cultured pearl c.7mm with a 9ct yellow gold oval turquoise cabochon and pearl cluster clasp, 27" (68.5cms) long and another similar (2)

541 AN 18CT WHITE GOLD MULTIPLE STRAND NECKLACE, each strand of belcher link form, joined at the base by three bands of graduated round brilliant-cut diamonds, the clasp stamped '750', 18" (46cms) long.

See illustration

£80-160

546 A DOUBLE ROW CULTURED PEARL BRACELET, each pearl c.6.5mm, united by a 9ct yellow gold pearl and turquoise cluster clasp

£400-800

540 A PAIR OF SAPPHIRE AND DIAMOND EARRINGS of half-hoop form, set with three rows of graduated princess-cut sapphires, flanked to either side by a rubover diamond-set border, the stud clip marked 750 and number 2395.

See illustration

£100-200

545 A GRADUATED CULTURED PEARL NECKLACE, the largest pearl c.7.8mm, the smallest 4.1mm with a turquoise and cultured pearl set 9ct gold clasp, 18" (46cms) long

539 AN 18CT WHITE GOLD AND DIAMOND PENDANT, the open circular pendant pave-set overall with round brilliant-cut diamonds and suspended from an 18ct white gold fancy link chain, stamped 750, the pendant with indistinct maker's mark, 17" (43cms overall length).

See illustration

£150-300

£1,000-2,000 64

£80-160

Lots 537, 538, 539, 540, 541, 542, 543, 544

Lot 544

Lot 538

Lot 537

Lot 543

Lot 540

Lot 542 Lot 539 Lot 541

65

555 A 9CT ROSE GOLD BRACELET with three boulder turquoise and three baroque pearls, in cage settings, the clasp indistinctly marked.

See illustration

549 AN UNMARKED YELLOW METAL HINGED BANGLE, the top section rub over set with two pearls and three cabochon corals with safety chain, (c.14.1gms all in).

See illustration

£150-300

556 A CIRCULAR PLIQUE A JOUR PENDANT with blue, red and green sunburst enamels, and set in unmarked yellow gold, 2.8cm dia.

550 A VICTORIAN STYLE GARNET AND OPAL BANGLE, the hallmarked 9ct yellow gold hinged bangle rub-over claw-set with nine round graduated garnets with opal points with safety catch.

See illustration

£600-1,200 558 A VICTORIAN YELLOW GOLD RING modelled as a reticulated belt and buckle, engraved with an inscription and the date 1857, (c.5.9grams).

See illustration

£300-600

552 A 9CT YELLOW GOLD BRACELET, heavy collet-set overall with semi-precious gem stones including peridot, garnet and amethyst, hallmarked to the clasp See illustration

£80-160

560 A SAPPHIRE AND DIAMOND FLOWER SPRAY BROOCH set overall in unmarked yellow gold with graduated clawset round-cut sapphires and brilliant-cut diamonds, 4cm long. See illustration

£100-200

554 AN UNMARKED YELLOW METAL VICTORIAN CUFF BRACELET formed from multiple curved floral engraved links, the concealed clasp with safety chain, (c.21.4 grams) in the original fitted case.

See illustration

£150-300

559 A 19TH CENTURY SHELL CAMEO depicting a portrait profile of an Elizabethan woman wearing ruffles and pearls, the reverse with indistinct initials and numbered 1823, mounted as a brooch in unmarked yellow gold, with safety chain, 4cm long.

See illustration

£150-300

553 AN EDWARDIAN 15CT YELLOW GOLD BRACELET, the five oval open links set in a square with a round-cut amethyst, the clasp stamped '15', (c.8.3 grams all in).

See illustration

£200-400

557 A PAIR OF 18CT YELLOW GOLD EAR STUDS set to the centre with a large cultured pearl, c.11.7mm, surrounded by a gold coiled border, rub-over set with five cushion-cut pink tourmalines, the reverse hallmarked (2).

See illustration

£400-800

551 AN 18CT YELLOW GOLD AND TURQUOISE BRACELET, formed from three plaited curb-link strands, interspersed with claw-set cabochon turquoise, the concealed clasp with indistinct marks and stamped '750', (c.34.1gms all in).

See illustration

£100-200

£400-800

66

£100-200

Lot 549

Lot 551

Lot 560 Lot 550

Lot 554 Lot 555

Lot 553 Lot 552

Lot 557

Lot 557 Lot 559

Lot 558 67

567 A SAPPHIRE AND DIAMOND CLUSTER RING, the central round-cut sapphire c.7mm dia., claw-set and surrounded by a rub-over border of graduated round oldcut diamonds, on an unmarked yellow gold shank with carved scroll shoulders.

See illustration

561 A DIAMOND SOLITAIRE RING, the central princess-cut diamond c.1.02cts, in a four corner claw white gold setting, on a hallmarked 18ct yellow gold shank.

See illustration

With a certificate from the Independent Diamond Grading Laboratory stating the stone to be calculated weight 1.02cts, SI2 clarity, colour G.

£800-1,500 568 A RUBY & DIAMOND THREE STONE RING claw-set to the centre with a round-cut ruby c.5.2mm dia., flanked on either side by a round brilliant-cut diamond totalling c.0.6cts, claw-set in platinum on a platinum shank.

See illustration

562 A DIAMOND FLOWERHEAD CLUSTER RING claw-set to the centre with a round brilliant-cut diamond circa 0.65cts and surrounded by a border of eight round brilliant-cut diamonds totalling c.0.4cts, on an 18ct yellow gold shank with open stylised shoulders.

See illustration

£1,500-3,000

£300-600

569 AN EDWARDIAN 'ENTWINED HEARTS' RING, each heart set to the centre with a cushion-cut sapphire or a cushion-cut ruby and surrounded by old-cut diamonds, to an unmarked yellow gold shank with stylised shoulders.

See illustration

563 A DIAMOND SOLITAIRE RING, the central round old-cut stone c.1.5cts in a four claw coronet setting, on a platinum shank with open shoulders.

See illustration

£300-600

£800-1,600

£100-200

570 A SAPPHIRE AND DIAMOND RING, the large oval-cut sapphire measuring 9.2mm x 7.5mm x 4.6mm and flanked on either side by a cluster of three graduated old cushion-cut diamonds, to an 18ct yellow gold shank with scroll carved shoulders.

See illustration

564 AN ART DECO DESIGN PLAQUE RING collet-set to the centre with a round-cut diamond, c.0.4cts and surrounded by designs of baguette-cut and round-cut graduated diamonds, overall total carat weight c.1.8cts, on an 18ct white gold shank with open shoulders.

See illustration

£1,500-3,000

£1,500-3,000 571 A RUBY AND DIAMOND FULL ETERNITY BAND set with alternate groups of three round brilliant-cut diamonds and three calibre-cut rubies, in unmarked white metal.

See illustration

565 A FIVE STONE DIAMOND RING rub-over claw-set with five graduated round old-cut diamonds totalling c.1.3cts, in a scroll setting to an unmarked yellow gold shank.

See illustration

£1,500-3,000

£800-1,600

572 AN ART DECO STYLE SAPPHIRE AND DIAMOND RING, the central emerald-cut sapphire in four claw setting and flanked on either side by three round brilliant-cut diamonds, each c.0.07cts, in a stepped rub-over setting, to an 18ct white gold shank.

See illustration

566 A THREE STONE DIAMOND RING, the three graduated round brilliant-cut stones totalling c.1.5cts, in a raised coronet claw setting to an 18ct yellow gold shank, with open chenier shoulders.

See illustration £2,000-4,000

68

£600-1,200

Lot 561

Lot 562

Lot 563

Lot 564

Lot 565

Lot 566

Lot 567

Lot 568

Lot 569

Lot 570

Lot 571

Lot 572

69

579 A DIAMOND AND SAPPHIRE COCKTAIL RING channel-set to the centre with a tapering row of calibrecut sapphires and flanked on either side by a graduated rub-over set row of round brilliant-cut diamonds totalling c.3cts, in unmarked white gold.

See illustration

573 A DIAMOND BOMBE COCKTAIL RING rub-over set overall with graduated round brilliant-cut diamonds forming multiple flowerhead clusters, in unmarked white metal.

See illustration

£200-400

574 A SYNTHETIC SAPPHIRE AND DIAMOND BOMBE COCKTAIL RING channel-set to the centre with rows of graduated princesscut synthetic sapphires and surrounded at the top and bottom by a rub-over set of graduated round brilliantcut diamonds, in 18ct yellow and white gold, the shank stamped 750 and indistinct with the maker's mark.

See illustration

580 A LARGE BLACK OPAL COCKTAIL RING, the large oval-cut stone in a collet closed back setting, measuring c.3.5mm x 2.5mm, on an unmarked yellow gold shank.

See illustration

£500-1,000

£400-800

£250-500

577 A GREY CULTURED PEARL AND DIAMOND COCKTAIL RING tension-set to the centre with a grey semi-baroque cultured pearl, c.1.4mm x 1.8mm and surrounded by rubover graduated brilliant-cut diamond-set shoulders, in 18ct yellow gold with a further claw-set single diamond c.0.1cts set to the shoulder, stamped to the shank "STW 750".

See illustration

£1,500-3,000 583 A TWO STONE DIAMOND RING, each round brilliant-cut diamond c.0.75cts, in a circular illusion setting, to an 18ct white gold shank with twisted shoulders.

See illustration

£1,000-2,000

£2,000-4,000

584 A PINK SAPPHIRE AND DIAMOND RING, the oval-cut pink sapphire in a four claw setting, to an 18ct white gold shank with a princess-cut and a baguette-cut diamond, rub-over set to either shoulder.

See illustration

578 A LARGE OVAL CABOCHON BANDED AGATE RING mounted in 9ct yellow gold with scrolling open shoulders, and a 1960's style 9ct yellow gold brickwork ring set with a cabochon amethyst (2).

See illustration

£1,500-3,000

582 A SAPPHIRE, EMERALD AND RUBY "TUTTI FRUTTI" BOMBE RING claw-set with carved leaf cabochon gemstones with colletset diamond points and surrounded by an outer border of round brilliant-cut diamonds to form a cluster design, to an 18ct white gold shank.

See illustration

576 A DIAMOND COCKTAIL RING, the wide 18ct white gold band millegrain-set with 56 round brilliant-cut diamonds.

See illustration

£300-600

581 A TANZANITE AND DIAMOND CLUSTER RING collet-set to the centre with an emerald-cut tanzanite and surrounded by a rub-over shaped border of round brilliant-cut diamonds totalling c.1.45cts, to an 18ct white gold shank with open shoulders.

See illustration

575 A DIAMOND DOUBLE ROW HALF ETERNITY BAND, the two rows each millegrain-set overall with nine roundcut diamonds, (total diamond weight c.0.9cts), set in unmarked yellow gold.

See illustration

£2,500-3,000

£100-200

70

£1,500-3,000

Lot 573

Lot 574

Lot 575

Lot 576

Lot 577

Lot 578 (part)

Lot 579

Lot 580

Lot 581

Lot 582

Lot 583

Lot 584

71

591 A DIAMOND CLUSTER RING of circular form, claw-set to the centre with a round brilliant-cut diamond, c.0.33cts and surrounded by two graduated outer borders of round brilliant-cut diamonds, total diamond weight c.1.6cts to an 18ct white gold shank with open shoulders

585 A SAPPHIRE AND DIAMOND PLAQUE RING, collet-set to the centre with an oval-cut sapphire and surrounded by calibre-cut sapphire and diamond-set borders to a yellow gold reeded shank, stamped 'XI'

£150-300

586 A TURQUOISE AND DIAMOND CLUSTER RING, claw-set to the centre with a circular turquoise cabochon and surrounded by a cluster border of ten old-cut diamonds c.0.1cts to an 18ct yellow gold shank

592 A SAPPHIRE AND DIAMOND CLUSTER RING, claw-set to the centre with an oval-cut Australian black sapphire and surrounded by a border of eight round brilliant-cut diamonds and eight round-cut sapphires, claw-set in 18ct white gold to an 18ct yellow gold shank

£100-200

587 A GRADUATED THREE STONE DIAMOND RING, the three round brilliant-cut diamonds totalling c.0.3cts, tension set in platinum to a hallmarked platinum band and a platinum half eternity ring, tension-set with graduated round brilliant-cut diamonds (2)

£150-300

£80-160

£150-300

595 AN AMETHYST AND DIAMOND RING, corner claw set to the centre with an emerald-cut amethyst, flanked to either side by a pair of round brilliantcut diamonds, each c.0.1cts with a further round-cut amethyst to either shoulder, set in 18ct white gold

£200-400

590 A SAPPHIRE AND DIAMOND CLUSTER RING, modelled as a flowerhead with nine oval and round-cut pale blue sapphires, surrounded by an outer border of oldcut diamond points to an unmarked yellow gold shank

£150-300

594 A THREE STONE DIAMOND RING, the three round-cut stones totalling c.0.4cts, claw-set in platinum to an 18ct yellow gold shank and a diamond-set flowerhead cluster ring (2)

589 A FULL DIAMOND ETERNITY BAND set with thirty three calibre-cut diamonds, totalling c.0.33cts in unmarked white metal with a polished metal tab for re-sizing

£150-300

593 A FIVE STONE DIAMOND RING, the five round brilliant-cut diamonds, totalling c.0.45cts, in a rub over yellow gold claw setting to an 18ct yellow gold shank

588 A FOUR STONE DIAMOND RING, the four round brilliant-cut diamonds totalling c.0.2cts, coronet claw-set to form a square to an unmarked yellow gold shank with open shoulders

£250-500

£100-200

596 A SAPPHIRE AND DIAMOND CLUSTER RING, corner claw-set to the centre with an emerald-cut sapphire and surrounded by a rub-over collet-set border of fourteen round brilliant-cut diamonds totalling c.0.42cts to an 18ct yellow gold shank with open shoulders

£300-600

72

£200-400

597 A LARGE PERIDOT AND DIAMOND CLUSTER RING, the oval-cut central peridot measuring 1.55cms x 1.25cms x 7.65mms (c.9cts) in a raised claw setting and surrounded by a rub over set border of fourteen round old-cut diamonds, totalling c.1.4cts to an unmarked yellow gold shank with stylised shoulders.

See illustration Provenance: Private collection, Dorset

According to the vendor, this piece was crafted by Ray Jordan, a jeweller who had a workshop in Carnaby Street in the 70's and 80's and who worked for Aspreys

£1,000-2,000

598 AN ART DECO NATURAL SAPPHIRE AND DIAMOND COCKTAIL RING, claw-set to the centre with a natural cushion-cut sapphire, c.8.2 x 8.1 x 5.7mm, surrounded by a millegrain set border of round brilliant-cut diamonds, totalling c.0.6cts with an outer calibre-cut border of sapphires in an open scroll setting to a platinum shank with stylised diamond-set shoulders.

See illustration

Provenance: Private Collection, West Dorset

This lot is accompanied by a Gem and Pearl Laboratory Certificate, No. 09852 confirming the central stone to be natural with no evidence of heat treatment and of Sri Lankan origin.

£4,000-6,000

599 AN AQUAMARINE AND DIAMOND COCKTAIL RING, the large central emerald-cut aquamarine c.23cts and surrounded by a rub-over border of round brilliant-cut diamonds totalling c.1.25cts, to an 18ct white gold shank and framework.

See illustration

£4,000-6,000

73

606 AN EMERALD AND DIAMOND RING, rub-over claw set with three graduated emerald-cut emeralds with round cut diamond spaces, to an 18ct yellow gold shank, with scrolling mount.

600 A DIAMOND SOLITAIRE RING, the central round brilliant stone c. 0.5cts in a platinum coronet four claw setting to a platinum shank and a platinum diamond set wedding band (2) £500-1,000

601 A RUBY AND DIAMOND RING, rub-over set with three graduated oval-cut rubies with six diamond point spacers to a yellow gold shank with scrolling shoulders

607 A RUBY AND DIAMOND HALFETERNITY RING, rub-over claw-set overall with four round cut rubies and three round old-cut diamonds totalling c.0.45cts, to an unmarked yellow gold shank.

£700-1,400

602 A DIAMOND AND EMERALD CLUSTER RING the oval claw-set emerald surrounded by a cluster border of 8 round brilliant-cut diamonds totalling c.0.8cts, clawset to an 18ct yellow gold shank.

£400-800

£200-400

£200-400

610 A FIVE STONE DIAMOND RING, the five round brilliant-cut diamonds totalling c.1cts, claw set in 18ct white gold, to an 18ct yellow gold shank

£150-300

605 A SAPPHIRE AND DIAMOND CLUSTER RING of lozenge form, claw set to the centre with a round brilliant-cut diamond, with two smaller round brilliantcut diamonds totalling c.0.3cts and further claw set with six round-cut sapphires to an 18ct white gold open framework and 18ct yellow gold shank with open shoulders.

£500-1,000

609 A SAPPHIRE AND DIAMOND RING, rub over set to the centre with five square cut sapphires and surrounded by a diamond point cluster border, with a platinum scroll setting to an 18ct white gold shank.

604 A THREE STONE DIAMOND RING the three graduated round-brilliant cut diamonds totalling c.0.4cts, claw-set in 18ct white-gold set to an 18ct yellow gold shank with open chenier shoulders.

£150-300

608 A SAPPHIRE AND DIAMOND CLUSTER RING the central emerald-cut sapphire in a yellow gold collet setting and surrounded by a rub-over border of 15 round brilliant-cut diamonds totalling c.0.42cts, to an 18ct yellow gold shank with open shoulders.

603 A TURQUOISE AND DIAMOND RING, the three graduated oval turquoise cabochon with four old cushion-cut diamond spaces, rub-over set to an unmarked yellow gold reeded shank, with scrolling setting.

£150-300

£500-1,000

611 A DIAMOND SOLITAIRE RING, the central round brilliant cut diamond c.0.4cts, in a coronet claw setting to an 18ct yellow gold shank, and a 5 stone diamond ring (2).

£150-300

74

£250-500

612 AN EDWARDIAN EMERALD AND DIAMOND RING set with two pear cut emeralds, the central round old-cut diamond c.0.25cts to the centre and surrounded by oldcut diamond cluster borders to an unmarked yellow metal shank with scrolling shoulders.

See illustration.

£300-600

613 AN EMERALD AND DIAMOND FULL ETERNITY RING set with clusters of three princess-cut emeralds and two princess-cut diamonds in leaf engraved white metal.

See illustration.

£600-1,200

614 AN EMERALD AND DIAMOND RING, claw-set in 18ct yellow gold with a cushion cut emerald and flanked on either side by baguette-cut diamonds set in 18ct white gold and further claw-set on each shoulder with a round old-cut diamond, each c.0.5cts, the 18ct white gold shank stamped 18c West.

See illustration.

Provenance: Private collection, Somerset

£2,000-4,000

75

621 AN EMERALD AND DIAMOND THREE STONE RING, the central emerald-cut stone claw-set and flanked on either side by a round old-cut diamond c.0.33cts, with diamond points to an 18ct yellow gold scroll setting and shank.

See illustration.

615 AN ART DECO DESIGN DIAMOND PLAQUE RING rub-over with two round brilliant-cut diamonds each c.0.2cts and surrounded by millegrain-set borders of graduated round brilliant-cut diamonds, all in unmarked white metal, probably 18ct white gold.

See illustration.

£250-500 616 AN EMERALD AND DIAMOND RING, claw set to the centre with a rectangular-cut emerald and flanked on either side by a stepped cluster of two old cushion-cut diamonds and an emerald-cut emerald, to an unmarked yellow gold shank.

See illustration.

622 A DIAMOND SOLITAIRE RING, the central round brilliant-cut stone c.1.14cts, claw-set in 18ct white gold to an 18ct yellow gold shank.

See illustration.

£500-1,000

£200-400

624 A THREE STONE DIAMOND RING, three round old cut stones totalling c.1.2cts, claw-set in 18ct white gold to an 18ct yellow gold shank with open shoulders.

See illustration.

£500-1,000

£300-600

625 A DIAMOND SET THREE-QUARTER ETERNITY BAND, rub-over claw set with twelve graduated round old-cut diamonds, totalling c.2.45cts in unmarked white metal.

See illustration.

£500-1,000

£1,500-3,000

626 A DIAMOND FLOWER-HEAD CLUSTER RING, collet-set to the centre with a round brilliant-cut diamond c.0.65cts and surrounded by a halo-border of ten round brilliant-cut diamond, the total diamond weight overall c.1.9cts, and set in an 18ct yellow gold shank with shaped open shoulders.

See illustration.

620 AN ART DECO DIAMOND RING set overall with graduated round old-cut diamonds forming a horizontal lozenge design in platinum to an 18ct yellow gold shank with chenier shoulders.

See illustration.

£800-1,600

619 A TURQUOISE AND DIAMOND CLUSTER RING, claw-set to the centre with a circular cabochon turquoise c.9.7mm diameter and surrounded by a rub-over border of twelve round brilliant-cut diamonds to an 18ct white gold shank with open shoulders.

See illustration.

623 A FIVE STONE SYNTHETIC EMERALD HALF ETERNITY BAND, the five graduated emerald cut stones in a scroll-claw setting to an unmarked white metal shank.

618 A DIAMOND CLUSTER RING, the central round brilliant-cut diamond c.0.75cts, in a raised four-claw rose gold setting, and surrounded by a cluster border of eight round brilliant cut diamonds, each c.0.05cts, to an 18ct rose gold shank with open shoulders.

See illustration.

This ring is accompanied by H. R. D. certificate number 20049004112 stating the diamond to be 1.14cts clarity grade SI1, colour grade K.

£600-1,200

617 A VICTORIAN FIVE STONE DIAMOND RING, the five graduated round old-cut stones totalling c.1cts, in an unmarked yellow gold scroll setting and shank.

See illustration.

£200-400

£1,500-3,000

76

Lot 615

Lot 616

Lot 617

Lot 618

Lot 619

Lot 620

Lot 621

Lot 622

Lot 623

Lot 624

Lot 625

Lot 626

77

633 A MOONSTONE RING, claw set on a twist, with two moonstone cabochons showing asterism, in open scroll 14ct yellow gold settings.

627 A SAPPHIRE AND DIAMOND CLUSTER RING, the oval cut dark blue sapphire in a four-claw raised setting surrounded by a rub-over set border of 16 round brilliantcut diamonds, forming a cluster design, to an unmarked yellow gold shank with open chenier shoulders.

634 A DIAMOND SET GENTLEMAN'S RING, the central round brilliant-cut diamond c.1cts, set within an engraved star setting in 9ct yellow gold.

£200-400

628 A DIAMOND SET FLOWER-HEAD CLUSTER RING, in a rub over platinum and yellow gold twist setting, a diamond chip eternity ring and a blue stone and old cut diamond cluster ring (3).

£100-200

£80-160

630 A SEVEN STONE HALF-ETERNITY BAND, the seven round brilliant-cut diamonds totalling c.0.75cts, to an indistinctly marked yellow gold shank.

£200-400

637 A CAST YELLOW GOLD GENTLEMAN'S SEAL RING, with engraved stylised shoulders and the initials W.E., (unmarked but tests as gold), c.14.3g.

£200-400

631 AN EDWARDIAN STYLE SAPPHIRE AND DIAMOND RING, rub-over set to the centre with three princess cut sapphires and surrounded by a millegrain border of round brilliantcut diamonds, to an 18ct yellow gold shank.

£150-300

636 A SEVEN STONE DIAMOND HALFETERNITY BAND, the seven round brilliant-cut diamonds totalling c.0.7cts, in an 18ct yellow gold claw setting and shank.

£800-1600

635 A FIVE STONE GRADUATED OLDCUT DIAMOND DRESS RING, claw set in platinum to an 18ct yellow gold shank, and two other similar five stone diamond rings (3).

629 AN OVAL CUT SAPPHIRE AND DIAMOND CLUSTER RING, the central oval Australian sapphire in a multiple claw setting and surrounded by fourteen round brilliant-cut diamonds forming an oval cluster design and set in 18ct yellow gold.

£100-200

£150-300

638 AN ART DECO PLAQUE RING, the emerald-cut translucent blue glass collet set to centre with a round old-cut diamond and mounted on an 18ct yellow gold shank in a fitted case, for Mallory, Bath.

£400-800

632 A SAPPHIRE AND DIAMOND RING, the oval-cut Australian sapphire in a four-claw setting surrounded by an 18ct white gold starburst border set with diamond points against an 18ct yellow gold shank with open carved shoulders.

78

£80-160

639 AN ART DECO DIAMOND AND SAPPHIRE BROOCH, converting to a pair of dress clips, of openwork stylised feather form, collet set with graduated round-cut and calibre-cut sapphires and millegrain set overall with graduated round-cut and baguette-cut diamonds set in unmarked white metal, 6.5cm long.

See illustration.

Provenance: Lady Wills (Wills cigarettes) at Langford Court, Bristol. Thence by descent.

£600-1,200

640 A PAIR OF CULTURED PEARL AND DIAMOND DROP EAR STUDS, each mounted with a round cultured pearl c.16.1mm long, and suspending a collet set single diamond and a square set old-cut diamond, 0.75cts, in yellow and white metal with screw fitments.

See illustration.

£800-1,600

641 A VICTORIAN GEM SET BUTTERFLY BROOCH, the body formed from graduated pearls, with ruby cabochon eyes, the wings set with graduated rose-cut diamonds, and tipped in graduated round-cut sapphires, in yellow and white metal, the reverse with brooch fitment, 4.1cm diameter in the original fitted case.

See illustration.

£200-400

79

649 A THREE STONE DIAMOND RING, the three round brilliant-cut diamonds totalling c.1.1cts, claw-set in 18ct white gold to an 18ct yellow gold shank

642 A FIVE STONE DIAMOND RING, the five graduated old cushion-cut stones totalling in excess of 1cts, in an 18ct yellow gold scroll setting and shank.

£800-1,600

650 A DIAMOND RING with an oval-cut diamond c.0.5cts mounted in 18ct white gold, with four claw setting, the channel-set to each shoulder with three princess-cut diamonds, with millegrain-set brilliant-cut diamonds to the side setting, the approximate carat weight of the central diamond and princess-cut stones 1.35cts, on hallmarked 18ct white gold shank.

643 AN EDWARDIAN STYLE SAPPHIRE AND DIAMOND RING, collet set to the centre with four princess-cut sapphires and flanked on each side by a rub-over border of round brilliant-cut diamonds forming a horizontal rectangular design, mounted in 18ct white gold. £400-800 644 A PLATINUM WEDDING BAND rub-over set with four round brilliant-cut diamonds and three princess-cut diamonds, totalling c.0.38cts, hallmarked.

£100-200

£400-800

£80-160

£200-400

653 AN ETRUSCAN REVIVAL EMERALD AND PEARL RING, the oval plaque rub-over set with three graduated roundcut emeralds and six seed pearls, with engraved decoration to a hallmarked 9ct yellow gold plain polished shank

£300-600

648 A FIVE STONE DIAMOND RING, the five graduated round old-cut diamonds totalling c.0.65cts, in square rub-over stepped settings, to an unmarked white metal shank with open shoulders

£500-1,000

652 A SEED PEARL AND DIAMOND CLUSTER RING, each pearl-set flowerhead collet-set to the centre with a round old-cut diamond, rub-over set in platinum to an 18ct white gold shank

647 A DIAMOND SOLITAIRE RING, the central round brilliant-cut diamond c.0.5cts, claw-set in white metal to an unmarked yellow metal shank with open chenier shoulders

This ring is accompanied by an AnchorCert Certificate stating the princess-cut and oval-cut diamonds to be VVS2 in clarity and colour F (graded mounted). The central oval-cut diamond now chipped since this report was issued.

£400-800

646 A DIAMOND 'SNOWFLAKE' RING comprising thirteen round brilliant-cut diamonds clawset together to form a snowflake design, on a hallmarked yellow gold shank

651 A FIVE STONE DIAMOND RING, the five round graduated old-cut stones totalling c.1.6cts, claw-set in unmarked white metal, on an unmarked yellow metal shank with open shoulders

645 A DIAMOND SOLITAIRE RING, the central round brilliant-cut stone circa 0.5cts, in a rubover square setting to a 9ct yellow and white gold shaped concave band

£500-1,000

£500-1,000

80

£100-200

654 A PAIR OF VICTORIAN TURQUOISE AND DIAMOND DROP EARRINGS collet-set in unmarked yellow gold with two graduated pear-cut cabochon turquoise with graduated diamond-set tulip and scroll flowerheads, with fish-hook attachments, each 3.7cm long.

See illustration £1,200-1,800

655 A PAIR OF TURQUOISE AND DIAMOND CLUSTER EAR-CLIPS claw-set with an oval-cut cabochon turquoise and surrounded by a millegrain-set border of fourteen round brilliant-cut diamonds, each totalling c.0.42cts and set in unmarked yellow and white gold with clip fitments.

See illustration

£200-400

656 AN EDWARDIAN TURQUOISE AND DIAMOND PENDANT collet-set with five graduated oval, circular and pearcut cabochon turquoise, amongst an open graduated diamond-set scroll border, in unmarked yellow and white metal, 5.5cm long.

See illustration

£1,200-1,800

81

663 A GEORGE III "GIARDINETTO" RING modelled as a floral spray in a basket, rub-over set with rose-cut diamonds, orange and green stones, the basket modelled as plaited hairwork, in a closed back unmarked yellow metal setting.

See illustration

657 A VICTORIAN "REGARD" RING in a cut-down claw and collet setting with a ruby, emerald, garnet, amethyst, ruby and diamond, raised against an unmarked yellow metal scroll engraved shank.

See illustration £900-1,800

658 A 19TH CENTURY PEARL AND CHRYSOBERYL RING set with three cushion-cut green chrysoberyl and seed pearl all in cut-down claw collet settings, the 18ct yellow gold shank with shaped scroll shoulders.

See illustration

664 A TURQUOISE AND PEARL RING rub-over claw-set with five graduated half-pearls and cabochon turquoise, to a hallmarked 18ct yellow gold shank, and a half-pearl eternity band (2).

See illustration

£100-200

659 A VICTORIAN PEARL, TURQUOISE AND DIAMOND RING, the top section with graduated seed pearl and diamond point clusters in cut-down collet settings and flanked on either side by a round turquoise cabochon, on a 9ct yellow gold engraved shank hallmarked for Birmingham 1884.

See illustration

£150-300

£250-500

666 A VICTORIAN "REGARD" RING, the top section in cut-down collet settings, set with a graduated ruby, emerald, garnet, amethyst, ruby, diamond, with a secondary graduated seed pearl row, in a heavy closed back scroll setting, the hash engraved shank with hallmarks for 15ct gold.

See illustration

£100-200 661 A VICTORIAN ALMANDINE GARNET AND SEED PEARL RING with three graduated oval almandine garnets in cut-down collet settings and flanked by four seed pearls, on a scrollmoulded and scroll-engraved 15ct yellow gold shank hallmarked for Birmingham 1873 See illustration

£300-600

667 A VICTORIAN 18CT YELLOW GOLD "GOOD LUCK" RING, the top section with moulded good luck text, within fluted borders, rub-over set to the centre with a cushion-shaped old-cut diamond, within a horse-shoe, with hallmarks for Birmingham 1885.

See illustration

£80-160

662 A VICTORIAN STYLE SAPPHIRE AND DIAMOND FIVE STONE RING rub-over claw-set with two round-cut sapphires and an oval-cut sapphire flanked by two rose-cut diamonds, in a scroll closed back setting to an 18ct yellow gold shank with open shoulders.

See illustration

£80-160

665 A VICTORIAN EMERALD AND DIAMOND RING, the old cushion-cut diamond in a cut-down collet setting to the centre and flanked on either side by ovalcut emeralds, to an unmarked yellow gold relief scroll moulded shank.

See illustration

660 A VICTORIAN STYLE PEARL RING, the millegrain textured top set with seven round graduated half pearls, to a hallmarked 14ct yellow gold shank with scroll setting.

See illustration

£2,200-2,800

£150-300 668 AN 18CT YELLOW GOLD SEAL RING set to the centre with an oval bloodstone seal engraved with a dragons head, with hallmarks for London 1918.

See illustration

£250-500

82

£100-200

Lot 657

Lot 658

Lot 659

Lot 660

Lot 661

Lot 662

Lot 663

Lot 664 (part)

Lot 665

Lot 666

Lot 667

Lot 668

83

675 AN ART DECO STYLE DIAMONDSET CUFF BRACELET, each link set with a rectangular scissor-type cut synthetic sapphire and flanked by two round brilliant-cut diamonds within square settings, in unmarked white gold with scroll chased sides, estimated diamond weight c.5.8cts.

See illustration

669 A TANZANITE AND DIAMOND STICK PIN, the central emerald-cut Tanzanite in a four corner claw setting, flanked on either side by a cluster of two princesscut diamonds, all in unmarked white metal.

See illustration

£100-200

670 A DIAMOND BROOCH converting to a pair of dress clips, each modelled as a decorative ribbon tie and millegrain-set overall with graduated round brilliant-cut diamonds and baguette-cut diamonds, in unmarked white metal with jewellers scratch marks, 8cm wide.

See illustration

676 A DIAMOND-SET FROG BROOCH pave-set overall with graduated round brilliant-cut diamonds with collet-set emerald eyes and mounted en tremblant in 18ct white gold, the underside stamped 750 and numbered, 2.5cm wide.

See illustration

£400-800

671 AN EDWARDIAN RUBY AND DIAMOND BROOCH of open floral scroll form, millegrain-set overall with graduated old-cut diamonds, collet-set to the centre with an oval-cut ruby and a further ruby drop, in unmarked yellow and white metal.

See illustration

£100-200

672 A DIAMOND-SET PENDANT of square form, collet-set to the centre with sixteen round brilliant-cut diamonds and surrounded by a millegrain-set diamond border, to an 18ct white gold rope-twist chain.

See illustration £200-400

£250-500 679 A THREE STONE DIAMOND PENDANT collet-set to the centre with a round brilliant-cut stone c.1.01cts and two collet-set, diamonds each measuring c.0.5cts, set to an 18ct yellow gold trace link chain, 19".

See illustration

£1,000-2,000

674 A DIAMOND-SET RAF BROOCH pave-set overall with graduated rose-cut diamonds with a green enamel wreath band and red enamelled crown, in unmarked yellow and white metal, 5.3cm long.

See illustration

Provenance: Given to the vendor's mother by Air Chief Marshall, Sir Augustus Walker (1912-1986).

Walker became famous throughout the RAF due to the loss of his right arm. He was seriously injured when he was blown along the runway by the force of an exploding 4,000lb bomb ignited by some incendiaries lost from a Lancaster. He was awarded the DFC in 1941.

£600-1,200

£400-800

678 A DIAMOND-SET DRAGONFLY BROOCH, the wings millegrain-set and channel-set with graduated round brilliant-cut diamonds, the body set to the centre with a yellow oval-cut stone with ruby eyes and diamond collet-set body, in 18ct white gold, 4.5cm wide.

See illustration

673 AN AQUAMARINE AND DIAMOND PENDANT collet-set to the centre with an oval-cut aquamarine measuring c.12.1mm x 9.3mm x 6mm, surrounded by a rub-over pave-set border of round, brilliant-cut diamonds forming a pear-shaped drop, the pendant train collet-set with two round-cut diamonds to a platinum trace link chain, 18" (46cm) overall length

£1,000-2,000

677 AN ART DECO DIAMOND BROOCH converting to a pair of dress clips of symmetrical open geometric form millegrain-set overall with graduated round-cut diamonds in unmarked white metal, the reverse with yellow metal brooch fitment and clip, 5.6cm long.

See illustration

£3,500-4,500

£1,000-2,000 680 A DIAMOND-SET TENNIS BRACELET tension-set overall with seventy five princess-cut diamonds, total carat weight c.5.82cts, in 18ct white gold, the concealed clasp with safety catch and stamped 750.

See illustration

84

£1,500-2,000

Lot 674

Lot 672 Lot 678

Lot 675

Lot 679 Lot 676 Lot 673

Lot 671

Lot 677

Lot 670

85

Lot 669

681 A DIAMOND SOLITAIRE PENDANT, the round old-cut stone c.1.99cts, in an unmarked six claw setting with pendant bale.

See illustration

Lot 681

£2,500-5,000

682 A PAIR OF DIAMOND TRAIN EAR STUDS, each set with four graduated round brilliant-cut diamonds, each earring totalling c.1.2cts, claw-set on a curve to match the contour of the ear, in unmarked white metal.

See illustration £2500-3500 683 A PAIR OF FANCY NATURAL YELLOW DIAMOND EAR STUDS, one 0.28cts, the other 0.28cts, each in a four-claw 9ct white gold stud setting.

See illustration.

Lot 682

This lot is accompanied by two ICI certificates stating the stones to be natural fancy yellow colour, 0.28cts VVS2 and 0.28 SI1.

These diamonds have recently been set as earrings for the purposes of sale.

£800-1,600

684 A DIAMOND-SET TENNIS BRACELET, each square link rub-over set with four round brilliant-cut diamonds, total diamond weight c.4.6cts, in unmarked white metal.

£1,200-1,800

685 A PAIR OF DIAMOND-SET HALFHOOP EARRINGS, each rub-over claw-set with eight round brilliant-cut diamonds totalling c.0.8cts, in 18ct white gold with screw stud fitments

Lot 683

£200-400

686 A DIAMOND AND BLUE STONE BAR BROOCH claw-set to the centre with a round-cut blue stone and flanked on either side by a round old-cut diamond, with graduated round old-cut diamond bars and set in unmarked white metal, with a safety chain, 3.4cm long

86

£150-300

687 A PAIR OF JADEITE AND DIAMOND DROP EARRINGS set to the centre with a floral carved panel of jadeite and surrounded by a millegrain-set border of graduated roundcut diamonds forming a stylised tapered drop with a seed pearl surmount, set in unmarked yellow gold with stud fitments, each 4.5cm long, in the original fitted case for Goldsmiths & Silversmiths Co. See illustration

Lot 687

£500-1,000 688 RACING INTEREST: A CARVED ROCK CRYSTAL ENAMEL AND DIAMOND STICK PIN, the rock crystal carved as a side portrait profile of a jockey wearing a blue and yellow enamel hat set in bands with rose-cut diamonds, forming the Rothschild family racing silks, on an unmarked yellow gold stick pin.

See illustration

Provenance: The vendor's father received this pin as a gift from the Rothschild family for whom he worked. His family lived on the Rothschild Estate in Tring.

It's believed the portrait on this pin is that of Joe Childs. (1884-1958). Jockey to King Goerge V and the Rothschild family.

£1,000-2,000

Lot 688

689 A HEART-SHAPED PENDANT pave-set overall with graduated rose-cut diamonds, with a sapphire set to the centre, the reverse with locket aperture, on a diamond-set pendant bale, 2cm long.

See illustration

£500-1,000

690 A PINK SAPPHIRE AND DIAMOND PENDANT claw-set to the centre with a baguette-cut pink sapphire surrounded by a cluster border of round brilliant-cut diamonds, to a diamond-set pendant bale, in unmarked white metal to an unmarked white metal trace link chain, 17" (43cm overall length).

Lot 689

£800-1,600 691 A PAIR OF DIAMOND STUD EARRINGS, each round brilliant-cut diamond c.0.2cts in an 18ct white gold collet setting with stud fitments

£350-650

692 A PAIR OF DIAMOND-SET EAR STUDS, each claw-set in 18ct yellow gold with a round brilliant-cut diamond, each c.0.15cts

£100-200

87

693 AN EMERALD AND DIAMOND BROOCH, the central pentagon-shaped emerald measuring c.15.7mm long x 15.1mm (at widest point) x 6.7mm deep, in a diamond-tipped claw-setting, further set with a cushioncut emerald measuring c.10.5mm x 10mm x 5mm, with four further collet-set smaller emeralds amongst a graduated diamond-set scroll border, in unmarked yellow and white metal, 4.3cm long.

See illustration Provenance: Lady Wills (Wills Cigarettes) at Langford Court, Bristol. Thence by descent.

£5,000-10,000

694 A COLUMBIAN EMERALD AND DIAMOND PENDANT, the pendant collet-set with a cluster of four round brilliantcut diamonds suspending a pear-cut Columbian emerald drop, c.13mm - 14mm x 9.4mm x 6.8mm, in a claw setting to a platinum trace-link chain, 18½" (47cm) overall length.

See illustration

This lot is accompanied by a Gem and Pearl Laboratory Certificate stating the emeralds to be natural Columbian and with evidence of minor clarity enhancement consistent with typical emerald clarity enhancement.

£8,500-9,500

695 A PEAR-CUT DIAMOND PENDANT claw-set with a brilliant pear-cut diamond, c.2.74cts, in a three claw setting and suspended on an unmarked white metal, probably platinum bar-link chain, interspersed with spectacle-set diamonds, 18" (46cm) overall length.

See illustration

88

This lot is accompanied by a GIA Certificate no.2155743930 stating the central stone to be 2.74cts colour grade D, clarity grade VS2

£20,000-30,000

696 A FANCY YELLOW DIAMOND RING set to the centre with a radiant-cut natural fancy yellow diamond of c.1cts, in a four claw yellow gold setting and flanked on either side by a princess-cut diamond, each c.0.25cts, on an 18ct white gold shank.

See illustration Provenance: A jeweller's private collection.

This lot is accompanied by a European Diamond Report no. E1412153537 stating the central stone to be 1cts, natural fancy yellow in colour, clarity grade SI2

ÂŁ3,000-6,000

697 A GEM-SET BUTTERFLY BROOCH, the body modelled as an oval cabochon opal with a cushion-cut ruby, collet-set diamond eyes and emerald-set antennae, each wing pave-set overall with graduated oldcut diamonds, each wing outlined with pave-set round-cut demantoid garnets, all in unmarked yellow gold, c.5.2cm wide, in an A La Vieille Russie, New York box.

See illustration Provenance: A jeweller's private collection.

ÂŁ7,000-9,000

698 A LARGE CERTIFIED DIAMOND SOLITAIRE RING, the central old-cut stone c.4.05cts, in a heart-shaped claw setting, on an unmarked white metal shank with open chenier shoulders, each rub-over set with four round-cut diamonds.

See illustration

This lot is accompanied by an Anchorcert Certificate 1/23912-001, confirming the stone to be 4.05cts, clarity VVS2, colour H..

89

705 A 9CT YELLOW GOLD CURB LINK BRACELET suspending sixteen 9ct yellow gold charms, including an opening Noah's Ark, with a 9ct yellow gold heart padlock clasp and safety chain, and three loose charms, (c.53.3grams all in)

699 A DIAMOND TENNIS BRACELET, each link rub-over set in a square with a round brilliantcut diamond, totalling c.5cts, the concealed clasp stamped 750 with double safety catch

£3,000-5,000

700 A PAIR OF DIAMOND DROP EARRINGS formed from two collet-set round old-cut diamonds each earring totalling c.0.5cts , and set in 18ct white gold

706 A RUBY AND DIAMOND FLOWERHEAD PENDANT, the three flowerheads each claw-set to the centre with a round graduated ruby with a round-cut diamond to each petal, conjoined in a train to a platinum trace link chain stamped 950, 18" (46cm) overall length

£750-950

701 A YELLOW GOLD BROOCH modelled with facets as a sun burst and set to the centre with an onyx panel depicting a crowned lion passant holding a sceptre, 5.5cm dia., (c.29.2grams all in) (unmarked but tests as gold)

£300-600

£50-100

Provenance: A jeweller's private collection.

£800-1600

704 A PAIR OF ART DECO NATURAL JADEITE DIAMOND AND ONYX EARRINGS, the millegrain-set diamond and black onyx geometric link suspending a circular floral-carved jadeite wreath, all suspended from a collet-set round old-cut diamond, in unmarked white metal, each earring 6.8cm long, in a fitted case for Martin & Co., Cheltenham.

See illustration

£14,000-16,000

709 A 9CT YELLOW GOLD FLATTENED CURB LINK BRACELET stamped 375, with further hallmark, (c.30grams)

£150-300

710 A PAIR OF RUBY AND DIAMOND EAR STUDS modelled as a flower and stem with leaves, each clawset overall with seven graduated oval-cut rubies, with a diamond-set centre and stem, in unmarked yellow gold with screw fitments, each earring c.2cm long

This lot is accompanied by a Gem and Pearl Laboratory Certificate no. 09097 stating the jade to be jadeite jade with no evidence of treatment. Total weight of the discs 15.97grams.

£600-1,200

Provenance: A jeweller's private collection.

£80-160

708 AN ART DECO STYLISED DIAMOND CUFF BRACELET of four geometric links, each collet-set with a round old-cut diamond, c.0.75cts, and further set overall with graduated baguette-cut diamonds and round old-cut diamonds, total carat weight c.13cts, rub-over set in platinum, the concealed clasp with French platinum mark, 2.5cm wide.

See illustration

703 A PAIR OF DIAMOND-SET EAR STUDS, each modelled as flowerheads pave and millegrain-set overall with diamond clusters, in unmarked white metal, 1.8cm dia (2)

£800-1,600

707 A WIDE PLATINUM WEDDING BAND with all over engraved decoration, hallmarked and another similar platinum band, (c.11.2grams) all in (2)

702 A PAIR OF 9CT YELLOW GOLD OVAL GENTLEMAN'S CUFFLINKS, each engraved with initials and hallmarked, Chester 1929, (c.13.2grams all in)

£250-500

£4,000-8,000

90

Lot 704

Lot 708

91

717 A 9CT YELLOW GOLD ALBERT CHAIN of fancy link form, the carabiner clasp hallmarked with a hallmark link and suspending a hallmarked "T"-bar, c.18" (c.46cm) long, (c.30grams all in)

711 A 9CT YELLOW GOLD BELCHER LINK GUARD CHAIN, stamped 9ct, with a carabiner clasp, 60" (152.5cm long), (c.18.9grams)

£100-200

712 A 9CT YELLOW GOLD IDENTITY BRACELET, the partial textured curb-link chain with a plain identity panel, hallmarked, with safety catch, (c.27.7grams)

718 A SAMUEL MORDAN & CO 9CT YELLOW GOLD CONCERTINA PENCIL with blue stone terminal, in a bullet-shaped chatelaine case, and a quantity of other gold and metal jewellery (a lot)

£150-300 713 YARD: AN 18CT YELLOW GOLD BROOCH modelled as a pair of feathers, with a scroll base, the clasp stamped "Yard 18kt", c.5.5cm long, (c.22.1grams)

Raymond Carter Yard (1885-1964) established his own studio in 1922 having spent many years working under the influence of Marcus & Co. His style is recognised for his use of precious metal characterised by looping ribbon work, swag and garland designs.

£350-650

£10,000-15,000

This lot is accompnied by a gem and pearl laboratory certificate, number 04530, stating the pearl to be natural saltwater, 5.72cts.

£5000-10,000

£100-200

721 AN UNMARKED YELLOW METAL FANCY LINK LONG CHAIN, c.29" long, and a 9ct rose gold cross pendant and chain, (c.21grams all in) (a lot)

715 A LADIES AND GENTLEMAN’S 22CT YELLOW GOLD WEDDING BAND (c.11.6grams all in), and a quantity of 9ct yellow gold and other earrings, (c.19.8grams all in) (a lot)

720 AN 18CT YELLOW GOLD DOUBLE FLATTENED CURB LINK NECKLACE stamped 750, 19½" (49.5cm) long, and a pair of engraved yellow gold hoop earrings, (c.30.1grams all in) (2)

Provenance: A jeweller's private collection.

This lot is accompanied by an Anchor Cert Pearl Identification Report no.20019530 stating these to be natural saltwater pearls.

£150-300

719 AN EDWARDIAN NATURAL PEARL AND DIAMOND RING, the central oval natural pearl measuring c.10.7mm long x 8.9mm wide x 8.1mm deep surrounded by a border of round old-cut diamonds, to an unmarked yellow gold shank with open splay shoulders, each collet-set with a round old-cut diamond c.0.1cts.

See illustration

714 A NATURAL PEARL SINGLE STRAND NECKLACE comprising 125 pearls, the largest measuring 7.88mm - 7.93mm wide, the smallest 2.85mm - 2.92mm wide, knotted and united by a six stone round-cut diamond cluster clasp, 25" (63.5cm) long.

See illustration

£100-200

£100-200 722 AUTOMOBILE INTEREST: A PAIR OF 18CT YELLOW GOLD OVAL CUFFLINKS, each enamelled with classic cars, hallmarked, (c.14.1grams all in), in a fitted Mappin & Webb case

£150-300

716 AN UNMARKED YELLOW METAL PENDANT with photograph aperture and heavily chased borders, and a similar 9ct yellow gold pendant (2)

£800-1,600

£50-100

92

Lot 714

Lot 719

93

729 A 9CT YELLOW GOLD DACHSHUND CHARM, hallmarked, and set with ruby faceted eyes, (c.10.6grams all in), 3.7cm long

723 AN 18CT YELLOW GOLD CUFF BRACELET, each link modelled with a depiction of a Saint, within a scrolling openwork square frame, the clasp stamped 18k, and a similar brooch pendant, (c.92.8grams all in) (2).

See illustration

£900-1,800

730 A 9CT YELLOW GOLD SNAKE-LINK LONG GUARD CHAIN stamped 9c, with a carabiner clasp, 33" (84cm) long, (c.44.2grams).

See illustration

724 AN 18CT YELLOW GOLD MEDALLION PENDANT double-sided with two depictions of Kayam in relief, 4cm wide, stamped 750, (c.35.7grams).

See illustration

£400-800

£700-1,400

£300-600

734 A 9CT YELLOW GOLD FANCY BELCHER LINK LONG GUARD CHAIN, one end with a hallmarked 9ct carabiner clasp and suspending a bloodstone seal top pencil c.34½" (87.5cm) long, (c.46.2grams all in)

£100-200

728 A 9CT YELLOW GOLD CHUNKY CURB LINK BRACELET, one link hallmarked, with a 9ct yellow gold heart padlock clasp and safety chain, (c.65.6grams).

See illustration

£250-500

733 A 9CT YELLOW GOLD DOUBLE CURB-LINK BRACELET suspending seven 9ct yellow gold and other charms including an elephant and a smoky quartz seal, with a 9ct yellow gold heart padlock clasp with safety chain, (c.55grams all in).

See illustration

727 AN 18CT YELLOW GOLD PENDANT in the form of an elephant's head set with emerald eyes and round brilliant-cut diamonds to its forehead, the pendant bale stamped 750.

See illustration

£300-600

732 A 9CT ROSE GOLD WATCH FOB formed from two sections, each hallmarked and with carabiner clasps, suspending a single hallmarked "T"-bar and a 1775 spade guinea pendant, 15" (38cm) long, (c.39.5grams all in)

£300-600

726 A 14CT YELLOW GOLD CUFF BRACELET of open mesh loop form, the concealed clasp stamped 14k, suspending eleven 9ct yellow gold and other charms, including a gem-set charm depicting the skyline of New York, (c.85.7grams all in).

See illustration

£250-500

731 AN UNMARKED YELLOW GOLD BANGLE of hinged form, pierced and with polychrome floral enamel decoration, (c.29.8grams)

725 AN 18CT YELLOW GOLD SNAFFLEBIT BRACELET, each link with engine-turned textured decoration, the concealed clasp hallmarked, (c.34grams).

See illustration

£100-200

£400-800

94

£300-600

Lot 728

Lot 734

Lot 723 (part) Lot 730

Lot 732

Lot 727

Lot 725

Lot 729

Lot 726

Lot 723

Lot 724

Lot 733

Lot 731

95

735 A ROW OF GRADUATED UNTESTED "AMBER-TYPE" BOULDER BEADS, of opaque burnt-orange colour, 27 in total, the smallest c.3x2.5cm, the largest c.5x4.5cm, some with metal riveting, 18½" long(47cm), (c.600g all-in).

See illustration.

741 A 9CT ROSE GOLD CURB LINK BRACELET, most links stamped 9ct and suspending 31 9ct yellow gold and other charms, including a 1913 half-sovereign, (c.101.1g all-in).

736 A 9CT YELLOW GOLD GATE-LINK BRACELET, the concealed clasp hallmarked with safety-chain, (c.16.9g).

742 A 9CT ROSE GOLD GRADUATED CURB-LINK FOB CHAIN, of two sections, each link hallmarked with three carabiner clasps, 14¾" (37.5cm) long, (c.39.5g).

£60-160

737 AN 18CT YELLOW AND WHITE GOLD NECKLACE of fancy flattened textured and loop links, the jump-ring and links hallmarked, 18", 46cm long, (c.16.5g).

738 A 9CT ROSE-GOLD GATE-LINK BRACELET, stamped 9ct with hallmarked heart padlock safety clasp and chain, (c.21.8g)

£150-300

744 A 9CT ROSE GOLD CURB LINK BRACELET, with heart shaped padlock clasp and safety-chain, (c.13.9g) £60-120

£100-200

745 A 9CT YELLOW GOLD CURB-LINK BRACELET, each link hallmarked, with heart padlock clasp and safety chain, a 9ct yellow gold gate-link bracelet and other yellow metal jewellery, (c.57.3g all-in)

739 A 9CT ROSE-GOLD ALBERT CHAIN, each curved link hallmarked with a carabiner clasp, 15¼" (38.5cm) long, (c.23.5g).

£200-400

743 AN IRANIAN 18CT YELLOW GOLD DISC-PENDANT, depicting Kayam, double sided, stamped 750, 2.8cm diameter, (c.13.7g).

£100-200

£500-1,000

£150-300

740 A FIVE PEARL RING, the five pearls of graduating colour and set in 18ct yellow gold.

£200-400

746 A 9CT YELLOW GOLD CURB-LINK BRACELET, suspending 8 9ct yellow gold and other charms, including an opening whale, with a lobster clasp, (c.38.4g all-in).

£150-300

96

£250-500

Lot 735

97

753 A COLLECTION OF 9CT AND 18CT YELLOW GOLD GEM SET RINGS, (a lot).

747 A QUANTITY OF MIXED GOLD JEWELLERY, including a 22ct yellow gold wedding band and a white stone set eternity band, (c.50g all-in).

£300-600

754 A VICTORIAN DIAMOND SET RING, rub-over set to the centre within a diamond shape with a cushion old-cut diamond against a blue enamel ground, with rope twist bead-work borders to the shank.

748 A HALLMARKED 9CT ROSE GOLD CROSS PENDANT, with overall floral and scroll engraving on a 9ct yellow gold rope-twist chain, 13" (33cm) overall length, (c.12g all-in).

£80-160

£200-400

£200-400

757 A LAPIS LAZULI BEAD NECKLACE, with 9ct yellow gold barrel clasp, a lapis lazuli and pearl ring, and a collection of other jewellery (a lot).

£100-200 751 A CAMEO CLUSTER RING, collet set to the centre with a banded agate and surrounded by six 'Blackamoor' cameos to a modern 18ct yellow gold shank.

£100-200

758 A OPERA LENGTH 'FRENCH JET' FACETED BEAD NECKLACE, 58" (147.5cm) long, and a quantity of coral jewellery (a lot).

£200-400

752 A 9CT YELLOW GOLD CURB-LINK BRACELET, suspending 22 9ct yellow gold and other charms, with a heart-shaped padlock clasp, (c.41.8g all-in).

£100-200

756 A PAIR OF CHINESE FINE GOLD HALF-EAR HOOPS, set with four graduated cabochon opals, marked, and a collection of other gold jewellery including a bracelet (a lot).

750 A COLLECTION OF GOLD AND YELLOW METAL JEWELLERY, including an illusion-set diamond ring, a ruby-set ring, and a 9ct yellow gold ingot (a lot).

£50-100

755 A 9CT YELLOW GOLD FOB depicting a pair of kissing doves with a rotating red hard stone fob, 3cm long.

749 A RUBY AND SEED PEARL 19TH CENTURY CLUSTER RING, a sapphire and diamond set gypsy ring, and another diamond set ring, together with a 9ct yellow gold millennium ingot (4).

£200-400

£200-400

98

£50-100

759 A CHINESE "JADEITE" RING, the central cabochon marquise-cut "jadeite" c.3cmx8.6mm, in a hallmarked Chinese fine gold bead work setting, with moulded relief flowers to the shoulders.

See illustration.

Lot 759

£300-600

760 A PAIR OF NATURAL JADEITE DROP EARRINGS, of navette shape, carved with foliage, the surmount with a Chinese symbol and set in yellow gold, each c.5cm long.

See illustration

This lot is accompanied by a certificate from the Gem and Pearl Laboratory no. 07687 stating both earrings to be set with jadeite jade with no evidence of treatment. Total weight 9.06grams.

£800-1,600 Lot 760

761 A GREEN JADE PENDANT carved with a pair of fighting felines, with a seed pearl pendant bale, 4cm long, (c.22grams all in).

See illustration

£200-400

762 AN 18CT YELLOW GOLD CARVED "JADE" PENDANT, the central carved panel modelled as fruit and leaves, 1cm (at widest point), in an 18ct hallmarked setting with diamond borders, on a 14ct yellow gold rope-twist chain, 8½" (22cm) overall length £100-200 763 A PAIR OF JADEITE, PEARL AND DIAMOND-SET DROP EARRINGS, each claw-set to the centre with a carved jadeite panel, c.14mm x 10mm, with a diamond and pearl surmount and a further graduated old-cut diamond drop, in unmarked yellow and white metal, each 4cm long.

This lot is accompanied by a certificate from the Gem and Pearl Laboratory no. 08518 stating both carved panels to be natural jadeite with no evidence of heat treatment.

£800-1600

Lot 761

764 A PAIR OF "JADE" DROP EARRINGS, each oval cabochon panel measuring c.17.5mm x 12mm, and mounted in 18ct yellow gold with fish hook attachments, overall length 3.6cm long

£150-300

99

765 GEORG JENSEN: A MODERN SILVER BRACELET, each open kidney-shaped link conjoined with makers mark and hallmark to one end, with toggle clasp, in the original fitted box.

See illustration

771 A LARGE UN-SET SMOKY QUARTZ STONE of emerald-cut, measuring c.4.2cm x 3cm x 1.77cm

£100-200

772 AN IVORY AND DIAMOND BROOCH modelled as a rose, the petals formed as ivory, the 18ct yellow gold leaves with textured decoration and diamondset leaf fronds, the reverse stamped 750, 6.5cm long.

See illustration

766 AN ART DECO PERIOD LAPIS LAZULI NECKLACE AND PENDANT, the central pendant carved as a seated deity surrounded by collet-set faceted blue stones and seed pearl wirework, in open scroll gilt metal settings, to a gilt metal lapis lazuli and half-pearl set fancy link chain, the pendant 12cm long, the chain 29" (72cm) long.

See illustration

£250-500

£100-200

768 A GRADUATED BUTTERSCOTCH AMBER BEAD NECKLACE, the largest bead c.3.5cm long, the smallest c.1cm long, knotted, with a 9ct rose gold clasp, (51 beads in total), 38" (96.5cm) long, (c.110grams all in).

See illustration

775 A VICTORIAN WHITE METAL AND GLASS BEAD CORONET HAIR COMB, a pair of 19th century cut and engraved steel buckles, and a collection of other vintage and antique jewellery (a lot).

See illustration (part)

£500-1,000

£100-200

769 A GRADUATED BUTTERSCOTCH AMBER BEAD NECKLACE, the largest bead c.2.5cm long, the smallest c.1cm, knotted, 42 beads united with a hardstone bead clasp, 25" (63.5cm) long, (c.40.4grams all in).

See illustration

776 A COLLECTION OF SEVEN GEM-SET RINGS including a 9ct yellow gold sapphire-set gypsy ring and a diamond and sapphire line ring, a pair of garnet cluster stud earrings (a lot)

£400-800

770 A "CHERRY AMBER" GRADUATED BEAD NECKLACE, knotted, with a bead barrel clasp, 40" (101cm) long

£80-160

774 AN EASTERN WHITE METAL NECKLACE formed from two sections to be individually worn as bracelets, the flattened entwined links suspending multiple bells, 21" (53.5cm) long, (c.295.7grams).

£200-400

£100-200

773 A 14CT YELLOW GOLD BROOCH PENDANT modelled as an Asian swan with diamond-set cluster decoration, the reverse stamped 585 with fitments, 2.5cm long. See illustration

767 AN OPERA-LENGTH AMBER CHIP NECKLACE, knotted, the chips varying from translucent through to opaque, 93" (236cm) long, the average bead width c.13mm wide, (c.79.2grams all in).

See illustration

£80-160

£200-400

100

£60-120

Lot 765

Lot 768

Lot 773 Lot 771

Lot 767

Lot 766 Lot 775 (part)

Lot 772

101

782 AN EARLY 20TH CENTURY COLOURLESS PASTE AND FAUX EMERALD BROOCH of open cushion form, cut-down and millegrain-set with graduated round-cut colourless pastes, with a collet-set emerald-cut green stone to the centre, in unmarked white metal stamped 230 to the reverse, 3cm wide, and another similar colourless paste wreath brooch (2).

See illustration

777 A 1940'S COLOURLESS AND BLUE PASTE BROOCH converting to dress clips, each part modelled as a fern, with pave-set graduated colourless round pastes, with round blue paste flowerheads, and set in unmarked white metal, 7.1cm wide.

See illustration

£200-400

778 MITCHELL MAER FOR CHRISTIAN DIOR: A COLOURLESS PASTE RIVIERE NECKLACE centred with three graduated flowerhead clusters, pave, collet and claw-set overall, signed to the reverse, in unmarked white metal, the decorative clasp with safety chain, 16" (41cm) long.

See illustration

783 A 9CT YELLOW GOLD BROOCH modelled as a spray of flowers, with seed pearls and garnets, and a collection of other gold-set jewellery including a cross pendant brooch and diamond bracelet (a lot)

£250-500

£200-400

£150-300

786 A 15CT ROSE GOLD CURB-LINK CHAIN with heart-shaped padlock safety catch, and a 9ct yellow gold identity bracelet, (c.9.5grams all in) (2)

£80-160

£80-160

787 A 9CT YELLOW GOLD FANCY KNOT-LINK BRACELET with safety chain suspending two 9ct yellow gold identity charms, (c.11grams)

781 A CONTINENTAL SILVER BROOCH of open-work form millegrain and collet-set overall with graduated colourless pastes, and collet-set to the centre with a champagne oval-cut paste, stamped 925 to the reverse, 5cm wide.

See illustration

£80-160

785 A 9CT YELLOW GOLD ENGRAVED DOUBLE SIDED HARDSTONE FOB, a quantity of lava cameo links, a foiled garnet and hairwork brooch, and a quantity of other jewellery (a lot)

780 A COLOURLESS PASTE MONKEY BROOCH, the monkey pave-set overall with graduated colourless stones, with green stone eyes and set in continental marked silver, on an unmarked yellow gold bar with pearl end, suspending another monkey from a trace-link chain, 8cm long.

See illustration

£100-200

784 AN OVAL SHELL CAMEO depicting Diana in her chariot, 4cm dia., in a yellow metal rope-twist framework, and a pair of coral bead and gilt metal chandelier earrings (2)

779 HAROLD LAZARUS: A COLOURLESS PASTE FLOWER SPRAY BROOCH modelled in white metal in relief and millegrain-set overall with graduated round colourless paste, the reverse with makers mark and further hallmarked silver stamps, c.6cm long, with safety chain.

See illustration

£50-100

£70-140

788 A TRI-COLOURED 9CT YELLOW GOLD SNAKE-LINK CUFF RING and two other gold rings, (c.22.9grams all in) (3)

£40-80

102

£100-200

Lots 777, 778, 779, 780, 781, 782

Lot 780

Lot 782 (part)

Lot 779

Lot 778

Lot 781

Lot 782 (part)

Lot 777

103

794 A CONTINENTAL SILVER AND COLOURLESS PASTE MONKEY BAR BROOCH, the bar with pearl terminals and suspending a further pave-set colourless paste monkey, the reverse stamped 925, c.8.5cm long, and a cased pear-shaped "pearl" stick pin, in a W. Phillips, London box (2)

789 BERNARD INSTONE (1891-1987): A LATE DECO PERIOD ENAMEL AND BLUE PASTE NECKLACE set alternately with rectangular open floral links, each enamelled in dark blue and turquoise with flowers, interspersed with graduated kite-shaped blue pastes forming a collar, and set in silver, the concealed clasp stamped B.I., 16" (41cm) long.

See illustration.

Provenance: Private collection, Somerset.

£1,000-2,000

£80-160 795 AN OVAL SHELL CAMEO depicting Hebe feeding the eagle of Zeus, 5cm long, and set in an unmarked yellow metal brooch frame, and three other shell cameos (a lot)

790 MITCHEL MAER FOR CHRISTIAN DIOR: A PAIR OF COLOURLESS AND CHAMPAGNE PASTE DROP EARRINGS, the three graduated round and pear-cut pastes in gilt claw settings, against a ribbon-tie motif, with clip fitments, 1 earring with applied mark, 4.5cm long.

796 A PAIR OF SAPPHIRE AND DIAMOND CLUSTER EAR STUDS, each claw-set to the centre with a round-cut sapphire and surrounded by rub-over set border of round brilliant-cut diamonds, with 9ct white gold screw fittings

£150-300

791 KRAMER FOR CHRISTIAN DIOR: A FAUX PEARL AND CERAMIC NECK COLLAR claw-set with nine round cabochon blue, green and gilt ceramic beads interspersed with graduated simulated pearls forming a cluster shape, to a pearl-set chain with hook clasp, with applied oval Christian Dior mark, 16½" (42cm) long

£80-160

£100-200 798 A VICTORIAN SILVER OVAL LOCKET with moulded ivy leaf decoration, on a chunky fancy silver chain, a carved shell cameo depicting an angel in flight carrying a Caduceus, and a collection of other jewellery (a lot)

£80-160

£100-200

799 A VICTORIAN DEMI-PARURE comprising a target brooch and pair of drop earrings, each set with colourless paste and foiled back oval-cut almandine garnets within unmarked gold wirework and bead-work borders, the brooch c.3.5cm dia., the earrings c.6cm long (2)

793 AN OVAL-CUT AMETHYST mounted in a 9ct yellow gold openwork brooch frame, and a collection of five other brooches (a lot)

£100-200

797 A CARVED BOG OAK BROOCH modelled as flowers and leaves, carved Victorian jet brooch and a collection of other jewellery including a 15ct yellow gold wirework decorated brooch and a gilt metal fob (a lot)

792 A 9CT YELLOW GOLD BROOCH modelled in the form of a Siamese cat with enamel overall, the reverse with indistinct markings, stamped 9ct, 5cm long

£80-160

£100-200

104

£150-300

Lot 789

105

806 AN UNMARKED YELLOW GOLD HUNTING STOCKPIN modelled as a saddled-up horse with ruby cabochon eyes, the rose gold pin as a hunting crop, modelled with a jockey's hat, 4.2cm wide (c.6.3 grams all in)

800 MIKIMOTO: A SILVER BRACELET, each link prong-set with four spherical cultured pearls, within bright-cut metal borders, interspersed with engraved leaf links, the concealed clasp stamped with makers mark, with safety catch

£100-200

807 ATTRIBUTED TO FROMENT MEURICE (1802- 1855): A RENAISSANCE REVIVAL BROOCH modelled with a pair of figures seated against a polychrome enamelled leafy ground, collet-set to the centre with a foiled emerald-cut garnet and further garnet and pearl cabochons overall, unmarked, 5.5cm wide

801 A PAIR OF SAPPHIRE AND MOONSTONE DROP EARRINGS, each cushion-cut blue sapphire in a cut-down collet setting and suspending three round cabochon moonstones from silver knife edges, with screw fitments, 4cm long

£80-160

802 GEORG JENSEN: A STERLING SILVER BROOCH modelled as a pair of entwined leaves, the reverse with makers stamp, 4cm wide

803 A PAIR OF 18CT YELLOW GOLD CUFFLINKS, each modelled in the form of a horse’s head, with open mouth and ruby faceted eyes, the hinged catch with mark, (c.15.5grams all in)

£50-100

809 A BLACK LEATHER JEWELLERY BOX containing mixed jewellery including a diamond-set bar brooch, a moonstone cabochon star brooch, gold rings and the remains of an Hispanic 17th century diamond-set pendant (a lot).

£500-1,000 804 A VICTORIAN OVAL PENDANT painted with a portrait of a young child, within a silver rope-twist border and suspended on a silver belcher and bar long guard chain, 62" (157.5cm) long (2)

£600-1,200

810 ASPREY: A BLACK LEATHER JEWELLERY BOX containing mixed antique jewellery including a pair of rams head carved coral brooches, a pair of carved green hardstone shamrock brooches and Art Deco beads (a lot)

£150-300

805 A VICTORIAN GOLD AND HAIRWORK "MINIATURE" BRACELET set within a chased unmarked gold frame with a portrait miniature of a girl, with hairwork to the reverse, the bracelet strap formed from plaited strands of brunette hair united by a chased unmarked clasp, with later safety chain, and three amethyst-set items (a lot)

£600-1,200

808 A BROWN LEATHER CROCODILE SKIN JEWELLERY CASE containing costume jewellery including a Victorian vulcanite-type cameo locket, a Victorian quartz and silver brooch and a yellow metal pince-nez (a lot)

£80-160

£50-100

£400-800

811 THE REMAINS OF A JEWELLERS WORKSHOP: including strips of silver, copper and white metal, some worked, others plain polished, metal findings, boxed crystals, wire and a cased set of sample gemstones ready for setting (a lot)

£200-400

106

£200-400

812 AN EMERALD AND DIAMOND BRACELET, each link formed from three waves set with four round-cut emeralds and graduated millegrain-set round brilliant-cut diamonds, in unmarked yellow gold, the concealed clasp with safety chain, in the original fitted case.

See illustration Provenance: A jeweller's private collection.

ÂŁ2,000-4,000

813 AN FRENCH ART DECO DIAMOND BRACELET formed from five stylised rectangular open links millegrain and collet-set overall with graduated old-cut diamonds, with ribbon-tie links between the concealed clasp with platinum mark and makers mark "MS".

See illustration Provenance: A jeweller's private collection.

107

ÂŁ5,000-10,000

814 A 1940'S CARTIER STYLE RING collet-set to the centre with a round old-cut diamond c.1.0cts surrounded by a millegrain-set diamond loop with cabochon calibre-cut highlights, the yellow gold shank numbered 6341.

See illustration Provenance: A jeweller's private collection.

ÂŁ4,000-8,000

815 AN EMERALD AND DIAMOND COCKTAIL RING corner claw-set to the centre with an emerald-cut emerald, c.9.05mm x 8.4mm x 4mm, possibly Columbian, and surrounded by a graduated diamond-set cushion-shaped border, with stepped geometric diamond-set shoulders, to an unmarked yellow gold shank.

See illustration Provenance: A jeweller's private collection.

108

ÂŁ8,000-12,000

816 A RUBY AND DIAMOND NECKLACE claw-set with 48 graduated pear-cut rubies, the largest c.7.3mm long, the smallest c.5mm, and mounted on a diamond cluster lattice-work collar. Comprising over three hundred round brilliant-cut diamonds, total carat weight in excess of 15cts, all claw-set in 18ct yellow gold.

The concealed clasp hallmarked with safety catch, 16" (40.5cm) long.

See illustration Provenance: A jeweller's private collection.

ÂŁ12,000-15,000

109

817 A GEM-SET BEE RING, claw-set with an oval-cut sapphire and round-cut emerald forming the body with rose-cut diamond set wings, mounted in yellow and white gold and hinged on a 14ct rose gold shank stamped 585 and numbered, enabling the bee to move on the finger.

822 A DIAMOND-SET RING, the unmarked yellow gold shank rub-over set in scrolls with 12 graduated round, brilliant-cut diamonds, a sapphire and diamond 18ct yellow gold ring and a 9ct yellow gold shell stylised necklace, c. 26.8g (all in). (3) £250-500

£300-600

823 GEORG JENSEN: A silver brooch, modelled as flying robin, the reverse with makers mark, 4.3cm wide.

818 A CULTURED PEARL BRACELET, prong-set with 11 pairs of cultured pearls, each pearl c.

6.25mm wide within a 14ct yellow gold stylised leaf links, the concealed clasp stamped ‘K14’, with safety chain

£200-400

824 GEORG JENSEN: A silver brooch, modelled as a pair of leaping dolphins, the reverse with makers mark, 4.1cm wide.

819 A 9CT YELLOW GOLD CHARM BRACELET, each link of the curb bracelet hallmarked, suspending nine 9ct yellow gold and other charms including a pair of bells, united by a 9ct yellow gold heart padlock clasp, c. 52.7g (all in).

£80-150

825 AN UNMARKED YELLOW GOLD STICK-PIN, mounted with a model of a hare with indistinct scratch marks, in the original fitted case for Lawson & Son, Brighton

£250-500

820 A ‘JADE’ BRACELET, claw-set with 6 carved oval pale green ‘jade’ panels between open circular floral stylised links, the concealed calsp stamped 14L 585, with safety catch

£80-160 826 A GREEN HARDSTONE BRACELET, the boulder-shaped green hardstones in yellow metal cage settings, interspersed with red enamelled openwork links, the clasp indistinctly marked

£150-300 821 A 9CT YELLOW GOLD NUGGET PENDANT, the large nugget hallmarked, numbered 492 and set with a round brilliant-cut diamond, on a 9ct yellow gold belcherlink chain, 20” (50cm) overall length, c. 24.5g (all in).

£80-160

£100-200

827 AN INDIAN TURBAN BROOCH, the open arrow from closed-back set with rose-cut colourless stones, in rose and white metal, bearing indistinct mark, 11cm long.

£150-300

£50-100

END OF FIRST DAY SALE

110

FRIDAY, 5 t h DECEMBER 10.30A M

Wine Boxes sculpture works of art

Detail of lot 984 111

WINE

BOXES, SCULPTURE AND WORKS OF ART

930 TWO HALF CASES OF "CASSAIRE RESERVE SPECIALE, COTES DU ROUSSILLON, 2004" in original cases

950 A LATE GEORGE III BURR ELM VENEERED TEA CADDY, the rectangular top with raised centre and enclosing a fitted interior with glass bowl and twin lidded tea compartments, the box with bowed sided, ring handles and compressed bun feet, 14" wide.

£100-200

931 TEN BOTTLES OF CLOS DU PAPILLON SAVENNIERES, 1990

£100-200 951 A LATE GEORGE III MAHOGANY MINIATURE STRAIGHT FRONTED CHEST OF DRAWERS, with ebony stringing above two short and three long graduated drawers, on bracket feet, 10¼" wide.

£150-300

932 A CASE OF MONTAGNE SAINTEMILION, VIEUX CHATEAU SAINT ANDRE 1988, in unopened case

£200-400

933 THIRTEEN BOTTLES OF MARKUS MOLITOR ZELTINGER HIMMELREICH SPÄTLESE REISLING, 2007 and eleven bottles of similar Marcus Molitor Wehlener Klosterberg Kabinett 2007 (24)

£200-400

£50-100

£80-150

£250-450

954 AN ANGLO-INDIAN 'VIZAGAPATAM' SEWING BOX, all over decorated with geometric mosaic, within ebony and ivory borders, the interior fitted with small compartments, sewing accessories and other items, above a drawer fronted writing slope, with twin carrying handles, 17½" wide.

£150-300

£200-400

£250-500 955 A GEORGE II WALNUT VENEERED EXTENDED OCTAGONAL TEA CADDY, the raised top with a central handle, within a crossbanded border, with a white metal key escutcheon, 6½" wide.

937 A COLLECTION OF SEVENTEEN ASSORTED BOTTLES OF WHITE WINE including three bottles of 2006 Sauvignon Blanc Gran Valle de Niebla and other similar (a lot)

£80-150

953 A GEORGE III MAHOGANY CHEESE COASTER, with broad dished body with internal division on small leather castors, 17½" wide.

936 A COLLECTION OF FIFTEEN HALFBOTTLES OF 1980'S PORT including four bottles of Fonceca, five Taylors, three Grahams and three 1982 Smith Woodhouse bottles (15)

935 8 BOTTLES OF MARLBOROUGH SAUVIGNON BLANC, Limited Release 2009 and 4 bottles of Esk Valley Savignon Blanc 2009.

Provenance: A gentleman's residence in Kensington, London W8

952 A GEORGE III MAHOGANY KNIFE BOX, the sloping lid with chequered stringing above a serpentine front and enclosing a fitted interior with starburst decoration, 9¼" wide.

934 SIX BOTTLES OF BLANDY'S RICH MADEIRA, DUKE OF CLARENCE

£150-300

112

£200-400

Lot 961

959 JOHN HUTCHINS, M.A. 'The History and Antiquities of the County of Dorset', printed by John Bowyer Nichols and Sons, 1861, in four volumes with red and gilt tooled spines.

956 A PAIR OF ROCOCO REVIVAL WALL BRACKETS, with rectangular tops, with red marbled effect highlights on carved scrolling brackets, 7½" wide, (2).

£400-600

Provenance: A gentleman's residence in Kensington, London W8

£100-200

960 A CONTEMPORARY GILT AND PORCELAIN EFFECT TABLE LAMP, with a gently bulbous circular column, decorated with dog roses, butterflies and other scattered details, between a gilt foot and mount, 18" high.

957 ETHNOGRAPHICA: A ZULU HARDWOOD CLUB, with a flattened circular discoid head, the shaft with three woven brass and copper wirework bands, slightly domed butt, 19th century.

£250-350

Provenance: The Collection of James Fairfax A.C., Stanbridge Mill, Gussage All Saints, Dorset.

£80-150

961 ARTS AND CRAFTS: A SILVERED COPPER AND ENAMEL BASIN, of circular form with a central raised circular section mounted with an enamel boss, decorated with a lion against a blue enamel ground, within a border of stylised trees, the rim with a motto 'The fruits of labour are the sweetest', 14" wide.

See illustration.

958 A SRI LANKAN HORN-COVERED SANDALWOOD AND IVORY WORKBOX, the raised top with a central carved knop within a radiating and sloping border, the interior with a removable tray lined with lidded compartments and sewing accessories, the sides similarly reeded and curving to lobed feet, 13" wide

£300-500

113

£500-1,000

Lot 967

965 A RECTANGULAR NEEDLEWORK SAMPLER, worked in red, green and blues, with rows of alphabets and numbers above scattered trees and animals and two shepherds above a name 'Priscilla Guest', unframed, 21" x 12", with three similar samplers, (4).

962 A VICTORIAN NEEDLEWORK SAMPLER initialled B.T. and dated 1875, worked with an alphabet above mottos surrounded by landscape, animals and a running border, 19¼" x 13" (unframed).

£200-400

963 A RECTANGULAR NEEDLEWORK SAMPLER worked with a series of alphabets above a flowering basket of fruit bearing the name Catherine Johnson, 1786, 17" x 8½" (unframed), and two similar samplers (3).

966 AN EARLY VICTORIAN NEEDLEWORK SAMPLER, worked in bright colours with a central vase of flowers, surrounded by alphabets, numerals and a motto 'I'll praise my maker while I've breath...' surrounded by a border of stylised flowers by Ann Willas aged 15 years, 1840, 21½" x 17" (unframed).

£80-150

964 A RECTANGULAR NEEDLEWORK SAMPLER worked with rows of alphabets and numerals above an inscription 'Jesus to thee a useful voice...', bearing the name Catherine White, and dated 1819 above a row of trees and birds, 15¾" by 10½" (unframed), with three similar samplers (4).

£150-250

£150-250

967 A VICTORIAN NEEDLEWORK PICTURE depicting two three masted whaling ships and two whales in a choppy sea with an inscription 'Anna Keys, Papa's Ship', unframed, 11" x 10".

See illustration.

£100-200

114

Research has suggested that this picture may refer to a John A. Keys who was aboard the ship Abigail in 1862.

£150-250

Lot 972

971 A REGENCY BRASS JARDINIÈRE with lion mask ring handles on paw feet, of circular form, 10" wide.

968 A VICTORIAN NEEDLEWORK SAMPLER worked with a central stylised vase of flowers surrounded by trees, birds and beasts bearing the description 'Wrote

by Kate Bird age 9 years, 1876', unframed, 18" by 17", with two similar alphabet samplers (3).

972 A SET OF GEORGE III BRONZE NESTING WEIGHTS, to weigh 64oz, 10 weights in all, each with various stamps, with a maker or foundry mark of a conjoined 'A' and 'B', 5¼" wide.

See illustration.

£100-200

969 A VICTORIAN NEEDLEWORK SAMPLER of rectangular form with rows of alphabets and numerals above a motto 'Jesus in death remember me' and a sailing ship and 'Elizabeth Lister aged 13, 1847' amongst further scattered motifs, unframed, 13¼" by 8¾" and three further samplers, (4).

£800-1,500

973 A SALZBURG PEWTER LIDDED TANKARD with engraved and chased decoration, of tapering circular form on winged cherub and ball feet, makers mark is a figure with a scythe, initialled H. P., 4¼" high.

£150-250

970 AN 18TH CENTURY GERMAN ISERLOHN PARCEL GILT EMBOSSED BRASS AND COPPER TOBACCO BOX

by J.H. Hamer (Johan Henrius Hamer), the cover with a half-length portrait of Frederick II with trophies and inscriptions, the base with battle scenes of Lowosaltz, Prauge, signed to cover and base, 6¼" wide.

£80-150

£200-400 115

£100-200

Lot 979

977 D. VOLGOLD AND SOHN, BERLIN: A SILVERED AND CAST SCULPTURE OF TWO WHIPPETS playing on a rug, bearing an inscription 'Internationale Ausstellung Hunden Berlin 1880...', on a polished slate base, 8" wide.

974 THE WORSHIPFUL COMPANY OF COOPERS: A GEORGIAN PEWTER ALE JUG, the front the engraved with the coat of arms of the company, the sides with the monogram G.E.J, early 19th century, 7½" high.

£200-400

975 AN 18TH CENTURY PEWTER LIDDED MEASURE with shell thumb piece, the handle engraved R.L.E. Boyche, with a crowned 'C' arc and I.D. with a rose, 5½" high, and a double handled pewter porringer, dated in touch twice, 1757 and 1765, and with an oval touch of a figure with a staff, 9" wide (2).

Provenance: A gentleman's residence in Kensington, London W8

£300-500

978 A CAST AND PAGINATED BRONZE SCULPTURE OF A RUNNING WHIPPET, mounted on a wooden base, 8½" wide and another similar sculpture of a whippet playing with a ball, 7" wide (2).

£100-200

976 A SPELTER SCULPTURE OF AN ELEPHANT tethered to a post, with dark brown patination , 9½" wide.

Provenance: A gentleman's residence in Kensington, London W8

£200-400

979 NIC FIDDIAN-GREEN: A CAST AND PATINATED BRONZE STUDY OF A HORSE, head and half body in leaping pose, marked VII/XII and F.G., on a turned wooden base, 12¼" high.

See illustration

£50-100

116

£800-1,600

Lot 985

983 A PAIR OF GEORGE II STYLE CARVED AND GILTWOOD APPLIQUES in the form of tapering fruit and foliage, 24" (2)

980 A PAIR OF REGENCY SILKWORK PICTURES of circular form, embroidered with Agrarian scenes, one with a lady and gentleman walking with buildings to the distance, the other with two ladies at a sundial, 12" wide

£180-250

981 A PAIR OF VICTORIAN CAST-IRON FIRE DOGS mounted with seated Whippets wearing collars, 9" high (2)

Provenance: A gentleman's residence in Kensington, London W8

£50-100

Provenance: A gentleman's residence in Kensington, London W8

£100-200

984 A CARVED STATUE OF ST FRANCIS standing in full robes and wearing sandals, 21½" high

£300-600

985 A FINE MOUNTED DEER'S HEAD with broad eleven-point antlers, mounted on an oak shield, the antlers c. 31" wide.

See illustration

982 A PAIR OF 19TH CENTURY FRENCH ORMOLU CANDELABRA modelled as a putti playing a drum and cymbals, with Sevres style painted porcelain panels to the quatrefoil bases, with four sconces, on giltwood bases, 20" high

£400-600 117

£400-800

993 A COLLECTION OF TEN PEWTER PLATES, various sizes, 10" and smaller, a pewter food cover with cast handle and a copy of Pewter Marks and Old Pewter Ware' by Markham, London 1909

986 A COLLECTION OF SIX PEWTER MUGS including a straight-sided mug with scrolling handle and moulded band, with various touch marks, 6½" high (6)

£250-450

987 A COLLECTION OF PEWTER CASTORS, PEPPERETTES AND SIMILAR ITEMS, including a vase-shaped example with a scratched date of 1717, 6½" high and smaller (11)

994 A LARGE TURTLE SHELL mounted as a light fitting with twin gilt metal branches projecting through the shell forming three sconces fitted for electric light, the shell 29½" high

£200-400

988 A PEWTER HALF PINT MEASURE with tapering body and scrolling handle, mark to the base for Munster Iron Co, Cork, 5" high and a collection of seven similar items (8)

£200-400

£200-400

£100-200

A CITES Licence has been applied for this item

£200-400

£1,000-2,000

£1,000-2,000

997 A SILVER MOUNTED TORTOISESHELL EFFECT JEWELLERY BOX, the domed lid mounted with radiating tortoiseshell style veneers and mounted to each corner with a winged cherub's head mount, the velvet-lined interior with a fitted tray, the body with all over silver mounts, 9" wide

£250-450

992 A COLLECTION OF SIX PEWTER PLATES with broad rims and turned over edges with stamped marks 'Hum Evans' above a fleur de lis and stamped initials 'HISC' and dated 1738, 9" wide

996 A LOUIS XV STYLE ‘ROUGE GRIOTTE’ ORMOLU MOUNTED BOWL, the broad dished bowl with a cast tongue border and lion mask handles, the circular foot on a cast acanthus leaf and scroll base above four paw feet, 15” dia. x 8½” high See illustration.

991 A PAIR OF BROAD RIMMED PEWTER CHARGERS with moulded rims, stamped with initials C S A, four touch marks of leopards heads and stamped to the reverse London, 16½" wide and another similar charger (3)

Provenance: Apparently the French Ambassadors apartments in Paris, the vendor's father, an interior decorator.

990 A MATCHED GRADUATED SET OF THREE PEWTER MEASURES, each with hinged lids and bellied bodies on spreading circular feet, the largest 10" high and a set of four pewter bowls (7)

995 GEORGES MALISSARD (1877-1942): A CAST AND PATINATED BRONZE HORSE wearing harness and blinkers, in a trotting pose, on a naturalistic base with cast signature, 15½" wide.

See illustration

989 A PAIR OF PEWTER CANDLESTICKS with beaded sconces, baluster stems and spreading feet with ejector mechanism and four pewter mugs (6)

£100-200

£100-200

998-999 Spare lots.

£200-400

118

Lot 995

Lot 996

119

CLOCKS

1005 AN EBONISED AND GILT 'JAPANNED' TAVERN CLOCK, the broad dial with arched top and moulded border with painted Roman numerals and chapter ring, with a four pillar movement, the case with painted gilt floral and figurative decoration, 59" high.

See illustration

1000 AN OAK 'LIGHTHOUSE' CLOCK

by Henry Marc, with four white enamelled dials with Roman numerals in a lighthouse shaped case, 15" high

£200-400

1001 A MID 19TH CENTURY FRENCH GILT SPELTER MANTEL CLOCK of Louis XV design 'Vigneron' with a circular white enamelled dial with eight-day two-train movement striking on a bell, the alabaster base with all over gilt metal mounts, on a wooden velvet-lined stand and beneath a glass dome on ebonised base, 18" high

1006 A GEORGE III MAHOGANY LONGCASE CLOCK, the white enamel dial signed 'G. Stotesbury, Cork', the arch painted with a scene of fighting warships, with a central second style and an H. Day two train movement striking on a bell

£400-600

1002 A GEORGE III LONGCASE CLOCK, the white enamel dial with subsidiary seconds dial and date aperture beneath a painted arch and decorated spandrels, with an eight-day two-train movement striking on a bell, the oak case with mahogany crossbanding and quarter recessed fluted columns, 88" high

£300-600

£150-300

1008 A 19TH CENTURY LONGCASE CLOCK, the white enamel dial beneath a moon-face with subsidiary second dial and date aperture, with an eight day two-train movement, striking on a bell, the arch topped hood central ball and eagle finial, 64"? high

£200-400

1009 A GEORGE III MAHOGANY LONGCASE CLOCK, the silvered dial with Roman numerals and subsidiary seconds and date dials, beneath a tablet marked 'Gardiner, Perth' all within pierced gilt scrolling mounts, with an eight day two-train movement striking on a bell, the mahogany case with all over satinwood stringing, 54" high

£400-600

1004 A 19TH CENTURY FRENCH MANTEL CLOCK with a broad circular white dial with Roman numerals, with an eight-day two-train movement striking on a bell, the movement in a gilt drum with applied hanging swag decoration supported on an architectural white marble support with twin columns and platform base with all over gilt metal mounts, 17" high and a pair of similar vase-shaped ornaments

£200-400

1007 A GEORGE II STYLE BRACKET CLOCK with silver chartering and two train movements striking on a coiled gong, the architectural case standing on an associated long case clock style column, 61" high

1003 A 19TH CENTURY DUTCH WALNUT AND MARQUETRY WALL CLOCK, the painted dial with Roman numerals and twin gilt hands, the arch painted with a townscape, the spandrels with applied gilt ornaments, with a weight driven 'birdcage' movement with turned uprights, striking on a bell, the arch topped case with a glazed door and open body enclosing a pendulum, with all over foliate and basket decoration, 50" high

£2,000-4,000

£400-600

120

£400-600

Lot 1005

121

1009B A GEORGE iii MAHOGONY BAROMETER, with a broad silvered dial bearing a label engraved "P.Turchetti, Dorchester", with a thermometer above with bow fronted glass. 38½" high.

1009A A GEORGE II GREEN JAPANNED LONGCASE CLOCK, the brass dial with silvered chapter ring signed "Yates Thornton, Romford", with subsidiary seconds dial and date aperture, all beneath a strike/silent indicator, with a two train five pillar movement striking on a bell, the hood with all over chinoiserie decoration against a green ground, 90" high.

See illustration

£100-200

£1,500-2,500

RUGS AND CARPETS

1013 A SHIRAZ-TYPE RUG, the central rectangular blue ground panel worked with ivory and pink birds, vases, flowers and serrated leaves, within floral pattern outer borders and guards, 67" x 42"

1010 A NORTHWEST PERSIAN TRIBAL RUG, the brick red ground with a central rectangular panel worked with ivory and black stylised leaves, within floral herati pattern outer borders and guards, 76" x 60"

£200-400

1014 A NORTH WEST PERSIAN RUG of Heriz design, the salmon pink shaped medallion ground with blue and ivory spandrels, worked with branches of flowers, within a floral and stiff leaf outer border and guards, 72" x 48"

1011 A NORTH WEST PERSIAN TRIBAL RUG, the rectangular blue ground field worked with ivory and red diamond quadrilaterals within geometric patterned borders, 60" x 48"

£200-300

£150-250

1015 A SMALL CAUCASIAN TRIBAL RUG with a central blue ground stepped diamond quadrilateral surrounded by stylised flowers, with ivory outer border guards, 54" x 40"

1012 A NORTH WEST PERSIAN RUG, the camel ground decorated with rows of medallions depicting stylised human figure, camel and birds, within floral patterned borders, 65" x 46"

£80-150

£200-300

122

Provenance: A gentleman's residence in Kensington, London W8

£50-100

Lot 1009A

123

Lot 1017 (one of a pair)

1019 A SOUTH PERSIAN TRIBAL RUG, the madder ground worked with a central triple pole medallion with ivory stepped borders, within geometric and floral outer borders and guards, 68" x 46"

1016 A PERSIAN RUG of Senneh type, the brick red ground with a central blue ground hexagonal medallion worked with multicoloured and ivory flowerheads and leaves, within hooked boteh and floral outer borders and guards, 76" x 60"

£200-400

1020 A NORTH WEST PERSIAN TRIBAL CARPET, the central blue ground field enclosing a red triple pole medallion surrounded by stylised animals and birds, within a star patterned and geometric striped outer border and guards, 110" x 82"

1017 A PAIR OF AGRA RUGS, each of a Saryk Ensi design, the dark crimson field with clover leaf panels, hooked vines and diced mihrabs and side borders, with arcaded "crossbanding" and a saffron geometric border (a pair), 84" x 52" See illustration

Provenance: A gentleman's residence in Kensington, London W8

1018 A CAUCASIAN RUG of Shirvan type, the central blue ground prayer niche worked with ivory diamond quadrilaterals, within stylised floral running borders and guards, 65" x 41" Provenance: The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

£100-200

£250-350

1021 AN AXMINSTER RUG, 19th century, the quadrilateral divided panel with an ivory and magenta ground, worked with sprays of flowers, within trailing floral border and guards, 72" x 31"

£500-1,000

£150-300

124

Provenance: Acquired from C. John, Mayfair, London 1993.

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

£300-600

Lot 1025

Lot 1027

1025 A FARAGHAN KELLEH, the plain red ground with a pale green attenuated pole medallion and spandrels containing Herati within a broad red border of turtle pelmets and vines, 240" x 92".

See illustration

1022 A KAZAK KELIM, 19th century, worked in bold blue and red and stripes, with stylised tarantula, 86" x 64".

Provenance: Acquired from Robert Stephenson, Kensington, London 1996.

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

£300-600

£50-100

£1,00-2,000

1024 A BAKHtiari TYPE RUG, the red ground with a central rectangular panel worked with leaf and floral ivory and multi-coloured palmettes, within floral herati style outer borders and guards, 76" x 56".

Provenance: A gentleman's residence in Kensington, London W8

1026 A LARGE KERAMAN TYPE CARPET, the claret ground worked with a central dark blue, pale blue and ivory floral medallion with conforming leafy scroll spandrels and borders worked with vase and spray of flowers, 192" x 130"

1023 A BELOUCH RUG, the red ground with a central panel of hexagonal medallions within floral outer borders and guards, 78" x 42"

£500-1,000

1027 A BESSARABIAN KILIM, the blue ground worked with stylised multi-coloured flowers and leafage, within a brown selvedge, 153" x 102"

Provenance: Acquired from Purchased David Black, London 1993.

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

See illustration

£1,000-2,000

£300-500

125

Lot 1028

Lot 1029

1028 A BESSARABIAN KILIM, late 19th/early 20th century, the pale blue ground worked with stylised multi-coloured flowers and leafage, within an ivory trailing floral border, 106½" x 71", See illustration

1031 A BESSARABIAN KELIM worked with stylised flowers on a pale pink and ivory ground, 72" x 35.5", acquired from David Black, London 1993, and another Besarabian tapestry, 19th century, acquired from C. John, London 1994 (2)

Provenance: The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

£800-1,500

£200-400

1029 A BESSARABIAN KELIM, late 19th/early 20th century, the pale celadon ground worked with stylised flowers and leafage, within an ivory floral border, 106½" x 71" See illustration

1032 A SPANISH ALPUJARRA RUG, the black ground with a stylised floral and leaf design, within ivory and fruiting vine borders, 83½" x 57½"

Provenance: The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

Provenance: The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

£800-1,500

Provenance: The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

£100-200

Provenance: Acquired from S. Franses, London 1993.

The collection of James Fairfax A.C. Stanbridge Mill, Gussage All Saints, Dorset.

£200-400

1033-1044 Spare lots

1030 A CENTRAL PERSIAN KASHAN SILK RUG, late 19th century, the red ground rectangular panel worked with central floral medallion and animals including rabbits, deer, lions and floral tendrils, within palmette and floral outer borders and guards, 77½" x 46½"

126

ENGLISH AND CONTINENTAL FURNITURE

Detail of lot 1135 127

1050 A NORTH EUROPEAN CARVED GILTWOOD CONSOLE TABLE with a later green veined marble top on a serpentine and shaped base with central pierced and carved shell motif on heavy cabriole legs with all over leaf applied decoration and scrolling feet, basicallt 18th century, 55" wide. See illustration

1045 A GEORGE III MAHOGANY BUREAU BOOKCASE, the upper section with twin astragal glazed doors enclosing a shelved interior, the lower section with a sloping fall enclosing a well fitted interior with central cupboard flanked by shaped drawers and pigeon holes above two short and three long graduated drawers with chequered stringing, on bracket feet, 65" high, 18th century and later

£300-500

1046 A SET OF SIX WILLIAM IV MAHOGANY BAR-BACK DINING CHAIRS, with broad dished bar-backs on carved uprights with dished cross rails, above overstuffed seats on turned tapering reeded legs, 24" high (6)

Provenance: A gentleman's residence in Kensington, London W8

£1,500-3,000

1051 A REGENCY MAHOGANY GLAZED BOOKCASE, the upper section with an arched top above twin glazed doors with curved and moulded glazing bars enclosing a shelved interior, the lower section with twin panel doors, on splayed bracket feet, 47" wide See illustration

£600-800

1047 A BIEDEMEYER BURR OAK CENTRE TABLE, the oval top with broad crossbanding on openwork quadriform pedestal with four downswept legs with brass cap castors, 45" wide

Provenance: Lady Talbot of Malahide

£500-1,000

Provenance: The Collection of James Fairfax A.C., Stanbridge Mill, Gussage All Saints, Dorset.

1052 A GEORGE III MAHOGANY WASHSTAND, the square top with wavy edged border above a single short drawer with brass handle on square legs with shaped 'X'-form stretcher, 24" high

£200-400

Provenance: A gentleman's residence in Kensington, London W8

£100-200

1048 A SET OF SIX REGENCY BAR-BACK DINING CHAIRS with bobbin-applied rails, cane seats and bobbin-turned front legs (6)

Provenance: Acquired from Christopher Gibbs, London in 1993

The Collection of James Fairfax, A.C. Stanbridge Mill, Gussage All Saints, Dorset

£200-400

1053 A GEORGE II MAHOGANY CORNER CHAIR, the broad dished back with rounded hand supports, on twin shaped splats and three turned uprights, with a needlework drop-in seat, on square legs, 32" high

1054 A GEORGE III MAHOGANY 'GAINSBOROUGH' ARMCHAIR, with a broad upholstered back with arched top rail, with twin arm supports above an overstuffed seat on square legs and side rails, 38" high See illustration

1049 A GEORGE III MAHOGANY BOX FORM CELLARETTE, the rectangular lid with central circular inlay and satinwood crossbanding, on a base with square tapering legs and brass castors, 18½" wide

Provenance: A gentleman's residence in Kensington, London W8

£200-400

£100-200

£300-500

1055 A GEORGE I GILTWOOD TORCHERE, in the manner of James Moore with a dished top with all over low relief carved gilt decoration, on three scrolling legs, 44" high, 18th century and later

128

£150-250

Lot 1051

Lot 1054

Lot 1050

129

1061 A REGENCY ROSEWOOD TABLE, the rectangular top with twin drop-flap ends, with rounded corners above two drawers with moulded fronts and conforming dummy drawers, on square tapering column and platform base with scrolling feet and recessed castors, 36" wide

1056 A GEORGE III STYLE MAHOGANY LIBRARY BOOKCASE, the upper section with a carved swan-neck pediment with pierced fretwork decoration above a blind fret frieze and twin astragal glazed doors, enclosing a shelved interior, the lower section with twin panelled doors, on bracket feet, 54" wide x 100" high.

Provenance: A gentleman's residence in Kensington, London W8

£800-1,600

Provenance: A gentleman's residence in Kensington, London W8

£150-250

£200-400

Provenance: A gentleman's residence in Kensington, London W8

£200-400

Provenance: A gentleman's residence in Kensington, London W8

£300-600

£100-200

1065 A GEORGE III MAHOGANY FOLD TOP CARD TABLE, the shaped top with crossbanded border above a frieze with central shell inlay, on square tapering legs, 28" wide

£300-500

1060 A GEORGE III MAHOGANY WASHSTAND, the two part rising top enclosing a fitted interior with a central rising mirror flanked by six lidded compartments, above a brushing slide, on square tapering legs with barrel form castors, 56" wide

£200-400

1064 A SET OF VICTORIAN STYLE TWO TREAD FOLDING LIBRARY STEPS, with brass fronted and reeded treads, 30¾" wide

1059 A REGENCY MAHOGANY SOFA TABLE, the rectangular top with twin drop-flap ends with rounded edges above two short drawers with brass ringhandles and conforming dummy drawers on trestle end supports with downswept legs and brass cap castors, 37" wide

1063 A VENETIAN STYLE WALL MIRROR, the rectangular plate within a gilt moulded surround, beneath a drapery effect canopy with all over red and gilt decoration, 43" high

1058 A REGENCY MAHOGANY DROPFLAP TABLE, the rectangular top with twin drop-flap sides with rounded corners and moulded border, on four turned columns and a platform base, with downswept moulded legs and brass leaf cap castors, 43" wide

Provenance: A gentleman's residence in Kensington, London W8

1062 A SET OF REGENCY MAHOGANY BED STEPS, the three tread steps with tooled leather surfaces and modelled as two drawers, one with a rising top, on short square legs with brass castors, 19th century and later, 7¾" high

1057 A VENETIAN STYLE GILT AND PAINTED WALL MIRROR, the rectangular plate between twin applied columns beneath lion masks and a broad arched dome with central decoration, all over painted in cream and red, 38" high

£200-400

1066 A PAIR OF REGENCY ROSEWOOD POLE SCREENS, each with papier maché screens with wavy shaped borders and decorated with birds, flowers, fountains and similar subjects, the stands with tapering uprights on hexagonal bulbous supports and animal paw feet, 9"

£150-250

130

£300-500

Lot 1068

1068 A GEORGE I WALNUT CHEST ON CHEST, the upper section with a moulded cornice above three short drawers and three long drawers, all with broad crossbanding and moulded edges, with brass handles and key escutcheons, all between fluted canted corners, above three conforming graduated drawers, the lowest with inlaid starburst decoration, on bracket feet, 44" wide x 69" high.

See illustration

1067 A REGENCY MARBLE TOPPED CONSOLE TABLE, the white marble rectangular top on gilt reeded columns on a rosewood base with mirror mounted support, 32" wide

ÂŁ300-500

Provenance: A gentleman's residence in Kensington, London W8

131

ÂŁ1,500-3,000

Lot 1072

1072 A VICTORIAN 'KILLARNEY' MARQUETRY FOLD TOP GAMES TABLE, the rectangular top inlaid with twin fern leaf motifs flanking a church, within a running foliate border, the interior inlaid with a chess board, cribbage board, backgammon board and running clover and thistle decoration, on a conforming frieze on a tapering octagonal column with platform base and carved animal paw feet, 27" wide.

See illustration

1069 A REGENCY MAHOGANY CHIFFONIER with a grey veined rectangular marble top above a frieze drawer with central foliate mount, above twin cupboard doors with brass grilles, between gilt cap columns, on a plinth base, 34" wide

£400-800

1070 A VICTORIAN WALNUT FRAMED SALON SUITE, comprising a sofa with shaped back and central buttoned upholstered panel within a scrolling moulded and leaf-carved surround and twin raised button ends above a similarly upholstered seat and serpentine seat rail on cabriole legs, with similar button upholstered armchair, side chair and six parlour chairs all ensuite (9)

1073 A REGENCY ROSEWOOD CIRCULAR TOP DINING TABLE, the broad top on a square tapering column on a quadriform base with four turned feet and recessed castors, 48½" wide

£1,500-3,000

1071 A REGENCY MAHOGANY AND EBONY STRUNG SECRETAIRE CABINET, the scrolling pediment and central vase ornament above twin glazed doors with arched glazing bars and shelved interior above a deep fitted secretaire drawer with brass ring-handles and twin panelled cupboard doors, on short turned legs, 36½" wide

£1,000-2,000

£200-400

1074 A SET OF SIX REGENCY BAR-BACK DINING CHAIRS with broad dished backs above carved crossrails with drop-in seats over caned bases, with turned and reeded front legs, 24" high (6)

£300-500 132

£300-500

1075 A DUTCH WALNUT AND BURR WALNUT DISPLAY CABINET, the glazed upper section with twin doors beneath a wavy cornice and enclosing a shelved interior, above twin panelled doors, on bun feet, 18th century, 74" wide

ÂŁ2,500-4,500

133

Lot 1081

1079 A REGENCY ROSEWOOD 'X' FRAME STOOL, the upholstered seat with later needlework cover on shaped 'X'-frame supports with turned crossrail, 25" wide

1076 A 19TH CENTURY FRENCH SECRETAIRE A ABBATANT with an overhanging arched cornice above a single frieze drawer and fall-front enclosing a fitted interior with a central pair of cupboard doors with carved panels, surmounted by columns and an arrangement of short drawers with satinwood veneered and decorated fronts, all above an enclosed recess, two columns of four short drawers and drapery effect front, all between rail columns, 42" wide

£300-600

Provenance: A gentleman's residence in Kensington, London W8

£200-400

1080 A GEORGE III STYLE WING-BACK ARMCHAIR with upholstered back with shaped wings and upholstered arm supports, on square legs with 'H' form stretcher, 41½" high

1077 A SET OF REGENCY MAHOGANY BED STEPS with three leather mounted steps, two with rising lids between scrolling and carved side panels,19th century and later, 24½" high

£180-250

£200-400

1081 A PAIR OF 19TH CENTURY MENDELSHAM ARMCHAIRS with tapering rectangular backs with turned uprights around a central pierced splat and ball decoration, with outswept arms with shaped elm seats, on turned legs and stretcher, 33" and 32" high (2).

See illustration

1078 SPARE LOT

134

£400-600

Lot 1087

1085 A PAIR OF GEORGE III STYLE ARMCHAIRS, each with shield-shaped backs and pierced splats, all over carved with neo-classical fan motifs, flowers and paterae, with outswept arms, upholstered seats and serpentine seat rails, on square tapering moulded legs with spade feet, 27" high (2)

1082 A PAIR OF GEORGE III STYLE PARQUETRY AND SATINWOOD LAMP TABLES, with rectangular tops with geometric parquetry decoration within rosewood crossbanded and satinwood strung borders, above a single frieze drawer with oval gilt metal handles on square tapering legs with 'X' form stretchers, 21½" wide (2)

£1,500-2,500

1086 A 19TH CENTURY FRENCH LOUIS XVI STYLE WALNUT SIDE TABLE, with kidney-shaped rouge marble top with brass gallery above two bow-fronted drawers with chequered parquetry inlay and gilt brass ribbon-tie loop handles, on sabre legs with brass toe caps, 24" wide

1083 A CONTINENTAL LEATHER UPHOLSTERED DAY BED, the stained wooden frame with scrolling arm supports and leather upholstered back and leg, the rest with laced seats, 74" long

£250-450

£1,000-2,000

£200-400

1087 AN OAK DRAW-LEAF DINING TABLE, the rectangular top with twin extending leaves, on a moulded frieze on four heavy cup and cover legs and rectangular section stretcher, 29" wide (fully extended), 17th century and later.

See illustration

1084 A CHARLES II STYLE HIGHBACKED ARMCHAIR, with an upholstered tapestry covered back, above scrolling leaf-carved arm supports and upholstered seat on similarly scrolling and reeded legs and stretcher, 45" high £200-400

135

£500-1,000

1094 A VICTORIAN HEXAGONAL HANGING HALL LANTERN, the six glass sides with etched and stained scrolling decoration, within a cast frame, 11" wide

1088 A GEORGE II OAK CHEST OF DRAWERS, the rectangular top above four long drawers with varied block front decoration and brass drop-handles and key escutcheons, on bun feet, 37" wide, 17th century and later

£500-1,000

£150-250

Provenance: A gentleman's residence in Kensington, London W8

£200-400

Provenance: The Collection of James Fairfax A.C., Stanbridge Mill, Gussage All Saints, Dorset.

£300-500

£100-200

£300-500

1098 A VICTORIAN ROSEWOOD BREAKFAST TABLE, the circular top on a bulbous octagonal column and triform base with scrolling feet and recessed castors, 52½"

£200-400

£300-600

1099 A GEORGE III MAHOGANY CHEST ON CHEST, the upper section with a broad cornice above a running frieze, and three short and four long graduated drawers with cast brass handles and key escutcheons, all between canted fluted columns, the lower section with four further long graduated drawers, on bracket feet, 43½" wide.

See illustration

1093 A MONUMENTAL FLEMISH LIGHT OAK CABINET of 17th century design, the twin panelled and geometric moulded doors flanked by twist columns surmounted by carved architectural cherubs masks surmounted by a wide moulded and stepped pediment, with a baroque shell and acanthus leaf scroll, the base with two drawers on large compressed bun feet, 82" wide.

£200-400

1097 A 19TH CENTURY DUTCH WALNUT AND MARQUETRY TWOPART CORNER CUPBOARD, the upper section with a moulded cornice and central scrolling detail above a bow fronted door and side panels, all over inlaid with marquetry flowers, birds, vases and other motifs, the lower half similarly decorated, 81" high

1092 A CONTINENTAL WALL MIRROR, the rectangular plate within a gilt and mirror mounted frame, the frame sent with contrasting angled rectangular mirror plates, possibly Venetian, 19th century, 33½"

£200-400

1096 A GEORGE III MAHOGANY SQUARE TIP-TOP OCCASIONAL TABLE, the top on a turned and tapering column and three downswept legs and pad feet, 29" high

1091 A PAIR OF EMPIRE WALNUT AND EBONISED FRAMED WALL MIRRORS, in the manner of George Bullock, ach with rectangular plates within flat-fronted burr walnut veneered surrounds with applied roundels to each corner, beneath a scrolling cornice with leaf-carved decoration, 24" high (2)

1090 A CARVED AND PAINTED ARCHITECTURAL WALL MOUNT of baroque scrolling design, with leaves picked out in red and gold, 25" high

Provenance: The family home of Neville Chamberlain.

1095 A SET OF EIGHT EDWARDIAN CANED DINING CHAIRS comprising six standard and two armchairs, each with circular backs with a central turned boss within radiating cane work, above similarly caned seats, on square tapering legs with spade feet, 39" (8)

1089 A GEORGE III GILT FRAMED WALL MIRROR, the rectangular plate with rounded top corners and gently bevelled plate, within a moulded and carved frame, with scrolling cresting, 23" high

£500-800 136

£800-1,500

Lot 1099

137

1100 A REGENCY PIER GLASS with a gilt and faux-marble cornice above a rectangular plate between triple cluster column side mounts, with all over faux marble decoration, 32" high

1106 A GEORGE III OAK CORNER CUPBOARD, the upper section with a moulded cornice above twin two-panel doors and a central small drawer flanked by two dummy drawers and twin panel cupboards, on bracket feet, 43" wide

£300-500

1101 A GEORGE II OAK OCCASIONAL TABLE, the oval walnut top with a moulded border on tapering turned legs, rectangular stretchers and turned feet, 20½" wide

Provenance: The Collection of James Fairfax A.C., Stanbridge Mill, Gussage All Saints, Dorset.

£200-400

1107 AN EARLY 20TH CENTURY LOUIS XV STYLE KINGWOOD BUREAU DE DAME with a "vernis martin" painted scene to the roll top, with applied gilt rococo style metal mounts and galleried top, with frieze drawer, on cabriole legs, 29¾" wide

1102 A WILLIAM AND MARY WALNUT VENEERED CUSHION FRAMED WALL MIRROR, the rectangular plate within a moulded border and swept frame, 18½" high

1103 A GEORGE III STYLE BLUE PAINTED OVAL WALL MIRROR, the shaped plate within a surround of entwined bulrushes tied in a bow at the base, with traces of original paint, 18th century and later, 44" high Provenance: McWhirter of London

The Collection of James Fairfax A.C., Stanbridge Mill, Gussage All Saints, Dorset.

£500-1,000

1105 A PAIR OF CONTINENTAL FRENCH WALL MIRRORS, of Rococo design, the rectangular plates within moulded and gilt frames with all over scrolling and foliate decoration, with a central rococo scrolled cresting, the bases with three light gilt metal candle branches with leaf-effect sconces, 18th/19th century, one apparently retaining the original plate, 30" wide.

See illustration Provenance: The Collection of James Fairfax A.C., Stanbridge Mill, Gussage All Saints, Dorset.

£3,000-6,000

Provenance: The Collection of James Fairfax A.C., Stanbridge Mill, Gussage All Saints, Dorset.

£200-400

1110 A GILT FRAMED WALL MIRROR with a central rectangular bevel edged plate surrounded by shaped plates, within a scrolling rococo frame with all over carved scrolls and detailing, 18th century and later, 62" high

£200-400

£300-600

1109 A TIBETAN PAINTED AND CARVED WOOD OCCASIONAL TABLE, the circular top decorated with a dragon, on three similarly carved legs, 15½" wide

1104 A GEORGE III MAHOGANY BOW FRONT SIDEBOARD, the shaped top with broad crossbanding, above a bow front drawer with gilt brass ring handles, flanked by two deep drawers, on square tapering legs with spade feet, 72" wide

£300-600

1108 AN ADAM STYLE GILT FRAMED WALL MIRROR, the oval bevel edged plate in a moulded surround surmounted by a neo-classical urn and scrolling foliate encrusted scrolls, flanked by winged griffins above further scrolls, 56" wide

£300-500

£300-500

Provenance: A gentleman's residence in Kensington, London W8

£800-1,500

1111 A REGENCY GILT-FRAMED SECTIONAL WALL MIRROR, the central three-part rectangular plate within a broad moulded surround with carved decorated corners, resting on a gilt section with scrolling carved decoration and ebonised moulded base and surmounted by a similar cornice and scrolling cresting, 113" high

138

£300-500

Lot 1105

139

Lot 1117

1115 A LOUIS XVI STYLE CONTINENTAL TWO-SEAT SETTEE, the rectangular back with serpentine top rail, with twin arm supports on carved uprights, with an over-stuffed seat on a serpentine seat rail with all over carved and foliate decoration, on short cabriole legs, 56" wide

1112 A GEORGE II WALNUT POLE SCREEN with a chinoiserie gros and petit point rectangular banner, on a tripod base, 16½" wide

£200-400

1113 A GEORGE III MAHOGANY CELLARETTE, the rectangular top with chequered stringing above a plain front, on a base fitted with a single short drawer, on square tapering legs with spade feet, 18" wide

1116 AN EDWARDIAN MAHOGANY FALL FRONT WRITING DESK, the shallow rectangular top with a moulded border above a fall front with twin fielded panels enclosing a fitted interior with stationary rack, on rectangular uprights and platform base with brass castors, 23" wide

£200-400

1114 A CONTINENTAL WALNUT CHEST OF DRAWERS, the rectangular top above a single long, blind frieze drawer and three further drawers between serpentine fronted columns, on block feet, 43¼" wide

£250-450

£80-150

1117 A VICTORIAN CIRCULAR BREAKFAST TABLE, on a turned and carved column with four downswept legs with leaf carved decoration and scroll feet and recessed castors, all over later painted in cream and grey, the top with a central compass point motif surrounded by the signs of the zodiac, 48" wide.

£200-400

Provenance: A gentleman's residence in Kensington, London W8 See illustration.

140

£500-1,000

Lot 1123

1121 A PAIR OF GEORGE III STYLE PEDESTAL CABINETS with rectangular tops with canted corners above twin short frieze drawers between egg and dart moulding and twin panelled doors with applied moulded borders, on a conforming plinth base, 49½" wide

1118 A LOUIS XVI STYLE PEDESTAL, the square top on a fluted column with applied gilt tapering ball details, on a stepped base, 15½" wide

£100-200

1119 A REGENCY MAHOGANY SIDE CABINET, the shaped top with a reeded border and indented corners above twin panelled doors between inset quarter columns, on short turned and reeded legs, 39" wide

1122 A LOUIS XVI STYLE SIDE CABINET with a pale variegated rectangular marble top, above three panelled doors with all-over gilt brass mouldings and between brass fluted columns, on a plinth base, 69" wide

£150-250

1120 A VICTORIAN AESTHETIC PERIOD WALNUT CABINET, with twin glazed doors with bevelled panes and pierced and engraved strap hinges, above conforming panelled doors, on a plinth base, 38" wide

£300-500

£300-500

1123 A WILLIAM AND MARY OYSTER WALNUT VENEERED CHEST OF DRAWERS, with two long and three short drawers, on turned ball feet, 37” wide See illustration.

£250-450

141

Provenance: The Lebedev collection , Stud House, Hampton Court Palace.

£3,000-6,000

Lot 1129

1127 AN OAK SIDE TABLE with a rectangular two planked top on a shaped frieze and turned legs with rectangular moulded stretchers, late 17th/early 18th century, 30" wide

1124 A BIEDEMEIER STYLE DISPLAY CABINET with a triangular cornice above an inlaid frieze and twin glazed doors enclosing a shelved interior, the doors between ebonised and gilt-metal columns, with two classical female heads, above a single frieze drawer, on block feet, 39" wide

1128 A REGENCY OVAL 'NINE PLATE' WALL MIRROR, the central oval bevel edged plate within a border of eight radiating plates within a reeded and ribbon-tied surround surmounted by a scrolling ribbon ornament, 43" wide

£250-450

1125 A CONTINENTAL WALNUT CHEST OF DRAWERS, the rectangular top with a moulded front above three drawers with brass handles and a central pierced key escutcheon, on a conforming wavy-edged frieze and short cabriole legs with ball-and-claw feet, 36" wide

£200-400

1129 A WILLIAM IV RECTANGULAR OVAL OVER-MANTLE MIRROR, the broad rectangular plate within a reeded ebonised filet and gilt surround with column-effect border, with scrolling gilt foliate corners and brackets, 64" wide.

See illustration

£200-400

1126 A PAIR OF WILLIAM IV ROSEWOOD STOOLS with button upholstered seats on turned tapering legs, 14" wide (2)

£200-400

£300-600

142

Provenance: Wadbury House, Mels Frome, Somerset.

£2,000-4,000

Lot 1132

1132 A VICTORIAN GILT-METAL AND CUT-GLASS HALL LANTERN, with four curved cut panes within a scrolling frame with foliate pinnacles and pierced border, 28".

See illustration.

1130 A WILLIAM IV ROSEWOOD BREAKFAST TABLE, the circular top on a tapering column support and platform base with three circular reeded feet with recessed castors, 48" wide

£200-400

1131 A VICTORIAN GILT-BRASS HANGING LIGHT FITTING with six radiating naturalistic branches, fitted for electricity with flower-head sconces and leaf effect support, 27" high

Provenance: A gentleman's residence in Kensington, London W8

£200-400

Provenance: A gentleman's residence in Kensington, London W8

£400-600

1133 A CHIPPENDALE STYLE GILT WOOD wall mirror, the rococo style frames surmounted by a pillared rolling cartouche, the plate with wavy border surrounded by conforming scrolling decoration, 44" high

143

£500-1,000

1134 A CHARLES II FLORAL MARQUETRY CHEST OF DRAWERS, with two short and three long graduated drawers on bun feet, 39” wide £4,000-6,000 Provenance: Private collection, Devon

144

1135 NAPOLEON BONAPARTE: AN EMPIRE MAHOGANY AND PARCELGILT FAUTEUIL with a caned back and seat and a cruciform back centred by an oval patera, on Egyptian-head caryatid front legs, circa 1810, 24” high.

Provenance: The chair with a label stating “This chair of the Napoleonic Period belonged to Princess Murat and was presented to the Bournemouth Natural Science Society by Field Marshal Lord Grenfell, GCB, GCMG, FSA, being a part of his Napoleonic Collection.

February 1920”

Princess Marie Antoinette Murat was the niece of Joachim Murat, King of the Two Sicilies from 1808 to 1815 and brother-in-law to Napoleon through marriage to Napoleon’s youngest sister, Caroline Bonaparte.

£800-1,600

145

1136 A LARGE PAIR OF VICTORIAN GILT-FRAMED OVAL WALLMIRRORS, the broad plates within a border of intertwined foliate decoration within an outer leaf and ribbon tied border and scrolling crestings, 68" high (2).

See illustration.

ÂŁ3,000-6,000

146

1137 A PAIR OF GEORGE II STYLE WALNUT POLE SCREENS with 18th century needlework banners depicting mythological subjects, the stands with tripod bases, the banners 22" x 17¼" (2).

See illustration Provenance: North Mymms Park, Hatfield, Herfordshire

£600-1,200

1138 A QUEEN ANNE STYLE GILTWOOD WALL MIRROR, the two-part plate with a scrolling top within a moulded, matted and incised surround and shell and foliate carved cresting, 51".

See illustration.

Provenance: A gentleman's residence in Kensington, London W8

£300-600

1138A A GEORGE II STYLE WALNUT WING ARMCHAIR upholstered in gros and petit point needlework depicting figures, flowers and animals, on cabriole legs ending in pad feet, 32" wide.

See illustration

£800-1,200

147

1139 AN IMPORTANT ANGLO-SAXON STONE MARKER OR CROSS-SLAB FRAGMENT the front panel carved with a Celtic style cross, the top panel carved with a mythical beast, 10th/11th century, 21.5" high x 15" wide x 7.5" depth

Expert opinions differ on the original use for this piece, most scholars believe the piece either formed part of an standing stone cross, or is a grave marker. An architectural usage has also been suggested, possibly forming part of a decoration around an internal doorway or window.

Provenance: Acquired by the vendor from a garden in Wilmslow, Cheshire

It has also been suggested that the carving of the mythical beast is from an earlier date to the cross

Top detail

148

Duke's are grateful to the various scholars and experts for their assistance in cataloguing this lot.

1140 AN IMPORTANT ROMAN MARBLE SARCOPHAGUS the frontal panel carved with river gods holding cornucopiae reclining on dolphins flanked by palm trees and centred by cupid embracing a mourning figure, the ends carved with winged griffins, probably 2nd/3rd century, 46” wide x 15” high x 21” deep Provenance: Private Collection, Oxfordshire

We are grateful to Laurence Keen O.B.E. F.S.A. for his assistance in cataloguing this lot

Side detail

149

Lot 1141

1142 A REGENCY MAHOGANY SOFA TABLE with carved rope-twist decoration, two drawers, standing on a shaped base with twisted supports and splayed legs terminating in brass heavy paw castors, 66" wide

1141 A GEORGE III MAHOGANY WINE COOLER, the octagonal top inlaid with a central radiating medallion enclosing a fitted interior with lead lining, the tapering sides with twin carrying handles, on square tapering legs with small brass castors, 20" wide.

See illustration

£800-1600

£500-1,000

1143 A GEORGE III MAHOGANY GAMES TABLE with a central sliding compartment above a drawer, flanked by deep flaps, on a turned column with three splayed legs terminating in brass castors, 33¾" wide

150

£300-600

1144 A LATE GEORGE III MAHOGANY SERVING TABLE, in the manner of George Smith, the broad rectangular top with a dished reeded drawer with central ebonised lion mask handle, flanked by conforming reeded side panels, on six turned tapering reeded legs with leaf caps and turned feet, 79" wide.

ÂŁ5,000-10,000

151

1145 AN IMPORTANT PAIR OF MAHOGANY GAINSBOROUGH CHAIRS. in the manner of Giles Grendy, with serpentine backs and padded arms over vitruvian scroll friezes, on bold shell-carved cabriole legs ending in ball and claw feet, 37” high x 31” wide (2)

£8,000 – 12,000

152

1146 AN IMPORTANT PAIR OF MAHOGANY GAINSBOROUGH CHAIRS. in the manner of Giles Grendy, with serpentine backs and padded arms over vitruvian scroll friezes, on bold shell-carved cabriole legs ending in ball and claw feet, 37” high x 31” wide, ensuite with the previous lot (2)

£8,000 – 12,000

153

1147 A PAIR OF DUTCH BRASS CHANDELIERS, each with central columns with a vase-shaped ornament above a central orb and a broad ring terminal, with two tiers of six scrolling candle branches with ringed sconces above broad drip pans, and bunched decoration, 17th/18th century, 26" high x 28" wide.

See illustration

ÂŁ8,000-15,000

154

155

1148 Ernest Gimson (1864 - 1919): AN OAK AND SYCAMORE DINING TABLE, the two plank sycamore top united by seven butterfly joints, the square legs joined by a chamfered variant of a ‘hay-rake’ stretcher with exposed through-tenon, 72” wide.

Provenance: A weddding present from Ernest Gimson to his nephew Harold Gimson on his marriage to Marjorie in 1915, and thence by descent until 2006.

The row of ‘butterfly’ or ‘double dovetail’ joints that secure the two planks of Sycamore that form the top of this table are both functional and decorative. An identical use of these joints can be seen on the fine walnut and macassar ebony dining table designed by Gimson at the same date which is now in the collection at Cheltenham museum and art gallery. This table and the joints are illustrated on page 97 of Carruthers and Greensted ‘Good Citizen’s Furniture, 1994. The typically ‘Cotswold School’ stretcher with flattened profile and chamfered edges is characteristic of Gimson’s work at this date and the links to the traditional carts and farm implements that Gimson and his colleagues were inspired by are clear. The addition of the rising ‘wishbone’ support that joins the stretcher with a cross rail beneath the sycamore top makes this an unusual version of the more familiar heavily jointed ‘hay-rake’ stretcher. Functional as well as highly decorative, this feature typifies the unique contribution made by Gimson and Ernest and Sidney Barnsley to furniture design at the beginning of the twentieth century.

£5,000-10,000

156

157

1149 Attributed to Morris and Co: An Arts and Crafts Tapestry worked with the tree of life with large scrolling foliage around a tree with smaller surrounding leaves and foliage and with pomegranates to the upper branches.

The tree against a blue background and between the motto ‘God saw that it was good’ and ‘& the evening the morning were the third day’. 110” x 84”

Provenance: Wadbury Manor, Frome, Somerset, Private collection.

This tapestry bears a resemblance to the famous Woodpecker tapestry that now hangs in the William Morris Gallery, Walthamstow. This is perhaps the best known tapestry from the Arts and Crafts period, it represents Ovid’s tale of King Picus which is set against a similarly drawn tree with large scrolling leaves to the lower part, smaller leaves to the background and with fruit to the upper branches. The technique of contrasting larger design elements with smaller less brightly detailed foliage behind was used regularly by Morris as a way of creating variety and depth across a flat surface, the colours selected for this design are also reminiscent of his work. With two lines of text from Genesis this tapestry depicts the ‘Tree of Life’ albeit with typically ‘Arts and Crafts’ lillies and daisies to the background.

£3,000-5,000

END OF SALE

158

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Duke’s A UCTIONEERS SINCE 1 8 2 3

Glossary of Cataloguing Terms The auctioneers are always pleased to discuss individual lots with prospective purchasers prior to the auction and will provide condition reports on request. If you require clarification of any terms employed in the catalogue please do not hesitate to seek advice. The auctioneers are also pleased to discuss lots which may have been altered, repaired, or restored.

The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description. The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice.

With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation.

Care is taken to ensure that any statement as to authorship, attribution, origin, date and provenance is reliable and accurate, but all such statements of opinion and are not to be taken as statement or representations of fact. Hy. Dukes & Son reserve the right, in forming their opinion, to consult and rely upon any expert or authority reasonably considered by them to be reliable.

Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

Paintings, Drawings and Prints A work catalogued with the forename(s) and surname or recognised designation of an artist is, in our opinion, a work by the artist, e.g.

NICHOLAS CHEVALIER Attributed to NICHOLAS CHEVALIER ... in our opinion a work of the period of the artist which may be in whole or in part the work of the artist.

Manner of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but of a later date.

Studio of NICHOLAS CHEVALIER ... in our opinion a work by an unknown hand, which may have been executed in the studio of the artist.

After NICHOLAS CHEVALIER ... in our opinion a copy of any date after a work by the artist.

Circle of NICHOLAS CHEVALIER ... in our opinion a work from the period of the artist and showing his influence.

Follower of NICHOLAS CHEVALIER ... in our opinion a work executed in the style of the artist but not necessarily by a pupil.

Signed/inscribed/dated NICHOLAS CHEVALIER ... in our opinion the work has been signed/inscribed/dated by the artist.

Bears signature/inscription/date NICHOLAS CHEVALIER ... in our opinion the signature/inscription/date are probably not by the. hand of the artist.

The addition of a question mark after any of the cataloguing terms in the above glossary indicates an element of doubt.

The term 'ascribed to' may in certain cases be used to denote a traditional attribution based on style.

A work catalogued as 'School' accompanied by the name of a place or country and a date mean that in our opinion the work was executed at that time and in that location, e.g. Dutch School, circa 1700.

All reference to signatures, inscriptions and dates refer to the present state of work, i.e. as at the time of inspection for the purpose of cataloguing.

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

Artist’s Resale Right From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work

JEWELLERY The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer.

All weights and measurements provided are approximate only.

Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots.

Items containing rubies or jade/jadeite of Burmese origin are not permitted for import by the USA.

Duke’s A UCTIONEERS SINCE 1 8 2 3

CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

1 DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

9

2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

12 AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

3 INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4 THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 22% plus VAT on the premium at the rate imposed by law.

5

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 20% on the buyers premium.

6 PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(3) The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately.

7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13 TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14 DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15 FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

16 GENERAL

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

(1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

(4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

(5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

(6) English law applies to the interpretation of these Conditions.

16 DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the telephone cannot be made for invoices totalling more than £200 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance).

161

Duke’s A UCTIONEERS SINCE 1 8 2 3

CONDITIONS OF SALE (continued) CHEQUES The Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day.

Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day.

A Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day. Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank.

Live Bidding Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.

P lease note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy.

THIRD PARTY LIABILITY Any person or his personal property at or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur.

IMPORTANT NOTICE TO BUYERS OF FURNITURE All items are held at the risk of the Buyer. If they are not removed within 5 working days of the sale the Auctioneers will instruct a carrier to remove them to storage. The Buyer will be responsible for paying the aforementioned carrier all charges incurred and for making arrangements in advance for the removal of items from their store after payment of their charges on production of our reciept for the items.

IMPORTANT NOTICE TO BUYERS OF WILDLIFE MATERIAL Property made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife, including but not limited to, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone and certain species of coral, together with Brazilian rosewood, may require permits or certificates (e.g. a CITES permit) from the relevant regulatory agencies to be exported or imported. Prospective purchasers are also advised that some countries prohibit altogether the importation as well as exportation of such materials.

Accordingly, clients should familiarise themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country.

Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered or protected wildlife material. The inability of a client to export or import property containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale.

Duke’s AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part.

I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue.

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Grove Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

Lot No:-

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Duke’s AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part.

I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue.

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

£’s

Lot No:-

Grove Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101 164

Duke’s Thursday, 4th and Friday, 5th December. Silver and Jewellery.

Silver and Jewellery

2014

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT

Thursday, 4th and Friday, 5th December