Duke's 12th and 13th June 2014

Duke’s Thursday, 12th and Friday, 13th June. Silver, Jewellery and Furniture.

2014

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT

Silver, Jewellery and Furniture Thursday, 12th and Friday, 13th June

Duke’s AUCTIONEERS SINCE 1823

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If you require further information please refer to the buyer’s guide on page 3, visit our website, or contact Stephanie Smith.

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Duke’s AUCTIONEERS SINCE 1823

area representatives Wiltshire & Cranborne Chase Sir Michael Salt, Bt (01258) 860259 The Isle of Wight Anthony Blest (01983) 760460 Devon Chris Bolton F.R.I.C.S. (01297) 32351 Cornwall Charles Cox (01840) 261085 Bristol & North Somerset Michael Liversidge (01305) 265080 Hampshire Robert Nevin (0203) 4419830 North Of England Nick Bray 07860 642488

Duke’s AUCTIONEERS SINCE 1823

B U Y E R S I N F O R M AT I O N Commission bids: If you are unable to attend the auction in person we will be pleased to execute commission (absentee) bids on your behalf. Lots will be purchased as cheaply as allowed by other bids and reserves Commissions must be received at least 24 hours before the auction.

Illustrations: If you would like a more detailed image of an illustrated lot, or an image of an item which is not illustrated, we will be delighted to send them by email. Requests must be received 24 hours before the auction.

Telephone bidding: If you wish to bid on a major lot over the telephone we will do all we can to assist you, but lines should be booked at least 48 hours before the auction.

Estimates: Estimates are prepared well in advance of the auction and are subject to revision. Our specialists are always pleased to discuss individual lots with intending purchasers.

Condition reports: An indication of condition is not generally printed in the catalogue, but prospective buyers are welcome to request a condition report up to 48 hours before the auction.

Please bear in mind that whilst we endeavour to provide an accurate representation the ultimate responsibility is with the buyer and we strongly recommend you personally view any lots on which you intend to bid.

Credit Cards: There is a 3% surcharge on credit charge transactions. Payment may be made by credit card or debit card over the telephone up to a maximum of £500 only.

Deposits: The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately.

Buyer’s Premium:

22% plus VAT on the hammer price.

Artist’s Resale Right: 5From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work.

Collection: Our offices are open Monday to Friday, 9am - 5.30pm. We are pleased to recommend reputable carriers and can advise on air-freight and other forms of despatch. Items of furniture not collected within 5 working days will be transported to storage at the buyers expense.

Online Bidding Online bidding is available for this sale at www.the-saleroom.com. All you need is a computer or laptop and an internet connection. You will be able to bid in real time; a live audio feed means you can hear the Auctioneer at exactly the same time as the other bidders. You will see the lots on your computer screen as they appear in the auction room and the Auctioneer is aware of your bids the moment you make them. Please refer to our terms and conditions of sale for charges.

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PAINTINGS AUCTION: 25th September 2014 Last date for entries: 22nd August

MARY FEDDEN (1915-2012) ‘Gozo: The yellow car’ Signed lower right Oil on board, 10” x 11½” Provenance: Private collection, Bristol Estimate: £2,000-£3,000

MARY FEDDEN (1915-2012) Still life study of fruit on a checquered cloth Signed lower left and dated 1989 Gouache on paper, 7” x 7¾” Provenance: Brendan Garrynathan Dec’d Estimate: £800-£1,600

Duke’s AUCTIONEERS SINCE 1823

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Duke’s AUCTIONEERS SINCE 1823

VIEWING TIMES Saturday, 7th June, 9.30am - 12noon Monday, 9th June, 9.30 am - 5pm Tuesday, 10th June, 9.30am - 7pm Wednesday, 11th June, 9.30am - 5pm and on the morning of the auction days.

Catalogues £20.00 (by post)

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T he S iva S waminathan C o l l ection of S amp l ers AUCTION: 31st July 2014

A refined collection of over thirty samplers dating from the late 17th to the mid 19th century

Duke’s AUCTIONEERS SINCE 1823

Duke’s AUCTIONEERS SINCE 1823

Thursday, 12th June 2014, 10.30am Lots 1 – 6 Silver Plate Lots 10 - 91 Silver Lots 100 – 140 Small Silver and Vertu Lots 150 - 205 Flatware Lots 240 - 269 Portrait Miniatures and Objets du Vertu Lots 280 - 368 Coins Lots 369 - 371 Medals Lots 380 - 410 Pocket Watches Lots 420 - 439 Ladies Wristwatches Lots 440 – 449 Gentlemen’s Wristwatches

Friday, 13th June 2014, 10.30am Lots 600 - 831 Jewellery Lots 900 - 954 Boxes, Caddies, Wine and Works of Art Lots 955 – 967 Clocks and Scientific Instruments Lots 970 – 1041 Furniture

View images of all lots and bid live online

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THURSDAY, 12 t h JUNE 10.30A M

Silver

Detail of lot 65 9

SILVER PLATE AND RELATED ITEMS

Lot 1

Lot 4

4 A PAIR OF OLD SHEFFIELD PLATE THREE LIGHT CANDELABRA, 19th century, with urn-shaped capitals and detachable arms, on knopped stems and oval bases, monogrammed, 17" high.

See illustration

1 A VICTORIAN ELECTROPLATED PICNIC SET after a design by Christopher Dresser, made by Hukin & Heath, retailed by Leuchars & Son, London and Paris.

Comprising: a kettle on stand, a teapot, a burner, a tea canister, a milk flask and a cream jug of circular tapering form, with wicker handles, monogrammed, also bearing a registration mark, the kettle on stand 9" high, in a velvetlined travelling case with a fabric cover.

See illustration

5 A PLATE ON COPPER WAX JACK of spherical form with a pierced wirework body and a loop handle on a circular pedestal base, 6" high, and another (2)

£100-200

2 A PAIR OF ELECTROPLATED CANDLESTICKS with waisted knopped stems and swirl acanthus leaf decoration, filled bases, 10½" high

£60-120

6 A MATCHED PAIR OF ELECTROPLATED NOVELTY HONEYPOTS modelled in the form of bees with red glass bodies, the hinged lids in the form of wings, one engraved with a presentation inscription "Presented to the Mayoress on opening the Andover Swimming Pool built by W. Bell & Sons", by Mappin & Webb Ltd, 4" high x 7" long.

See illustration

£60-120

3 MATTHEW BOULTON: A PAIR OF OLD SHEFFIELD PLATE CANDLESTICKS with tapering circular stems and gadrooned borders, on circular bases, each bearing a double sunburst mark, 8" high

£200-400

£50-100

£200-400

7-9 Spare lots

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Lot 6

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SILVER AND RELATED ITEMS

10 A DISH of shaped circular form, the border pierced with trailing vines and flowerheads, on a tucked-in circular foot, by HA, Sheffield 1936, retailed by JR Ogden & Son of Harrogate, 8½" dia. (c.16oz)

Lot 13

£100-200

11 A DISH of shaped oval form with cast pierced feet, by George Jackson and David Fullerton, London 1914, 7" long, (c.8.6oz), and a pair of boat-shaped salts

£80-160

12 A VICTORIAN SWEETMEAT BASKET of oval form with a swing handle and pierced body, on a tucked-in oval foot, by HA, Sheffield 1893, 5½" high (with handle extended) (c.4.8oz)

Lot 15

£80-160

13 A SALVER of shaped square form with a raised border, on four scroll feet, by RS/WS, London 1928, also bearing a retailers mark of Sorley of Glasgow, 14" wide, (c.44oz).

See illustration

£300-600

14 A GEORGE III CREAM BOAT of shaped oval form, with a leaf-capped flying scroll handle, crested, on hoof feet, makers mark rubbed, London 1761, 5" long, (c.2.6oz)

£80-160

15 A PAIR OF ARTS AND CRAFTS CANDLESTICKS with tapering square stems and circular drip pans, on studded square bases, by James Dixon & Sons, Sheffield 1907, filled, 9" high.

See illustration

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£300-600

16 A TROPHY CUP AND COVER of circular tapering form with leaf-capped scroll handles and pull-off domed cover, applied with the royal coat of arms, by Carrington & Co., London, 1947, 6" high (c.11.6oz)

Lot 18

£80-160 17 A LATE VICTORIAN THREE PIECE TEA SET of faceted circular form with scroll borders and angular handles, on scroll and shell feet, by FBS Ltd, Sheffield 1900, the teapot 5¾" high, (c.20oz)

£150-250

18 GRANT MACDONALD: A MATCHED SET OF FOUR GOBLETS of tapering circular form with gilt interiors, on textured stems, on circular bases, two London 1972, two London 1977, 5½" high (c.25oz).

See illustration

Lot 20

£200-400

19 A PAIR OF CANDLESTICKS with waisted knopped stems and square capitals, on shaped square bases, filled, by B.E.S. Co., Birmingham 1966, 9½" high

£150-250

20 AN ENTREE DISH AND COVER of cushion form with gadrooned and shell borders, with detachable handles, by J. Parkes, London 1913, 10" long, (c.52oz).

See illustration

£400-600

21 A PAIR OF LATE VICTORIAN CANDLESTICKS of column form, on square bases, filled, by William Hutton & Sons, Sheffield 1900, 5¾" high

£100-200

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Lot 23

Lot 26

26 A SET OF FOUR VICTORIAN NOVELTY PARCEL GILT SALT CELLARS with matching spoons, modelled in the form of ships baler buckets and ropes, by Edward H, Stockwell, London 1871, in a fitted case, each salt 1¾" high.

See illustration

22 A WILLIAM IV CREAM JUG of compressed circular form with scroll handle and gilt interior, by the Barnards, London 1832, 5" high, and a Victorian sugar bowl of circular form (c.12.9oz) (2)

£100-200

23 A VICTORIAN THREE PIECE TEA SET of oval form with scroll handles, the body engraved with swags and festoons, makers mark rubbed, London 1882/1883, the teapot 5½" high, (c.23oz).

See illustration

27 A VICTORIAN BEAKER of circular tapering form, with a floral embossed body, makers mark partially rubbed, London 1880, 4¼" high (c.3.9oz)

£200-300

24 A SET OF FOUR VICTORIAN SALTS of oval form with scroll handles, beaded borders and embossed bodies, by Aldwinckle and Slater, London 1882, 5" long (handle to handle) (c.9.4oz)

£80-160

28 AN EDWARDIAN AND LATER THREE PIECE TEA SET of oval form with angular handles, by TAV, Birmingham 1907/1910, the teapot 5½" high, (c.20oz)

£100-200

25 A VICTORIAN HOT WATER POT of baluster form with embossed decoration and wooden scroll handle, by JNW, London 1887, 8" high, and a chocolate/cafe au lait pot (2) (c.18oz weighable silver)

£600-800

£150-250

14

£100-200

29 AN EDWARDIAN PRESENTATION BOWL of circular tapering form, with a reeded slatted border, lions mask and swag decoration and ring handles, on a raised square base with pierced slatted borders and bracket feet, the whole on a wooden plinth with presentation plaque reading "Presented to Spencer W. Grant, Esq. by the owners of the Keate Estate as a token of esteem for the careful management of their property during the last 21 years June 1910", the bowl by M & Co., Sheffield 1909, the plaque London 1910, the bowl on plinth 10ž" high, (c.42oz).

See illustration

ÂŁ400-800

15

37 A PAIR OF WINE COASTERS of circular form with wooden bases, modern assay, 5½" dia.

30 A COFFEE POT of baluster form with a wooden scroll handle, by Goldsmiths & Silversmiths Company, London 1925, and a matching hot water pot, 7½" high, (c.25oz)

£200-300

38 A VICTORIAN THREE HANDLED SUGAR BASKET of circular form, with pierced decoration, crested, on hoof feet, (lacking liner), by TH & S, Birmingham 1864, 6" high (with handle extended), and a silver-mounted scent bottle with cut-glass body, (2)

31 A TEAPOT of circular tapering form, with scroll handle and faceted spout, on a circular foot, by Thomas Bradbury & Son, Sheffield 1937, 6½" high, (c.18oz)

£150-250

£250-450

£60-120

34 A GERMAN BOWL of shaped circular form with stylised border, the base bearing a German standard mark and marked 800, 11" dia. (c.10.9oz)

The inscription on this stand is taken from Robert Herrick's 17th century poem "To the Virgins, to Make Much of Time", the poem is in the genre of "Carpe Diem" which is Latin for "seize the day".

£500-1,000

41 A SAUCEBOAT of tapering oval form with a scroll handle, crested, by Walker and Hall, Sheffield 1918, 4½" high, and a cream jug, by Garrard & Co. Ltd, (c.17oz weighable silver) (2)

£100-200

36 AN EDWARDIAN THREE PIECE TEA SET of shaped rectangular form with angular handles, monogrammed, by AB, London 1906, the teapot 6" high, (c.33oz)

£80-160

35 AN INDIAN WHITE METAL SWING HANDLED BASKET of circular form, the border decorated with different animals, on a circular pedestal base, 8" high (with handle extended), and a bowl of similar style (2)

£100-200

40 AN ARTS AND CRAFTS STAND of circular pierced form, the upper frieze with Celtic style decoration and reading, "Gather ye rose buds while ye may, old time is still a flying", supported by oval upright sections embossed with classical figures, on a spreading circular ringed foot, the underside bearing a presentation inscription reading "From Alfred Hickson to his first great grandson Alfred Charles Simonds, February 2nd 1910", by David and Morris Davis, Birmingham 1908, 6" high x 6¾" dia. (c.43oz).

See illustration

33 A PAIR OF CANDLESTICKS of hexagonal form, filled, makers mark rubbed, Birmingham 1911, 5¼" high

£100-200

39 A PAIR OF BON BON DISHES of shaped square form, with pierced slatted decoration,

by Mappin & Webb, Birmingham 1920, 4¾" wide, and a jewellery box (3)

32 A TEAPOT of bullet form with scroll handle, faceted spout, on a circular foot, by Charles Boyton & Sons, London 1929, and a matching hot water pot, the teapot 6" high, (c.37oz weighable silver)

£80-160

£200-400

16

£100-200

Lot 40

17

Lot 42

Lot 44

45 A SUGAR CASTOR of shaped square form with pierced pull-off cover and reeded borders, by GT, Birmingham 1917, 8¾" high (c.7oz)

42 A FRENCH DOUBLE LIPPED SAUCEBOAT ON STAND of oval form with pierced branch style handles, on an oval foot, on a shaped oval base, circa 1880, 10" long, (c.19oz), and a Danish sauce ladle (2).

See illustration

46 A PAIR OF LATE VICTORIAN CANDLESTICKS of Corinthian column form on stepped square bases, filled,

by M. Bros., Birmingham 1899, 5" high

£200-400

43 A COFFEE POT of octagonal form with a scroll handle, by Hancocks, London 1910, 8½" high, (c.23oz)

£150-250

£60-120

47 A MALTESE MODEL OF A CANNON on a hinged stand with an applied crowned Maltese cross, on a wooden base, the cannon 9¾" long, 20th century.

See illustration

44 GUILD OF HANDICRAFTS: A SILVER GILT CHALICE with matching paten, the chalice of conical form, with ropework knopped stem, on a spreading circular foot, with a hammered finish, London 1949, the chalice 6" high, the patent 4¼" dia. (c.12oz).

See illustration

£60-120

£300-600

18

£300-600

Lot 47

51 A PAIR OF WHISKY NOGGINS of tapering circular form with hinged lids and kidney-shaped whisky labels, one by Saunders and Shepherd, London 1930, 4¾" high

48 A PAIR OF EDWARDIAN CANDLESTICKS of column form, with detachable circular sconces, on ribbon and reed bases, filled, by The Goldsmiths & Silversmiths Co., London 1907, 5½" high

£100-200

52 A PAIR OF WINE COASTERS of circular form, with slatted borders and wooden bases, by Thomas Bradbury & Sons, Sheffield 1923, 4¾" dia.

49 A VICTORIAN CHRISTENING MUG of octagonal form with a gilt interior, the sides chased with scrolls, initialled, by CL, London 1842, 4" high, (c.5oz), and a second Victorian example (2)

£100-200

£80-160

53 ORNITHOLOGICAL INTEREST: A SERIES OF THREE DISHES, each engraved with scenes of birds in flight, two signed "Peter Scott", 1971 & 1973 respectively, each by J.P. London 1971/1972/1973, 8" dia. (c.18.3oz)

50 A LATE VICTORIAN TEA CADDY of oval form with embossed decoration, by Jackson and Fullerton, London 1897, 3¾" high, and a similar example, (c.5.7oz weighable silver) (2)

£80-160

£100-200

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Sir Peter Markham Scott was a British ornithologist, conservationist, painter, naval officer and sportsman, Scott was knighted in 1973 for his contribution to the conservation of wild animals.

£150-250

54 A GEORGE III PAP BOAT of conventional form with a reeded border and gilt interior, crested, with later embossed decoration, by Emes & Barnard, London 1811, 5" long (c.1.9oz)

Lot 55

£80-160

55 A PARCEL GILT CHESS SET, the pieces modelled in the form of sea creatures and figures, on green hardstone bases, by AWW, Birmingham 1976, in a fitted case.

See illustration

£1,000-2,000

56 A MATCHED PAIR OF MUSTARD POTS of tapering circular form, with part fluted bodies, on square bases, by William Hutton & Sons, Birmingham 1904/1905, 3¾" high

Lot 57

£60-120

57 A GEORGE II BRANDY PAN AND COVER of circular form, with pouring lip and turned wooden handle, makers mark rubbed, possibly CH, London 1732, the pull-off cover by a different maker (WS), 11" long, (c.14oz).

See illustration

£300-600

58 A GEORGE II/III COFFEE POT of circular tapering form with scroll handle, hinged domed lid, knopped finial and faceted spout, later crested, the underside scratch initialled E.M S.T below 22/2, makers mark rubbed, London circa 1750, 9½" high, (c.22oz)

Lot 59

£200-400

59 A GEORGE II WAITER of shaped circular form with a raised rococo style shell and scroll border, engraved with a crest and armorial, on four scroll feet, the underside scratch engraved no. 5 and with a scratch weight of 13/6, by George Wickes, London 1745.

See illustration

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£400-800

60 A GEORGE III SALVER of circular form with a gadrooned border and engraved with a later crest, on gadrooned bracket feet, possibly by John Mewburn, London 1809, 10" dia. (c.21oz)

Lot 62 and 63

£150-300

61 A GEORGE III TEAPOT of oval form with gadrooned border and leaf capped scroll handle, on ball feet, by WB, London 1780, 11" long, (c.16oz)

£100-200

62 MATTHEW BOULTON: A PAIR OF GEORGE III SALTS of circular tapering form with gadrooned borders, with applied claw feet, Birmingham 1801, with later blue glass liners, 3½" dia. (c.9oz).

See illustration

Lot 65

£150-300

63 A PAIR OF GEORGE III SALTS of oval form, with gadrooned borders, crested, on extended hoof feet, by David Hennel I and Robert Hennel I, London 1766, 3¼" wide, (c.9oz).

See illustration

£150-300

64 A MATCHED GEORGE III THREE PIECE TEA SET of oval form, with scroll/angular handles, monogrammed, the body later embossed with foliate scrolls and birds, the teapot and sugar bowl possibly by Thomas Hayter, London 1808, the matched cream jug London 1800, the teapot 7¾" high, (c.27oz)

£250-450

Lot 66

65 A GEORGE III PROVINCIAL GOBLET of campana form, with reeded rim, embossed with branches and leaves, crested, with a fluted effect lower section and circular foot, no visible makers mark, York, 1799, 7¾" high, (c.13.5oz).

See illustration £600-800 66 A GEORGE I MUG of plain circular form with scroll handle, engraved with a monogram and crest, on a spreading circular foot, by John East, London 1722, 7¾" high, (c.7.3oz).

See illustration

£400-600

21

67 MATTHEW BOULTON: A SET OF FOUR GEORGE III CANDLESTICKS with tapering baluster stems, urn-shaped capitals, gadrooned borders and circular pull-off sconces, the lower sections with part-fluted decoration, on spreading circular bases, filled, Birmingham 1800, (one replacement sconce, one sconce missing), 12" high.

See illustration

Lot 68

Provenance: Dearden family of Rochdale. "Lomas of Manor Rochdale".

£2,500-3,500

68 A GEORGE IV IRISH TEAPOT of compressed circular form, with a leaf-capped scroll handle, flowerhead finial and gadrooned border, the body embossed with flowers and scrolls, monogrammed, on four leaf-capped feet, possibly by William Nolan, Dublin 1825, 6¾" high, (c.26.5oz).

See illustration

Lot 69

£200-400

69 A FRENCH BEAKER of squat circular form, with a flared reeded border, engraved with a cherub sitting on a barrel below the motto "Vive le joie", 18th century, 2¼" high (c.3.1oz).

See illustration

£150-300

70 A PAIR OF GEORGE III SAUCEBOATS of tapering oval form with leaf-capped scroll handles, the bodies with embossed scroll and flower decoration, on oval pedestal bases, by WS, London 1785, 5½" high, (c.12oz).

See illustration

Lot 70

£200-400

71 A CASED SET OF 35 STERLING SILVER MEDALS entitled "Peter Scott's British Birds", by John Pinches (Medallists of London), in a fitted case with a certificate of authenticity

£500-1,000

72 AN EDWARDIAN LADIES TRAVELLING VANITY CASE containing silver mounted brushes, bottles and accessories, in a satin-lined leather case, mixed makers and dates, Birmingham and London, circa 1905

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£100-200

Lot 67

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Lot 73

74 A 17TH CENTURY DUTCH SILVER GILT BEAKER of circular tapering form, the body engraved with a frieze of trailing flowerheads interspersed with oval cartouches containing figures, surrounded by foliate and geometric motifs, the lower section engraved with birds sitting on branches, on a reeded circular foot, the base engraved with a later presentation inscriptions: "R.A.P. from W.G.I, or J.P. 17th. Feb. 1907", also from "Lord De Tabley 14th July 1846", monogrammed, the underside marked with a town mark for Sneek, 4½" high, (c.5.2oz)., with an associated leather case.

See illustration

73 A VICTORIAN TWO HANDLED TRAY of oval form with a beaded border and carrying handles, the centre engraved with swags and scrolls, also engraved with a monogram and crest, by John Round & Son, Sheffield 1869, 29" long (handle to handle), (c.87oz).

See illustration

£1,000-2,000

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£1,500-3,000

Lot 74

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81 A GEORGE III PAP BOAT of tapering oval form, makers mark rubbed, London 1803, length 4½"

75 A GEORGE III WINE FUNNEL of conventional form, lacking strainer, by EA, London 1766, 3¾" high

£100-200

82 A LATE VICTORIAN THREE PIECE TEA SET of cape form, gadrooned borders, scroll handles, part fluted body, tucked-in circular feet, by The Barnards, London 1897, height of teapot 5", weight c.29ozs

76 A MUG of tapering circular form with a scroll handle, heart thumb piece, spreading circular foot, bearing "let in" hallmarks for Peter and William Bateman, London 1807, 5" high (c.9.5oz)

£80-160

77 A MATCHED SET OF FOUR GEORGE II CAST CANDLESTICKS with knopped waisted stems, spool-shaped capitals and pull-off shaped square sconces, on shaped square bases, engraved with an armorial, and with engraved floral and scroll decoration, two of the sconces marked "no. 1" and "no.

2", two candlesticks by Edward Feline, London 1741, and two with makers marks distorted in casting, probably also circa 1741, 8¾" high (c.85oz).

See illustration

£2,000-4,000

£150-250

85 A HOT WATER POT of baluster form, scroll handle, hinged domed lid, gadrooned circular foot, maker's mark rubbed, Birmingham 1925, height, 9½", weight c.12oz

£100-200

79 A LATE VICTORIAN DRESSING TABLE MIRROR of upright rectangular form, with a central monogrammed cartouche, the border decorated with birds amongst foliage,

by William Comyns, London 1897, 23½" high

£80-160

86 AN EDWARDIAN SUGAR CASTOR of baluster form, pierced pull-off cover, on a pedestal foot, height, 9¾" , Chester 1909, together with two sugar bowls (3), weighable silver c.20oz

£100-200

80 A GEORGE III MUSTARD POT of urn form, scroll handle, ball finial, part-fluted decoration, on a circular pedestal base, by Robert Henell, London 1791, together with an Old English pattern condiment ladle, height, 5¾", (c.3.8oz)

£80-160

84 A BOWL AND COVER of octagonal form, the pull-off cover with disc finial, pierced lug handles, on a tucked-in circular foot, by Charles Stuart Harris, London, 1913, 5½" high, weight c.21ozs

78 A DISH of oval form with a pierced border, the whole on extended hoof feet, by JR, Sheffield 1911, 10½" long, (c.12oz)

£200-400

83 A PAIR OF WINE COASTERS of circular bellied form with wooden bases, by Deakin & Francis, Birmingham, 1971, dia. 5¼"

£80-160

£100-200

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£150-250

Lot 77

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90 A VICTORIAN SUITE OF THREE BON BON DISHES of oval form with pierced floral borders contained in a fitted case, by Elkington & Co, Birmingham 1898, weight c.11oz

87 AN EGG CRUET of shaped rectangular form, with four detachable egg cups with gilt interiors and castellated borders, by S. B & S Ltd., Birmingham 1936/1938, with three spoons ensuite, length 9"

£100-200

91 A GEORGE III AND LATER CONDIMENT SUITE, comprising two sugar vases with sifter ladles, a mustard pot, and four small castors, the sugar vases of circular tapering form, the domed lids surmounted by cherubs decorated with neo-classical swags and festoons, mask sides, one vase possibly by John Arnell, London, possibly 1772, the remainder by D & J Welby, London 1910/1913, sugar vases, 8½" high (c.57oz).

See illustration

88 A SALVER of shaped circular form with a raised border, on bracket feet, Birmingham Assay, marks rubbed, 20th century, 10" dia. weight c.13.5oz

£80-160

89 AN EDWARDIAN COFFEE POT of circular tapering form with a bean-end finial and wicker handle, by H. W. Ltd Birmingham, 1908, height 6", together with a christening mug and two Armada dishes (4) weighable silver c.20oz

£200-400

£600-1,200

92-99 Spare lots

£150-250

28

Lot 91

29

SMALL SILVER AND VERTU

106 A WILLIAM IV TABLE SNUFF BOX of rectangular form, with a gilt interior and raised leaf and berry border, enclosing an engraved presentation inscription, engine-turned sides, by Charles Rawlings and William Summers, London 1833, 3½" long, (c.5.6oz).

See illustration

100 A VICTORIAN CONDIMENT SET of bellied circular form, with Eastern style decoration, by George Fox, London 1876, the salt by Lias Bros. £80-160 101 Spare

£200-400

102 A COLLECTION OF SEALING WAX HOLDERS of mixed makers and dates, including one in the form of a 6" rule, Birmingham 1909 (5).

See illustration

107 A PAIR OF CONTINENTAL MINIATURE MODELS OF GOATS PULLING CARTS, each marked 925, also bearing import marks, each 4" long

£100-200

108 A SET OF FOUR SILVER, TORTOISESHELL AND PIQUE WORK MENU CARD HOLDERS of circular form, with wreath borders and pique work centres, on shaped bases, possibly by ES Ltd, also registration marked, Birmingham 1910/1911, 2" high

103 A CANDLE DOUBTER of elongated trumpet form, by JP, London 1912, 12" long

£80-160

104 A VICTORIAN SCENT BOTTLE/ VINAIGRETTE with silver gilt mounts and ruby glass body, by S. Mordan & Co., London 1873, (vinaigrette section lacking grille), 4" long.

See illustration

£100-200

109 AN EDWARDIAN TORTOISESHELL AND SILVER WISHBONE DESK CLIP, the base of shield form, by Grey & Co., Birmingham 1908, 2" long

105 A SILVER MOUNTED HORN SNUFF MULL of conventional form, with hinged lid, the mount bearing a presentation inscription, 4" long.

See illustration

£60-120

£80-160

30

£50-100

Lots 102, 104, 105 and 106

31

116 A PAIR OF TOAST RACKS

by Adie Bros., Birmingham 1934, a quantity of spoons and an electroplated toast rack (a lot)

110 A GEORGE III WINE LABEL of escutcheon form, incised for "champagne", by Thomas Hyde I, London circa 1770.

See illustration

£100-200

117 A SMALL COLLECTION OF SILVER ITEMS comprising a salt and mustard, a dish, a napkin ring and other items, (c.5.4oz weighable silver)

111 A GEORGE II WINE LABEL of escutcheon form, incised "Hock", makers mark struck twice for John Harvey I, London, circa 1750.

See illustration

£100-200

£100-200

£80-160

121 A LATE VICTORIAN TRINKET BOX of oval form with part-fluted decoration, Birmingham 1892, together with a pierced mustard pot with blue glass liner, a silver mounted pepper grinder and other items, mixed makers and dates (a lot)

£60-120

115 A PAIR OF PHOTOGRAPH FRAMES of shaped rectangular form, with leather backs, by FH, London 1922, 9" high

£60-120

120 A MIXED LOT OF SILVER ITEMS comprising a wine taster, modern assay, a dish, and two boxes, of mixed makers and dates, (c.6oz weighable silver) (4)

£100-200

114 A SMALL COLLECTION OF WINE LABELS comprising some enamelled ceramic examples and some modern examples, mixed makers and dates (8)

£100-200

119 AN EDWARDIAN CREAM JUG of circular tapering form with acanthus leaf decoration, by The Goldsmiths & Silversmiths Co. London 1901, and a matching sugar bowl, the cream jug 3", (c.8.2oz weighable silver) (2)

113 A MIXED LOT OF WINE AND SAUCE LABELS comprising a narrow rectangular example, incised "Claret",

by JK, struck twice, a "Madeira" label, a "Tarragon" sauce label, unmarked, and a modern kidney "Whisky" label (4).

See illustration

£50-100

118 A THREE PIECE CONDIMENT SET with gadrooned borders, modern assay, a sauceboat, a quantity of napkin rings and a set of six electroplated commemorative teaspoons (a lot)

112 A GEORGE II WINE LABEL of escutcheon form, incised "White Wine", makers mark struck twice, for John Harvey I, London circa 1750.

See illustration

£80-160

£100-200

32

£100-200

Lot 110, 111, 112 and 113

33

128 A SAUCEBOAT of shaped oval form, Birmingham 1934, and two sugar bowls, of mixed makers and dates, (c.14.8oz weighable silver) (3)

122 A COLLECTION OF SILVER ITEMS comprising a small cigarette box, a pair of pierced bon bon dishes, a tea strainer base and a quantity of metalware and napkin rings, mixed makers and dates (a lot)

£60-120

129 A VICTORIAN PAGE TURNER with embossed silver handle and ivory blade, by EB, London 1890, 14½" long, and a butter shell (2)

123 A COLLECTION OF CONTINENTAL SILVER AND PLATED WARES comprising two cigarette cases, an oval-shaped dish, a pair of chamber sticks, a pair of candle snuffers and other items, mixed makers and dates (a LOT)

£100-200

£100-200

£80-160

126 A SUGAR CASTOR of baluster form with pierced pull-off cover, London 1868, 6¼" high, and a cream jug, Birmingham 1897, (c.8.4oz weighable silver)

£100-200

132 A GEORGE III PEPPER of baluster form with pull-off pierced cover, flame finial, monogrammed, makers mark of RP, London, 1767, height, 5½", together with a Continental white metal dish of lobed form, dia. 6" (2)

£50-100

127 AN EDWARDIAN TEA STRAINER with a raised hinged strainer and ivory handle, the underside bearing a patent number, by IF Ltd, London 1906, 7" long, together with a set of six cased cocktail sticks with cockerel terminals and a pen wipe, mixed makers and dates (3)

£80-160

131 A MIXED LOT OF SMALL SILVER comprising, a pepper grinder with Celtic style decoration

by Garrard & Co, a tea strainer and stand, a butter dish with glass liner, a miniature tea set marked Sterling and a pierced basket with swing handle and blue glass liner, mixed makers and dates (a lot)

125 A PAIR OF BON BON DISHES of circular tapering form, by CB & S, Birmingham 1912, together with a vase, a quantity of condiments and other items (a lot)

£80-160

130 A SILVER MOUNTED MINIATURE BOOKEND on a wooden base, containing ten miniature books including Shakespeare and Kings of England, London 1904, a matchbox holder, a metalware compact and a quantity of plated wine labels (a lot)

124 A VICTORIAN CREAM JUG AND SUGAR BOWL with gilt interiors, Sheffield 1884, and a quantity of condiments, scent bottles and other items, mixed makers and dates (a lot)

£150-250

£80-160

133 A MIXED LOT, comprising a Quaich by 'The Goldsmiths & Silversmiths Co', a vesta case, a Victorian table lighter mounted with a coquilla nut, a pair of cased butter dishes, and a pair of metal mounted stands, mixed makers and dates (6)

£80-160

34

£100-200

Lot 136

Lot 139

137 STUART DEVLIN: A PARCEL-GILT SURPRISE EGG, starburst textured shell, revealing a fish swimming amongst reeds, the shell with a presentation inscription, London 1989, length 3".

134 A DRESSING TABLE TRAY of shaped rectangular form, with a pierced border and foliate scroll decoration, possibly Birmingham 1936, together with a small five bar toast rack and two cigarette boxes, mixed makers and dates (4)

£100-200

138 STUART DEVLIN: A SURPRISE PARCEL-GILT EGG, the shell with impressed flowerhead decoration, revealing a frog on water lilies, London 1978, length 3"

135 A PAIR OF EGG TOPPERS of scissor form, by William Hutton & Sons Ltd, Sheffield, 1916, length 4", together with a pair of ribbon threaders, modelled in the form of a stork. London 1913, (2)

£100-200

£100-200

139 A SET OF FOUR MENU CARD HOLDERS, modelled in the form of game birds with red glass eyes, oblong bar-backs, on disc bases, by J H London 1928, ¾" high.

See illustration

136 A VICTORIAN DRESSING TABLE CLOCK of rectangular form, with swing carrying handle, white enamel dial, Roman numerals, on bun feet, by SB/FW, London 1891, height 3½".

See illustration

£100-200

£100-200

£100-200

140 A COLLECTION OF PHOTOGRAPH FRAMES mainly modern assay of mixed makers and dates (11)

£100-200

141-149 Spare lots

35

FLATWARE

156 THE QUEEN'S BEASTS COLLECTION: A SET OF TWELVE CASED SPOONS, each with a different enamel shield applied to the finial,

by TK & S, Birmingham, 1977, in a fitted case

150 A GEORGE III RING-END MEAT SKEWER

by Richard Crossley, London 1792, 11" long

£100-200

151 A GEORGE III BASTING SPOON of Old English pattern, by TD, London 1804, 12" long

157 A MIXED LOT OF FLATWARE comprising two George III Old English pattern tablespoons, two pairs of bright-cut sugar tongs, a quantity of condiment spoons, and a quantity of plated cutlery, in a canteen box, mixed makers and dates (a lot)

£80-150

152 A GEORGE III BASTING SPOON of Old English pattern, by WS, London 1796, 12" long

158 A HARLEQUIN SET OF EIGHT GEORGE II AND LATER THREEPRONGED DESSERT FORKS, each monogrammed, 4 by Isaac Callard, London 1737, and four with rubbed marks, of mixed dates, 6" long, (c.8oz).

See illustration

£80-160

154 A QUANTITY OF VICTORIAN FIDDLE AND THREAD PATTERN CUTLERY, predominantly by George Adams, crested. Comprising: 4 table forks, 4 table spoons, 4 dessert forks, 4 dessert spoons, a sauce ladle, a pair of sugar tongs, a fish slice, a tea spoon, 2 salt spoons and a stilton scoop, mixed dates (c.50oz) (a lot).

£200-400

159 A SET OF TEN GEORGE II THREEPRONGED TABLE FORKS of Hanoverian pattern, crested, possibly by EC or EL, London, probably 1744, 7¾" long, (c.20oz).

See illustration

£400-600

£200-400

160 A HARLEQUIN SET OF EIGHT GEORGE II AND LATER DESSERT SPOONS of Hanoverian pattern, bottom marked, monogrammed, circa 1750 and later, mixed makers and dates, 7" long, (c.8oz).

See illustration

155 A COLLECTED GEORGE IV AND LATER PART CANTEEN for 12 place settings, fiddle, thread and shell pattern.

Comprising: a harlequin set of 12 table forks, London 1829/1833, 6 tablespoons, by Johnathan Hayne, London 1829; a set of 12 dessert spoons and a matching set of 12 dessert forks, by Hayne & Cater, London 1853; and a quantity of bone-handled knives (c.104oz weighable silver) (a lot).

£60-120

£80-150

153 A VICTORIAN STILTON SCOOP with a cylindrical stem and seal-top terminal, makers mark rubbed, London 1869, 8" long

£150-250

£700-900

36

£150-250

Lots 158, 159 and 160

163 A SET OF FOUR SCOTTISH SERVING SPOONS with Dutch style stems and terminals, oval bowls, Edinburgh 1893, 8" long, (c.9oz)

161 HESTER BATEMAN: A PAIR OF GEORGE III TABLESPOONS of Old English/feather edge pattern, each scratch initialled "FEB" to the terminal, London 1783, 8½" long, (c.3oz)

£50-100

164 A COLLECTION OF SILVER AND PLATED CUTLERY including some Exeter examples, also some sauce ladles and skewers, of mixed makers and dates (a lot)

162 A GEORGE IV FISH SLICE of fiddle pattern, with a pierced blade, by Eley & Fearn, London 1820, 12" long, (c.3oz)

£60-120

£60-120

37

£100-200

Lot 165

Lot 167

168 A QUANTITY OF VICTORIAN CUTLERY of fiddle, thread and shell pattern. Comprising: a set of 6 dessert spoons, four tablespoons, four table forks and three dessert forks, by George Adams, London 1865, and four other items (c.50oz) (a quantity)

165 A LARGE QUANTITY OF DANISH DECORATIVE SPOONS AND SERVERS in the manner of Georg Jensen, predominantly by O. Mogensen, and two silver gilt and enamel examples by A. Michelsen, Copenhagen (c.35oz) (a lot).

See illustration

£300-600

169 A VICTORIAN PART CANTEEN OF CUTLERY of fiddle and thread pattern, crested, by Elizabeth Eaton, London 1857. Comprising: 12 table forks, 10 tablespoons, 7 dessert spoons and 8 dessert forks (c.90oz) (a lot).

See illustration

166 A VICTORIAN PALM PATTERN BUTTER KNIFE,

by JSH, London 1887, 8" long, a caddy spoon, and a quantity of spoons and ladles (c.14oz) (a lot)

£80-160

167 A GEORGE III AND LATER COLLECTED PART CANTEEN OF CUTLERY of Old English and thread pattern. Comprising: 11 table forks, 7 tablespoons, 10 dessert forks, a pair of basting spoons, a pair of sauce ladles, 10 dessert spoons and 2 teaspoons, predominantly London made, mixed dates, (c.68oz).

See illustration

£400-600

£700-1,000

170 A HARLEQUIN SET OF TWELVE GEORGE III TABLESPOONS of Old English pattern, monogrammed, London 1796, mixed makers, and four fiddle pattern tablespoons (c.32oz) (a lot)

£500-800

£200-400

171 A SET OF SIX GEORGE III TABLE FORKS of Old English pattern, coronet crests, by George Smith and William Fearn, London 1789, 8" long (c.12oz)

38

£100-200

Lot 169

39

178 A PART CANTEEN OF CUTLERY of Old English and thread pattern, initialled. Comprising: 12 table forks, 12 dessert forks, 6 tablespoons, 12 dessert spoons, by Walker & Hall, Sheffield 1927, (c.86oz).

See illustration

172 A SET OF SIX GEORGE III TABLESPOONS of Old English pattern, coronet crests, by Thomas Northcote, London 1789, 8¼" long, (c.11oz)

£100-200

173 A SET OF SIX GEORGE III DESSERT FORKS of Old English pattern, with coronet crests, by George Smith, London 1785, 7" long (c.7oz)

179 A PART CANTEEN OF CUTLERY of Old English pattern, crested. Comprising: 11 table forks, 6 soup spoons, 3 dessert spoons, 5 dessert forks, 5 fish forks, 6 fish knives, a pair of sauce ladles, 7 teaspoons, a butter knife and a pair of plated sugar tongs, by Walker & Hall, Sheffield 1918, (c.73oz)

£60-120

174 A HARLEQUIN SET OF SIX GEORGE III DESSERT SPOONS of Old English pattern, coronet crests, two by George Smith, London 1785, and four by William Sumner, London 1789, 7" long, (c.6oz)

£60-120

£60-120

£80-160

182 A MIXED LOT OF CUTLERY comprising: a set of four fiddle pattern dessert spoons

by George Adams, London 1877, two further dessert spoons, a quantity of Exeter made tablespoons, and a set of six teaspoons, mixed makers and dates (c.16.5oz) (a lot)

£50-100

177 A SET OF SIX SILVER GILT DESSERT KNIVES with reeded handles, coronet crests, by Moses Brent, London, late 18th/early 19th century (no date letter), 8½" long

£60-120

181 A HARLEQUIN SET OF SIX PROVINCIAL TABLE FORKS, 19th century, of fiddle pattern, Exeter, mixed dates, 8" long (c.12oz)

176 A SET OF SIX DESSERT KNIVES, 19th century, with reeded handles and later, steel blades, some London 1898, some with rubbed marks, 8¾" long

£500-1,000

180 A SET OF SIX DESSERT FORKS of fiddle pattern, initialled, by FH, Sheffield 1966, 7" long, (c.8.5oz)

175 A HARLEQUIN SET OF SIX TABLE KNIVES, 19th century, with reeded handles, later steel blades, mixed makers and dates, 10" long

£600-1,200

£100-200

183 A GEORGE IV SALAD FORK of fiddle pattern, crested, by Thomas and George Hayter, London 1825, 11" long, (c.3oz)

£50-100

40

£60-120

Lot 178

41

191 A SET OF THREE TABLESPOONS with gilt bowls, by Richard Crossley, London 1796, in a fitted case, a cased set of seal end teaspoons, and a cased set of mother of pearl handled fruit eaters with plated blades, (3)

184 A QUEEN ANNE BRITANNIA STANDARD BASTING SPOON of Hanoverian pattern, the reverse of the terminal with prick dot engraved letters, makers mark rubbed, London, possibly 1712, 10" long

£100-200

192 A MIXED LOT OF FLATWARE comprising a cased set of mother of pearl handled tea knives, with silver blades, a cased set of teaspoons and a quantity of loose spoons and ladles of mixed makers and dates (a quantity)

185 A MIXED LOT OF FLATWARE, predominantly fiddle pattern, Exeter and London assays, including a sifter ladle and a marrow scoop, of mixed makers and dates, (c.84oz)

£600-800

186 HESTER BATEMAN: A TABLESPOON of Old English pattern, monogrammed, London 1780, and two Old English pattern tablespoons (3)

£60-120

195 A SET OF SIX CASED COFFEE SPOONS with enamelled decoration, Birmingham assay, a set of six cased German fiddle and thread pattern teaspoons and a cased set of teaspoons with matching sugar tongs, mixed makers and dates (3)

£100-200

190 AN AMERICAN CANTEEN OF CUTLERY for twelve place settings, the stems decorated with stylised flowers. Comprising: 12 dessert spoons, 9 tablespoons, 12 dessert forks, 12 table forks, 12 teaspoons, 12 table knives, 10 small pastry/butter knives, and a quantity of small serving implements, some pieces marked Mermod Jaccard & King Co., some pieces marked Gorham, in a Gorham canteen box, (c.118oz weighable silver).

See illustration

£50-100

£80-160

189 A QUANTITY OF SCANDINAVIAN SILVER AND PLATED CUTLERY comprising some silver handled table knives, ladles and servers, of mixed makers and dates (a lot)

£100-200

194 A HARLEQUIN SET OF TWELVE MOTHER OF PEARL HANDLED TEA KNIVES with silver blades, crested, ten by Walker & Hall, Sheffield 1918, and two plated examples, in a fitted case

£80-160

188 A PAIR OF BERRY SPOONS

by Mappin & Webb, Sheffield, 1910, and a quantity of sauce and cream ladles (c.12.5oz) (a lot)

£100-200

193 A QUEEN ANNE BRITANNIA STANDARD TABLESPOON of Hanoverian pattern, crested, London 1711, an Old English pattern tablespoon by Hester Bateman, a quantity of further tablespoons, dessert spoons and other items (c.13oz) (11)

187 A SET OF SIX EGG SPOONS of fiddle pattern, initialled, London 1848, and a quantity of teaspoons. sifter ladles, butter knives etc. (c.14.5oz) (a lot)

£60-120

£700-1,000

42

£100-200

Lot 190

43

202 A GEORGE III CADDY SPOON with a heart-shaped bowl and bifurcated handle, by Joseph Wilmore, Birmingham 1807, length 2¾", together with a modern Jockey Cap caddy spoon (2)

196 A SET OF SIX SILVER AND ENAMEL COFFEE SPOONS, each decorated in a different coloured enamel, in a fitted Harrods case, by Turner & Simpson, Birmingham 1961/1962, and a set of six George III teaspoons with feather edges, by Peter, Anne & William Bateman, London 1802 (a lot)

203 A CRUMB SCOOP of conventional form, by H A, Sheffield, 1922, together with a punch ladle with embossed bowl, a fruit knife with mother-of-pearl case, and two pairs of Fiddle pattern sugar tongs (a lot)

£50-100

197 A RUSSIAN SILVER GILT AND POLYCHROME ENAMEL TEASPOON with a twisted stem and a similar example, both post 1900, 4" long (2)

£80-160

£60-120 205 A PAIR OF EDWARDIAN FISH SERVERS with bone handles, engraved blades, by Walker & Hall, Sheffield 1908, together with two cased sets of silver and enamel teaspoons and a cased set of silver teaspoons with matching sugar tongs (4)

199 A CONTINENTAL PUNCH LADLE with ivory/bone handle, the back of the shaft marked A.S., 14" long

£80-160

204 A WILLIAM IV SOUP LADLE of fiddle pattern, makers mark WB, London 1830, length 12", weight c.8.5oz

198 A PAIR OF GEORGE IV "BERRY" TABLESPOONS of Old English pattern, with embossed bowls, by CC, London 1824, 9" long, (c.4oz)

£60-120

£60-120

£100-200

200 SPARE LOT 206-239 Spare lots 201 AN ELECTROPLATED CANTEEN OF CUTLERY for 12 place settings, in a wooden canteen box, by Walker & Hall

£60-120

44

PORTR AIT MINIATURES AND OBJETS DU VERTU

Lot 250 45

240 ENGLISH SCHOOL, 18th century A portrait miniature of a gentleman wearing a blue coat and lace jabot, oval on ivory, 1½" x 1¼"

Provenance: The Clay Family and thence by descent

£200-400

245 ENGLISH SCHOOL, 19th century A portrait miniature of a young boy, half-length wearing a cream jacket, seated in an interior, inscribed and dated to the reverse '1839' and the companion of a young girl on ivory, 2¼" x 1¾" (2)

241 ENGLISH SCHOOL, 19th century A Portrait miniature of Mr Sam Scarr, inscribed to the reverse 'Died, 20th April 1839 aged 36' on ivory, 2¾" x 2"

£100-200

Provenance: The Clay Family and thence by descent

246 A REGENCY SILHOUETTE PORTRAIT OF A YOUNG LADY in profile, within a rosewood frame, 7½" x 5" and two other small Regency silhouette profiles (3)

£180-250

242 ENGLISH SCHOOL, early 19th century A portrait miniature of a gentleman, bust length, wearing a black coat, oval, on ivory, 2½" x 2"

£70-100

Provenance: The Clay Family and thence by descent

247 ENGLISH SCHOOL A portrait miniature of Richenda Fry, née Faulkner, oval, 3½" x 2¼", the companion of a young boy and four other Fry Family miniature photographs (6)

£100-200

248 ENGLISH SCHOOL, early 19th century A portrait miniature of a gentleman, half-length wearing a blue coat and white stock on ivory, 2½" x 2" in gilt and glazed outer frame

243 ENGLISH SCHOOL, A portrait miniature of a young lady wearing a neoclassical cream lace gown, her hair in ringlets, 4¼" x 3¼"

Provenance: The Clay Family and thence by descent

£150-250

Provenance: The Clay Family and thence by descent

£180-250

£200-400

249 A CONTINENTAL ENAMEL OVAL MINIATURE of Our Lord, oval, 1½" x 1¼" and a French oval miniature of The Nativity in paper cut-out border (2)

244 ENGLISH SCHOOL, late 19th century A portrait miniature of a lady in the Pre-Raphaelite manner, half length, on ivory, 3½" x 3"

£80-150

£80-150

250 MANNER OF RICHARD COSWAY: A miniature portrait of a young lady wearing cream linen gown and 'turban' headdress, oval, on ivory, 3" x 2" in associated leather folding case

46

£300-600

251 JOHN SMART 1742-1811: A portrait miniature of Miss Annie Chambers, signed with initials J S and dated 1807, on ivory, 3½" x 2¾".

See illustration

Provenance: The sitter and thence by descent

Miss Annie Chambers (1788-1858) was the youngest child of Sir Robert Chambers (1737-1803), Chief Justice of Bengal, and his wife Frances Wilton (1759-1839), daughter of the sculptor and founding member of The Royal Academy, Joseph Wilton.

£8,000-12,000

47

258 A RUSSIAN LACQUER CIRCULAR BOX AND COVER, decorated with vignettes of a Cossack and his wife in a landscape, 2¾"

252 ENGLISH SCHOOL, 19th century A portrait miniature of an elderly lady wearing a lace shawl and cap, oval on ivory, 3" x 2½", in leather folding case

£200-400

259 A CONTINENTAL IVORY CIRCULAR BOX AND COVER, painted with an Arcadian scene in the manner of Watteau, 3½"

253 ENGLISH SCHOOL, 19th century A portrait of a gentleman wearing brown coat and wig, oval on ivory, 3" x 2½" in leather folding frame

£200-400

254 JOSEP A LOTHAR ARCHID AUSTIAE: A portrait engraving reversed on glass, 2¾" x 3½"

£50-100

256 ENGLISH SCHOOL, A miniature portrait on ivory of His Serene Highness Prince Antony Radziwill, by Miss Alice Hughes, Widcombe House, Isle of Wight, oval, within a ‘jewelled’ border and easel mount, 2.5” x 2” Exhibited: Suffolk Street Academy

£80-£150

£50-100

262 A MONT BLANC BIRO, circa 1980 in case

£80-150

263 TREEN: A MAHOGANY DESK BLOTTER, the finial carved in the form of a dog's head, 5"

257 A PAINTED SOFTWOOD ICON OF AN ARCHANGEL, 6" x 4"

£100-200

261 A CONTINENTAL LACQUERED VISITING CARD CASE, the green ground painted with a spray of flowers within a gilt foliate border, 4"

£100-200

£80-150

260 AN IVORY AND SILVER PIQUE AIDE MEMOIRE with a fitted silver pencil by Lattey Bros. in a case, 3"

255 QUEEN VICTORIA: A DOMED GLASS PAPERWEIGHT, the base with a coloured engraving of the young Queen, in a plate on copper mount, 3½"

£200-400

£50-100

£50-100

264 AN S MORDAN & CO YELLOW GOLD RETRACTING PENCIL with engine-turned decoration, 3½" £80-150

48

Lot 269

268 A CONTINENTAL "MICRO MOSAIC" EASEL FRAME, the cream ground worked with polychrome flowers, 5½"

265 THE SMALLEST ENGLISH DICTIONARY IN THE WORLD, published by David Bryce & Son, Glasgow, in a Continental gold engine-turned case, monogrammed and stamped 14K, 1¼"

£200-400

269 A 'GRAND TOUR' SNUFF BOX, the top inlaid with a micro mosaic view of St Peters Basilica on a green hardstone ground, early 19th century, 3½" wide.

See illustration

266 A VICTORIAN GILT METAL AND CORNELIAN INTAGLIO SEAL and three other fob seals (4)

£100-200

£300-500

270-279 Spare lots

267 A SOUTH STAFFORDSHIRE TYPE ENAMEL PATCH BOX of cartouche shape, the hinged cover inscribed 'Esteem the Giver', 2", a tortoiseshell and mother-of-pearl card case and a Continental egg-shaped necessaire with white metal mounts and interior fittings, 2¾" (3)

£40-60

£100-200 49

50

COINS and Medals

51

286 A GEORGE V GOLD SOVEREIGN dated 1917, and another dated 1928 (2)

280 A VICTORIAN GOLD HALF SOVEREIGN dated 1894, and another dated 1895 (2)

£140-200

287 A GEORGE V GOLD SOVEREIGN dated 1918, and another also dated 1918 (2)

281 A VICTORIAN GOLD HALF SOVEREIGN dated 1897, and another dated 1898 (2)

£140-200

£300-400 289 A GEORGE V GOLD SOVEREIGN dated 1912, and another dated 1928 (2)

£140-200

283 A VICTORIAN GOLD HALF SOVEREIGN dated 1899, and another also dated 1899 (2)

£140-200

284 A VICTORIAN GOLD HALF SOVEREIGN dated 1899, and another dated 1900 (2)

£300-400

291 A GEORGE V GOLD SOVEREIGN dated 1918, and another dated 1927 (2)

£140-200

285 A GEORGE V GOLD SOVEREIGN dated 1911, and another dated 1928 (2)

£300-400

290 A GEORGE V GOLD SOVEREIGN dated 1912, and another dated 1926 (2)

£300-400

288 A GEORGE V GOLD SOVEREIGN dated 1918, and another dated 1925 (2)

282 A VICTORIAN GOLD HALF SOVEREIGN dated 1901, and another also dated 1901 (2)

£300-400

£300-400

52

£300-400

298 A VICTORIAN GOLD SOVEREIGN dated 1892, and another dated 1895 (2)

292 A GEORGE V GOLD SOVEREIGN dated 1911, and another also dated 1911 (2)

£300-400

£300-400

293 A VICTORIAN GOLD SOVEREIGN dated 1889, and another also dated 1889 (2)

299 A GEORGE V GOLD SOVEREIGN dated 1918, and another dated 1928 (2)

£300-400

294 A VICTORIAN GOLD SOVEREIGN dated 1891, and another dated 1900 (2)

300 A GEORGE V GOLD SOVEREIGN dated 1911, and another dated 1917 (2)

£300-400

295 A VICTORIAN GOLD SOVEREIGN dated 1899, and another also dated 1899 (2)

301 A VICTORIAN GOLD SOVEREIGN dated 1885, and another dated 1886 (2)

£300-400

£300-400

£300-400

£300-400

303 AN EDWARD VII GOLD SOVEREIGN dated 1903, and another dated 1908 (2)

297 A VICTORIAN GOLD SOVEREIGN dated 1900, and another dated 1901 (2)

£300-400

302 AN EDWARD VII GOLD SOVEREIGN dated 1906, and another dated 1908 (2)

296 A VICTORIAN GOLD SOVEREIGN dated 1889, and another dated 1892 (2)

£300-400

£300-400

53

£300-400

311 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981.

See illustration

304 A VICTORIAN GOLD SOVEREIGN dated 1884, and another dated 1885 (2)

£300-400

305 A VICTORIAN GOLD SOVEREIGN dated 1891, and another dated 1895 (2)

312 A SOUTH AFRICAN GOLD HALF KRUGERRAND dated 1980.

See illustration

£300-400

306 AN EDWARD VII GOLD SOVEREIGN dated 1903, and another dated 1910 (2)

313 A SOUTH AFRICAN GOLD QUARTER KRUGERRAND dated 1982, and another dated 1982 (2).

See illustration

£300-400

308 A VICTORIAN GOLD SOVEREIGN dated 1887, and another also dated 1887 (2)

£300-400

£150-250

£300-400 315 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981

310 AN EDWARD VII GOLD SOVEREIGN dated 1904, and one other dated 1910 (2)

£160-300

314 A SOUTH AFRICAN GOLD ONE TENTH KRUGERRAND dated 1982, another also dated 1982 and two others dated 1983 (4).

See illustration

309 A GEORGE V GOLD SOVEREIGN dated 1917, and another also dated 1917 (2)

£250-350

£300-400

307 AN EDWARD VII GOLD SOVEREIGN dated 1910, and another dated 1913 (2)

£600-800

£300-400

54

£600-800

Lots 311, 312, 313 and 314

55

322 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981

316 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981.

See illustration

£600-800

323 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981.

See illustration

317 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981.

See illustration

£600-800

£600-800

£600-800

£600-800

321 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981.

See illustration

£600-800

326 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981.

See illustration

320 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981

£600-800

325 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981

319 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981

£600-800

324 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981.

See illustration

318 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981

£600-800

£600-800

327 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981

£600-800

56

£600-800

Lot 316-327

57

334 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981.

See illustration

328 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981.

See illustration

£600-800

335 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981.

See illustration

329 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981.

See illustration

£600-800

£600-800

£600-800

£600-800

£600-800

339 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981.

See illustration

333 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981.

See illustration

£600-800

338 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981.

See illustration

332 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981.

See illustration

£600-800

337 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981.

See illustration

331 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981.

See illustration

£600-800

336 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981.

See illustration

330 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981.

See illustration

£600-800

£600-800

58

£600-800

Lot 328-339

59

346 A VICTORIAN GOLD SOVEREIGN dated 1891, mounted as a pendant.

See illustration

340 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981

£600-800

347 A SOUTH AFRICAN GOLD HALF KRUGERRAND dated 1980

341 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981

£600-800

£600-800

£250-350

£250-350

351 A SOUTH AFRICAN GOLD HALF KRUGERRAND dated 1980

£160-300

345 A VICTORIAN GOLD SOVEREIGN dated 1890, mounted as a brooch/pendant with seed pearls.

See illustration

£250-350

350 A SOUTH AFRICAN GOLD HALF KRUGERRAND dated 1980

344 A SOUTH AFRICAN GOLD QUARTER KRUGERRAND dated 1982, and another also dated 1982 (2).

See illustration

£250-350

349 A SOUTH AFRICAN GOLD HALF KRUGERRAND dated 1980

343 A SOUTH AFRICAN GOLD HALF KRUGERRAND dated 1980.

See illustration

£250-350

348 A SOUTH AFRICAN GOLD HALF KRUGERRAND dated 1980

342 A SOUTH AFRICAN GOLD KRUGERRAND dated 1981.

See illustration

£150-250

£200-400

60

£250-350

Lots 342-346

61

352 A SOUTH AFRICAN GOLD HALF KRUGERRAND dated 1980

360 A GEORGE III SILVER BANK OF ENGLAND ISSUE DOLLAR dated 1804

£250-350

353 A SOUTH AFRICAN GOLD HALF KRUGERRAND dated 1980

361 A WILLIAM III SILVER CROWN dated 1696

£250-350

£250-350

£240-300

£500-700

£80-150

367 A NAPOLEON SILVER MEDAL mounted as a pendant

£700-1,000

358 UNITED STATES MINT: AN AMERICAN BUFFALO 1OZ GOLD PROOF COIN, dated 2007, in a fitted presentation case and outer box

£50-100

368 A GOLD COMMEMORATIVE COIN inscribed "300 Jahre Gartenkunst Herrenhausen 16661966", mounted in a 9ct gold pendant brooch

£900-1,500

359 A WILLIAM I CONQUEROR 1066/1087 SILVER PENNY. See illustration

£50-100

366 A CHARLES II PEACE OF BREDA SILVER MEDAL 1667

£150-300

365 A CHARLES I SILVER HALF CROWN

357 ROYAL MINT: A QUEEN ELIZABETH II PORTRAIT COLLECTION SET OF FOUR SOVEREIGNS dated 1957, 1984, 1985, and 2004, in a fitted case with certificate

£200-400

364 A GEORGE III SILVER CROWN dated 1819

356 ROYAL MINT: A QUEEN VICTORIA PORTRAIT COLLECTION SET OF THREE SOVEREIGNS including Young Head 1886, Jubilee Head 1892, and Old Head 1899, in a fitted case with certificate

£800-1,500

363 A CHARLES II SILVER CROWN dated 1662

355 A SOUTH AFRICAN GOLD QUARTER KRUGERRAND dated 1982, and two others also dated 1982 (3)

£200-400

362 AN EDWARD VI SILVER CROWN dated 1553.

See illustration

354 A SOUTH AFRICAN GOLD HALF KRUGERRAND dated 1981

£150-300

£300-500

62

£250-350

Lots 359 and 362

63

Lot 373

372 SIR WINSTON CHURCHILL: a 22ct yellow gold commemorative medal, designed by Kovacs for Spink & Son Ltd London. in a fitted Spink & Son Ltd presentation case including paperwork which is numbered 267 of 1,000 specimens.

369 A 15CT YELLOW GOLD MOTOR CYCLING CLUB MEDAL (c.14.1grams), in a fitted presentation case

£300-400

370 A 9CT YELLOW GOLD SURBITON MOTOR CLUB MEDAL, (c.10.2grams), in a fitted presentation case

373 A NEW ZEALAND TREATY OF WAITANGI PROOF BOXED COIN SET, comprising crown, half crown, florin, shilling (replaced), sixpence and 3d, all dated 1935 in original presentation box.

See illustration

£120-180

371 ARCHBISHOP SANCROFT AND THE SEVEN BISHOPS: A CAST AND CHASED SILVER MEDAL dated 1688, with George Bower Mint mark

£1,000-1,500

£100-200

A very rare George V coin set, one of only 364 issued.

£2,000-4,000

374-379 Spare lots

64

WATCHES

Detail of lot 394

65

POCKET WATCHES 386 A GENTLEMAN’S 18CT YELLOW GOLD OPEN FACED POCKET WATCH, the foliate engraved dial with Roman numerals, the movement cover inscribed "RB Palmer 14 Old Bond Street, Bath", in an engine-turned case

380 A GENTLEMAN’S 18CT YELLOW GOLD POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial

£200-400

381 A GENTLEMAN'S 9CT YELLOW GOLD HALF HUNTING CASED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, the movement inscribed "Marquis Waltham Mass", the outer cover with blue Roman numerals

387 A GENTLEMAN'S UNMARKED YELLOW GOLD HUNTING CASED CHRONOGRAPH POCKET WATCH, the white enamel dial with Arabic numerals and outer seconds numerals, the movement cover inscribed "Felipe Height Genève .... Spiral Breguet .... ", in a foliate engraved case.

See illustration

£150-300

382 A GENTLEMAN’S 9CT YELLOW GOLD HUNTING CASED POCKET WATCH, the white enamel dial with Arabic numerals and subsidiary seconds dial, attached to a yellow metal fob chain

£100-200

£200-400

£80-160

390 A SWISS WHITE METAL GOLIATH POCKET WATCH, the white enamel dial with Roman numerals and three subsidiary dials, one with moon phases, the movement inscribed "West End Watch Company"

£150-250

£150-250

391 A GENTLEMAN'S WHITE METAL OPEN FACED POCKET WATCH, the white enamel dial with Arabic numerals and subsidiary seconds dial, inscribed "Jaegar Le Coultre", attached to an unmarked white metal fob chain, another yellow metal pocket watch inscribed "Giroxa", attached to an unmarked yellow metal chain, and a ladies fob watch (3)

385 A LADIES YELLOW METAL HUNTING CASED POCKET WATCH, (tests as gold) the white enamel dial with Roman numerals and subsidiary seconds dial, the movement cover inscribed "Edouard Fauve Brandt 19130 Suisse"

£300-600

389 A GENTLEMAN'S SILVER OPEN FACED POCKET WATCH, the white enamel dial with Arabic numerals, the fusee movement inscribed "Julien Le Roy, Paris 3788"

384 A LADIES 18K YELLOW GOLD FOB WATCH, the gilt dial with Roman numerals in a foliate engraved case

£300-500

388 A GENTLEMAN'S 18CT YELLOW GOLD HALF HUNTING CASED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, inscribed "Z. Barraclough & Sons Ltd, Leeds", the dial cover with blue Roman numerals, in a fitted presentation case.

See illustration

383 A GENTLEMAN'S 18K YELLOW GOLD HALF HUNTING CASED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, the reverse of the case engraved with the armorial for "Viscount Ranlagh of Eire", the dial cover with blue Roman numerals, in a fitted wooden presentation case, including a seal bearing the same crest (2)

£150-300

£100-200 66

£50-100

Lot 387 and 388

67

Lots 392, 393 and 394

395 JOHN BRADSHAW: A GENTLEMAN'S SILVER PAIR-CASED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, the fusee movement inscribed "John Bradshaw, Manchester no. 5831"

392 CHALKLEN: A GENTLEMAN'S 18TH CENTURY SILVER CASED POCKET WATCH, the white enamel dial with Roman numerals and outer Arabic seconds numerals, the chain fusee movement inscribed "Chalklen, Canterbury", the cased back with perpetual calendar.

See illustration

£200-400

396 JOHN FAGG: A GENTLEMAN'S SILVER HUNTING CASED POCKET WATCH, the white enamel dial with Roman numerals, the fusee movement inscribed "John Fagg Margate, no. 1276".

393 EDMUND PRIDEAUX: A GENTLEMAN'S 18TH CENTURY SILVER PAIR-CASED POCKET WATCH, the white enamel dial with Roman numerals and outer Arabic seconds numerals, the fusee movement inscribed "Edm. Prideaux, London 2368".

See illustration

£50-100

397 THOMAS JOHNSON: A GENTLEMAN'S 18TH CENTURY SILVER PAIR-CASED POCKET WATCH, the white enamel dial with Roman numerals and outer Arabic seconds numerals, the fusee movement cover inscribed "Thos. Johnson, London 12895", the watch case also inscribed and numbered

£200-400

394 W. BURTON: A GENTLEMAN'S 18TH CENTURY SILVER GILT CASED POCKET WATCH, the white enamel dial with Roman numerals and outer Arabic seconds numerals, the fusee movement inscribed "W. Burton, London 3070", the case also numbered.

See illustration

£100-200

£200-400

£200-400 68

Lots 398, 399 and 400

401 R. HOLMDEN: A GENTLEMAN'S SILVER PAIR-CASED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, the fusee movement inscribed "R. Holmdon, Norwood 5185"

398 JNR ARNOLD: A GENTLEMAN'S 18TH CENTURY SILVER OPEN FACED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, inscribed "Arnold 2011", the fusee movement inscribed "JnR Arnold, London Jnv.et. Fecit. n2011".

See illustration

£200-400

402 A GENTLEMAN'S SWISS SILVER AND BLACK ENAMEL OPEN-FACED POCKET WATCH, the silvered dial with Arabic numerals and subsidiary seconds dial, and a similar pocket watch (2)

399 SEPTIMUS MILES: A GENTLEMAN'S 18TH/19TH CENTURY SILVER GILT OPEN FACED POCKET WATCH, the white enamel dial with Arabic numerals and central subsidiary dial, the fusee movement inscribed "Sept.

Miles, Ludgate St. London, no. 3532".

See illustration

£50-100

403 MILES: A GENTLEMAN'S SILVER OPEN-FACED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, the movement inscribed "Miles, Ludgate Street, London, no.2240", and two other similar pocket watches (3)

£200-400

400 FRAN REAVILL: A GENTLEMAN'S 18TH CENTURY SILVER GILT PAIRCASED POCKET WATCH, the white enamel dial with Roman numerals and outer Arabic seconds numerals, the fusee movement inscribed "Fran Reavill, London 185".

See illustration

£100-200

£200-400 69

£100-200

407 A GENTLEMAN'S OPEN-FACED SILVER STOP WATCH, the white enamel dial with Arabic numerals and two subsidiary dials, and a similar pocket watch (2)

404 HOOPER & SON: A GENTLEMAN'S SILVER PAIR CASED POCKET WATCH, the white enamel dial with Roman numerals, the fusee movement inscribed "Hooper & Son, Winchester, no.

11926"

£100-200

408 A GENTLEMAN'S 18K YELLOW GOLD HUNTING CASED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, inscribed "G.P. Wehlen & Co."

405 CHARLES JEWSON: A GENTLEMAN'S SILVER PAIR-CASED POCKET WATCH, the white enamel dial with Arabic numerals and subsidiary seconds dial, the fusee movement inscribed "Chas. Jewson, London, no. 2334"

£300-500

409 MAVADO: A FOLDING TRAVELLING PURSE WATCH, the square dial with raised batten numerals and date aperture, inscribed "Mavado Ermetoscope"

£100-200

406 A GENTLEMAN'S SILVER OPENFACED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, the movement inscribed "S. Fullerton, Belfast, no. 18853", and a similar pocket watch (2)

£60-120

£40-80

410 A GENTLEMAN'S SILVER PAIRCASED POCKET WATCH, the white enamel dial with Roman numerals and subsidiary seconds dial, the fusee movement inscribed "TH Taylor, London no. 375"

£60-120

£200-400

411-419 Spare lots

LADIES WRISTWATCHES

422 VACHERON & CONSTANTINE: A LADIES 18CT WHITE GOLD WRISTWATCH, the oval green moss agate dial, inscribed "Vacheron Constantine Genève", surrounded by an 18ct white gold bezel attached to a white gold bracelet of conjoining circles, with folding clasp.

See illustration

420 A LADIES WHITE GOLD DIAMOND COCKTAIL WATCH, the rectangular white dial with Arabic numerals surrounded by a pave-set diamond bezel, attached to a diamond-set bracelet with concealed clasp and safety chain, in a fitted leatherette case.

See illustration

£500-1,000

421 OMEGA: A LADIES 18CT WHITE GOLD AND DIAMOND DRESS WATCH, the round dial with raised batten numerals, inscribed "Omega", surrounded by a diamond bezel set on an 18ct white gold articulated mesh bracelet, with folding clasp.

See illustration

£800-1,600

423 A LADIES DIAMOND-SET COCKTAIL WATCH, the oval-shaped dial with black Arabic numerals, surrounded by a diamond bezel, attached to a black ribbon strap, in a fitted presentation case

£500-1,000 70

£150-300

Lots 420, 421 and 422

71

430 A LADIES YELLOW GOLD WRISTWATCH, the round dial with Arabic numerals, and one other ladies wristwatch, inscribed "Rotary" (2)

424 RONE: A LADIES 18CT YELLOW GOLD AND 9CT WHITE GOLD WRISTWATCH, the rectangular dial with Arabic numerals, inscribed "Rone", set in a white and yellow gold case, attached to a white gold snake bracelet, with folding clasp

£100-200

431 LONGINES: A LADIES 18CT YELLOW GOLD WRISTWATCH, the round dial with raised batten numerals, inscribed "Longines", attached to a rose, white and yellow gold bracelet with folding clasp

425 BEUCHE-GIROD: A LADIES 9CT WHITE GOLD WRISTWATCH, the square dial with raised batten numerals, inscribed "Beuche-Girod" attached to a 9ct white gold articulated bracelet with folding clasp

£200-400

£250-500

£80-160

£220-400

429 ROLEX: A LADIES SILVER WRISTWATCH, the round dial with Arabic numerals and sweep seconds hand, the case interior inscribed "Rolex", attached to a ribbon strap

£400-600

434 OMEGA: A LADIES 9CT YELLOW GOLD WRISTWATCH, the round dial with raised batten numerals, inscribed "Omega", attached to a 9ct yellow gold mesh bracelet with folding clasp, in an Omega presentation case with outer box and original Omega paperwork

428 JEAN RENET: AN 18CT YELLOW GOLD LADIES WRISTWATCH, the square dial with Roman numerals, inscribed "Jean Renet", attached to a black leather strap, including original receipt.

£100-200

433 OMEGA: A LADIES 18CT YELLOW GOLD WRISTWATCH, the oval gilt dial with raised batten numerals, inscribed "Omega de Ville", set into an 18ct yellow gold mesh bracelet, with folding clasp, in an Omega presentation case

427 ALEXIS BARTHELAY: A LADIES SILVER WRISTWATCH, the round dial inscribed "A. Barthelay, Paris", attached to a bangle bracelet, with international guarantee certificate

£200-400

432 BULOVA: A LADIES 9CT YELLOW GOLD WRISTWATCH, the rectangular dial with raised gilt batten numerals, inscribed "Bulover", attached to a 9ct yellow gold mesh bracelet, with folding clasp

426 OMEGA: A LADIES 9CT WHITE GOLD WRISTWATCH, the round dial with raised batten numerals, inscribed "Omega", attached to a 9ct white gold bracelet with folding clasp, in a fitted presentation case

£50-100

£100-200

435 IWC: A LADIES 18CT YELLOW GOLD WRISTWATCH, the gilt rectangular dial with raised batten numerals, inscribed "International Watch Company", set into an 18ct yellow gold bracelet with folding clasp, in original IWC presentation case.

See illustration

£80-120

72

£600-1,200

Lots 435, 436, 437 and 438

438 ROLEX: A LADIES 18CT YELLOW GOLD WRISTWATCH, the round dial with gilt batten and Arabic numerals, inscribed "Rolex Precision", attached to an 18ct yellow gold criss-cross bracelet with folding clasp, in a Rolex presentation case.

See illustration

436 IWC: A LADIES 18CT YELLOW GOLD AUTOMATIC WRISTWATCH, the round cream dial with raised batten numerals, inscribed "International Watch Company" attached to an 18ct yellow gold articulated bracelet with folding clasp, in original IWC presentation case with guarantee and certificate of origin dated 10/12/60.

See illustration

£200-400

439 RAYMOND WEIL: A PARSIFAL LADIES BI-COLOURED WRISTWATCH, the round dial with gilt Roman and dot numerals, date aperture, iscribed "Raymond Weil" with a gilt bezel and bi-coloured stainless steel strap, no. 9990/A012147

437 HAMILTON: A LADIES 14K YELLOW GOLD WRISTWATCH, the square dial with gilt batten numerals attached to a 14k yellow gold mesh bracelet with folding clasp.

See illustration

£750-1,000

£500-1,000

73

£100-200

GENTLEMEN'S WRISTWATCHES

Lots 440 and 441

441 JAEGER LE COULTRE: A GENTLEMAN'S 18K YELLOW GOLD WRISTWATCH, the black rectangular dial inscribed "Jaegar Le Coultre", the case back numbered "9125.21 1.409.963", attached to an articulated 18k yellow gold bracelet, with buckle clasp.

See illustration

440 ROLEX: A GENTLEMAN'S 18CT YELLOW GOLD WRISTWATCH, the round dial with gilt batten numerals, date aperture and sweep seconds hand, inscribed "Rolex Oyster Perpetual Officially Certified Chronometer" attached to a 9ct yellow gold Milanese bracelet, with folding clasp.

Including original paperwork.

See illustration

£2,000-4,000

£1,500-2,500

442 ROLEX: A GENTLEMAN'S 18CT YELLOW GOLD CHRONOMETER WRISTWATCH, the square dial with raised gilt numerals and subsidiary seconds dial, inscribed "Rolex Officially Certified Chronometer" attached to a 9ct Milanese gold strap, with folding clasp

74

£500-1,000

Lots 443, 444 and 445

445 IWC: A GENTLEMAN'S 18CT YELLOW GOLD WRISTWATCH, the round dial with sweep seconds hand and dated aperture, inscribed "International Watch Company Schaffhausen Automatic", attached to a black leather strap, in a fitted presentation case including the original guarantee.

See illustration

443 ROLEX: A GENTLEMAN'S STAINLESS STEEL DATEJUST WRISTWATCH, the round black dial with batten numerals and crown at 12 o'clock, sweep seconds hand, date aperture, inscribed "Rolex Oyster Perpetual Datejust Superlative Chronometer Officially Certified", attached to an articulated stainless steel bracelet with folding clasp, in a fitted presentation case, outer card box and paperwork.

See illustration

£400-800

446 ANGELUS: A GENTLEMAN'S 18CT YELLOW GOLD CHRONODATO WRISTWATCH, the round dial with Arabic numerals, outer date numerals, sweep seconds and date hands, two subsidiary dials and two date apertures, inscribed "Angelus Chronodato", attached to a brown leather strap

444 PATEK PHILIPPE: A GENTLEMAN'S YELLOW GOLD WRISTWATCH, the blue oval dial with raised gilt batten numerals, inscribed "Patek Philippe Genève", attached to a black leather strap with an 18k yellow gold buckle. Including original receipt.

See illustration

£300-500

£400-800 75

£500-1,000

Lot 449

449 PATEK PHILIPPE: A GENTLEMAN'S 18CT YELLOW GOLD CASED WRISTWATCH the cream dial with gilt batten numerals, numbered "3468" to the interior, circa 1960's, on a later brown lizard skin strap.

See illustration

447 A GENTLEMAN'S 9CT YELLOW GOLD WRISTWATCH, the round dial with raised batten and Arabic numerals, subsidiary seconds dial, inscribed "Smith", attached to a black leather strap, in original presentation case

£50-100

448 ASPREY: A GENTLEMAN'S TRAVELLING CLOCK, the black dial with Arabic numerals, inscribed "Asprey Eight Days", in a fitted brown leather folding case.

Including a silver scorer in a fitted leather pouch (2)

450-599 Spare lots

£80-160 76

END OF FIRST DAY’S SALE.

FRIDAY, 13 t h JUNE 10.30A M

JE WELLERY

Lot 699 77

606 A 9CT YELLOW GOLD CUFF BRACELET of reticulated brickwork form, collet-set to the centre with three cabochon amethyst in a modernist fan design, the concealed clasp hallmarked for London 1960, maker EJ Ltd, c.96.4gms (all in).

See illustration

600 A NORWEGIAN MODERNIST SILVER GILT ENAMELLED NECKLACE, each link modelled in the form of a shell, with lime green enamelling, each link stamped 'Norway Sterling 925S' further mark to the concealed clasp with later safety chain, 16" (40.5cms) long

£80-160

601 MIMI CASTILLO: A MODERNIST MEXICAN SILVER NECKLACE, each link of curved form, the concealed clasp stamped with maker's name, 18" (46cms) long and a pair of drop earrings ensuite with Mimi Castillo mark (2).

See illustration

607 AN EARLY 20TH CENTURY JAPANESE KOMAI STYLE NECKLACE, each circular and oval link with floral or landscape scenes, with central butterfly drop, the clasp marked K24 in gilt metal, 20" (51cms long excluding drop) and a similar butterfly brooch (2).

See illustration

£100-200

602 GEORG JENSEN: AN 18CT YELLOW GOLD BRACELET formed from open loop and symmetrical scroll links, the concealed clasp with stamp and Georg Jensen mark No. 1046, c.17.1gms in the original Jensen box. (Ensuite with lot 603).

See illustration

£1,600-1,800

£500-1,000

£1,500-3,000

610 AN 18CT YELLOW GOLD AND DIAMOND CARTIER STYLE BANGLE, the hinged top section rub-over set with five round brilliant-cut diamonds, each c.0.05cts, the concealed clasp stamped 750 with safety catch, c.29gms all in.

See illustration

£80-160

605 A MODERNIST 9CT YELLOW GOLD OPENWORK BROOCH of textured branch form, claw-set to the centre with an oval-cut amethyst, hallmarked for London 1970, 4cms long.

See illustration

£100-200

609 CHAUMET: AN 18CT YELLOW GOLD HEART-SHAPED PENDANT, marked for Chaumet, Paris and No. 329424, suspended from a fancy belcher link chain with further marked links, No. 198681, 28" (71cms) long, c.42.2gms.

See illustration

604 JAKOB BENGEL: AN ART DECO CHROME-PLATED NECKLACE of graduated reticulated brick form with distinct leaf stamp to the clasp, 16" (14.5cms) long and the bracelet ensuite (2)

£300-600

608 A ROCK CRYSTAL DOUBLE ROW BEAD NECKLACE, each spherical rock crystal bead engraved with a Chinese symbol, interspersed with gilt metal filigree beads and heart-shaped filigree beads, 21" (53.5cms) long.

See illustration

603 GEORG JENSEN: AN 18CT YELLOW GOLD RING with open symmetrical leaf stylised shoulders and claw set to the centre within a flower shape with a round brilliant-cut diamond, c. 0.15cts, (ensuite with lot 602) hallmarked with maker's stamp and No. 137.

See illustration

£1,500-3,000

£600-1,200

611 A GRADUATED CULTURED PEARL AND BLUE STONE NECKLACE, each pearl interspersed with a faceted blue stone disc united by a 9ct white gold lozenge-shaped clasp, set with a rose-cut diamond, 22" (56cms long)

£50-100

78

£50-100

Lot 609

Lot 605

Lot 600 Lot 604

Lot 612

Lot 607

Lot 611

Lot 606 Lot 602 Lot 608

Lot 601

Lot 610 Lot 603 79

618 AN EASTERN STYLE BROOCH PENDANT of openwork form, set with wire strung seed pearls forming flowerheads and leaves, suspending three seed pearl tassels in 18ct yellow gold, with hallmarked brooch fitment and further stamped with the initials 'M.G.', 7cms long.

See illustration

612 AN "AMBER" BEAD NECKLACE, the graduated faceted transparent beads knotted, possibly Copal, 24" (61cms) long, c.29.7gms (all in) See illustration on previous page

£100-200

613 A GRADUATED AMBER BEAD NECKLACE, each honey amber oval bead knotted with amber bead barrel clasp,, the largest bead 2.1cms long, the smallest bead c. 1.2cms long. 33¼" (84.5cms) long , c.80.4gms (all in) See illustration

619 A GREEN JADEITE AND 18CT YELLOW GOLD BRACELET each alternate link of anchor form with screw clasp, stamped 750.

See illustration

614 A GRADUATED HONEY AMBER BEAD NECKLACE, the largest bead c.2.4cms long, the smallest c.0.7cms long, 28" (71cms) long, c.43.9gms. (all in) See illustration

These pearls were recently re-strung and clasped by Garrard's London

£1,000-2,000

£800-1,600

622 A PAIR OF GREEN JADEITE DROP EARRINGS, each carved with an Oriental vase and flowers, in unmarked yellow metal mounts with replacement fish hook fittings, each earring c.4.8cms long in a fitted Mrs Newman, Duke St box.

See illustration

£500-1,000

617 A PAIR OF INDIAN SEED PEARL TASSEL EARRINGS, the multiple tassel strands suspended from a red and green enamelled cup inset with pear-cut shaped clear pastes with later yellow metal fish hook attachments, each earring c.6cms long.

See illustration

£250-500

621 A DOUBLE ROW GREEN JADEITE BEAD NECKLACE, knotted, each bead c. 9.2mm wide with a rectangular yellow metal clasp set with six pearls, 22" (56cms) long (longest point).

See illustration

616 A GRADUATED PEARL NECKLACE, untested, the largest pearl c.6.35mm wide, the smallest c.2.3mm wide, knotted with round-cut diamond-set ribbon-tie clasp in indistinctly marked white metal, 21" (53.5cms) long.

See illustration

£1,200-1,800

620 A GREEN JADEITE PENDANT, the oval curved Jadeite disc, c.2cms long, in a yellow metal spectacle setting with pierced leaf-carved surmount and suspended on an unmarked yellow gold fancy link chain, 18" (46cms) long.

See illustration

615 A TRIPLE ROW GRADUATED CULTURED PEARL NECKLACE, the largest pearl c.8.7mm wide, the smallest c.3.3mms wide, knotted with an unmarked yellow gold bun-shaped clasp, 20" (51cms) long at longest point, with a loose Regency rose gold hair-work and seed pearl clasp (2).

See illustration

£50-100

£1,000-2,000

623 A GREEN JADEITE AND DIAMOND GENTLEMAN'S TIE-PIN, the oval cabochon Jadeite of strong green tone in a fourclaw setting and flanked to either side by a cluster of three round-cut diamonds and mounted in bright-cut 18ct white gold, the reverse stamped 'P.M', 4cms long.

See illustration

£200-400

80

£1,000-2,000

Lot 616

Lot 618 Lot 622

Lot 619 Lot 615

Lot 621

Lot 620

Lot 613

Lot 614

Lot 617 Lot 623 81

631 A 14CT YELLOW GOLD TWIST BANGLE, each end terminating in an oval green hardstone cabochon, probably Jadeite with five round-cut diamonds inset to the shoulders, each cabochon c.9.4mm x 7.7mm

624 A TRIPLE ROW GRADUATED CULTURED PEARL NECKLACE, knotted with a rose-cut diamond set 18ct and platinum navette-shaped clasp, the largest pearl c.7.3mm wide, the smallest c.2.9cms wide 16" (40cms) long

£80-160

625 AN OPERA LENGTH ROW OF WHITE SEMI-BAROQUE CULTURED PEARLS, knotted, each pearl c.6-7mm wide, 98" (249cms) long

632 A PAIR OF OVAL JADEITE DROP EARRINGS, each oval panel of a rich green colour, c.1.28cm x 1.64cm, set in unmarked white metal with diamond-set leafshaped mount and fish hook attachments, each 3cms long

£80-160

633 A PAIR OF GREEN JADEITE CIRCULAR CABOCHON EARRINGS, with 9ct yellow gold screw fitments

634 AN 18CT YELLOW GOLD NECKLACE of fancy link form, the central section split into three strands united by faux coral set flowerheads, the clasp stamped 750 with safety catch and a bracelet ensuite, c.78gms (all in) (2)

£100-200

635 A VICTORIAN SEED PEARL DEMI PARURE, formed from shaped mother-of-pearl panels with threaded graduated seed pearl decoration overall, comprising a necklace with pendant drop, 16" (40.5cms) (excluding drop) and a pendant drop brooch, 4" (10cms) long, in a red leather and blue velvet fitted case.

See illustration £1,200-1,800

£200-400

636 S J PHILLIPS: AN "PEARL" NECKLACE, knotted, the largest pearl c. 8.1mm wide, the smallest c.

4mm wide, with a rose-cut diamond flowerhead cluster clasp, 20in. (50cm) long, in a fitted S. J. Phillips Ltd box.

629 A LAPIS LAZULI BEAD NECKLACE, each bead c.6.3mm wide, knotted with a hinged detachable 14ct yellow gold oval clasp inset with a panel of Lapis Lazuli, 18" (46cms) long

£200-400

These earrings could be worn ensuite with the previous lot

£150-300

£600-1,200

630 A PAIR OF OVAL 14CT YELLOW GOLD EAR CLIPS, each set to the centre with an oval Lapis Lazuli cabochon, each c.2cms long

£800-1,500

628 A CULTURED PEARL NECKLACE, each pearl c.9mm wide, knotted and suspending a detachable 18ct yellow gold circular pendant, set to the centre with a cabochon circular onyx within diamondset ribbon-tied border with 14ct yellow gold ball clasp, 16" (40.5cms) long (excluding pendant) and a pair of cultured ear studs ensuite (2)

£150-300

£100-200

627 A DOUBLE ROW CULTURED PEARL BRACELET, knotted, interspersed with 18ct yellow gold rope-twist links, the concealed clasp with safety chain and stamped 750, each pearl c.4.9mm long and a single row cultured pearl necklace with 14ct yellow gold clasp, 15" (38cms) long (2)

£600-1,200

626 A GRADUATED HONEY AMBER BEAD NECKLACE, the largest bead c.2.3cms long, the smallest bead c.1cm long, with a yellow metal jump ring clasp, 17" (43cms) long, c. 24g (all in) and a ring set in 9ct rose gold ensuite (2)

£100-200

82

Provenance: Private Collection, West Dorset

Lot 635

Lot 636

83

641 AN ECCLESIASTICAL CARVED ROCK CRYSTAL PENDANT, set with a double sided verre eglomisé panel depicting Saints within green, white and red enamelled borders and mounts in the Spanish style, the pendant ring bearing indistinct mark, probably French Import marks, 4.2cms long.

See illustration

637 A VICTORIAN ALMANDINE GARNET AND CHRYSOBERYL BROOCH of open heavy cartouche scroll form, collet-set with three graduated oval garnets and flanked by cushion-cut colletset chrysoberyl amongst engraved foliage rope-twist and bead decoration with a snake link chain double tassel, in unmarked yellow gold, 7.8cms long in original case for Richard Attenborough, Oxford Street.

See illustration

£300-600

638 A DIAMOND, NATURAL PEARL AND GARNET BEE BROOCH, the body set with a pear-cut garnet cabochon and a natural pearl, the wings set overall with graduated cushion and round old-cut diamonds with emerald cabochon eyes, in unmarked yellow and white metal, 4.5cms wide.

See illustration

This lot is accompanied by a Gem and Pearl Laboratory Certificate no. 09186 confirming the pearl in this brooch to be a natural saltwater pearl, 7.1mm - 7.5mm x 6.5mm, 2.63cts.

£2,000-4,000

Private Collection, East Dorset

Comparable rock crystal pendants can be found in the V and A Collections, with a Saragossa, Spain provenance. In 1870, the Victoria and Albert Musuem purchased a group of jewels when the Cathedral of the Virgin of the Pillar at Saragossa, was permitted to sell a number of relics to complete the building work on the Cathedral. The enamelled mounts are typical of those produced in Spain during the early 17th century but it is widely believed the rock crystal elements are Milanese in origin.

642 A VICTORIAN 15CT YELLOW GOLD NECKLACE, each reticulated link of stylised symmetrical leaf form, with engraving and ball terminals, the jump ring clasp stamped '15', 21" (53.5cms) long, c.36.3gms.

See illustration

£1,500-2,500

643 A 19TH CENTURY CONTINENTAL MICRO MOSAIC LOCKET, one panel depicting a green beetle amongst blue, white and red patterned borders, the other depicting a pair of doves against blue, green, white and red ground and borders in yellow gold, each section with Continental marks to the interior, the pendant bale with bead and wirework patterned decoration, 4.6cms long.

See illustration

£150-300

640 A 19TH CENTURY YELLOW GOLD HINGED BANGLE, the top shaped section with inlaid blue enamel scroll border and set with three graduated and pave-set pearl targets, each claw-set to the centre with a graduated emerald c.31.3gms (all in).

See illustration

Provenance: Acording to the vendor, Melbury House Sale, Sothebys 1962,

£200-400

639 A VICTORIAN DIAMOND AND PEARL BROOCH in the form of a swallow, pave-set overall with graduated old-cut diamonds and pearls in unmarked yellow gold, the reverse with detachable screw brooch and pendant fitment, 4cms wide.

See illustration

£800-1,600

£500-1,000

644 A VICTORIAN AMETHYST RIVIERE NECKLACE, formed from graduated oval-cut amethyst in unmarked yellow gold cut down collet settings and suspending a further larger amethyst pendant with concealed clasp, 15" (38cms) long (excluding pendant drop).

See illustration

84

£3,000-6,000

Lot 638

Lot 637

Lot 645

Lot 644 Lot 639 Lot 642

Lot 643 Lot 640 Lot 646

85

Lot 641

649 A PAIR OF SAPPHIRE AND MOTHER-OF-PEARL CUFF LINKS, of circular form set to the centre with a cabochon sapphire within a mother-of-pearl disc and surrounded by a royal blue and black enamelled border creating a flowerhead design in 18ct yellow gold, in a fitted case

645 A 19TH CENTURY AQUAMARINE BROOCH, modelled in unmarked yellow textured gold with a vine branch and leaves and an elongated oval-cut collet-set aquamarine drop, c. 2.11cm x 1.15cm, the reverse with brooch fitment, 8.5cms long.

See illustration on previous page

£250-500

650 A PAIR OF 19TH CENTURY DROP EARRINGS of Maltese Cross design, set with foiled almandine garnets and pearls within granulated and collet-set borders in unmarked yellow metal, each 3.9cms long See illustration

646 AN ITALIAN MICRO MOSAIC BRACELET, formed from seven graduated oval panels, each depicting Italian archaeological landmarks, each link set in yellow metal and joined with chain links with two further loose damaged panels, c.1860-1880.

See illustration on previous page

£500-1,000

£80-160

£200-400

652 AN EDWARDIAN OPENWORK PENDANT, set overall with graduated seed pearls and collet-set centre to the centre with a cushion-cut almandine garnet with a further pear-drop shaped pearl drop in unmarked yellow gold to a 9ct yellow gold trace link chain with flowerhead seed pearl set link, 10¼" (25.6cm) long

648 AN EDWARDIAN SEED PEARL AND AMETHYST OPEN WREATH PENDANT, a Regency amethyst and seed pearl flower brooch and a quantity of other small 19th century jewellery pieces (10)

£600-1,200

651 A PAIR OF VICTORIAN GILT METAL TARGET EAR STUDS, set with graduated round and oval-cut amethysts to form a semi-textured flowerhead design, each earring 0.8cms dia

647 A PAIR OF 19TH CENTURY BROOCHES, each of open cluster form, set with cushion-cut foiled garnets in unmarked gilt metal, and a Regency five stone amethyst half eternity band (3)

£200-400

£100-200

Lot 650

£150-300

Lot 653

86

657 A 19TH CENTURY CONTINENTAL PENDANT, modelled with seed pearls as a bunch of grapes with green, white and black enamelled leaf surmount, suspended on an unmarked yellow gold fancy link chain with interspersed green enamel ball beads, 18" (46cms) long (excluding pendant)

653 A VICTORIAN LOCKET PENDANT of pear-drop shape with a graduated old-cut diamond ribbon surmount, claw-set to the centre with a cushion old-cut diamond, c.0.2cts, c.4cms long See illustration

£200-400

654 A PINK SAPPHIRE AND AQUAMARINE PENDANT of cross form, the central cushion-cut pink sapphire in a cut-down collet-setting and surrounded by an open border of further oval and cushion-cut aquamarines, in unmarked yellow metal, 3.5cms long on a 9ct yellow gold belcher link chain, 18" (48cms) long See illustration

658 A DIAMOND AND MOONSTONE BRACELET, converted from a 1920's cocktail watch set to the centre with a circular cabochon moonstone with diamond-set borders creating an image of an eye on a black silk strap

£500-1,000

£100-200

660 AN EDWARDIAN PEARL DIAMOND AND ENAMEL BROOCH, of navette form, set to the centre with a pair of pearshaped pearls surrounded by rose-cut diamond borders against a royal blue guilloche enamel border and plain white enamel border with seed pearl points, the reverse in unmarked yellow gold with vacant bezel, 3cms long

£150-300

656 A VICTORIAN FRENCH STYLE ENAMELLED PENDANT of heart form, enamelled overall in royal blue with a rosecut diamond forget-me-not, the reverse with hair-work bezel in unmarked yellow metal to a later 18ct yellow gold trace link chain, 16" (40.5ms) long See illustration

£100-200

659 AN ENAMEL AND ROSE-CUT DIAMOND RAF BROOCH, set in platinum and 9ct white gold, 5cms long

655 A VICTORIAN AMETHYST CLUSTER BROOCH, formed from seven oval-cut graduated amethyst in cut down collet settings with a further chain suspended pearcut amethyst, 7cms long

£100-200

£800-1,600

£700-1,400

Lot 654

Lot 656

87

664 A PAIR OF BURMESE RUBY AND DIAMOND DROP EARRINGS of pear-drop form, each set with a pear-cut and a round cushion-cut ruby within old-cut diamond borders, set in unmarked yellow and white metal with fish hook attachments, each 2cms long.

See illustration

661 A PAIR OF RUBY AND DIAMOND CLUSTER EAR STUDS, claw-set to the centre with a round-cut ruby and surrounded by an illusion-set border of diamond points, in unmarked white metal, each earring 1cm dia.

£100-200

662 A BLUE TOPAZ PENDANT of triangular form, set in 14ct white and yellow gold, suspended from an 18ct white and yellow gold entwined rope-twist chain, 18", 46cms long

£200-400

This lot is accompanied by a certificate from the Gem and Pearl Laboratory, No. 08319, confirming each earring to be set with a natural ruby of Burmese origin with no evidence of heat treatment observed.

£1,800-2,500

665 A PAIR OF OPAL PEAR-SHAPED DROP EARRINGS, each pear-shaped cabochon opal of green/orange tone and surrounded by a millegrain set border of diamond points in unmarked white metal with fish hook attachments, each earring c.2cms long.

See illustration

663 A BELLE ÉPOQUE SPINEL AND DIAMOND PENDANT of open ribbon type scroll form, claw-set to the centre with a rectangular cushion-cut spinel of green/blue tone, probably synthetic, and surrounded by openwork borders of graduated round-cut diamonds set in unmarked white metal with diamond-set pendant bale and brooch fitment, 5cms long.

See illustration

£1,200-1,800

666 AN EDWARDIAN OPAL AND RUBY PENDANT, of snowflake design, set to the centre with a cluster of round cabochon opals and ruby points in 15ct yellow gold, 4cms long on an unmarked yellow metal trace link chain, 18" (c.46cms) long , in a fitted Mappin & Webb box

£400-800

88

£200-400

Lot 663

Lot 664

Lot 665

89

673 A PAIR OF ART DECO STYLE EMERALD TRAIN EARRINGS, each train formed from four faceted or carved emerald beads, conjoined by white metal chains, onyx ball beads and a diamond-set link with fish hook attachments, 5.3cms long

667 AN EMERALD AND DIAMOND CRESCENT BROOCH, set with graduated round brilliant-cut diamonds and round-cut emeralds in unmarked white metal to an unmarked yellow metal reverse with brooch fitment, 2.5cms wide

£80-160

674 AN AUSTRO/HUNGARIAN SILVER AND ENAMELLED PENDANT with bear surmount and a pair of griffins, 2.1 cms wide, an enamelled yellow gold parrot stick-pin, an opal and sapphire dress ring and a collection of other jewellery (a lot)

668 A VICTORIAN CARVED MOONSTONE STICK-PIN in the form of a fox's head, set in 15ct yellow gold

£50-100

669 A RUSSIAN SILVER BUCKLE of cartouche form, with cloisonné floral and leaf scroll polychrome enamel overall, both halves with Kokoshnik mark for St Petersburg (1899-1903) with clasp toggle attached with chain, 7cms wide

£250-500

£800-1,600

£200-400

£80-160

677 AN AUSTRO/HUNGARIAN STYLE BROOCH, set with five oval opal cabochons and twelve lime green stones in an openwork silver frame, 4.6cms dia and a similar brooch in the Renaissance Revival style set with Soude emeralds, pearls and garnets (2)

672 A RUBY, DIAMOND AND BLOODSTONE TARGET BROOCH, the circular bloodstone disc with central entwined shape set with cabochon pink rubies and rose-cut diamonds, within an unmarked yellow gold border, 3.2cms wide

£900-1,800

676 A 15CT YELLOW GOLD HEARTSHAPED BROOCH of open form, set overall with graduated seed pearls and claw-set with an old cushion-cut diamond, c.0.1cts, stamped 15ct to the reverse, with associated safety chain, 2.6cms dia

671 A 9CT YELLOW GOLD PIERCED SLAVE BANGLE, c.8.2gms and a quantity of 9ct gold and other rings and a pair of silver filigree ball drop earrings (a lot)

£100-200

675 A PAIR OF RUBY AND DIAMOND EAR CLIPS of fan design, each claw-set to the centre with a round brilliant-cut diamond, c.0.25cts and surrounded by a border of five graduated round and cushion-cut pink tone rubies in 9ct yellow and white gold, with a fitted case for Gowland Bros Ltd

670 A PAIR OF ROSE-CUT DIAMOND DROP EARRINGS, each end terminating in a round rose-cut diamond each c. 4.5mm dia and conjoined by three rose-cut and old-cut diamonds in cut down white metal collet-settings, each earring c.2.3cm long

£500-1,000

£150-300

£100-200 678 AN EDWARDIAN AMETHYST AND SEED PEARL OPEN WREATH PENDANT, with amethyst drop, the reverse with brooch fitments and safety chain, 6cms long and a 9ct yellow gold fancy link bracelet set with oval-cut purple stones (2)

90

£250-500

679 AN ART DECO STYLE PEAR-CUT AQUAMARINE PENDANT, the large aquamarine c.29cts, with a rose-cut diamond set bale, on a platinum link trace chain, 16" (40.5cms)

£1,200-1,800

680 AN 18CT YELLOW GOLD MULTIPLE STRAND NECKLACE, each strand of flattened herringbone form, conjoined by a ribbon-tie box clasp with safety clasp and hallmarked, 18" (46cms) long, c.62.7gms in the original Harrods box.

See illustration

£800-1,500

Lot 680

681 AN 18CT YELLOW GOLD DRAGONFLY BROOCH, the bloomed textured wings with rose-cut diamond highlights, the body collet-set to the centre with a round brilliant-cut diamond c.0.25cts and further set with a pearl and ruby eyes, the brooch fitment stamped 18, 6cms wide, c.14.9gms (all in).

See illustration

£1,500-3,000

682 A PAIR OF NATURAL PEARL AND DIAMOND DROP EARRINGS, the diamond and pearl set flowerhead mount suspending a train of graduated old-cut diamonds terminating in a pear-shaped pearl, each c.5.5-5.7mm wide x 6-7mm long, each earring 3cms long.

See illustration

This lot is accompanied by a Gem & Pearl Laboratory Certificate, No. 07395, stating each pear-shaped pearl to be Natural Salt Water

£1,500-2,500

Lot 681

Lot 682 683 A 1960'S RING AND EARRING SUITE, each of target design, claw-set overall with a cluster of cultured pearls within a cabochon turquoise border and set in Continental yellow metal, comprising a pair of ear studs and a dress ring (2)

£100-200

91

690 A 9CT YELLOW GOLD HINGED BANGLE, top section with openwork knot display, with chased and triple bead decoration, the concealed clasp stamped 9ct with safety chain, c.9.6gms in the original fitted case for J W Clark, Balham

684 A PAIR OF 18CT YELLOW GOLD GENTLEMAN'S CUFFLINKS of canted rectangular form, with engine-turned sunray and linear decoration, joined with chains, hallmarked, c.11.2gms in a fitted Garrard & Co box

£200-400

685 A 9CT ROSE GOLD CHAIN, each link of open quatrefoil form with a large lobster clasp, stamped 9ct, 9" (74cms) long, c. 43.7gms

691 A 9CT YELLOW GOLD CURB LINK CHARM BRACELET, suspending nine 9ct yellow gold and other charms, including a British passport and St Paul's Cathedral, hallmarked, with 9ct yellow gold heart padlock clasp and safety chain, c.52.1gms (all in)

£500-1,000

686 A 9CT YELLOW GOLD CURB LINK BRACELET, the heart padlock clasp hallmarked with safety chain, c.41.7gms

£100-200

694 A CONTEMPORARY SILVER BROOCH PENDANT, of Scandinavian design, the oval surface with bloomed gilding and black oxidised scroll, centred with a collet-set round-cut diamond, the reverse with indistinct signature and date '97, 4.5cms long

£150-300

689 AN 18CT YELLOW AND WHITE GOLD BROOCH, modelled in the form of a feather and rub-over set with round-cut diamond points, the reverse hallmarked, 6.5cms long, c.6.8gms (all in)

£200-400

693 A PAIR OF 18CT YELLOW GOLD AND PLATINUM CUFFLINKS of square form, with engine-turned squiggle and trellis decoration, stamped 18ct and Plat, conjoined by chains, c.8.5gms (all in)

£200-400

688 A 9CT ROSE GOLD GRADUATED ALBERT LINK CHAIN, with each link hallmarked with later yellow gold un-hallmarked extension suspending a 9ct rose gold T bar and lobster clasp, 15" (38cms) long, c.31gms (all in)

£250-500

692 AN 1888 GOLD SOVEREIGN, mounted in 9ct yellow gold as a pendant, on a 9ct yellow gold belcher link guard chain, 57¼" (145.5cms) long, c.51.2gms (all in)

£250-500

687 AN 1895 GOLD HALF SOVEREIGN, mounted as a pendant in hallmarked 9ct yellow gold and suspended from 9ct yellow gold box link chain, 24" (61cms) long, c.27.4gms (all in)

£100-200

£80-160

£200-400

695 A 9CT YELLOW GOLD SLAVE BANGLE, the interior engraved 'M. Kitchen Keox. 182/2', c.17gms

92

£100-200

696 A YELLOW AND WHITE GOLD NECKLACE in the Egyptian style with diamond and brick shaped reticulated links, interspersed with round brilliant-cut diamonds, the central stylised section set with graduated round-cut diamonds, each c.0.03cts and collet-set to the centre with a pear-cut pink stone, with Middle Eastern hallmark, 20" (51cms) long, c.57.8gms (all in)

Lot 698

£500-1,000

697 A MIDDLE EASTERN GOLD NECKLACE, suspending nine Egyptian motif pendants on an elongated open link chain, with Middle Eastern stamp, 16" (40.5cms) long, c.15.7gms

£80-160

698 AN 18CT YELLOW GOLD BRACELET, set with six Swiss 20 Franc gold coins, dated from 1935 through to 1947, the concealed clasp stamped 750 with safety catch, c.75.2gms (all in).

See illustration

£1,000-2,000

699 AN 18CT YELLOW GOLD BROOCH, modelled in the form of a Poodle, the body set with turquoise coloured cabochon with a ruby eye, the reverse stamped 18K and No. 237AL, c.4.5cms wide, 17.9gms (all in)

£200-400

700 A 22CT YELLOW GOLD FLATTENED CURB LINK NECKLACE, stamped 22K, 16" (40.5cms) long and a pair of unmarked yellow gold open engraved knot ear studs, c.13.8gms all in (2)

£200-400

701 AN 18CT YELLOW GOLD ALBERT CHAIN, each elongated link stamped suspending a 1788 Spade Guinea and a 15ct yellow gold seal engraved with initials MB, 15½" (42cms) long, c.52.9gms (all in) £600-1,200

93

708 A GENTLEMAN'S DIAMOND SOLITAIRE RING, the central round-cut diamond c.0.8cts in a heavy 18ct yellow gold gypsy rub-over setting with open shoulders

702 A 9CT YELLOW GOLD CURB LINK CHARM BRACELET, suspending fifteen 9ct yellow gold and other charms including a gypsy caravan and a gramophone, with a hallmarked 9ct yellow gold heart-shaped padlock clasp with safety chain, c.81.7gms (all in)

£400-800

709 A DIAMOND RING, rub-over claw-set with three graduated round old-cut diamonds with two pairs of smaller round old-cut diamonds between, total diamond weight c.0.71cts to an 18ct yellow gold shank with scroll shoulders and setting

703 A COLLECTION OF SEVEN 9, 10 AND 14CT YELLOW GOLD CHARMS, including a ram's head suspended from a gold plated bracelet, a 9ct yellow gold gate-link bracelet and a yellow gold child's bangle inset with turquoise (a lot)

£150-300

£100-200

£80-150

713 A PEARL AND DIAMOND FIVE STONE RING, rub-over set with three round graduated pearls and spaced with two old cushion-cut diamonds totalling c.

0.5cts to an open claw setting on an unmarked yellow gold shank

£150-300

707 AN ART NOUVEAU PENDANT, collet-set to the centre with an oval cabochon turquoise, within open stylised seed pearl 9ct yellow gold borders, 4cm long

£100-200

712 A RUBY AND DIAMOND RING, collet-set to the centre with an oval-cut pink tone ruby and flanked to either side by a round brilliant-cut diamond each c.0.05cts in 9ct yellow gold

706 TITANIC INTEREST: A 9CT YELLOW GOLD TIE-PIN with chased border and modelled to the centre with the profile of a boat and the letter 'T', possibly for Titanic, hallmarked to the pin and two other similar pieces of nautical jewellery bearing the letter 'T' (3)

£100-200

711 AN OLD-CUT DIAMOND CLUSTER RING of open circular form, set overall with graduated round and cushion-cut diamonds totalling c.0.5cts on 18ct yellow gold shank with knife-edge shoulders

705 A 9CT ROSE GOLD GATE-LINK BRACELET, the alternate links with chasing with a hallmarked 9ct rose gold heart padlock clasp with engraved scrolls and safety chain, c.20gms

£300-600

710 A SAPPHIRE AND DIAMOND THREE STONE RING, claw-set to the centre with a cushion-cut sapphire and flanked to either side by a collet-set princess-cut diamond, each c.0.1cts to a platinum shank

£80-160

704 A 9CT YELLOW GOLD FANCY FLATTENED CURB LINK NECKLACE, hallmarked, 24" (61cms) long, c.31.3gms

£400-800

£50-100

94

£100-200

714 A LARGE OPAL AND DIAMOND COCKTAIL RING, the central oval opal cabochon in a raised yellow gold claw setting and surrounded by a rub-over set border of twenty eight round brilliant-cut diamonds each c.0.03cts to an unmarked yellow gold shank with open stylised shoulders, 3cms long.

See illustration

Lot 714

£500-1,000

715 AN EMERALD AND DIAMOND THREE STONE RING, the central emerald-cut stone flanked to either side by a princess-cut diamond, each c.0.25cts all in rub-over corner-claw settings to an unmarked white metal shank.

See illustration

£800-1,600 Lot 715

716 A RUBY AND DIAMOND CLUSTER RING, the central oval cut ruby c.1.1cts and surrounded by a cluster border of round brilliant-cut diamonds totalling c.0.4cts in a raised open coronet claw setting to an 18ct yellow gold shank with open shoulders.

See illustration

£1,500-3,000

717 A PEARL AND DIAMOND RING, set to the centre with a large cultured 'South Sea' pearl, c.11.8mm wide on an unmarked white gold shank with a trillion-cut diamond to either shoulder, total diamond weight c.0.7cts

£400-800

718 A SAPPHIRE AND DIAMOND THREE STONE RING, the central oval-cut pale blue sapphire in a rub-over claw setting and flanked to either side by a round brilliant-cut diamond, each c.0.33cts on an 18ct yellow gold shank with knife-edge shoulders

Lot 716

£300-600

719 A FULL DIAMOND ETERNITY RING, set with twenty one round-cut diamonds each c.0.03cts in an unmarked white metal setting, ring size J

£100-200

95

726 A SAPPHIRE AND DIAMOND FLOWERHEAD RING collet-set to the centre with a round-cut diamond, c.0.25cts, and surrounded by a border of calibre sapphires and an open flowerhead-shaped border of rub-over set diamonds, to an 18ct white gold shank.

See illustration

720 A DIAMOND SOLITAIRE RING, the central round-cut stone c.1.51cts, raised in an open six-claw setting to an unmarked white metal shank with square stylised shoulders.

See illustration

£4,000-8,000

721 A FIVE STONE HALF ETERNITY RING, the five round brilliant-cut diamonds each c.0.25cts tension-set with 18ct white gold bars to an 18ct yellow gold shank.

See illustration

727 A SAPPHIRE AND DIAMOND THREE STONE RING, the central cushion-shaped sapphire c.1.47cts and flanked on either side by a round brilliant-cut diamond totalling c.0.34cts, claw-set in platinum to a platinum shank.

See illustration

£500-1,000

£400-800

722 A SEVEN STONE DIAMOND RING, the central round old-cut stone c.1.56cts raised in a four claw setting to an unmarked white metal shank, each shoulder set with three graduated rub-over set baguettecut diamonds, total diamond weight c.2.35cts.

See illustration

728 A SAPPHIRE AND DIAMOND CLUSTER RING, the central oval-cut sapphire c.3.16cts, in a raised claw setting and surrounded by a cluster border of 16 round brilliant-cut diamonds, totalling c.0.65cts, to an 18ct yellow gold shank.

See illustration

£5,000-10,000

723 AN ART DECO DESIGN RUBY AND DIAMOND RING, rub-over set to the centre with four round-cut diamonds, totalling c.0.6cts, forming a quatrefoil design within a calibre-cut ruby border and a further millegrain-set diamond point border, to an 18ct yellow gold shank with rub-over set diamond open shoulders.

See illustration

£1,000-2,000

£1,000-2,000

730 A 1960'S MODERNIST DIAMOND RING, the 18ct yellow gold shank with textured shards and set to the centre with a cluster display of graduated elongated baguette-cut diamonds, totalling c.0.5cts.

See illustration

£1,200-1,800

725 A RUBY AND DIAMOND DOUBLE ROW PLAQUE RING rub-over set with five cushion-cut rubies and five oldcut diamonds, with rose-cut diamond spacers to an unmarked yellow metal mount with a diamond inset to either shoulder, total diamond weight c.1.1cts

£1,000-2,000

729 AN OPAL AND DIAMOND COCKTAIL RING, the central deep opal cabochon claw-set and surrounded by a rub-over border of 12 round brilliant-cut diamonds totalling c.1.8cts, to an 18ct yellow gold shank with open shoulders.

See illustration

724 A NATURAL RED SPINEL AND DIAMOND CLUSTER RING, the central oval-cut spinel c.4.15cts, in a raised claw setting and surrounded by a border of graduated old and round-cut diamonds, totalling c.0.55cts, to an unmarked yellow gold shank with open stylised shoulders.

See illustration

£700-1,400

£400-800

731 A 1930'S SAPPHIRE AND DIAMOND PLAQUE RING of rectangular form, rub-over set with five graduated cushion-cut sapphires and six graduated round-cut diamonds set in platinum, to an 18ct yellow gold shank with open shoulders.

See illustration

£1,500-3,000

96

£250-500

Lot 720

Lot 721

Lot 722

Lot 723

Lot 724

Lot 725

Lot 726

Lot 727

Lot 728

Lot 729

Lot 730

Lot 731

97

738 A FIVE STONE DIAMOND RING, the five graduated round-cut diamonds collet-set and totalling c.1.55cts, to an 18ct white gold shank.

See illustration

732 A DIAMOND-SET GENTLEMAN'S RING, the central round brilliant-cut diamond c.1.0cts set within an engraved star setting, in 9ct yellow gold See illustration

£1,000-2,000

739 A SAPPHIRE AND DIAMOND CLUSTER RING, the central oval-cut sapphire in a four claw setting and surrounded by a double border of graduated round brilliant-cut diamonds, totalling c.1.0cts, to an 18ct yellow gold shank.

See illustration

733 A SAPPHIRE AND DIAMOND PLAQUE RING rub-over set to the centre with an emerald-cut sapphire and surrounded by pave-set border of graduated baguettecut diamonds forming a rectangular design, on an 18ct white gold shank with a baguette-cut diamonds to either shoulder, total carat weight c.1.0cts

£900-1,800

£350-650

£500-1,000

742 AN OPAL AND DIAMOND RING, the central oval opal cabochon of green/blue tone and surrounded by a rub-over border of graduated round-cut diamonds, set in platinum to an 18ct yellow gold shank.

See illustration

£300-600

736 A DIAMOND CLUSTER RING, the central round brilliant-cut stone c.0.5cts, and raised above a rub-over set border of ten round brilliantcut diamonds forming a circular cluster design, set in platinum to an 18ct white gold shank with diamond-set shoulders.

See illustration

£1,500-3,000

741 A DIAMOND SOLITAIRE RING, the central old-cut diamond c.1cts claw-set in platinum to an 18ct white gold shank with open shoulders.

See illustration

735 A RUBY & DIAMOND DRESS RING rub-over set with three graduated oval rubies forming a horizontal line, with demi-lune diamond borders to the central stone, to an 18ct yellow gold shank with open shoulders.

See illustration

£400-800

740 A DIAMOND HALF ETERNITY BAND set to the centre with row of baguette-cut diamonds and flanked on either side by rows of round brilliant-cut diamonds, total diamond weight c.2.08cts, in 18ct white gold.

See illustration

734 AN AQUAMARINE AND DIAMOND RING, the central emerald-cut aquamarine collet-set and surrounded by borders of millegrain-set round brilliantcut diamonds, and two baguette-cut diamonds, to an 18ct white gold shank.

See illustration

£1,000-2,000

£200-400

743 AN ART DECO STYLE DIAMOND RING collet-set to the centre with a round old-cut diamond, c.0.33cts, and surrounded by a rectangular border millegrain-set overall with graduated round-cut diamonds, to stylised diamond-set shoulders, on an 18ct white gold shank

£400-800

737 A THREE STONE DIAMOND RING, the central round old-cut stones c.0.5cts and flanked on either side by a further smaller round old-cut diamond, each c.0.2cts, in an open scroll setting to an unmarked white metal shank.

See illustration

£500-1,000 98

£500-1,000

Lot 732

Lot 733

Lot 734

Lot 735

Lot 736

Lot 737

Lot 738

Lot 739

Lot 740

Lot 741

Lot 742

Lot 743

99

750 A DIAMOND TRIPLE FLOWERHEAD CLUSTER RING, the three graduated flowerheads each formed from seven graduated round brilliant-cut diamonds, set in 18ct white gold, to an 18ct yellow gold shank

744 A PEARL AND DIAMOND RING, the central white spherical pearl c.8mm wide, to an 18ct white gold shank, each shoulder claw-set with three round-cut diamonds

£100-200

745 A RUBY AND DIAMOND DRESS RING rub-over claw-set with three graduated cushion-cut pale pink rubies, with four old-cut diamond spacers, to 18ct yellow gold shank with open claw setting

751 AN 18CT YELLOW GOLD BAND inset with three cushion old-cut diamonds, totalling c.0.3cts, an Art Deco diamond solitaire ring and a sapphire and diamond triple band (3)

£200-400

£1,000-2,000

£300-600

748 AN 18CT YELLOW GOLD WIDE TAPERING BAND inset with three graduated old-cut diamond totalling c.0.3cts, (c.9.6grams all in)

£100-200

754 A ROSE-CUT DIAMOND SET DRESS RING of open quatrefoil form, set to the centre with a closedback rose-cut diamond 6.6 x 4.4mm, with coloured stone points united by scrolls, to an open yellow gold writhen shank.

£150-300

749 A SAPPHIRE AND DIAMOND THREE STONE RING claw-set to the centre with an oval-cut sapphire and flanked on either side by a round brilliant-cut diamond, each c.0.2cts, in a raised 18ct white gold claw setting to an 18ct white gold shank

£400-800

753 A CULTURED PEARL AND DIAMOND RING, the central cultured pearl c.7.4mm dia. and surrounded by an open scroll illusion-set diamond border creating a stylised shell design, to an unmarked yellow gold reeded shank

747 A THREE STONE DIAMOND RING, the three graduated round-cut stones totalling c.0.5cts, in a platinum claw setting to an 18ct yellow gold shank with open shoulders

£150-300

752 A SAPPHIRE AND DIAMOND PLAQUE RING of horizontal rectangular form, rub-over set with three princess-cut sapphires and surrounded by a millegrain cluster border of round brilliant-cut diamonds, to an 18ct yellow gold shank

746 AN ART DECO SAPPHIRE AND DIAMOND TARGET RING collet-set to the centre with a round brilliant-cut diamond, c.0.47cts and surrounded by a calibre-cut sapphire border, to an unmarked white metal shank with diamond-set rub-over shoulders.

£250-500

£300-600

100

£800-1600

755 A REGENCY MOURNING RING, the oval bezel with weeping willow and urn decoration, against a white ground and surrounded by a rub-over set border of rose-cut pink stones, probably garnets, in unmarked rose gold closes back setting and shank.

See illustration

Lot 755

£800-1,600

756 AN INTAGLIO SEAL RING, the carved octagonal Carnelian panel engraved with the arms for either Purnell of Wickware, Gloucestershire or Purves, Scotland and Suffolk in a yellow metal cut down collet setting and shank, probably early 18th century.

See illustration

Provenance: Private Collection, Hampshire

£1,500-3,000

757 A 19TH CENTURY ROSE-CUT DIAMOND RING, the central rose-cut stone, c.6.1 x 5.5mm in a closed back claw setting and surrounded by open scroll borders set with four further rose-cut diamonds to an unmarked yellow metal shank with stylised shoulders.

See illustration

Lot 756

£1,800-2,500

758 A REGENCY ROSE-CUT DIAMOND AND RUBY RING, the central round rose-cut diamond, c.4.5mm dia, within a stylised unmarked yellow metal setting, each shoulder set with three round-cut rubies to an unmarked yellow gold shank with leaf-carved shoulders and enamelled setting

£500-1,000 Lot 757

759 A 19TH CENTURY RING, the central panel set with four seed pearls and a rosecut diamond forming a quatrefoil design, to an 18ct hallmarked yellow gold shank with leaf-carved and scroll shoulders, and a 22ct yellow gold wedding band (2)

£150-300

760 A YELLOW GOLD POSY RING, the interior engraved 'A True Friend's Gift' with maker's stamp 'DE', c.4.2gms

£50-100

101

767 A THREE STONE BLUE ZIRCON RING, the three graduated emerald-cut zircons in corner claw settings, to an unmarked yellow gold shank with open heart scroll setting

761 A 19TH CENTURY FLOWERHEAD RING, set with three seed pearl and foiled pink stone clusters against an unmarked yellow gold scroll carved setting and shank

£600-1,200

768 A THREE STONE DIAMOND RING, the three graduated round-cut diamonds totalling c.1.23cts, rub-over claw set to an 18ct yellow gold shank

762 A RUBY AND DIAMOND CLUSTER RING, the central oval-cut ruby collet-set and surrounded by a rub-over border of graduated round brilliant-cut diamonds on an 18ct white gold shank with a further round brilliant-cut diamond on each shoulder intersecting the main border, each c.0.2cts

£550-850

£150-300 772 AN ART DECO DESIGN FIVE STONE DIAMOND RING, the five graduated round-cut stones totalling c.0.55cts in an 18ct white gold square stepped setting to an 18ct white gold shank

£400-800

766 AN ART DECO SAPPHIRE AND DIAMOND RING, horizontally set to the centre with a baguette-cut sapphire to a platinum shank with diamond-set tapering shoulders

£450-850

771 A THREE STONE DIAMOND RING, the three graduated round old-cut diamonds totalling c.0.45cts to a platinum claw setting on an 18ct yellow gold shank, in the original Art Deco concertina box

£200-400

765 A SAPPHIRE AND DIAMOND CLUSTER RING, collet-set to the centre with a cushion-cut sapphire and surrounded by six round old-cut diamond, each individually collet-set to an unmarked yellow gold shank

£300-600

770 AN ART DECO DESIGN RUBY AND DIAMOND PLAQUE RING of oval form, collet-set to the centre with a round old-cut diamond, c. 0.15cts intersecting a princess-cut ruby cross against a further oval-shaped diamond-set ground, to an 18ct white gold shank

764 AN ARTS AND CRAFTS STYLE RING of lozenge form, collet-set to the centre with a marquise cabochon pink stone and surrounded by an openwork rose-cut white stone border to an unmarked yellow and white gold shank with open geometric shoulders

£1,000-2,000

769 A MODERN DIAMOND SET 'WAVE' RING, the unmarked white metal shank tension set with seven graduated round brilliant-cut diamonds, the largest c.

0.15cts

£800-1,600

763 AN ART DECO STYLE PLAQUE RING, mille-grain set with three graduated round-cut stones, totalling c.0.5cts and set with eight further smaller round brilliant-cut diamonds forming a baguette shape, in 18ct white gold to an 18ct white gold shank

£300-600

£200-400

102

£400-800

773 A RUBY AND DIAMOND CLUSTER RING, the central oval-cut ruby claw-set and surrounded by a border of eight round brilliant-cut diamonds to an unmarked yellow metal shank and a similar yellow gold diamond and ruby open leaf brooch (2)

Lot 776

£80-160

774 A VICTORIAN CORAL AND PEARL HALF ETERNITY BAND, set with two graduated rows of corals and pearls in 18ct yellow gold and another similar seed pearl ring (2)

£100-200

775 AN ART DECO DESIGN RUBY AND DIAMOND CLUSTER RING, collet-set to the centre with an oval-cut ruby and surrounded by a lozenge-shaped openwork border of graduated round-cut diamonds in 18ct white gold to an 18ct white gold shank

Lot 777

£500-1,000

776 AN ART DECO DRESS CLIP of stylised fan form, collet-set to the centre with a large square-cut emerald, and mille-grain set overall with rays of graduated old-cut and rose-cut diamonds, in excess of 2.5cts in unmarked white metal with clip fitments, 3.6cms long with a loose cushion old-cut diamond (2).

See illustration

£2,000-4,000

777 A DIAMOND SOLITAIRE PENDANT, the round old-cut stone c.1.99cts in an unmarked six claw setting with pendant bale.

See illustration

Lot 778

£6,000-12,000

778 A SAPPHIRE AND DIAMOND BROOCH modelled as a stem of flowers, each flowerhead claw-set with graduated oval and round-cut sapphires with millegrain diamond set leaves against a yellow and white gold ground, the reverse with brooch fitment, 3.5cms long.

See illustration

£800-1,600

103

785 ROYAL INTEREST: A VICTORIAN DIAMOND SET ORB AND SCEPTRE BAR BROOCH, pave-set overall with graduated old-cut diamonds in unmarked white metal, the reverse in unmarked yellow metal with brooch fitment, c.6.5cms long.

See illustration

779 AN OLD-CUT DIAMOND BROOCH, modelled as a bouquet including lily of the valley, rubover and mille-grain set overall with graduated round cushion and calibre-cut diamonds, some showing champagne, yellow and pink tones, the largest c. 1cts set in an unmarked yellow and white gold, 7.5cms long.

See illustration

£2,000-4,000

780 A SAPPHIRE AND DIAMOND BAR BROOCH, claw-set with a central oval-cut sapphire, the bar further claw-set with sixteen graduated round old-cut diamonds with scroll ends, the reverse stamped 'HAHN', 7.2cms long, with safety chain

£200-400

£1,800-2,500

£800-1,600

788 A VICTORIAN DIAMOND SUNBURST BROOCH, claw-set to the centre with a round old-cut diamond, c. 1cts and surrounded by radiating borders of further graduated round old-cut stones in unmarked white and yellow metal, the reverse with detachable screw brooch fitments, pendant loop and safety chain, 4cms dia

£2,500-5,000

£800-1,600

789 AN ART DECO DIAMOND NEGLIGEE STYLE PENDANT, collet-set with two round old-cut stones, each c.0.75cts and suspended from reticulated knife edges with three further graduated collet-set old-cut diamonds forming a train, on an unmarked white metal trace link chain with engraved box clasp, 17" (43cms) long.

See illustration

£1,200-1,800

784 AN ART DECO DIAMOND BROOCH, converting to a pair of dress clips of symmetrical scroll form, mille-grain set with overall with graduated roundcut diamonds with a central calibre-cut diamond buckle centre, the reverse with brooch fitment and clips with safety chain, all in unmarked white metal, 4.1cms long.

See illustration £500-1,000

£1,500-3,000

787 AN ART DECO DIAMOND BROOCH, converting to a pair of dress clips of symmetrical open geometric form, mille-grain set overall with graduated round-cut diamonds in unmarked white metal, the reverse with yellow metal brooch fitment and clip, 5.6cms long.

See illustration

783 A DIAMOND AND RUBY HEARTSHAPED PENDANT, the central heart cut diamond c.0.45cts collet-set and surrounded by a rub-over calibre ruby border in platinum to a 14ct white gold trace link chain, 16", 40.5cms long.

See illustration

782 AN ART DECO DIAMOND AND SAPPHIRE BRACELET, with alternate mille-grain set old-cut diamond figure of eight links interspersed with collet-set double sapphire links, in unmarked white metal, the concealed clasp with safety catch and chain.

See illustration

The symbol of the orb represents Christian Sovereignty and has been used at every Coronation since that of Charles II

786 TIFFANY & CO: A DIAMOND AND EMERALD PENDANT set with five graduated round brilliant-cut diamonds totalling c.0.5cts with a further round-cut emerald forming a reticulated train, hallmarked to the reverse for platinum, on a platinum trace link

781 ROYAL INTEREST: AN ENAMEL, DIAMOND AND PEARL PENDANT, the oval central panel depicting a portrait of Queen Victoria on the occasion of her Diamond Jubilee against a red guilloche enamel ground and surrounded by a roundcut diamond and pearl border, the reverse engraved 'Diamond Jubilee, 1837 1897' with brooch fitment and hinged pendant bale, 2.7cms long.

See illustration

104

£2,000-4,000

Lot 788

Lot 783

Lot 781

Lot 786

Lot 782

Lot 787

Lot 784

Lot 780

Lot 789

Lot 785

Lot 779 105

796 A LOOSE FANCY COLOURED DIAMOND, with GIA Certificate confirming the stone to be a cutcornered square brilliant-cut diamond of 2.05cts with a natural fancy dark brown colour, clarity grade SI2 with GIA Certificate and the diamond within its original sealed packaging

790 A DIAMOND BANGLE of hinged form, the top 14ct gold section rub-over clawset with twenty eight round brilliant-cut diamonds, the bottom section in unmarked yellow metal with concealed clasp and safety catch with associated safety chain

£150-300

791 A PAIR OF DIAMOND SOLITAIRE EAR STUDS, each round brilliant-cut diamond c.0.25cts, claw-set in 18ct yellow gold

797 A PAIR OF PEARL AND DIAMOND EAR STUDS, each round bun-shaped cultured pearl c.9.2mm wide each with a round brilliant-cut diamond c.0.15cts in an illusion square-shaped 18ct white gold setting

£100-200

792 A PAIR OF PEARL AND DIAMOND STUD EARRINGS, each round cultured pearl with pink tones, c.8.85mm wide with a collet-set round-cut diamond surmount, each c.0.2cts in 18ct white gold

£300-600

£100-200

£1,000-2,000

800 AN 18CT WHITE GOLD BROOCH, modelled in the form of a stylised bouquet of flowers, claw and illusion-set overall with graduated round brilliant-cut diamonds, the reverse stamped 18k, 6.5cms long

£800-1,600

795 A DIAMOND AND RUBY CLUSTER RING, claw-set to the centre with a cluster of four round-cut rubies with a claw-set diamond centre and raised around a border of sixteen round brilliant-cut diamonds to an 18ct yellow gold shank with open shoulders

£200-400

799 A PAIR OF DIAMOND FLOWERHEAD DROP EARRINGS, pave and claw-set overall with graduated round brilliantcut diamonds to an 18ct white gold setting, each earring 3cms long

794 A PAIR OF DIAMOND TRILOGY EAR STUDS each claw-set with three graduated round brilliant-cut diamonds each earring totalling c. 0.65cts and set as a knife bar edge in 18ct white gold

£250-500

798 AN ART DECO DESIGN DIAMOND RING, of plaque form, mille-grain set with overall with graduated round-cut diamonds with a central princess-cut diamond band to an 18ct yellow gold shank

793 AN OPAL AND DIAMOND BAR BROOCH, modelled with three cabochon opal trefoil, the yellow gold bar set with rose-cut diamonds, with Continental mark in a fitted box

£2,500-3,000

£300-600

801 A LOOSE PINK DIAMOND, with GIA Certificate confirming the stone as a cushion modified brilliant-cut natural diamond of fancy brownish purplish pink colour, 1.01cts

£250-500

106

£2,000-4,000

802 A PAIR OF TWO STONE DIAMOND DROP EAR STUDS, each stud set with a round brilliant-cut diamond, c.0.15cts and suspending a further larger round brilliant-cut diamond drop, c.0.33cts in 18ct white gold

Lot 803

£800-1,600

803 A BAROQUE CULTURED PEARL DIAMOND AND EMERALD PENDANT, of open form, claw-set to the centre with a rectangular emerald and surrounded by an open scrolling border of graduated round old-cut diamonds with a triple cultured pearl coronet suspending a large baroque cultured pearl drop, measuring c.1.12cms wide (widest point) x 1.88cms long (longest point) in unmarked yellow and white metal with hinged pendant bale, 4.3cms long.

See illustration

£2,500-3,500

804 A PAIR OF YELLOW DIAMOND EAR STUDS, each with individual ICI Certificates confirming the stones as natural oval-cut diamonds, one 0.28cts VVS2 of natural fancy yellow colour, the other an oval-cut natural diamond 0.28cts SI1 and of natural fancy yellow colour, each in a four claw 9ct white gold stud setting

These diamonds have recently been set as earrings for the purposes of sale.

£1,000-2,000

Lot 804

805 A LATE VICTORIAN DIAMOND DOVE PENDANT, the central dove motif set overall with rose-cut diamonds with green stone-set olive branch in its mouth, the underside in unmarked rose metal engraved with the initials 'AEP' and 20 Feb 1900 and sliding on a rose gold trace link chain, each end suspending a natural baroque pearl, 15½" (7cms) long.

See illustration

Lot 805

£1,500-3,000

806 A VICTORIAN FIVE STONE RING, the five graduated oval cushion-cut green stones, possibly green sapphires, set in 18ct yellow gold with a scroll setting, in a box for Gattle & Co, 5th Avenue, New York

£300-500

107

813 A VICTORIAN DIAMOND BROOCH of circular form, with a round old-cut diamond to the centre c.7.3mm x 4.63mm in a white metal cut-down collet setting, the open leaf scroll ground mille-grain set overall with graduated round old-cut stones, totalling c.1.9cts in unmarked white metal, the reverse with hinged clip, 2.5cms dia.

See illustration

807 A PAIR OF DIAMOND DROP EARRINGS, set in yellow gold with a diamond-set leaf motif, suspending a round old-cut claw-set diamond, each c.0.65cts with fish hook clasp fitments

£1,200-1,800

808 A PAIR OF DIAMOND SOLITAIRE STUD EARRINGS, each round brilliant-cut diamonds c.0.1cts and tension-set in 9ct white gold

£2,000-4,000

See illustration

This lot is accompanied by a certificate from the Gem & Pearl Laboratory No. 08657, stating all of the pearls in these earrings to be natural salt water pearls.

815 A VICTORIAN EMERALD AND DIAMOND BROOCH PENDANT of open scroll arrowhead form, set overall with graduated round and cushion old-cut diamonds and rose-cut diamonds and further collet-set in yellow metal with graduated princess and round-cut emeralds, the reverse with detachable brooch fitment, folding pendant bale and a pair of pendant hooks, 5cms x 6cms.

See illustration

£800-1,600

811 A VICTORIAN OLD-CUT DIAMOND BROOCH PENDANT, the central cushion old-cut stone c.2.4cts, surrounded by two borders of old cushion-cut diamonds, one totalling c.1.8cts, the outer border totalling c.5.6cts, the yellow gold reverse with pendant hook and detachable brooch fitment, 2.8cms dia. in a heart-shaped leather box.

See illustration

Provenance: Private Collection, Isle of Wight

£8,000-12,000

£3,000-6,000

816 A VICTORIAN DIAMOND BROOCH/PENDANT of circular open form with a large old cushion-cut diamond c.1.5cts, in a cut down collet setting and surrounded by four smaller old cushion-cut diamonds, within further diamond-set borders, total estimated carat weight in excess of 10cts, the unmarked yellow gold reverse with pendant loop, hinged pendant bale and brooch fitment, 5cms long.

See illustration

812 A DIAMOND TENNIS STYLE NECKLACE, set with 106 round brilliant-cut diamonds, the smallest c.0.05cts, the largest c.0.65cts, total diamond weight c.24cts, set in unmarked white metal, the concealed clasp with a safety catch, 16" (40.5cms) long.

See illustration

£2,000-4,000

810 A PAIR OF DIAMOND SOLITAIRE EAR STUDS, each round brilliant-cut diamond c.0.5cts in a four claw 18ct yellow gold setting

Provenance: Private Collection, Isle of Wight

814 A PAIR OF EDWARDIAN STYLE NATURAL PEARL AND DIAMOND CHANDELIER EARRINGS, formed from three graduated diamond-set strands, each set with natural pearl beads, the smallest c.3mm wide, the largest 4.6mm wide, with drilled button pearl collet-set stud, c.5.1-5.2mm wide, in 18ct white gold in a fitted case for Miller & Muir

£150-300

809 A PAIR OF CULTURED PEARL AND DIAMOND ART DECO STYLE DROP EARRINGS, the collet-set round-cut diamond train of loop form with a stylised Art Deco motif to the centre and suspending a round cultured pearl, c.9mm wide to 14ct white gold stud fitments, each earring 5.8cms long.

See illustration

£14,000-18,000

108

£8,500-10,000

Lot 815

Lot 812

Lot 809 Lot 814

Lot 811

Lot 813

Lot109 816

817 A PAIR OF DIAMOND FLOWERHEAD CLUSTER EAR STUDS, each rub over set with seven round brilliant-cut diamonds, total carat weight c.2.2cts in an 18ct white gold stud setting, each earring 1.1cms dia.

See illustration

£1,200-1,800

818 A MARQUISE-CUT DIAMOND PENDANT of flowerhead design, claw-set to the centre with a round brilliant-cut diamond, c.0.3cts and surrounded by a borders of 16 brilliant marquise-cut diamonds, suspended from a round-cut and pear-cut diamond train, total carat weight in excess of 5.5cts, 3.5cms long on a platinum trace link chain, 16" (40.5cms) long.

See illustration

£5,000-10,000

819 A DIAMOND SOLITAIRE PENDANT, the central round brilliant-cut diamond of 1.13cts in a four claw white metal setting to an 18ct white gold trace link chain, 19" (48cms) long.

See illustration

110

This lot is accompanied by a GIA Certificate No. 10760745 stating the diamond to be 1.13cts, colour grade D, clarity grade SI2

£2,000-4,000

820 GUBELIN: A NATURAL SRI LANKAN SAPPHIRE COCKTAIL RING, the large rectangular cushion-cut sapphire, 14.81cts in a four double corner claw setting, to an 18ct white gold square stylised shank with Gubelin maker's stamp.

See illustration

This ring is accompanied with a Gem and Pearl Laboratory Certificate No. 09587 stating the stone to be a natural sapphire with no evidence of heat treatment.

Origin: Sri Lanka.

ÂŁ8,000-12,000

821 AN EMERALD AND DIAMOND THREE STONE RING, claw-set to the centre with an emerald-cut emerald, c.2.08cts and flanked to either side by a round old-cut stone, total diamond weight c.2.15cts in a platinum heartshaped claw setting to a platinum shank.

See illustration

111

822 CARLO GIULIANO: A RENAISSANCE REVIVAL ENAMELLED SAPPHIRE AND DIAMOND PENDANT of circular form, the black and white open scroll enamelled ground set with four round-cut sapphire decorated loops centring a claw-set old round-cut diamond, c.0.2cts, with further pearl bead and sapphire drops, the yellow gold reverse with double makers mark, 5cm long, suspended from a plain loop bale, on an associated white metal fancy link chain, 26" (66cm) long, in the original Giuliano fitted case at 115 Piccadilly.

See illustration

ÂŁ5,000-10,000

112

823 AN ART DECO NATURAL SAPPHIRE AND DIAMOND COCKTAIL RING, claw-set to the centre with a natural cushion-cut sapphire c. 8.2 x 8.1 x 5.7mm, surrounded by a milligrain set border of round brilliant-cut diamonds totalling c. 0.6cts, with an outer calibre-cut border of sapphires, in an open scroll setting to a platinum shank with stylised diamondset shoulders. ÂŁ5,000-10,000

Provenance: Private Collection, West Dorset

This lot is accompanied by a Gem and Pearl Laboratory certificate number 09852 confirming the central stone to be natural, with no evidence of heat treatment and of Sri Lankan origin.

113

824 A NATURAL SAPPHIRE AND DIAMOND RING, claw-set to the centre with an oval-cut natural sapphire c. 12.2x8.2x5.1mm and surrounded by a cluster border of 10 round, brilliant-cut diamonds totalling c. 1cts, to a platinum shank, the shoulders each set with 3 graduated baguette-cut diamonds intersecting the main design and totalling circa. 0.72cts.

ÂŁ3,000-6,000

Provenance: Private Collection, East Dorset

This lot is accompanied by a Gem and Pearl Laboratory certificate number 09853 confirming the sapphire to be natural, with no evidence of heat treatment and of Sri Lankan origin.

114

830 A RUBY AND DIAMOND THREE STONE RING, the central oval-cut ruby in a four claw setting and flanked on either side by a round brilliant-cut diamond, each c.0.25cts, to an 18ct white gold shank

825 A PAIR OF VICTORIAN GRANULATED STYLE DROP EARRINGS, each gilt metal drop with rosette decoration and colletset with cushion-shaped pink garnets, with fish-hook attachments, each earring c.3.7cm long

£750-950

831 AN EMERALD AND DIAMOND CLUSTER RING, the central baguette-cut emerald claw-set and surrounded by a border of round brilliant-cut diamonds, totalling c.0.4cts, in an open claw setting to an 18ct white gold shank

826 A COLLECTION OF SIX VICTORIAN AND LATER BAR BROOCHES including a seed pearl set crescent moon brooch, in a leather fitted case (6)

£100-200

827 A PAIR OF DIAMOND TREFOIL STUD EARRINGS, each claw-set with three round brilliant-cut diamonds, totalling c.0.45cts, within an 18ct white gold border and set in 18ct yellow gold with stud fitments

£150-300

£100-200

833 An 18ct yellow gold cuff bracelet, of interlinking herringbone design, the concealed clasp stamped 750, with double safety catch, c. 41.6g. £250-500

£200-400 834-899 Spare lots

829 A SAPPHIRE AND DIAMOND THREE STONE RING, the central oval-cut sapphire in a four claw setting and flanked on either side by a round brilliant-cut diamond, each c.0.33cts, to an 18ct white gold open claw setting and shank

£150-300

832 A FIVE STONE RUBY RING, the oval-cut graduated rubies in a rub-over claw setting, in unmarked yellow gold and a similar five stone opal ring (2).

828 A TANZANITE AND DIAMOND RING, the central oval-cut tanzanite in a four-claw setting and surrounded by a brilliant-cut diamond border, to an 18ct white gold shank

£300-600

£500-1,000

115

116

BOXES, CADDIES, WINE AND WORK S OF ART

Detail of lot 948 117

905 CONTINENTAL STYLE MINIATURE PARQUETRY VENEERED CHEST OF DRAWERS, the rectangular top set with a geometric star motif, above three long graduated drawers with diamond set veneers, on a wavy plinth base, 9" wide.

See illustration

899 ROYAL INTEREST: A RED MORROCO LEATHER FOLIO CASE, with gold embossed details for F.M. H.R.H. The Duke of Connaught. K.G. and hallmarked gold slide fastening marked 14, 12” long.

£100-200

900 A GEORGE III MINIATURE MAHOGANY AND SATINWOOD STRUNG LINEN PRESS, with a scrolling pediment above twin doors enclosing a fitted interior with a central mirror flanked by six short drawers, above two short and two long drawers with knob handles, on tall bracket feet, 14¼" wide.

See illustration

906 A GEORGE III STYLE SATINWOOD AND PAINTED MINIATURE BUREAU, the sloping fall painted with hanging ribbons, flowers and crossed quivers, above a small and three short graduated drawers with further painted decoration and similar sides on bracket feet, 7" wide.

See illustration

£200-400

901 A GEORGE III MAHOGANY MINIATURE CHEST OF DRAWERS, the rectangular caddy moulded top above two short and three long drawers with knob handles, on bracket feet, 12½" wide.

See illustration

£200-400

£150-250

909 TAXIDERMY: A PRESERVED TURTLE SHELL, 20"

£150-250

£100-200

910 A SILVER AND TORTOISESHELL MOUNTED JEWELLERY BOX, the domed lid mounted with radiating tortoiseshell veneers and mounted to each corner with a winged cherub's head mount, the velvet lined interior with a fitted tray, the body with all over silver mounts, 9" wide See illustration

£200-400

904 A QUEEN ANNE STYLE MINIATURE WALNUT LOWBOY, the rectangular top with crossbanding and central burr veneer, with a moulded border above a single long drawer and two small drawers, on cabriole legs with pointed spade feet, 14" wide.

See illustration

£100-200

908 TAXIDERMY: A PRESERVED TURTLE, possibly a Hawksbill, 14" long

903 A GEORGE I STYLE MINIATURE YEW WOOD KETTLE STAND, with a square top with raised border above a short slide, on tapering turned column and three downswept cabriole legs with pad feet, 13" high

£200-400

907 TREEN: A LIGNUM VITAE TURNED GOBLET with a straight-sided bowl on ring-turned stem and spreading foot, 5½" high and a similar circular tea caddy, 4¼" wide and two similar fruitwood goblets (4)

902 A GEORGE III STYLE MINIATURE MAHOGANY BOWFRONT CHEST OF DRAWERS, the upper section with two short and three long graduated drawers, the lower with a brushing slide above three further long drawers on splay bracket feet, 10¾" wide.

See illustration

£150-250

£200-400

911 A VICTORIAN WALNUT AND GILT BRASS MOUNTED BOOK SLIDE, with a central gilt plaque, 'Halstaff & Hannaford, 228 Regent Street, London' with stamp to one side 'Self Closing Book Slide, 3421'

£200-400

118

£50-100

Lots 900-906

Lot 910

119

Lot 912

914 A FITTED GREEN LEATHER TRAVELLING VANITY CASE

by Drew & Sons, Piccadilly Circus, London W., the case fitted with ivory brushes, mirrors, accessories and a quantity of silver mounted bottles, the silver hallmarked for London 1899

912 A GEORGE III SCROLLED PAPERWORK TEA CADDY of elongated octagonal form, all over decorated with gilt and coloured scrolled paper, the front with crossed foliate branches against a green ground, the side panels with leaf forms against blue, the interior with a satinwood lid with turned ivory handle, on gilt metal ball feet, 6¼" wide.

See illustration

Provenance: Christie's Auction of Cowdray Park, held on 13th-15th September 2011, Lot 829, where this item was recorded as being part of the property being brought down from Dunecht House, Aberdeenshire, the Pearson's house, North of the border.

Provenance: The collection of the marine artist Cavendish Morton

£300-600

915 A LOUIS XIV STYLE GILT METAL AND BOULE-WORK DESK STAND, the top fitted with twin ink wells and a pen well and a central broad well with scrolling boule-work decoration, the sides with all over conforming scrolling engraved brass work on gilt metal feet, 15" wide

£1,000-1,500

913 A 19TH CENTURY FRENCH 'SUSSE FERES' DRESSING BOX, the rectangular lid with gilt metal border and a band of boule-work inlay, the interior with a fitted mirror and tray, the lock stamped 'Susse Feres a Paris', 13" wide

£300-500 120

£200-400

916 A PAIR OF MID-19TH CENTURY FRENCH BRONZE FIGURES of classical ladies after the original models by Moreau, both inscribed, one holding a flower, the other a basket of flowers, each on octagonal plinth bases, 13½" high (2)

£300-500

121

924 A 19TH CENTURY FRENCH BRONZE AND GILT BRONZE TWO BRANCH CANDELABRA with scrolling foliate candle holders held aloft by a winged cherub, on a gilt rockwork base, on a later wooden stand, 12" high

917 A HALF BOTTLE OF HUNGARIAN TOKAY ASZU 1924, 6 PUTTOMOS ABAUJ-SZANTO, produce of Hungary

£400-600

918 A HALF BOTTLE OF HUNGARIAN TOKAY ASZU 1924, 6 PUTTONOS ABAUJ-SZANTO, Produce of Hungary

925 AFTER THE ANTIQUE: A CAST PATINATED BRONZE SCULPTURE OF A ROMAN GODDESS wearing a toga, on a rectangular base, 8" high

£400-600

919 A BOTTLE OF WARR VINTAGE PORT, 1963

£100-200

£100-200 927 SALMON: A PAIR OF CAST GILT AND PATINATED BRONZE SCULPTURES OF GRECIAN MAIDENS holding aloft a single candle sconce, on a Wedgwood Jasperware base, with conforming classical decoration, 19" high (2)

921 A VICTORIAN CARVED IVORY WALKING CANE, the hand grip carved with four faces emerging from intertwined foliage, on a sectional shaft with further scrolling foliate decoration and face carved joints, 35½"

£300-500

£500-1,000

922 A PALE BLUE SILK AND 'SILVER' THREAD EMBROIDERED CUSHION COVER of square form with a fringe border worked with a central bouquet of flowers, 22" wide

928 A PAIR OF CAST AND PATINATED BRONZE CANDLESTICKS in the form of winged cherubs, holding aloft a foliate cast candle holder, on naturalistic bases, 11" high (2)

£100-200

923 A 19TH CENTURY FRENCH BRONZE AND GILT METAL JEWELLERY CASKET, the rectangular top worked in low relief with a scene of vicar's outside a tavern and others on horseback with a town to the distance, the sides similarly decorated, on short feet, stamped to the base 'A .B. Paris', 6¼" wide

£100-200

926 A PAIR OF BRONZE NEO-CLASSICAL STYLE VASE ORNAMENTS, with twin loop handles and cast ribbon and foliate swag decoration, on square bases, 8" high (2)

£80-150

920 A BOTTLE OF CHATEAU DRUAOD LAROSE, 1947

£150-250

£100-200

122

£200-400

Lot 929

932 A VICTORIAN TOLE PEINTRE COAL BOX with a domed lid with cast rococo revival handle and gilt painted acorn and leaf frieze, on a tapering base with conforming feet, 23" wide

929 A HAWKES & SON 'PROFESSOR VIOLIN 2 REGISTERED 1893',VIOLIN with maple and spruce body and internal paper label, 23", in a case with two bows.

See illustration

£80-150

£400-800

930 JONAS JANSSON: A 17TH CENTURY MAP OF THE COUNTY OF CAMBRIDGESHIRE with hand coloured borders and details, 17" x 21"

933 A MEDIEVAL STYLE CARVED STONE BLOCK, decorated with a stylised fox's head, bearing the date 1841, 9½" wide

£150-250

931 REBERTUS GORDONIUS "Scotia Regnum", a hand-coloured map of Scotland with a side panel of The Orkney and Shetland Islands, 18¾" x 23½", and a print of the Battle of Culloden (2)

934 A MEDIEVAL STYLE CARVED WOODEN GROTESQUE FIGURE with a highly weathered surface and traces of original polychrome decoration, on an ebonised stand, possibly medieval, 26" high

£100-200

123

£50-100

£100-200

Lot 938

939 A WEBLEY & SCOTT LTD SINGLE BARREL BOLT ACTION 410 GAUGE SHOTGUN, the movement with various stamps including patent no.

722520, 46½"

935 A CARVED HAM STONE CREATURE of winged form, on a square stone base, possibly 15th/16th century, 28" high

£300-600

936 A CARVED STONE TROUGH, of shallow bow fronted form, possibly 18th/19th century, 29" wide

£100-200

The buyer must have a valid licence

£600-1,000

£100-200

941 A CONTINENTAL DAGGER with knurled ivory handle and cast white metal mounts with a tapering blade, with an associated scabbard with all over engraved and repoussé foliate decoration, 16.6"

938 CLAUDE BLEYNIE (born. 1923) A tapestry worked with exotic colourful birds in a stylised tree against a dark ground, initialled lower left 'J.F.D.' and signed 'Bleynie', lower right, 40" x 77".

See illustration

The buyer of this gun must have a valid licence

940 A COGSWELL & HARRISON 12 BORE SIDE BY SIDE BARRELLED SHOTGUN, the barrels no. 41095, 47"

£100-200

937 A GILT METAL THREE PART FIRE CURB, with adjustable ends, surmounted by Putti above pierced and leaf-cast decoration, the central section with a foliate mount, all on plinth base, 9½" high

£80-150

942 A GERMAN GILT METAL AND IRON CROSS FINIAL, with a cross within a spade shaped pierced outline with an iron cross mounted amongst leaves, on a tapering support, 9¾"

£150-250

124

Provenance: This item was brought back from the Second World War by an American Army Captain and thence by descent in the family

£200-400

Lot 943 and 944

945 A PAIR OF GILT BRONZE EMPIRE STYLE URNS, the classical urns on square floral mounted bases, on animal paw winged feet, 9" high (2)

943 A VICTORIAN MILITARY GENERAL SERVICE MEDAL awarded to Joan Niblett, 9th Foot with St Sebastian, Vittoria Barrosa & Vimiera bars, with copies of associated paperwork.

See illustration

£1,000-1,500

946 A LOUIS XVI STYLE GILT METAL CANDELABRA with a central raised sconce with leaf-effect border surrounded by five similar sconces, on a central stem and spreading base with scrolling foliate and leaf-cast decoration, fitted for electricity, 20" high

944 A FIRST AND SECOND WORLD WAR OBE GROUP OF EIGHT MEDALS and associated miniatures, the miniatures including a Persian Order of the Lion & Son, and the British War Medal (1914-20) with six unofficial bars. The medals awarded to Commander Arthur Cecil Roberts, OBE.RN. See illustration

£100-200

£300-600 125

£200-400

947 PROFESSOR ANTONIO BORTONE (1847-1938) A large carved white marble sculpture of "Mary" laughing as the lamb at her knees nibbles a leaf, with an overturned basket at her side, and standing on an oval base, inscribed "Prof. A. Bortone", 49" high, on a waisted pedestal grey-green mottled marble column carved with floral swags and curled stiff leaves, on a spreading circular base to a further octagonal base, the top section apparently rotating 360 degrees, 37" high.

Provenance: The late WH Wilson, Esq. Town Clerk of Blandford Forum and town solicitor.

The Wilson family at Dale House, Blandford Forum, Dorset,

and thence by descent.

Ippazio Antonio Bortone (1847-1938) is one of 19th century Italy's foremost sculptors. His career began at the Academy of Fine Arts in Naples where he later became honorary Professor. He frequently submitted ideas for monuments in various Italian provinces, some of the most notable of his eventual commissions being a bust of King Vittorio Emanuele III of Italy at the National Parliament, and a bust of Gino Capponi, the famous Florentine historian, in Santa Croce, Florence. As the result of the success of his commissions, he was permitted into various Orders of Knighthood, including The Order of Santi Maurizio e Lazzaro by King Umberto I following the installation of his monument to Quintino Sella in Biella. One of his more well-known sculptures "Fanfulla da Lodi" was widely celebrated when it was exhibited at the Paris Expo in 1887. The frivolity of the subject matter combined with the refined detail, particularly to the lamb's fur and the girl's expression explains why this artist received wide acclaim during the Italian Fin de Siecle.

ÂŁ10,000-20,000

126

127

948 AN IMPORTANT MONUMENTAL FLORENTINE PIETRA DURA PICTURE

by Alfonso Montelatici, depicting an interior domestic scene with a cavalier and a monk playing dice with a serving wench looking on, signed and dated (lower right) 1927, and the reverse with various inscriptions, 26½" x 36½", in a deep frame moulded with fruit and stylised acanthus leaves, 40" x 50" overall.

Provenance: The Arte Musiva, Firenze 1928.

Acquired from the Arte Musiva Firenze by Arthur Davy, Esq. and thence by descent to his daughter Edith Olive Helm (d. 1972)

The Griffiths family, Somerset.

Alfonso Montelatici was the son of the noted Giovanni Montelatici, who is credit with the revival of interest in the art of pietra dura, which had been in decline since the mid-19th century.

Following on from a gold medal winning piece in the 1900 Paris Exposition Universelle, Montelatici established a large workshop on the Via Arnolfo, known as La Musiva. The business flourished during the early decades of the 20th century, when Giovanni was joined by his two sons, Mario and Alfonso, and when foreign buyers were plenty. Drawing inspiration from the paintings and subject matter of the Tuscan Macchiaiolo School and Southern Italian artists, production encompassed a wide variety of themes, with particular emphasis on scenes of domesticity and rural life. The present lot is typical of his work, both in its superlative technique, and its genre subject.

This tour de force from the atelier of the Montelatici may be compared to other works by Alfonso and his father, Giovanni. For comparison please see: "Anna Maria Massinelli - "The Gilbert Collection - Hardstones" and also "Painted in Stone" by the same author.

We are grateful to Anna Maria Massinelli for assistance in cataloguing this lot.

£30,000-50,000

128

129

CLOCKS AND SCIENTIFIC INSTRUMENTS

Lot 958

Lot 959

955 A 19TH CENTURY FRENCH 'PORTICO' CLOCK with a white enamel dial, signed 'Leroy, Paris', the clock beneath an architectural pediment between spiral turned columns with gilt caps, on a conforming plinth base, with an eight-day movement striking on a bell, beneath a glass dome, 22" high

958 A VICTORIAN BRASS CASED GOTHIC REVIVAL BRACKET CLOCK,

by Gowland of Sunderland, the architectural case with all over Gothic detailing, with a central circular dial with Roman numerals, signed 'W C & A Gowland, Sunderland', with a single train fusee movement, 15" high See illustration

£200-400

956 A VICTORIAN MAHOGANY AND BRASS INLAID OCTAGONAL WALL CLOCK, the circular convex dial with Roman numerals and signed 'F.Frasle Poplar', with a single train fusee movement, 15" wide

959 A LATE 19TH CENTURY FRENCH GILT METAL AND MARBLE MANTEL CLOCK, with a circular movement with convex dial with pierced gilt hands, with a two train movement with outside count wheel striking mechanism sounding on a bell, the architectural case with a gilt pineapple finial on an arrangement of columns with all over gilt mounts, on a Serpentine fronted plinth base with gilt feet, 12½" wide .

See illustration

£250-450

957 A GEORGE III MAHOGANY LONGCASE CLOCK, the brass dial with silvered chapter ring, signed 'Thomas Killgoure, Inverness' with subsidiary seconds dial and date aperture, the arch decorated with a concave smiling moon face, with an eight-day two-train movement striking on a bell, with swan neck pediment and central eagle and ball finial, the trunk with arched top door between quarter recessed reeded columns, 79" high

£500-1,000

£300-500

960 A VICTORIAN GILT METAL MANTEL CLOCK with a circular white enamel dial with Roman numerals, with a pocket watch type movement, signed 'R Marshall, Longrow', the circular dial mounted on a palm tree with a military trophy and flanked by a male and female figure, on a wooden base with further conforming metal mounts, 15" high

£500-800

130

£150-250

961 A 19TH CENTURY 'PORTICO' GILT METAL MANTEL CLOCK, of architectural form, the circular gilt dial with engine-turned centre and leaf-cast border, the eight-day twin-train fusee movement striking on a bell, signed 'Finer & Nowland, Holborn', with a grid type compensating pendulum, on compressed bun feet, 18½" high.

131

ÂŁ600-800

Lot 963

963 A 19TH CENTURY FRENCH GILT BRONZE CLOCK GARNITURE, the rococo revival clock with a white enamel dial with blue Roman numerals with a two-train movement striking on a bell, the case with all over scrolling and foliate decoration surmounted by a cherub, the base with a lying cherub and goat, on a scrolling openwork base, 16" high and a pair of matching rococo revival candlesticks, 9" high.

See illustration

962 A GEORGE III WALNUT LONGCASE CLOCK, the silvered chapter ring signed 'E. Webb, Bristol', with central subsidiary seconds dial and date aperture, the dial flanked by pierced gilt metal spandrels underneath a painted arch, with a five pillar two-train movement, striking on a bell, the case with a flat top hood, the trunk with an arch crossbanded door, 85" high

ÂŁ600-900

132

ÂŁ500-800

965 A GEORGE II CHINOISERIE LACQUERED LONGCASE CLOCK, the silvered dial with an arch inscribed "Alfred Matthews, Leighton Buzzard", the chapter ring enclosing a subsidiary seconds dial, with a two train movement striking on a bell, the arch topped hood with twin gilt ball finials, with an arched door flanked by turned columns, the trunk and case with all over chinoiserie lacquered decoration of birds and buildings amongst trees, 95" high.

See illustration

964 A GEORGE III OAK LONGCASE CLOCK with square brass dial signed "G. Bennett, Malmesbury", with engraved chapter ring and subsidiary seconds and date dials, with a four pillar two train movement striking on a bell, the hood with tall arched top with blind fret decoration and a central ball and pinnacle mount, the trunk with a tall arched top door on square base, 92" high.

See illustration

ÂŁ600-800

133

ÂŁ500-800

966 A CHARLES II STYLE BRASS CASED LANTERN CLOCK with an openwork movement, the circular dial with Roman numerals and central engraved decoration, with single hand, the movement striking on a large bell, 12" high, with later bracket

Lot 966A

£100-200

966A A FRENCH GILT BRASS AND PORCELAIN PANELLED REPEATING CARRIAGE CLOCK, the painted porcelain dial with Roman numerals and subsidiary dial, in an engraved brass and porcelain panelled case, with swing handle. The movement striking on a gong, 7” high

£1,500-3,000

967 A MARINE CHRONOMETER

by Joseph Sewill, 61 So-Castle Street, Liverpool, the mount marked "Clan Line", with Roman numerals and two subsidiary dials marked "260" and "56", the silvered dial numbered "4318/B", in an ebonised and brass strung case, 7" wide.

See illustration

£1,500-2,000

968-969 Spare Lots

Lot 967

134

FURNITURE

Detail of lot 1022 135

976 A VICTORIAN BURR WALNUT AND MARQUETRY "TRUMPET-SHAPED" WORK TABLE, the circular top with a central marquetry panel, within a carved border, on a tapering octagonal base with three downswept cabriole legs with leaf-carved knees, 19½" wide

970 A NEST OF FOUR REGENCY MAHOGANY QUARTETTO TABLES, each with a rectangular graduated top with slightly raised border, on slender ring-turned column supports and down-splayed legs, united by stretchers, 19" wide and smaller (4) £500-800

£100-200

971 A REGENCY MAHOGANY AND EBONY STRUNG DRESSING TABLE MIRROR with an oval plate between shaped uprights, on a box base with twin bow-fronted drawers with ivory handles, on bracket feet, 14½" wide

977 A GEORGE III MAHOGANY PILLAR TABLE of Chippendale design, the circular tilting top with a piecrust edge, on a baluster turned column and a tripod base carved with acanthus leaves and terminating in pad feet, 33" wide

£50-100

972 A GEORGE IV MAHOGANY CANTERBURY with compartmented slatted pierced top and a drawer below, on reeded legs and brass castors, 18" wide

978 A REGENCY MAHOGANY FIRE SCREEN with a rising fabric-lined screen above a folding writing surface and single short drawer, above an upholstered stretcher and scrolling feet, 15½" wide, and another similar (2)

£300-500

973 A VICTORIAN MAHOGANY FOLDTOP CARD TABLE, the rectangular top with rounded corners above a shaped frieze, on a circular column and platform base with scrolling feet, 35" wide

£150-250

£200-400

980 A GEORGE III MAHOGANY CHEESE COASTER of shaped form with scrolling ends, on small leather barrel-form castors, 20" wide

£250-450

£200-400

981 A GEORGE I WALNUT VENEERED CHEST ON CHEST, the upper section with a moulded cornice above two short and three long graduated drawers with broad crossbanding, brass handles and key escutcheons, the lower section with three further long graduated drawers, on bracket feet, 40" wide See illustration

975 A PAIR OF TALL GEORGE III STYLE MAHOGANY TORCHERES with circular tops, on reeded columns and three downswept cabriole legs, each 64" high (2)

£150-250

979 A PAIR OF EDWARDIAN UPHOLSTERED BEDROOM CHAIRS with low backs, upholstered seats and turned front legs, with ceramic castors, stamped to the inside of the rear legs "5452", 32" high

974 A VICTORIAN WALNUT AND MARQUETRY "TRUMPET-SHAPED" WORK TABLE, the circular top decorated with a scene of St. George slaying a dragon, within a foliate border, the lid enclosing a fitted interior, with a tapering body and three scrolling legs with carved marquetry decoration, 18" wide

£300-500

£150-250

136

£800-1,500

Lot 981

137

989 A GEORGE III MAHOGANY FOLDTOP TEA TABLE, the rectangular top above a single shallow frieze drawer, on moulded square section legs, 30" wide

982 A REGENCY MAHOGANY DINNER WAGON, the rectangular top with rounded ends, on turned supports with a broad stretcher with galleried ends, on tapering ring-turned legs with brass wheel castors, 39" wide

£300-500

990 A GEORGE III MAHOGANY PEMBROKE TABLE, the rectangular top with drop flap ends above a frieze drawer with cast handles and conforming dummy drawer, on turned tapering legs with brass castors, 24" wide

983 A SET OF FOUR LATE GEORGE III MAHOGANY DINING CHAIRS in the Sheraton style, each with turned rails and pierced arcading to the back, on fluted tapering legs with upholstered seats (4)

£250-450

£50-100

986 A SET OF FOLDING THREE TREAD LIBRARY STEPS with a turned tapering hand grip above a hinged base, 58" high

£100-200

£200-400

988 A GEORGE III MAHOGANY LAZY SUSAN with a circular dished top on a turned column and spreading base, 21" wide

£800-1,500

992A A REGENCY SPECIMEN MARBLE TOPPED OCCASIONAL TABLE, the circular top with multicoloured marble segments, on a carved intertwined gilt serpent column and platform base and animal paw feet, 15½" wide, basically 19th centurt

987 A GEORGE II MAHOGANY RECTANGULAR TOP SIDE TABLE, the shaped top with rounded corners above a single long frieze drawer, on turned tapering legs with carved knees and pad feet, 32" wide

£400-600

992 A LATE GEORGE III SATINWOOD BUREAU BOOKCASE, the upper section with twin glazed doors with flat-fronted glazing bars enclosing a shelved interior, the lower section with a sloping fall enclosing a fitted interior with a central cupboard flanked by short drawers and pigeonholes, all above a long single drawer and twin cupboards with circular laid veneers, on tall bracket feet, 19" high, 18th century and later

£300-600

985 A GEORGE III STYLE MAHOGANY TORCHERE with a circular dished top on a tapering column with reeded base, on three downswept cabriole legs, 41" high

£200-400

991 A REGENCY MAHOGANY EXTENDING DINING TABLE, the rectangular top with rounded corners and three removable leaves, on turned and reeded tapering legs with brass castors, 108" wide (fully extended)

984 A GEORGE III MAHOGANY CHEST OF DRAWERS, the rectangular top with broad crossbanding above two short drawers and two long graduated drawers, with cast brass handles and pierced key escutcheons, on ogee bracket feet, 44" wide

£150-250

£100-200

138

£300-600

Lot 993

993 IN THE MANNER OF GILLOWS: A VICTORIAN MAHOGANY SIDE TABLE, the broad rectangular top with canted corners above a swept frieze with central long drawer with lion mask handles, on heavy carved cabriole legs with scrolling feet and block bases, stamped to the reverse 36802, 78" wide.

See illustration

Provenance: According to family tradition this side table once formed part of the furnishings of a relatives offices whilst serving as a British diplomat in Italy.

£1,000-2000

993A A LARGE VICTORIAN NEOCLASSICAL STYLE GILTWOOD AND GESSO WALL MIRROR, with a large rectangular plate within a ribbon-carved border, surrounded by a smaller rectangular bevel edged plate beneth a classical trophy and decorated with a hanging foliate swag, 97" high x 56" wide. £500-1,000

139

1000 A REGENCY STYLE CREAM PAINTED AND FLORAL DECORATED WORK TABLE, the rectangular top with inswept sides and raised centre enclosing a fitted interior, on a turned column and platform base with downswept legs, 18" wide

994 A LIGHT OAK ARTS AND CRAFTS STYLE REFECTORY DINING TABLE in the manner of Ambrose Heal, the rectangular top with rounded edges, on shaped "X"-frame supports with cross stretcher, 70½" wide

£300-500

995 A GEORGE I WALNUT TOILET MIRROR, the shaped rectangular plate with a shallow bevelled edge, with a moulded surround, on a box base with single drawer, with moulded front, on short bracket feet, 19" wide

1001 MANNER OF JENNENS & BETTRIDGE: A VICTORIAN LACQUER AND PAPIER MACHE WORK TABLE, the circular top inlaid with a bouquet of mother of pearl and lacquer flowers, the top enclosing a fitted interior, on a "trumpet-shaped" column and three downswept legs, 18" wide

£200-400

996 A GEORGE III PINE FREESTANDING CORNER CUPBOARD, the upper section with a moulded cornice above a glazed door with astragal moulded glazing bars between moulded flat-fronted columns and enclosing a painted interior, above a single panelled door, 78" high

£100-200

1002 AN HISPANIC CHESTNUT SIDE TABLE with a rectangular top on spiral-turned legs and central stretcher, 37½" wide

£400-600

997 A WILLIAM AND MARY LABURNUM VENEERED RECTANGULAR WALL MIRROR, the rectangular silvered plate within a swept surround with geometric oyster and triangular-cut veneers, 13½" x 12¾", 17th century and later

£100-200

£200-400

1003 AN ITALIAN 'LACQUER PROVERA' PAINTED BOMBE COMMODE, with a serpentine edged top decorated with figures in an Italianate setting, the front and sides similarly decorated with gilt-edge panels against a blue ground, 34½" x 41½"

£800-1,500

£1,500-2,500

998 A CHARLES II OAK "SIX PLANK" COFFER, the rectangular top with chip-carved ends above a carved front panel with carved lunette and horizontal-carved decoration, on raised legs, 39½" wide

1004 A REGENCY STYLE MAHOGANY JARDINIÈRE STAND, with a circular top with metal liner above a staved body on three downswept legs with shelf stretcher, 39½" high

£200-400

999 MANNER OF JENNENS & BETTRIDGE: A VICTORIAN JAPANNED AND PAPIER MACHE DAVENPORT with a sloping leather-lined writing surface enclosing a fitted interior, above two small frieze drawers and conforming dummy drawers, on scrolling legs and stretchers, with downswept feet, with all over gilt, mother of pearl and painted decoration, 22½" wide

1005 A 18TH CENTURY 'LANDSCAPE VERDURE' TAPESTRY, the central panel of trees in a landscape with flowering plants to the foreground, all within a border of scrolling flowers and foliage against a blue ground, 120" x 110".

See illustration

£80-150

£1,500-2,500

£300-600

140

Lot 1005

141

1012 A VICTORIAN TWO SEATER CHAIR BACK SETTEE, the low rail back with scrolling uprights and upholstered rail above an overstuffed seat on scrolling foliate carved legs, 67" wide

1006 A GEORGE II STYLE BREAKFRONT LIBRARY BOOKCASE, the cornice with central arched pediment above open adjustable shelves, the lower satinwood strung section with three pairs of panelled cupboard doors on a plinth base, 176" wide

£2,000-4,000

1013 A REGENCY MAHOGANY WHATNOT, with four open shelves between turned uprights and a single short drawer with turned handles, on short turned legs and brass castors, 55" high

1007 A NEAR PAIR OF 19TH CENTURY FRENCH BOULE-WORK CABINETS, each with a rectangular top above a frieze of brass and tortoiseshell veneer with gilt metal mounts, with single glazed doors, enclosing a shelved interior, on an open plinth base, with all over conforming brass gilt metal and tortoiseshell inlay, 32½" wide (2)

£200-400

1016 A VICTORIAN GILT FRAMED WALL MIRROR, the oval plate within a scrolling rococo revival and beaded giltwood surround, 90" high

£300-500 1010 A LATE GEORGE III MAHOGANY D-END DINING TABLE, with rounded ends and crossbanded border on twin pedestals with downswept tripod legs and pad feet with two removable leaves, 103" (fully extended)

£100-200

1017 A PAIR OF GEORGE III GILTWOOD WALL MIRRORS, each with rectangular plates within scrolling rococo surrounds, rockwork cresting and floral decorated side mounts, 42" x 23".

See illustration

£300-500

1011 A LATE VICTORIAN AESTHETIC PERIOD MAHOGANY AND OAK CABINET, the rectangular top with a raised leaf-carved frieze and a moulded oak border above an arrangement of six short drawers and twin panel cupboards, all with relief-carved panels of stylised foliate decoration with brass and ebonised handles, all between spiral-turned uprights, 41" wide

£200-400

1015 AN EDWARDIAN MAHOGANY FRAMED SNOOKER SCORE BOARD,

by J H Ashcroft, Victoria Street, Liverpool, with revolving numbers, colour markers and glazed cupboard, 43" wide and two similar score boards (3)

£500-1000

1009 A LARGE CONTINENTAL OAK COFFER, the rectangular lid opening in two parts above a five panel front with carved Gothic tracery panels, on stile supports, 67" wide, 17th century and later

£200-400

1014 AN EDWARDIAN MAHOGANY MARQUETRY LADY'S WRITING TABLE, with a galleried superstructure and leather writing surface above two frieze drawers, on square tapering legs, 39" wide

£500-800

1008 A BRETON FRUITWOOD AND WALNUT 'LIT CLOSE' with traces of the original polychrome decoration, extensively carved with birds and flowers, and with pierced 'spindle' panels, the base with a hinged lid over four panels and on stile supports, 18th century, 71¼" wide

£200-400

£100-200 142

£1,000-2,000

Lot 1017

143

Lot 1018

1020 A 17TH CENTURY ELM KITCHEN MORTAR with a broad circular top and central dished surface, on tapering base with ring-turned decoration and circular ball feet, constructed from a solid piece of timber with metal band to the top, 25" high

1018 A GEORGE III GILTWOOD SETTEE, circa 1775, the arched curved back with a floral cresting in a beaded frame with loose cushions to the seat upholstered in green silk damask, with beaded rail centred with ribbon-tied sprigs on leaf-capped turned and fluted tapering legs with gadrooned feet and brass castors, re-gilt, 89" wide.

See illustration

£3,000-5,000

1021 A GEORGE III MAHOGANY 'CHIPPENDALE STYLE' SIDE TABLE, with a rectangular top above a deep pierced fret and blind fret frieze, on square tapering legs with moulded corners, 37" wide

1019 A GEORGE III GILT FRAMED WALL MIRROR, the rectangular silvered plate within a carved scrolling giltwood surround with floral and rococo decoration, 38"

£500-1,000

£200-400 144

£600-800

Lot 1023

1024 A REGENCY GILTWOOD OVERMANTEL MIRROR with three rectangular plates within a shell and scrolling carved frame with lion head mounts and reeded columns to either side, 61" wide

1022 A GEORGE III GILTWOOD WALL MIRROR, the asymmetric plate within a conforming rococo surround surmounted by a ho ho bird with wings outstretched, 27"

£200-400

1025 MANNER OF WILLIAM KENT: A MARBLE TOPPED MAHOGANY SIDE TABLE, the rectangular top with a moulded border above a central shell carved and wavy edged frieze, on cabriole legs with shell carved knees and animal paw feet, 47" wide

1023 IN THE MANNER OF GILLOWS: A LATE REGENCY MAHOGANY EXTENDING DINING TABLE, the broad rectangular top with a moulded border with two removable leaves on an arrangement of twelve turned and reeded legs with brass wheel castors, 126" (fully extended).

See illustration

£400-600

£1,500-2,500 145

£400-600

1026 EPSTEIN OF LONDON: AN ART DECO BIRD'S EYE MAPLE AND LEATHER UPHOLSTERED DINING ROOM SUITE, comprising a rectangular dining table with rounded ends on a curving base and central stretcher, with all over bird's eye maple veneers and eight leather upholstered tub back chairs of 'cloud back' design on tapering splayed legs, the dining table, 72" wide.

See illustration

Provenance: Purchased from Epstein & Goldman, Ltd, Kingsland Road, London in 1957, together with the following two lots for a total of £515

£2,000-4,000

1027 EPSTEIN OF LONDON: AN ART DECO BIRD'S EYE MAPLE VENEERED COCKTAIL CABINET, the stepped top above two central fluted cupboard doors enclosing a mirror-lined fitted interior with a mirror-lined tray and single frieze drawer with ivory effect fittings, flanked by fitted cupboards with wavy fronted doors, on shaped uprights and platform base with serpentine front, 70" wide.

See illustration

£1,000-2,000

1028 EPSTEIN OF LONDON: A BIRD'S EYE MAPLE NEST OF TABLES, the shaped top with wavy border with four nesting triangular tables with shaped borders on block feet, 30" wide.

See illustration

£500-1,000

Lot 1026

146

Lot 1027

Lot 1028

147

Lot 1029

1031 A PAIR OF EARLY 18TH CENTURY SPANISH ARMCHAIRS with broad leather upholstered backs and seats with round-headed nail decoration, with broad flat topped arm-rests and square section legs, 40" high (one reduced in height) (2)

1029 A REGENCY MAHOGANY LIBRARY BREAKFRONT BOOKCASE with a moulded cornice above an arrangement of open shelves with adjustable fittings, the base with a central arrangement of nine short drawers with turned knob handles, flanked by twin panelled cupboards, on a plinth base, 156" wide.

See illustration

£1000-2000

1032 A CHARLES II OAK GATELEG DINING TABLE with "D"-shaped drop flaps on slender turned legs, 44" wide (extended)

1030 A GEORGE II OAK SIDE TABLE with a rectangular top above a single frieze drawer with turned knob handles, on turned legs with "H"-section stretcher and turned feet, 18th century and later, 52" wide

£200-400

£200-400

148

£200-400

Lot 1034

1035 A GEORGE III SHERATON STYLE MAHOGANY SECRETAIRE CHEST OF DRAWERS, the two frieze dummy drawers with ebony stringing and oval pressed brass handles, opening to reveal a fitted interior, with an arrangement of three long graduated drawers below, on bracket feet, 39" wide

1033 A GEORGE II "COUNTRY MADE" CROSSBANDED MAHOGANY CHEST ON STAND, the upper part with two short and three long drawers, the base with a long drawer and three short drawers below, on short cabriole legs with pad feet, 18th century and later, 32" wide

£500-700

£500-800

1036 A LATE GEORGE III MAHOGANY CHEST ON CHEST, the upper section with two frieze drawers and three long graduated drawers below, flanked by canted corners and surmounted by a moulded pediment, the base with three further long graduated drawers, on shaped bracket feet, 45" wide

1034 A SET OF EIGHT REGENCY MAHOGANY BAR BACK DINING CHAIRS including a pair of armchairs, each with curved panel top-rail and horizontal rope-twist splat, the upholstered seats on moulded sabre legs (8).

See illustration

£800-1,500

149

£300-600

1038 A GEORGE II STYLE ROCOCO WALL MIRROR with a shaped rectangular plate within scrolling rococo style surround with foliate and leaf-carved decoration, 51" high.

See illustration

1037 A SET OF REGENCY STYLE EBONISED AND GILT METAL WALL SHELVES, the four rectangular shelves on metal rope-effect uprights, with ribbon-tied centre, 31" wide

£200-400

150

£400-800

1040 A LOUIS XVI STYLE DECORATIVE PANEL painted with a scene of a gentleman and three ladies picnicking in a landscape with buildings to the distance, all within a faux cartouche, against a mustard yellow ground, oil on canvas, 98" x 86".

See illustration

1039 A REGENCY ROSEWOOD AND BRASS INLAID DROP FLAP SOFA TABLE, the rectangular top with twin drop flap ends with rounded corners and brass stringing, above two flush fitting frieze and conforming dummy drawers, on a quadriform base with four downswept legs with brass capped castors, 34" wide

£250-450 151

£800-1,500

1041 A PAIR OF SHERATON REVIVAL SATINWOOD AND MARQUETRY COMMODES. each with a shaped top decorated with a musical trophy within a scrolling ribbon-tied surround. With a central friele draw with an inlaid vase flanked by winged beasts and scrolling decoration, above twin doors with elaborate vase and swag panels, between concave corners with matching decoration, on square tapering legs. 39" high x 46" wide See illustration ÂŁ5,000-10,000

END OF SALE

152

153

NOTES

154

NOTES

155

Duke’s AUCTIONEERS SINCE 1823

Glossary of Cataloguing Terms The auctioneers are always pleased to discuss individual lots with prospective purchasers prior to the auction and will provide condition reports on request. If you require clarification of any terms employed in the catalogue please do not hesitate to seek advice. The auctioneers are also pleased to discuss lots which may have been altered, repaired, or restored.

The term basically used in conjunction with a date (ie. basically 18th century) indicates that, in our opinion, the item may have undergone restoration, repair, or alteration. It also indicates that only an element of the piece may date from the period stated in the description. The absence of the term basically does not imply that an item is without restoration, repair, or alteration. The use of inverted comas around a word or phrase (ie. “pearl”) indicates that the piece, or object, may not be what it is purporting to be. (ie. a simulated pearl). If you are in doubt our specialists are available prior to the auction to offer guidance and advice.

With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation.

Descriptions of property in this catalogue do not always indicate condition, repair or damage. Buyers are earnestly advised to inspect personally any lot they intend to purchase. Weights and measurements are approximate and should be verified by intending purchasers

Paintings, Drawings and Prints

The use of onverted comas around the name of an artist, or date, in connetion with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

Artist’s Resale Right From mid February 2006 living artists are entitled by law to receive a resale royalty each time their work is resold by or to an art market professional. From 1st January 2012 the Right has been extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. An art work must be resold for more than 1,000 Euros to qualify for the right. The rates payable are calculated as a percentage of the hammer price and are set out in a sliding scale from 4% to 0.25%. The charge is exclusive of VAT. The auctioneers reserve the right to pass all of the cost to the person buying the qualifying art work

JEWELLERY The contents of any gemmological certificates accompanying lots in this sale are not guaranteed by Duke’s Auctioneers and we cannot be held responsible for any disagreement over the contents of the certificates after the sale, or for a retrospective change in opinion by the certificate issuer.

All weights and measurements provided are approximate only.

Prospective purchasers should assume that all coloured stones sold by Duke’s Auctioneers have been treated unless otherwise stated to the contrary in the catalogue description. Stones are commonly treated to enhance their colour and clarity. Sapphires and rubies are commonly heat treated and emeralds commonly oiled. Jade/jadeite is often bleached, polymer/resin filled or dyed. Please contact Duke’s for more clarification on treatment in individual lots.

156 Items containing rubies or jade/jadeite of Burmese origin are not permitted for import by the USA.

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

1 DEFINITIONS

In these Conditions: (a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

9

2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

12 AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

3 INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4

THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 22% plus VAT on the premium at the rate imposed by law.

5

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 20% on the buyers premium.

6 PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(3) The Auctioneer may require a deposit of 5% of the hammer price immediately. If the buyer is unable to meet this requirement to the Auctioneer’s satisfaction they reserve the right to cancel the sale immediately.

7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

13 TERMS OF SALE

The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14 DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15 FORGERIES

Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

16 GENERAL

We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

(1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

(4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

(5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

(6) English law applies to the interpretation of these Conditions.

16 DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the telephone cannot be made for invoices totalling more than £200 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance).

Duke’s AUCTIONEERS SINCE 1823

CONDITIONS OF SALE (continued) CHEQUES The Auctioneers regret that they are unable to accept cheques in payment for purchases, except where arrangements have been made beforehand, well in advance of sale day.

Intending purchasers are asked to instruct their bank to contact the Auctioneer’s bank (Natwest, 49 South Street, Dorchester) as early as possible, to confirm clearance in writing up to a stated maximum amount to ensure that a cheque will be accepted on sale day.

A Banker’s Draft, a Building Society cheque or cash will be required to allow removal of goods on sale day. Purchasers may not otherwise remove goods until their cheques are cleared by the Auctioneers’ bank.

Live Bidding Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.

P lease note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy.

THIRD PARTY LIABILITY Any person or his personal property at or on the auctioneers premises, before, during, or after the auction, shall be deemed to be there at their own risk and will have no claim against the auctioneers in respect of any injury sustained, or accident which may occur.

IMPORTANT NOTICE TO BUYERS OF FURNITURE All items are held at the risk of the Buyer. If they are not removed within 5 working days of the sale the Auctioneers will instruct a carrier to remove them to storage. The Buyer will be responsible for paying the aforementioned carrier all charges incurred and for making arrangements in advance for the removal of items from their store after payment of their charges on production of our reciept for the items.

IMPORTANT NOTICE TO BUYERS OF WILDLIFE MATERIAL Property made of or incorporating (irrespective of percentage) endangered and other protected species of wildlife, including but not limited to, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone and certain species of coral, together with Brazilian rosewood, may require permits or certificates (e.g. a CITES permit) from the relevant regulatory agencies to be exported or imported. Prospective purchasers are also advised that some countries prohibit altogether the importation as well as exportation of such materials.

Accordingly, clients should familiarise themselves with the relevant customs laws and regulations prior to bidding on any property with wildlife material if they intend to import the property into another country.

Please note that it is the client’s responsibility to determine and satisfy the requirements of any applicable laws or regulations applying to the export or import of property containing endangered or protected wildlife material. The inability of a client to export or import property containing endangered or protected wildlife material is not a basis for cancellation or rescission of the sale.

Duke’s AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part.

I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue.

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Grove Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

Lot No:-

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Duke’s AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part.

I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue.

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Grove Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

Lot No:-

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Duke’s Thursday, 12th and Friday, 13th June. Silver, Jewellery and Furniture.

2014

PRINTED IN DORCHESTER BY EPIC CREATIVE PRINT

Silver, Jewellery and Furniture Thursday, 12th and Friday, 13th June