Duke's Auction 2nd December. Important Chinese objects from old Westcountry collections

Captain C.B. Kidd MFH

Professor. E J H Corner

Irene Swinton Parker

Dorothy Lillian Worrall 1

Sophie Marcelle Wood

VIEWING Saturday, 26th November 9.30am-12noon

Duke’s AUCTIONEERS SINCE 1823

Monday, 28th November 9.30am-5pm Tuesday, 29th November 9.30am-7pm Wednesday, 30th November 9.30am-5pm

On the instructions of vendors throughout the United Kingdom, the majority from Dorset and the South West including property from the following collections:

and on the morning of the auction day The Eumorfopoulos Collection Captain CB Kidd MFH The Worrall family Professor E J H Corner Mrs Irene Swinton Parker The Wood family, formerly of Dunholme Manor, Dorset

FROM HAN TO QING Friday, December 2nd, 2011 at 10.30 am

Catalogues £20.00 (by post)

www.sofaa.org

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B31

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A Chinese yellow jade pendant from the Summer Palace Qianlong, 4 ¾"

LOCATION AND CONTACT INFORMATION

Sold for £400,000

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BUYERS INFORMATION

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Lot 1000 1000 A PAIR OF CHINESE PORCELAIN FIGURES OF SEATED DIGNITARIES covered in coloured glazes with the faces left in biscuit, the reverse of each with a pierced rectangular aperture, each on a moulded rectangular plinth, Kangxi, 10¼” high (2)

Provenance: Private collection, West Dorset, probably acquired in the 1960’s.

1001 A CHINESE PORCELAIN FIGURE of a court official covered in coloured glazes, on a rectangular plinth decorated with prunus on a green ground, probably Kangxi, 9” high.

Provenance: Private collection, West Dorset, probably acquired in the 1960’s.

1002 A CHINESE PORCELAIN HARE AND MOON GROUP covered in coloured glazes and seated on a rectangular plinth base decorated with fan-shaped landscape panels and a diaper ground, 10½” high

Provenance: Private collection, West Dorset.

Lot 1000 8

9

Lot 1003 1003 A PAIR OF CHINESE PORCELAIN PARAKEETS covered in a green glaze with black highlights and perched on pierced rockwork bases covered in a brown glaze, 7½” high, and another figure of a cockerel, 5¾” high (3).

Provenance: Private collection, West Dorset.

1004 A PAIR OF CHINESE PORCELAIN FIGURES OF PARROTS covered in coloured glazes and with biscuit beaks and claws highlighted with red pigment, on pierced rockwork bases, 8¾” high, and another pair of parrots (4)

Provenance: Private collection, West Dorset.

Lot 1004 10

11

Lot 1007

1005 A PAIR OF CHINESE BISCUIT PORCELAIN RECUMBENT BUFFALO’S with incised black markings and hooves washed in a brown glaze, Kangxi, 5” long, on associated hardwood bases. (2)

Provenance: The Eumorfopoulos Collection.

Illustrated in the catalogue of the collection by R.L. Hobson (vol. 5) published 1927 as no. 214 and illustrated as plate XXIX.

The collection of Captain C.B. Kidd MFH and thence by descent.

1006 A CHINESE PORCELAIN MODEL OF A PILE OF FRUIT covered in brown, green and straw-coloured glazes and contained in a fluted circular dish, Kangxi, 7” high, and two similar fruit ornaments (3)

Provenance: Probably the Eumorfopoulos Collection.

The collection of Captain C.B. Kidd MFH and thence by descent.

1007 A PAIR OF CHINESE PORCELAIN MODELS of piles of corn covered in brown, green and strawcoloured glazes, each with a fluted circular dish, Kangxi, 5” high (2)

Provenance: Probably the Eumorfopoulos Collection

The collection of Captain C.B. Kidd MFH and thence by descent.

12

Lot 1005 13

Lot 1008

1008 A CHINESE PORCELAIN GROUP of two figures enjoying a picnic, covered in green, brown and straw coloured glazes, Kangxi, 3½” high, and a similar standing figure, 5¼” high (2)

Provenance: Probably The Eumorfopoulos Collection.

The collection of Captain C.B. Kidd MFH and thence by descent.

1009 A PAIR OF CHINESE PORCELAIN WALL VASES of baluster form covered in green, brown and yellow glazes and moulded with buddhistic lion's masks and flowers, the heads left in the biscuit, the reverse of one with an old collectors label, Kangxi, 6” high (2)

Provenance: Probably the Eumorfopoulos Collection.

The collection of Captain C.B Kidd MFH and thence by descent.

Lot 1009 14

15

Lot 1010 1010 A CHINESE PORCELAIN BRUSH REST in the form of a mountain covered in straw, green and aubergine glazes, one side moulded with carp leaping from waves and the reverse with blossoming plants and an insect, Kangxi, 3” high

Provenance: Probably the Eumorfopoulos Collection.

The collection of Captain C.B. Kidd MFH and thence by descent.

1011 A CHINESE PORCELAIN FIGURE OF GUAN YIN seated holding a vase in her left hand and a flower in her right, covered in straw, brown and green glazes, Kangxi, 7¾” high, and another figure with robes enriched in gilt, Kangxi, 7½” high (2)

Provenance: Probably the Eumorfopoulos Collection.

The collection of Captain C.B. Kidd MFH and thence by descent.

Lot 1011 16

17

Lot 1013 1012 A CHINESE FAMILLE ROSE “MILLEFLEUR” BOWL with a cup-shaped body enamelled in polychrome with a mass of flowers and foliage, the base with an iron-red Jiaqing seal mark, 3¼” dia.

Provenance: The collection of Captain C.B. Kidd MFH and thence by descent.

1013 A PAIR OF CHINESE PORCELAIN MINIATURE BOWLS with octagonal faceted bodies finely enamelled in polychrome with immortals and other figures, the rims highlighted with gilt, the base of each with an iron-red Jiaqing seal mark, 1¾” dia. (2)

Provenance: The collection of Captain C.B. Kidd MFH and thence by descent.

Lot 1012 18

19

Lot 1015 1014 A CHINESE BLUE AND WHITE PORCELAIN BOWL with a fluted cup-shaped body decorated with panels of flowers and precious objects, the interior with similar panels of decoration centred by a bird perched on rockwork, Wanli, 6” dia., on an associated hardwood stand.

Provenance: Private collection, West Dorset, probably acquired in the 1960’s or 1970’s.

1015 A CHINESE BLUE AND WHITE PORCELAIN WATER DROPPER with wings tucked-in and painted with plumage, the base unglazed, probably Ming, 5¼”.

Provenance: Private collection, West Dorset.

Lot 1014 20

21

Lot 1017

1016 A CHINESE FAMILLE ROSE CHARGER enamelled in polychrome with a bird perched on a blossoming branch of peonies sprouting from rockwork, with butterflies fluttering overhead, Yongzheng/early Qianlong, 14” dia.

Provenance: Private collection, Aberdeen, Scotland.

1017 A "SWATOW" BLUE AND WHITE CHARGER decorated with birds in a rocky landscape, within a scalework border, the reverse with oval panels of stylised foliage, late Ming, 15½” dia.

Provenance: Private collection, Weymouth, Dorset.

£200-400

Lot 1016 22

23

Lot 1018

1018 A CHINESE “TEA DUST” SHALLOW BOWL with a double foot rim, probably Kangxi, 9¾” dia.

Provenance: Private collection, West Dorset.

1019 A CHINESE CORAL GROUND VASE of archaic form, enamelled in polychrome with blossoming foliage sprouting from rock work on a coral ground, the base with a six character Yongzheng mark in underglaze blue, 9¼” high.

Provenance: Private collection, West Dorset, probably acquired prior to 1970

Lot 1019 24

Lot 1019 25

Lot 1020

1020 A CHINESE “BLANC DE CHINE” FIGURE OF GUAN YIN standing on a base moulded with cloud scrolls, 18¾” high.

Provenance: Private collection, West Dorset, probably acquired in the 1960’s or 1970’s.

1021 A CHINESE FAMILLE VERTE VASE enamelled in polychrome with three continuous landscape panels divided by formalised borders of leafy scrolls and flowers, probably Qianlong, 12¼” high

Provenance: Private collection, West Dorset, probably acquired in the 1960’s.

Lot 1021 26

27

1022 A CHINESE FAMILLE ROSE “MILLEFLEUR” CHARGER enamelled in polychrome and gilt with a mass of flowers and foliage on a black ground strewn with gilt scrolls, the reverse washed with a pink glaze and the base covered in a turquoise glaze and with an iron-red Qianlong seal mark, 20½” dia.

Provenance: Private collection, Dorset, probably acquired prior to 1970

Lot 1022 28

29

Lot 1023

1023 A CHINESE SHALLOW BOWL covered in a vibrant blue glaze painted in gilt with scaly five-clawed dragons contesting flaming pearls amidst cloud-scrolls, the interior with conforming decoration and a central flaming pearl, on a tall foot, the inset base with an incised six character Jiaqing mark enclosed by concentric circles, 5¼” dia.

Literature: A related Jiajing dish with incised dragon decoration is illustrated by Ayers in “Chinese Porcelain: The SC Ko Tianminlou Collection", Part I, no. 145.

Lot 1023 30

31

Lot 1024 1024 A CHINESE YELLOW-GROUND MEDALLION BOWL enamelled in polychrome with four circular landscape panels on a yellow ground with anhua decoration and overpainted in enamels with stylised flowers and foliage, the base with an underglaze blue Qianlong seal mark, 5½� dia.

Provenance: Private collection, West Dorset, probably acquired prior to 1970.

Lot 1024 base 32

33

Lot 1025 base

1025 A CHINESE PORCELAIN VASE of hexagonal form covered in a blue “crackle” glaze, the sides with elephant's mask handles, the base with various old labels including one for Hancock, 37 Bury Street, St. James’s, London SW1, probably Yongzheng, 10” high.

Provenance: Probably acquired from Hancock, 37 Bury Street, St. James’s, London SW1, in the 1960’s.

Private collection, West Dorset.

Lot 1025 34

35

Lot 1027

1026 A CHINESE PORCELAIN “MILLEFLEUR” CUSHION BOX AND COVER enamelled in polychrome with a mass of flowers strewn on a gilt ground, the base with an iron-red six character Kangxi mark, 9½” dia.

Provenance: Private collection, Dorset.

1027 A CHINESE PORCELAIN VASE of squat baluster form enamelled with four circular panels of figures and landscape on a turquoise ground overpainted with stylised flowers and scrolls, beneath a formalised border, the base with an iron red Qianlong seal mark, 6” high

Provenance: Private collection, Dorset.

Lot 1026 36

37

1028 A CHINESE PORCELAIN CHARGER enamelled in polychrome with two iron red five claw dragons contesting a flaming pearl amidst clouds in black outlined polychrome enamels, the base with a double foot rim, probably Kangxi, 14½� dia.

Provenance: EJH Corner, Professor of Tropical Botany and a friend and confidante of the Emperor Hirohito of Japan and thence by descent.

Lot 1028 38

39

1029 A CHINESE PORCELAIN VASE with an ovoid body enamelled in polychrome with a mythological scene with warriors in combat riding on the back of a tiger and a horse, the base with a Daoguang seal mark in iron red, 7½� high

Provenance: The aunt of the vendor, Mrs Judith Gluck, who lived in London having arrived in the United Kingdom during the Second World War.

Lot 1029 40

41

1030 A CHINESE “CLAIR DE LUNE” VASE modelled as a sack bound with cord around the neck and the base with a Qianlong seal mark in underglaze blue, 13¾” high

Provenance: Private collection, West Dorset, probably acquired prior to 1970.

Lot 1030 42

43

1031 A CHINESE BLUE AND WHITE BOTTLE VASE decorated in the Ming style with simulated heaping and piling, with a dense band of meandering peonies below a border of ruyi-pendants, with a subsidiary band of meandering flowers above, the flared neck with plantation leaves with a lower key pattern band and a band of wave scrolls around the neck with ruyi-pendants below, on a circular foot with a band of scrolling foliage, the base with a Qianlong seal mark in underglaze blue, 15� high.

Provenance: Private collection, Poole, Dorset

Lot 1031 44

45

1032 A CHINESE GREEN CELADON MOONFLASK (BIANHU) each side is decorated with eight panels enclosing the eight Buddhist emblems (Bajixiang) radiating from a slightly raised boss decorated with a stylised flowerhead and divided by key pattern borders, the cylindrical neck with a key pattern band and the shoulders with stylised chilong handles, the rounded rectangular base with a Qianlong seal mark in underglaze blue, 10 1/8” high

Provenance: The Wood family at Dumholme Manor, Bournemouth, Dorset and thence by descent.

No other celadon moonflasks of this form appear to be recorded in the literature, but other examples are known in blue and white porcelain, including the example illustrated in the catalogue of “Ch’ing Dynasty Porcelain in the National Palace Museum” plate 15, and another from the collection of ET Chow.

Lot 1032 46

47

1033 A PAIR OF CHINESE GREEN CELADON VASES with European ormolu mounts, the porcelain vases with lobed ovoid bodies with pierced stylised dragon handles, the ormolu mounts chased with foliate scrolls, bell-flowers and rocaille-work, the porcelain and mounts probably 18th century, 15Ÿ� high (2)

Provenance: Mrs Nancy Cotterell and thence by descent.

Private collection, East Dorset.

A pair of related vases are illustrated by Soane Jenyns "Later Chinese Porcelain"', from the Wallace Collection, London.

Lot 1033 48

49

1034 A FINE CHINESE PORCELAIN CUSHION BOX AND COVER, the lid moulded with a scaly five-clawed dragon with articulated eyes and tongue surrounded by cloud scrolls and covered in polychrome glazes, the lower rim with an incised key pattern border and the base with a band of crashing waves beneath a conforming key pattern border with scrolls on a pale blue ground around the foot rim, the base covered in a turquoise glaze and with a moulded Qianlong seal mark highlighted in gilt on a red ground, 3½� dia.

Provenance: Private collection, West Dorset, probably acquired prior to 1970.

Lot 1034 50

51

Lot 1036

1035 A CHINESE “CLAIR DE LUNE” WATER POT of squat beehive form with low neck, the exterior lightly incised with three dragon roundels under an even “clair de lune” glaze, the base with a six character underglaze blue Kangxi mark enclosed by a double circle, 3¼” dia.

Provenance: Private Collection, West Dorset, probably acquired prior to 1970.

1036 A CHINESE BLUE AND WHITE MINIATURE GARDEN SEAT of barrel form, decorated with a band of lotus within an undulating border with applied bosses, the pierced top with bird roundels and scattered blossom, Qing, 9¼” high.

Provenance: Private collection, West Dorset.

Lot 1035 52

53

Lot 1038

1037 A CHINESE FAMILLE VERTE VASE enamelled in polychrome with pavilions in a mountainous landscape and a boat on a lake, the base unglazed, probably Daoguang, 14¾” high

Provenance: Private collection, West Dorset.

1038 A CHINESE VASE of cylindrical form with a spool-shaped neck covered in a turquoise glaze, the base with double ring in underglaze blue, 17” high.

Provenance: Private collection, West Dorset.

Lot 1037 54

55

1040 A CHINESE “SANG DE BOEUF” VASE of globular form, covered in an even red glaze with darker streaks, the base covered in a blue tinged glaze, with a carved hardwood cover, Qing, 5¾” high

1039 A CHINESE “SANG DE BOEUF” VASE of globular form with everted neck, the interior and the base covered in an ivory crackle glaze, Qing, 5” high.

Provenance: Private collection, West Dorset, probably acquired prior to 1970.

Provenance: Private collection, West Dorset, probably acquired prior to 1970

Lot 1039

1042 A CHINESE BOTTLE VASE covered in a “mirrored” “sang de boeuf ” glaze and lightly decorated with a scaly dragon, the base covered in an eggshell blue glaze, Qing, 7¾” high

1041 A CHINESE BOTTLE VASE covered in a “mirrored” black glaze and the base unglazed, Qing, 8” high.

Lot 1040

Provenance: Private Collection, West Dorset, probably acquired prior to 1970.

56

Provenance: Private collection, West Dorset, probably acquired prior to 1970.

Lot 1041

57

Lot 1042

Lot 1043 1043 A CHINESE FAMILLE NOIR VASE of ovoid form decorated in enamels with flowering blossoming branches on a black ground, the base with an old collectors label, probably Kangxi, 7¾” high.

Provenance: Private collection, West Dorset, probably acquired prior to 1970.

1044 A CHINESE “SANG DE BOEUF” BOTTLE VASE covered in an even glaze with a slight crackle running towards the foot, 9¾” high

Provenance: Private collection, Swanage, Dorset.

Lot 1044 58

59

Lot 1045

1045 A CHINESE PORCELAIN GROUP OF A RECUMBENT BUDDHISTIC LION with young covered in brilliant green, blue, yellow and brown glazes, 10¼” long

Provenance: Private collection, West Dorset.

1046 A PAIR OF CHINESE “CANTON” FAMILLE ROSE VASES with ovoid bodies and flared necks, enamelled in polychrome and gilt with panels of elegant figures engaged in a variety of pursuits on a ground strewn with butterflies, flowers, figures, mythical beasts and precious objects, Daoguang, 24¾” high

Provenance: Private Collection, South Dorset Lot 1046 60

61

1047 A PAIR OF CHINESE FAMILLE ROSE/VERTE VASES of flattened baluster form enamelled in polychrome and gilt with panels of elegant figures on a ground strewn with fruit, flowers, birds and insects above a bold key pattern band, the necks moulded with playful buddhistic lions and chilong and the slightly domed covers with seated buddhistic lion finials, Daoguang, 21ž� high (2)

Provenance: Private collection, South Dorset.

Lot 1047 62

63

1048 A PAIR OF CHINESE CELADON VASES with lobed ovoid bodies enamelled in polychrome and gilt with mythical beasts, birds, precious objects and butterflies, the flared necks tied with ribbon decorated with prunus and moulded with playful squirrels, Daoguang, 23� high (2)

Provenance: Private collection, Castle Cary, Somerset.

Lot 1048 64

65

1049 A CHINESE CELADON HEXAGONAL GARDEN SEAT with pierced decoration and moulded bosses and bianco sopra bianco decoration of blossoming shrubs with stylised scrollwork, Qing, 18½” high

Lot 1049 66

67

1050 A CHINESE FAMILLE VERTE PORCELAIN PANEL enamelled with solitary figures on a rocky promontory overlooking a lake with mountains beyond, with four character mark, Qing, 9” x 6¾”, mounted in metal.

Provenance: EJH Corner, Professor of Tropical Botany and friend and confidante of the Emperor Hirohito of Japan.

Lot 1050 68

69

1051 A CHINESE DOUCAI BALUSTER VASE painted and enamelled with deer beneath a golden moon beside a gnarled pine tree, the upper register also lit by a golden moon and with a crane perched in the branches of a pine tree, the flared foot sparsely decorated with blossoming branches, with iron red and gilt diaper and scroll borders, the base with a six character Chenghua mark in underglaze blue, 15Ÿ� high

Provenance: Private collection, West Dorset, probably acquired prior to 1960.

Lot 1051 70

71

1052 A CHINESE “TEA DUST” VASE, the bulbous body and slender neck covered in a dappled “tea dust” glaze, the base with an impressed Qianlong seal mark, 13½” high

Provenance: Bath, Avon

Lot 1052 72

73

1053 A CHINESE “DRAGON” BOWL enamelled in polychrome with colourful dragons interspersed with flowers and leafy tendrils, the base with a Daoguang seal mark in underglaze blue, 6¾” dia.

Provenance: The Wood family at Dunholme Manor.

Bournemouth, Dorset and thence by descent.

Lot 1053 74

75

Lot 1054

1054 A CHINESE BLUE AND WHITE SHALLOW BOWL on a raised foot, the body moulded with overlapping stylised leaves decorated with lines of calligraphy, the interior with seven lines of calligraphy, probably Kangxi, 6” dia. x 3¾” high

Provenance: The Wood family at Dunholme Manor, Bournemouth, Dorset and thence by descent.

Lot 1054 76

77

1055 A CHINESE BLUE AND COPPER RED INSCRIBED BRUSH POT of cylindrical form decorated with a calligraphic text in blue incorporating a copper red four character seal, the base with a recessed circle in the centre inscribed with a six character Kangxi mark in underglaze blue, 9½” dia. x 6” high

Provenance: The Wood family at Dunholme Manor, Bournemouth, Dorset and thence by descent.

A similar brush pot was included in the “Exhibition of Ancient Chinese Ceramics”, The Art Gallery, The Chinese University of Hong Kong 1981, catalogue no.

112, and another was included in the Singapore Art Society Exhibition of Chinese Art 1953, catalogue no.

94.

We are grateful to Sir Michael Butler for inspecting this lot and assisting with the catalogue entry.

Lot 1055 78

79

Lot 1055 Detail 80

Lot 1055 81

1056 A CHINESE CELADON CENSER decorated in copper red and underglaze blue with four branches of ripened peaches with leafage, the interior covered in a white glaze, Kangxi, 9¾” dia.

This combination of decoration may be seen on a double gourd vase illustrated by Ayers in “The Baur Collection, Geneva: Chinese Ceramics, Vol. IV, Painted and Polychrome Porcelains of the Ch’ing Dynasty", no.

A536.

Lot 1056 82

83

1057 A SANCAI-GLAZED POTTERY FIGURE OF A BACTRIAN CAMEL standing with head raised and the humps fitted with a blanket splash-glazed in green and amber, on a shaped rectangular base, Tang, 23” high

Provenance: Acquired from John Sparks, 128 Mount Street, London W1 on 16th June 1958 by Alexander Sirot, Esq., London NW3 at the Grosvenor House Fair for £180. Sold with the original invoice from John Sparks.

Private collection, Highcliffe, Dorset.

Lot 1057 84

85

Lot 1058 mark

1058 A MINIATURE CHINESE “POWDER BLUE” CUSHION BOX AND COVER of circular form covered in an even powder-blue glaze, the base with a six character Kangxi mark in underglaze blue, 1¾” dia.

Provenance: Private collection, West Dorset, probably acquired prior to 1970.

Lot 1058 86

87

1059 A CHINESE BLUE AND WHITE VASE, the square body with flaring sides decorated in underglaze blue with two pairs of ducks amidst lotus and cranes enclosed by foliate lappets and a band of ruyi and flowers around the shoulder, the recessed base with a four character Xuande mark in blue and with an old collector’s label inscribed “Ming Dynasty 1368-1643”, 4½” high

Provenance: Formerly in the collection of the Reverend JF Bloxam.

Margaret Medley illustrates a similar example from the Clark Collection in “The Chinese Potter: A Practical History of Chinese Ceramics”, page 221

Lot 1059 88

89

1060 A FINE CHINESE PORCELAIN CUSHION BOX AND COVER, the lid enamelled with a lakeland landscape with a figure crossing a bridge enclosed by a "millefleur" border strewn with flowers and blossom on a gilt ground, the base with conforming decoration and a lower blue enamel keypattern band, the base with an iron-red Qianlong seal mark, 7½� dia.

Provenance: Private collection, Dorset, probably acquired prior to 1970.

Lot 1060 90

91

1061 A CHINESE SHONZUI-TYPE DISH decorated in underglaze blue and polychrome enamels with a central circular panel of a hare surrounded by four subsidiary panels containing cranes, on ground formed from eight geometric panels in a wheel design, the undulating rim with panelled decoration and the exterior with flowering tendrils, the base with an apocryphal mark enclosed by a double circle, probably Chongzhen, 6� dia.

Provenance: Private collection, Highcliffe, Dorset.

Lot 1061 92

93

1063 A CHINESE "YIXING" TEAPOT AND COVER in the form of a branch with a conforming branchwork handle and spout, the shaped lid modelled with a squirrel beside a leafy branch, the base with a seal mark contained in a square, Qing, 8¼” high

1062 A CHINESE "YIXING" TEAPOT of tapering square form with simple geometric figure of eight decoration, a simple scroll handle and spout, the lid with a wave scroll finial, the base with an impressed four character mark in a recessed square, Qing, 4¼” high

Provenance: Private collection, West Sussex.

Provenance: Private collection, West Sussex

Lot 1062

1065 A CHINESE “YIXING” WATER DROPPER modelled as a recumbent lion with a flowing mane, the eyes picked out with black glaze, Qing, 4¼” long

1064 A CHINESE "YIXING" WATER DROPPER modelled as a lotus bid with various encrustations, with an impressed seal mark, Qing, 3” dia.

Lot 1063

Provenance: Private collection, Wimborne Minster, Dorset.

94

Provenance: Private collection, Wimborne Minster, Dorset.

Lot 1064

95

Lot 1065

Lot 1066

1066 A FINE CHINESE BISCUIT PORCELAIN DISH of square form with inverted corners, finely moulded in the centre with a dragon chewing a flaming pearl surrounded by cloud scrolls, the exterior with panels containing blossoming plants and insects, the base with impressed square seal mark, Qing, 4¼”

Provenance: EJH Corner, (1906-1996) Professor of Tropical Botany and friend and confidante of the Emperor Hirohito of Japan

Lot 1067

1067 A CHINESE “BLANC DE CHINE” VASE of waisted form, the rounded shoulders with moulded buddhistic lion masks, one retaining the original oval drop, 17th/18th century, 12½” high

96

Provenance: Private collection, Dorset.

97

Lot 1068

1068 A CHINESE VASE AND COVER of globular form covered in an even pale blue glaze, the flat cover with an ovoid finial and a white glazed base with a double ring in underglaze blue, 17th/18th century, 8Ÿ� high.

Provenance: Private collection, Dorset.

Lot 1069 98

99

1069 A CHINESE BLUE AND WHITE JAR (GUAN) vividly painted with a wide composite floral scroll border around the body above a cache diaper band enclosed by a double line and with a band of upright lappets around the base, the shoulders with a subsidiary band of floral scrolls and the neck with wave scrolls, 10¾” high x 10” dia.

Provenance: The Worrall family of Liverpool

The Oriental collections of Mrs Dorothy Worrall are on permenant display at the Museum of Liverpool and the World Gallery Museum, Liverpool.

The wave band around the neck is a classic design of the Yuan period discussed by Kikutaro Saito in “The Yuan Blue and White” and the “Yuan Drama in the middle of the 14th century”, Kobijutsu, no. 18, July 1967 (Plt.1) and no. 19, October 1967 (plt.2), suggesting that it may represent the waves of the East Sea of Mt. Penglai, home of the gods. Every Yuan Drama ends with the eight hermits flying over the waves of the East Sea.

Lot 1069 100

101

102

103

1070 A PAIR OF “PEKING” BLUE GLASS BOTTLE VASES with globular bodies and long cylindrical necks, each with a spreading circular foot, the base of each incised with a four character Qianlong mark, 10¼” high (2)

Provenance: Mrs Irene Swinton Parker, a 1920’s socialite and part of the bohemian Chelsea set of the period and thence by descent.

Lot 1050 104

105

1071 A FINE "PEKING" GLASS BRUSH WASHER with an amber tinted body enamelled in polychrome with birds seated on blossoming plants sprouting from rockwork, the base enamelled with a four character Qianlong mark, 2� dia.

Provenance: Private Collection, Poole, Dorset

Lot 1071 106

107

Lot 1073 1073 A CHINESE ARCHAISTIC JADE PHALLUS incised with scrolls and curling mythical beasts, the dark celadon stone with black and biscuit inclusions, 7¼” long

Provenance: Private collection, North Dorset.

1074 A CHINESE INLAID BRONZE BELT HOOK with a curved body broadening towards the end, inlaid with archaic decoration on a turquoise coloured ground, probably Western Zhou, 8½”, and a similar Chinese gilt bronze belt hook, probably Han, 5¾”.

Provenance: The Worrall family, Liverpool.

1074A. A CHINESE STONE HEAD OF BUDDHA, the calm and serene expression with downcast eyes, 13½” high, on a rectangular plinth.

Provenance: Private collection, West Sussex.

Lot 1074A mark 108

Lot 1074 109

1075 A CHINESE GILT BRONZE FIGURE OF BUDDHA with a serene and benevolent expression, wearing an elaborate diadem and robes, on a double lotus leaf base with beaded borders, with extensive traces of red lacquer and gilt, Yuan/Ming, 14¼” high

Provenance: Private collection, Dorset.

This bronze may be compared to a similarly modelled gilt bronze bodhisattva in the Chang Foundation, Taipei, illustrated in the Exhibition Catalogue, “Buddhist Images in Gilt Metal”, Taipei, 1993, page 78, no. 32.

Lot 1075 110

111

1075A A CHINESE MARBLE FIGURE OF GUAN YIN standing wearing flowing robes, probably Qing, 39”, on a hardwood base.

Provenance: Private collection, West Dorset, probably acquired before the 1980.

1076 A SINO-TIBETAN BRONZE OF BUDDHA seated wearing an elaborate diadem and robes and holding a flaming cup in crossed hands, on a double lotus leaf base, with traces of polychrome decoration, Ming/Qing, 11¾” high

Provenance: Private collection, West Dorset, probably acquired prior to 1980.

1077 A CHINESE BRONZE OF A STANDING DEITY with right hand raised, on a rectangular base with projecting feet, probably late Ming/Qing, 11¾” high, and another Sino-Tibetan bronze of a deity (2)

Lot 1076

Provenance: Private collection, West Dorset, probably acquired prior to 1980.

Lot 1077

Lot 1075A 112

113

1080 A CHINESE CLOISONNÉ BOTTLE VASE, the globular body decorated with butterflies and circular panels,on a geometric gilt wire ground and the neck with lotus and scrolls against a turquoise ground, with a gilded lip and circular base, probably Qianlong, 11” high.

Provenance: Private collection, Dorset.

Lot 1078

1078 A CHINESE BRONZE BOWL of compressed form with simple loop handles, the base with a square panel containing a Xuande mark, 17th/18th century, 8¾” dia.

Provenance: A Somerset manor house.

Lot 1079

1079 A CHINESE BRONZE BOWL of compressed form with simple loop handles, the base with a square panel containing a Xuande mark, 17th/18th century, 7½” dia., on an associated carved hardwood stand..

Provenance: GH Corner, Professor of Tropical Botany and friend and confidante of Emperor Hirohito of Japan.

114

115

Lot 1081 1081 A CHINESE BLACK STONE CENSER AND COVER, the lid carved with playful buddhistic lions and the body with conforming projecting mask handles with simple loops, on three feet, 8¼” high, on a trefoil-shaped carved hardwood stand, 10¼” high overall.

Provenance: Private collection, West Dorset.

1084 A CHINESE IVORY COUNTER BOX, the screw-on cover carved with figures on and around a terrace in the shade of a willow tree, the sides with conforming decoration, Qing, 1¾” dia.

1082 A CHINESE IVORY CARD CASE of rectangular form carved in high relief with figures engaged in a variety of pursuits, trees, balconies, terraces and buildings, Qing, 4¼” x 3”.

Provenance: Private collection, Somerset.

1085 A CHINESE CINNABAR LACQUER CIRCULAR BOX AND COVER carved with boys in a rocky landscape with trees, the sides with key pattern borders, Qing, 3” dia.

1083 A CHINESE IVORY CARD CASE carved on either side with a cruciform panel containing figures and trees, the edge carved with flowers and scrollwork, Qing, 2¾” x 2¼”, and another hardwood example (2)

Provenance: Private collection, London.

Provenance: Private collection, London.

Provenance: Private collection, London.

Lot 1082-1085 116

117

1086 A FINE CHINESE TORTOISESHELL BOX AND COVER of circular form, carved in high relief with numerous figures in boats on terraces, labouring and in contemplation, in a landscape with trees, pavilions and elegant buildings, the borders carved with bamboo wrapped with feathery leaves, the sides and the base with conforming decoration, probably Qianlong, 6� dia.

Provenance: Private collection, South Dorset.

The exceptional quality and scale of this magnificent box may indicate that it was produced in the Palace Workshops.

118

119

Lot 1087

1087 A CHINESE IVORY FIGURE of an elegant woman wearing flowing robes and holding two branches of fruit, with polychrome decoration, on an oval hardwood base inlaid with wirework, 10” high.

Provenance: Private collection, London.

1088 A FINE PAIR OF CHINESE IVORY TABLE SCREENS each carved with elegant women on a terrace beside a pavilion, with rockwork and trees beyond, enclosed by a simple geometric border, the reverse of each with a single figure engaged in a task beneath a fan and a large leaf, the stand carved and pierced with scrolls conjoined stylised flower heads and the uprights surmounted by buddhistic lions, with some polychrome and gilt decoration, probably early Qing, 10½” high x 5¼” wide (2)

Provenance: Private collection, London.

120

Lot 1088 121

Lot 1089 detail

1089 A CHINESE HARDWOOD BRUSH POT (BITONG) carved with phoenix, chilong and other animals enveloped by clouds, the rim inlaid with stained ivory, engraved mother of pearl and hardstone, with flowers, bamboo and scrolls joined by wirework tendrils, the recessed circular base with five moulded rectangular feet, Qing, 6½” high x 4½” dia.

The dense and well patinated wood is probably Huang Huali.

Provenance: A collection of Chinese works of art from a Somerset manor house, including a rhinoceros horn libation cup sold in these rooms lot 574, February 10th 2011

Lot 1089 122

123

1090 A CHINESE HARDWOOD AND HARDSTONE EMBELLISHED DRESSING CASE with gilt metal mounts and handles, the lid decorated with women at a gaming table in the shade of a tree, the interior with a mirror on the front with three drawers, Qing, 11¼” x 13½”

1092 A CHINESE ARCHAISTIC CLOISONNÉ VASE decorated in polychrome with bands of masks, birds, foliate lappets and scrolls, the shoulders with bronze masks with cloisonné drop handles decorated with a key-pattern band, the base with an inscription, 19¼” high

Provenance: Private collection, London

Provenance: Private collection, London.

Lot 1090

Lot 1092

1093 A CHINESE ARCHAISTIC BRONZE VASE with bands of geometric decoration on a diaper ground, the spool-shaped neck with simple scroll mask handles and the rim and base with a key pattern border, probably 17th/18th century, 19” high.

1091 A CHINESE BAMBOO BRUSH POT (BITONG) carved through the skin with an extensive inscription enclosed by formalised bands, 6½” high

Provenance: Private collection, Swanage, Dorset.

Provenance: EJH Corner (1906-1996) Professor of tropical botany and friend and confidante of Emperor Hirohito of Japan and thence by descent.

Lot 1091 124

Lot 1093 125

1094 A CHINESE BRONZE VASE with a spool-shaped neck and a globular body decorated in silver and gilt with a principal band of phoenix in flight amidst a band of flowering peonies enclosed by formalised borders of stylised leaves and lappets containing archaistic style geometric patterns, the shoulders with tatoe masks and ring drop handles, the base with a rectangular panel containing a Xuande six character mark, 9� high.

Provenance: A collection of Chinese works of art from a Somerset manor house, including a rhinoceros horn libation cup sold in these rooms lot 574, February 10th 2011

Lot 1094 126

127

1095 A CHINESE SOAPSTONE LIBATION CUP of large size carved with branches of blossoming peonies and chrysanthemums, the leaves with engraved veining and the interior with a silver metal mount, the stone with a mellow patina with a rich reddish tone, Ming/early Qing, 6” wide, and an associated hardwood stand with a pierced fretwork frieze.

1098 A SINO-TIBETAN GILT BRONZE OF A DEITY on a double lotus leaf base with a beaded upper border, probably Qing, 7” high.

Provenance: The collection of Captain CB Kidd MFH and thence by descent.

1099 A CHINESE YELLOW GROUND ENAMEL BOWL enamelled in polychrome with a branch of peach with blossom and fruit, the interior with conforming decoration, 5” dia.

1096 A CHINESE “LAPIS LAZULI” MOON FLASK AND COVER with a flattened circular body and a simple moulded foot, the domed cover surmounted by a finial carved with playful felines, probably Qing, 5¾” high.

Provenance: Private collection, West Dorset, probably acquired prior to 1970.

Lot 1095

Provenance: Private collection, East Dorset.

Lot 1096

Lot 1097 128

Provenance: Private collection, West Dorset.

1100 A PAIR OF CHINESE CLOISONNÉ VASES with pear-shaped bodies decorated with blossoming lotus and scrolls on a brilliant turquoise ground, the flared neck with pendant tassels and the base with lappets and a band of geometric decoration around the foot, Qing, 9¼” high (2)

Lot 1099

1097 A CHINESE IVORY BRUSHPOT with a cylindrical body carved in relief with figures in a wooded landscape with pavilions and rockwork, within zig-zag stylised foliate borders, Qing, 3½” high x 2¼” dia.

Provenance: Private collection, West Dorset, probably acquired prior to 1980.

Lot 1098

Provenance: Private collection, Wimborne Minster, Dorset.

Lot 1100 129

1101 A CHINESE ENAMEL PLATE decorated in polychrome with butterflies and bats amidst summer foliage within a yellow ground band of lappets containing flowers and leafy scrolls, the diaper border with yellow ground reserves of fruit, insects and flowers, the reverse decorated with a phoenix surrounded by bats on a yellow ground, Yongzheng/Qianlong, 10¾” dia.

Lot 1102

Provenance: Private collection, London.

1102 A CHINESE AGATE CARVING OF A BUDDHISTIC LION with bushy tail and hair along the spine, 7”, on a carved hardwood base.

Provenance: Private collection, London.

1105 A CHINESE "AGATE" SNUFF BOTTLE with an ovoid body and a domed coral-coloured stopper, 2 7/8” high and seven other snuff bottles (a collection).

1103 A CHINESE ROCK CRYSTAL VASE of flattened baluster form carved with branches of blossom and buddhistic lions mask handles, now with a silver rim, probably Qing, 4¾” high, a Chinese green hardstone vase and cover, 7½” high and a circular base (3)

1106 A CHINESE CLEAR-GLASS SNUFF BOTTLE of large size with a flattened ovoid body internally painted with gnarled boughs of blossoming prunus and inscribed on both sides in black and red, with a simulated amber stopper, 4¾” high

Provenance: Private collection, West Dorset.

1104 A PAIR OF CHINESE “SMOKEY QUARTZ” VASES, of flattened baluster form carved with birds in blossoming branches, with mask and loop handles and domed covers surmounted by buddhistic lion finials, 8” high, a censer and a smokey quartz figure of Hotei reclining on a carved hardwood base, 4” high overall (4)

130

Provenance: Private collection, West Dorset.

Provenance: Private collection, West Dorset.

131

Provenance: Private collection, London.

Lot 1107

1107 A CHINESE PALE CELADON JADE BRUSH POT carved with figures in a punt on a lake surrounded by mountains and overlooked by a pavilion, the shore with gnarled pine trees, the base with a moulded border and three conforming feet, probably Qing, 3¼” high

Provenance: Private collection, London

1108 A CHINESE PALE GREEN CELADON JADE of a boy clambering over the back of a recumbent buffalo, 5”, on a finely carved hardwood base in the form of a lily pad, Quing, 6½” long overall.

Provenance: Private collection, Dorchester, Dorset.

Lot 1108 132

133

1109 A CHINESE PALE CELADON JADE WATER POT carved as a crouching mythical beast with horns and flaming haunches, the back lightly incised with stars and with a circular aperture, probably late Ming/early Qing, 43/8”

Provenance: Formerly in the collection of Warren E. Cox

For comparable examples see Wilson “Chinese Jades”, page 62, plate 65. Watts also illustrates a similar water pot in “Chinese Jades from Han to Ch’ing”, page 132, no. 109.

Lot 1109 134

135

1110 A CHINESE WHITE JADE BELT BUCKLE carved with pomegranates and peaches, the oval protrusions on the reverse carved with stylised flower heads within a border of wave scrolls, probably Qianlong, 4�

Lot 1110 136

137

1111 A CHINESE WHITE JADE SEAL with a square base surmounted by a crouching mythical beast, Qing, 11/8�

Provenance: Private collection, Poole, Dorset

Lot 1111 138

139

1112 A CHINESE COURT NECKLACE composed of hardwood beads interspersed with four larger amethyst beads and with drops composed of pink, green and amber beads and with a flattened celadon jade pendant with a pear-shaped drop below, probably late Qing.

Provenance: Private collection, Blandford Forum, Dorset.

Lot 1112 140

141

1113 A FINE CHINESE BLUE SILK DRAGON ROBE (JIFU) finely worked in satin stitch and couched gold threads with wrythen five-clawed dragons amidst cloud scrolls interspersed with auspicious emblems including bats, shoe characters and be-ribboned emblems, with a broad band of Lishui stripes along the hem, with gold-striped sleeve extensions, probably late Qing, together with a stole and a hat. (3)

Provenance: EJH Corner (1906-1996), Professor of Tropical Botany and friend and confidante of the Emperor Hirohito of Japan and thence by descent.

Lot 1113

142

143

Lot 1114

1114 A CHINESE BRONZE OF A DEITY sitting astride a buddhistic lion with a bushy tail, probably Ming or later, 13" high 1115 OWEN JONES: "EXAMPLES OF CHINESE ORNAMENT" selected from objects in the South Kensington Museum and other collections, published London, 1867 by S & T Gilbert, with 100 coloured plates, and an embossed red cloth binding enriched with gilt

144

145

Lot 1116 mark

1116 A FINE CHINESE CELADON VASE with a pear shaped body and a flaring neck, finely carved and incised with branches of blossoming peonies enclosed by borders of plantation leaves, the celadon glaze finishing neatly above the unglazed foot rim and the recessed base with a six character Kangxi mark in underglaze blue, 9½" high.

Provenance: Acquired by the vendors parents in the 1960's and thence by descent.

Private Collection, Dorset

Lot 1116 146

147

Duke’s AUCTIONEERS SINCE 1823

GLOSSARY OF CATALOGUING TERMS The auctioneers are always pleased to discussed individual lots with prospective purchasers prior to the auction and will provide condition reports on request. Please bear in mind, however, that condition reports are subjective and we earnestly request potential purchasers to inspect personally any lot on which they intend to bid.

Use of inverted commas around a word, or phrase, indicates that the piece, or object, may not be what it is purporting to be, or it may be an old-fashioned term of art no longer in use. If you are in doubt, our specialists are available prior to the auction to offer guidance and advice.

With Chinese ceramics and works of art, if the catalogue states that the object in question bears a mark, but it does not state “and of the period” it indicates that we believe the lot in question may not date from the period suggested by the mark. Clearly, references to the colour of jade are subjective and again buyers are advised to inspect personally any items on which they intend to bid to ensure the colour meets with their expectation.

Measurements are all approximate and should be verified by intending purchasers.

Care is taken to ensure that any statement as to authorship, attribution, origin, date and provenance is reliable and accurate, but all such statements are statements of opinion and not to be taken as statements, or representations, of fact. Duke’s reserve the right, in forming their opinion, to consult and rely upon any expert, or authority, reasonably considered by them to be reliable.

PAINTINGS, DRAWINGS AND PRINTS

The use of inverted commas around the name of an artist, or date, in connection with a signature, or inscription (ie. signed “Nicholas Chevalier”) indicates that the signature, or inscription, may have been added by another hand.

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Duke’s

Duke’s

AUCTIONEERS SINCE 1823

AUCTIONEERS SINCE 1823

CONDITIONS OF SALE Duke’s carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1 DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Duke’s or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Duke’s accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2 BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3 INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4 THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 19.5% plus VAT on the premium at the rate imposed by law.

5 VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk.

Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. *VAT payable at 5.00% on the hammer price and 17.5% on the buyers premium.

6 PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7 TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

8 REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due;

(g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9 THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10 COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11 WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12 AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13 TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot.

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part.

I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue.

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Address .............................................

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Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

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Lot No:-

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Lot No:-

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14 DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded.

This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15 FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

16 GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

(1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(3) Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

(4) Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

(5) Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

(6) English law applies to the interpretation of these Conditions.

17 DEBIT AND CREDIT CARDS Due to problems with fraudulent debit and credit card transactions payments over the telephone cannot be made for invoices totalling more than £200 unless the Buyers are known to Duke’s. Payment can be made in person using a chip and pin number, bank transfer, cash up to £9,000, or cheque (allow six working days for clearance).

Live Bidding Duke’s Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. You will be asked for a deposit to bid online at this auction. In completing the bidder registration on www.the-saleroom.com and providing your credit card details (unless alternative arrangements are agreed with Duke’s Auctioneers) you: 1. authorise Duke’s Auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Duke’s Auctioneers through www.the-saleroom.com and agree that Duke’s Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.

Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. Clicking the bid button is a commitment to buy.

Important notice regarding registration If you wish to bid at this auction you will need to register and provide proof of identity you may be required to pay a deposit, which will be refunded within 7 working days (without interest) if you are not successful. For more information and a registration form please contact the auction.

Grove Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101

Duke’s AUCTIONEERS SINCE 1823

Bidding Form I hereby instruct Duke’s to bid the following amounts on the lots stated, without any legal obligation on their part.

I agree that these bids are subject to buyers premium and VAT as applicable, and to the conditions of sale printed in the auction catalogue.

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Tel ...................................................

Address .............................................

Mobile . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.......................................................

Signed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Lot No:-

£’s

Grove Auctions Telephone: (01305) 257544 Facsimile: (01305) 259953

Lot No:-

£’s

Lot No:-

£’s

The Fine Art Salerooms Telephone: (01305) 265080 Facsimile: (01305) 260101 153

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